#There’s very specific intro and outro sequences to the movie however that make this such a horrible idea

[skhardwarevers1]

nobody let me come up with ideas for romcoms

[nobody-knose--archive]

i’ve been aching to commentate spirit phone’s commentary for ages. glad i finally got around to it, this was an ejoyable experience. liveblog below the cut

-i'm like half certain i've heard this commentary before. maybe not the whole way through & it was probably actual years ago

-nice hearing stuff like this. in-depth personal view of the album-making process. makes it seem like more of a real thing i could do myself someday

-neil cicierega real person momence

-i could probably go real in depth about neil cicierega/tally hall parallels specifically concerning like. the arc of their musical careers. but i won't, here

-wild how i legitimately don't care much about micheal jackson

-didnt we get a bunch of spirit phone stems from the needlejuice release/his patreon? we could probably hear the funny track he speaks of here in that

-i love hearing musical artists, especially neil cicierega, talking about the meanings of their songs. like, not only has this song been claimed to hell & back by the tumblr gays, but with later ones i just can't see where he gets these ideas from. also, claiming there's any one meaning or plot to a song just seems silly to me

-shoutout to neil reusing a midi from like, 1998, that he made at 12 years old, whose entire melody was reused for the main verses of everybody loves raymond. loved finding that out on my own 2 years ago. now it's common trivia in this fandom. not bad times

-it'd be neat if neil did individual trans tracks here like he did with view monstel, those things are half of why i consider it my favorite album

-it's a lot easier to ignore the creator's intended meaning behind a song when he can't even remember it. thanks neil

-seesaw effect

-and there's my joke all but 1 of my followers wont get. moving on

-what kinds of movie theater lobbies has neil been to where there are arcade machines. i mean im not one to talk but that does sound rather strange

-why do songs' titles even need to be taken from the lyrics. ive never seen that as any sort of requisite. it's like titling any form of prose you can just give it whatever name ya like

-"this part sounds pretty cool right"

-is neil's vocal range only mildly better than mine? with training i could change that

-oh i haven't processed any of the last 25 seconds hold on

-god. a shit ton of vocal modification in this song. it's like neil returned to his roots but with quality this time

-i, as an ace/aro, have never related more to an allohet guy in my life. what is the point of eyes!

-professional humming/whistling takes skill. it's different from the recreational or casual stuff. i'd know

-there's a name for the way sound (especially music) gets distorted when moving past you and i can't remember it but it's probably what neil's referring to here in the way he recorded the intro

(- update: it's the doppler effect no need to tell me cas already did)

-as someone who hasnt seen the rugrats or take me there by blackstreet i'll just say it sounded like a bouncy music box melody. nice to hear a song that messes with the typical scales though. lydian & diatonic.

-that's a rather specific thing to be glad about, but given what he talked about in his last full audio commentary about the jew harp i suppose i'm not surprised

-i know that tmbg song now. listened to it & saw the music video too. yep they're different alright

-where the hell does neil get all these instrumence from anyway

-huh. hadnt heard this part of the commentary before making my oc concerning this song but i like to hear neil's approval concerning part of my interpretation

-i love how ive heard a billion different tellings of this mellified man story from lem dem fans talking about this song and neil's is by far the wildest

-good god that does only make it worse neil

-i love making liveblogs of lemon demon albums. with the fullerenes or tally hall i cant name a specific dude to take out my woes on generally but with lemon demon i can just say neil all the time. i like being on a casual first name basis with this dude ive never interacted with once ever

-is sweet bod the one other than cabinet man with a demo in the bonus tracks? i forget

-holy shit the boston molasses disaster someone call up soapy if it doesnt already know, it'd love this

-two thousand nine. god i miss the fiddle solo. the ver with it is truly the best one

-he pronounces it jeff? i've always read it as gef with a hard g. that's what i get for knowing words that are never spoken aloud

-that's a fun meta interpretation of this ghost story that's over a century old. i like that

-i've noticed neil generally does the same synths across a whole album. it's especially more clear in the earlier ones, and does mean i occasionally mix up songs between clown circus & live from the haunted candle shop

-ah! ancient aliens! my least favorite track on this album. i cant even claim to have the least interest in a popular one i've just generally not liked this one much from the beginning. so im curious to see what neil's got to say, i think ive been in ~new commentary zone for a while now

-anyway. newest update on the loolin not realizing a song's funky time signature front: i think this one's in 6/4. or at least switches a lot between time signatures. granted i dont listen to it very often for the reasons stated above

-see the way neil describes it. eldritch horror upon being visited by the unknown at a time when humanity'd hadn't even yet had a chance to imagine such a thing occurring. should be right up my alley. but the sound itself & many of the lyrics simply turn me away.

-must i specify i don't dislike it? spirit phone is neil's best album it not being my favorite doesn't mean i think it's bad yadda yadda nobody should be surprised by this it's not like anyone in these fandoms reads my liveblogs <3

-granted i think this is. the first bit of spirit phone content i've made on my blog ever. so who knows things can change <3

-the transitions in spirit phone are much less view-monster transition tracks & more extended outros. view-monster's were a bit more intro than outro sure but they also seemed directed upon making a 2-way rather than 1-way bridge between tracks. or something like that

-.............soft fuzzy man is an incredible nickname for a cat. i'd steal that if i werent afraid of introducing my relatives to lemon demon

-jirls

-an underlying metaphor is good enough. the literal side of the lyrics are fun. nothing but agreement here neil my good man

-the transition into as your father i expressly forbid it from soft fuzzy man is the best one in this album

-buddy you ask if a musical idea has been used before odds are the answer is yes in this day & age the question is has it been used in the way you're using it. like sure this soul jazz record from the 60s that was sold out in kansas stores for a week used this bassline that youve found yourself copying. but seeing as youre using it in some angsty garage rock ballad type tune does anybody actually care

-doesn't everybody like to say things in an unhinged manner from time to time

-imagine having a guitar dad, i say, with my dad being a folk accordion/fiddle dad, which is infinitely worse in every way

-i think he was in an actual folk band at some point. idk the 90s were weird

-iron my life?

-m-more intimate? there are a lot of ways i'd describe this song but intimate isn't one of them. granted as your father is negatively intimate so from there i guess you've got nowhere to go but up

-...still glad to see his interpretation kinda supports my oc at least

-the way he says characters in songs shouldn't worry about death really strongly makes me think this is some sort of. thematic continuation of stuck from dinosaurchestra, even if there's no real death in there. interesting. would also mean that the dad from these past 2 songs is named carlos betty (no last name)

-i literally never assumed this was a flute solo. piccolo at best. it's pretty clearly a recorder

-my mom plays the recorder. i wonder if she can play recorder better than neil cicierega

-we can throw a party in honor of the crushing weight of responsibility! i simply won't be the one throwing it because i have enough on my plate already <3

-what the hell does "a sense of intent" mean

-i've never heard rush before however i disagree with neil's understanding of 6/4. 6/4 is meant to have emphasis (onbeat or another term i can't remember) on the 1st & 4th beat of every measure, which is greatly different from a measure of 4/4 then a measure of 2/4. it's why his 5/4 always sounds weird, because while it's recognizable in sequences of 10/4, it's more 2 measures of 4/4 with one of 2/4 tacked on the end. that's also how it's different from 3/4. i don't know much music theory but what i do understand i will fight to the death about

-"canonized" that's. a very interesting term to use when referring to a former president

-from now on i will interpret every love song directed at some unseen "you" to be inviting me to marry them for tax purposes. thanks neil for being an aromantic icon

-ah hell yes hell yes man-made object is my favorite goddam song on this album

-short & sweet & good damn vibes. neil's thoughts on it all are only making it better

-wild how he uses very few vocal effects for a song that he clearly is straining his vocal range for. go off neil

-the qualifier of man-made is a wonderful thing. oldest or biggest thing? oldest or biggest man-made thing? what a incredibly important specification. a world of possibilities lie between the two. oh i love it

-just gets me thinking yknow! what we consider weird/impressive in another species, in our own species- what kind of equivalent to that would there be from an outsider looking in? are there alien versions of the significances we place upon things, that we could never imagine? the limits of the human imagination mean we could never conceive of something else in the world that isn't, in some way great or small, just like us- and are we wrong for thinking that? such a juicy topic i wish there were a name for it because it's kinda hard to explain concisely

-spiral of ants. my second favorite song from this album, in fact. a good one to experience

-the vocals are just another instrument. they really truly are. i wasn't going into this commentary expecting to feel solidarity for neil cicierega in this chili's tonight on more than one occasion but here i am.

-like, his whole stance on interpreting songs is something i agree with almost entirely. you can take it at face value, you can dig to their very depths, you can listen to songs without caring what the lyrics mean whatsoever, and those are all fun. & yeah while any of these people can be annoying as one of the types who enjoys gliding on the surface more than anything i find those who dedicate themselves to figuring out the whole meaning of a song over anything else to be both slightly scary & slightly annoying <3 keep up the good work

-i want to make songs for my siblings the way neil makes songs for his sibling(s)

-spinch

-neil really shouldn't be allowed to be this funny like this whole album youre thinking golly! he's just a normal man this neil cicierega! and then he starts listing the cat hacks jokes & you remember he's had ridiculously consistent viral success with all his humorous endeavors and holy shit it's neil cicierega in action talking about his music. god bless you neil

-you're welcome, no problem, my pleasure. good eveternoon, radio audience!

[firebirdtransam68]

Transformers: Superlink References I Noticed

Most Trans-fans watch Transformers: Armada and Energon and see them as a completely different universe with little to no G1 references (and some Star Trek, Star Wars, and Pokémon references peppered into the trilogy), besides seeing them as some of the worst Transformers media; I saw Transformers: Micron Legend and Superlink that have a lot of G1 references, as well as being some of the most underrated and underappreciated Transformers media.

Superlink, especially, have many references from The Transformers: The Movie (1986) as well as parts of the original series, including Season 3, and a few callbacks from its predecessor, Micron Legend (Superlink is its sequel, after all).

The following G1 movie references I saw from Superlink include:

- The show brought back original characters from Micron Legend (including Ironhide, Sandstorm, and Shockwave), and then killed them off before even half-way into the series

- Megatron comes back as Galvatron; with not only a new body (which is a huge callout from the 1986 movie), but a different voice actor/seiyuu, as well

- Some of the original characters (especially Sandstorm, Ironhide, and Shockwave) were reformatted via Unicron’s power into completely different characters that are not as memorable

- Rodimus Prime (called Rodimus Convoy) makes an appearance, even though this Rodimus was not originally Hot Rod

- Springer (called Sprung in Superlink; which means the same thing) also makes an appearance

- A few scenes featuring Rodimus and Galvatron fighting each other is quite a big reference to the final battle in the 1986 film

- My least favorite Transformer: A Quintesson (Alpha Q)

- The animation is different than it was in Micron Legend; much like how the animation for The Transformers (1984-1987) was animated by Toei Animation, while the 1986 movie was animated by AKOM (and its style is a little different, as well)

- A completely different soundtrack specifically for the anime is used without reusing the Micron Legend soundtrack

- While songs like “The Touch,” “Dare,” and “Instruments Of Destruction” played at least once in The Transformers: The Movie, the intro and outro songs (“Taiyo no Transform” and “Calling You,” respectively) featured during certain episodes, especially in epic moments featuring fight scenes

- Not only is Kicker Jones a reference to Daniel Witwicky (a young tagalong human who is friends with the Autobots), he is also a composite character with G1 Hot Rod by behavior/attitude (he is quite impulsive, and wants his friends to not give up and fight for what is right)

- The female Transformer, Ariel, is a reference to G1 Arcee, since there was already an Arcee in Micron Legend

- There is a really fast Autobot; for Generation One, it is Blurr, and not only does he go fast, he even talks fast, as well; for Superlink, it is Wing Saber, who is quite an energetic Transformer to begin with (Episodes 26, 28, and the TV special are some well-known examples displaying his speed)

- Unicron looks a little more like his G1 counterpart than he did in Micron Legend

- Both the 1986 film and Superlink have their dark and silly moments, including beloved characters being killed off and Unicron causing destruction, and some slapstick moments regarding the Transformers

There are also some references from the original G1 TV show, as well:

- In both the G1 show and Superlink, an Autobot was killed off, and was reformatted into another, yet very similar, Autobot that is more well-known to many Trans-fans; respectively, they are Orion Pax (now Optimus Prime) and Wing Dagger (now Wing Saber); coincidently, both of their voice actors also voiced Ironhide (both Optimus Prime and Ironhide were voice by Peter Cullen in Generation One; Wing Saber and Ironhide were voiced by Koji Yusa in the original Unicron Trilogy)

- The G1 transformation sound effect is in the show!

- Many Transformers are based on their G1 counterparts, including Inferno, Wheeljack, Skyfire (almost), Omega Supreme, and Lazerwave (his G1 counterpart is called Shockwave, but since there is already a Shockwave in the Unicron Trilogy, the Decepticon’s name is Lazerwave, much like his Japanese version)

- Although they are not the same character, Superlink’s Red Alert and G1 Mirage share a very similar alt-mode, which is a blue Formula One race car

- The Shadowhawk Terrocons almost resemble G1 Lazerbeak; the Command Jaguar Terrocons resemble G1 Ravage; and the therapod Terrocons are called Dinobots (although, some may say they are a reference to Beast Wars’ Dinobot)

- The combiners made appearances in the show, including Buildron (a reference to G1 Devastator, but since there was already a Devastator in Micron Legend, the Decepticon combiner is called Buildron), Bruticus (whose individual combiners even kept their G1 names), and Superion (an Autobot combiner); there are also a few moments with Superion and Omega Supreme, as well, much like in Generation One

- One word: Energon (except, in G1, it is Energon Cubes; Superlink has Energon Stars)

However, being a Mecha anime show, Superlink also has references to other Mecha shows, including Voltron (as well as Beast King Golion and Armored Fleet Dairugger XV, due to the Grand Force (Prime Force) serving as Optimus Prime’s (or Grand Convoy) arms and legs), Gundam, and even the Brave Saga (including Brave Police J-Decker, in which I am also watching).  The Brave Saga, in particular, are referenced in Superlink, including the following:

- Once the Transformers Superlinked (combined) with one another, we see close-ups of their combining sequence, they call out their forms, strike a pose, and then the battle begins; special mention goes to Optimus Prime/Grand Convoy, with his Super Mode/Hyper Mode (with the Grand Force), Wing Convoy mode (with Wing Saber), and Omega Convoy mode (with Omega Supreme)

- While the Transformers shout, “TRANSFORM!” the Brave robots shout, “CHANGE!” once they transform into their vehicle mode or robot mode

- Both the Transformers and the Brave robots are emotive, and have had many humanized moments, as well

- Since the Transformers and the Brave robots are sentient and can talk, they also have different personalities that makes them what they are as characters

- Both Transformers and the Brave robots have a human companion who fights alongside them

- Both franchises have their awesome, funny, heartwarming, terrifying, and heartbreaking moments that makes their target audiences attached to their works

I could list more references and callbacks that I noticed in Transformers: Superlink, but I will leave it at that, and maybe you can also find references in the show, as well.

Also, as I have mentioned, I am currently watching Brave Police J-Decker, and I have completed 12 episodes, so far; the robots are very similar to Transformers, it has their awesome, funny and heartbreaking moments that motivate me even more to continue the series until the grand finale, and I already got a favorite character since Episode 1, Deckerd, the main Brave Police robot, and the main human character’s companion; and a really cool vehicle mode (also, I discovered another really underrated seiyuu, Toru Furusawa; he also made a brief appearance in Transformers, but he is mostly well-known in the Brave Saga; in fact, he is so underrated that DeviantArt does not have a single stamp or fan art based on him (at least not yet); so, for any anime and seiyuu fans, I would suggest giving this voice actor more recognition, as well).

That is all I will be saying for now.  Stay tuned for more posts.

This is FirebirdTransAm68 signing out.

[solidplissken]

How to get free youtube subscribers: 5 Proven ways to increase following

How to get free youtube subscribers: 5 Proven ways to increase following:Simple Hacks

Prelude:The Beginning

Do you know how to get free youtube subscribers? Well here is the right guide for you! Youtube is one of the biggest social network out there. It boasts 1.8 billion registered users last 2018. Back then youtube was used for video uploads. And now behold, how it has evolved. It became a platform for streamers as well.

Youtube started in 2005 back then the site was all content rich but most of them are revamped amateurish video. Now look, it has evolved into much more. It also became a breeding ground for aspiring artist. Remember those people who were recognized about how large is their following on youtube.

pixabay photo credit

TALK ABOUT SUBSCRIBERS:HOW TO GET FREE SUBSCRIBERS

The hustle and bustle of building your own following on youtube is a must. Frantically, there are a lot of guides that do offer you a surefire way to get ahead of the pact and become one of the many influencers in their platform. Unfortunately nothing beats hard work. Also there is no magic bullet for this. Allow us to give you some tips on how to get free youtube subscribers. We from purpslam have something for you.

1) Identify your audience – you need to know what are their needs, what are they looking for and what’s the mostly likely the age and demographics . Why is this so important? This is the first step in creating a suitable video for them. Would you want to show such violent content on younger audience of course not!

2) Engage your audience – It is not just about creating videos. But molding videos into masterpieces. How can it be a masterpiece? First, if you are recording outside. You need a suitable cam recorder, else your videos would be unprofessional. You can try one of the products recommended below.

However if you are recording from your desktop or streaming videos. You will need a decent webcam at least you can get this as an example . It’s break even and quite good for the price.

Recording the video is the first step and what’s next? Edit the video with proper editing tools. I wouldn’t say not to use the basic tools just like windows movie maker. But, would you want to make it look superb and eye-catching? How about try something like sony vegas or adobe premiere after effects. These tools bring a bang to your videos.

Place a good intro: You don’t need to learn how to make introductions. Some novices claim to have problems with making intros and outros. However, there are free video template sites which have pre-made templates for these and they can save you so much time!

Great Now I have A decent Outro and Intro: What’s Next?

Get a couple of interesting sound effects for each video sequence. You can place them on some lull videos/moments. Sound effects give an interesting mix to your videos. And if you aren’t using any of your voice you can get some creative commons sounds from bensounds.

How to get free youtube subscribers by Incorporating sounds effects or music into your videos create the so-called feel or theme of the video. Imagine, the likes of some horror or thriller movie that’s not how to get free youtube subscribers. Would it still be as scary as it was without the sound effects? Or an upbeat video without an upbeat sound?

Okay now I have some decent sounds to include: What now?

Okay, here is the hitch. You need to mold the video into something as informative and as helpful as possible. You need to capture your audiences hearts! Keep it as spontaneous as possible. Nobody likes, a monotonous video of you talking  of 5 minutes in a monotonous voice. Cut the videos, in sections. Get the most interesting parts and set some clear and concise pattern for the video. If it’s an information type of video you could show some nice pictures while discussing the subject.

3) Encourage feedbacks -Alright, this is just a continuation of our last tip. Make the viewer leave a like or comment on your video. How do we do this? The simplest way is to get an outro-template and say please subscribe and leave a comment below. Or asking the audience to like the video if they found the video helpful or subscribe to your channel if they want some content like yours.

NOTIFICATION BELL TIP:Back then when a user subscribes to a channel they would instantly see notifications. However, this has changed a lot. They should click subscribe and hit the notification bell in order to receive updates from you. Check image below.

chittagongit photo credit

4) Respond to video requests – well this applies if you have engaged your audience enough and they ask you to do some stuff or videos which might be in demand. So go ahead, make a video for them and then highlight the user request. This makes them feel important or appreciated they will love you even more. This is very evident in the music industry especially those small youtube  channel artists. They have some specific fans who wanted to hear some renditions of music by the artists itself.

5) Create content on a daily basis – Nothing beats consistency and hard work. This tip not only makes you look good to your target audience but also to youtube’s algorithm. In time, google see’s you as an authority channel and begins to feature your videos in google search! Talk about Video Carousels!

Wait! what Google Search and video carousels?

These my friend, are the best signs that you have been working hard and churning useful videos for your specific audience. Well, there’s a good news for you it’s not only through Hard work that you can achieve this. There is a known shortcut which might get there in a jiffy!

Presenting Youtube Video Seo Tips: On Page Madness!

Well, these tips will get your video noticed by youtube and place your video higher in search results.

1)Title – Keep it short and simple but descriptive – Give it the appropriate title anywhere over the 50 character mark is okay. Longer than that would make it look like the title is cut from google’s and audiences eyes.

2) How to get Free Youtube Subscribers:Utilize the description box!

While the average user will be enticed by a good title. A good description will let the user know what is the video is all about. Also this is an extra factor in which your video will rank. A good 250 word description will keep things going. Also don’t for get to link to social channels or any authority related to your video.

3) Tags Usage: How much is enough?

Using youtube tags will help your videos get noticed more. Use 5 to 6 tags which includes your target audience. E.g if your video is about “best dogs collar” you should have it in your tags, twice in  description, and once in your title.

4) How to get Free Youtube Subscribers:End screens and cards use them!

End screens and cards gives you a chance to promote a video or a playlist. Why is this useful? Let’s say you a have a popular video which got noticed. Placing an end screen pointing towards your other videos and adding another video link through a youtube card will certainly boost your other videos as well. This creates a domino effect with other videos as well.

5)Hashtags Usage:

Well, these are pretty basic. You just make up a hashtag “#” for your video and or target word/keyword. For example “#bestdogcollars” . You can place them either on the first part of your description or at the end of your description. Also, you can place them in your title.

The post How to get free youtube subscribers: 5 Proven ways to increase following appeared first on PurpSlam.

from PurpSlam http://bit.ly/2APIMyE

[phoebedunsmoremedia]

Evaluation question 7: Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?

Radio Interview Script

Radio: A thriller phenomenon has taken the movie industry by storm when it was recently released in cinemas in March. Here with us today is Phoebe Dunsmore an actor and co-director/editor for the movie Sister.

Phoebe: Thank you for having me today

Radio: It's our pleasure! Obviously, we want to get all the details about this new film you're coming out with: Sister. It’s blowing up every social media feed I scroll through, the reviews are phenomenal and I don’t think anyone was expecting it to be as successful as it was since you released your preliminary task.

Phoebe: I know its incredible. I Don’t think anyone closely involved with the film was expecting this kind of attention especially like you said after our previous release.

Radio: There’s no point trying to cover up the fact that your preliminary task was not your finest piece of work. Can you enlighten us into what progressions you made from your preliminary task that made Sister so much better?

Phoebe: I mean sure it wasn’t our best work but i still believe there are parts of our preliminary task that were reasonably well put together. Without it i don’t think we would have made such an improvement on Sister as we wouldn't have had anything of our own work to compare it to. However, i do agree it’s not to the standard we are now striving for. When filming our preliminary task we were very limited in that we only had access to the school facilities. This meant we couldn't come up with any especially creative ideas that would be really grasping to watch and so we were left with some quite boring content, which if I'm being honest, watching it back now it almost doesn't make sense. Due to us having plenty of time to plan our main task we were able to create a much more exciting storyline for Sister. We completely changed the genre of our main task swell. Our preliminary was more indie and very simple but our main task, Sister, was far more complex and of the thriller genre. When planning we were also able to really go into detail when planning out our various shots. This meant we were far more organised. We were able to take equipment home this time which meant we could film anywhere and could film in an environment that would partner with our plot perfectly so as to make our film as enticing as we could from the get go.

Radio: It's interesting that you should mention the change in genre and storyline because that's definitely something that I, as a viewer, noticed straight away myself. You briefly mentioned equipment, can you elaborate some more maybe on how you've progressed from your preliminary task to your main task due to equipment?

Phoebe: Yes of course. Change in equipment definitely payed a big part in making our main task much more pleasing to watch. I think this is predominately down to the fact that we had access to much more efficient equipment. The camera we used for our preliminary task didn’t allow us to experiment as much as we would have liked with different settings. We used basic camera rules, for example we followed the 180 degree rule and made sure there was good continuity. Throughout filming for our preliminary, our camera was always on the tripod, so this limited us to what we could actually do with camera and it meant we didn't have a lot of variation in the types of shots and angles we used. In comparison to this for our main task we had a higher quality camera and a better tripod. This meant we were able to do a lot more, for example in our main task we included a huge variety of shots like handheld ones and we were also able to film a pull focus because the camera we used had manual focus. The overall framing of our shots was a lot better as well. By this i mean that we made sure we didn’t have to much going on in one shot, so that it was easy to focus on one thing at a time and also easy to make sense of what was going on. That was definitely a big improvement from our preliminary task.

Radio: Shooting your main task must have been difficult some shots looked almost impossible to film without decent equipment.

Phoebe: It's amazing what you can do with a tripod.

Radio: I bet! Your main task doesn’t actually include any dialogue if I remember correctly? This must mean that the music is definitely a big statement in your main task?

Phoebe: Yes, we ended up having a faulty sound kit when we went out filming which on our first day of filming was a massive set back. Luckily we were able to think of an alternative plan for our main task. So i think the most obvious difference between our preliminary task and our main task is the sound. The dialogue during our preliminary task was poor, in that it just lacked any sort of entertainment what so ever. The music played in the intro and the outro of our preliminary task was quite effective and we used that technique again in Sister, our main task. Due to us not being able to record any dialogue we had to compromise … a lot. In the end we decided we would record as much diegetic sound as we could with the microphone that was built into the camera. This proved very effective when we were shooting near the waterfall because it captured the loud noise of the water. This added a lot of realism to our production which was huge progress compared to our preliminary task which was hardly believable in anyway. Back to the music, when deciding how to grasp the audiences attention further without the dialogue we looked back at our preliminary task and noticed that there was music that played in the intro and the outro. We elaborated on this in our main task. Instead of fading the music out at a specific point we let the music carry on but to create some variation amongst it we had one piece of music play at the start and as the action being we played a different piece of music. The different songs played made the shots far more interesting to watch and we’re cutely glad we didn’t include any dialogue.

Radio: I think it’s interesting how you developed the ideas you used in your preliminary task and made them ten times better and more effective in your main task. I don’t think you’ve spoken about editing yet? That must have played the biggest role in the progression from your preliminary task to your main task?

Phoebe: I agree I think the progression on the sound front was quite impressive. The editing did play a big part in our task however, I feel as though it’s a smaller factor compared to everything else we’ve spoken about so far. When we were editing our preliminary task our knowledge on how to use the editing software was very basic and that limited us to what we could do. During our main task, we learned much more complex skills. Generally, it was all self-taught, we used our own initiative to watch youtube tutorials on how to do certain things ti reach the desired effect we wanted. In our main task we were able to apply a filter to our flashback shots which created an obvious divide between the flashback shots and the “current time” shots. This was very effective and something we are all quite proud of. The entire opening sequence was a lot smoother but i don’t think that was just down to editing, that definitely helped but if we hadn’t of filmed thoroughly enough and taken care planning everything out nothing would have come together like it did.

Radio: I have to say the editing was something I was talking with my colleagues about this morning before you arrived. We thought it was very complex and extremely gripping. You’ve really given us a great insight into the effort that's gone into making Sister the best it could be, is there anything else you’d like to add?

Phoebe: Thank you! that's definitely the response and reaction we wanted. I think I've covered everything although I would just like to say that organization played a massive role in making this production so much more polished and perfected than our preliminary task. We spent a very long time planning every individual shot which meant when we went out to film we knew exactly what we had to do and when. this made filming easier because we could spend less time working out what we wanted to do and more time actually shooting shots a few times to make sure we got the perfect one.

Radio: Well you heard it hear first guys, organization, and hard work is key to creating a successful movie production. Thank you for talking with us today it was a pleasure having you on our show.

Phoebe: Oh no thank you I've loved every minute.

Radio: That was Phoebe Dunsmore an actor and co-director/editor for the movie Sister. Next up we have ...