#The story doesn't feel Right because of it

[angelltheninth]

Arcane Characters That Are Big of Heart and Dumb of Ass

Pairing: Vi, Sevika, Vander, Jayce, Loris, Ambessa x Fem!Reader

Tags: fluff, dating, flirting, cuddles, kissing, sparing, muscles, protectiveness

Ko-Fi | Rules | Fandoms and Characters

A/N: This came to me today during my work break. I love himbos and whatever the female version of it is!

PURE OF HEART: She will do anything, put herself in any kind of danger to protect you. Vi is ready to get into a fight with anyone, stand up to anyone if they're bothering you. The bruises might be there after but she knows you'll help her get patched up. Depending on where the bruises are she might get some kisses.

DUMB OF ASS: Charges head first into any situation and that more often than not gets her hurt. One would think she learned to use hear head a bit more by now. And just in terms of headbutting her opponent. However she defends her attitude by saying that she's the muscle here, so you should let her take care of things her way.

PURE OF HEART: First of all she doesn't want anyone knowing she has a soft spot for you. She is very aggressive in her flirting both in public and in private but when you're up close, in her lap she will whisper sweet nothings into your ear. After which she will bite it. Don't blame her, she has an image to uphold.

DUMB OF ASS: Sevika has always been a badass in Zaun, but not for her brains. As respected as she is some also see her as a glorified bodyguard that's now dating her boss's cute secretary. She hears these rumors of course but they don't phase her when she's had a few shots of her favorite drink. Not her best moment.

PURE OF HEART: He is a family man to the bone. And he sees you as his wife even though you're not officially married yet. It won't stop him from grabbing you around the hips and pulling you into a kiss, his tongue tasting of tabaco and your favorite drink. Yes, your favorite, because he wants to taste good when he kisses you.

DUMB OF ASS: While Vander might be one of the de facto leaders in Zaun he's made his fair share of dumb choices. He's forgotten to lock up more than once, leading to the people thinking the bar open and he walked out in his underwear. What made it more embarrassing is that you were right behind him, wearing just his shirt.

PURE OF HEART: Everyone who met Jayce even once can see that he has a heart of gold. There isn't a challenge he won't try to take out, be it with brains or brawn. Knowing he's smart hasn't stopped you from visiting him a few times in the forge and appreciating the way the sweat rolls down his muscled body. He even flexes for you.

DUMB OF ASS: The amount of times he accidentally burned himself because he was too busy making out with you is astounding. He picks you up easily enough. But then backs up a bit too much, touching or stepping too close to the heat of the forge. Either that or he knocks important tools down when he places you on his table.

PURE OF HEART: No one's got your back like Loris has your back. He's is one of the most supportive boyfriends you could ask for, husband material really. Whenever he notices you're having a bad day he will beckon you over and scoop you into his big arms. You're not getting away from him or his cuddles until you feel better.

DUMB OF ASS: Among the Enforcers he has always been known as the muscle, and as more than a bit of drinker. But he also tells the best stories. He can be a little crude sometimes, flirting with you and forgetting there are other people in the room. The next morning everyone is smirking at him and he has no idea why.

PURE OF HEART: Ambessa will crush anyone who has anything bad to say about her, her family, or anyone in her army. Her strength is in her physique, strategy and loyalty of her people. But on occasion she can show her softer side, when it's just the two of you. It's one of her weaknesses, that cute smile of yours that she would do anything for.

DUMB OF ASS: One of her favorite ways to flirt, and have foreplay, is to spar with you. However that tends to attract more than a few eyes. She always acts insanely possessive over you in those moments, her head still in the fight but also getting in between you and her soldiers. it ends up looking a bit like a dance, much to everyone's amusement.

[sapphira-mydnyte]

♥ Shadows of His Heart & Mind ♥ Sebastian is a treasure hunter for knowledge, but his love of battle will see that he not only adds to books already written, but completely overhaul & rewrite what was once thought true & unshakeable. A rogue to the school in every way, he hides his true power of knowing the dark arts & his ability to cast the three Unforgivable Curses with ease from a vast majority of the students & professors. With his beloved sister terminally sick, his instinct to protect & fight for her howls inside of him, causing his magic to have a nasty after effect of both a low-grade fever & a nagging headache if he uses his magic for too long. The dark magic that flows within him is slowly poisoning him as well, giving him a rapid fire round of nightmares of his own sister dying in the bloodiest of ways. Although the proud Scotsman strives to keep his composure, there are times when his pain shows in his eyes & in the way he acts. The most notable is him sneaking out constantly at night from being unable to sleep due to the nightmares. His mind is restless between the dark magic & knowing that his sister is sick. He never asked to be cursed like this, nor for his sister to get hurt, but because he couldn't save her when she got cursed, he blames himself for being too weak to do anything for her then. Everything that needs done school-wise, he does without fail, but his dark eyes have both sadness & hatred within them. Most see the sadness, but a few of his friends, namely Natty, Poppy & even Garreth see the hatred that burns behind the sadness. Ominis, although blind, can feel Sebastian's rage radiating off of him when his sister is ever mentioned. Sebastian may hide his power & knowledge of the dark arts well, but his emotions are another story. None in the school blame him for being sad & upset over what happened to Anne, not a one. He has every right to feel that way & everyone, truthfully, agree with him that she deserves her life back. Ominis has already accepted losing Anne to her sickness, but he's still willing to be by her side until the end. Sebastian refuses to give in though & that passionate fire in him comes from both his parents being professors & his uncle being an auror. With the dual love of learning & fighting instilled in him, his ambition to break every rule to get a cure for his twin found or made is far stronger than anybody else's, no matter what it is. Garreth's love of potions & Imelda's love of Quidditch pale in comparison to Sebastian's ever loving heart for his sister & what she deserves. The only thing Sebastian doesn't know & is truly frightened of? Being alone. That's what scares him the most & it's the thought of his sister dying that he's tormented with every night that leaves him waking in a cold sweat. Every time a bout of pain hits Anne physically, that same pain hits Sebastian mentally & emotionally, causing either his attitude or his actions to change in seconds. He's hooked to his sister, their pain is shared & there's nothing he can do about it except fight for her. In the end... to him... it's not a matter of "if she can be cured" it's a matter of "when she can be cured" & he's out to find it... no matter the cost. The longer Anne remains sick, the more Sebastian's mental stability breaks down & it's a painfully slow one on him. Time itself is stealing his sister's life force away now & death waits for no one, but Sebastian is determined to get his sister back & nobody will stand in his way... even if it means a brutal end.

Study

It has been a while since I drew Sebastian! The manga is progressing rapidly, and I'm looking forward to its completion! I can't wait to draw more and more!

[damnfandomproblems]

Fandom Problem #7031:

Trying to reason with fandom puritans feels like the Patrick wallet meme.

"So we agree that DnD and violence in video games don't cause people to become violent"

"yep!"

"And comics and superhero movies can't really be blamed for kids jumping off of things and getting hurt because they wanted to fly like superman, right?"

"yep!"

"So if I write dead dove stories with a focus on taboo relationships that DOESN'T mean-"

"YOU'RE GLORIFYING AND ROMANTICIZING TRAUMA WHAT IF KIDS READ THIS YOU'RE GOING TO NORMALIZE--"

[saymio]

The Salesman headcanons | (NSFW)

Pairing: The Salesman x Fem!reader

Genre: headcanons, smut

Warning: dead dove do not eat, manipulation, stalking+kidnapping, dub/noncon, DDLG, age gap, might be more but im too lazy to write it down

A/N: not proof read. classes started again so I'm taking longer to write, enjoy my hc's while u wait for a longer fic.

The Salesman, the man that found you sitting on a bench all alone crying in the middle of the night. he couldn't help but feel pity for you, like you were a puppy that was left alone out in the rain.

The Salesman, the man that came home late from doing his usual recruiting, feeling his pants getting tighter and tighter every time he replays your bloodshot eyes and shaky pathetic voice.

The Salesman, the man that decides he wants to stalk your every move after he saw you crying all alone. watching you as you try looking for places that would accept you as a worker, or when you pleasure yourself. watching through your open blinds.

The Salesman, the man that will record you while you change, sleep, and do other things around your house. jerking off to your unsuspected body, who would assume a creep was watching them through their window?

The Salesman, the man that gets front row tickets to your freak out. he sent a couple of photos he took of you sleeping to your phone number and now you're frantically running around the house. locking all your doors, windows and covering any opening you could think of. God, you looked so small and weak when you were scared.

The Salesman, the man that met eyes with you while you stood in front of a brightly lit love motel. his jaw clenching and eyes filled with rage, what were you doing here? its obvious you're a virgin, just one look at you and he could probably recite your entire life story. so why were you trying to meet up with someone here? were you going to fuck a stupid child? a boy your age doesn't know how to make a girl feel good...you need an older man to help you..

The Salesman, the man that had kidnapped you in broad 'daylight'. right infront of the motel, right infront of dozens of cameras. watching you squirming body and tears run down your face..but you cant say a word because you mouth has been duck taped shut.

The Salesman, the man that feels a strong urge to just keep you safe. to protect you from the world and let you stay home to do nothing. And the only way you'll be safe is if you stay with him. forever.

The Salesman, the man that will force you onto his cock with no remorse as you yell in pain. you've never had something this big so it feels like you've been split in half...he loves it. he loves your pain.

The Salesman, the man that will treat you like your a stupid child. petting your head and rubbing your cheek while he slowly explains the rules of the game he wants to play with you. like if he were to speak faster you'd get confused.

The Salesman the man that sets you loose in an abandoned warehouse. telling you if you hide for 2 hours without getting touched you win..and get to go home without any more abuse to your hole.

The Salesman, the man that caught you only 2 minutes before the timer went out. dark eyes piercing into yours as he smiles a creepy wide grin. "caught you~"

The Salesman, the man that enjoys your shaky eyes and rapid breathing when he finds you. he thinks its funny, you probably think he's going to kill you. but he wants to do worse

The Salesman, the man that will tie you up to a large bed. items laid out on a desk next to him...the prize for the salesman when he wins was he gets to pick what he can use on you.. he picked a whip, knife, and..his own dick.

The Salesman, the man that whips your body until youre screaming in pain and begging him to let you go...but he only gets worse as his boner gets more prominent against his slacks.

The Salesman, the man that carves "daddies slut" onto your right thigh. licking the blood that dripped down your thighs as he did so.

The Salesman, the man that will make you call him dad and daddy. he finds it so cute how your little voice says it. like a scared little girl calling out for her dad...

The Salesman, the man that drops you off right where he found you. you just had new bruises and cuts now.

Another note: I hope you guys liked this one hshsh, I'm working on a noeul fic rn. idk when it'll come out doe.. T T T T

TAGLIST: @pollys-doublelife @gongyoosgf

[lost-romantique]

Blitzø's Maturity in Sinsmas

One of my favorite parts about Sinsmas, aside from everything, has to be the amount of maturity Blitzø displays in Sinsmas, or specifically in his conversation with Stolas.

This conversation really goes to show how one of Blitzø's best features is his ability to always say the right thing, when he knows the people in his life truly need it.

He did it with Moxxie and Millie:

"Look, I'm hard on you, because I know what you're capable of, Mox. You care too much about what everyone thinks except for... me, because, y'know, my opinion is correct, but just... keep doing a good job. 'Kay? You shoot 'n kill good, you escape things easy... you can be strategic and cold-blooded when you need to, aaaand don't expect any more compliments; I'm maxed out."

"Millie, I have spent too much of my time, energy, and holes into setting this up for us to entertain your bullshit. I brought you into this company for a reason, okay? You're tougher, smarter, and frankly more capable than anyone I've ever met in any ring..."

"Mind if I steal?" "Today was a lot wasn't it?"

Blitzø starts the conversation with an ice-breaker to lighten the mood because he can tell Stolas is on edge right now.

"I-I- I know you can't see your kid. And I know you did so fucking much just to save my life-"

There are three things I want to point out:

Blitzø makes it very clear that he knows what Stolas just lost, he knows he can't see his daughter.

Blitzø also states that he understands the huge sacrifice Stolas had to make in order to save his life.

Blitzø knows that what happened is a serious situation, he knows how much Stolas loves his daughter, and he doesn't downplay that loss.

"It's okay. Saving you was the right thing to do. And you have risked your life for mine in return. You don't need to feel any guilt for my situation, it was my choice. It was all my choice. I caused all of this."

"She'll understand eventually. You just gotta give her time."

Stolas is mourning the loss of his daughter, and is reflecting on the times he's failed her as her father. And I love how Blitzø states that the simple fact that what Octavia needs right now is time to process things, the same way Stolas needs time to process things as well. And I love how Blitzø says that, "...she'll understand eventually," because it's true. Octavia will understand, eventually.

I think one important thing to note is the fact that Blitzø also doesn't undermine Stolas' statement: "It was my choice. It was all my choice."

Because it's true, Stolas did make a choice...

Stolas chose to give Blitzø the book, thus starting their transactional arrangement.

Stolas chose to give up his own life to save Blitzø from execution.

Stolas chose love, and that is not a bad thing.

"Blitzø, she's gone. For one hundred years, she's gone. And after all that time, she'll never forgive me. I'll be a stranger to her."

"Y'know, my twin sister... She hates me too. For something that I did. And I miss her, every day. We were so fucking close, y'know, we- It's a shitty feeling. But, you just gotta keep trying."

Blitzø, right now, is willingly being vulnerable with Stolas and I think that's beautiful. He encourages Stolas to keep trying to reach out to Octavia, to not give up all hope just yet.

And I love how Blitzø decided to talk about Barbie, and not Fizz, and the reason is simple...

Blitzø can't guarantee a happy ending between Stolas and his daughter, he can't promise any of that. Blitzø states that Octavia will understand him, but he can't promise that Octavia will forgive him.

If Blitzø were to share the fact that he recently rekindled his friendship with Fizz, than that might be giving Stolas a false sense of hope.

And Stolas, right now, doesn't need a success story, he doesn't need, "Hey, I was able to fix my relationship, so you can too". What Stolas needs right now is reassurance that he's not alone, that there is someone out there that understands his pain.

"Sounds likes, uh... they want me back in there..."

"Go enjoy your Sinsmas, Blitzø. I'm fine, you don't have to stay here with me... What are you doing?"

"Well, I can't fucking dance with you without- come here, getting inventive."

I love the Full Moon parallel of Blitzø choosing to stay with Stolas instead of going back to the party. Blitzø knows Stolas is not fine at all.

And while Blitzø can't magically make all things better, Blitzø can at least give Stolas a moment of happiness, a chance to momentarily forget all the pain he just went through, a chance to be with him and him alone.

[summertimesadnessirl]

It doesn't matter.

If you have done everything you can to try to get the life you want and nothing works, it doesn't matter why you got that way. All that matters is don't keep trying to get love and letting people use your desire for it against you.

I'm pretty sure it's not actually real. And it's just something they made up to sell soap.

So that's the model I work with.

As long as I refuse to allow myself to believe anyone loves me, everything works out well. When I break that, people hurt me.

People will guilt you into saying it's because you don't pick the right people but no matter what criteria you use it's always the same. And no matter what treatments you apply to yourself, it's always the same. And no matter how many new styles of communication you learn to talk to other people, it's always the same.

For me the only thing that kind of worked was doing sex work and being super fake and having several hundred shallow fake relationships that had a lot of sex and weren't boring and miserable, because whenever I've tried to not date and just hang out and do other things like working or something either people bother me all the time and are really mean and annoying or they are always "conveniently" introducing me to people they want to fix me up with. Men and women and like? Those people are always basically on the same emotional level as the people I have already dated and seem really shy and kind of uninterested in me. When I talk them out of their shell, they seem still shy, like they basically admire me for not seeming shy to them and like how I dress but don't have anything in common with me and we wouldn't have anything to talk about, or they have kind of a mental picture of a type of super assertive girl who will be into their lack of experience and want to like... put spices on them and let them sit on the counter top for a full moon cycle and then write out a recipe for them that they can use to attract someone who will love them now that they aren't virgins or something, and they don't want to admit that to me up front, which is very mean to do, to want someone to like... be your character development without asking and then not let them prepare to be left with nothing from that interaction in exchange for being a cute story you talk about with your future spouse or whatever.

Most people don't seem to want a relationship with a particular person or a particular type of relationship or even like have considered their own potential deal breakers. Not "I didn't realize this thing I thought everyone did wasn't a thing everyone did" or "i was wrong about my needs in certain areas" or whatever. They genuinely have no idea like what they do for fun that is a group activity, and they make you spend like an hour trying to figure out what they want every time they want something and most of the time when you give it to them they're unhappy.

It's like people want me to be in a relationship just so I'll be in a relationship and other people want to be in a relationship with me just to be in a relationship and even people with lots of money who can leave and who spend all their time complaining about their relationship don't want to leave their relationship. And when I'm like "I don't want to be in a relationship right now because I'm broke or whatever and I wouldn't be able to leave a relationship easily." People are like *shocked pika* why wouldn't you go enter into a relationship with someone who wants to date you based on you having a normal level of kind conversation that you would have with a person on the street and being able to give them sex? Why would you not want to break up with the person you are dating and date a random old man who did your boss a favor once because he gave you a ride in his truck? Why would you not just let other people make major life decisions for you? Why are you not jumping at every chance we give you when it doesn't look or feel right?

It feels like the goal of the whole thing is having someone else to blame for your problems. I don't wanna do that to someone. I hate when stuff isn't my fault and I have to suffer for it anyway. That's why I cut my own hair and pierce my own ears and stuff. So if it gets messed up, it's just an accident and it's because I have never done that before and I just need to figure out how to fix it and I can take all the time I need instead of trying to like... figure out the magic buttons to push to get someone who broke something to be willing to admit they messed up and will try to fix it and like... having to wonder if I can trust them if they're a specially trained and certified expert and they aren't better at doing something than a person who went on the internet and read a tutorial and kind of guessed.

Idk. It's like if you told me most people in the world don't like sex or dating or anything and they aren't in love either and there's like some kind of mystic force that attacks people who don't live with a partner by such and such a time and have a kid by such and such a time and no one told me? I'd totally be like

"That explains everything."

Was I raised without love or was I born unlovable?

[zhongrin]

pssspspsps Rin rin I have an interesting question for you idk. Since you're my local yandere expert (?) what do you think yan!Boothill would be like? owo

hsdfhshdf i'm honored hello??? oh, hmmm.... let me think.... this is an interesting prompt.... 🧐 i haven't fully listened to his voicelines and read all of his stories, but from what i do know...

cw. yandere, possibly ooc boothill, gn!reader but mostly assumed you're an organic life

.... i think the very core of yan!boothill would be that he's afraid of losing you and therefore wants to protect you at all cost, first and foremost.

mostly because of what he's experienced in the past (he's even worse if you and him have a child or if there's a child figure in the equation). i'd anchor on that vulnerability and make it a catalyst upon his exponentially overbearing behaviour.

i personally think he's not the kind of yandere who would ever hurt you physically. restraints, perhaps, but only when it's his last resort. he would be the type that treats you like glass... especially if you're an organic life of sorts (feels weird to describe it as that but hsr has intellitrons and sentient machines so yk). he's also more on the simple-minded sort, and he's in touch with his emotional side, too ー so i don't see him ever consciously try to play the mind games™️ with you. if anything, you should be able to somewhat manipulate him into allowing yourself some reprieve from his overbearing tendencies if you play your cards right.

due to his constitution, he's very much into skinship, and he makes sure to store the mapping of your body into his equivalent of SSDs, along with all the other important information about you. so don't ever think he wouldn't realize it if you get even the slightest bruise; he will. and he'll fuss about it until it's healed, no matter how much reassurance you give him.

and god forbid someone hurts you in front of him ー it doesn't matter where or when or who, doesn't matter if it's intentional or unintentional, they're getting a bullet to their vitals.

this man loves the feeling of your warm skin against his cold, metal chassis, but knowing that you can bleed and die drives him insane. i think, every time he cradles you close, he can't decide if the way your heart beats inside your body calms him or frightens him. the fragility of life haunts him, ever present at the back of his mind like a reaper's scythe ready to swing down, yet he can't help but feel drawn to you anyway.

another branch of possibility would be him putting you into some kind of machine or whateverthing that would last forever (perhaps portable too so he can bring you everywhere ᰔᩚ). but then again, i think he would only go down this path when he's absolutely cornered, like if he realizes he was about to lose you (e.g. you're dying right before his eyes and there's no saving you).

tldr, i think he would be a nice yandere to be stuck with, overall! just be aware that he's a wanted man, and you might end up being crammed into a supercomputer or some sort when you die, but hey, doesn't sound that bad, right? :3

[hotvintagepoll]

Oh no I missed coffee night!!!!

I wanted to ask you about Hitchcock 😔 If you're willing to answer, which movies of his do you think are overrated and which do you think are actually good? He's my most watched director (because film school) but I only genuinely like a few of his films and always disagreed with my classmates about which ones were the best

I feel like I'm holding up a Daffy Duck style sign that says "shoot me" because Hitchcock is so well thought of by cinephiles versus me, the basic horny mod who watches movies with hot people in them. With that said, I remember Rope, Dial M for Murder, North by Northwest, and To Catch a Thief all left me a bit flat, because I felt like he was prioritizing pushing technical limits or creating extravagant images over deeper characters and relationships. I love a good technical limit-pushing, but it needs to serve the story! And sometimes I feel like he has an idea he wants to try or an image he wants to show and puts so much focus on developing it that characters' reality and interest kind of falls by the wayside—they become pawns navigating his situations, instead of interesting characters in their own right.

To be fair, this is more a characteristic of his later work than his early work—The Lady Vanishes is one of my favorite movies, and I remember Notorious and Spellbound both being enjoyable when I watched them a few years ago. Again, basic film watcher here. Don't show this post to the Criterion collection.

[corviiids]

hello thank you for asking i am very flattered. i would be most honoured to give some advice that i am most certainly unqualified to give!!

ok advice 1: hey why does everyone keep telling me to read and write a lot

i think this is the most commonly given advice. i have always found it true but incomplete, because on the face of it this kind of focuses a little too much on volume. which by itself just isn't going to do that much for you, or it will, but it'll do it very slowly and ineffectively, because the second part of this advice i don't see nearly as much (and the part that makes it work for me) is that after you read or write something you need to do The Why Interrogation. what are you looking for?

when you like something, why do you like it? not just in terms of copying and learning an author's stylistic quirks or techniques, but in a more abstract way:

is it the narrative? that the premise is novel, that the progression of the story is unexpected and thrilling, that the stakes are high?

is it the characters? what is it about them? do they have compelling backgrounds? does the author spend a lot of time in their heads? is the pov internal in a way that lets you experience the story from their shoes? does their biased narration tell you more about them? or is it a detached narration that lets you see the characters in a way they don't see themselves, so the gap is intriguing?

is it the telling? maybe the prose is beautiful - what makes it so? sentence structure? unconventional use of grammar and punctuation? elegant, sophisticated vocabulary? or maybe the dialogue is sharp and human so conversation flows naturally. is the story paced carefully? does the author linger more in certain moments?

the same exercise is useful for what ISN'T working.

if your attention is drifting, what's making it drift?

purple prose? clumsy prose?

does the narration drag?

do the characters feel stagnant, and why?

plot doesn't make any sense?

maybe this sounds obvious, but imo it's a crucial piece of the advice that i just don't see as much because people tend to focus on volume of works consumed/created. the reflection and analysis is what makes that volume useful, otherwise you're just churning through content. the question should always be why, why, why. why did that work, why didn't it work, why did i like this, why does it suck. then proceed to: if i were doing this, how could i make it work?

advice 2: don't forget that all the words you need already exist.

this is more subjective advice. this is something that works for me personally. so ymmv. have you ever tried magnet poetry? you should try magnet poetry.

i always see writing as kind of a puzzle. if i have an idea in my head, the idea exists. the job is actually a translation exercise: how do i express the thing in my head as a thing other people can see? in this way it's like visual art, but it's also not like visual art at all. in visual art you choose where all the lines and colours go, completely freely. any line you draw is a brand new line.

in language, all your parts already exist. all the words already exist. (you can make new ones if you want but that's a whole different thing.) you are plucking symbols out of a collective understanding. it is like lego. all you are doing is selecting the most effective pieces and placing them in order. so for me, i am simply trying to find the 'right' words to fit each context as best as possible. it becomes a game of arrangement, which determines your expression.

then syntax and punctuation become your rhythm, which is how you determine flow. sentence length, word length, whether you omit words or use more, whether you want to be a bit unconventional. character also plays into this - i am not writing an advice 3 because i am getting self conscious but advice 3 would have been consistency of voice.

so i would prioritise vocabulary and timing. what are you trying to say (which words do you pick) and how do you want the reader to experience your words, how do you want the words to feel and sound (how will you pace your sentences)? remembering that all the parts are already there. it is the world's biggest game of magnet poetry.

advice 3 which doesn't exist: keep your voice consistent.

this advice doesn't exist. im not writing this i got embarrassed and stopped at 2. but if i did write this it would say, remember who you are. (remember who is writing your story. are you a character or are you god? remember how much you know. remember which feelings you have access to.)

[zepskies]

Omg really? Wow, thank you so much. That's honestly amazing to me, considering this was one of the hardest for me to write in Smoke Eater. 💞

(But after reading your wonderful review, thank you for making me cry. 🥹💗💗)

First of all, please don't apologize for the heartfelt thoughts you want to share with me. No matter how long or short, I love hearing what you think about my writing, and this is genuinely one of the best reviews I've ever received, because I can tell it came from the heart.

What's crazy is my mom and I also used to watch Chicago Fire together when she was trying to recover from surgery (where she had terrible complications and wasn't well for a long time). It became her comfort show, and I was happy to introduce it to her/have that bonding time where it kept her from thinking about her pain. But I'm so glad you thought to come here to perk yourself up after a rewatch.

honestly I have so many thoughts for each wonderful chapter but I would feel super guilty for spamming :’) this chapter in particular though, hits me harder than anything i’ve ever read before — not in a bad way!🤍

lol girl that's the best kind of spamming. I'd never be upset with that! 😂 Oh good, I'm glad it doesn't hit in a bad way. I was concerned about that for readers when I was first posting this part of the story. 💙

my mom had epilepsy, and I was her caretaker pretty much my entire life. I connect so much with this story because it, feels like i’m reading a mirror, if that makes any sense at all. with all the doctors and the worrying, it’s written so authentically, which is understandable after reading your author’s note. i’m so sorry you’ve experienced such difficult hardships and losses yourself honey, I offer my sincere condolences. and i’m sending you the biggest hugs 🫂🤍🤍

I'm sending you the biggest hugs right back, friend. I'm so sorry about what your mom went through, and what you went through too. Being a caretaker is not easy. I've seen it enough in my family that that's what I drew from in order to write this, so I'm glad it felt authentic to your experience. 🫂💞

now these lines/parts specifically had me crying like a baby lol. december of 2021, my mom had to have surgery at the start of the month. her recovery was going a little slow, but well. however she passed away overnight, 2 days after christmas, completely unexpected. the day before she had been doing so well too— she had more energy and was more mobile without needing as much assistance. came to find out later that’s something nurses call a surge? :/ either way, those moments in particular really tugged at my heartstrings ❤️��🩹

I'm so sorry for your loss, my friend. It is blind sighting when it comes so unexpected like that. I haven't shared this publicly, but something similar happened with my grandfather this past December. His health declined suddenly, to the point we had to take him to the hospital. After seeming to get better after a few days, he went downhill even harder, and he passed away in mid-December. It's not the same thing as your situation, but I understand the feeling of "why did this happen like this?" But now he's at peace with my grandma. And your mom is free from her pain and discomfort too. ❤️‍🩹❤️‍🩹

this line too. I felt this way for so long after my mom died. I didn’t get the final cause for a while since she passed at home and not at a hospital, and to this day I wish I could go back. wish I could’ve done something different. but SUDEP (or, sudden unexpected death in epilepsy) is completely unpreventable so far. I just find it so cruel that this illness I spent my whole life helping her with, ended up taking her anyway and nothing I did mattered in the end. so reading that line, how she broke down, and everything she had been holding in, it really made my heart ache but I also felt less alone in a way.

And I'm sure you did everything you possibly could, just like the reader in this story. 💞 I didn't know about SUDEP, but I have a family member who takes medication for his epilepsy, so I'm going to be reading up on that. I'm so glad that this simple line made you feel less alone in any small way -- I also thought when I was writing that it not only fit what the character was going through, but that other people who've been caretakers for a family member like this would be able to identify with this feeling as well.

everything that followed, it’s like reading a reflection. I shutdown and just went through the motions afterwards too, but ohhh how nice it would’ve been to have a dean ❤️ his support, how he takes care of her, it’s so heartwarming. and it’s really comforting to read. <3

It's that awful "autopilot" thing that somehow allows us to get through the aftermath, in a way, right? If only we could all have a Dean to support us in those moments. Somehow, reading hurt/comfort fics help me feel better too though. 💓💓

a lot of my family distanced themselves afterwards which, it is what it is. that being said, the sentiment in this story of family isn’t always blood resonates with me a lot. my support system is really small, but they chose to be there for me unlike my blood relatives so, that theme in this story means so much — the way dean’s chosen family shows up for her as well, it’s so sweet. 💖

Ugh really? I'm sorry to hear that. 💙💙 But thank you for pointing that out -- that is the overarching theme of this story, a la SPN style. 🥹 Your chosen family can be just as powerful, if not more, than your blood family. And in this story, Dean's family is basically "adopting" the reader/you into it. 💕

I guess the gist of what i’m trying to say, is I wholeheartedly adore this series and it truly means so much to me 🤍 I appreciate your work so much, and I love the unique feeling each piece of your writing brings 💗💗 I know I may sound like a broken record but truly I don’t think I can ever put into words how much I love your blog. you are an absolute sweetheart, truly a light peeking out between cloudy skies 💞

Wow, I really did tear up of happiness. Thank you. 🥹🥹 I appreciate you right back for reading this story and connecting with it like you did. And I'm so glad that you enjoy my blog!! I've only been here on Tumblr for about 2 years actively, but connecting with people like you is what's keeping me here, and honestly gives me energy to write and express myself when I'm going through hard times.

This chapter specifically was very difficult for me to write for multiple reasons, as you saw in my AN, but again it makes me all the more grateful that this is the chapter you connect with the most. I'm very sorry for your loss though. I'm really touched that this story can give you some small comfort. 💞

(And no it's not too much. Thank YOU for taking the time to share this with me.)

Smoke Eater - Part 11

Pairing: Firefighter!Dean Winchester x F. Reader 

Summary: Dean Winchester is the cocky, but well-respected Lieutenant at Firehouse 25. He leads by example, but he’s also known to break a few hearts. He’s starting to crave something he’s never had, though. Something stable. Something real. 

That’s when he meets you, on a truly terrible day, trapped in a rickety old elevator.   

🔥 Series Masterlist

Word Count: 5,400 Tags/Warnings: Major angst warning. But also major hurt/comfort.

Part 11: “Heart of the Home”

You sat very still.

Your hands were gripped together in your lap when the doctor entered. He was tall and lean and blonde, and he would’ve reminded you of your boss, except this man had a kinder face.

You were sitting on the edge of your grandfather’s bed, hoping the doctor would say the bloodwork and scans came back fine. That they wouldn’t need to admit George into the hospital for further testing. That he could go home in the morning.

But your life had never been quite that easy.

“Okay, George. I’m sorry, but we need to admit you,” said the doctor.

He explained that while the malignant tumor of his cancer had been removed last year, the scans that had been done last month hadn’t been able to detect the bright spots now formed on George’s lungs and lymph nodes.

The oncologist would have to confirm, but you all knew where this was headed. Likely those “bright spots” were tumors.

George nodded slowly at first, taking it all in. He asked what his options were, as far as treatment.

“Your oncologist will go over those options with you,” the doctor replied. “We’re going to move you up to Oncology shortly.”

George thanked him.

And you sat very still. 

A hand fell on your arm, finally earning your gaze. George’s face was oddly calm, though the worry in his eyes was for you. You realized that he’d gently called your name, though you hadn’t heard him. Your ears were ringing.

His mouth parted to tell you something, but nothing came out. So instead, he tugged you into his arms, and he heaved a long sigh.

“I guess we’re here again,” he admitted. He let out a chuckle. “The Lord does like his tests…but maybe that car accident was a blessing in disguise, huh?”

You heard his voice, but your mind was buzzing—mainly with the doctor’s words, and with a bone-deep feeling that threatened to consume you.

Your car, your fault. Options, again. Here again.

Your fault.

When you didn’t answer, George pulled away a bit to give you a questioning look.

“Sweetheart?” he tried. You laid a hand on his arm.

“You still haven’t eaten dinner, have you?” you asked. Neither had you, for that matter. “I’ll get us something that isn’t rubbery turkey.”

George blinked at you, confused, with a growing edge of worry.

“Isn’t Dean getting your meds? Why don’t you wait for him to—”

“I’m fine,” you said, already getting up to grab your purse. “I’ll be back.”

George called your name again, but the ringing in your ears was now pulsing in time with your heartbeat.

You made your way down the hall to the lobby at a brusque clip, even with your neck brace on. You didn’t see Dean, but he certainly saw you as he was walking back into the hospital. Frowning, he followed and called out to you.

You slowed when you saw him, and he soon caught up with you. He rested a hand on your back.

“Hey, where you goin’?" he asked.

“We haven’t eaten in a while. I’m going to the cafeteria,” you said. Though you seemed distracted, your eyes meeting his only briefly. It triggered a small spidey sense running up Dean’s spine.

He gave you your prescription pain medication, which you took with a small “thank you.”

“Everything okay?” he asked. “How’s George doing?”

“Fine. He’s resting,” you said. And by the look of you, that seemed to be true. But he spotted the tremble in your hands when you took the pill bottle package from him. It made him stop you when you tried to keep walking down to the cafeteria.

“Okay, you wanna run that by me again?” Dean asked.

You frowned, and your brows knit together. “What?”

“Is there something going on?” he pressed.

You sighed, but you didn’t answer him. You looked exhausted, and like you’d rather swallow your own tongue than speak. You shook your head and laid a hand on his wrist.

“I’m fine. Dean, thank you for everything you did tonight, but you still have to work tomorrow. Go home, get some rest,” you said.

You turned from him again. That was your first mistake. He reached out and grasped your hand to stop you.

“Hey, wait a minute,” he said.

“What?” you said in irritation. Your second mistake was not being able to look at him.

Dean was frowning in earnest now. Worry clawed in his gut, which was also telling him not to let you walk away from him. His grip shifted to hold both of your arms and move directly in front of you. He dipped his chin, trying to get you to meet his eyes.

“Come on, sweetheart,” he said gently. “I need you to talk to me.”

You inhaled a shuddering breath. A wave was rising inside you, threatening to pull you into its undertow. Your eyes burned, red and shining. Dean finally saw it when you raised your head, what little you could. Your mouth began to quiver, looking into his eyes. And it was done.

You could no longer be still.

Dean held you when you fell apart in the hallway.

Dean called out of work the next day to stay with you and George. Gordon would be acting Lieutenant until his next shift, and Dean was sure the man would take full enjoyment out of it.

He couldn’t care about that right now though. He felt that his place was here, being your quiet wall of support while you and George and the oncologist talked about treatment options.

“Normally, at the stage we’re in, I would be recommending chemotherapy,” said Dr. Benton.

“Normally?” you echoed.

“At the rate this is progressing, the treatment would have to be aggressive,” he said. His gaze focused on George. “However, at your age, and the current state of your overall health…at this point, I don’t think the rigors of treatment would be worth diminishing your quality of life.”

“What are you saying?” you asked. Your voice cut like a whip, earning the other men’s gazes.

George was the first one to lay a hand on your arm. “You know what it means, honey…he’s saying it ain’t worth it.”

“Of course, it’s worth it,” you retorted. With your brows furrowed and lips pursed, your eyes went from him to the doctor. “Just because he’s older, we shouldn’t even try? Is that what you’re saying, doctor?”

At that, even Dean drew closer to lay a hand on your back. Meanwhile, George squeezed your arm.

Benton shook his head gravely. “That’s certainly not what I’m saying.”

“How much time would I get, if I started treatment,” George asked, before you could volley further with the doctor.

Benton met the other man’s gaze.

“I’m going to be honest with you, George. You may get a few more weeks, or even a few months. But that is a best-case scenario.”

Dean drove you all home that day, after George decided to formally waive treatment. Both men knew you were angry in your silence, but neither one wanted to press you. Dean was too wary, and George was too tired.

Once he was settled in bed, you hadn’t even left his room yet before you grabbed a notepad off his desk and wandered into the hall. You started to make a list of things you still needed from the grocery store, among other things. Dean took that piece of paper out of your hands.

“Good. I’ll handle this,” he said. “Meanwhile, you can get upstairs, take a shower, take your meds, and get some sleep.” 

You frowned at him. “You haven’t slept either, Dean.”

“I’m used to it,” he said, giving you a wink and a slight smile. Overnight shifts could be a bitch at a firehouse, but Dean was no stranger to having his sleep interrupted.

“Listen to him, honey. He’s speaking sense,” George called from inside his room. The bedroom door was still open. He was settling into his bed while trying to stifle a cough. He sipped at a cup of water you’d brought for him.

Still, you looked reluctant. Dean held your arms and pressed a kiss to your forehead.

“Come on,” he said. “You were in an accident yesterday. You’ve had one hell of a night. You need your rest, or you’ll be no good to anyone.”

And if you pushed yourself much more, he worried that he’d have to take you right back to the hospital. Dean would rather not have that scare so close to the last one.

He brushed your cheek with gentle fingers. With the limited mobility your neck brace provided, you did your best to look up at him. Your eyes were softer.

“Okay,” you breathed.

“Okay? All right, good,” Dean said. You held onto his jacket for a moment, leaning against him.

“Thank you,” you whispered. You felt the burn of tears behind your closed eyelids. A few of them squeezed past and slipped down your cheeks. Dean held your face, brushing the tears away with his thumbs.

“Hey, I’m here, all right? Just let me help you,” he said. “You can lean on me when you need to.”

“I haven’t had that in a long time,” you admitted. “Part of me doesn’t know how to lean.”

“I get that,” Dean said. But you both knew that there was a long and difficult road ahead. He knew he didn’t have to remind you of it. “Whatever you need, you just tell me, okay? If nothing else, I’ve got a strong pair of shoulders.”

Somehow, you smiled. You pressed your forehead against his chest and inhaled deeply, to steady yourself.

“That you do, Lieutenant.”

You left for your room soon after, but not before you brought him down to you for one more tearful kiss.

Dean then watched you climb up the stairs to your room and nearly went up to help you, but he heard George call his name. Dean ventured back into George’s room and heeded his beckoning hand.

“You hungry? I can scramble some eggs or something before I hit the store. I think I saw two more left in the carton,” Dean said. George shook his head.

“Come ‘ere a sec.”

Dean took the hint and sat on the edge of the bed.

“I just wanna thank you for everything you did yesterday. Everything you’re still doing for us,” George said. He looked exhausted, but whatever he wanted to say was important enough to fight off sleep. He clasped a hand on Dean’s arm.

“You don’t have to,” Dean replied.

George huffed. A smile made his eyes gleam brighter.

“I knew you were a special one, Dean Winchester. Knew it the night I met ya, on your very first date with her.”

Dean blinked, but his pause drifted into a reserved smile.

“How’s that?” he asked.

“Well, I’ll be honest. When I heard that black Chevy rumble like hell’s wheels onto the driveway, I thought I might have to worry about you,” George chuckled.

Dean’s lips quirked.

“But no, it wasn’t that. It wasn’t the pretty flowers, or our mutual love of killer sharks,” George quipped, making Dean’s smile more genuine. “It isn’t your job either, or the fact that you saved her. I just believe that you can see a man’s mettle in his eyes…and I saw it in you when I shook your hand that night.”

Dean took that in for a moment. His hand flexed over his knee. Then he met George’s gaze, though he didn’t know what to say. Sometimes though, honestly was the best bet.

“I’m sorry for what you’re going through,” he said at last. “I can’t imagine…”

George let out a breath through his nose. “I’ll tell you a secret.”

He pointed to a picture frame on his bedside. It was of him and his wife, Sophie, when they were around your age and Dean’s. The couple were sitting on a pier that hung over the edge of the lake in their hometown.

She held him from behind, with her arms wrapped around his neck. Her long hair was being carried by the wind, getting swept into George’s eyes. He was smiling too hard to care.

“I’m ready to smile like that again,” he said. He had tears in his eyes, but he was already lighter at the thought. “I know it’s selfish…but I think I’ve missed her long enough.”

Dean paused. Then he cleared his throat past a small well of something he couldn’t name. He wondered if his dad ever had thoughts like that.

“Well, I’ll let you get your rest,” he said. “I’ll be back.”

George nodded and gave Dean’s arm a squeeze. “All right. Drive safe. Don’t hit any goddamn trees.”

He shot Dean a knowing wink, and it almost had the younger man laughing. George’s sense of humor was something else.

Dean then left George to rest. He made sure he had his wallet, keys, and your grocery list before he left your house and went back to the car. He checked his phone and saw a missed call…from Cas.

Dean was reminded again about Azazel, the kingpin who might’ve ordered a hit on his family. Along with the recent murders and arsons, and the connection from one of the victims to your company, Savage & Co.

Dean returned the call as he climbed into the Impala.

“Dean. Everything all right?” Cas asked. “Sam filled me in about the accident.”

“Yeah, everyone’s okay…well, not really. I’ll explain later,” Dean replied. “Listen, about what we talked about at the bar.”

“Yes.” Cas said gravely. “I’d appreciate it if you didn’t go to your father about this yet.”

“Funny, I was thinking the same thing.” Dean sighed. “My girl just got some real bad news. I know you gotta keep digging into Savage & Co., but can you keep her out of it?”

“Is she all right?”

“Yeah, more or less…it’s her grandfather.”

“Ah, I see,” Cas said. “I’m sorry to hear that.”

“Thanks, man. I’d rather her just focus on what she needs to do right now, you know?”

“I get it. And believe me, we’re keeping the investigation of Nick Savage quiet for now,” Cas said. “But if we find something, or worse, if I can’t…I’ll likely need to question her. She works directly with Savage, and from what I can tell, she’s instrumental in bringing in and maintaining several of his major accounts.”

Dean stopped at a red light and took a moment to rub a hand over his tired face, rubbing his eyes. “You don’t really think she’s got any idea of what that asshole’s into.”

“I’m not saying she does. But in working so closely with him, perhaps she’s noticed things about her boss, and the company. Things she’s kept to herself, out of self-preservation.”

Dean frowned. He didn’t want to think about shit like that. It made his stomach churn at the thought of you working for someone who might be doing business with a crime lord, let alone Azazel.

“Well, when that day comes, give me a heads up, okay?”

“Will do.”

“Thanks, Cas.”

Dean offered to take another day off to help you, but you wouldn’t let him. He needed to go back to work, and you were able to arrange working from home for the next few weeks.

Even Nick couldn’t refuse to accommodate you in a situation like this. He knew very well that if he pushed you too hard, you’d go directly to HR.

So he backed off, and told you to take as much time at home as you needed. It allowed you to put him, and that afternoon in his office, away from your mind to focus on taking care of your grandfather.

Though you called your best friend the day you got home from the hospital, Andréa didn’t come by your house to see you and George until the end of the week. She cited mounting projects at work and some kind of tiff with her cousin Meg, but it all sounded like excuses to you.

However, she was gracious enough to bring dinner for the three of you on a Friday night. She cut up with George like normal, and even got him laughing, until a coughing fit forced him to stop. It also took most of the joy out of the rest of the evening.

While George went up to his room to rest, Andréa later joined you in the kitchen. You were washing the dishes, trying to focus on what you were doing. But your mind was buzzing continuously with future tasks and worries. Always, tasks and worries.

“How are you holding up?” Andréa asked. She rubbed your back, and you gave her a slight smile.

“All I can do is make him comfortable, for as long as possible,” you replied. There were tears in your friend’s eyes, but she dabbed them away with the back of her hand.

“What do you need? Anything, you just tell me,” she said.

It was a little easier for you to contemplate leaning on Andréa. You had been friends with her for years, and she was like another daughter to George.

On the other hand, asking Dean for help always made you hesitate. What you two had was still so new. You worried that this was too much for your relationship, too fast. 

“Well,” you sighed as you wiped your hands dry on a kitchen towel. You didn’t exactly want to talk about it, but there were things you had to start planning, even if you didn’t know the exact timeframe.

However, as soon as you opened your mouth to reply, Andréa’s cell phone rang. She held up a finger to you and checked it. To your surprise, she actually answered it.

“Hey, babe,” she replied with a smile. You heard Benny’s deep voice on the line, asking a question. “Yeah, I’m still here. I’m probably leaving soon though.”

She continued her conversation for a few more minutes, but you didn’t hear anything after that. A tension headache was sharp behind your eyes, while anger (yes, anger) rolled hot under your skin. Your lips pursed. You busied yourself with straightening up the kitchen until she continued her call for another few minutes.

“Sorry about that,” she said, finally turning her attention back to you. “So what do you need?”

You put away the last dry dish and turned to her coolly.

“Nothing.”

Andréa frowned. She knew there was something off with you, but her furrowed brows betrayed her confusion.

“What do you mean?”

“Nothing,” you repeated. “Don’t you need to head out, anyway?”

“No, I was just…what’s up with you?” she asked.

“What’s up with me is my grandfather’s dying!” you snapped. You left her in the kitchen, precisely so that she’d follow you out. You grabbed her purse for her and went to the front door, where you stepped out.

Andréa was dismayed and confused as she followed you out onto the porch. She raised her brows at you when you shut the door and crossed your arms at her.

“I know you, and this isn’t just about that. What’s the problem?” she asked.

“You can’t seem to detach from your boyfriend for more than five minutes to just be my friend. That’s the problem,” you replied. “But why should I be surprised? Like always, you’re too wrapped up in yourself to consider anyone else.”

Her brows knitted together; she looked hurt by your words, but also defensive.

“How can you say that when you’ve been exactly the same way?” she accused. “Since you met Dean, I’d be lucky to see you once a week—”

“I call you every week,” you began, counting the list with your fingers. “You’re always busy, but you never give me a day that works for you. And when we do make plans, you usually cancel. Why? Because you’re going sailing with Benny. You’re going to a restaurant, hours away, just to try the new sushi bar beer garden, or whatever the hell. Or you’re going on an impromptu road trip, or you’re planning a summer trip to Greece. Give me fucking break, Dre.”

By now she was frowning angrily, her arms crossed. “You’re mad at me because I have a life?”

“No. I’m happy for you that you found someone. I really am,” you said. “But we clearly live in two different versions of reality. I just don’t have the time or the energy to entertain yours.”

You knew you were being too harsh. You felt incredible guilt as soon as it all left your mouth…but part of you also felt like a weight had been lifted off your chest. The problem was, you still felt heavy. Just in a different way.

Both of you were crying when Andréa left your house.

All too soon, a week became a month. In that time, Dean called you every day to check on you. He spent most of his evenings with you and George when he wasn’t on shift. And when he was, sometimes Meg would drop in.

She understood your argument with Andréa, and she respected you for taking a stand when you needed to. She even confided you that she’d had similar frustrations with her cousin lately.

But Meg wasn’t your only visitor. Ellen had come a few times to bring you lunch and dinner, even breakfast, though you hadn’t asked her to. You realized then how close Dean must be to his friends at the firehouse, along with the Harvelles; Ellen also refused to take any money from you for the food.

By the end of the month, George mainly spent his days sleeping. Pain medication made his days nearly painless, but not without struggle. You were doing your best to care for him while continuing to work full-time from home. You were also exhausted, though you refused to admit it.

Today was a better day, however, because George was awake. He was also more aware of his surroundings than usual.

He stopped you from adjusting his pillow so you would sit down on the edge of his bed. He took your hand in his, brushing a thumb over the back of it.

“I’m okay with this, you know,” he said. You pursed your lips, but he stopped you from whatever you were going to say. “I don’t want to leave you. You know that…but I’m so damn proud of you. Your Gram was, and still is…”

Your lower lip wobbled as you tried and failed to keep your tears at bay. They stung in your eyes and slipped past your defenses, down your face.

“The house is yours. But if that’s too hard for you, just sell it,” he said, heaving a deep breath. “It’s just the bones. You’re the heart. And you always have been.”

You opened your mouth to speak, but not a sound would come out. You held his hand with both of yours and stared down at them. Until his voice once again commanded your attention.

“I always thought…moving to the city ruined my daughter. That we should’ve stayed in Lebanon. That maybe I gave her too much freedom, and I failed her somehow along the way,” George said. His eyes were heavy with old heartache. And yet, they soon began to lighten.

“But the day we lost a daughter, we gained one too,” he said. Then, he chuckled a little. “And I know I never failed with you, sweetheart.”

That proved to be too much for you. He pulled you into his arms like you were still a child, and he held you for a long time while you cried yourself out.

Though he eventually spotted Dean hesitating in the doorway. He’d probably let himself in with the spare key you’d given him.

George raised a hand from your back and silently beckoned Dean inside his room. He was getting tired, drifting off thanks to the morphine.

“Hey, lookie there. The boyfriend’s here,” George whispered with a bit of cheek. You sucked in a breath and raised your head, wiping at your eyes before you turned around. Dean met you with an attempt at a smile and a gentle hand on your back.

“Just got out of work?” you asked. He’d been on a 24-hour shift, and you’d missed him. You stood and stepped into his welcoming embrace. He dropped a kiss on your forehead.

“Yeah. I’ve got the next couple of days off,” Dean said. He greeted George next and asked him if he needed anything.

“Just some water,” the older man replied.

“I’ll get it,” you said with a sniff. “Need to start dinner too.”

“I already brought some food. You like Italian, right?” Dean said, with a subtle smile. It earned your sigh and a grateful smile. He knew very well that it was now one of your favorites. Italian meatballs always reminded you both of your first date.

“Thank you,” you said, grasping his hand. He squeezed yours with a nod, before he let you go.

When you were out of earshot, George cleared his throat past a wet cough. Dean reached over and grabbed him a tissue. George took it with a nod. Again, he encouraged Dean to come closer.

“I’m not worried,” George said, between deep breaths. “You know why?”

Dean just stared back for a moment. He genuinely had no idea what the man might say next.

“Tell me,” he said.

“My granddaughter’s strong. Always has been, because she had to be,” said George. “But you’re gonna be there when she’s not.”

Dean considered the weight of that charge. The anxiety in his chest felt familiar; like the day he got his badge at the Fire Academy, knowing then the responsibility he held in his hands.

That’s a lot to put on just three months of knowing this girl, came a more selfish thought. It sounded a lot like the guy he used to be, not too long before he met you.

But when Dean thought about you, and what you’d begun to mean to him…

He realized that he only had one answer.

“Yes, sir. I am,” said Dean.

George gave a tired smile. “Good man.”

And that night, an agreement was made. 

In the morning, your grandfather was gone.

Dean held you through what he thought was the worst of your heartbreak. But after that dour morning, it was like a switch flipped inside you.

In the days after George’s death, your shutters came up. You threw yourself into checklists and task after task—in funeral arrangements and planning and contacting distant relatives and friends.

This was your failsafe. Your version of “autopilot.” And these things needed to get done, after all.

But Dean worried when he no longer saw the softer side of you. Like your heart had been wrung dry. 

He inevitably had to go back to work, but in between the demanding hours of his schedule, he tried to get you to slow down. He saw the warning signs of you running yourself into the ground. He just didn’t know how to help you land.

So Dean picked up slack where he saw it, often without you asking him to. He began fixing the house, one section at a time. He enlisted Benny’s help, since he actually had a small construction business. Dean even paid for the materials himself without you knowing.

And one sunny afternoon, he took a break from repaving part of the cracked and uneven driveway to grab a beer inside. You were sitting at the kitchen table with stacks of papers all around you, your cellphone on speaker as some kind of elevator music continued to ring on a loop.

“Can you believe I’ve been on hold with the funeral director for 20 minutes?” you told him in irritation. But you didn’t truly take sight of him until he came back from the kitchen.

He wore a familiar ensemble of jeans and black undershirt with a plaid shirt, rolled up to his elbows. He was covered in a fine layer of sweat, and his hands were dusty and stained from his work on the driveway. Dean looked tired, and that made you feel guilty.

Meanwhile, he frowned and popped open a beer. “You want one of these? Looks like you could use one.”

You shook your head. With a sigh, you hung up the phone. You’d try calling again later. Instead, you focused on the next item of your checklist for today.

“Food. Because we’re gonna need to eat after the service,” you inclined your head. “Okay, still need to come up with a list of caterers, because I don’t think I can cook for that many people.”

Dean nodded at that. “Let me talk to Ellen. She’ll give you a good price, and her food is good.”

You looked up from your notepad and considered him thoughtfully. You wouldn’t have thought to cater from a bar, but he was right. Ellen had great food at the Roadhouse.

“Okay, I’ll call her,” you said.

“No, I’ll call her,” Dean insisted. He set down the beer on the table and leaned his palms flat on its surface. “Sweetheart, I told you I’d help you with all this. You don’t have to do it by yourself.”

“Dean, you’ve done enough,” you replied. Your brows drew together stubbornly. “You’re paving my driveway right now, for God’s sake! This is my responsibility, not yours.”

Dean frowned, making you sigh. You leaned back in your seat and crossed your arms.

“Look, we’ve only been dating for three months,” you said. And in your mind, a good chunk of that time had been spent in the worst hell of your life. “This right here? It’s a lot. I’m not expecting you to deal with all this…”

You bit your lip, and your gaze fell away from his as your insecurities took hold. The thoughts that had been plaguing you every night since this all began, on the night of the car accident.

“And…if you’d rather take a break from us for a while, I’d understand,” you said.

Your voice was more collected than you felt. But that didn’t make it any easier when Dean stared back at you, mostly incredulous. You even thought you saw a thread of hurt there, and it made your heartache worsen.

Dean came around to your side of the table. He dragged a chair back and sunk into it, facing you directly.

“You think that’s the kind of guy I am?” he asked.

You immediately shook your head. You weren’t trying to upset him, or imply that he wasn’t reliable, or trustworthy, or whatever was running through his head. You were just trying to be realistic.

You’re so pragmatic it hurts, as Andréa had often told you.

“Dean, it’s not that…” you began, a bit helplessly. “I just—”

“Just, nothin’.” His chair scraped toward you as he reached out for your hand. He made sure you looked him in the eyes when he said this next part. 

“I’m not leaving you with this.”

Your gaze met his, though you desperately tried to keep your heart from rising into your throat. 

“I’m not leaving you,” Dean said. His tone, his eyes, his hold on your hand was firm.

For a moment, you stared at him, unblinking, even as tears swam in your eyes. 

He’s not leaving you. 

Not like everyone else in your life.

You were grateful. Too grateful, even, for words.

When you finally broke down into tears, Dean realized what an idiot he’d been. Your wall of stoicism had been just that—a flimsy wall. Now it was shattered, and so were you.

It scared him just how much, as he gathered you onto his lap and into his arms. You didn’t seem to care that he was dirty and covered with sweat. You clung to him strong, and he held you back just as tightly.

“No matter what I did, it wasn’t enough,” you confessed. “You save people all the time. I couldn’t save anyone in my life.”

Dean frowned. He cupped the back of your head, and he felt your tears sliding down his neck. His voice was thick with emotion when he was able to reply.

“Oh, baby. It’s not your fault.”

“I can’t…I can’t do anything. Anything that matters.” Your voice was a broken whisper. It damn near broke his heart. 

“Now you know that’s not true,” he said. “I’m not gonna let you lie to yourself like that.”

You trembled and heaved with sobs, and he continued to hold you.

Just be there, Sam had told him, when Dean had called him from the hospital. Sam reminded him again last week, when George finally passed.

Is that all I’m supposed to do? Dean thought. His brows furrowed, but he tried to hide his frustration.

He was used to people depending on him. He led a team. Before then, he’d looked out for Sam all his life. Dean had never had to help someone get through this kind of grief though. He just wanted to help you, in whatever way he could.

Because he was worrying, just like you. That whatever he did, it wouldn’t be enough.

But he couldn’t leave you. 

I can’t, and I won’t, he thought. So he took a breath, and he said the first true thing that came to mind.

“You’re the strongest woman I know, you know that?” Dean said. He spoke low and steady, but with the conviction he felt. “And that’s a tall order, considering some of the badass ladies I’ve got in my life.”

A smile tugged at his lips when he considered people like Ellen and Jo, Jody and Donna. He might’ve lost his mom, but he and Sam hadn’t lacked when it came to influential women in their lives.

“But I saw it the day we met. I see it every time we’re together,” he continued. “You work hard as hell. You take care of everyone around you…”

You were still quiet, trying to stifle your crying.

Dean let out a breath. “Man, if you only knew how much you’ve been helping me. Keeping my damn feet on the ground with this whole…arsonist mess my dad’s been investigating. Digging up the past, my mom, the whole damn thing.”

With a sniffle, you uncurled from him, just enough to reveal your face. Your grip on his shirt loosened, your palm flattening on his chest. He held your hand there and turned his lips to your forehead. He sensed that you were calming down. That you were listening.

“That matters to me,” he told you.

You nodded and tightened your hand on his. “Me too.”

Your voice was still shaky, but it sounded a little stronger.

“See? You might as well face it.” Dean grinned. “You’re a badass chick with a big heart.”

You snorted in response. Your lips even twitched at a smile. He spied it when he looked down at you. And you rested easier against him as your tears subsided.

“Thank you,” you whispered. He dried your cheek with a brush of his hand. 

“For what?” he asked.

“For staying.”

AN: So first off, I'm sorry for the gritty "reality" of this one. It's just where the story took me, though it serves a purpose narratively and for both the reader and Dean's character development.

But also, I think this has just been on my mind, since both my grandmother and great uncle (brother and sister) died within a year of one another due to different forms of cancer. My great uncle passed in May of this year, and my grandmother two years this past October.

Again, I'm sorry if this one was too heavy, but art does imitate life and this was probably my brain trying to express those emotions I couldn't fully make sense of at the time. George will be missed, but will still be felt in the rest of this story, as I'm sure any of you who've lost close family members will understand. 💙

Next Time:

The identity of Azazel will finally be revealed in Part 12. But first...

You nodded. “By the way, it was nice of Sam and Eileen to come. And Meg and Cas.” 

Dean smiled.

“They can be your people too,” he said. “If you want ‘em to be.”

You couldn’t help it. Your tears brewed and bubbled over. And you moved slowly across the couch to twine your arms around his neck. Dean’s lips tugged at a smile, and he welcomed you with an arm wrapping around your waist.

Both of you were still wearing the same clothes you’d been wearing all day; you in your black dress and Dean in his slacks and white buttoned-down shirt, though by now without the jacket, and the shirt sleeves rolled up to his elbows.

You were infinitely exhausted. But one thing had become clear to you over the past few weeks.

“Thank you. Thank you for today, and for every day since we met,” you said shakily.

Keep Reading: PART 12

Dean Winchester Masterlist

Main Masterlist

Series Tag List (Part 1):

@hobby27 @kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007 @wincastifer @iamsapphine @simpforbuckyb

@vanillawhiskeyflavoredkisses @roseblue373 @this-is-me19 @emily-winchester @spnexploration @deans-spinster-witch @deans-baby-momma @iprobablyshipit91

@melancholictearz @nic-kolas @katherineann814 @sleepyqueerenergy @wayward-lost-and-never-found @thewritersaddictions @just-levyy @samanddeaninatrenchcoat @deanwanddamons @antisocialcorrupt @lacilou @adoringanakin @theonlymaninthesky @teehxk @midnightmadwoman @brianochka @branj19

@agalliasi @venicesem @chriszgirl92 @lyarr24 @ladysparkles78 @solariklees @xsophianicolex @deansbbyx @candy-coated-misery0731 @curlycarley @sarahgracej @bagpussjocken @ultrahviolentart @chernayawidow @beskarfilms @mimaria420

[fixyourwritinghabits]

Editing Your Novel Part 2: The Plot Pass

Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.

Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.

Making Sense (Of the Plot)

In the plot pass, you're asking yourself some basic questions:

Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)

Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.

It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.

Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.

Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!

Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.

Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.

This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.

Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.

Okay, maybe me. Slow down, you maniacs.

Next post we'll dive into the structure pass. See you then!

[456x001]

okay huge essay incoming:

and this is based off a post i saw earlier by my awesome mutual @midnight--sadness (her blog is awesome btw) where she talked about gi hun’s ability to forgive in ho. so i’ll start off by prefacing some of the great points she made about gi hun’s trusting nature and his selfless ability to forgive others:

we’ve seen time and time again how trusting gi hun is even if it’s to a fault. it’s simply in his nature to trust and love and to care about other people in the selfless way he does. given that, i think he could forgive in ho. if he sees in ho actually working to make a change and make things right for the betterment of others that have been wronged by the games (and whether or not in ho will or actually even wants to is what we’ll be getting into later), i believe he can forgive him. despite all the horrible things he’s done, despite the unforgivable, irredeemable mistakes he’s made. he’s more than justified in not forgiving him but i’m just saying he might because if anyone could it’s gi hun. he’s made the point time and time again that he isn’t like the masked men and would never become hateful in the ways they are.

now let’s talk a bit about gi hun’s relationship with young-il. gi hun's worry for young-il during the games is so raw and heartfelt. he’s not just strategizing or playing to survive-he genuinely cares about young-il's well-being, even in a scenario where survival often demands selfishness. his willingness to risk everything to make sure young-il was okay shows how deeply gi hun values connection and loyalty. in ho, as the frontman, watches all of this unfold. seeing how much gi-hun cared for his alter ego “young-il" must have left a mark, even if in ho wouldn't openly admit it.

when the truth comes out that young-il and the frontman are the same person it's going to hit gi hun like a ton of bricks. gi hun will have to reconcile the caring, vulnerable young-il with the cold, calculating frontman. it will once again challenge everything he believes about people and their capacity for change. in ho, for all his control and detachment, won't be immune to this confrontation either. gi hun's unwavering belief in him as young-il could be the thing that cracks his carefully built armor.

this dynamic is so layered with unspoken emotions, unacknowledged bonds, and so much potential for heartbreak and redemption. it’s no wonder they gave us at the edge of our seats. now here’s the crux of the discussion. do we think gi hun’s belief in young-il's goodness, his inherent belief in the goodness of people could be enough to pull in ho back toward redemption?

we don’t know the answer to that yet, but i will say this. we’ve seen the final defying act of the villain sacrificing his life at the end for the greater good many times before. however, redemption doesn't always have to end in self-sacrifice. it could mean in ho finding a way to dismantle the system from the inside or choosing to protect gi hun and others while carving out a new path for himself. gi hun's belief in young-il could serve as a bridge for in ho to reconnect with the part of himself that still values humanity, without needing to face total destruction.

in a show like squid game tragedy feels inevitable but in ho's complexity gives him the potential to break free from that cycle of the self-sacrificial villain. if the writers explore his humanity further, there's room for a story where redemption and survival coexist— where he doesn't have to lose his life to find the good within himself.

it’s okay to hope. even in a world as bleak as squid game. personally, to me that feels a lot more compelling than the trope of self sacrifice that we’ve seen in the past. it gives in ho a chance to truly live with his choices, grow from them, and navigate the complexities of redemption, rather than taking the "easy" way out of a grand gesture. it’s a more challenging story to tell for sure but it would also feel satisfying.

i know it may seem like i’m trying to paint a fairy tale but here’s why i think it could work.

squid game thrives on subverting expectations. taking in ho down a path where he survives, changes, and potentially becomes an ally or disruptor within the system could be far more groundbreaking than another shock-value death. it could challenge the audience to grapple with forgiveness and morality in ways that are more impactful than a tragic ending. gi hun's unwavering hope in humanity could become the key to helping in ho see his own worth and capacity for change. in ho is such a layered character, and his survival would be more shocking in a show as grim as squid game. it would challenge the bleakness and give the story a deep emotional payoff. the shock value of how he survives and redeems himself could carry as much weight as a tragic death.

i really value the complexity and emotional depth in this show gives us in within the narrative and i can’t wait to see how hwang dong-hyuk continues to challenge the bounds of storytelling and reach beyond the obvious in season 3 as he’s done with these past two seasons.

[mommybard]

You poor thing. Trying so hard to appear normal. Like you're a happy little cog in the machine. Doing all the things you think you should do to be a functioning member of society.

Be honest though. You know you don't want that. That it doesn't feel right. Always feeling like you're faking it.

Its okay sweetie, really. You're safe here. I know your secret after all. That you don't want to focus on having a career and worry about finances. Youd much rather be a brainless toy edging all day to porn. Reading the most perverted stories with one hand while the other is buried between your legs. Getting off on pictures of cuties bound and used as toys for anyone and everyone to fill over and over again even after their mind shatters. Seeing the ridiculous proportions of smutty characters and wishing you looked like that.

Its because you're not really a person silly. You're not made to go handle a job or worry about rent. You're meant to be used as a stress relief toy and free use pet by your mommy~

[the-kingshound]

I loved the update just because it exists. I loved the bit with the mounts (especially Arthur's trying to ground MC) but my tiny bit of concrit is the "I know you're a mage" convo feels...shoehorned? Like we get the panic attack and Arthur just says he doesn't think the same way as Uther and it's just...It feels (imo) that the Hound once more just accepts Arthur at face value again? I loved the rewrite making the Hound more wary of Arthur, and this kinda felt like a slip? Idk it just feels like there could be...more there. Or perhaps Arthur will try to revisit the topic? Cause like idk about you but if I was just told "I don't want to do anything to you buuuuuut people in my court might," I'd feel threatened and like...I wouldn't believe a single word prior to the "my court might" part. Cause like the Hound is a political prisoner, the nobles (Our sister in law is amazing) made that clear, so it's just another chain Arthur is adding, a little "Be careful love, you don't know what SOMEONE might do if they found out you're a mage :) :)", you know?

And as someone who played as a Hound who is absolutely dreading this marriage (they literally feel like a prisoner) that whole thing kinda felt as if that wasn't an option? Like for example, the walking into the church thingy you have: I feel better, I'm not alone, and the "I am strong and proud" options, but no real option for...just numb? I personally just headcanoned the Hound was disassociated to the point they won't remember the day at all. (I kinda hope we might just get to breakdown with our brothers, or idk alone in the dark)

Also I forget, but is this a game where we have to rack up romance points to lock in? Or one we choose the route? Because I honestly didn't feel that my Hound would want to talk to anyone during what is (to them) a celebration of their collaring/house's defeat.

BUUUUT I truly do hope you take this as constructive. You won't please all of us, and you shouldn't try to. I love that you gave us even this and you are incredibly strong and lovely for pushing through everything. If I am out of line, feel free to ignore or tell me off and I'll just smash my Hound into a better mold for the story lol. After all, it is your story, tell it how you want.

I would really like to give you a long response to your very helpful feedback, but I fear I am lacking the energy to do so. I just want you to know that I hear you, and in truth you make really good points.

1) yeah I do admit I was getting close to burnout with writing in this update, and that scene in particular might have suffered for it. I'll revise it, and hopefully try to not make the interaction feel so jarring. (Note: did you try to pick the more... aggressive option? It goes in a different way, maybe it is less weird?)

2) you are totally right on the options for the marriage - especially because you can play a very numb MC. I'll either edit or add that option. Ohh and the breakdown with the siblings is peak idea. I'm writing that down.

3) as for the romance points: this game is focused strongly on MC. You can choose the pace of the relationship your Hound develops, and for romance, you need to first have some platonic points with said RO. Platonic means in this case that MC wants to spend time with them, and doesn't have to go further than what will become a lifelong friendship.

You do have to pick at least an option to have platonic points with a RO, but you won't get locked out of anything in this game. Every choice shapes your personal Hound's story, this is not a game that punishes you, or that is focused solely on romance.

Thank you for sending this in! This kind of feedback, especially if worded clearly and kindly lik you did, can be so helpful and I love getting it even if it makes me pause and rethink some things.

[olderthannetfic]

Ok, so I read the fandom stats FAQ because someone linked it, and the OP is says they're doing this to highlight the lack of female characters and characters of color in fandom.

Deciding something is true and looking for data to prove it is bad science. Good science is when you think something is true so you gather the data to find out if it is or not.

If they were doing good science instead of just wank, they'd be glad that the stats show a ton of Asian characters and they wouldn't be trying to erase cartoon PoC.

Also, ships don't tell the whole story when it comes to race. Everyone Not shipping a character doesn't mean you don't care about them, it means there are no other characters that you want to seem them in a relationship with. It would be better to count top character tags, not ship tags, for this.

--

This particular wank is basically "My subculture isn't focusing on the right thing, and now I feel alienated."

It's a hallmark of fans who themselves only care about shippy fanfic and thus are indifferent to character popularity in other contexts.

[delusion-is-back]

supernatural but Sam and Dean find out there's a quite popular true crime podcast about their "crimes" all over the states, being referred to as the Demon Brothers — the irony is not lost of them — they are in the top most wanted criminals of America.

At first Dean is getting a kick out of it of course, he plays it in the radio of Baby while they're on the road to Sam's annoyance. He thinks it makes them sound badass being the criminals that have eluded police for so long, but he quickly sides with Sam that this podcast sucks ass when the girl narrating their lives —or at least, the public records available of them— starts to get it all wrong, accusing their father of somehow bring involved in the mysterious death of his wife, saying that the traumatic experience of losing their mother and being raised by an abusive alcoholic may have contributed to their depravity and devil worshiping, Dean refused to keep listening after that and just mumbled that it's a stupid podcast, Sam doesn't fight it on that.

You'd think that would be it right? Of course not, nothing is that easy for the Winchesters.

Some supernatural shenanigans make it so Sam and Dean are called over to a case in a nearby city, and oh how irony works that the girl being tormented by a vengeful ghost is none other than the author of their podcast.

They don't recognize her at first since she uses a fake name online, but she definitely recognized them when they came knocking at her down dresses as a repair man to check on a "gas leak" at her house, because had they listened a couple more episodes of the pod they may have heard were she went into detail about their MO of pretending to be government / city workers to get into the houses of their victims.

So she, understandably, freaks the fuck out.

She screams bloody murder and starts throwing things at them like her life depends on it — because it kinda does — until the commotion is so big the neighbors get involved and the brothers are forced to flee.

Now the brothers have to regroup and think of how they're going to solve this case when the authorities have already been informed that these extremely dangerous criminals are lurking around.

Dean feels tempted for a second to just leave and let her deal with this on her own, since she's made a living out of shit talking them online, painting them as these horrible sadistic murders when all they've done — all they've sacrificed — has been to protect the innocent. Sam and Dean always knew theirs was a thankless job but this time it was hitting closer to home than before.

In the end the brothers decide to do the right thing and find a way to help this girl whether she wants it or not, and it takes them sneaking into her house in the middle of the night, when they know the vengeful spirit of going to strike, and almost getting shot at by the girl —because america, she for a gun— and Sam being tossed around like a rag doll by said spirit before the girl starts to understand they're not what she needs to be worried about in this situation.

By the next day there's one vengeful spirit less to be worried about, another case solved, another live saved and maybe even a friend and ally.

The girl apologizes profusely once she understands the nature of their job and the reality of their actions, the brothers laugh about it a little, they can't blame her for being afraid, they know how it looks like from the outside, they only ask her to get her facts right before she starts misinforming the public about them in her podcast.

They know they can't change the way the world sees them and they're made peace with it, but it's still a nice surprise when a couple weeks later they can't find that true crime podcast of them online anymore, instead the girl starts a new series about supernatural beings and how to handle them. It's labeled as 'fantasy' as not to be taken too seriously but it seems to be an even bigger success than the true crime stories and it gets a laugh out of Sam, specially because this time she actually got her facts right.