#The princess review

[pricelessreviews]

[lgbtpopcult]

Best WLW animated shows 2023

Harley Quinn

The Owl House

I'm in Love with the Villainess

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady

Rwby

Disenchantment

Yuri is my Job

[alexandraprivet]

Barbie: Princess Charm School (2011) + letterboxd reviews

[iongsiyi]

pocahontas: the princess at the bottom of the hierarchy (part 1)

(see disclaimer at bottom of post)

what better way to spend a 3 hour plane ride than to write a tumblr post about the most underrated disney princess of all time - pocahontas

at the time of release, it received immense backlash for creating a love story between a native american and a colonizer. however, my blog post is solely looking at it through a fictional lens.

their love story properly began with the song “colors of the wind”

“you think you own whatever land you land on, the earth is just a dead thing you can claim, but i know every rock and tree and creature, has a life, had a spirit, has a name”

“you think the only people who are people, are the people who look at think like you”

“come run the hidden pine trails of the forest, come taste the sunsweet berries of the earth, come roll in all the riches all around you. and for once, never wonder what they’re worth”

those are my favorite lyrics from the popular song since it captured the essence of pocahontas and john’s differences. pocahontas is essentially teaching him her way of living, showing him a new side of the world, and as the song progresses, their bond grows stronger. disney used the duration of a single song to showcase them bonding, having fun together, and allowing john smith to realize that life isn't about conquering lands, it's about understanding the land around you.

there are not many similarities between them, they grew up, lived, ate, drank, and spoke completely differently. but there is one thing they have in common - their loyalty, their love for their people, and the extent they would go to protect the ones they love.

considering their background, their differences in living, how they both have different missions in life and more important things they need to hold onto (see previous post) they knew for a fact, from the start, that they would never end up together. and let’s face it, there’s no rooting for it, love doesn’t stand against everything. because as i’ve said, there are bigger things in life that one needs to hold onto.

and they did just that, holding what they love dear.

Disclaimer:

I acknowledge history and the trauma, the damage, the hurt that indigenous people or anyone in history who has been mistreated, abused, or slaughtered has been through, and my blog is in no way trying to glorify history, change history, or reverse the damage they have been through. My blog is looking at stories solely through the lens of fiction. I am not trying to speak on behalf of anyone who created the stories but myself, who is only here appreciating fictional characters and stories.

however, i will not be replying to anyone who expresses anything regarding my posts. any reblogs with a reply i will ignore, criticism or not.

i am also here as a fellow blogger to encourage you to keep posting your opinions, on your blogs or reply to mine. that’s an important thing about tumblr, our opinions are what keeps this platform going.

thank you for your time and i hope you have a great rest of your day.

[artist-issues]

Yeah, again, you can tell that the creators of Wish wanted certain moments to be impactful and to hit as hard as any other animated Disney movie’s moments did. But they didn’t. Because there was no convincing build-up for the moments to peak on.

You can tell which moments they are.

When Asha and the King sing “At All Costs” - If you listen to the song on its own, and you have no context (which is to say, you make up the context on your own) it is moving. Because it’s a pretty-enough song with vaguely passionate lyrics, once you assign meaning to them. But the movie doesn’t build up why this song should be an impactful declaration for either Asha or Magnifico. We already knew that Magnifico made it his job to “protect” the wishes (which are the subject of the song.) Asha, on the other hand, has only just been introduced to us, and we know she “cares too much,” so we already knew she’d protect people’s wishes. The song isn’t giving us a deeper understanding of them, or a more interesting angle to look at their motivations.

But, that’s not really the problem. The problem is that the wishes are the subject of the song. And that whole concept, of wishes being tangible objects that hold the most important and beautiful part of people’s hearts, but when they’re tangible, they remove that part from the person, is bad. It’s not good to try and build a story of stolen-treasures on.

Because that’s how they’re treated. Like treasures that the king is hoarding, after manipulating the people of Rosas into giving them up. And you know what? That’s a terrible thing to sing a protective love song to.

Just think about it this way: the story is about a King who takes everyone’s favorite keepsakes (family jewels, ornaments, old photos) and promises to protect them, but in actuality…for some reason…the moment they hand the keepsakes over, they forget whatever made the keepsake important to them. And then the King and a young woman sing a heartfelt song to the photographs and old brooches about how they will love and protect the photographs and old brooches.

Do you see why this song is pretty but not impactful in the story? They shouldn’t be singing to the wishes. Even Magnifico. They should be singing to the people. The movie plays it as if that is what they’re doing—singing a heartfelt promise of protection to a person, or a people. But that’s not what they’re doing, and do you know why?

Because the people have forgotten their wishes.

By definition, the actual human beings in Rosas cannot care (believably) about the bubbles in King Magnifico’s tower. They can only vaguely care about the chance of being happier than they are now, someday, if the wish they don’t even remember is granted. And what a terrible lesson, never mind plot point.

Anyway.

I digress. The point is, for a personally-worded, vow-of-protection-song to hit the audience meaningfully, it needed to matter to the person receiving the vow. But there is no person receiving the vow. Because of the narrative and lazy concept, only Asha and Magnifico care this much about the wishes. Because the people who made them have forgotten them. (More on this when I talk about Asha’s mom.)

When Sabino’s wish is not granted - This is supposed to be like a “Tiana’s restaurant gets taken away from her when she’s outbid” moment. The character is crushed when the thing they wanted and really believed they would finally get is taken away.

Doesn’t work in Wish, though. Because of a few things, but the main two are:

The audience has no reason to believe this means so much to Sabino because he hasn’t been shown really longing for his wish to come true.

This movie avoids any vulnerable emotion in facial expressions.

When Tiana loses her chance to have her wish come true, it is also unfair—she was already promised the property, but the brokers accepted a larger offer anyway, and it’s implied to be because of racism. Similarly, everyone acts like Sabino is entitled to (“promised”) having his wish come true because he’s so old and it’s his birthday. Plus we, the audience, know that Magnifico isn’t rejecting his wish for good reasons, and that Sabino’s wish is unselfish. So it’s meant to feel unfair and sad when he doesn’t get it, but it’s not. Not like it felt with Tiana.

Not only does the lazy concept of wishes and forgetting them once they’re tangible hamstring all of this—but the fact that Sabino has had nothing but a handful of sparse lines (ones like “we don’t know for sure that I’ll get my wish granted”) to convince us that he really cares about this hamstrings it, too.

When Tiana loses her restaurant property, it’s only about 24 minutes into The Princess and the Frog, and we have already had:

1 - A song about how hard she’s worked for it. 2 - An opening scene where her relationship with her father connects the restaurant to a deeper, more personal meaning for her.

3 - Several scenes where she is shown doing drastic things to get enough money for it; her drawer full of tip money; the two jobs she works with only a minute’s sleep in between; her friends asking her to come dancing but reiterating the fact that she often loses time for fun and their good feeling toward her because “all she does is work.”

4 - We are also shown that people don’t believe she’ll get it. The cook at her job mocks her for her wish, which makes it all the more important to the audience that she gets it—to prove the jerks wrong.

Of course, it doesn’t hurt that the restaurant is directly tied to Tiana’s character flaw AND her strengths, at the same time, so that it’s killing two birds with one stone—we’re shown who Tiana is, and we’re convinced to empathize with her when something sad happens to her.

Sabino has zero of those things going for him. No character details or set pieces to hint to us that he wants the wish to be granted so badly—no speeches about what it means to him—no memories tied to how he began to wish for this thing—because there can’t be. Because he’s spent 82 years not wishing. Because he’s lived the majority of his life totally forgetting what he wanted. You couldn’t logically show any evidence that he wanted it that much, then, could you?

So Sabino can’t be shown caring too much about not getting his wish. Therefore the audience doesn’t care either. We’re shown a glimpse of his sad face, and Asha’s sad face, and then told, “now feel sad!” But the work wasn’t put in to make it happen.

They cut their legs out from under themselves.

Now you could say, “well it wasn’t really about Sabino’s disappointment, it was about Asha’s disappointment.”

Yeah, but that doesn’t really hold up either. I’ll explain how in the next moment-that-should’ve-made-us-feel-something failure:

When Asha’s family doesn’t believe her - This scene is very clearly supposed to be like the one where Mulan has an argument with her family about her father going to war, and knowing her place, and he yells at her and she runs out distraught.

You definitely feel for Mulan and care about how she’s feeling in this scene—you might even cringe at the part where her dad yells at her. Part of that is because the scene is so well-done—there’s the buildup of tension as the camera cuts between each family member quietly drinking their tea, refusing to talk about the day’s devastating events. Then Mulan bursts out by slamming her teacup down and starting the yelling, herself, in outrage. Her dad stays quiet and steady like he has the whole movie up till now, so then when he stands up and shouts at her, about the exact thing she has been so upset over since the Matchmaker’s, the audience really feels the impact.

You don’t feel the same way about Asha, and it’s not just because her family argument scene wasn’t done as well—it’s also not just because, as you can see above, the movie keeps tiptoeing away from emotional vulnerability in the way the characters look.

It’s mostly because there’s been no impactful buildup to this scene. Again.

When Mulan has an argument with her father, you know what it means to her to have him yell at her about doing what’s right in her own place—you’ve had the whole first few scenes of the movie to convince you of it.

Mulan is upset because she wants to find her place and she loves her father very much. But she does not, ever, say the words “I love my father so much.” She doesn’t even outright say things like that before the argument. She doesn’t say to the Matchmaker, “Won’t you please give me another chance? My father has been praying about this for weeks, and I can’t bear to disappoint him. My father is a great man; he fought for the Emperor and was wounded in the wars; for his sake, can’t you help me?”

Asha does. Asha says to King Magnifico (but really, to us, the audience) “My grandfather’s wish! It’s beautiful.” And “Your Highness, couldn’t you grant his wish?” And to her friends, and to her mother, and to her grandfather himself—over and over she just reminds us with flat, “okay-we-get-it” dialogue and exposition of what she wants.

Whereas Mulan shows us. She convinces us. She runs up to her father, in the very first scene, and we’re shown that even though she has trouble remembering what she’s supposed to say to the matchmaker—even though she has trouble remembering what time it is and getting her other chores done—with this one part of her life, her father, she can remember exactly what the doctor said about how much tea he needs to drink. And she is prepared for her own clumsiness to make sure he gets it.

And even after she doesn’t get what she wants, and is shown to be so ashamed she can’t even look at him (because that’s how much she loves him and cares what he thinks) the only thing that makes her feel better is when he carefully compares her to a late-blooming flower and basically promises that he believes in her, anyway. We know how much Mulan cares about her father because we’ve been convinced by the way the movie artfully and carefully shows it.

We also know that she cares about knowing her place, specifically because of her family’s wishes for her. So all of this combines to prove to us that having her father shout at her about knowing his place and why he’s going to die willingly is a devastating thing for her. Enough for her to run out of the house sobbing and cling to a pillar as if she can’t hold herself up.

But when Asha runs out of the house (barely sobbing, just kind of breathing fast, because there’s no vulnerability in this movie) and stumbles up to a tree in the same way, we don’t really believe something so devastating has happened to her.

Everything happened too fast. She just kept saying she cares about Sabino’s wish coming true, and that she loves him. When he explodes at her (and really out-of-nowhere asks if she wants to “break his heart”) it’s the first time he’s shown any kind of intense emotion, either toward her, or about his wish.

There is no build-up. So it just feels awkward, and kind of like a high school production where one of the kids hasn’t even been trying to act, but in one scene, he suddenly starts yelling because that’s what his character is supposed to do. And it’s just cringe because you haven’t seen that level of energy, happy or sad, good or bad, at all up until now.

And that’s a problem because it leads right into Asha’s “This Wish” song, which is supposed to be like her “Mulan riding off to war” moment. But it’s not set up well by the emotions tied to the family argument, or the emotions tied to the conflict with the King, so you don’t really care.

Moving on to the next emotional-moment failure:

When King Magnifico threatens Queen Amaya - I don’t have much to say about this one; I think you’re getting the point. When there’s nothing but bland words and one-liners spoken to convince us that the characters are thinking and feeling how they’re thinking and feeling, moments like this one just feel boring and forced. And try-hard.

Like, the lighting? The music? Fine. Good. When he points his new magic wand at her threateningly, and clearly appears ready to betray her? All that stuff is fine. It just hasn't been built up to, so it doesn’t hit.

It’s like, “that’s it?” He just says one line about, “Are you betraying me?” And she pours forth a bunch of lines like “no I’ve always believed in you and in Rosas.” And then he’s basically like “okay, I’m convinced, moving on” which of course is him already knowing that she’s betrayed him and already having a plan to trap Asha…but still. From Queen Amaya’s point of view, there’s nothing emotional here.

We’re supposed to believe they’re madly in love and that she trusts him wholeheartedly, so that when he falls to dark magic and she chooses to side with Asha it’s this big moment. But it happens so fast.

There’s no moment where Queen Amaya grieves her husband. There’s no real sense of loss, or even of impactful betrayal. The voice actress delivers every line like she’s trying and failing to feel what the character feels as she reads the lines to a 5 year-old who needs every concept spoon-fed to them.

And King Magnifico drops her like a bag of dirt instantly. No sense of loss from him, either. He’s not even condescending to her, like, for example, Mayor Lionheart was to Dawn Bellwhether in Zootopia. Or like Jafar was to Iago. All of those things would’ve made their quick severing of bonds to each other make more sense.

But we’re not shown that Queen Amaya has sensed any darkness building in her husband over the years, and is just now realizing that this is the last straw and maybe he was never the man she thought he was. She treats him like she adores him (blandly) for the whole first half of the movie. No hint of doubt. Even when he goes for the forbidden book the first time, she easily convinced him not to and then wandered away like “well, took care of that.”

When Asha’s mother loses her wish - The biggest problem with this moment is still lack of buildup, and that is because the tangible-wish forgetfulness thing is stupid as we’ve established. We don’t believe she feels grief, even when she says she does, because we don’t know this woman at all. We don’t know what she wants, or how badly she wants it—we certainly don’t feel that she’s been missing her wish.

But the other offenses are worth mentioning. When Asha’s mother’s wish is broken by Magnifico, she just…gasps. And her father-in-law says her name, and Asha yells something typical like “no!” She looks a little weak in the knees, like maybe she can’t walk for a second, so the 100 year-old man supports her.

But the cameras spend no time on how this is affecting her. The shots of the family escape in the immediate aftermath of this world-shattering thing don’t let us see Asha’s mother’s face. Not that her facial expression is that devastated, anyway. It’s just “typical sadness” expression. There’s a shot where they’re going from the house to the stolen horses and if I remember correctly, Asha’s mother has her back to the camera the whole time; I was looking at her because I was like “something devastating just happened; this is the most interesting part of the scene.” But there was nothing to see.

They could’ve had her visually turn grey. They could’ve had her go mute, stare off into space, suddenly become scarily unreachable. They could’ve had her weeping uncontrollably. They could’ve just had her go catatonic—after all, we’re supposed to believe that even the chance of having “the most beautiful part of her” returned to her heart was just destroyed. Wouldn’t that logically make a person…cold? Calloused? Unfeeling? Uncaring? But no. She’s as just keen to express concern for Asha and apologize for being wrong about Magnifico and urge Asha to keep believing in herself, passionately, as she would’ve been before. No big deal, just lost the most beautiful part of myself forever.

Doesn’t help that we never knew what the mom’s wish even was, so even we can’t miss it.

So when she gets her wish back at the end, and she’s like, “come home.” It’s just…cringey.

When Asha convinces the crowd to wish for Magnifico’s defeat - The idea of the movie is that “the power of the stars is in you because we all came from stardust, so keep wishing and working toward it even when it’s hard.” So this moment is supposed to be impactful.

But it isn’t. Because that kind of thing isn’t impactful. They literally sing a song, glow, and Magnifico is defeated. Even if we were supposed to believe Star was dead, and this is bringing him back like Tinkerbell coming back to life, it’s still not impactful. Because one, it happens way too fast. And no character really emotes about it, like Peter did when he thought Tink was dead.

Two, that hasn’t been the point of the whole movie; the main character never had trouble believing that she was powerful enough to enact change. She barely doubted her own wish. If they wanted us to be excited that she could win based on the stardust in her heart, and in the kingdom’s hearts, alone, then they should’ve given us several scenes where it’s like “Asha is relying too much on Star’s power.”

But no, doubt and disbelief and reliance were never character flaws of hers for this moment to overcome. She doesn’t really have any character flaws, let’s be honest.

Even if you want to say “well sure, Asha didn’t doubt her own power, but the kingdom did! Otherwise, why would it’s citizens have put so much reliance on King Magnifico?” Okay, that’s nice, but 1) that is never solidly or impactfully alluded to in the story, beyond jokes about how handsome they think the king is and the literal plot point of trusting him with their wishes. And 2) having a whole kingdom of background characters believe something false and then get their minds changed in a split second is not nearly as impactful as having the main character’s mind changed first—and then she passes that knowledge on to them.

Like Judy Hopps learning to try to understand Nick, then encouraging all of Zootopia to try and understand each other. Like literally any good story where a whole kingdom needs to realize something.

Also it is never a good idea to defeat your villain just by singing about how you want to defeat your villain. Nobody should have to tell Disney that. They wrote the book on this.

But this movie was made by a company that no longer knows itself.

I could say more, like about the moment where Asha supposedly is at her lowest, or the part where Star “leaves,” or when her friends work together, or the “Knowing What I Know Now” song, but it’s all the same problems.

[halosoliloquy]

[lesbianfakir]

Something I think about a lot is that how inciting incident of the collapse of drosselmeyer’s tragedy isn’t some big dramatic moment. The beginning of the end for drosselmeyer is found in the hours fakir and duck spend searching for mytho. It’s when fakir realizes duck has seen him in his weakest moments. And not despite but because of that she genuinely admired him and shows it through her kindness. All of this is absolutely crucial because in the minutes before Princess Tutu’s impending doom, fakir grows fond enough of duck to intervene in her death. What seems like a filler episode of little consequence is actually what sends drosselmeyer’s grand finale careening off course.

If he had done nothing she would have given her life for the prince, vanishing. From everything we’d seen so far it is in fakir’s best interests to let Tutu die. She turns into a speck of light, vanishes, and now there’s no one left to return mytho’s heart. Fakir is free to do as he sees fit. He can keep stalling the story, let Tutu die in the chapter of his own death and then never flip the page.

But the thing drosselmeyer doesn’t count on is that in the hours they spend searching for mytho it dawns on him that he genuinely cares about Duck. And because of that he won’t sit back and let her die, even knowing he may very well die in her place. This is the first big act of rebellion against drosselmeyer’s story. Instead of simply accepting his fate, fakir does something clever: he twists it. He accepts that yes, he must die, and, instead of trying to circumvent that, he instead chooses to destroy the means of shattering the prince’s heart, thereby saving Tutu and passing the torch on to Duck. His whole life has been about being mytho’s one and only protector, and yet after only a few hours he grows to trust Duck so much he wants her to take over in his place.

And this is where the emotional core of Princess Tutu lies. Drosselmeyer consistently expects his characters to screw over everyone else in favor of playing to their own interests. But a spark of genuine friendship is all it takes to derail everything. Duck chooses to be kind to fakir despite everything he’s done and in turn fakir trusts duck with his life’s purpose. It was never about the grand tragedy or the bigger picture. The true revolution lay in the small moments.

[jelly-fish-wishes]

HOLY SHIT TOADSWORTH AND LIMA 😂😂😂😂😂😂

AAAWWW LUIGI WENT FOR THE HUG-

BRO 🤬🤬🤬🤬 PEASLEY WHAT THE FUCK WHY ARE YOU BEING SUCH A DICK OUT OF NOWHERE?! YOU MADE LUIGI CRY YOU BASTARD

Bowser was the gift? lol. No one wants him 😂

Hey you buttface-OH

OHHHHHH SHIT PEASLEY WASN’T BEING A JERK! HIS MOTHER WAS THERE.

PEASLEY IS STILL IN THE CLOSET

🥺💚💛

Baaaaaabbyyyyyyyyyyy

HE FOLLOWED THE PLANE TO SAY GOODBYE I WANNA CRY 🥹🥹🥹

THEY DROPPED HIS ASS OFF DNOJSNOJXQNSOSW

🥹🥹🥹

���.oh shit the little Fawful man is still out there 😱

[the-sage-libriomancer]

Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!

And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.

Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.

[pinyeti]

EPISODE 6: RETURN OF THE JEDI

Is it just me or have they just not explained the Death Star properly?

I cant take Darthy seriously anymore, he’s just a bag of organs 

Whats quirrel doing here

OMG ELEPHANT SNAKE IS BACK

Isnt this that old caterpillar from Alice n wonfderlad

WOW LUKE REALLY SUITED UP FOR HIS MESSAGE- DID HE JUST SELL???? GOLDENFACE AN R2-oh right Hans in the carbon - way to go to the dark side Luke, triangular droid trade YOU ARE YOUR FATHERS SON LUKE 

So much of Star Wars is just running into the problem with a glowstick and hoping it dies

Wow hansolo has been imprisoned, thrown into garbage, tortured, thrown into carbon, imprisoned AGAIN all cuz he has can’t shut my mouth disease

What even is their relationship with Luke btw, are they his adopted fWOAH WOAH WOAH WHEN DID LUKE TURN INTO A MAN??? Last I saw he was a child who couldn’t get a plane out of a lake AND THEY LEFT THE LAST MOVIE WITH ALL OF THTEM BEING TOGETHER wow the text in the beginning is more important than I thought 

No seriously why is Luke dressed like a pastor whats going on

WOAH GOLD BIKINI LIEA - OKAY STORY TIME I USED TO WATCH PRINCESS RAP BATTLES AS A CHILD AND THE ONE I SAW WITH LEIA IN IT SHE SAID “I wore a gold bikini and the whole world lost its shit” ANF NOW I KNOW WHAT THAT MEANS

Ok yoda we get it you’re 900 no ones talking about your wrinkles anyway with pastor Luke in the room, projecting much?

Is yoda suidicdal???

WDYM LUKE IS REaDY???? HE DIDNT DO ANYTHING TO BE READY EXCEPT FLY FACEFIRST INTO A MILITARY BASE HIS TRAINING ARC IS SO SHIT

 Whos the other Skywalker?? lukes not even a Skywalker isnt his name Luke vader where’s skywalkers real son OH darthy’s deadname is skywalker

BABY WONKENOBIII IS BACKCKCKC-OMGWHAT THE ACTUAL FUCK WDYM LEIAS LUKES SISTER WDYM HE SUSPECTED THIS AFTER MAKING OUT WITH HER FIFTY BILLION TIMES??? WHAT THE HELL

??? HELLO>>??? WHAT TH EHELL??? WHAT IN THE GAME OF THRONES IS GOING ON??????? How is Leia a princess then?? HahahahaHAHAHA SO YODA KNEW …… ABOUT THEIR LITTLE TRIANGLE

Nice the gang is back together, waiting for chewbakka to be revealed as darthy’s next offspring

YES YES GOLDENFACE GETTING THE RESPECT HE DESEREVEVVES I LOVE GOLDENFACEEE

I cant believe these are the idiots the emperors trying to kill

"yes I could sense you were my brother when my tongue was down your throat"

Oh yes Luke hands himself over- haha darthy sensitive over dead name 

Luke youre so stupid- but since jedis cant die is he gonna go to wherever yoda and obi wan is 

Lando is growing on me, also squid guy

This movie is gonna end with emperor and Luke dead isnt it

Is the emperor a jedi too how else does he have power or something something Sith

Id make a horrible jedi- im made of hatred

Hansolo my pathetic little idiot

I JUST REALIZED WHO LUKE EP6 REMINDS ME OF - TROY BOLTON

IS HE BEGGING DARTHY TO KILL HIM WTF

You’re telling me this big of an empire cant take down 6 idiots lead by a happy go lucky guy, never heard of this before

OHMYGOSSDDHD. LYKE YOU IDIOT NOW HE KNOWS ABOUT LEIA

Hahahah a hand for a HAND- wait what…. Why does he have a robo hand too whats going on 

Luke stop acting like you didnt hear about jedis 5 secs ago

Aw does darthy have a heart among his organs

OHMYGOD DARTHY IS A GOOD GUY????? ????? What A VILLAIN TTURNS GOOD ITS BEEN AGES SINCE I SAW A VILLAIN COME OVER TO THE GOOD SIDE

OMG DARHTY FACE REVEAL

Oh damn hes not as ugly as I thought he’d be

Kinda cute even - bro how did he even get this weak why’s he dying rn 

He has such kind eyes

Yeah ok I am so lost I NEED DARTH VADER BACKSTORY RIGH FUCKIN NOW

Is the empire this easy to penetrate? No but they did it with the power of lOVE and FRIENDSHIP 

Love lando 

YES HAN THATS THE REACTION I HAD AN HOUR AGO ACTUALLY WTF

Yes Luke its so sad your daddy that blew up an entire planet in ONE second without a single thought died IM NOT FORGIVING HIM THIS EASY

No way thats it??? They took down the empire just like that???? What??

Damn no one in this world can dance

OHMYGOD ANAKIN???? HOW CAN HE SEE THEM NOW??? IS IT CUZ HES BETTER AT WEILDING THE FORCE

ok fine anakin is cute

(3/9)

[leonisandmurex]

William & Catherine April 29th 2011

[uva124]

I made this quick comic as a break between drawing some drawing requests and getting on with the redesigns :D

In short, it is Hedus clarifying his feelings at the worst possible moment, being an easy target for manipulation, yayyyyy angst! :]

[raccoon-smiles]

Edel dying and becoming Uzura is one of the most powerful things to me in Princess Tutu to me. She is a great parallel to Mytho. Mytho loses his emotions. He lives without them, and he has to learn how to deal with them again when he get's them back. Edel never had feelings. She never got to learn. She had to be reborn to properly learn her emotions. Some day I want to do a breakdown of this because Edel and Uzura are the same but different. I think Uzura joining Drosselmeyer at the end is also really important. She fulfills the same job as Edel, but now she is her own person. Unlike Edel who was always told she is a puppet without emotions and had come to "pretend" to have emotions, Uzura is a girl with emotions first and informed she's a puppet second. I truly believe Edel had emotions because she has no logical reason to do what she did if she didn't care for the main cast. She even died expressing a want to see Mytho and Princess Tutu dance together. Wanting something is an emotion even if Edel says it is all pretend. I believe Edel was compartmentalizing her feelings because of her identity as "just a puppet." Uzura is a second chance. Uzura gets to feel freely. Being a puppet isn't something to hold her back. She loves. She's curious. She's a person.

As someone who has highly compartmentalized their emotions to the point where they have trouble identifying that they have emotions, Edel and Uzura are so special to me. When I have tried to start feeling again, I often get called childish and told I'm overreacting. This has led me to stop trying to feel and go back to compartmentalizing. I think this is why Edel had to die for Uzura to get to feel. Because only a child is allowed to deconstruct emotion like that. I love the little wooden dolls. They are everything to me.

[doodlemancy]

2023 was very busy but i drew some cute stuff

[iongsiyi]

pocahontas: the princess at the bottom of the hierarchy (part 2)

(see disclaimer at bottom of post)

pocahontas - her homeland, her connection with nature, and her tribe, that she could never let go of.

john smith - his loyalty to his crew, his love for his homeland.

and it wasn’t just that, how would they ever get used to living entirely different from what they’ve been doing their entire lives? dressing differently, walking differently, eating differently, living differently. it’s not something that you could just dump away and start brand new.

there are consequences they need to face for their decision to be together and they knew they weren’t up for it.

i love that they didn’t end up together not just for this reason.

the bittersweet feeling that rises up my chest whenever i watch the ending, with farewell by alan menken playing in the back, the wind blowing the leaves to surround pocahontas and flying to john (a cinematic metaphor of the theme of the movie - nature, and the linkage to the song "colors of the wind")

a disney princess movie where the couple didn’t end up together? now that’s new. love doesn’t defeat it all, because there are bigger things in life that one needs to hold onto. not everything is a fairytale, where people end up together and live happily ever after.

i can go on and on about the reasons why i love the movie besides the fictional story: the cinematography, the color aesthetic, the depiction of nature, but I'll stop here since i need to get off the plane.

the message that the movie delivers is beyond any disney princess movies.

sometimes the right path is not the easiest one

Disclaimer:

I acknowledge history and the trauma, the damage, the hurt that indigenous people or anyone in history who has been mistreated, abused, or slaughtered has been through, and my blog is in no way trying to glorify history, change history, or reverse the damage they have been through. My blog is looking at stories solely through the lens of fiction. I am not trying to speak on behalf of anyone who created the stories but myself, who is only here appreciating fictional characters and stories.

however, i will not be replying to anyone who expresses anything regarding my posts. any reblogs with a reply i will ignore, criticism or not.

i am also here as a fellow blogger to encourage you to keep posting your opinions, on your blogs or reply to mine. that’s an important thing about tumblr, our opinions are what keeps this platform going.

thank you for your time and i hope you have a great rest of your day.

[askmovieslate]

Movie: How many copies?

Copper: Fifteen.

Movie: Oh my goodness, what am I gonna do with that many copies? I can't review a movie so many times!

Copper: Didn't stop you from reviewing "Dog Soldiers" three times.

Movie: ...listen here you-

Copper: You what?

Movie: You...beautiful horse, you.

Today's guest comic is drawn be @bethiebo