#The man in the iron mask 1998
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hurtcomfortguaranteed · 2 years ago
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In The Man in the Iron Mask, Phillipe spends six years locked in a dungeon with his face hidden from all by a locked iron mask. The three musketeers rescue him, and Athos in particular takes to looking after poor Phillipe.
Literally one of my fav comfort whump movies!
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artbecome · 1 year ago
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I watched The Man in the Iron Mask for the first time today
I thought it was mostly a medieval action movie with horse-chases and sword fights. I truly didn’t expect it to be a heartwarming movie about camaraderie and love
You get the romantic love between D’artagnian and Anne
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You also see the love in the loyal comraderie between the musketeers
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You see the parent- child love that Philippe feels towards D’artignian, the Queen, and even Athos
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You even see the love in the comraderie between the way the soldiers cannot kill their respected commander, preventing them from killing him
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This goes to show how Louis, a king who doesn’t carry himself with love, becomes the antagonist of the story
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mirobraz · 10 months ago
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THE LEPER KING, Tanis Teau. Artwork of King Baldwin IV from the film Kingdom Of Heaven.
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They really should make a new "The Man in the Iron Mask" movie, imagine the Angst, the Whump, THE FOUND FAMILY that this new production would have.
The film from the 90's did the walking, now I want to see them RUNNING.
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transmascbutchkisser · 1 year ago
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this is kinda funny that when I read a fic about the man in the iron mask I am not happy to see some little errors (like places or stuff like that, for an exemple in a fic I really like, settled when Athos, Porthos and Aramis are training Philippe it says that it is at Athos' place when it was actually Aramis driving them to it) but when its me writing a fic I'm like "yeah okay let extend the time he's been trained to 3 months and not 3 weeks" because I need it (I'm writing a (what is supposed to be) a slow burn so....)
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storywriter12 · 1 year ago
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My film book should be updated hopefully later on today I have done three chapter so fair
Names of films
Final destination. 1, 2 and 3
The man in the iron mask 1998
The pope's exorcist
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marthajefferson · 13 days ago
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The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. —Alex Vlahov
V for Vendetta (2005), The Mask (1961), The Mummy Returns (2001), Emerald City s01e06 (2016), Black Orpheus (1959), Judex (1963), The Man in the Iron Mask (1998), Kingdom of Heaven (2005), Eyes Without A face (1960), Eyes Wide Shut (1999), Squid Game s01e07 (2021), Knights of the Zodiac (2023), Onibaba (1964), Scream (1996)
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rwpohl · 2 years ago
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firexfate · 1 year ago
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oh my god. yes.
the only musketeers that can run ANY competent plans are d’artagnan and (possibly) athos. this plan should have been ATHOS’S IDEA. aramis isn’t stupid but he’s like. he can barely function, this man is a mess, his relationship with god is a mess, he is just a stressed man, and he needs like a nice vacation.
porthos can’t do anything for shit because all he cares about is fighting, drinking, or women. d’artagnan, whilst a little temperamental, is intelligent (this has been proven MANY TIMES IN THE BOOKS, look no further than book one), and athos is the one who advised d’artagnan a lot and d’artagnan looked up to him so SO much, so athos is super wise (and angsty) so he can come up with a coherent plan.
aramis being in a charge is a problem for everyone involved so yeah no.
had to jump in on this thank you 😂❤️
biggest plot hole in man in the iron mask 1998 is that it requires you to believe aramis can run a competent plan when his greatest talent is causing problems for everyone most of all himself
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vampirecorleone · 3 months ago
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More YELLOW Fashion in TV & Film: Princess of the Nile (1954) | What a Way to Go (1964) | Peau D'ane (1970) | Aladdin (2019) | Lost Horizon (1973) | Dracula (2013) | The Man with the Iron Fists (2012) | A Date with Judy (1948) | Coming to America (1988) | Dangerous Liaisons (1988) | The Cutting Edge (1992) | My Gal Sal (1942) | Beauty and the Beast (2017) | Shea Coulee - Creme Brulee (2018) | The Man in the Iron Mask (1998) | True Blood (2008) | Mirror Mirror (2012) | Sailor Moon (1992) | The Young Victoria (2009) | The Girls of Rochefort (1967) | An American in Paris (1951) | Gentlemen Prefer Blondes (1953) | Till the Clouds Roll By (1946) | I Love Melvin (1953) | Give a Girl a Break (1953) | Titanic (1997) | 27 Dresses (2008) | Marie Antoinette (2006) | Down to Earth (1947) | The Pirate (1948)
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dadsbongos · 11 months ago
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i am a sword // i am a shield
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word count - 15.8 k // warnings - unhealthy/codependent relationship themes, reader has ego/identity issues, potential dub-con but nothing actually happens, brief mention of animal death, existential crisis, past manipulation/abuse from makima for both of you, also you and denji are both adult-core, and reader is specifically written as a girl, CSM part 2 spoilers!!!
summary - The Rejection Devil gets put on a new mission -- to be Denji's girlfriend so he doesn't blow his cover as a normal guy living a normal life!
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In late 1995, you are led into a tall building with a smooth, plain white finish and windows you wouldn’t be able to count even on both hands and feet. You aren’t sure where you were before this, and you can’t be certain why you agreed to trail the red-headed woman downstairs. All you know is that your life - your real life began with that red-headed woman and those winding stairs into the bureau basement. She’s speaking in a voice so silky smooth, you’re compelled to listen even though her words make your head hurt.
“I wasn’t expecting you to be so easy to track down this time. You fight more than this.”
You hug your arms around yourself as the darkness swallows you both whole, a door clicking shut behind your backs and leaving your only route to be following this strange woman. She smells like iron and spoiled milk veiled thinly by cheap vanilla perfume. It makes your nose wrinkle.
“Are you sure I can stay here…?” your eyes drift to the many metal doors lining the cramped basement walkway, “It’s scary down here.”
She giggles, hands clasped behind her back, and doesn’t so much as look at you as she replies, “You’ll be safer here than out there.”
Coming to a delayed pause outside a gaping steel doorway, the woman maintains her straight-lace posture while you hunch into yourself. Coldness wheezes out of the room, and a single twin mattress on the floor with no sheets or pillows laid in the middle, making your arms wind tighter around your midriff. Your beige dress may reach the ankles, but it's still thin - branded together with noncommittal strands that fray at the hem.
“Can I… go home?”
“Where?”
You swallow the lump in your throat and nod silently. Right. There is no home. There is on the mattress she provided, or there is under her mud-stained boot heel. You step into the concrete room - a boxy affair that wouldn’t even hold a bed larger than a twin.
“Good girl,” the woman coos, head tilting sweetly as she lays a hand over the steel door, “And I’ll be back tomorrow to see you again, how does that sound?”
You nod meekly as the door slides shut with a heavy groan and shick.
The woman is not back the next day. Or the one after that. Or even the next five. By the time you see her again and learn her name (Makima, you recall: it tastes like sour cheese coated in sugar on your tongue), there are sixteen shallow tallies on the wall nearest your bed, and blood and rock mix grossly under your index fingernail.
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In mid-1998, the debut of Tokyo’s summer showers threatened to kick off overhead.
Swirling, lumpy clouds mask the sun’s golden rays behind a sickly gray - sky darkening as the rumbles of an incoming storm roll under your feet. Yoshida marches ahead of you in confident strides, his familiarity with the building ahead your only savior to navigating Fourth East High School.
“Chainsaw Man really goes here?” you fidget with the unevenly hanging ribbon tied around your collar, “Why? Couldn’t He just avoid high school? I hear it’s terrible…”
“It is,” Yoshida confirms, not so much as looking over his shoulder at you as he guides you to your shoe locker, “But Chainsaw’s supposed to live a normal life now.”
“How would I help with that?” you watch Yoshida’s slender fingers pry open the rectangular metal door to fish out a pair of white lace-up sneakers. He lets them clutter to the floor before tapping the door’s plated number and wandering off to his own cubby, “Isn’t Kishibe His warden now? Why are we getting involved?”
Knowing Kishibe, Chainsaw Man is most likely left to his own devices more often than not. The man called “Mad Dog”, after all, would not be your top choice of fatherly figures, so perhaps Chainsaw Man is better off controlling his own life.
After swapping his own shoes, Yoshida stands where the entrance tile ends and the hall tile begins -- the entrance tiles are slightly darker in shade. Alabaster over pearl. He waits patiently for you to stuff your outside shoes into your locker and slam it shut before continuing down the hall. Teenagers in uniforms just like yours (though, you notice embarrassed, much neater and straighter than yours) are crammed by the walls, clogging staircases, and even looming in open bathroom doorways. So many voices all at once, they hurt your ears when they fight each other over who can draw the most attention. The joke is on them, with so much chatter you can’t pick out even a single conversation.
“Yoshida,” you call timidly from over his shoulder, and he hums - tilting his head just barely in your direction to indicate he’s listening, “How are we helping Him?”
Yoshida pauses in the middle of the corridor and turns to face you, one hand securing the book bag slung over his shoulder and the other in his pants pocket. His cheek meets his shoulder as his eyes flutter from the top of your head to the toe of your shoes, “I’ll show you at lunch. Just know you’re really doing good here.”
“At a high school?”
“For Japan,” he shrugs and turns back around, “Maybe the world.”
You like working with Yoshida more than most other devil hunters. He’s soft-spoken, but not from some unbearable shyness -- and he’s gentle, but not pitying. But even so, Yoshida is as much of a devil hunter as any and that means he selfishly uses what isn’t technically his. Well, technically it is actually.
Your power technically belongs to everybody except you in the name of public safety.
Cringing at your own overuse of the T-word, you slide wordlessly into the seat Yoshida points to as soon as you both enter a classroom. Your new classmates are sparse, and you assume that most of them remain out in the common space to squeeze out as much socializing time as possible. A few eyes follow you, so you flatten the crinkling, wrinkled material of your vest and undershirt with shaking hands. Secretly, you hope the sweat in your palms will slick the material down.
In the desk behind you, Yoshida sits with his cheek resting in his palm. Tired, lidded eyes skip over your withering frame and up to the clock above the teacher’s podium. His foot starts tapping as if he’s already expecting the dismissal bell to ring.
When a gaggle of girls approach and their gaze sticks to you a little longer than you think is appropriate, your hands shiver up to your hair. A terrible fire in your chest urges you to pat and soothe down any untamed strands you may have somehow missed in the mirror. Not that the mirror in your room is one of those great fancy ones you see in movies - the kind that fits the whole wall and never has a bothersome speck - but you think it gets the job done. Apparently, not well enough, you huff bitterly, glaring down at the pleats in your skirt joined by haphazard wrinkles vining down the unfolded sections.
You, still with a hand wound nervously in your hair, twist to look at Yoshida’s lame face, “What’s He like?”
“Hm?” Yoshida drags his dark eyes from the time to your pinched face, “Stupid.”
“Be nice…”
“Well, then he shouldn’t be stupid if he doesn’t want me to call him stupid. And lousy. But pretty. And he likes cats.”
Yoshida grins lazily when you perk up at that, stress lines melting away in favor of raised brows and wide eyes, “Really?”
“Mhm. Has one, too.”
“No way,” you perch both hands on the back of your chair and inch closer, “What’s its name, do you know? Is it black? Or white? Does it have long whiskers?”
“No idea.”
He watches your impressed gape press thinly into a frustrated line, “I thought you knew Him!”
“I do, but I don’t know his cat.”
“Do you think He’ll let me meet His cat?” you lean closer despite your apparent disappointment.
“Definitely,” Yoshida’s grin widens, eyes narrowing up at your buzzing excitement, “Why wouldn’t his girlfriend meet his cat?”
“Huh?” your brows furrow again, but you’re prevented from inquiring further by the attendance bell, your teacher tiredly saddling up to her podium soon after.
You’re going to help Japan (maybe even the world) by being Chainsaw Man’s girlfriend?
The sentiment is so baffling and strange, that you’re almost unable to sit still through class (not that the cause of your distress being sat right behind you helps any).
Yoshida’s standing just after the first ting of the lunch bell, his first curls around the oddly bent collar of your uniform before he’s yanking you up. Your new classmates file out of the room and Yoshida keeps a hand pressed flatly against your spine. He’s practically shoving you down the hall, towards one of the upward staircases.
“Where are we going?”
He sighs quietly into your ear, “Where do you think?”
“What?!” your hands scramble down to where your top is tucked into your skirt waistband, hoping it looks as neat as it did this morning. You trip on one of the step ledges, almost smashing your nose into the floor until Yoshida’s shoving hand grips the back of your vest tightly. He yanks you back into his chest, and you toss your head back to stare into his obsidian eyes, “We’re meeting Him now?!”
“Duh,” he forces you forward once again.
“No way!” you can feel your throat swelling, knees filled with jelly as Yoshida pushes open a heavy metal door. The dark sky greets you above, the rare ribbons of sunlight available reflecting off steel bars.
A lone boy leans against the furthest railing, his hair is tousled and unkempt. A pretty, silky coral that reminds you of the softness of mangoes’ flesh. Long in the back but trimmed at the sides in a way that tells you he might be cutting his own hair. His uniform is unbuttoned, flaps billowing in the wind behind his lax frame.
“Hey, Chainsaw!”
Lone Boy turns, plum bags hang under drowsy, unimpressed copper eyes. He sticks up a peace sign to acknowledge the call and waits silently as you and Yoshida approach his post. Despite the careless stance, he smells strongly of ashed cigarettes and dog fur unsuccessfully obscured by the plastic mimicry of a floral detergent.
Any polite greeting you’d hoped to muster is trapped in the dry cavern of your mouth. Tongue too heavy to form words. Your hands twitch up to the rail and you press your entire weight onto it to alleviate the wobbling in your knees. Yoshida stands at your side, squeezing your shoulder before speaking,
“I wanted to introduce your girlfriend,” he pitches you like those men in polos talk so passionately about whatever product is hottest in sterile white film studios, “And the best part? When it comes to her, you don’t need to keep any secrets ‘cuz she already knows.”
Denji stands straighter, his slumped leg shooting out in attention, “You know I’m Chainsaw Man?”
You nod skittishly.
He tilts his head, “You a fan?”
“Of course!” you chirp, hands squeezing around the rail so tight it burns, “You’re amazing!”
“Good to hear,” he leans closer, coppery eyes igniting with interest, “How’d you know? When’d you find out? What’d you think when you found out?”
“Oh- I’m- !” you reach up, straightening your bowed ribbon and trying to even the strands, “I’m a devil…” you shake your head, “Not as impressive as You, Chainsaw, just the rejection devil…”
His silence is chilling, and the disgust he must be feeling from your claim is starting to rot your insides. A terrible, agonized rot that no amount of blood could heal.
“Sooo,” he places a hand over his shirt - it has his own chainsaw form’s silvery and orange head on it with bubblegum pink characters lining his name, “You think ‘m a big deal, then?”
“You are a big deal!” you lean into him, at least hoping to lap up his body’s warmth if you can’t get his approval, “Huge!”
“Good, then?” Yoshida gives Chainsaw Man a thumbs up, “I’m sure a devil wasn’t your first choice, but a girlfriend’s a girlfriend and she’s nice. Listens. Easily impressed. Plus your big mouth won’t ruin anything.”
Chainsaw Man ignores Yoshida completely, grinning at you through shark’s teeth, “Name’s Denji. I like girls that like me.”
“I’m a girl!” you beam, bouncing on the balls of your feet, “I like you!” you tug sharply on the black ribbon around your neck, “I think you’re the best!”
Denji nods curtly, visibly smug. His posture curves again, all suave and cocky, “What can I call ya?”
Yoshida steps back when you glance at him uncertainly.
“My name?”
“Uh-huh.”
“My name,” you state blandly, blinking at Denji as you try to cobble together sounds and vowels that sound familiar. Makima had a name. Could you have one, too? Angel just went by, well, Angel. Quanxi had a name. So did Princi. You must have a name, right? “I don’t know…”
Yoshida chips in, both hands in his pockets, “Nobody really calls her. If they do, it's just Rejection.”
Denji glares at Yoshida, “That’s shitty.”
Yoshida shrugs, “She’s enrolled as Yoshida, Reiji.”
“I am?”
Denji wrinkles his nose at that before looking back towards you, “Do you like that name?” you shake your head, just slightly enough so you can deny doing it if the only real Yoshida child gets offended, “What do you like?”
“I like fruit…” you twist your hands around the rail, the metal cooling your flushed skin, “And cats.”
“Peaches?”
“I like peaches.”
“Okay, peachy,” he stands straight, and there’s something sweet about the way he smiles at you -- the way his body jitters, like the thrill of being a boyfriend is jumping out of his veins, “We should go out! After school. Today.”
“Okay! Totally!”
You realized quickly that going on a date with Chainsaw Man (Denji, you correct yourself, Denji) meant that you’d be going out without Yoshida when the boy walked straight past you and out the gates without so much as a goodbye. He didn’t even wait for you to change out your shoes before leaving. How nerve-wracking…
Pacing, you wait for Denji to exit Fourth East and tell you where you’re both going for your first official date. You watch the black slip-ons Yoshida shoved at you this morning crease against the floor with every step. You get so entranced by the sight that you don’t notice Denji’s approach until a hand stops you by the arm.
Jumping under the sudden touch, you gasp at the sight of Denji before awkwardly calling, “Hi!”
“Hey,” he drawls out the vowel, releasing his tender grip on your bicep, “So, where d’ya wanna go?”
“Huh?” you tense up - was that a genuine question? - before gnawing your bottom lip unsurely, “I don’t know. I thought you’d know.”
“Is there anywhere you’d wanna go?” Denji starts walking, book bag hanging limply over his shoulder.
You rush to catch up to him, tightly clutching the straps of your own bag in front of you, “I don’t know!”
“Really?” he turns to stare at you, only to find you watching your feet against the pavement with a soldier’s focus. So he looks back up, glaring when a man in suit and tie doesn’t move to the far side of the sidewalk to avoid knocking shoulders with you. The man glares back at Denji, but relents to dodge you, “Anything you’ve always wanted to do?”
“I don’t know…” your brows draw towards the middle of your face in concentration, “I like… Food?”
“Me too,” he murmurs in solidarity, “What about ice cream? There’s a place nearby, and cheap! You can get two soft creams for three hundred yen!”
“Woah!” you don’t know anything about that or how important it actually is to get two servings for three hundred yen, but Denji is excited and that feels like a good enough reason.
“Right?!” his steps quicken, hand circling yours and pulling you along. His hand is warm with rough calluses blooming around his digits, but it feels nice in yours, “And you can combine any two flavors for no extra charge!”
Upon arrival, you are only a little disappointed, but you suppose you probably shouldn’t be. It isn’t like you were genuinely owed your preference, that’s why it was a preference, right? In the same way, you prefer to have control over the heat to your room in the commission basement but don’t.
“Ah, no mango…”
“You like mango?”
“I’ve never had one,” you admit, albeit confusingly following it up with, “It’s my favorite, though.”
“Oh. Okay,” he nods as if filing the information away for later, and you hesitate to ask if he actually cares, “My favorite is the bubblegum. It makes me sick if I eat it too fast, but it’s really sweet,” you nod this time, slowly, “But you like fruit, so you’ll probably want the strawberry one, right?”
You nod faster.
When neither of you steps towards the patiently smiling vendor, Denji leans forward, “Do you want me to order for both of us?”
“Yes!” when you realize how outright eager you sound, you try to quiet yourself down, “Please, that’d be nice.”
Denji gives you a peace sign before taking charge towards the old man behind the open counter.
Upon his return, Denji holds out the small cardstock paper cup to you, a miniature plastic spoon buried into the soft pink mound. Darker red splotches decorate the scoops, sinking to the bottom the longer you take to grasp the treat.
With unsteady hands, you almost knock the soft serve from his fingers before clumsily clutching it with both palms. Sadly, the spoon could not be saved once rattled from its spot; the plastic unceremoniously clattering onto the pavement. Strawberry sweetness splatters onto the toe of your shoe, staining your laces. Your chest fills with the heaviness of dread, the freeze of the ice cream spreading through your hands and all the way down to your wiggly jelly knees. You look up from the grizzly death scene to Denji’s blank face.
You squeeze the cup, strawberry cream teasing to gush over the lip, “I’m sorry.”
Denji shakes his head, orange peel locks flicking wildly. His coppery eyes gaze up at you through his dark lashes, soft around his stare. Suddenly, the cherries of his cheeks brighten up, balled and red with glee, “‘s fine!”
“It is?”
“I have an idea…” his posture straightens and he reaches for his own cup, scooping out hot pink bubblegum and swallowing down the sugar before offering the utensil to you, “We can share!” you reach for the spoon and Denji creeps closer, anxiously rolling his fist as you use the same spoon, “This is our first indirect kiss.”
He swallows down the other woman that briefly flashes through his mind. Instead, he focuses on the way your tongue swipes over your lips to lap up any excess ice cream. You blink up at him and smile before holding out the spoon with a soft, “Sorry…”
Shaking his head again, Denji feels the sparks of excitement spark little fires down every vertebra of his spine, trailing over the rungs of his ribs when he brushes your fingers, “What’re you sorry for?”
“You have to indirectly kiss me every time you want ice cream…”
Denji raises a brow at you, having a spoonful of his treat before passing the plastic back to you, “You’re kind of a downer, huh?”
“Ah,” you cradle your ice cream closer to your chest, “Sorry.”
“Downer, yeah,” he nods to himself, slipping the spoon from your hand - gentle, warm fingertips pressing into your skin again, “I guess if we were both jumpy, it’d get boring,” catching your downcast stare into your liquidy strawberry ice cream, Denji cranes his neck to force eye contact with you. He says nothing, but slides the spoon into your cup.
He’s honestly just glad to be so close to a girl without her trying to kill him. He’d hoped you’d be glad to be here, too.
His eyes follow as you glumly take the spoonhead over your tongue. Denji is consumed by the need to know your every thought, each tissue’s twinge should be beamed into his brain the second it happens. For a moment, he even finds the idea of knowing each other so well to be comforting. Like warm toast smeared with every jelly he can get his hands on.
You say you like him, but you keep apologizing for indirectly kissing him - it’s confusing. A dull buzz began to ache through his head at the mixed signals. Denji is excited every time his turn for the spoon comes around (even now, his hands are rattling with anticipation as he reaches for it). He can’t separate the taste of your saliva from anything else, but the hint of saccharine strawberries is more than enough. He’d never apologize for greedily sucking at the aftertaste of your ice cream if the roles were reversed.
Does this mean he pushed it with the indirect kiss? Should he have just asked for another spoon? Will you let him have a direct kiss anytime soon?
None of those questions shake Denji in his beat-up shoes, which are tearing at the soles, so he decides that if you really hated it -- then you would’ve told him. Besides, Denji got lucky(????) having his first direct and indirect kiss on the same night and not everybody is so fortunate(????).
The women, however, he grimaces just remembering. So instead of focusing on a fuzzying eyepatch and unrecallable (yet unmistakably soft) voice, or hair like consuming embers and too-tight smiles -- Denji turns to you. To your modest displeasure over the flavor, you’d been stuck with over your apparent favorite.
“Are mangoes really your favorite fruit?”
You shrug, slapping the spoon against your melty cream and watching droplets rocket over the cup’s edge, “Even though I haven’t had one, yes. I like the flavoring best of any other fruit. Do you like mangoes?”
“Haven’t had one either. Haven’t had most fruit,” he looks up and notes that the cloudy weather is inappropriate for an ice cream date, but you haven’t said anything against it so he doesn’t either. Then, as he stares into unfolding skies, blue peeking through clearing patches, he tries to recall any fruit he’s had that isn’t a plain apple or grapes. All the fruit he knows about is through artificial recreations, and for some reason that strikes him as unpleasant, “Do you prefer mango over peach?”
It takes a few prolonged, stiff seconds of silence before you snap to the realization that Denji expects a response.
“Mango is…” you twiddle your thumbs, wondering which answer he would rather hear. You aren’t sure, you don’t know which fruit he likes best. Or if he even likes fruit! So you stab your left thumbnail into the pad of your right thumb and decide to give the answer you truly feel, “‘Mango’ is a weird nickname - peach is fine. Peach is actually… cute.”
Denji nods rapidly, you notice he’s standing a little closer than before, “Okay, peachy. I’ll stick to that.”
Azure whistles overhead, downtrodden weather fading away calmly. You wonder what else is left for people to do on dates -- you’re sure they spend time together, but doing what? Denji took you for ice cream because he likes ice cream, does that mean you get to choose the next activity? When does the date end?
Does it ever end? You two are already boyfriend-girlfriend after all.
“What- “ you’re cut off by the sound of Denji’s voice, “When- “
“Sorry,” you wave him off, “Go, you go first.”
Denji purses his lips before drinking the syrupy remains of his aggressively saccharine bubblegum ice cream, he wipes his mouth with the back of his hand and stares at the stained base of his cup, “When’d you decide you wanted to be my girlfriend?”
“I didn’t. Yoshida just said I was being reassigned.”
“Oh, so you didn’t know?”
“No.”
You can’t read Denji’s expression at all. It’s all straight except for the smallest downturn of one corner of his lips, “You didn’t know anything about me, did you?”
You shake your head, “I just knew I was going to meet Chainsaw Man. I didn’t know He was you.”
“You’re really only here ‘cuz you knew I was Chainsaw Man?”
Denji shouldn’t be hurt, he knows that was the plan eventually. To catch a fly with honey.
But when you plainly nod, it does hurt. It hurts a lot.
“Well,” you’re itchy all over, uncomfortable because he’s uncomfortable, “I think you’re great.”
“Right…”
Frowning, you hang your head and stare at the floor, “I do.”
You can’t read Denji at all. You’re supposed to placate him and you can’t even do that right. What if he breaks up with you? You’d be far too embarrassed to show your face back at work. The Rejection Devil met a force she could not deflect (seconds later you realize that the irony alone of being rejected as the very devil itself alone might kill you). How humiliating.
Denji’s head flops back limply, the apple of his throat exposed. You’re almost alarmed by the way you want to nibble it. He blinks up at the rolling sky, eyes watering as the sun burns away fitful clouds.
“Denji,” you plea weakly, feeling as small as an ant under his downcast mood, “I like Denji, too.”
His eyes flutter over to you, “You do?”
It feels like an opening - when the battle is at its climax and your opponent’s foolishly left their weak spot unguarded in the adrenaline rush, “Of course, I do. You’re cool when you’re Chainsaw Man, but you’re cool when you’re Denji, too.”
“Really think so?”
“I really do.”
Denji smiles suddenly, and you smile too just because he does, “You free tomorrow after school?”
Of course, you are.
You choose not to point out that keeping him company is what you should be doing after school anyway. Hopefully, he doesn’t consider that fact.
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In January of 1996, you meet an imposing man with stitches across his left cheek and a flask tucked haphazardly into his trench coat - the silver glints under sickly fluorescents.
“Timid, but useful, if she can behave without me there,” Makima talks about you like you aren’t standing directly in front of her. She keeps her helix eyes just over your head at all times, “I’m sure she will, but I think you’re the best thing to test her with first.”
The man behind you reeks of booze and womens’ perfume and mold, but somehow it feels less safe than Makima’s more foul stench.
“Quiet one, huh?” as if to begin the ‘test’ early, he pokes you in the back of the neck, “Sure it's a Devil?”
“Positive,” she winks and taps her nose, “I have a good sense about this stuff.”
You don’t want to go anywhere with the man with the stitches. Physical attacks and special abilities from your fellow Devils are things easily deflected by your own power, but Miss Makima has taught you a new lesson:
Words do not bounce off the Rejection Devil.
And the man with the stitches doesn’t smile at you with any kindness.
“Then let’s get to work, yeah?”
You think he’ll actually enjoy finding all the ways around your rejection abilities.
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“I thought we were going out today…”
Denji’s been your boyfriend for a measly two days, but he already hates the look of your disappointment. Those glassy eyes and pouting lips, they make him want to chew marbles and swallow. Instead, he scratches at the soft skin on his neck, clawing up red marks from chipped, short nails.
“I wanted to! ‘m just failing… hard. So I need to get my history shit done.”
“I can help!”
“It’ll be boring as hell…“
“No, really,” you hesitate to grab his hand before committing, his cheeks flush at the warm contact, “I could even just watch.”
Life is more boring when Denji isn’t around anyway. You’re mostly just… waiting to see Denji again every time you two part ways. Even the books and journals they supply you with at the commission cannot distract you from how gray and cold your room is now. All you think about is sunshine hair and thick lashes.
“I just don’t- “ you release his hand and look down at your white indoor shoes, “I just thought we would be together longer today. If you want to work by yourself, then- !”
Denji snakes his hand back into yours, shaking his head vigorously, “No way! That sounds terrible.”
“Okay!” you try to smother the elated smile rising to your lips, but it's totally hopeless. You nestle into Denji’s side, using him to navigate the (largely abandoned) halls of North East as he leads you both towards the school library. Your attention drifts to your feet against the floor once again.
Denji pulls his hand slightly behind his back, squishing your body tighter to his, every time someone passes you both, “Why do you do that?”
“Do what?”
“Look at your feet.”
“If I tripped over myself in public, I’d just about die…”
“Makes sense,” he glares at a trio of boys walking down the narrow corridor shoulder-to-shoulder until they break apart to avoid bumping into you.
You remind him of Kobeni for that. He realizes he hasn’t spoken to her in a very long time. He wonders if she’d even appreciate him trying to reach out. Probably not, he concludes; but he likes you better anyway, which is appropriate given the circumstances.
“Why do you…” you hum quietly, contemplating the question as you both arrive at the library. Denji squeezes your hand encouragingly, finding you two a table far off from the rest, “Why did you try using Him to get a girlfriend?”
“We’re the same person,” Denji shrugs before tilting his head and shrugging again, “I dunno. It worked before.”
“Really?”
“Not really,” he isn’t minding his volume as he replies, not like you do. Two other students are holed at tables by themselves, one underclassman debating two books in the nonfiction section, and the librarian at her desk, “Every girl I’ve met before you has tried to kill me…”
“Aw, that’s terrible… You’re not someone I’d kill.”
“,,,”
“Not that I could. But even if I could, then I still wouldn’t.”
Denji nods, a pensive screw overtaking his face, “What if there was a prize? Like. Something really, really cool that you’d get. Would you kill me?”
Instantly, you’re shaking your head, “Never!” you’re still whispering, cautious of irritating others even as your boyfriend drags you into the depths of his ego death, “I’d run away with you if it came to it.”
Iron pools in his mouth. A severed tongue. Soft daisies leave dirt and spit-up trailing over his chin. An ominous choker that stayed on, even when she stripped to go swimming.
“What if I couldn’t run away?” he still has a family after all. Bigger than last time, even. If he had to run away, he wouldn’t.
You frown, “Then I guess I’d have to stay away for good…” then, you settle your head in your hands, palms cupping your cheeks, and Denji has to look away to avoid spilling his guts about how cute he finds that, “Wait, I’m not gonna have to run away am I?!”
The shrewd librarian raises her head only to shush you before burying her nose back into her binder of book logs. Denji flips the old lady off at the same time you mutter an apology.
She takes note of neither act.
It irritates Denji in a way he’s unfamiliar with because more than the urge to be acknowledged is the need for him to know that the woman heard you.
“I really can help, if you want, also.”
“Huh?”
“You said you’re failing,” you point out, leaning forward onto the table by your elbows, “I’m passing everything, so I actually can help. If you want!”
“Seriously? Didn’t you just get here? How’re you already all smart?”
“I just don’t want to fail,” you wave out your hands as though to dismiss any ill-intent, “Not that it’s… I’m not sure how to say it… I don’t think it’s terrible of you to fail, school seems really hard. I just feel sick at the thought of not doing well.”
“Your class is lucky to have you to answer questions, all my classmates are dumbasses,” he bites bitterly.
“Oh, I don’t really answer questions. Yoshida does sometimes, though.”
“Why don’t you?”
“What if I’m wrong one day?”
“Are you ever?”
No, but that doesn’t mean you’ll start raising your hand anytime soon. To distract Denji from this topic, you stretch closer to him over the table and insist on helping him finish his history work. That way, he won’t have to do it in replacement for your date tomorrow.
“Hey. Why d’ya like Chainsaw Man?”
His fiery eyes are all raw, mushy dough. He looks terrible and sad. You want to fix it, whatever or whoever made him this way. You simper sweetly and confidently declare,
“He’s so powerful. He can kill any devil he wants. And so can You, Denji. You’re both so amazing. But I like You best.”
“... I like you, too.”
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In February of 1996, you are sent on your first real mission with Kishibe -- Makima stating he was your safest partner option after training together so long.
Your tie is tied too tight, and your pants cinch uncomfortably around your thighs. You can’t maintain any sort of normal breathing pattern and that’s beginning to occupy more brain space than your actual upcoming fight. Mostly, you’re trying to level your heavy breaths so as to avoid irritating Kishibe. Logically, you know him to not be hotheaded and prone to rash lashing out, but the fear of him slicing your chest open lingers there.
Far too soon for your liking, the car lulls to a stop outside the boarded, graffiti’d Love Hotel. Swiftly abandoned by faculty and regulars alike as soon as the Devil made itself known on the fourth floor.
Just remembering the bold letters printed at the top of Kishibe’s briefing report sends a shiver down your spine -- FOUR CIVILIANS DEAD. TWO PUBLIC HUNTERS M.I.A. ONE PRIVATE HUNTER K.I.A.
“Come on,” Kishibe jerks his head towards the building and you trip after him like a newborn puppy.
You follow Kishibe into the Love Hotel and patiently wait for his orders before heading for the top floor. He pauses at the stairs to jerk your body in front of his, shoving you in the back to hurry up the flight as he meanders behind.
“I want you to clear the first floor ahead of me.”
A command, no room to fight back. Not that you would. Following his orders blindly feels more comfortable, anyway.
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“You ever get the urge to bite people?” Denji pops the question while watching you peel an orange. The underside of your thumbnail is stained yellowish from the skin you punctured, and some bizarre voice inside him whispers that he should dig the flesh out with his sharpest tooth.
“Hm…” you roll the orange peel into a ball and settle it beside you on the rooftop pavement, seeing as there are no nearby trash cans, “I don’t think so…” you rip the conjoined slices in half and hand the slightly fatter side to Denji, “Maybe when I first met Kishibe. He scared me.”
“Really?” Denji pops one of the juicy slices into his mouth, eyes still trained on your fingers as you carefully squeeze out the brown seeds inside before eating, “I just thought he was a geezer.”
“That’s rude!” you’re trying in vain to keep your lips pressed in a straight line, as if the Mad Dog would apparate at your back and kick you just for laughing.
Denji leans back and chews another slice of the orange, tucking the seeds under his tongue and debating whether or not it’d be a waste to spit them out. He shrugs, “‘s true. He had a flask, too. Definitely thought he was some weirdo.”
“I guess maybe a little…” you hesitantly admit, “He super liked beating me up when we met.”
“Oh, yeah. Like for training?” Denji finishes his half of the orange and settles on swallowing his seeds.
Just as you go to respond, the bell to end lunch rings and Denji is stumbling up to his feet, swiping up the pile of orange skins and your discarded seeds. He offers a hand to help you up and you wonder if it’d be more polite to spare him from the sugary orange blood on your skin.
“My hand- “ you begin, words sudden and jumbled, and you feel shyness suffocate you under his blank stare, “Sticky… it’s sticky with-“
“I know,” he waves his hand out again, “I watched you.”
“You don’t mind…?” you take his hand, earnestly shocked by the quickness with which Denji yanks you off the ground.
And just as Denji opens his mouth, Yoshida is yelling at you both to hurry inside from the doorway to the roof. Denji flips Yoshida off before turning to you, he squeezes the orange in his hand and thinks about the sweetness.
Oranges are better than apples, he thinks, but he can’t find a real reason as to why. The seeds are a hassle, and he’d hate to sit there and peel one, but he liked sharing just half an orange with you more than he liked having an entire apple to himself in Aki’s apartment. He can see the orange juice still glistening on the bow of your lip. His eyes linger there, and he knows you notice because you’re suddenly fidgeting under his gaze.
You wait patiently, eyes flickering down to your shoes before meeting his again. He isn’t sure what that means. So he turns back towards Yoshida and stuffs the boy’s palm with the orange husk before walking you to class in stiff silence.
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Your bed is thin and flat against the floor. A bookcase that only reaches your waist is pushed against the opposite wall. You’ve read every book in it twice over. You don’t remember when every empty slot was finally occupied, and you don’t remember the last time you touched one of the books and felt genuine interest.
You do know that you once requested a brand new book from Makima, and she’d refused you so simply you once believed it was a personal slight you’d committed against her. You also once requested a television -- you had it for one week before it was taken away. You never asked why because Makima herself came to oversee your beloved TV’s removal from atop your dusty bookcase (though you doubt you would’ve had the courage to ask even if she was absent).
During that week, however, it was the happiest you’d been since coming to Tokyo.
A lot of what you watched was utter garbage. Contrived plot lines and miscommunication and shallow characters you’d sooner choke out than shake hands with, and it was the most beautiful entertainment you could’ve asked for. What you quickly discovered to be your favorite viewing material was movies made specifically for television. Usually lower budgets and completely unknown actors. A paradise all to yourself.
“That’s it, watch your back,” Makima’s soft voice called when one of the men nearly slammed into your doorway on the way out. She turned to you with a smile, “Anything before I go?”
A prompt, you figure, to ask if you had the courage to demand your stolen present back.
Rather, you shook your head shyly, twiddling your thumbs, “Well, could I maybe get a window…? I’d like to see something other than…” you gesture to the walls around you.
They, too, are covered in a thick layer of cloudy dust.
Makima extended a hand to pat over your head, “No,” she stated as blandly as your room was decorated, “You’re still a security threat.”
Another test. Would you deny it? Would you dredge up the fact that you’d never once reacted with hostility? Would you bare your teeth and try (in vain) to rip her apart?
You nodded solemnly and watched Makima exit.
And your room has remained untouched since.
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Denji’s handwriting was a sloppy chicken scratch, often paired with backward or mismatched characters, which was why he asked you to write his reminder note.
YOYOGI PARK ON SATURDAY. 12PM.
And at 12:02 PM, you sit on a picnic table surrounded by tall ginkgo trees with bouncing knees as Denji makes his approach. In one hand, he clutches a plastic bag, logo wide and distressed around a massive bulb shape. In the other, is a knotted tangle of black and red leashes tethering seven wiggling and yappy dogs to his side.
“I didn’t know you had so many dogs,” you hold out your hands for the dogs to sniff and lick before petting over their heads and behind their ears.
“I got a cat, too, but I dunno if she’s allowed in.”
You sit straighter, letting the dogs press their heads into your hands for more attention, “So you do have a cat?!”
He nods, laying the bag on your table with a thud and crinkle before sitting beside you -- thigh firm against thigh and arms brushing, “You’ll meet her eventually.”
Denji leans over the edge of the seat to lift a corner of the table, stapling the leashes into the grass. Even if they weren’t collared, you doubt they’d try running off anyway with each dog avidly jamming itself into both your spaces. Big drooly jaws resting on your lap and paws digging into your calf for even more attention.
“Hey,” Denji whines when he sees the opaque slobber Tiramisu is webbing on your pants, “Off. You’re makin’ her gross.”
“It’s okay,” you insist, tempted to rest your head on Denji’s nearby and tantalizing shoulder as you pet the husky, “I have a lot of these pants in my room.”
“These’re your casual pants?”
“Yeah.”
Denji side-eyes you, but says nothing more about your white button-up and black slacks being ‘casual’.
“If I could have a job, I’d buy you lotsa clothes,” he mutters, “Whatever you wanted,” he’s so quiet you almost feel apologetic for hearing him at all; but before you can suss out a response, he suddenly whirls around in his seat and sticks both hands into the plastic bag, “A mango!”
“A mango?”
“Uh-huh,” he wrestles the fruit free from its plastic confines and rolls it into your hands, holding an arm out in front of you to keep his licking dogs at bay.
“...for me?”
“For you!” he echoes. He’s trying to play everything off casually, but really his hands are moist and vibrating - his gut cramping as he awaits your feedback, “Old man was in Kyushu, so I had him get a souvenir… I hope you like it, he bitched about how expensive it was the whole time I saw him.”
Taiyo no Tamago. Egg of the Sun. Gold leafing into fierce, flaming oranges and reds. You bet that the real slices are even juicer, tastier than faux flavorings.
Between both hands, you gingerly cradle the large mango and feel your mouth watering just as you stare at the fruit.
“Kishibe got it?” you lift the mango towards the blazing sun, inspecting the skin for any damage, “It’s not poisoned, right?”
“Nah,” he squints at the fruit as well, just to be extra sure, “I can try it if you want?”
“Aw, no, it’s- I’ll be okay either way, but I trust you,” Denji watches you pet over the mango like it's a fat kitten curled over your arm. He grins at the sight and doesn’t question it, scared that if he does, then you might stop, “So, does he watch over you?”
“Not really. Sometimes he comes around just to know I'm alive.”
“Do you get lonely when he’s not there?”
His face wrenches sourly at the idea of Kishibe lingering around the apartment, “I got the dogs and Meowy. And a little sister… friend… type living with me,” his eyes dart over you warily, “You’ll probably meet her eventually, so…” he inhales sharply, “It’s, eh, you know, the new Control Devil.”
“She got reincarnated already?” you whisper it, like you’re saying something inappropriate.
“Well,” he winces, “Nayuta’s her own person. Same Devil stuff, but she's nothing like Makima.”
“Sorry! Of course! I didn’t mean it like that…”
Denji feels a pang in his chest at the sight of your cowering frame, consumed by guilt over misspeaking, “Don’t worry ‘bout it. Just didn’t want you freakin’ out when you meet her or anything.”
“I’m nothing compared to Her, I’m not really in the place to freak out.”
Something disturbs Denji so staunchly at the ease with which you say that. He can’t place it, he just knows that the very sentence made his stomach curdle and tie his intestines in knots.
You tilt your head, “Can I ask…?”
“Shoot.”
“Is it… well…” you shake your head, but Denji shakes his back.
“Just ask. Whatever ya wanna know.”
“You said Nayuta is her own person,” his brows furrow but he lets you finish before speaking, “Do you never consider maybe they’re… similar?”
He’s quiet for an unbearable eight seconds before answering casually, “Guess if I thought about it for a long time, I could find ways they’re alike. But I don’t really think about it that long. Nayuta’s my little sister. Makima was…” he shouldn’t say exactly what Makima was to him in front of you, he knows that much about being a boyfriend at least, “Makima. They’re totally different.”
It’s extraordinarily complicated to even put words into describing what Makima meant to him. A lot of things he’s learned were sick, but some things he almost… wants to hold onto.
He definitely shouldn’t say that to you. But it isn’t like he misses her, he misses the comfort of their early days. If you could even label it “their” days. Makima may have been like Nayuta at one point, but he knows Nayuta would never so meticulously stab him in the back. Or the chest. Repeatedly. Miserably, however, he knows that even if she did -- he’d probably still love Nayuta like she were his sister. How he imagines an old dog still craves the warm hands of their human as they fall asleep for the last time.
Dangerously, he wonders if he may one day feel the same for you, smiling as you dig a knife through his chest just because his girlfriend is still holding him.
And when you blink up at him like he’s as delightful as the mango in your hands, he thinks he might.
You beam at Denji before shyly turning your gaze back onto the mango, curling both arms around it. This time with all the tenderness you would a baby and tuck it into your chest.
If Makima and Nayuta are different maybe you are too.
You hope so.
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Tsuyu time is finally looking to drag to an end by early July -- with yet another rain storm. Fourth East faculty has very kindly allowed students to stay past the usual close time of 6:00PM due to such harsh winds and lightning raging outside. You hadn’t accounted for this when you asked Denji to accompany you to a bookstore’s summer sale after school. The frustration you feel could boil the falling rainwater with how heated such sudden weather has you.
Impatiently, you and Denji are leaning right side against one of the entry door frames with his chest to your back.
“They’ll be closed by the time the rain lets up…” you grumble.
Denji almost wants to laugh: the first time he sees you act minorly unpleasant is over books.
“There’s always tomorrow,” he’s not sure, actually, “Probably.”
You scowl out at the wretched, amalgamated clouds, “Sale better still be on tomorrow…”
“If not, there's next year.”
In an embarrassing instant, your annoyance wavers. You tilt your head back into Denji’s shoulder to look at him, “You think we’ll be together next year?”
Honestly, he hadn’t meant to imply that. All he meant was that you’ll be able to go next summer whether the sale ended today or not, but when you bat your eyelashes at him all softly he’s compelled to agree to whatever you want.
“Why not?” he shrugs, fighting to keep his arms relaxed at his sides rather than folded over his chest defensively.
Your lips stretch with mirth, a smize following lead, “I want to go with you to the summer sale next year, Denji.”
The confidence of your confession is rattled from you as quickly as it’d appeared.
Until, “Even if we go today?”
His tone is bleeding hope.
“Even if we go today,” and you’re all too merry to confirm.
Denji slides to your left, hands shaking wildly, “Can I- should we?” you quirk a brow at his chopped questions, “Can we kiss?”
“Do you want to kiss me?”
He nods rapidly. You want to kiss him, too. You reach for one of his hands and tug him closer with a much slower nod.
“We can kiss, Denji.”
“Awesome,” he lamely sighs under his breath.
You remain glued against the metal frame, leaving Denji to be the initiator. He’s the more dating-experienced party anyway.
Denji swallows audibly before steeling his nerves and leaning so his lips are just brushing yours. You can feel the hot puffs of air he lets out, and you’re praying he can’t feel yours. Neither of you has shut your eyes yet, weirdly certain that the second you do disaster will strike.
Up close, you can really see everything -- his messy sunset hair, the peeling skin on his lower lip, and the faint red veins peeking around his sclera. His skin is stained dark like pomegranate juice. Finally, he tenses his eyes shut with a wrinkle in his brow and commits. Given how chapped his lips looked, you’re amazed they feel nice against yours at all.
Your eyes flutter shut and you press back.
You don’t dare venture further than the chaste lip-lock before Denji pulls away, leaving a sharp stabbing sensation on your bottom lip in his wake. His low-lidded stare widens as soon as he sees your chin.
“Oh, shit.”
Cupping the aching area, you feel a slickness slowly leaking over your fingers. You dip a finger to your lip and pull back to find a stain darker than pomegranate juice.
“Denji!”
“Sorry, sorry,” he grimaces, reaching up to swipe away the blood spread over your chin.
“You bit me!”
“I know!” (he does a poor job hiding the aggravated trill in his voice there)
His fingers are all smeared with your blood by the time he’s done makeshift mopping up your lower face, and he wipes his hands off on his black school pants. You pull your lip back as if you’d be able to see the trivial wound. The motion tests Denji: wanting to maintain his nurse act, but also wanting to kiss you again.
“It doesn’t hurt anymore…” you twist a hand into your rumpled uniform skirt, “It’s okay. I wasn’t mad, just surprised.”
Forlorn, Denji reaches up to gingerly thumb at the spot he bit -- now swollen and darker than the rest of your lip. Only minutely, but still. His brain can’t compute how small-scale your injury is over the fact that he was the one to cause it in the first place, “I’ll be more gentle next time.”
You nod, face growing hotter the longer Denji touches you so softly, “I trust you.”
The rain thins outside.
“Can I try again?” Denji’s hand slides from your lip to your jaw until he’s tenderly cupping your cheek.
Again, you nod, hoping the shift in movement will get air to cool your melting cheeks.
Puddles are splattered by a few brave students rushing home, and Denji holds onto hope the storm clears fully before the bookstore closes.
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By spring of 1996, you’re given your first journal and pen; and in winter of that same year, you finally pluck up the courage to try putting your headache-inducing thoughts to words.
A Devil is more humanoid the more that Devil tolerates humans -- you don’t know where you learned that. Or why you remembered it. It’s just something you’re always certain of, in the exact same way you blink and breathe you are also indistinguishable from a human being. When the both of you met, Makima spent time examining you from head to toe to see if there were any visible tells of your true species.
You aren’t sure why you look the way you do, you don’t like humans. Although, you don’t exactly dislike them either. When you think of people, flailing on swings and cramping grocery store produce sections and knitting warm winter sweaters, you feel only a vague thrumming in your heart at the knowledge that they could send you back to Hell. A primal and innate sensation of spine-tingling fear. If enough people discovered you outside Makima’s care, then you would be back in Hell.
Maybe it’s that fear. Your knowledge of the tipping power scales could be maintaining your flesh and bones. Strangely, you wish you looked more horrific - a gaping, toothy maw and claws in place of hands. Swells of discolored flesh that twitch with each beat of your heart.
You wish you looked appalling. Absolutely ghastly. Maybe then Makima wouldn’t like looking at you so much.
But then, what if you were so scary that Chainsaw wanted to eat you?
While being free of the perpetual motion of death and rebirth in Hell unto Earth and Makima’s inescapable, piercing gaze, you wouldn’t want to face off against Chainsaw. He’s the Hero of Hell, so wouldn’t that make you the villain?
You’d rather be reincarnated and stared at by a million Makimas than be so terrible that the puritor of Hell forced himself to consume you. And he’d be able to -- you’re sure of that, too. Not even your rejection of other Devils’ powers could be so strong as to deny Chainsaw. No, no. He’s far too great.
You think of that figure - one that makes your usual aching thoughts whirl into devastating stabbing pain just trying to remember - covered in Devils’ blood and guts and you feel nervous that perhaps Makima will try finding him too if she reads of him in your journal.
So instead of expressing those thoughts to free your searing skull, you jot down a plain:
Made a new contract today. His name was Yoshida, Hirofumi. He said I was nice for not wanting to eat his body parts as payment :)
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“Denji! Over here!”
It's a stubbornly drizzling Tuesday when you’re shouting through the school gates, inky uniforms parting around you like a gentle river flow. Usually, getting your peers to not body check you is terribly difficult, but maybe the authority you carry in a Public Safety suit and tie is more pressing than yourself. While students shelter their heads with small book bags and hands and vests, you’ve got the plastic handle of a black umbrella warmed up in your palm.
Denji tilts his head at your distant frame before suddenly shooting ramrod straight. He rushes out from under the shelter of Fourth East and through the gates to your side - puddles splashing under his quick feet all the way.
“Heard you were out,” Denji ducks under your umbrella, tempted to hook his chin on your shoulder and sap up your body warmth.
“Just a mission,” your hand clenches with the urge to grasp Denji’s, but you take no such initiative, “Sorry I couldn’t tell you myself.”
He shrugs, “‘s fine,” then he sighs shortly, brows scrunching, “Fucker let me sit on the roof for ten minutes before saying anything.”
“Aw, I’m sorry! I told him to let you know in the morning…”
Again, Denji shrugs off your worry -- eyes trailing slowly from the pristine white collar of your shirt down to the smooth black slacks snug around your waist and thighs, “Been awhile since I’ve seen one of those.”
Ironed and fresh and symmetrical black-tie apparel. It seems far too dismal on you, he doesn’t like it. Memories of strawberry blond hair and scorching blue eyes snuffed out, he tries to smother those down as often as possible.
“Oh, I have my school uniform!” you lift a plastic bag up, sealed around more black and white folds, “In case I needed it…”
In case you want me to change -- you don’t add that part. You’re not sure Denji would appreciate the reminder of a power imbalance while you’re dressed like this. You already know that you don’t like thinking about Makima while dressed like this.
He nods, wordlessly sneaking the bag from your grasp to his so he can hold your now free hand, “You look pretty.”
“Really?” you two finally begin walking away from Fourth East and to the same ice cream place he’d taken you on your first date.
“You always look pretty,” Denji doubles down as if it's that easy. As if it's so simple. As if it’s undeniably true, “‘m glad I saw ya. Thought we wouldn’t be able to go out after school.”
“Sorry, again. They’re trying to avoid giving me more work, but I guess this one couldn’t be helped…”
You’re almost nervous Denji picks up on that sentiment of “more”. That “more” means you’re already working, which is mortifying because even if Denji is technically work you don’t want him to think that. You chalk that concern for his feelings up to not wanting him to grow tired of dating you.
But Denji doesn’t make any indication of having noticed, “I guess I’ll have to get used to it: dating the Rejection Devil.”
Now you’re genuinely nervous.
That sentence alone freezes every cell in your body -- heartbeat stilling lethally. Your hands crinkle down your long pant leg before scrunching up the material around your thigh -- ruining the plain smoothness. Desperate to feel something in the spiraling numbness, you stab your teeth into the ripe flesh of your lip, tearing up thin strips of skin. And you chalk this up to a defect in your usual personality.
“Hey, Denji?”
“Hm?”
“When was the last time you called me ‘peach’?”
“I dunno,” he answers honestly before he blinks his brain into action and looks over at you, “I’ll use it more often, if that’s what you’re saying.”
“No, you’re fine, really. I just…” you can feel your chest bump in tune with your heartbeat, so overt and harsh it's causing authentic sparks of pain in your chest, “I’m sorry.”
For what, you can’t be precisely sure. You think, as a general rule to yourself, you’re sorry for everything that he doesn’t like, especially when it comes to everything about yourself.
But he just thinks you’re still stuck on earlier today, “Like I said, I’ll just have to get used to dating the Rejection Devil.”
Despite the two being in one body, you’ve come to learn that Chainsaw Man is Denji, but Denji is not necessarily Chainsaw Man.
While yes, you think Chainsaw Man is great, you think Denji is somehow even greater. It’s almost unfair. The Rejection Devil is okay, but are you? You as in you as in the fleshy, squishy, bloody you? You as in the you with a name you don’t remember (and desperately hopes her government-assigned boyfriend calls her peachy)? You as in the you that likes sugary fruit juice and soft cat fur? Are you okay? Could you one day be great?
Or are you only as useful as the devil you are? Protecting hunters and killing beasts and soothing the lively Denji (and therefore the Chainsaw inside him).
Are you still Denji’s girlfriend because he likes you? Or are you Denji’s girlfriend because he knows you might be the only available option? Could you be great like Denji? Could you be named?
Or is your soul too entwined with the Rejection Devil? Is your soul the Rejection Devil itself? Do you have a soul at all?
You must if you keep coming back. If your birth and death are celebrated and mourned, you must be alive.
Too bad you remember none of that.
If you died now, would Denji mourn?
You know you’d mourn him, but is that your choice?
You know you like Denji, but is that really you? Or is that Rejection Devil admiration spiraling into an infatuation for the Chainsaw and his host?
Does it even matter at all?
“Do you wanna come over after school tomorrow?” Denji asks like it's an afterthought, one he doesn’t even need to look at you for. Maybe he already knows your response.
“Yeah.”
Maybe he’ll grow bored soon. You wouldn’t blame him.
“Yeah!” you repeat it louder this time, hoping to entice a bigger reaction from him (this is the first time you’re going to his apartment after all), “I’d love to!”
He nods, though with a rosier tint to his cheeks than earlier and that’s good enough.
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By October of 1997, your second diary was full with one last addition.
The wall closest to your bed has only 273 tallies, and you stare at the dust pooled in the shallow divots when you get bored. With every book read and only the same four walls to stare at until a Devil Hunter came with a contract proposal or a mission -- you were bored more often than not.
In a strange way, you still got excited when you saw Makima because it meant something new was coming. However quickly it would then be stripped away wasn’t even an afterthought.
But you’ve gone a long while since seeing her. You can’t be sure of the days passed with no window or calendar or even clock; you can’t even be sure you’re sleeping at night and awake during the day. Part of you is sick over the ache in your heart the longer you go without seeing Makima, Yoshida, or even Kishibe. As though they’ve all forgotten you exist. You could be locked down here for eternity with no means to die and not a single soul would be bothered to find you. But if they did?
If they found you, would they care?
Would they cry?
You don’t think so. You’re hardly something to cry over.
So does it matter at all that you’re down here? Certainly, a life of nonexistence is better than languishing in a cellar, burdening commission resources with no purpose.
Maybe when Makima finds Chainsaw, she could have him eat you. That would be nice. An honor to be so miserable upon humanity that Chainsaw is left with no choice but to consume the concept of your being. An honor to finally be wiped off this planet.
With a drying pen, you scribble that down.
To be eaten by Lord Chainsaw. That would be freeing.
And after sleeping that night(?), you awake to find Makima blatantly reading out of your journal. When she turns to stare at your crumpled form on the bare mattress, she smiles and reaches over to pat your head. Like an eager puppy, you push up into her touch and don’t dare demand she stop reading.
“You’re a good girl,” she coos down at you.
“I am?” you croak.
“You are,” she stands, snapping the book shut and continuing to smile down at you, “And you have a mission today.”
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When Denji notices you curiously eyeing the black slip-ons by the door (which are multiple sizes too small to be his), he’s quick to explain.
“Just Nayuta. She throws her shoes wherever she wants.”
“Okay.”
You hadn’t planned on asking, but you like to imagine that maybe he didn’t want you getting jealous. Then you wonder why you like that so much. Probably because he’s your boyfriend, and you’re meant to.
Before you can spiral, a soft mew nabs all attention. Dogs’ nails clack against the faux wood tiles and you and Denji are quickly surrounded on all fronts by wagging tails and soft fur. Sniffing, happy puppies lick at your hands. You wrinkle your nose at the unadulterated smell of dog and you're hoping Denji doesn’t notice when suddenly a long tail wraps around your ankle. Loudly, you gasp and swoop down -- frightening Denji only a little -- to smooth your hands over the fat white cat’s fur.
“Kitty!” you’re borderline squealing in glee, and Denji shoos his dogs away after giving them their due pets, “So big!” you encourage the feline to pounce onto your lap with quick taps against your thighs.
“Meowy,” Denji clarifies (as if you could forget!), leaning over your shoulder to scritch under the cat’s chin, grinning when she starts purring in your coddling hold.
“I love you, Meowy,” you whisper to the cat, and Denji sits on the floor beside you after figuring the fat cat won’t be moving on from you anytime soon.
You’ve been looking forward to this since you heard about the cat, and somehow all your expectations have been exceeded.
“Didn’t know you liked cats so much, peachy, I woulda introduced you sooner.”
“Cats are so picky,” you keep your voice low as if raising it could startle Meowy off, “When a cat picks you, it feels so nice.”
“You must be a hit with the strays, then. Meowy usually fucks off in the living room instead of hanging by the door.”
You shrug, sluggish and dismal, “I’m not usually allowed out unless it's for school. Or you.”
Denji feels nauseous. His whole chest is tight with this unpleasant curdle. Quickly, he decides that he hates this feeling and wants it eradicated as soon as possible. Subconsciously, he must believe the solution is you because before he can really think about it, he’s lugging you off the floor and towards his room.
He lays you on his bed and falls into your side with Meowy now latched to your chest; purring loudly as you pet her with one hand, and Denji snatches the other. Rather than link his hand with yours like usual, he splays your fingers into his mess of tangerine hair.
Turning your head so your cheek meets the feather plush of his pillow, you find Denji’s eyes boring into yours. You blink at him with your hand limp over the side of his head, “Do you want me to pet you?”
Denji nods, crimson overtaking his cheeks and sweat beading over his palms.
“Okay.”
You card your fingers through his hair, gently prying loose knots apart over your knuckles before tenderly dancing your nails along his scalp. He presses his head closer, cheek now smooshed on your shoulder and eyes flickering shut.
Shakily, he raises an arm and lays it across your stomach, careful to avoid spooking Meowy. You can sense his hesitation in how the weight of his arm is so light it's imperceivable, then you press your hand flat against the back of his head and pet there, too. His arm relaxes, fully settling the weight on your gut.
This feels right.
Crushed and warm.
You’re doing a good job, you think.
You smile at the thought of being so useful and Denji hugs you tighter.
“Can I…” Denji swallows, throat cinching dryly, “I wanna make you feel good.”
“I do feel good.”
“Good good,” he’s quiet now. Voice all raspy and unsure, “I want to do something for you.”
That would be good for Denji too, right? He’ll be happy.
But you’re not sure you want to.
But not wanting to isn’t exactly your job.
Your job is to make Denji happy. So you lift Meowy from your chest with great remorse and watch the cat prattle out of the bedroom, “Okay.”
Sickness unlike the kind before a big fight builds in your stomach. Bloats all the way to your throat as you go limp in bed and allow Denji’s hands to wander. He sits up and untucks your uniform vest and top before gliding under those and resting over your bra.
Denji looks up at you for encouragement and finds a stoic appraisal. Then his eyes drift to your balled fists at your sides, and the lip you’re ravaging between your teeth.
If you had offered this to him -- he’d be on cloud nine, so what’s he done wrong? Denji clears his throat and finds a burning sensation at the back of his eyes, he tries blinking the fire away but it only makes the pain worse. He’s certain that this is what boyfriends and girlfriends do for each other. They bring each other to euphoria and lave one another in attention every night. This kind of service (or rather, the promise of service) was one of a few things that Denji recalled fondly from his days under Makima. Unfiltered affection: nasty and raw and intimate.
But the longer his hands are cupping over your bra, the more defeated you look.
The vicious pain in his chest bites up to his head.
“This isn’t hot at all…” Denji’s hands peel off from your chest to stow in his lap.
You shrink into yourself, shoulders coming to your ears as red-hot shame climbs up your neck, “What?”
“This isn’t hot,” he leans back with his arms outstretched behind him on the mattress. Hotter and hotter the burning grows until it's all wet, stinging heat in his eyes, “You’re not into it…” he looks around his room and tries finding anything out of place (he was sure he made it perfect!). But no, all the posters a girlfriend wouldn’t like are hidden under his bed with the magazines a girlfriend would hate. The blinds are drawn. His door is locked. He sniffles and looks down, hoping you don’t notice the flooding along his lower lashes “What’s wrong? You don’t like me? Ain’t I handsome?”
Inching your shoulders even higher, as if to somehow hide behind them, you frown, “What if you think I look weird naked? Or I make a sound you don’t like? Then you won’t want me anymore…”
Denji scoffs, lips twisting in an almost offended snarl, “You’re my girlfriend! I’ll still want you!”
He’s sure you don’t look or sound weird, but he’s also simultaneously sure that if you do then his loyalty will twist the weirdness into some obscure new fetish.
But you’re shaking your head, what more does he want?
What if he finally does have sex and realizes he never wanted you at all? What good are you doing then?
“We’re hardly a real couple…” his pout is just that, and one of his eyebrows is quirked curiously - he’s totally clueless, “What’s my favorite color?”
“I dunno!” he groans, then shrugging and sitting up straighter, “I know you like mango best even though you’ve only had a single one in your life. And you like staring at your feet when you walk so you don’t trip, which is annoying ‘cuz I gotta make sure nobody runs into you. And you never raise your hand in class even if you know the answer. Which is even more annoying ‘cuz now people think you don’t pay attention, but you’re passing every class,” he frowns a little, “You’re the smartest girl I know,” his frown deepens when you don’t smile like he’d hoped you would, “And you like cats more than dogs.”
“I like your dogs,” you weakly defend.
But he never meant it to be a jab in the first place, “But you like Meowy more.”
“I think we should break up.”
“Oh…”
“Just for a couple days,” your voice is tittering, all soft mush. If he so much as stood up and crossed his arms then you might take the suggestion back, “Three at most… just to see if this is really what you want.”
“I do, I know I do.”
“I know you want a girlfriend. Do you want me? Me me.”
“‘Course I do,” he sulks, “You’re…” he stops himself, the churning ache in his stomach sensing how displeased you may be with the repeated argument of you’re my girlfriend, “Do you want me?”
You’re silent. He tenses.
“I don’t know if we want each other.”
“I do. I want you. I want to- I haven’t given you anything. I want to give you things. I want to be nice to you, too. I want to make you happy.”
But how could he? You’re a tool, and now you’ve upset him. Are you worthy of being upset over? You aren’t so sure.
You aren’t even certain you have the power to make the call for a break-up. You’re a tool -- you don’t think you’re anything worth crying over.
But Denji is absolutely sure you are. And he knows he wants you, and that feels right because you’re his girlfriend. But curiously, even after you leave and he’s apparently now single, he continues to want you. He wants you so bad that he turns onto his stomach and buries his face in the pillow you laid on, just to see if he can still smell your perfume on it (he can).
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In November of 1997, Makima got you a cat.
“You like them, right?”
“I do!” you’d smiled so wide your cheeks hurt, giddily petting your new friend, “Thank you, thank you! I love him!”
That same night, she makes you hold the small, quivering kitten above your head as she takes aim with a single finger. Your words are slurred with spit leaking down both corners of your mouth in your hurry to beg for your friend’s life. Your eyes are squished half-shut, trying to juice all the tears out without cutting Makima from your vision. You choke on your own breath, snot sour on your tongue as you shriek for her mercy.
bang
You don’t remember much else after that. You think you passed out as soon as the wall to your right indented.
You do, however, remember waking up the next morning and weeping into the kitten's soft fur. Hugging the warm, live feline to your chest and praying Makima would die on her next mission (by now, though, you were smarter than to think your prayers had merit). You even feel rebellious enough to engrave the edgy remark in your personal journal.
As repentance, Makima sends you on a month-long mission only days later. When you return, it’s to an empty room -- aside from a note left on stationary you recognize as ripped straight from your journal.
Kitten got sick. :( - Makima
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Yoshida is stomping ahead of you the entire way to school the next morning, and you already know he’s fuming. You had hoped that by the time you both reached Fourth East, he would have calmed down; but you’re quickly proven wrong as he storms up to you once you’ve switched shoes at your cubby.
“Are you- !” Yoshida holds both hands over his face, muffling the scream he unleashes, “Are you serious?! You were doing everything right! You two were fine!”
“I’m sorry, I just- I don’t think I should be here… I’m really confused about how I feel all the time. I think I should go back to- “
“You don’t get to decide that,” he hisses, visible eye wide with rage, “You better beg him for another chance, I am not letting you fail this mission just because you’re ‘confused’.”
“I don’t want to beg him,” you stand a little straighter, maintaining fierce eye contact, “I want him to be sure- “
“This isn’t a dorama!”
“Hey, stop yellin’ it's annoying,” a passing voice snaps. The both of you look up to see Denji glaring sharply at Yoshida, “And don’t yell at her at all.”
Yoshida is quiet as Denji stalks off, the latter’s back growing smaller the further into the distance he goes.
“Did you like him?” Yoshida asks, voice returned to his typical lulling forbearance.
“Huh? What does that matter?”
“Shut up,” he commands before redundantly asking again, continuing to stare deep into the direction Denji was headed, “Did you like him?”
Did you?
You did. He was prettier than Yoshida prepared you for. And more considerate, too.
Deep down, you even think that maybe he’s inspired you - regarding you higher than you’d ever taken yourself for. You’ve realized things since dating him: you hate your room at Public Safety, you want to try petting more dogs, you don’t like school, and you really, really hate not having a name.
A real name.
“I think I did… Can I still like him?”
Yoshida groans under his breath before walking off, “Do what feels right!”
“What?!”
Scratch that -- you really hate that cryptic answer above all else!
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Despite not having anything else to be tending to, you dawdle around Fourth East more often than not after being dismissed. You prefer wandering around the track twenty times over retiring to bed as soon as you get back to the commission’s basement.
Not even homework can entrap your attention long enough for the days to be less agonizing.
You watch your outdoor sneakers line one after the other along the white paint - you wobble less now that your body’s used to the limited movement. However, the idea of falling onto your side on lap twenty-one is mortifying. So when you’re too busy staring at your feet, you jostle into a body at the starting line. Your head bumping into their chin, their hands gently cupping your arms to keep you upright.
“You should seriously look up when ya walk.”
“Denji!” you cough, clearing the excitement from your tone, “Denji, what’re you…” you stop yourself, fretting over how rude he might think you suddenly are, “Hi.”
“Hi.”
“What are you doing out here?”
“Do you want to see a movie with me?” you open your mouth and Denji watches your lips part before interrupting you, “Don’t overthink it.”
Do you want to watch a movie with him? Yes.
Should you?
Don’t overthink it.
Does it matter? Honestly, what’s even waiting for you at home?
Why shouldn’t you watch a movie with Denji (especially when every nerve in your body is screaming at you to say yes)?
Denji ends up sneaking you two into an R-18-rated horror film. One with a single poster lit up in the theater lobby - blood dripping down a screaming woman’s face and the title in a gaudy, pure hot red. You’re the only ones in the theater, sitting in the middlemost seats Denji could scour. Your hand is bound in his on your shared armrest, warm flesh tangled in warm flesh.
And it’s the worst movie you’ve ever seen.
The main actress has the inflection of a primadonna teenager despite portraying a single mother lawyer, and halfway through you’ve seen more strip teases than blood. Not one of the characters is likable beyond being a slice of dead meat hooked on the end of the killer’s cleaver. You can’t even discern the plot of the movie other than some brick wall villain slashing down a woman and her coworkers.
You earnestly laugh as the woman runs upstairs in the creaky old cabin in the woods rather than out the wide open door. In the corner of your eye, you can see Denji looking at you. You return his stare, giggles still chittering through your teeth at the ridiculously forced story beats.
“Terrible, right?” he doesn’t bother whispering.
But you do, “Horrible,” his eyes flicker down to your lips again, “I love it.”
“Me too.”
It may be your favorite movie of all time.
“I missed you,” you admit, fully ashamed of backtracking a mere day after your decision to break up.
“I missed you, too, peachy,” his voice is unweathered by that shame.
“I don’t know…” you look down at your dark shoes, they fade into the swathing shadowing of the theater, “How can I know this is real? That I really do like you? That this isn’t just because I was told to?”
Away from Fourth East, above your small room in the basement, and throughout the barren offices of Public Safety, the shadow of Makima hangs heavy over everyone. You’re not certain when you started submitting to her, and you’re not sure when you started submitting to everyone she told you to, and you’re especially not sure when submitting to everyone felt comfortable. What you do know is that you are a useful tool for the public. You are a good instrument when devil hunters need assistance, for your technique and regeneration -- on missions and off them. And to keep Denji’s identity hidden, you are to be a sweet, giving, and kind shield.
But you hate all of that. You hate fighting and you hate everyone you work with. You miss movies. And you like Denji.
Is it some late-stage rebellion as the death of Makima truly settles in, or is this who you are?
“How should I know?” Denji mutters, kicking at the plastic back of the seat in front of him, “I don’t care about any of that. I don’t care about devil hunting or who controls who. I choose my life, and I choose to be your boyfriend. If I didn’t like you on our first date, I wouldn’t like you now.”
“What if I change?“
“You can’t change in a way I don’t like,” he frowns when you don’t smile at his declaration, “I just want you because you’re…” nice, weird, interesting, and if he pushes the right buttons you can be lively and loud, “you. I like you. You can’t change in a way I wouldn’t like unless you tried killing me.”
“I would never try to kill you.”
So does it matter if this was chosen for you?
You can like Denji and be with him, or you can like Denji and be away from him. You feel like the second option would be more miserable. So how does it matter, then, that dating Denji was chosen for you? Either way, you like him.
A lot.
You smile, and he copies it, “I like you, Denji. I want to be your girlfriend.”
On the big screen, a woman is being stabbed to death, but Denji eagerly closes towards you as if the projection is completely blank.
“I wanna be your boyfriend!”
A flashlight blinds the both of you suddenly, a stern male voice you briefly mistake for some impossibly higher calling following after, “How old are you two?”
“Eighteen!” Denji flips the man off, one eye cinched shut and the other squinted in a nasty glare, even as he answers honestly.
“Yeah, eighteen!” you copy, grabbing one of Denji’s hands with yours.
The man holds out his palm, flexing his fingers once. Denji scoffs but hands over his student ID with you taking example.
“Hayakawa, Denji… Yoshida, Reiji…”
Reiji. れいじ. It feels as unfamiliar as it sounds.
You almost open your mouth to protest - that’s not my name! before remembering that in the eyes of Fourth East High, it is. You don’t like it.
But you don’t like Rejection, either. You feel bigger than that. You are bigger than that. You like ginkgo trees even without the fall glow, you think mangoes are the best fruit, you like the smell of ashed cigarettes and dog fur, and you think the color orange is prettier than people give it credit for. You wait until the strange guard leaves before voicing,
“I want to change my name,” you continue to whisper although neither of you is paying any attention to the movie.
Denji sticks his legs out, resting them over the back of the seat in front of him, “What to?”
His volume startles you a little before realizing that it doesn’t matter how loud he is; the two of you are alone.
You raise your voice to a normal volume, “No clue yet, but I’m excited to find one…” you smile when Denji does, he tightens his hand in yours, “I wonder if I’ll find one unique or pretty.”
“If it's yours then it’ll be pretty anyway,” there’s a pause, you stare at him and he stares at you. You like how the projection reflects over his pale face, his eyes sparkling from the bright screen. Finally, he speaks again, “You’re really pretty.”
I think I actually love you.
“You’re pretty, too, Denji.”
I think I actually love you, too.
“You should leave Public Safety for real. We can get you real clothes. And you can stay with Meowy all the time when you’re not in school. Nobody will order you around ever again.”
“They’ll try dragging me back,” you doubt that they’d let a Devil -- even one that has no interest in being a Devil -- roam free in Japan on some fluid, lucrative “mission” of dating Denji.
“I’ll fight ‘em off,” he sounds so determined, “I’ll protect you.”
You look back at the movie, you wonder if you and Denji are the only ones to have seen it since it came out.
“Okay,” he brightens up at your agreement, “I’ll live with you. I’ll leave Public Safety.”
Denji lifts your linked hands from the shared armrest and pulls it up, shoving it into the gap between your back supports to yank you closer to his chest. He hooks his chin on the crown of your head and squashes you in a tight embrace like a child would their stuffed bear. He kisses your head, nose dug into your hair. He feels so excited he could burst out of his skin, and the only solution is to keep hugging you as unbearably annoying characters are slaughtered onscreen. To cram the both of you so tight together you’ll explode as one -- that’s the only way he can escape this whole-body buzzing.
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Immediately after deciding to live together, Denji made the frightening choice that you should meet his sister. On the way back to his apartment, he’s internally scolding himself for not having introduced you sooner but pushes the nagging feeling away. After all, Nayuta wants what’s best for Denji just like Denji wants what’s best for Nayuta -- if she can feel the same coziness that Denji always does when he’s with you, then she’ll like you. He’s certain of it.
“I told her about you, so… She shouldn’t be weirded out when you meet anyway…” if not for the blush on his face, you could mistake him as being casual about this!
You, however, feel so nervous you’re hunched into your boyfriend’s side and fighting the urge to gag up your lunch.
“What if she hates me?!” you heave, a hand clawing at the unevenly tied ribbon around your neck. It’s somehow too tight and too loose. Simultaneously suffocating and unable to ground you.
“She won’t!”
He’s so sure, he foolishly doesn’t even prepare a backup plan for if she does hate you. Besides, revising house rules to adjust for your incoming presence went well enough -- so how could it not work out now?
By the time Denji’s managed to steer you up to his apartment’s door, your legs are overdone noodles. He knocks twice - brief pause - then three more times, and waits. A caucus of rowdy barks and animated paws on fake hardwood thrum behind the door before a faint click hauls your heartbeat to a stop. As soon as the lock is undone, the door’s hinges squeal open and a little black-haired girl with untrimmed bangs is poking her face through the gap.
Her eyes are electric yellow, burning straight through your skull, with crimson rings around her iris.
“This is her?”
“This is Her,” Denji nods sternly, certainly much more serious than you’ve seen him before.
Nayuta’s stare is just as intimidating as Makima’s was, despite the girl being a grade-schooler. You’re frozen stiff under her gaze, heart thundering so hard you’re absolutely positive that she can hear it even feet away.
Suddenly, she nods, “Okay.”
“Yeah?” Denji’s positively beaming.
“Yeah,” Nayuta shows off a peace sign, receiving one in turn from Denji, “She’s got a nice scent.”
She doesn’t say it, but she thinks you smell like sugary fruit punch and honey.
Terrified of sullying her (apparently positive?) impression of you, you squeak out a childish, “Thank you…?”
Nayuta slinks an arm through the door, careful not to let any of the yipping, jumpy dogs out, and takes hold of you to pull you inside, “Mhm.”
She hugs your arm through the door and into the common space.
That night, Nayuta almost makes you miss Public Safety curfew -- desperately trying to worm you into the cuddle pile of the dogs and Meowy and Denji that they sleep in. You almost feel compelled to break curfew and listen, and not from her own power. As a compromise, you promise to be back the next day and she demands you honor your word before letting Denji walk you to the train station.
After a bite-free kiss from Denji, you’re sitting on the train to the commission’s haunting office building. Alone and warm all at once.
And you have to agree with your boyfriend, Nayuta is nothing like Makima.
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In late 1998, you met with Yoshida at your shoe cubby for the last time. A cold breeze of December’s premiere christens the moment.
“It took some help from a senior hunter, but I got your release papers signed,” Yoshida holds up the manilla file in question, “I’m supposed to hold onto them in case you do something they don’t like, but I have a lot of work on my plate already.”
As if you wouldn’t understand, he waves the file around Fourth East’s expansive entrance. Then, he holds the folder out to you, jerking it further when you don’t immediately grab for the thing.
“Are you- ?”
Yoshida cuts you off quickly, “It needs to be renewed every five years, and I’m sure you’re not stupid enough to think there’s no consequences of fucking up. So just live a normal life, okay? Don’t make me and Kishibe regret this.”
Kishibe?
“Kishibe?! Seriously?”
Yoshida shrugs off your question and heads for class, fully intent on dodging any of your future attempts at interrogation.
Fortunately for him, you don’t give chase; too busy giddily reading over the official statement of your release from Public Safety. The final plot to yours and Denji’s journey of moving in together since you’ve had your few possessions sent to his apartment (and due respect to whatever nurturing side Makima had, no matter how selfish in nature, because you genuinely forgot how plain your room could be with no old books or journals).
“Thank you!” you call after the boy, ignoring the odd stares from your peers and holding the folder to your chest as if it may disappear.
Inside on the very top line is a printed line for your taken name. 恣恩 -- Shion -- is slated over the last name spot, preceding the empty bank for your first name. A pen is tucked into the corner of the folder.
Looking up again, you find Yoshida nowhere in sight, but you still whisper after him with a gooey need to express your gratitude, “Thank you.”
“You got it?”
“Yep!” you can tell who’s behind you without needing to turn.
For a reason you cannot discern, that makes you proud of yourself. Knowing Denji so well you can pick his voice from a crowd. You like that. A lot.
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Nayuta drearily slips into the tight kitchen space, rubbing crust from her eyes while watching you and Denji stare into a pan. You’re closer to the stove with Denji huddled just over your shoulder.
“Breakfast?” Nayuta meanders over, wrapping her arms around one of yours and burrowing into your side.
“Eggs,” you and Denji answer.
Then you tack on, “And toast.”
She nods sluggishly against your shoulder, lazily blinking as Denji holds the pan for you to scoop the fried egg with one hand. You hold the egg up while Denji scrambles for a plastic black plate with a piece of toast on it. Once the egg is settled onto the bread, Denji holds the plate out for Nayuta.
“You’ve still gotta get ready for school!” Denji calls after her as she moves to the living room.
When you hear no response, you poke your head out to look at the little black-haired girl, being sure to keep your voice gentle as you ask, “Did you hear Denji?”
Nayuta throws up a peace sign, chewing her egg on toast.
“She heard you.”
“Figures.”
Denji yawns and slings both arms around your shoulders just to rest his head against yours -- the motion itself is selfish and monopolizes your entire personal bubble. You return the embrace around his waist and press a kiss against his cheek: soft and warm and pink like peaches. He hums at the affection and squeezes you tighter.
I think I love you
I think I love you, too
Denji almost gathers the courage to say it, but instead settles for, “You skippin’ again, peachy?”
You nod against his cheek, “Think I’ll wash the dogs.”
He snorts, “Your attendance is shit.”
“Oh well…” you think you’ll drop out at this point -- Fourth East is a slough of swamp water unless you’re cutting class with Denji by the track field.
Denji kisses your forehead before leaving to finish putting on his own uniform, “Yeah, oh well.”
He’s certain he’s in love with you. You’re certain you love him back.
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On nights when you and Denji aren’t sleeping in his room -- Nayuta has you all holed in hers. You learned quickly that Nayuta was possessive (you expected it, even), what you didn’t pick up on was that her possessiveness spread rapidly to you as well as Denji and the pets. If you and Denji make the mistake of not putting her to bed with enough soothing, she’ll slither her way between your arms.
Like tonight;
You and Denji are laid out first in a loose sweetheart’s cradle, Nayuta flopping onto the wide mat next. She rests perfectly in the middle with both of you throwing an arm around her. Tiramisu will jaunt up behind you while Custard takes Denji’s side, and Meowy will always find a way to settle her weight on your lap or hip. The remaining five dogs will circle your pre-established huddle for the most comfortable spot before sighing into the mattress as well.
Nayuta’s stray hairs tickle your cheek and Denji will carefully card the strands away. It’s a repetitive routine, but a comfortable one.
You had a routine in the basement, too. It was less comfortable.
Much less comfortable.
~~
@ghostlykeyes hopefully i got the depressed:pathetic ratio right!!
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aragarna · 1 year ago
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Gabriel Byrne, John Malkovich, Gérard Depardieu and Jeremy Irons as d'Artagnan, Athos, Porthos and Aramis in The Man in the Iron Mask (1998)
+ bonus (for that smile)
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audreyhepburndreams · 1 year ago
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These films go so hard!
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shout out to 90s period pieces gotta be one of my favorite kind of movies
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podcastwizard · 7 months ago
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hmmmm am i a greasy little ghoul who crawled out of the sewers or is my period going to start in a few days? am i the front runner for world's ugliest girl or is my period going to start in a few days? should i legally be required to wear an iron mask a la the 1998 film "the man in the iron mask," loosely adapted from alexandre dumas' "the vicomte de bragelonne," or is this the same goddamn thing that happens to me every godforsaken month?
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medievalandfantasymelee · 4 months ago
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I've been brushing up on my Musketeers in anticipation of @hotmusketeerspoll and have revisited my old friend The Man in the Iron Mask (1998) as well as watching the 1993 and 2011 films for the first time.
Of those two I found the 1993 one more enjoyable overall.
The 2011 film though the plot was not believable despite the presence of airships. I found Orlando Bloom's villainous performance too laboured to really be enjoyable. In my opinion Christoph Waltz was the best part of the movie, but I was deeply disappointed by his cardinal's robes? In a movie this glitzy and outlandish I was really expecting something a smidge more sumptuous. They look very plain and stiff. So plain as to be distracting.
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nine-frames · 1 year ago
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The Man in the Iron Mask, 1998.
Dir. & Writ. Randall Wallace | DOP Peter Suschitzky
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