#The first half of the recording was a subtle gripe of his job I can relate | Explore Tumblr posts and blogs

obsessedwvampbois · 3 years ago

Text

𝐑𝐚𝐧𝐤𝐢𝐧𝐠 𝐚𝐥𝐥 𝐭𝐡𝐞 𝐃𝐋 𝐬𝐨𝐧𝐠𝐬

Oh boy so this is gonna make people really mad. I have listened to a total of 52 songs from the Diabolik Lovers franchise (that I could find) and ranked them for the hell of it. For this ranking I will be including all character songs, openings (both anime and game) along with the remixes. I will not be counting solo versions of songs (eg. Gin no bara), soundtrack bgm or the endings themes.

My ranking is based on these things:

how well does the song fit the character/s or game, both in lyrics and aesthetic

the overall production and performance of the song

is the song a bop? would I willingly listen to it again?

Couple of disclaimers: I do not speak Japanese so I will be crediting the translations of each song as I go through them along with any think pieces / essays that I come across. If there is any song I missed, please let me know and I’ll slot it into the rankings, its hard to find one source that has all the songs recorded. Finally, just a reminder because I know I'm gonna make someone mad, this is my list! If you don't like it make your own or ignore mine, I'm only one person and my opinion is not final!

With that in mind, my rankings are below the cut

*Least Best*

These are the songs I will probably never listen to again. I have a few gripes with them that I'll talk about in my explanation.

52. 誓いのカンパネラ (Chikai no Campanella)

Shu, Ayato & Subaru

~translation~

This song is just super underwhelming overall. The guitar is my favourite thing about the song but that's it. There is so much build up for a boring chorus. The lyrics don't have much for me either.

51. 血戦のDies irae (Kessen no Dies irae)

Tsukinami Brothers

~translation~

On the opposite end, this song is so overwhelming. There are so many elements to follow and its hard to keep up. This is the first time I'll bring it up but the volume of the voices is so quiet compared to the backing track, its frustrating. The lyrics is what brings it up a notch as it talks about the day of wrath (dies irae) as the day the founders take over. I was also low key hoping to hear some version of the dies irae song hidden in the background but I couldn't hear any.

50. S.O.S-ΑtoΩ-

Tsukinami Brothers

~translation~

This song just feels so forgettable, I just feel like there isn't much to comment on. There are some interesting lyrics sprinkled out like comparing literal self mutilation to abstinence. Also the actual delivery of 'S ah O ah S ah', I can't take it seriously.

49. Dystopia

Kino

~translation~

This had an interesting start because I hadn't heard anything similar for DL but then after a few lines the tone change was just a nope for me. Again, Kino's voice is super quiet and the constant barrage of all these instruments that don't really gel together its confusing. Overall, it didn't leave much of an impression and I couldn't really visualised DL in the song.

48. 吸愛ラビリンス (Kyūai Labyrinth)

Shu, Ayato & Subaru

~translation~

Praise for the saxophone! Props to that because it shines here and is really the only memorable thing besides that final line of the chorus. The song does give the vibe of the Vandead Carnival with its more playful energy though. The lyrics feel really typical, like there are so many times I read lyrics about drinking blood before I get bored.

47. 極限(UNLIMITED) BLOOD -Remix ver.-

Shu, Ayato & Subaru

~translation w/ original ver.~

I don't think I really need to hear EDM/dubstep and Diabolik Lovers again thanks. It feels super dated and the vocoded singing is a little much for my taste. Good source material and the stripped back vocals at some points is quite nice.

46. 愛しきPain (Itoshiki Pein)

Subaru

~translation~

First off please never let me see Subaru near a fedora again thanks. Overall I felt bored with this song, like its nice, but that it. There are similar sounding songs that just hit home similar themes a lot stronger later on. The best part of this song is the spoken word but it feels weird for Subaru to be singing such a slow song.

45. Luv Apple Juice

Ruki & Azusa

~translation~

Yes, I am counting Ruki's spoken word, its my list. Lyrics are a must read with references to Adam, Eve and Eden throughout. Again, the voices are super quiet and with how fast paced the instrumentals are its annoying. The tempo also backfires because these are two of the more 'chill' characters. The last complaint is that the speed of Ruki's speaking compared to Azusa's singing just isn't right.

44. DIE IS CAST

Kou & Yuma

~translation~

This has to be my least favourite opening to a song, the staccato is just really grating to me. The way I'd describe the chorus is loud, the same note over and over again isn't appealing. The lyrics are an interesting read but nothing feels super important. The highlight of the song is the pre-chorus, thanks production!

43. カレイドナイト (Kaleido Night)

Kanato & Subaru

~translation~

This song is just generic, like overall. The sound, the lyrics, the production. There just wasn't must for me to listen to without zoning out.

*Average*

These songs don't leave too much of a lasting impression on me, but I still enjoy them.

42. 苺の罪 (Ichigo no Tsumi) (strawberry sin)

Reiji

~translation~

First of the generic rock songs! I couldn't really find much in the lyrics of note I think the actual performance of the song is my favourite element here.

41. 真夜中の饗宴( MIDNIGHT PLEASURE) -Remix ver.

Shu, Ayato & Subaru

~translation w/ original~

One the best part of the original is that opening section with the steps, it creates some nice anticipation for the coming song. The chorus this time round feels a little low energy after the hype of the pre-chorus. After watching the actual opening with the remix, I kind of wish they had the voice over, the song is so chill the last chorus could have it to make it feel more grandiose.

40. ZERO

Subaru

~translation~

Second generic rock song, this time it actually suits Subaru's brand! The lyrics do have some hints to Subaru as a character which is better. My sustaining thought is that this sounds like an off brand Arcadia.

39. Bloody★Mayim★Mayim

Sakamaki Brothers

~translation~

This has to have one of the strongest hooks for DL. For how many people sing in the song, it's easy to keep track of and the chemistry between them all is in sync. The main issue is that it feels like its missing some element to make it shine, the lyrics aren't in-depth too which brings it down another peg. The bridge/interlude is the best part though as I can visualise some mini story within the song here.

38. ADDICTED (2) PHANTOM

Ayato

~translation~

This song would be so much higher if I felt like it was more memorable cuz the lyrics here really shine. My interpretation is that this is Ayato questioning where his love stops and his sadistic nature to satiate his desires begin, can he separate the two? He both loves and despises the idea of draining his s/o dry. Another gripe with the song is that its not quite Ayato's aesthetic sonically.

37. Kindan no 666 (Three Six)

Kou & Azusa

~translation~

What puts this song so low is the majority of the instrumental, it takes a backseat here when I feel there could be more added. Props to percussion, drums are great though. After watching the MB opening so many times its hard to not see DL. Lyrics match with this one line here describing Kou in a nutshell:

"Sin spread from mouth to mouth, saying 'I’ll be gentle' pulls the trigger on a casual disaster!"

36. Iolite (アイオライト )

Shu

~translation~

I don't know why the producers associate electro-pop with Shu, I can't really see it much. I think they should have gone full glitch-pop instead considering how the song does a deep dive into his mind and thought process. Again, I think the voice is also quiet here but the instrumentals have some great moments, especially the strings.

35. 常夜KNOW UNDERSKIN

Sakamaki

~translation~

Well this gives Sakamaki vibes, nice guitar! Again, I like how it isn't overwhelming despite the amount of people involved. Lyrics aren't super impactful but super catchy.

34. 冷たい血 (Tsumetai Chi)

Ruki

~translation~

You have to read the lyrics while reading this, please! Its surprisingly wholesome and emotional overall. Again, there is the issue of the voice being way to quiet as the instrumentals swallow him whole after the second clock tick. The delivery is really well timed and production does a great job adding elements that works with the lyrics. There is a subtle echo to the voice that feels super enchanting as he comes to terms with the fact that he has fallen in love. Biggest drawback obviously is that this is just spoken word.

33. KISS♥MARK

Shu

~translation~

This song delves into the more perverse side of Shu, but we haven't really reached the level of Laito (we'll get there). The phone feels a little out of character but it suits that narrative. The straight cut out of music for the intermission was a bit abrasive but the transition back to music makes me forget about that with how slick it is. At least its better than a generic rock song.

32. カモフラージュ (Camouflage)

Shu & Laito

~translation~

What a great match up for subject matter, my interpretation is a denial and inability to accept oneself, ultimately using a mask to hide. So please look up the lyrics for some gems. However, after the 'against the blood' nothing really hit that same point sonically, furthermore its not the most aesthetically fitting for the two characters.

*Great*

These songs I actively enjoy, think about and do listen to occasionally and would recommend you check it out too.

31. >REDRUM<-

Ayato & Subaru

~translation~

This song is full of anagrams in the lyrics, I mean look at the song title. Its super catchy and is hard to forget about. The bridge is the weakest part of this song but it is made up by the distortion of vocals after the final chorus.

30. Fanatic of Night

Sakamaki Brothers

~translation~

Well time to party, talk about a bop and a half! Its just so fun, even though its to exactly DL to me, but that's Lunatic Parade for you. Shout out to the guitarist and percussion once again.

29. Bad Howling

Shu, Ayato & Kou

~translation~

This is super catchy, its nice to hear Kou in the opening song this time round, it spices things up. Theres some really nice elements played with the vocals as they sing over one another that is really well balanced. The biggest peg down is that I don't get super DL vibes and the lyrics aren't the deepest.

28. I.M.I.T.A.T.I.O.N. G.A.M.E

Kino

~translation~

Overall this song is a little generic and doesn't sound like DL but! There is a lot to love here too. Starting off with the performance, I really like the vibrato in his voice and the decent of notes at the end of the chorus is just, yes. It a nice hook and the lyrics are pretty good too. My only other complaint is that the drums mask some smaller elements in the background of the song which would have been nice to hear more in the forefront.

27. 極限(UNLIMITED) BLOOD

Shu, Ayato & Subaru

~translation~

This is where the rankings get pretty hard cuz I wish this was higher but oh well. the dramatic shift from the opening piano to the song is so abrupt but it gets you pumped. The intermission does a good job of changing things up without cutting tension. The lyrics themselves seem to be from the view of the Adam project during more blood and the unquenchable thirst they get in the story.

26. アルカディア (Arcadia)

Ayato

~translation~

Immediately I get Ayato vibes from this song and the rapping does help too with a nice flow that isn't too jarring from the rest of the song. These lyrics are basically Addicted2Phantom on steroids, I can't see anyone else other than Ayato in them.

25. Kekkyoku Night

Ayato

~translation~

Don't know why but the guitar melody just seems like I had heard it before but I can't put my finger on it. The bass is super slick here and I really enjoy it. The vocal distortion at the start of the verse sets a scene for him to hunt down this person and its a narrative choice. The main issue is that I wish there was a little more pizzaz to the chorus.

24. Kaikan DEATH-TRUCTION

Kanato

~translation~

Spoilers but I have placed both a Kanato's songs pretty high up so this was a little bit of a let down after the other two. The main issues here is that I don't really get too much of Kanato in the song and the yelling before the chorus is a little much. This, to me, is a self reflection from Kanato which is a good switch up from his last two songs. Overall, the song is abrasive in a good way that isn't overwhelming and the 8-bit section is my fave.

23. 血濡れた密会 (BLOODY SABBATH)

Laito

~translation~

Oh boy, look these lyrics up for a good time. This song is about his hook up with a women with the song getting progressively darker as it goes on. Nice psycho reference but I don't know if it does much in the end. Really catchy hook and the escalation of the final chorus is just so good. Also I'm just going to leave this line from the song here:

“You wend all out with the rodeo girl play? So then, let’s grind!!!”

22. 幻日理論-Parhelion Logic

Ayato

~translation~

This song is meant to be kind of an open letter to Cordelia and my word these lyrics are haunting. It fits the vibe of Haunted Dark Bridal so well, super strong overall. I just wish there was a stronger performance vocally.

21. 暴言シンドローム (Seiron Syndrome)

Yuma

~translation~

Yuma, to me has some pretty good observation skills and its really highlighted here. The first line just hits the nail on the head in terms of how rough he is both in and out of the bedroom. This song is the best of the 'generic rock' with production being really smooth despite the high energy, it matches him really well. First line:

The pain of your sprained neck won’t subside

20. 蠱惑のParade (Kowaku no Parade)

Reiji & Kanato

~translation~

We got another catchy banger here! This song just screams 'the two of us are here to hunt you down and we won't stop till we get a taste.' I mean this song is super pleasing aesthetically and great lyrics to boot!

19. KILLYOU,AGAIN

Azusa

~translation~

The strings are an immediate attention grabber and its hold it throughout the whole song. Super catchy, and these lyrics are Azusa, especially this chorus. Id be interested to hear what people think about the second verse in particular cuz there's a lot to read into:

"In a worn out state of mind, no matter how many nights we question it... We’ve idealised too much."

18. SQueeze…

Subaru

~translation~

Okay before anything else, the squeeze at the start is goofy, I can't take it seriously. Anyway, I can't help but tap my foot to this song. Third times the charm, finally hitting Subaru's aesthetic to a T. The voice is a little quiet on the track but what takes over just sounds so good. The contrast of the bell and the guitar is just, yes thank you. The pre-chorus is a nice mix up to the status quo and these lyrics are great too.

17. 愛の檻 (Ai no Ori)

Ayato & Laito

~translation~

The opening is a nice tone setter for a haunting head bopper. These voices work together so well, just like how the sirens work with the strings. The singular violin during the bridge is great, praise to anyone who can do that my god. The string motif climaxes at the final chorus and it creates an awesome song!

16. 月蝕(Eclipse)

Kou, Yuma & Azusa

~translation~

Well we have a nice build up ballad here. The opening is a little out of place but I forget about it as it builds to this final chorus with the tempo getting faster and faster. The stripped back production also ends up aiding the song in the end with its punches and message. Speaking of which; I get the idea this is about watching some either currently or in retrospective how their personality changes after turning into a vampire; a loss of innocence. How fitting for the Mukami's.

“Despising the sunlight that filters through the blinds is only inevitable, I suppose”

*Faves*

This is what I think the best of the best is. It reflects the themes, ideas and characters of Diabolik Lovers in the best way possible. When people ask me what music from the franchise to listen to, I point to these songs.

15. Count off

Kino

~translation~

There is so much to talk about here, this is a mix of singing and spoken piece and it works so well for me. The delivery over this contagious beat I can't help but get hints of a k-pop vibe here. The movement to singing then vocoded voice are interesting and fun. The bridge switch up too is great, my only wish is that the choir hand a little more presence in the final chorus cuz its fun the first times round, it would be a nice call back.

14. A Certain Prophet's Fate [とある預言者の、運命 Toaru Yogensha no Unmei]

Reiji

~translation~

I can visualise a Nutella Kookie moodboard with this opening alone. To me, this is Reiji explain his views on women with allusions to Faust too, not the Ikemen version relax. there are some cool allusions to his mother in the lyrics too. The bass is so cool to listen out for and the guitar nodding to the chorus at the end is a nice way to end. I was just hoping for a little continuation to the opening like Reiji finding this person escaping on horseback.

13. CHAOS☆PARTY

Laito

~translation~

Aaaaaand another innuendo song from Laito, what a surprise! The jazzy, circus-pop vibes are super fun and catchy, I love it. It's like an upgraded version of Bloody Sabbath to me. The distortion on the guitar is also great to listen out for.

"Don’t decide where’s the critical point, grind as you feel it,

Till the moon oh, mockingly"

12. Mr.ButterflyMask

Reiji

~translation~

The opening may be cliche but it works so well, this is such a deep dive into Reiji's psyche; his mother, inferiority complex and village burning to name a few. The actual song is easy to remember which makes it even better here, the descending notes at the end of the chorus is a highlight.

"Burnt black, that awful land mark"

11. 真夜中の饗宴 (MIDNIGHT PLEASURE)

Shu, Ayato & Subaru

~translation~

The song to start it all, thank god it's such a highlight. I get so hyped from hearing the opening footsteps; mirroring the prologue with You stepping into the mansion for the first time. I feel so nostalgic for this and I'm hyped to play the game every time I hear this. The spoken section is the high point in terms of the HDB aesthetic but these lyrics maaaannn:

"With a scream that shatters the moon itself I’ll give you this extraordinary pain called “love”!"

10. Guilty×Guilty!!!

Shu, Ayato & Subaru

~translation~

I'm gonna get crucified for putting this above midnight pleasure but my list and this is my fave game op. The only peg down is the lyrics but it makes up so much for the actual sound variation. The unnerving energy from this scifi-y noise, it screams danger with the Tsunami arrival. The variation between the two verses in robs what places it high and the bridge is excellent to boot.

9. Farewell Song

Shu

~translation~

If I had to make one song recommendation outside of DL with this list it is this song here. The lyrics and melody match up the same way and both are strong in their own right. Onto the song, these lyrics really shine wrangling with ideas and the thought process of depression; something that hits close to home for me. With the inclusion of the destructive nature vampires its truely impactful. The sound of the song aids these lyrics too while all sounding like Shu.

Without pause, the drops of a drizzle had begun to weep...

...Comforting the screams of the things you’ve touched"

8. Mr.SADISTIC NIGHT

Shu, Ayato & Subaru

~translation~

This is my favourite opening of all the games and anime and it is the most on theme with the DL franchise, not just the one game. The guitar rifts at the start are just sooooo iconic. The actual line "Mr Sadistic Night" is delivered so well too. I mean the song speaks for itself. I will make the observation though that this song is the epitome of kids unknowingly singing a song with dirty lyrics.

"If I’m so aroused by the snare of your enticing blood

Tonight, as I thrust deep into you, a lust for death awakens from within you!"

7. 悪魔的（Devil's）Spire!!!!

Kou

~translation~

This song is just Kou at his best, I can imagine him singing this at a concert as a debut single. It has all the elements of a catchy pop song with some sinister elements that just reflects his personality. Production has my praise here too. The song seems to be a friends with benefits situation Kou has as he recounts the tale. Also, more innuendos:

"In the deep red velvet sheets, Do you want to taste my forbidden syrup?"

6. Operation X

Tsukinami Brothers

~translation~

Haven't seen these guys in a while! You can tell production had fun adding all these medical sounds in the back like the sirens and heart monitor. The song itself is super catchy too, that bass just hits you at the core! The lyrics look like the Tsukinami's observation of You as she has become entangled with all these vampires and the situation just seems to spiral even more out of control.

"The risk spreads further the deeper you get involved...

...The more you give up, the more that guy mocks you"

5. GRATEFUL★DEAD★MARCH

Kanato

~translation~

Production had fun again, you can tell. It's more upbeat there is still a sinister vibe here. The constant switch ups within the song all flow so well. I feel genuine despair listening to this chorus, like Kanato is mocking or toying with me before going in for the kill. My only complaint is that the slowing down at the end is a bit of a mood killer.

4. 切断★舞踏会 (KIRISAKI CARNIVAL)

Kanato

~translation~

In terms of character aesthetic, this is sheer perfection. There is a narrative within this song that you need to look at the lyrics for the best experience. The sound effects act as a good way to heighten the story as they match the lyrics. One moment to note it both the chorus and pre-chorus as they act as the extreme ends on Kanato's personality and it creates a great dichotomy when placed together.

3. Q.E.D.

laito

~translation~

My favourite solo song, and the one I constantly visit the most. Laito is a complex character and this song does a self reflection in the best way possible.I would also recommend reading this great analysis by everything laito because I can't do a proper analysis justice. For the song itself, the piano is a great mood setter as it acts as if we are approaching Laito as he plays the piano about to go into one of his many monologues to himself. The intercut from the piano to the guitar is abrupt but it works so well as if there are crack in his facade showing through. The change back to the piano is great too and isn't distracting in any way. I also think this is such an emotional performance, like I can feel the sadness and despair along with almost a self deprecating humour to the delivery. Top notch stuff

2. 罠-If You’re Diablo- (Wana -If You’re Diablo-)

Mukami Brothers

~translation~

I want mention first off that the spoken word from Ruki is such an aid here, the pace is slower, more haunting and despair-inducing in tone. The speaking adds a nice break to the vocals. The chorus in particular packs such a punch its kind of nice to lie on the ground and just let the song envelop you. The lyrics give the impression that there is a mutually destructive relationship here with the Mukami's mentioning of betrayal yet they suck the blood of this person. There is also a feeling of hopelessness that the Mukami's know they can never achieve their goal of becoming Adam.

"I'd been resigned to become Adam since who-knows-when...

I continue to hate this fate, my prayers in zero"

1. Gin no Bara

Sakamaki Brothers

~translation~

And we're finally at the end! This song encapsulates everything that Diabolik Lovers is. Vocally, it's really catchy with such a somber vibe, because that's what DL is. It's a dark series but you can see that darkness with each backstory, the actions these characters take and just the overall hopelessness in this one song. The Sakamaki's all singing together packs such a punch too. There are so many gems in these lyrics, to literally acknowledging the pain and suffering their mothers' caused and coming to terms with the actions they have committed as they fall in love.

"The proof remains on your neck while you sleep quietly Even if an eternal curse awaits me beyond those overflowing tears

I now hold this love and pain in my chest"

*SHOUTOUTS*

I want to give a huge shout out to the following people. They have helped immensely with translation and just overall accessibility to the songs because they would be 1000 times more harder to find without them.

Silvermoon249 (Live Journal)

Asyqin98 Creator (YouTube)

S I s o v o l i (Youtube)

DIABOLIK LOVERS (YouTube)

Dialovers otaka (Tumblr)

Starlight voices (Tumblr)

Cannonette (Tumblr) @canonette

The Precious Sugar Chan (Tumblr)

One final note, I would recommend listening to these with headphones because the audio sometimes does that thing where it jumps from ear to ear and it creates the best effect to be more involved in the atmosphere.

#diabolik lovers #dialovers #sakamaki #mukami #ayato sakamaki #sakamaki shu #reiji sakamaki #laito sakamaki #kanato sakamaki #sakamaki subaru #ruki mukami #mukami kou #mukami yuma #mukami azusa #tsukinami shin #carla tsukimami #kino sakamaki

65 notes · View notes

walviemort · 3 years ago

Text

Fairy Godfather, part 2

Summary: The fairies have asked a monumental favor of Killian: be the surrogate for their babies—all nine of them. He’s been pregnant before, but this? This is a whole other level. What has he gotten himself into? And just how big will he get?

A/N: Another update! This is kind of consuming me so you’ll be getting these pretty often, I hope! thanks to @sancocnutclub for all her encouragement ;)

rated T / 2.2k words / part 1 / AO3

He didn’t wake until mid morning the next day, and was still fairly fatigued, but otherwise felt alright—just a bit tender about the middle.

A shower helped dissolve most of the lingering soreness, and he took some time in front of the mirror to look for any changes.

Given that his stomach had never returned to its previous hardened state, it was hard to notice any discernible change in shape, but when he poked around, there was definitely a rounded area that hadn’t been there before.

He also took a moment to memorize his body as it was; it wouldn’t be long before the babes made their presence visibly known, and the changes that happened while pregnant with Hope were still fresh in his mind. He was both glad that Belle was keeping track of his stats, and already dreading it.

But she was probably waiting for him, so he needed to get a move on—and something to eat; he was starting to feel peckish, but couldn’t tell whether or not it was more than usual.

His normal jeans still fit comfortably, albeit a hair snug. It wouldn’t last long, but he’d relish it while it did. At least his shirts would last longer; he’d found a new appreciation for the forgiving cotton knits of this realm in his second trimester.

Emma was already at the station when he got downstairs, but she’d left behind plenty of pancakes, and he ate a few more than normal; he wasn’t sure how to interpret that.

Before heading to the library, he went to pick up Hope from her sleepover with her grandparents. David greeted him at the door, with tiny Ruth asleep on his chest.

“So, how’d it go?” he asked, hardly able to keep his eyes away from Killian’s midsection.

“Fine, as far as I could tell. Weird, but fine.”

“Did it hurt?”

“No, thankfully, but I’m sure there will be plenty of aches and pains later.”

David winced. “Man, am I glad they asked you and not me. This one was enough,” he said, patting Ruth’s back gently.

“I don’t disagree, but…”

“But you feel like you owe them,” David finished.

“Aye.”

“Well, I think it’ll be the other way around by the end of this, but we’ll help you out as much as we can.”

“I appreciate it—and I’m sure we’ll need it with this one,” he replied, nodding at Hope, who was attempting to escape out a window.

She was easily wrangled, though, and happy to see him. He had no idea what fairy infants were like, but if they were half as charming as his daughter (who definitely took after her grandfather), this whole town would revolve around them.

As he thought, Belle was waiting for him, tape measure in hand. “Seriously?” he griped as he set Hope down next to Gideon in the playpen behind the circulation desk.

“You can’t possibly be surprised,” she threw back. “But if it’s any consolation, I won’t do it again until next week.”

“You only did it monthly last time around.”

“You were only carrying one babe.”

He sighed. “Fine.”

Though his waist measurement remained unchanged, his weight was slightly higher (more than could be expected by a few extra pancakes). “I can feel it,” he confirmed when she asked. “There’s definitely something in there, though I only notice it if I go looking for it.”

Belle made a note and then flipped back and forth between some pages. “That matches up with when you found out you were expecting Hope; so do your measurements, and that was, what 8 weeks?”

“Yeah, thereabouts.”

“Second pregnancies do show sooner, too.”

“Especially this one,” he grumbled.

“Oh yeah,” she agreed.

The day continued normally, although his hand did gravitate to his stomach pretty often, without thinking about it. Even if it wasn’t noticeable, he still knew what was there, and his subconscious seemed to have already set out to protect it—that, or his hormones were already starting to affect him.

Based on his reaction when Emma arrived that afternoon—particularly to his train of thought when she bent down to pick up a napping Hope—it was definitely hormones. His jeans felt a very different kind of tight then; something he acted on later that night, after a slightly larger than usual dinner.

“Those hormones kicked in fast,” a sated Emma breathed as they came down from their shared high. “You haven’t been that voracious since we found out we were having a girl.”

“Are you complaining?” he panted.

“Absolutely not.”

“Good.” And they went for another round.

In fact, he was so insatiable the next couple of weeks that, despite his elevated appetite, no other discernible change in his weight was noticed; his waist actually went down a bit.

“Are you feeling alright? Keeping food down and everything?” Belle asked, worried, as she recorded his 2-week measurements, comparing them to his 10-week from his first pregnancy. “Last time, you couldn’t eat more than chicken rice about now.”

“Trust me—I feel more than fine,” he assured her. “Were it not for Emma’s implanted contraception, we’d likely need to be planning for a more traditional pregnancy.”

“That’s a very eloquent way of saying you can’t keep your hands off your wife.”

“I could have phrased it crudely—how many synonyms for ‘sex’ did you want Gideon to learn today?”

“None!” she exclaimed, covering her son’s impressionable ears. He was at the age when he repeated anything said around him—a fact they noticed when Gideon’s favorite phrase became “bloody hell.”

“What are uncles for, though?” he teased with a wink.

Belle just groaned and threatened to teach Hope how to read with romance novels. Killian, however, was just glad she slept through the night so she didn’t interrupt the real thing.

---------------------------------------------------------

Where there had been some hubbub about town during Killian’s first pregnancy—and quite a lot of gawking—no one seemed as shocked this time around. They’d made no effort to keep it a secret, letting the Storybrooke rumor mill do its job, but either the town was more aware than Killian had been about fairy reproduction, or they had become jaded to such magical oddities (he assumed the latter).

That said—he had to assume the gawking would eventually return.

Especially with the way Granny was feeding him. To be fair, she wasn’t letting him overindulge, but he’d noticed his portions were larger, and the amount of vegetables increased. He wondered if Blue had given her some nutritional instruction, or if it was just her innate grandmotherly instincts.

The first time she slid an extra helping of broccoli over, he tried to protest, delicious as it looked.

“Oh no—eat up, young man,” she commanded. “If my math is right, you’re eating for 10. I should probably be feeding you more, actually.”

Emma snickered next to him—they were on lunch break from the station—but he wasn’t sure if it was at Granny’s tutting or the fact that Killian had just realized the magnitude of…well, all of it.

So when Granny slid some extra onion rings across the counter, he didn’t complain (but obviously shared them with his wife).

He wanted to blame it on those extra treats—onion rings, fries, pie, muffins—when they noticed an expansion in his waist measurement at 3 weeks, but it was definitely the babes; he could still wear his normal jeans, but was seeing some rounding behind his navel.

And at 4 weeks—a month since the babes were transferred—it could finally be deemed a bump: there was a gentle curve to his whole stomach, from just under his pecs to his hips (which had been aching a bit as they widened some, likely in anticipation of the heavy load to come). Given the way he and Emma’s evening activities hadn’t slowed, he knew it was all the babies.

Belle hummed as she compared the notes she’d just taken with those from last time. “Well, that’s interesting,” she commented.

“What is?” Emma asked; she’d joined them for that week’s check in, curious to see where things were.

“This week’s measurements match up with those from the end of the first trimester last time, which I suppose isn’t a huge surprise, but…”

“But I have a lot more to go than two trimesters,” he finished.

All eyes were on his stomach for a long while after that, likely all wondering the same thing: just how large would he get?

The only thing that took their attention away was the ringing of the bell over the door as someone arrived—Blue, it turned out. “Hi,” she greeted, clearly trying to be casual. “Just wanted to stop by and see how things were going.”

He wasn’t naive enough to believe she’d stay away from him for the duration of the pregnancy, although he had expected more subtle surveillance.

They chatted briefly about how he was feeling, and she studied his stomach with an outstretched hand, he assumed to do her own magical assessment. “Yes, they seem to be doing quite well; that’s good.”

“Did you think they weren’t?” Emma quipped.

“No, of course not,” Blue assured her. “Would it be odd to express my excitement?”

Well, they all understood that. “How long has it been since your last brood?” Belle had to ask.

“Over fifty years,” Blue answered. “They’re usually every five to ten, depending on the solstice.”

“And when you don’t have a series of curses in the way,” Emma added.

Blue glanced over Belle’s notes with interest. “That does seem to match up with past broods, though I don’t think anyone ever thought to take such detailed notes.”

“Are there any?” Belle asked. “I don’t have anything here, but if you had some back at the convent, it’d be great for comparison.”

“I’d have to check our library,” Blue answered. “There might be a few scrolls, but we’re not much for recorded history.”

“I can tell,” Belle complained.

After some more chatting, Blue excused herself, but did ask if it was alright if she checked in periodically.

“Of course,” Killian said. “It’s your brood. Plus, I’m certain we’ll need to take you up on the offer of help sooner rather than later, if this is where I’m already at after only 4 weeks,” he added, gesturing to his still-small bump.

“Absolutely,” Blue said. “Oh! I almost forgot.” She pulled her wand out of nowhere and twirled it at Killian’s midsection. His skin grew warm for a moment, but then returned to normal. “I’m not sure if the original spell will account for the size, as far as how it treats your skin; that should eliminate any damage.”

“No stretch marks?” he wondered.

“No—not any new ones, at least.”

“Oh, thank goodness.”

She then left as quickly as she appeared.

“Guess that’s something we’ll have to get used to,” he sighed, and then they went about their day. But he was starting to grow very concerned about what lay ahead for him; he knew this wouldn’t be a small feat, but was worried it would be more than he could handle.

As time progressed, his bump steadily grew, though not unnaturally so. At 5 weeks, it was yet more noticeable; at 6, he finally had to concede defeat and dig out his maternity jeans, though they were still plenty roomy. By the end of the second month, he wasn’t quite where he’d been at the end of his second trimester, but it was definitely a baby bump—roughly where he’d been around 24 weeks with Hope, even though he was only at 8 with this one.

It was around then, though, that he noticed the first flutterings inside. He thought he’d noticed it the week before, but chalked it up to gas or something like that; Granny had been feeding him a lot of black beans lately. But late one night, after yet another glorious session of lovemaking, Emma’s hand had drifted to his belly and even she took notice.

“Wow, they’re actually starting to move in there, huh?”

“Seems like it. You don’t suppose they actually have wings already, do they?”

“Normal babies hardly have limbs at this stage, so probably not.”

They lay peacefully in the afterglow for a bit, before he asked quietly, “You are okay with this, right?”

It wasn’t the first time he’d ask, nor was it likely to be the last. But it was a large undertaking and though she hadn’t exactly protested, he knew it wasn’t something she’d have volunteered for.

“For the hundredth time, yes. Even if this was partly fueled by guilt, I know you probably would have agreed anyway, and that big heart is why I love you so much. And can I say something else?”

“What’s that, love?”

“I was so attracted to you with that baby bump last time, even when you thought you were massive. So as long as your libido holds out, I think we’re both going to be very happy.”

“Oh yeah?”

“Yeah.”

“Mm, I think I might need some convincing.”

“Then let me show you.” And oh, she did.

Gods, he prayed he’d be able to do that for a while. The next several months were going to be very interesting.

------------------------------------------------------

thanks for reading! tagging @wyntereyez @jennjenn615 @superadam54 @ashley-knightingale @justsomewhump @teamhook @88infinity88 (let me know if you want a tag!)

#cs ff #killian mpreg #fairy godfather #my ff

32 notes · View notes

popculturebuffet · 4 years ago

Text

Ducktales Della Arc Finale and Shadow Into Light Combo: The Shadow War! or The Last Stand of Lena DeSpell (For at least a year)

Hello all you happy people! And today the two arcs of Ducktales i’ve been covering unite for the season 1 finale! It’s been a hell of a ride: We’ve had a family reborn, gay subtext, a warriors homage, an underground adventure, a vacation with the gods, gay subtext, a giant shark made of money, a trip to old Scotland for some family fun shouting, gay subtext, a trip into Lena’s innermost nightmares that also involved a sasquatch for some reason, a heart stopping reveal, a heartbreaking argument due to said reveal and gay subtext. It’s been a hell of a ride and while the Lena train will go on, I feel both acomplished and happy to have finished up the Della arc in such a short time. Never doing that again mind, as it took up my entire schedule and pushed any other ongoing projects out, but i’m still proud to have pulled it off.

When we last left off.. yesterday, The truth came out, the boys lashed out at Scrooge, Scrooge lashed out at everyone, and we all cried. Now Magica looms, our family is broken again and it’s up to two unlikely people to bring them together again. So join me under the cut for some parent trapping, some adventure and even more Weblena subtext than usual, as we enter the Shadow War.

Part One: Night of De Spell!

I”ve come around on the episodes being treated as two parts in reuruns and on Disney +. They were BUILT to be chunked up later as there are clear breaks between episodes, said chunking is to make reruns on tv easier.. and it makes my job easier as it gives me clear act breaks. I’ll still cover them all in one article, but it makes it easier to recap it when I have two clearly defined acts, something that’s been a struggle when reviewing episodes that just aired like Let’s Get Dangerous! and the Last Adventure!, hence why I switched to breaking down the episode instead for the latter. So I really can’t gripe about something that dosen’t really affect anything negatively, at most it just adds credits to both episodes, and HELPS me a lot.

And it really helps with this one as like most of the episodes for the Della arc... the first half of the finale is two plots that don’t really intersect that much aside from Magica mimicking Scrooge on the phone to keep him from going to the dinner. Other than that they don’t really impact each other until the end of the first part. So i’ll be covering both plots separately, and then just the episode as a whole for part two.

Good. Let’s get quackin.

Everyone But Scrooge and Lena in Parent Trapped:

It’s three days after the end of the last episode and everything still sucks: Webby is desperate to try and get her family back but none of them are hearing it and Dewey and Huey are taking it an extra mile and throwing their mementos from their adventures in the bay. Louie however dosen’t want to and it’s the one bit of an otherwise great episode that does not work for me as he’s not keeping it for sentiment: it’s a solid gold Kopesh. As someone who makes about 30 bucks a month and gladly sells stuff he doesn’t need, this annoys me on a fundamental level. Sell the damn thing and buy yourselves some food or some ninja turtles dvds like me.

So Webby is worried they might leave soon and she’ll be back to almost no one but Launchpad assures her they aren’t going anywhere.. right as Donald, desperate to help the boys cheer up and relating to what their feeling, offers to take them where they always wanted to go: Cape Suzette! Spin it!

youtube

The Sea Ducks’ even on the flier. Baloo was a legend.. I hope he enjoys his retirment on Cocaine Island as Secretary of Goodtimes under President Snowflame. So our dynamic duo spiral into panic at the thought of loosing their family and best friend respectively.

Webby: Someone’s gotta remain calm here Launchpad: So you? Even Launchpad knows he isn’t the adult in the situation between him and an 11 year old girl. So they come up with a plan. It’s time to parent trap those sons of bitches. They’ll host a heartwarming dinner reminding them of all the good times, invite Scrooge as the suprise guest and then spring the parent trap. Probably also sing Let’s Get Together given the two people we’re dealing with and given Beakley’s age she likely showed Webby both. Sidenote... I really wish we’d seen more of these two. It’s a team up we only got this once but both Webby and Launchpad being friendly weirdos with a lot of heart but not a lot of common sense made them the dream team and make this part of the plot hilarious and help lighten the mood given the heavy stakes.

So later that day, we cut to Huey and Lewey who are looking into Cape Suzette.. and find themselves not as excited anymore. They wanted to go all their lives.. but it’s clear that traveling the world.. it’s just another port town, not much more or less adventuerous than Duckburg, and was likely only appealing because it wasn’t here. They’ve flown higher now, seen more and while they won’t admit it... they probably really DON’T want to leave Scrooge forever. it sounded good a few hours ago, it sounded great 6 months ago but now.. it’s just not the same. Dewey is all for it.. but that’s because Dewey was the one who took everything the worst. He put all this effort into finding his mom, into this whole big hunt... and also put all his faith and love and future into scrooge, so having that all puleld out from under him without the maturity to get that he lost a lot too, combined with his natural stubborness, has lead him to dig in. But before hec an convince the other Webby and Launchpad slip them the invitation. The boys accept, probably because with a child’s handwriting it could only be either Webby or Launchpad.. Donald set out traps for Doofus after the last time.

So they take over the kitchen with Donald confused and upset and then just grumpy after.. they explain their making a farewell dinner. And one of them is his friend. And the other one is his boys surrogate sister. And their offering to make him free dinner and brought all the fixings when he’s out of a job

So naturally their attempt at a parent trap is about as subtle as a Killdozer through your living room, with Webby having made replicas of all their adventures out of food. Launchpad provided drinks.. that are melted popscilces (”There’s a riddle on the stick”). God bless you thoughtly dumb thoroughly beautiful man. So naturally this really isn’t working at all, not helped by Scrooge not showing up thanks to Magica, and Beakley showing up because Webby made the crucial mistake of thinking Launchpad could think bout anything but Darkwing Duck, Planes or a Darkwing Duck Shaped planes clearly so he gave her an invitation telling her NOT to come.

Webby’s attempt to get them to remember Scrooge fondly gets no-sold, though in a very touching way as Dewey, clearly sensing what she’s trying to do instead picks Uncle Donald, with Huey, Louie and Launchpad all joining in saying he’s Loyal (Dewey, who also uses it as a jab at scrooge because he’s being a little shit this episode, and not in his usual fun way or Louie’s usual fun way), Thoughtful (Huey), Passionate (Louie) and that he likes his sailor suit (Launchpad). It brings the duck to tears and as a big fan of Donald, I love this a lot and it shows that, even if Dewey is doing it to take a jab at his uncle, they really do love and apricate their uncle and all he did despite perferring scrooge for the last 6 months. They may love their rich uncle.. but Donald’s there Dad and nothing can take that away from him.. not that a lack of an emphasis on his role as their adopted dad in season 3 didn’t try. They love him and wether they realized that because of what happened with Scrooge or always felt this way and just never expressed it, i’ts sweet. For the record I feel while they loved him it took till this for Dewey and Louie to appricate him while Huey, being a sweetheart and the most like him out of the three, always did. Launchpad attempts to use a bouncy castle to fix things for some reason.. the inner machinations of his mind are an enigma.... or just this on a loop.

You make the call. Beakley naturally, being a spy with decades of experince and someone with half a brainn, figured out their parent trapping them.. but to the suprise of both and the audience she agrees. The family’s been apart too long and she’s fully on board with keeping it together. It makes sense both just in the context of season one and with the reveal of the finale. For the former, she’s watched Scrooge be miserable and withdraw for a decade, and was the one who acitvely encouraged him to spend time with the boys. Sure she wasn’t happy about them moving in, but that settled quickly and last episode she was every bit as worried about the boys as she was her own daughter. She WANTS her best friend to be happy and knows he and his family are stubborn as hell, and knows that our dream team’s heart is in the right place.. but they have about a third of a brain cell between them when it comes to social situations. The finale just adds to it by not wanting Webby to loose her dad or the rest of her family because her dad’s being an idiot. And as a third I just thought of, now we know Beakley’s only ever had one family member before joining the McDuck family, she likely wishes she’d had one and dosen’t want Scrooge to loose that. It’s also a VERY touching moment: Webby forgave Scrooge easily out of desperation, Launchpad did because he’s nice.. but Beakley while justifably pissed at the time and pulling Webby out of there til lhe stopped being a shithead, given the “your not family” comment, despite having EVERY reason to shun him too.. she gets that right now her best friend needs her to keep his family from running off.

She also wins easily, making a pie that scrooge liked and taking it away saying they don’t want a reminder of that “awful man”.. before giving them Scrooge’s side of the story, if through double negatives Launchpad dosen’t get. She points out he spent nearly all his money, that their mother was her own woman who made the decision, and that Scrooge spent TEN YEARS looking for her, the entirety of her lives and only stopped because he was on the brink of loosing everything. That starts to turn the boys minus Dewey, but the killing stroke is her pointing out a very simple fact: he lost someone too and all their doing is cutting out their family and costing him more people for something that wasn’t ENTIRELY his fault and he spent a decade trying desperatly to fix.

This gets Donald, whose the first to say they should go home. “This family has been apart too long.” To me, while I wish the show had built it up more.. i’ts Donald realizing how WRONG he was. He shunned his uncle and while he was right to be mad.. Scrooge did everything he could to fix things, and not trying to reconcile cost him a decade with the only family he has left that he cared about. Cost the boys their uncle and is NEVER what his sister would’ve wanted. And now he’s enabling the boys to make the same mistake he did, his own anger in the past making them think their resitment and shunning is okay when it’s not helping anyone. All he’s done is hurt someone he loves, someone who is easily his second father and teach his boys to do the same. That has to stop. It’s a great bit of character.

Huey and Louie are natually easily convinced while Dewey refuses to at first and cries.. before joining in, letting go of his anger too forced to finally realize the truth, or at least what I feel it is: He attacked scrooge because he didn’t want to admit his mom wasn’t perfect, that after all this time he found out she DID do something bad, if not villiaonous, by leaving them and taking the rocket before it was ready, something reckless and selfish, and admitting Scrogoe wasn’t the only one responsible.. was admitting she left him. He finally lets go... just in time for a giant eruption of purple from the mansion. Wuh-oh.. as for why let’s go back a few hours. Boys?

Scrooge and Lena in Night of De Spell!

So a few hours ago Magica is still using Lena’s body, to the point that when Lena is able to force her out for a second she genuinely FORGOT she was there. That’s horrifying..nothing to add there that entire sentence was just really fucking terrifying.

So naturally she plans to use Lena’s body to get back to the mansion only to find out the kids left from Launchpad (this is before he entered the other plot), but gets in anyway by manipulating him by faking that webby said something about him being weak.

That being said.. he is in a VERY bad place, beginning the series running gag of characters eating nothing but Pizza and having pizza boxes everywhere as a sign of depression, as the mansion is littered with it despite, as mentioned before everyone only having been gone three days. He’s not even wearing his robe, instead wearing a dirty undershirt and rolling around. He’s so horribly depressed and miserable. Magica being kind of nuts can’t fathom why he’s miserable and keeps trying to make him Tea.. which leads to something like this for about 7 minutes.

youtube

Granted i’ts more by accident he avoids Magica poisoning him but still. Also before we move on I have to give props for the animation here and Kimiko Glenn’s performance. She plays Magica perfectly (as Magica only uses her own voice when not around scrooge), and the animation shows off the diffrence between owners of the body incredibly well.

Eventually Magica realizes he’s not faking it and dosen’t want an easy win. She’s waited a decade and a half for this she wants at least some fight. So she manipulates him, talking about family (Not that sh’es a good family member but we’ll get tot hat), and how it weighs you down.. likely also beliving given what we know about her backstory, that he belivies that. That what he said to poe back then was accurate, not realizing.. he changed.

So he decides to go back to baiss and get rid of everything.. except the dime and Magica being too eager for it gives the game away, so she simply bites him and takes it and... frees herself with the power of the eclipse. After 15 years Magica is free, at full power and quickly imprisons our heroes.

Scrooge naturally tears into Lena before blaming his family for it.. before she shuts him up, pointing out that Magica got in here BECAUSE his family was gone. Had Webby been here she would’ve realized something was off and stopped her, as would the rest of the family. With no one left to watch his back and his insincts dulled by misery, he was an easy target. She WISHES she had his family. She realized too late that what she wanted wasn’t freedom.. it was somewhere to belong, somewhere where she’s loved and people care about her. Actual parents or parental figures, a warm bed, and a place where no matter how much you argue your welcome at the end of the day. To have a home. Scrooge takes both things in and thanks her for making him realize he was a moron, she was right.. and that if she helps him get out of this.. she has a place in said family. Naturallly though given this is only part one their beaten easily once they escape: Magica turns Lena back into her shadow, more on that in a minute and traps Scrooge in the dime, and so part 1 ends with Magica ascending at full power and Donald giving the natural response “Aw Phooey”. Time for an intermission...

youtube

Part 2: Day of the Ducks!

So we pick up where we left off.. with Magica’s manical laughter and Dewey wondering.. who the hell is this? Webby fills him: Ancient sorceress, mortal enemy of scrooge usual stuff between them. Except in this version she’s leagues more powerful. She’s also voiced by Comedic Actress and Former Doctor Who Star Cathrine Tate who I haven’t complimented enough int he roll but will now. She easily rolls between comedic and thretaning in an instant and was perfect casting, able to be delightfully hammy.. and unspeakably vile and abusive.

Back to the plot Magica proceeds to make things worse by moving her base from the Mansion to the bin... and summoning ALL the shadows of the citizens of duckburg. We also get a few neat scenes as a result: Glomgold tries to force his to stay but gets dropped in the bay.. and suprisingly is not a throaway gag but a gag that leads to the setup of his plot next season and the introduction of Kev, who comissioned this episode,’s faviorite character. More on that someday. Fenton does some stargazing.. and naturally when his turns into an evil shadow ghost tries to summon his armor.. and instead his shadow steals it.

Finally Gladstone’s... gives him 20 dollars because of course it does. All nice littlle nods and in fentons’ case setup for later.

So while Magica begins her gloating, she had a long speech prepared, our heroes back at the boat try to come up with a plan. They do end up getting unexpected reinforcements: Gyro, Manny, and Little Bulb all show up as their shadows emerging destroyed the glass in the underwater lab. “That’s it no more underwater labs! it’s volcano’s and abandoned castles from now on!”. Well the last one worked for the Mads for a while. i’d of gone for it. Though fair play while they do keep Gyro’s cool underwater lab next time we see it and the windows break security shutters activate to prevent another flooding. Likely Scrooge wouldn’t pay to move the whole thing i’m betting. Fenton also shows up so with most of the supporting cast at this point in the show present, they can begin the raid.

Donald does try to squak out a plan.. but it’s here an intresting idea of the series pops up: No one can understand donald. Well some people can, but not everyone can and even the boys mostly take it from context.. or at least Dewey does. This causes Donald to angrily chase Dewey around

So Gyro, not having the time for any of this, shoves a thing in his mouth, phrasing. This is the Barksian Modulator, a nod to Carl Barks and how Donald could speak in the comics and thus gives him a Don Cheadle voice.. wait.. does this mean comics Donald is voiced by War Machine too? I’ll table that. The point is he can speak clearly and in the sliky tones of Don Cheadle. Not as sexy as Keith David but i’ll take it. I also appricate Cheadle being fully game for this, doing a silly promo video about his roll here, likely taking a bit of a pay cut to do voice acting, and even doing donald’s trademark untitllegble raises. I do WISH donald got to give his badass speach in his own voice as Anselmo would nail it, but he got plenty of good performances before and after this and the gag of having an academy a golden globe and sag award winning actor with tons of charsima as Donald’s intelligble voice was too good to pass up. He even gives out an ah phooey! Such a legend.

So he gives a big inspirisng speech and a new motto of “Ducks never back down” that Dewey uses afterwords to diminishing returns. Andddd has the kids stay on the dock for their saftey SEEMINGLY having leanred nothing. Seemingly being the key word. Just to jump ahead a bit his assault team of him and the other adults goes decently: They are overwhelmed, but Fenton is able to improvise a ray gun, and then uses little bulb to turbocharge it. It’s awesome and shows the guys got talent with or without the suit. Beakley keeps the boat safe as she can (and gets as frustrated as donald, which is great, showing i’ts not so easy is it?)< and Gyro gets captured and is disapointed when he tells magica he’s only an aquantince when asked instead of a friend, though let’s be fair here... Scrooge REALLY does value gyro and did not want him to die. Are they friends... eh I dunno, but I do think he’s more than aquantince. Gyro also deserved it after putting Manny and LIl Bulb up against each other for the job. That will teach you to try and unemploy keith david! Launchpad also gets the awesome task of crashing into the bin as a distraction, though Magica keeps tossing him back, which at least does the job... he also gets a TRULY magnificent moment where he leaps onto the plane, singing his own version of the darkwing duck theme song. Fucking amazing and a shame they never called back to this at any point once Darkwing was introduced. I’d pay money to see them both do that.

So meanwhile with the kids, they naturally say nerp to staying behind. But they need someone who could help them bring them in. In Webby’s actual words, which I am not paraphrasing nor manipulating “Like a noble teen ne'er-do-well who can break into anything, including your heart?” And just in case you think i’m reading too much into things this is her face after saying that.

That my friend is a face that just SCREAMS

There’s no straight explination for this face or this line, and for anyone whose going to bring up the sisters thing in the finale 1. Sisterhood is complicated and sometimes not literal and 2. she was trying to keep Webby from walking into what she thought, correctly, was a trap. I’m doing this NOW because I forgot to in the review, and want to make it painfully clear i’ts okay to ship them as long as you don’t do sex stuff. Their chlidren. It’s gross. Don’t. It is precious.

So they head to Lena’s and find the place deserted and kinda messed up.. and find her Journal which reveals her secret origin: 15 years ago, though her age is not exact and even frank’s said that and while we do see her fully formed as a teen, that might of been an artistic thing we don’t know. Point is 15 years ago Lena was born when Scrooge sealed Magica’s phsyical form away in a dime during their final battle on Mt. Vesuvius, her base in the comics and original series, so she constructed Lena out of her shadow to act as her minon.

Webby of course is heartbroken, feeling Lena used her and all that bad stuff, though the boys comfort her, saying she’s still got them.. not getting the diffrence between familial love and romantic love but point is they know how Magica got out and what she did with scrooge, but they still need to get inside.

Huey, I think, Gets an idea and they swim underwater to emerge from Gyro’s flooded lab. Louie also gets his Kopesh back.

Naturally though their own shadows go after them but Dewey cleverly disapates them: since their shadows they need light to exist, and a simple hit of the fuse box disapates them. Presumibly since Magica was forced to make Lena into a more indepdnent and unique being, she’s immune to this hence why this has only happened to magica’s shadow before.

So they continue making their way up, facing Louie’s old nemisis THE STAIRS in a whopper call back.. only to find the bulk of the shadows, inclduing ShadowdGizmoDuck, waiting.. only for Donald to show up just in the nick of time. Turns out het PLANNED for all of this: he knew they wouldn’t stay put if he told them to and would find their own way in, thus allowing his force to be the bait. Fucking brilliant.

So our heroes head inside while Donald takes on an army single handed.. if with his modulator bugging out.. and given he and Beakely enter the bin via the office entrance later, he BEAT THE GIZMODUCK ARMOR. If you needed proof donald is a legend, there you go. Goodnight.

Anyways our heroes head inside, and when asked what they do, Dewey manages to give his own badass line “Do what we do best make trouble”. What follows is an awesometastic final fight with every one of the kids using their own talents against Magica in one epic clash. Huey simply asks the questions he has while dodging Magica, throwing her off ballance, and nearly getting her weakness out of her. Louie uses his faster speed at burrowing in the gold to easily dodge her and to get her to break a mirror and claims it was a curse. While she dosen’t buy it he eventually uses his silver tounge to wear her down... and leave her open for a kick to the ribs. “Ow my ribs”. Magica drops the dime and it’s clear our first two boys were just the warmup. This is the headliner and she is pissed, coming at Magica with everything. While we’d seen how badass Webby was all season.. this is her crowning glory. The moment that shows she’s not just the best of the kids she EQUALS Donald and Della in martial combat, if not in experince and easily keeps the pace with Magica, railing at her for taking her family and her friend away. Magica tries gaslighting her by saying Lena wasn’t real.. only for lena to come back.

In one glorious moment, Lena shows off how far she’s come, defying Magica at FULL power to return and fight back, keeping her off webby and giving Dewey, who magica kept from getting the dime seconds earlier, heads for the dime. She’s gone from going with her aunt for her own selfish reasons.. to fighting her with everythig she has left knowing she won’t surivive.. and Webby gets proof that Lena really did love her. Wether she tricked her or not.. she loved her.. and sadly enough to die for her as Magica, after telling Lena “your not family” after Lena calls her aunt, seemingly destroys her and a furious webby attacks in grief and rage. The “your not family part” also gives horrifying context to magica’s abuse: she likely abused Lena.. because Lena wanted family.. and Magica just wanted a minion.. and now we know her backstory.. she already LOST the only family she thought she had and hardenred herself, refusing to loose anyone again and thus took it out on an innocent child like the heartless monster she is.

However while Lena’s temporary death didn’t stop Magica.. it gave Dewey a dewstraction and he got the dime back. He tearfully apologizes to Scrooge.. before having to run again, but both have genuinely and finallyr econclied, putting away their own anger and pride and hurt and restoring the family good. Dewey uses the dime to block as Magica corners him.. and that desepration move frees Scrooge. We then get another hell of a fight as Scrooge easily counters her, uses his cane as a sword.. and THANKS HER. As far as he knew without her he’d of lost his family..w ith her , and with Lena, he found the strength to welcome them back in and they came for him when he needed them. This , given the Poe thing, infuraties her MORE, though this time she deserves him making her feel bad and using his douchebaggery against her, and he disarms her of her staff, which breaks on Donald’s head. Magica is dewpowered without her staff and without her amulet which was absorbed into Lena. Laucnhpad also gets a moment by bodyslamming her from the plane. She escapes, why they don’t go after her I have no fucking clue seriously guys what, but the point is for today our heroes have won. The bin, mansion and most of the city may be damaged.. but the family is whole again, cemented by scrooge callign out his nephews names (Minus dewey.. but intetoinally this time) and saying “Curse me kilts i’ve missed you”. After years of pain, hurt and sorrow..the family is whole once more and as they enjoy a midnight swim together, the future is all ahead of them.

But there’s only one thing.. or rather one person missing. And as we close out the episode and the season we cut to the moon.. where Della is watching a newscast.. and sees her boys for the first time. And we hear her for the first time. SEQUEL HOOK BITCHES.

Final Thoughts on The Shadow War!:

Shadow War is an EXCELLENT capper to the season and both it’s arc, tying both together beautifully by having Scrooge’s misery over his family leaving him vunerable to Magica. Any complaints I can muster are minor nitpicks, it ties in everything that had happened up to this point into a neat bow while leaving two big sequel hooks for next season for each arc. Though it’d take their sweet time, and some weird rescheduling from Disney , to get to the Lena one. It’s heartfelt, satisfying and awesome in every measure and is only the weakest of the three finales because the other two had even more shit to work in after seasons of hard work building up this world, with larger stakes and what not. It also has great symmetry with Woo-ooo and had the series ended here, and taken out the stinger.. it would’ve been decently satisfying. Thankfully it didn’t and we got two more knockout seasons after this and a whole other arc to cover at some point. It’s still utterly fantastic and still worth your time. Now for something new as this is the first story arc for a series i’ve finished, and as such ...

Final Thoughts on The Della Arc: I”ll get to the Lena arc, both for this season and as a whole, once I finish this retrospective. But for now how does the Della Arc hold up after all this time? Decently. It does have i’ts problems: The pacing is pretty bad: the arc is staggered out fairly but the size of it’s mystery coupled with the lack of any real info about Della for the entire goddamn season when this is her first big roll in anything, is annoying and will never not be even though we now have all the answers.

So while i’ts not perfect.. it’s still pretty damn good. They took one of Disney’s greatest lingering questions that went purposfully unanswered.. and answered it.. turning it into a masterful series of character pieces and using it to drive Dewey as a character. This was his arc and it shows depth to him: in most episodes he’s mostly pluck and adhd, but the arc shows off the hole left by not knowing his mom, his determination.. but also his selfishness and stubborness. It really fleshes the kid out and makes you root for him even when he’s fucking up a lot. The character work with EVERYONE, from Dewey in general to Webby and Donald in Ithaquack, to the other boys on the sunchaser to Scrooge in the last two/three eps, to Beakly in the same.. ther’es just lots of great stuff in this arc and way too many great moments to dismiss it. The pacing may of been shot, we may not have learned mcuh about della.. btu sometimes adventure is about the journey not the destination, and the journey AND where it took us were both phenominal so yeah. It’s a good arc. Not the series best, but a good start.

As for the Lena Arc i’m saving my throughts on that till we finish it as unlike this arc, which leads into the next but isn’t 100% connected to it, her arc extends for the rest of the series character wise, story wise and weblena wise. So we’re not done with this retrospective and i’ll save my thoughts for when we get to season 3. But Covering the della arc was a lot of fun, exausting but fun, and again any future arcs that aren’t paid for will be staggered out and any interlocking arcs that are paid for will have both paid for. Now with that out of the way..

NEXT TIME ON SHADOW INTO LIGHT: Lena gets SO JEALOUS as Webby makes a new friend and everyone gets a new faviorite as Violet is introduced! Meanwhile Beakley is desperate to prove to her 11 year old grandaughter she has friends and decides to befriend launchpad. Shenanigans insue. See you next week!

Next Time on this blog: It’s back to Amphibia! It’s time for some Zelda action as our heroes go to the first temple. I’m expecting either a giant spider or a shadowy ghost version of andrias. Don’t let me down show!

Until then, stay safe, follow me on patreon and on this blog and i’ll see you at the next rainbow.

#ducktales #the shadow war #scrooge mcduck #dewey duck #webby vanderquack #lena sabrewing #weblena #magica de spell #huey duck #louie duck #donald duck #fenton crackshell cabrera #gyro gearloose #many the headless manhorse #little bulb #bentina beakley #gladstone gander #flintheart glomgold #della duck

11 notes · View notes

dossi-io · 4 years ago

Text

Yugyeom - Point of View (Debut EP) ┃Review

With his debut project Yugyeom takes his first steps under AOMG’s wing but does little to separate himself from the current landscape of K-R&B artists.

The content of this article is also available in video format, embedded at the bottom of this article.

Background

For those of you who are into K-pop, the name Yugyeom will probably be quite familiar. Most got to know him as the main dancer in the incredibly successful group GOT7. In January of this year, the group’s seven year contract with JYP Entertainment ended. No contracts were renewed, which naturally led to the group parting ways with the company. During February, AOMG announced that Jugyeom had signed with the label on social media. This announcement was accompanied by a dance video performance of Yugyeom dancing his ass off to Travis and Thugger’s banger; FRANCHISE.

Now, four months later, he’s not only making his debut as a full on solo artist, but also an AOMG one. Before checking the project out, I was not very familiar with either Yugyeom or GOT7’s music, so I went into this with zero expectations.

Point of View

Point of View is a 7-track EP with a runtime of 24 minutes. The subject matter here revolves around love, but there’s no real substance to the lyrics. The primary focus was obviously the sound and vibe of each track. You can tell that there was some effort put into organizing a tracklist with a varied selection of sounds. You’ll hear a decent mix of tracks ranging from moody and trapsoul inspired music, to ballads and even some party bops.

The project quite clearly shows that Yugyeom is not the strongest vocalist. Both his bright tone and vocal inflections feel rather generic, closely resembling the likes of DEAN or Red House. It can be quite nasally at times, which might bother some, but I didn’t mind it. His performance on the entire project is rather simple, but is decent enough to get the job done.

Tracks

The EP kicks things off with the track “I Want U Around”, featuring DeVita. If you’re a regular listener of modern R&B, you’re bound to have heard similar sounding tracks to this one. It’s your simple, run of the mill, moody trapsoul inspired track. For frequent R&B listeners like me, I find it important to distinguish yourself from the vast sea of talented R&B artists nowadays. While both of them had some decent performances on the track, with DeVita’ vocals obviously stealing the show, there is still a bit of their very own characteristics missing.

I think DeVita was on the right path when she started messing around with harmonies, during the latter part of her verse. She also had a few cool vocal runs going on. My main gripe was that, just as it was beginning to get interesting, her verse got cut off. The track was a solid one, but I’m not too crazy about it. I can however appreciate the importance of this track, in terms of impact on DeVita’s career. This is quite the amazing boost for someone this early on in their career. If you’re interested in learning all about DeVita, I did an in-depth video covering her story. Linked here.

“Running Through The Rain”, is the second track and turned out to be my favorite one. This is one of those tracks that despite Yugyeom not having killer vocals, his vocals are still decent enough to make quite the catchy track. This track had me boppin my head along all throughout it. Despite the extremely dull and bare bone hook, I was still finding enjoyment due to other aspects of the track keeping me engaged. When it comes to the production, GRAY really did his thing here. I think he showcases why he’s been able to remain relevant in the industry for close to a decade now. There’s an expertise to how he keeps the instrumental interesting. It comes down to his beat structure, which combats the simplicity to become noticeably monotonous. The sound selection with it’s blend of trendy synth sounds, guitars and percussion, mixes neatly together with Yugyeom’s vocals. The talkbox vocals really took the track to another level.

“All Your Fault”, is the title track and seems to be a fan favorite. It starts off with some clean strummed guitar hits. Throughout the track, the guitar licks and improvised playing add so much to the complete package. These guitar elements are obviously quite restrained in this pop-format and aim to be more subtle. Yugyeom begins to use a bit more harmonies in the background. Even while simple, they add some much needed qualities to his vocals. Building upon this there’s some well matched set of drums and percussion. The trap hi-hats are mixed very well, making sure not to take focus away from the other elements of the track, which can be a weakness when using busy trap hi-hats. GRAY’s feature on the track added a nice contrast to YUGYEOM. With all of this combined, we have yet another example of a well arranged track.

“All About You”, switches things up with some different energy. The booming 808s and the dancehall inspired drum pattern really begs the listener to get up and move. Having this lively blend of genres and a solid verse from Loco is a great way to vary the energy level of the tracklist. I found the live performance of this song on ELLE STAGE to be quite impressive, due to how closely he sounded to the recorded version.

youtube

“Love The Way”, is another fun energetic track bringing the party vibes, produced by Cha Cha Malone. This one just has that sound that will find its way to plenty of summer party playlists. Featuring both punchnello and Jay Park, I’m sure plenty of AOMG fans will mess with this. It’s a cool party record but besides that there’s not much else going on.

“Fallin In Love”, is for sure the weakest track here. I don’t think this type of production from Cha Cha suits Yugyeom that well. It highlights his shortcomings as a vocalist a bit too much, in my opinion.

Why does this not work? Well, on this track Cha Cha provides a very straightforward and super simplistic beat. With such a beat it allows a listener’s utmost focus to be put on the vocals. This works great with an artist who, either has strong vocals, an interesting approach to a track or an interesting tone. You can hear this formula working beautifully on tracks like “Lust” by Hoody, for example. The uninteresting beat and vocals just lead to something a bit too basic and plain, for my tastes. On a positive note though, props for once again adding a track with a different sound to the rest of the tracklist.

The project ends with the track; “When U Fall”. This one didn’t really connect with me, for pretty similar reasons as the previous track. The monotonous nature of the instrumental results in quite a dull and uninspired song. Even the four bars that make up the bridge feel rushed and half-hearted. I can’t feel the passion here, which for me is essential for a convincing love ballad. Instead it just feels too artificial.

Closing thoughts

With this project Yugyeom does little to separate himself from the current landscape of K-R&B artists. I think ‘Point of View’ is a decent EP, and for the most part an enjoyable listen. Knowing his background as a GOT7 member it becomes quite clear that having to carry a track all by himself is a bit awkward. Thankfully the features help out a lot with this issue, besides “Running Through The Rain” the weakest tracks are the ones where he’s by himself.

The writing of the hooks on the project feels very novice, leaving a lot to be desired. Pretty much all of them are basic and repetitive to the point that any listener should have no issue singing along during their initial listen. In combination with these dull hooks, the vocal performances, while passable, can get stale quickly. The tracks that work tend to do so, due to decent beat structure, features or switch-ups to keep things engaging.

Working on his vocals, approach to hooks, and more interesting things going on vocally, like harmonies could go a long way for Yugyeom. Working on these aspects I believe will help him avoid sounding as monotonous as in this EP. According to Jay Park, he’s already working hard on his vocals, which sounds promising.

There’s one important thing to consider regarding this EP. It marks the start of a new chapter in Yugyeom’s career, so most importantly it’s a stepping stone. If he works on his vocals, paired with his amazing talents as a dancer he’ll become a force to be reckoned with.

Listen to the project here https://aomgofficial.lnk.to/PointOfViewU

youtube

Thanks for reading or watching this review.

Credits:

Gif from ‘I Want U Around’ MV: @moxiepoints

#yugyoem #aomg #got7 #gray #cha cha malone #devita #chloe devita #Jay Park #jyp got7

4 notes · View notes

zukadiary · 7 years ago

Text

Arch of Triumph / Gato Bonito!! ~ Snow Troupe 2018

I feel a bit weird writing this up after only day 2 of the run, because I’m sure the troupe is still very much warming up... but this is when I happened to be here. Yukigumi fan life has not been ideal for me since Chigi’s retirement and this was BALM FOR THE WOUNDS in unexpected ways. Beware of spoilers.

Arch of Triumph

I happen to really like the original version of this show (from back when Tom was Yukigumi’s actual top star), but despite that the primary emotion I felt re: this show choice, as a Daimon fan who has to travel 7000 miles to see her, was saltiness at the stolen lead. I anticipated suffering through this and prayed that Fujii-sensei would carry the experience for me entirely, so I was truly taken aback by how much I loved Gaisenmon.

There is a pretty long summary on the Takawiki page, and the original is also available from TIP with subtitles.

Just objectively as a show, it’s so beautiful, and it’s beautiful in ways that I didn’t know about at all because you can’t see them on the recording. It’s a dark story and the set is kept fairly dark as well, so all the meticulously colored lights and gobos and gorgeous rain effects dissolve into unintelligible black fuzz on an 18-year-old Sky Stage video. From the second floor you can also appreciate the incredible fluidity of the set rotations and scene changes along with the amazing choreography, of which there is A LOT. It’s a really impressive feat of direction; I am (despite my Takarazuka-related fervor) not a well-versed technical theater person at all and the artistry of it still struck me as something really special. The music is also gorgeous; it’s a very moving show, but I don’t like the main characters as people enough to cry from the culmination of the story... however, the reprise of main song, delivered in beautiful powerful troupe harmony as the curtain fell, murdered me, and I burst into tears on shonichi.

My main worry, especially considering that we have a guest lead and I adore Yukigumi as a whole with all my heart, was that it’s a very top-heavy show. Yesterday I was SO pleasantly surprised at how well-balanced it felt compared to my expectations; today, unfortunately, I felt the same from my vantage point but also realized it will probably feel just as top-heavy as the original on DVD. A sizable portion of the other main players’ stage time comes from beautiful but wordless dance scenes. But despite the light usage of most of the troupe I actually felt better than I did watching Robespierre. Everyone may be on stage less, but I felt like their characters were more lovingly crafted and very distinct from each other even with the simplest backstories.

My two biggest gripes about Tom swooping in are 1) they often like to pretend she is still 25 which she is distinctly not and 2) in what I’ve seen recently I felt like she and the troupe she’s borrowed were acting separately from each other. I think a big reason why Gaisenmon worked for me is neither of those things applied. While there were a few insertions to balance the stage time a little better, the show is largely the same as the original, yet there is nothing in it that suggests Ravic—a surgeon who escaped Germany as the Nazis came into power—is any specific age, and he works at any age... specifically, even a large age difference between Ravic and Joan is totally reasonable and believable. Against the chaotic backdrop of refugee-laden pre-war Paris, an older doctor and a younger aspiring actress could absolutely meet and fall in love. Tom also meshed with the troupe a lot better than I expected. There’s no way to sugarcoat how shot her singing voice is, but damn the woman can act, and her otokoyaku mannerisms (stage kisses in particular) definitely show her long years of practice.

Kiichan slayed, I thought she was even better than Tsukikage Hitomi. Joan is a REALLY HARD role; she’s practical out of necessity but a bit frivolous at heart, and she’s in love but also struggles to differentiate between actual love and the fear of being alone in an increasingly dangerous world. It doesn’t sound like it in writing but in execution it’s really easy for her to come off as weak, clingy, and annoying, when she’s actually a very nuanced character. Kiichan hit all the right notes, she didn’t appear intimidated at all by Tom, and even their romance seemed totally natural for the aforementioned reasons. Her sudden lovesickness could have been so one-note but I felt the tinge of anxiety behind it throughout the whole show, and I was so impressed by that. There is a scene of misunderstanding between Joan and Ravic at a cafe that in a way triggers the unfortunate events that occur thereafter, and it’s gut-wrenching, especially on a second viewing when you can watch it unfold with the knowledge of what’s coming. Her death scene is also extremely intense.

Salty as I am, I LOVE the role of Boris for Daimon. I’ve been feeling like I’ll explode if I have to see her do another sad French play, but after watching this somehow it wound up exempt. The story is heavy and all of the characters are struggling, but amidst the turmoil Boris is a calming presence, refreshingly level-headed and quite positive in a lot of ways (EDIT: in chatting in the comments the words I wanted but couldn’t find at 3am came out: he’s definitely got a cynical edge to him as well, but it was kind of like his cynical view of the world freed him up emotionally to be quietly supportive of the other characters’ problems... I think that’s what I mean by positive). And I can’t even express HOW LOVELY it was to see Daimon play THAT CHARACTER for a change, how fulfilling not to just watch her suffer for an hour and a half. Boris is in the story himself but also the narrator. In the story bits, he’s cool and reliable and there’s a really heartwarming sense of purity in the way he freely shows his emotions. Daimon seems to enjoy over the top acting just fine, but it’s her roles that rely on subtle facial expressions and body language that absolutely kill me—this was the latter. In the narration bits, she weaves an intricate tapestry with her voice. As I said every detail of the direction is intentional and beautiful, but so much of the mood also comes from the emotion in Daimon’s singing, not only in the actual songs (one of which she sang in probably incorrectly but nonetheless tantalizingly pronounced French, ugh ♥), but also particularly when she hums background tunes as other bits of action are taking place. She barely moves and her voice is so soft and yet STILL it reverberates throughout the entire theater somehow, like it flutters into every corner. And she was so beautiful, she worked the hell out of some costumes that definitely wouldn’t be flattering on everyone. I’m TEARING UP right now, my heart is so full.

Here’s where things get bit eh for some people and downright unfortunate for others. Saki and Shou barely had anything to do, although I understand why they were relegated to those roles versus the Aasa, Hitoko, Kari group which although comprised of very distinct characters still felt like a single unit in a way. After a bit of prologue choreography Saki doesn’t show up until past the halfway point. She’s Henri, the handsome but creepy and possessive movie producer who lands Joan some acting jobs and then also shoots her in a fit of jealousy. She really only has two notable short scenes toward the end, when Henri first tries to coerce Joan into staying with him and then comes to Ravic pleading for her life after shooting her. Shou is a sexy doctor who talks on the phone sometimes.

The Aasa/Hitoko/Kari group, however—and, tangentially, Asu, Manaharu, Michiru, Kiwa, and Agata Sen—shone more than I expected remembering the original group (our legendary Yukigumi 3兄弟 Touko/Komu/Naruse Kouki). While they also only had a few scenes to themselves, those scenes were some of my favorites, and they’re the ones who got to decorate the outskirts of the other scenes’ action with beautiful dancing. Aasa is the only one whose role I’d call a step back from Robespierre, but only because she was my Robespierre MVP, and she was still wonderful as the more subdued Jaime. I felt distinct forward momentum from everyone else. Hitoko was absolutely adorable and injected way more into Rosenfeld than Komu did (which I can say even with the ultimate bias on my side), and Kari was truly outstanding, I could melt just looking at her and I’m so glad she landed a role with that kind of prominence. The whole Hotel International group just had so much humanity.

Final shout outs go to Niwa who I love unconditionally in every role she plays but particularly here for a) A+ slimy awful Gestapo officer and b) the novelty of Kouju Tatsuki squeeing OMG YOU WERE KEN-2 IN THE ORIGINAL AND NOW YOU’RE SCHNEIDER?! in the talk show; and Miho Keiko who I was SURE they stuffed into Gaisenmon because Fujii-sensei demanded her presence in his show as usual, leaving me quite dumbfounded when she wasn’t in Gato Bonito at all. It wasn’t a role that one of our many boss beautiful perfect upperclassmen musumeyaku couldn’t have done, but nonetheless her presence leant some more gravitas to the show in addition to balancing out Tom a bit.

Gato Bonito!! had the opposite effect on me initially. I expected to dislike Gaisenmon and it wowed me, and then it wowed me twice over because that feeling of your expectations being so far exceeded is wonderful. Meanwhile I’ve been laying in bed at night screaming DAISUKEEEEEEEE into the darkness for months, praying he’d deliver me a perfect trilogy of HOT EYES!!, Santé!!, and now THIS!! (boy he loves double exclamation points doesn’t he).

Well, it sure wasn’t HOT EYES. But in retrospect, that’s a damn high bar. After watching Gato Bonito today with my expectations in a reasonable place, I liked it more... especially when I think about how SUPER VOYAGER was everything I never want to see in a revue ever again tied up in one neat package, and this, in contrast, was a lot of things I want to see very much.

From the start I liked or loved all of the scenes individually, but something about the show as a whole didn’t come together for me, and after two viewings I think I have some idea of why. The sets and backdrops were off for me, in a way that I did not think could have such a large effect on the show’s overall vibe. Most revues will have a big eye-popping scene, then they’ll close the curtain and have people dance in front of it for a short transition, then open it again to another eye-popping scene. There’s a nice rise-climax-break-repeat flow. But there were so many scenes in Gato Bonito where they’d drop a curtain down, have a dance in front of it, then drop A DIFFERENT THING down and have a dance in front of that, and I just felt like I was being constantly led toward a climax that never came. When they did open up the whole stage I found the sets really spread out and airy, such that it felt as if no matter how hard they tried they couldn’t fill the stage with enough people. They were also FLAT, like literally flat on the floor, not enough gradated pieces with people standing atop them to fill the back as well as the ground. I might feel differently when I watch it from the first floor, but for now I think some pretty small adjustments could have given it overall more impact.

Also, WAAAAAYYYY too many LITERAL CATS for my taste.

THAT SAID, boy this was SO MUCH of what I love to see out of Daimon. It was hot and extra and the music was amazing and she got to stand there making these burning faces and do TRULY UNFATHOMABLY STUPID THINGS WITH HER VOICE and flamenco and tango and all that jazz. Everyone was melting pile of orange goo no thanks to the weather and the insufficient air conditioning, but other than that there were even enough good costumes to balance out those ruffle abominations (you know the ones) that of course showed up a bit. Saki was ON FIRE, I know I said I was tired of riding the Saki coaster but oops here we go up another hill. They made up for shafting her in Gaisenmon with a loooooot of juicy revue time. She’s gotten so good at emoting through her dance, she was just dynamic and sexy and 150% energy from start to finish. Kiichan has a little ways to go to catch up with everyone in her Latin dancing but there was already a really noticeable improvement between shonichi and today.

Highlights:

Argentine tango to Yo Soy Maria ft. Daimon singing in Spanish, guessing by the lack of bedazzling on the suits that that was the ANJU-sensei scene. When the curtain opened on all the otokoyaku just mingling in the dark smoky background it PHYSICALLY HURT (it also began with all our boss beautiful perfect upperclassmen musumeyaku in slinky dresses)

There’s a scene with Saki, Shou, Aasa, and Hitoko taking turns grinding on Daimon in the world’s tackiest bodysuits, but there was something so inexplicably hot about the drag + otokoyaku hair despite the melting orange goo and poor Saki and Aasa absolutely drowning in their own sweat

The chuuzume starts with a conga line across the ginkyou, and EVERY PERSON IN THE TROUPE comes out in single file in rank order, it was A LOT for my Yukigumi-loving heart

Kiichan gets to do stuff, Daisuke is aware we have a top musumeyaku which is apparently a challenge for some people

Daimon enters from the back of the first floor singing Kuroneko no Tango at one point and when she reaches the stage there’s a daily “ad lib” (in quotes because I’m sure she’s already written them all down and rehearsed them ad nauseam), but her ad libs are so dumb I love her

ASU GOT A WHOLE SONG

I forgot to pay close enough attention through the applause today to grab the exact words, but I’m like 90% sure the final lyrics as Daimon is descending the stairs in the parade are something she also referenced in her +act interview right when she became top (I don’t have the magazine on me but I translated it as “we can live through today for the sake of tomorrow and for the sake of living tomorrow we can stand firmly right here today”). She was talking about the “soul of flamenco” and that being something that turned her whole outlook around during Don Juan, so I thought it was REALLY SWEET they threw that in as a nod to her continuing to grow. Haha nope, after 4 viewings I'm sure I was wrong, but I like my idea better Hankyu pls hire me

Did I mention her dumb stupid voice? I know Robespierre was literally written for her by a Broadway composer but for me there was no comparison; in both acts it danced and changed and filled the theater in ways that don’t seem like they should be physically possible. Like this is the ????th time I’ve seen Daimon live and I was still just absolutely slain by all the heretofore unheard things her voice can apparently do.

I’m whole and healed and so surprised and delighted I didn’t have to wait till 2019 for that to happen.

#takarazuka #reviews #arch of triumph #might as well just tell people I live here

39 notes · View notes

flowersintheimpala99 · 7 years ago

Note

If it's not too much bother could you do radmond confession? I wonder who would've been the first to come to terms with their feelings and confess

Here ya go Nonny! Hope you enjoy

They’d been tiptoeing around the issue for weeks, neither of them able to muster up the courage to admit what they felt for the other. For starters, Rad was the worst when it came to dealing with emotions that were considered to be unmasculine by society. Sure, he could read all the articles on why crying was healthy and why it wasn’t a weak thing to do, but it would take more than a handful of articles urging him to open up before he could actually do so.

Then there was Raymond, sweet, egotistical, “Nobody could ever meet my impossibly high standards” Raymond. For the record, Rad met every single one of his standards. And that was scary. Incredibly scary. Part of the reason it was scary was that he had no clue as to what Rad’s standards were, so what if he didn’t even come close to meeting them? What if Rad only liked aliens of his own kind? Or what if he wasn’t interested in a mechanic being as himself? Welcome to Existential Crisis 101, folks, with Instructor Raymond.

So, it goes unsaid that the two were painfully awkward when it came to even considering the possibility of confessing to the other. So the silent dance around the subject continued, fights between the two always involving an easily detectable tension that Enid recognized from her Angst Daily magazines. KO, as innocent and oblivious as he could be, was even able to sense that there was something off with the two. So it should be of little surprise that he was the one to try and help them fix whatever was wrong with their relationship, or in this case, the lack thereof of a relationship…

“Do you have a crush on Raymond?”, KO asked, forgoing any pretense of subtlety in a move that normally would leave the turquoise alien full of pride. Since the probing question was directed towards him, though, the pride was quickly drowned out by embarrassment and panic. The soda can he’d been drinking from was quickly crushed as he tensed, the cheap metal giving way and spewing artificial colors and flavorings onto his work uniform. In between trying desperately to clean up before it dried (he’d learned the hard way that you couldn’t remove intergalactic soda stains from clothes), he stammered out a response that was telling enough for the tiny hero.

“You DO have a crush on him!”, KO exclaimed, bouncing up and down excitedly as his best friend managed to choke on air. Rad coughed harshly for a moment, turning purple in the face as he struggled to breathe. KO was actually going to be his cause of death, he thought, then shook his head. No, having a stupid as heck crush on a dumb, evil robot was going to be his cause of death, he mentally amended. “Oh man, I can’t believe it! Well, actually I can, you’re good at all kinds of stuff but you aren’t very good at being subtle.”, KO continued, giving his alien pal a giant, 1,000-watt smile.

“… Please don’t tell Enid.”, Rad whispered, daring to glance over at the inattentive cashier. She had her nose buried in another one of those weird comics of hers, the kind you had to read all backward like, right to left instead of left to right. She didn’t even look up from her comic, she just snorted loudly.

“Rad, everyone and their mom knows about your giant, dorky crush on Raymond.”, she commented, causing the poor stocker’s heart to beat in a way that he was sure couldn’t be healthy.

“Yeah! My mommy thinks it’s like one of her old romance novels!”, KO added cheerfully, getting a little laugh from Enid.

“See Rad? Literally, everyone and their mom knows! Except for Raymond, obviously. He’s just as clueless to your feelings as you are to his.”, she finished, turning her attention away from Rad’s love life and back to the love life of the charismatic lead in her graphic novel. The alien let out a sound that was somewhere between a hysterical laugh and a sob, the idea that everyone knew about his stupid affection for a stupid robot beside the stupid robot in question proving to be a little too much for his brain. KO poked him hesitantly, unsure as to why Rad had suddenly decided to let his head bang against a shelf rather roughly.

Mr. Gar shook his head, grumbling to himself about his best stocker getting a concussion on the job just because he couldn’t buck up the courage to confess. Fully unaware of how hypocritical he was being, he retreated to his office so he could mentally rehearse ice breakers in case he ran into Carol anytime soon.

Meanwhile, things at the large factory across the road weren’t faring much better…

KO had recruited Darrell to assist in his mission of getting his favorite alien and his favorite sports loving robot together, something that everyone needed to happen already. Shannon was so close to retiring her own auditory sensors just so she wouldn’t have to process the constant stream of sincere compliments followed by half-hearted insults geared towards her least favorite Bodega Baby. Lord Boxman, evil as he could be, was still very invested in the lives his robotic children led, and simply wanted the baby of the family to be happy. Darrell was more than happy to assist his hero buddy, especially since it meant he got to play matchmaker for once.

So here he was, standing outside of Raymond’s room patiently, waiting on his youngest sibling to open up the door.

“Raymond! C'mon, I know you’re in there! Just let me in!”, he called, leaning against the metal sliding door lightly. He could hear the tell-tale signs of mechanical life, the rustling of silk sheets (honestly what else would do for the Prince of Panache?) and metallic clank of his feet on the plush carpet. The door finally slid open, a rather weary looking Raymond appearing in the doorway.

“If you ever dare to reference that blasted children’s movie again, I will personally destroy every copy of it that currently exists, and set fire to any factory that hopes to produce any more copies.”, he threatened flatly, giving his older brother a tired glare. Darrell pretended his favorite movie wasn’t just insulted and stuck a grin on his face.

“You really need to let it go.”, he commented, ignoring Raymond’s little indignant screech. He pulled the mopey robot from his room, a surprising strength to his grip as he forced the younger robot to start walking down the hall with him. “Seriously dude, you need to relax just a little bit, and handle your thing with Rad.”, he added, now dragging his frozen brother along.

“I have no idea what you could possibly be referring to.”, Raymond eventually replied with, attempting to school his face into a calm, cool mask of indifference. However, the internal panicking managed to seep into his metal features, ultimately betraying his facade. “Oh god it’s really bad Darrell!”, he cried, throwing an arm across his face dramatically. “He’s just this stupid alien with a stupid crop top and power point high heeled boots and good GOD where did he get the NERVE to pull off pink pants, black heeled boots, and a blue crop top?!?”, he ranted, huffing loudly when Darrell began laughing.

“Jeez, you really do have it bad!”, he wheezed out, patting his baby brother’s shoulder spike affectionately. The two were in in the living room now, where the majority of the robot family had gathered. Shannon was wearing quite the snazzy business outfit (Lord Boxman had secretly had a field day making his daughter such a professional, evil outfit), and was stood next to some sort of projector.

“Ugh, it’s about time you brought the Drama King here. I’ve been waiting for way too long just to give this dumb presentation.”, she griped, adjusting her skirt before she started up the projector. After a couple moments, a power point presentation titled “How to Ask an Alien on a Date” displayed on a nearby wall. Raymond let out a loud groan when he read the title slide, his face flushing as Shannon started going through the slides, using a new laser pointer feature Lord Boxman had installed on her pointer finger to draw attention to key points.

Needless to say, Raymond felt every bit as embarrassed as Rad did. While they weren’t aware of it, they were connected by the crippling waves of anxiety and mounting panic as the day wore on. Now that they knew that everyone else knew, they felt prompted to act. The big issue still remained, though: How would the other react to a sudden confession of pesky feelings? It was Rad who picked up his cell phone first, hesitating and wasting nearly an hour over what to do before he finally gave Raymond a call. As his luck would have it, of course, it went straight to voicemail. He left a quick message telling the robot to meet him in the park at 5 p.m. sharp and hung up immediately afterward.

He actually got to the park about an hour early and decided to shut his phone off, just so he wouldn’t spend the next hour or so checking it frantically to see if he’d gotten even a message back. Five eventually rolled around, and Rad was well into chewing off the nails on his left hand before he saw Raymond casually stroll into the entrance. He jumped off his branch excitedly, forcing himself to try and play it cool in an attempt to not seem too eager. Didn’t want to come off as desperate as he felt, am I right?

“Alright, so what is ever so important that you just had to drag me away from my work to this park?”, Raymond drawled, smirking as his confidence kicked into maximum overdrive.

“Oh shut it, bolts for brains. It is something very important, I’ll have you know.”, Rad retorted, leaning against his tree nonchalantly. He examined the nails on his right hand, managing to look fairly disinterested despite the inner turmoil that his brain was in. “I think we should go do something, together, like together-together.”, he suggested, glancing up after a few moments of silence to see how Raymond was reacting. His face was blank, revealing absolutely no emotion, and that was only slightly terrifying to the teen.

“… Are you asking me out..?”, Raymond replied with, his voice shaking only a little bit. His circuits felt like they were going to explode, and he could hear the sound of his cooling fans turning on as he began over heating. Rad nodded, swallowing roughly before he took a deep breath.

“Yeah, I guess… Well, I know I am. So like… Maybe we could catch a movie this weekend?”, he elaborated, every nerve in his body ablaze as hormones surged through his blood. He got an armful of excited robot in response, a choked squeak passing his lips as he was pulled into a near violent hug.

“I would absolutely adore that, darling!”, Raymond sang, pulling away from the hug with a starry look in his eyes. Rad let out a nervous giggle in response, feeling the stress and worry melt away. “I’ll pick you up around six on Saturday, alright? I’ll leave the movie choice to you, frankly, I could care less what we see.”, he continued, seemingly unaware of the tension that dissipated. No, he was too busy planning the first of what he hoped would be several stellar dates! Truth be told, Rad was too busy trying not to faint now that he realized he actually had a date with his crush. He was going to need all the advice Enid could give! Maybe her comics could help him…

#radmond #rad #radicles #raymond #ok ko #ok ko let's be heroes #anon #ask #fanfiction #short and sweet

82 notes · View notes

ralphspina-blog1 · 8 years ago

Text

AS TODAY IS SIERRA’S 18th BIRTHDAY -

aka @cptlewnixon - and as sierra provides us all with such great content - here’s a little something back for her special day, Easy Company style.

“Shhhhhh!!!”

Luz feels like he’s been shushing people his whole damn life, and they’ve only been waiting ten minutes for Sierra to arrive. It’s an ironic turnaround, he has to admit – or would if he weren’t busy making sure no one ruins the best surprise he’s ever pulled off.

“Alright, fellas,” Lip says in his calm, reasonable tone, the one that could convince a man to walk straight into Hell alongside him without fear if it were needed and, in some ways, has had to do so many times. “I know we’ve been waiting awhile, but this is an important gesture, and Sierra deserves it. Let’s all just -”

“I’m not gonna be able to get up if I crouch here much longer,” Penkala gripes, “my legs are falling asleep,” and Toye speaks up right after him, then Liebgott, the way one dog’s bark can set off a whole neighbourhood.

“Listen,” George says in a poor imitation of Lip’s calm that quickly escalates into frustrated shouting, “are we a company of soldiers, or did I drag a bunch of fogies from a fuckin’ workhouse by accident? Hard to tell sometimes, the way you all whine!”

That settles the room back into silence, petulant as it may feel, until Nixon speaks up with dry humour: “Well done, Luz. Leading by example.”

“Alright, you -”

“George.” The only voice that can carry more calm authority than Lip’s is Winters’s, and George immediately falls silent at the sound of it. “I know this party means a lot to you, and I know how badly you want it to be a surprise, but that doesn’t mean I can ignore whatever you’re about to say to a captain. Understood?”

Even his subtle, fatherly way of smiling manages to get his point across without shaming anyone. Huffing out a sigh through his nose but saying no more, George settles back into place to wait.

Just then, the hall’s big double doors burst open and a riot of noise fills the space.

“Sorry, boys, I know it’s late, but – oh hey, Skip, look! We’re not late after all!” The voice belongs to Malarkey, who’s bringing in a big, homemade cake with Muck’s help. “This is the best I could do with what we’ve got, but it should be – uh – something wrong, fellas?” Some of them are glaring, some looking highly amused, some rolling their eyes; the one constant is that everyone is staring at Muck and Malarkey and the room’s gone deadly silent.

“Ask Luz,” says Roe in a quiet, deadpan way that makes Babe Heffron and Ralph Spina snort from either side of him.

“Didn’t I tell you?” Babe gestures at the smaller, dark-haired medic, who’s still flawlessly expressionless as stifled laughter fills the room like rustling autumn leaves and everyone starts to glance sidelong at Luz, waiting for the explosion. “That whole just doin’ my job very serious doctor thing’s an act, he’s always lookin’ for times he can stir the pot like that…”

“Didn’t have to tell me,” Spina responds, and the way it sends them off laughing is just about enough for Luz’s tastes.

“Jesus Christ. Okay. Get the cake set up and then get over here, and everybody else shut the hell up!”

Just to streamline their efforts a bit in the hopes that it’ll calm Luz down again, Bull runs over to help them with the huge cake, pulling a face around the cigar in his mouth at the size of it. “Cake this big, someone’s not gonna be eating for a month, how much you blow on the makings for this?”

“Give it a break, Grumpy Gus,” Muck says with a cheeky grin, while Malarkey pulls the same sort of frown right back at him. “Doesn’t matter how much, you know it was worth it.”

“Well, company this size, you got a point,” Bull grumbles, but he’s already cracking a bit of a smile. “Better hope the rest of these chuckleheads leave enough for the birthday girl.”

No sooner have they set the cake down on the refreshments table than Skinny and Tab burst in through a side door. “Just heard from Perco,” Skinny reports breathlessly, “the hold-up was some kinda traffic jam but she’s on her way. Get ready!” The two of them dive behind the upended tables hiding Easy Company from view, across which a giant banner has been affixed that reads Happy 18th Birthday, Sierra!

“It looks great in here, Luz,” Tab says with a big smile as he glances around to take everything in. “You did a hell of a job.”

“Know how you can thank me?” George whispers back, a half-hiss because of his mounting annoyance now that the time is near. “Keep quiet!”

A full round of shhhhhhhhhh that seems to involve every single man in the company ripples through their tight huddle, just in time for Sierra to come through the main doors with a cheerful but confused expression and Perconte at her side. And right on cue, everyone leaps up and shouts “Happy birthday!” – except Penkala, who topples over because his legs really have fallen asleep.

Once Muck and Malarkey get him upright again, though, they all gather around Sierra to give their best wishes one by one. Shifty smiles so big his face looks ready to split in half, and there’s a tinge of pink to his cheeks; Guarnere gives her a brisk handshake and claps her on the arm with the other hand, laughing boisterously that she’s almost made it to grown up; Web takes her hand as well, but gives her a spin and kisses it instead, which immediately gets all the men around him roaring with laughter; even Johnny Martin smiles as he gives her a nod and a subtle wave from a bit further back in the crowd.

And when someone puts on a record and Speirs approaches Sierra to ask for the first dance of the evening, it looks like no one will dare stand in his way, but someone does cut in – Harry Welsh, leading her to the middle of the room as casually as you please while Speirs looks for someone who will be indignant with him.

All in all, even Luz has to admit when it’s all over (and after they’ve given him three cheers at the demand of the birthday girl when she hears he’s set it all up), it couldn’t possibly have gone better.

#cptlewnixon #birthday gifts!

7 notes · View notes

disneydreamlights · 8 years ago

Text

Everything about Happily Ever After will be under a read more, since I don’t want to ruin it for anybody.

Everything is bullet pointed because lazy.

So my impressions on Happily Ever After.

Initial thoughts:

If you can’t see the projections, you miss half the movies. Movies like Big Hero 6 and Zootopia, along with some others like Cars, Ratatouille, Snow White, and Cinderella and a few other movies I haven’t named.

The story of the show is a cohesive unit. That being, individual portions don’t feel as cohesive. The cohesion of the first section after the intro (the dreams section) is by far the worst because too many songs take directly from the movies, rather than musical renditions and occasional lyrics. (As a note the best at this was the friendship section.)

The fireworks are phenomenal, some of the best pyrotechnics that Magic Kingdom and the Walt Disney World resort have ever seen.

I’m disappointed by the lack of a full orchestral score, that being said, it was definitely a lot better than I expected.

The full show is really made if you can see it. You lose a lot of the story if you can’t see the projections, it actually kinda feels like you’re missing out on something.

NO STAR WARS THANK FUCK!

Heather’s friendly reminder that talking over the show and complaining about elements you don’t even know are in it (somebody at the start of every section of the show predicted Frozen and whined, not kidding, it was the most annoying thing ever) ruins the experience for everybody around you and if it wasn’t for the fact that this was the first Happily Ever After showing and not the last showing of Wishes instead I would’ve punched some people in the face for not knowing when to shut up.

The Songs:

I was blown away by the song choices for this show. While there were a few songs I’m not so fond of in it (You’ve Got a Friend in Me being my main gripe) they did a fantastic job with them.

Out There used Quasimodo’s voice and that’s just cringeworthy, it’s probably a large part of what made the first section weakest aside from the only nonvocal piece in it being Part of Your World.

SEE THE LIGHT LANTERN SECTION YOU’VE RETURNED. OWO

Also, returning from Wishes: Go the Distance and I’m really glad because I love Hercules and I was so worried that its last real bit of representation (besides a small part of Zero to Hero in Fantasmic!) in the parks was going to be lost when Wishes left but it’s the only song besides Friend Like Me (and Part of Your World/A Whole New World) to return. That being said it’s not the orchestral, powerful version from Wishes, but it is the song.

On top of that, When You Wish Upon a Star does not play at all during Happily Ever After. A fair bit of heartbreak for poor Jiminy and his iconic song, which for the people who haven’t seen Wishes, was the tying theme song to Wishes (along with the star light star bright quote I have on my blog’s about.)

That being said Trashing the Camp played and I’m not really sure what it has to do with friendship but I died.

Romance section: Not a romance section, but in fact a love section. There’s an entire portion to You’ll Be In My Heart on family love, but you lose that if you can’t see the castle and don’t know Tarzan since all you hear are lyrics and see the romance songs surrounding it.

Frozen: Not Let it Go, the first Disney parks show since Frozen came out not to feature the song! Instead you have an open with Olaf and then Love Is An Open Door rendition.

Opening and Closing song, if you haven’t heard them yet, they’re super catchy and well sung. It’s no Wishes main theme (and I don’t love the walk off as much either) but still good.

Finally not really on the songs themselves but each segment opens with a quote and after a villain’s adversity section (opened with a great Mulan quote) they have the overcoming adversity section and it opens with Mufasa’s remember who you are quote.

Speaking of which the Lion King representation A+

(I’ve left out a few movies that just personally didn’t excite me as much as these things so...there’s a lot more that I didn’t bring up.)

Fireworks and Projections:

This show’s pyrotechnics are phenomenal firework tech is incredible now why couldn’t we have this with Wishes.

Projections are stunning, and flow really well together.

Especially the newly animated stuff! That’s beautiful!

That being said, the show can’t carry itself without the projections. Like I said earlier you miss some of the movies and also some of the unifying factors. I won’t say much on it but the transition from the Adversity to the Triumph section is really, really strong, but you can’t tell that without the projections at all. Like it goes from battle section (to Pirates music) and Maleficent to suddenly Mufasa and Go the Distance if you don’t have projections and left me real confused where I assumed it was just a Celebrate the Magic kind of transition.

DID I MENTION THE FIREWORKS ARE STUNNING I’D WATCH THIS SHOW WITHOUT THE MUSIC JUST TO SEE THOSE AGAIN.

Compared to Wishes:

Technologically: Very superior to Wishes.

I this is obvious but I feel like even if Wishes was given a facelift and some projections its technical level given the fireworks used just goes above and beyond.

That being said the soundtrack to Wishes is much better imo. Sorry I prefer my soundtrack to remain When You Wish Upon a Star based and prefer the movies based in the 90s and classic era. Plus like I said I appreciate the orchestral score and nothing will beat hearing the kid sing “Star light, star bright, first star I see tonight. I wish I may, I wish I might, have the wish I wish tonight. We’ll make a wish and do as dreamers do, and all our wishes will come true.”

I don’t like new narrator voice for some reason, I definitely prefer Jiminy, but he only really comes in at the beginning and the end so it’s not that big a deal.

I feel like they were honestly going for two very different responses to be honest. Wishes feels like it was trying to embody magic and the magic of Disney, and as such uses your Disney nostalgia, the overall lack of lyrics, and does a subtle job of manipulating your emotions so you feel that magic and wishes really are real, so when the Blue Fairy was telling you to believe in the power of wishes because they were the magic of the world, you believed her that they were. There were times in showings of Wishes where I’d come close to crying because they convinced me magic was real. Happily Ever After (thankfully) did not try to go for this, but instead decided to focus on having you believe anybody can get their happily ever after, and so while it does have its emotional parts (the love section being the most emotional) it does so in a way that’s aiming to have fun.

That being said Wishes is also overall more cohesive feeling, and doesn’t need the projections to be the full show.

So really, both shows have/had their strengths and weaknesses. I personally prefer Wishes but really that’s just my own preference.

Favorites:

SEE THE LIGHT IS BACK FUCK YEAH

Anytime it brought out the orchestral soundtracks I was happy.

Pirates is a minimal section and while it’s still...I feel like I’m just sick of the Pirates soundtrack at this point tbh, it’s at least not Pirates of the Caribbean characters or stupid skeletons so it’s actually a reasonable section.

No Try Everything. No Immortals. No Star Wars.

Opening and Closing songs are absolutely fantastic.

Overcoming adversity section is beautiful.

New animation is beautiful.

Also Maleficent.

So much Lion King.

Wonderful fireworks, they were gorgeous and above and beyond anything I have ever seen.

Cons:

I really miss Jiminy Cricket. Remember when he was the icon of Magic Kingdom? I do too. The poor thing deserved better.

I also miss When You Wish Upon a Star. I wasn’t expecting my favorite parts of Wishes, but I was expecting to have that song playing somewhere.

A lot of Pixar and modern movies. There was more old than I thought, but I still think we could’ve had more older Disney movies, I can’t think of too many songs that played from movies before Little Mermaid (there was Bare Necessities, You Can Fly when Tink flies and some Sleeping Beauty music maybe during Maleficent and besides that I can’t think of anything???) so I’m a little sad about that when we had Wishes paying tribute to Pinocchio, Cinderella, Sleeping Beauty, and Snow White with a touch of Peter Pan. That being said they are still there, just in the same short amounts as a lot of other Disney movies.

The projections really are half the show. They’re wonderful but the fact of the matter is I loved the show more watching a recording than live because I could see the castle. Up until I watched the show through a livestream I’d considered the show only a step up from Wishes in terms of the quality of technology rather than in terms of quality itself (because while Wishes is my favorite I can admit that Happily Ever After is technically better) because (forgetting the annoying people talking) I couldn’t see the projections half the time. That being said even without the projections it’s still much better than anything I’ve seen from Disney since Disney Dreams and Celebrate the Magic, easily surpassing Ignite the Dream, Disneyland Forever, and Disney’s Illuminations.

Conclusions:

Happily Ever After is the successor that Wishes deserved, putting Disney World once more as the pioneer and show to beat, not that they really lost that title because as outdated as Wishes was it was still objectively better than half the new shows without even trying.

It’s really good and has a lot of good songs and pyrotechnics, so I definitely recommend even if you can’t see the castle, but the show becomes twice as good if you can actually see the castle because the projections make it.

Technically the show is better than Wishes in nearly every regard unless you’re looking for a show who’s everything flows into each other basically flawlessly since there are some shaky parts early on but besides that it’s good.

I still like Wishes best though because nothing will beat the return to childlike wonder I got from it. Sorry not sorry but Wishes owns my ass and it still hurts me to think that I don’t have it anymore, even if the replacement is amazing.

Picking Disney quotes to identify each section was incredibly smart and I died when Mufasa spoke.

Thinking on it, my sister and I compared it to Fantasmic! when we heard the soundtrack when they posted the first announcement video since it had that sound and I don’t think that’s far off. The projections get in most movies using the “bubble method” (the bubble montage from MGM’s Fantasmic!) with a few more focused on sections. So it’s like a Fantasmic!/Wishes hybrid in that sense.

Overall: Fantastic show, that’s really all you need to know.

#personal stuff #Just a bunch of Disney blogging #Heather be at Disney #I guess

0 notes