#The background is just a concept for right now

[gothwineaunts]

Well hello there, readers!!

So, I have been lurking on our socials and in the webtoon comments of Nevermore's finale episode and have picked up some very subtle hints that y'all want to know when we're going to drop Season 2. Firstly I do want to let all the smarties who guessed we'd come back on Halloween based on our Ulalume quote know that they were onto something. When we originally left that hint for you, we were indeed planning to return in late October, but some unforeseen setbacks over the summer pushed our production schedule back. Still, I wanted to say congratulations for getting the hint right! We were impressed so many of you figured it out.

As for the updated launch of season two? While I don't have a specific date to share yet, I can tell you it'll be in January.

I know, I know. Trust me, I wish it was sooner too. I can't tell you how much Flynn and I miss updating weekly. Y'all make creating this series so exciting for us with your energy and excitement and creativity!! The talent I've seen in this community is off the charts. We feel unspeakably lucky to have readers like you along for the ride, and can't wait for you to see the episodes we've been working on.

If you're new to Flynn and I, it might not be common knowledge that we always do the absolute most all the time, compulsively, without stopping ever (save us, ahahhaa). And let me assure you that the opening episodes of season two? Are very most. A lot of most. Super long. Really, extra pretty. I wish I could post them now but I think webtoon might um. Be upset with me if I did that, so. Just trust me, ok? One thing I can share in th emeantime is some of the S2 character concepts. A few characters are getting minor glow ups. See if you can spot the differences!

Okay, well! We'll see you in January!! Or before, if you hang around our socials. I mean we're not disappearing. We'll be here, just. Plodding along on buffer in the background. If you're dying to spoil yourselves with wip streams you can hit up our patreon but I almost wouldn't recommend it on account of. You'll be so confused, at this point. Lmfao. Like. Wow, it would be a really weird time to join a wip stream with no context. This sounds like a shameless plug but I'm being serious when I say it's probably best you don't hop in at this particular moment?? But I mean. I'm not a cop. I'm just your weird goth wine aunt. 🍷

Cheers, Kit Trace

[amazingdeadfish]

Blue and Violet Scenes/Ideas that never made the cut

Self Indulgent post ahead, but I kind of wanted to share some of the things that had been part of the early stages of BAV but were cut out when I finally started publishing! Most of this stuff was either cut out due to my interpretations of the characters naturally changing and/or I simply realized that these aspects simply could not fit the story I wanted to tell (or, they are just silly things I simply could not fit into the plot line. OR, I forgot about them and didn't remember these things existed until now 💀).

Starting off strong with a thing I actually wrote a segment for (an idea that was relatively recent compared to the ones down below): During Colours, Baihe and Macaque were meant to visit the ruins of her house and try and salvage any bits and pieces which might help them find her parents. In the end I had decided that, Baihe would have done that already before Macaque found her on the park bench. I just think that that moment between her and her old home should just... well, it's a moment that belongs to her. Something Macaque didn't need to bare witness.

Extra Info: This is where Baihe was originally meant to find the old photo of her, her parents, and Māo as a kitten. And... Macaque is there in the background. Stealing an air fryer that managed to survive the wreckage (this was in fact written into the draft of this segment).

Next is- well, it contains a bit of a heavy topic. It's about Mayor and LBD and... erm...

In the published version of TQFTSK. Macaque betrays the Chief and locks them in the Calabash and this inevitably leads to LBD telling Chief to cut off their hair. Originally, this was not going to be the only thing she would do.

I have incredibly mixed feelings about this concept, but basically, after Chief especially failed to get the key and 'let' Macaque escape, LBD would have had severe insecurities about the Chief being on their own and the idea that they would never be able to get anything done without her. So, she made them wear a collar. So that every time they didn't do anything right, the needles imbedded into it would dig into their throat and- well, it was basically torture. She would have called it 'necessary discipline'. Of course, the collar would not be visible to anyone. It only appears when it's 'necessary'.

But this was an extremely early concept that I threw away in the bin after realising that this was not what I wanted LBD and Mayor's relationship to be like. While the initial idea behind this was to really empathize the fact that LBD owns Mayor and is extremely controlling, the idea of a physical collar ruins that aspect of their relationship. It's a visual and painful representation of their relationship, sure, but it made their relationship too negative and, well, Mayor loves her. And I knew it needed to be important to at least give you guys some sort of reason and some sort of argument as to why that admiration and love would be justified. The collar was just too much, and it didn't fit either of them.

Side Note: One thing I think subconsciously happened though, was the needle thing. LBD ended up killing Ling with tens of thin needles piercing through their body. So, not a collar, but the basic principle of needles being used for pain... remains.

Moving on, a more silly one this time! Somewhere near the beginnings of all of this (all the way back when I had only planned to make TQFTSK and Colours), there was going to be one single chapter (in Colours) dedicated to the Mayor going through all the stages of grief (eventually I'd come to the conclusion that they needed a lot more than one chapter to do all of that lmao). As a part of their bargaining stage, Macaque was going to stumble upon them in a bar and- unfortunately, being the curious nut he is, decides to stick around and just listen to the Mayor drunkenly mope.

PSA: No, this would not have ended in drunk kissing. This was meant to end in a snotty nosed Mayor and Macaque promptly leaving after he'd had his bit of listening to their misery.

Another thing was that Mayor was meant to be able to see souls! This particular story feature eventually just evolved into Mayor simply being able to judge a soul by looking at their eyes (hence the whole, "eyes are the gateway to the soul").

Another Note: This whole idea was also meant to emphasize the fact that Mayor has no soul and, how whenever they look inside themselves, there is no colour and there is no soul (that is, until they get their soul back). But, well, I figured their eyes alone would be able to do all of that just fine without this ability.

Now, as ashamed as I am to admit, originally I had completely bought into the Baihe, Macaque, and Mayor family dynamic. So, in the beginning, this was what was going to happen.

But then I decided Baihe was not going to conveniently be an orphan or have shitty parents for the sake of this dynamic. No, no no no. She will have loving parents, character development, and she will be more than just a character to fill in the slot of 'the child'. Whenever I write Baihe, I always strive to not use her for the sake of developing Macaque and Mayor's characters. No shame to those who like this dynamic though, its a good one and it's so silly (I still like it to be honest).

Now, let me tell you that there are a LOT more unused concepts than this. It's really just a decent slice from a never ending pile of WIPs and shower thoughts scribbled onto a doc from all the way back in like... 2022-23.

[experimentalfma]

"Right," Alfons replied slowly, managing to do a surprisingly convincing job of keeping the doubt from creeping into his voice. He had essentially agreed to help figure out how to create a portal, after all, so he he may as well just go along with it now. "We need to figure out where we're really going with this before investing too deeply into one theory." Even though that starting point looked a bit daunting, if they were going to basically start from scratch, it at least gave Alfons the opportunity a chance to catch up with his roommate. Whatever that would mean in terms of finding a working theory in the first place.

A flicker of interest flashed in blue eyes at Ed's offer. "You have coffee?" Maybe Ed had had it for a while and Alfons had been out of the house too much to notice, but it had been a long time since he'd had the luxury of drinking any himself. He normally just stuck to tea since he found it more soothing on his throat and lungs, anyway, but if they were going to have a late night, that extra caffeine boost did have its appeal.

Unfortunately, however, Ed was right that Alfons had no concept of the trust an alchemist decoding their notes for someone implied. Considering equivalent exchange was essentially the law of conservation of mass, that was a concept he would be able to grasp intuitively, but the rest of the laws and customs regarding alchemy would require a more in-depth explanation.

"We can start there," he agreed despite having very little concept of what arrays really were. "Will those need to be translated, too? I think I remember you saying those were part of the basics of alchemy, so it would make sense to start from the beginning." For whatever good that would actually do them. It still made very little sense to Alfons, but with no other starting point thus far, it might at least help a little to have more background on where Ed was coming from on this.

He glanced over his shoulder towards Ed's room then turned back with a curious smile. If nothing else, it would be an interesting night. "It's alright. I can put the water on while you get your notes. Which cabinet do you keep the coffee in?"

Then a sudden thought occurred to him. "Wait, one other thing." And he stepped away toward his work bag, crouching down in front of it and rummaging through for a small bit of folded paper with something inside. He returned to Ed's side, his smile widening a little, as he held out the package and unfolded the paper on top, revealing two small squares of chocolate. "Our sponsors brought these in for us as a thank you for our hard work, but they said I could take a second one to bring back to you. I was going to find some sort of occasion to bring them out, but I think starting on a sort of project together again counts, right?"

Ed truly didn't mind getting the tea for Alfons, but he knew better than to argue about it so he would leave it at. "Okay, if you insist," he said with a smile. He was actually looking forward to picking out some tea now. He hoped Alfons liked whatever he got him. It occurred to him that he had never gotten Alfons anything before, and that thought didn't set well with him. Ed wondered how Alfons would react if he did get him a gift other than tea. He needed to mull over that idea more, later when he was alone.

"Yeah, right now I'm not sure what I need since I haven't figured out how to open a portal to my world up. Maybe if I had enough information for it, I could figure something out." He knew that wouldn't be what Alfons wanted to hear but given that he agreed to help out, Ed didn't see a way to avoid bringing it up. At least now maybe he would be able to convince Alfons he was telling the truth. If they were going to work closely together on this project, he hoped he'd have a chance to do just that. He didn't like the idea of Alfons either believing he was lying or even worse, that he was delusional.

"Alright, then I'll show you notes if you wanna take a look at them." Ed already knew he would need to translate them, and he was kicking himself now for not thinking about that in the first place, but he hadn't though he'd be getting help with his research, and writing in Amestrian was a lot easier for him than writing his notes in German. He also didn't like the idea of their place being searched and someone finding his notes and being able to see what was in them. There was always the possibility, though he knew Alfons' job had kept that from happening so far.

"Why don't i start some tea or coffee for us and we can look them over. I can at least explain the alchemic arrays to you tonight if you're interested in learning more about them." Ed was proud of his work and while some of it was coded in Amestrian, he'd be willing to explain it to Alfons. Ed knew what they discussed would be kept between them. The significance of this would likely be lost on Alfons since he didn't realize how most Alchemists kept their works encoded so that other people wouldn't steal their ideas.

Something like that hardly mattered in this world considering that alchemy didn't exist here. That made Ed feel a little sad. This world could benefit from alchemy in so many ways, though considering their was a world war happening, maybe it was for the best people couldn't use alchemy to hurt others. His world had that problem given the Ishvalan war. Even still, he liked the idea that alchemy was for the people and its use was originally intended for good and not evil.

"I think if we set up at the kitchen table that would be best." He had some lose papers of arrays that he could lay out on the table. "I have a lot of notes, but we don't have to go through it all tonight. Maybe we can start with the basics and go from there and see what we're up for tonight." He didn't want Alfons to feel like he was in a hurry. He had waited this long so waiting a bit longer to figure it out wouldn't hurt. "Let me get something started for us to drink. Did you want me to make us some tea or coffee? Then I'll grab all of my notes for us to look over."

[raiinshowers]

Some small progress on this WIP piece

For my Lost Village AU (:

[harriertail]

riverclan’s forest

[qcomicsy]

Old Deadpool comics are so fun because it's like having this weird close friend group where people kind of all know each other but don't really know each other. Or even like each other that much.

Like Wade has a kind-of-who-knows-at-this-point "Best" friend tech guy who kind of tolerates him and he tolerates that used to be Peter's college classmate. He almost took a gig from Osborn but actually was Bullseye fucking with him in revenge while dressed up in a Clint old suit. He got on a mission with Black Widow. He got beef with Avengers clones to a point the avengers themselves got to be involved. They don't like him he doesn't like them so they both agree to be civil to do the damn mission so everyone can go their own way. He's having a middle age crisis where he kind of wants to quit being a mercenary but he doesn't know yet who the fuck else he could be and all the reasons pointing up to be a hero are wrong and distorted in his own egoistic views.

A hit monkey want to fuckin kill him. The hit monkey doesn't know he's immortal. The hit-monkey never saw him personally but somehow set him up to get his jaw sucker punched by Spider-Man. Which results in the worst team ever for both of them. I sweat to god except from fucking Old man Logan, I've never seen Wade so stressed in working with someone. And while this whole shit storm works, Wade keeps bullshitting about Peter's life being so fucking easy and loved by the public and Peter has to stay there and listen to it. They bump into each other on the subway out of costume and Peter hates him on sight.

Wade doesn't want to be there and the first opportunity to bail on Spider-Man he takes it and Spider-Man on the other hand learns that Deadpool is immortal and kind of gets "Okay what if we let you get shot" and Wade is so offended he starts calling him names.

Wade goes to bother X-Men, X-men tells him to fuck off. Wade considers blowing up X-Men for full two panels. X-Men sends Domino who's kind of one of Wade's friend to fuck with Deadpool, we're convinced by two pages he beat the shit out of her, just to show up on the next pages that he actually made her fall over a bunch of pancakes.

It's so messy, it's so fucking funny because it's not "oh it's this BIG THING" and this "BIG TEAM UP" it's like they're on the same city, they have similar jobs of course they're going to bump on each other.

[perryisle]

if anyones wondering about lance’s redesign don’t worry about it its all going well (NO IT ISNT IVE BEEN WORKING ON HIS REDESIGN SINCE NOVEMBER 2023)

[sheerakk]

comic assigment for school. The dialouge is really corny (because I spent almost no time thinking it through) so you're not getting any translation from me. Only fellow polish people can laugh at my writing skills (please don't, I'm already in tears).

[p2ii]

Idk maybe I'm just sensitive but I rlly hate when fanfics have shovel talks between characters that live and die for each other. Like sure let's let red haired shanks have a say about Roronoa 'died but came back' 'took Luffy's pain and burden' 'first mate' zoro bout weather or not he can kiss his captain. Yea

[pepi-nillo]

btw the next posts i make may contain spoilers about manner of death so if you were planning on watching it (you should) then feel free to absolutely ignore me! i understand. tradicional "i just finished a drama" rant below the cut

god i loved this show so much. i finished it in basically two days and i was OBSESSED. i haven't watched many BL dramas but i enjoyed this one so much, it paid attention to the plot and murder mystery without causing too much unnecessary drama like other shows may do, while still keeping you interested in tan and bun's relationship. i love me a good enemies to lovers (as a bit one sided as this one was lol) and the drama they did have had me sooo invested. i honestly didn't know who jane's killer was and i was in disbelief even after they caught her.

the drama they did have was SO GOOD it made my inner gossip so happy, i was so invested. like when bun discovered tan was dam and proceeded to point a gun at him??? he was totally in his right imo and that's better than the novelas on my local tv channel.

the development of everything was super good, it had me at the edge of my seat but also gave me good laughs. everyone's shenanigans were very funny and i love how the protagonists interacted with the ppl around them, they basically showed that caring isn't a disadvantage at all. i just feel so sorry for jane, they did her so dirty and she deserved better, at least she got avenged but damn i wish she was still there.

tan and bun, especially bun, must've felt terrible with all the people around them dropping like flies, and having to perform an autopsy on people you were talking with just yesterday?? yeah no. i'm happy with the ending, nice but keeping it real. watching all these episodes one after another was like a shot (sorry) of dopamine like i feel like i can bounce off the walls rn

and the main pairing's dynamic was so funny like tan says anything and bun goes like 😒 without missing a beat. i love them i'm obsessed with them. they got MARRIED!!! i feel like this is the first drama wedding i've seen in a long time. see my other post for my opinion on that proposal (tan is batshit crazy and bun likes it)

i'm officially making a poster of this show and hanging it on my wall. that's how much i liked it. okay bye

[readymades2002]

smiling so happily and serenely and kicking my legs a little bit because i can name things in my fantasyworld however i want and no one can tell me not to. la la la

[tbaluver]

hello! I hope you're having a nice day ✨

can I request LADS men reaction to MC sending them videos of their baby like it's either them saying their first words or anything adorable since the men are away from home for quite a while and MC and their baby misses them ehe (˶ᵔ ᵕ ᵔ˶)

Sending Them Baby Videos When They're Away- The Love And DeepSpace Men

parings in order: Xavier x Reader, Zayne x Reader, Rafayel x Reader, Sylus x Reader genre: fluff fluff c/w: for sylus there's mention of him using his evol to x_x someone, no gore tho a/n: hihi anonnie! ⸜(｡˃ ᵕ ˂ )⸝♡ this was such a cute concept to write and i had to write this immediately (˚ ˃̣̣̥⌓˂̣̣̥ ) ‧º but i dunno if i did this justice so if it didnt, you alr know just pretend this doesn't exist ദ്ദി ༎ຶ‿༎ຶ ) anyways them as papas are such a cute concept i have so much of it in my drafts that i'll post soon ): enjoy reading and have a nice day or night anonnie ! (ෆ˙ᵕ˙ෆ)♡

⋆｡‧˚ʚ♡ɞ˚‧｡⋆

Xavier:

He was sent away for a mission for a couple days due to fluctuations of Wanderers in the area. Unfortunately if he was by himself, it wouldn’t have taken days but his teammates were dragging him down.

His phone chimes, signaling a notification from you. Opening his phone he sees a video you had sent him.

“Rahhh!!” Your son squeals, hitting his toy sword at your plushies that you both won a couple years ago. Your laughter was in the background, making his lips tug into a smile. He missed you both as he watched the video. He was quick to text you back.

₍ᐢ. .ᐢ₎: is he protecting mommy

₍ᐢ. .ᐢ₎: it seems i have taught him well

He clicked off his phone, determination bursting through him. He wants to go back home. The warmth of your laughter and the sight of your son, drove him forward. This mission dragged on way too long, he was going to finish this himself.

He moved swiftly, slashing his sword with precision. The hours flew by as well as the number of Wanderers. Without any word to his teammates from the mission, he headed out. He couldn’t wait to see the look on you and your son's face when he walked through the door.

₍ᐢ. .ᐢ₎:  i’m on my way home now. does our son need a partner to protect you?

Zayne:

Zayne isn’t easily distracted except when it comes to you and a box of macaroons. Now if it was you and a box of macaroons that would be a deadly combo.

During his meetings or when he’s about to head into a surgery, he always lets you know if he’s occupied so you know he won’t be able to reply right away. But right after all of that is over, he’ll immediately check his phone for you and ignore any of his notifications.

But when he’s in his office, the moment he receives a message from you, he can’t help but glance away from the reports he needs to file or send over to the nurses. Your messages always pull him in no matter what.

He unlocks his phone and is instantly met with another cute video of your baby daughter. She’s wearing his freshly clean white coat, which she had pulled from the laundry basket. She’s also wearing his oversized shoes that are comically too big for her tiny feet. “Papa!” She squeals, her face lighting up with a silly smile as she looks into the camera.

A soft laugh escapes his lips and he can’t help but replay the video a couple more times, his heart melting each time. It’s as if he can hear her giggles through the screen. With a wide smile curling up on his lips, he texts you back.

☃︎ ♡: How adorable. I think we need to get her one that’s her size

☃︎ ♡: I have one more break after I finish this report. I can call you both when I finish.

☃︎ ♡: I’ll finish up my work quickly so I can get home sooner.

Rafayel:

He didn’t want to be at this art exhibition, or quite frankly any art exhibition if you weren’t there. All he could think about was being home with you and the babies. Leaving them behind felt like one of the hardest things he could ever do.

You sent him a cute and chaotic video while he was away. “Quick, show daddy what you just did!” you exclaimed, as you aimed the camera at your baby waving a crayon clumsily in their tiny hands while you cheered with enthusiasm. “Glub! gub gub!”

He couldn’t help but let out a wide smile, his little baby was going to be just like their papa, an artist in the making and even better they were learning Glubglubnese. The video ends up with your other baby blowing bubbles to their sibling and they start wailing.

Watching the video, his heart ached with longing for his family. He was a father. He was your husband and he shouldn’t have to miss out on all these precious moments he has wanted with you for a long time. He wanted to be there in person and experience the joy with you.

He texts you while making long strides to the exit, ignoring all the reporters and critics that tried to approach him.

𓆟:  tell them to stop being cute until i get back

𓆟: cutie im on my way

𓆟: i miss you and my little glub glubs

𓆟: getting the fastest plane ticket there rn

𓆟: see you soon cutie ( ˘ ³˘)

Sylus:

He was away for another business deal for a couple of days, a business deal that shouldn’t have taken this long and Sylus was getting irritated. “Mr. Sylus, we’re really sorry! Please give us a couple more days! We don’t know what happened to half of the inventory!” The man begged with desperation on his face but Sylus did not have the time for a couple more days.

Before Sylus could respond, his phone chimed with a familiar notification. He raises a finger, signaling for a moment while Luke and Kieran keep the restricted men distracted.

Opening his phone, he was met with an adorable video of your baby daughter. She was dressing up Mephisto in her doll clothes, her giggles flooding through the speakers of his phone. “Caw....” Mephisto caws defeatedly, his head drooping down. “Caw! caw!” Your daughter squeals, her laughter and yours was infectious as she lifts him up in the air, dashing around the living room with pure joy.

He couldn’t help but chuckle, a smile tugging at his lips as he watches the video. Once he clicked off his phone, a sigh escaped his lips. His heart ached with so much longing for you both and he couldn’t bear missing even more precious moments with you and your baby girl.

As Luke and Kieran snicker, stepping aside, crimson swirls began to surround the men, slowly suffocating them until they vanished into thin air.

“Send their team another warning. We’re going home.”

𓅪: The business deal is finally finished. I apologize for the wait, sweetie.

𓅪: I’ll call you both before I get on the plane. I hope I didn't miss much.

𓅪: I'll pick up more doll clothes for her on my way back.

Once he was in his private jet he couldn’t wait to have you and his baby girl in his arms again.

[queerautism]

It feels kinda wild I've seen no one mention the huge controversy NaNoWriMo was in about 7 months ago (Link to a reddit write up, there's also a this google doc on it) in this whole recent AI discourse. The main concerns people had were related to the 'young writers' forum, a moderator being an alledged predator, and general moderation practices being horrible and not taking things like potential grooming seriously.

About 5 months ago, after all of that went down, MLs or 'Municipal Liaisons', their local volunteers organisers for different regions of the world, were offered a horrible new agreement that basically tried to shut them up about the issues they'd been speaking up about. Some of these issues included racism and ableism that the organisation offered zero support with.

When there was pushback and MLs kept sharing what was going on, NaNoWriMo removed ALL OF THEM as MLs and sent in a new, even more strict agreement that they would have to sign to be allowed back in their volunteer position.

This agreement included ways of trying to restrict their speech even further, from not being able to share 'official communications' to basically not being allowed to be in discord servers to talk to other MLs in places not controlled by NaNoWriMo. You also had to give lots of personal information and submit to a criminal background check, despite still explicitly leaving their local regions without support and making it very clear everyone was attending the OFFICIAL in person events 'at their own risk'.

Many MLs refused to sign and return. Many others didn't even know this was happening, because they did not get any of the emails sent for some reason. NaNoWriMo basically ignored all their concerns and pushed forward with this.

Many local regions don't exist anymore. I don't know who they have organising the rest of them, but it's likely spineless people that just fell in line, people who just care about the power, or new people who don't understand what's going on with this organisation yet. Either way, this year is absolutely going to be a mess.

Many of the great former MLs just went on to organise their writing communities outside of the official organisation. NaNoWriMo does not own the concept of writing a novel in a month.

R/nanowrimo is an independent subreddit that has been very critical of the organisation since this all happened, and people openly recommend alternatives for word tracking, community, etc there, so I highly recommend checking it out.

I've seen Trackbear recommended a lot for an alternative to the word tracking / challenge, and will probably be using it myself this November.

Anyway, just wanted to share because a lot of people haven't heard about this, and I think it makes it extremely clear that the arguments about "classism and ableism" @nanowrimo is using right now in defense of AI are not vaguely misguided, but just clear bullshit. They've never given a single shit about any of that stuff.

[moonlight-prose]

RIGHT WHERE YOU LEFT ME

➛ 01. IN DREAMS WE REST

a/n: i've been stressed about this fic probably more than any other i've ever written. not because it's logan per se, but because wade wilson makes me want to rip my hair out. i love that bastard, but writing him feels like pulling teeth. i'm in love with this concept solely for the angst, so if you see more throughout and wonder if they will ever get a happy ending, please know i'm dead inside. enjoy!

summary: stuck in another universe and unsure of where he stands, logan expects things to even out as they always did. but when you cross his path and you have no idea who he is, he's in for a rude awakening.

word count: 5.9k+

pairing: logan howlett x f!reader

warnings: not explicit, wade wilson breaking the fourth wall, angst, cussing so much cussing, alcohol consumption, grief, pain, a broken man pretending he's not broken, chance encounters, awkward conversations, hope.

NEXT CHAPTER | SERIES MASTERLIST

He can hear it when he sleeps.

Their screams.

The constant ring of agony that chimes out like a bell, an alarm he never set for himself. A joke once told to him in the midst of World War II, as bullets flew by him and soldiers lost their lives each second of each day. There's no escape from hell. No running from the devil that nipped at his heels the faster he went, the longer he tried to navigate a way free.

There's no escape from the memories that ate away in his mind. Multitudes of them, of the faces he once called family, the people he used to love. They were his punishment. The boulder he continued to roll up the hill, day after day after day. Until eventually...he was crushed by his own self-hatred.

"Logan." The voice whispered long enough for him to grasp who it might be, yet never louder than a mere breath of air.

He clung to it some days. Sunk his claws into what little of his past remained good and allowed it to fill him with some amount of peace. At least then he'd be able to bear this weight, this grief he could never quite name.

Something light brushed across his cheek. Tickling the skin enough to send a flare of irritation down his spine, but the dreams held him in their grasp. What came next never surprised him. He expected it at this point—longed for it. The distant pain of losing what once made him whole; the entirety of his life now defined by one single moment he could never change.

"He sleeps so sweetly. I just want to curl up in his arms and have him read me bedtime stories."

"He's not gonna like that when he wakes up."

"Zip it Al. If I wanted an opinion, I'd go see a Hollywood therapist."

A scoff echoed in the background. "No therapist wants you on their couch."

"Not true. I hear Ryan Reynolds has a great one."

"Who?"

"Not the point." The feather dusted across Logan's face again, soft enough to keep him asleep yet annoying enough to bring a smile to Wade's face. "I wonder if he's dreaming about killing bad guys. They say it's good for the soul."

"Who the fuck is they?"

Wade laughed. "Oh you know. Them. The readers. And boy howdy do they love their blood."

Every day he was forced to listen to Wade's voice became another day Logan dragged his claw through a tally mark of his sanity. "Do you ever shut the fuck up," he growled, gripping Wade's wrist until he heard the satisfying crack of bones.

"Only when I swallow."

"I'll tear your fuckin' arm off."

The smile on Wade’s face only added another tally. "Nice kitty. No need for the claws."

Anger washed across his skin in a familiar wave as he released Wade's arm, watching it go limp. Trying to kill the unkillable walking irritation was like trying to swat a fly that never quite died. It still buzzed incessantly. Until eventually madness was the only viable option of dealing with it. In his case, he seemed to be driving head on with no brakes.

Logan wasn't sure he possessed enough sanity left within him to keep dealing with this. Sleeping on the couch didn't help the way his body never rested; always stuck in that permanent fighting mode. He'd give anything to find some peace. A small sliver of it carved off the past that continued to call him—that begged him to come back and try again.

Swinging his legs off the couch, he planted a swift kick to Wade's chest that sent him across the floor. The lack of caffeine in his system left everything hazy and half coherent. If he focused he might have caught the keys thrown at him, but being exhausted and sober didn't make for a good combination with him. An empty whiskey bottle lay discarded on the floor from last night; the memories of how he passed out barely tinged on the edge of his mind.

He could recall stabbing Wade in the leg.

Nothing beyond that.

Dried blood—now an ugly brown—stained his white shirt. He nearly stripped himself of it, prepared to throw it in with whoever was washing next, but his flannel being chucked at his head caught him off guard.

"Fuck off," he snapped, stumbling to the kitchen.

Wade sighed, following him. "Get dressed, peanut. We have to go do human things today."

"Human–”

"Food," Al retorted. "We're out."

Even in a new universe, he couldn't see himself acting normal. For so long he did what had to in order to survive. Yet now...he wasn't so sure. Accompanying Wade Wilson in order to complete household chores left a bad taste in his mouth. But the thought of fresh coffee and an unopened bottle of whiskey sounded like sweet silver bells in his head.

With reluctance, he buttoned up half of the flannel before he became annoyed with the small size of the holes punched into the fabric. There was only so much he could do with the life he had now. And sometimes shit really sucked.

"Don't scratch my fucking car," Al pointed her words towards Wade, thankfully ignoring Logan's existence for a brief moment.

"Is it safe for her to own a car?"

The door shut behind him with a bang, echoing down the vacant hallway. He was surprised people actually lived here given Wade's antics. They could hear the loud mouthed fucker across the street—if the angry notes in the mail were anything to go by. He didn't bother asking if he should be concerned with any of it. Not when he had no say in how the house was run. And choosing to insert himself where he wasn’t needed, rarely went well for him.

"God no. But I give her the benefit of the doubt. She hasn't killed anyone. Yet."

He yanked the keys out of Wade's hand. "Yeah well I don't trust you either Bub."

The car didn't leave room for his legs as he squeezed into the driver's side. His body practically folded in half as he turned it over—the rumble of the engine rattling against metal. How Blind Al managed to pay for this vehicle went beyond even Wade's knowledge, and in all honesty…he was too fucking scared to ask.

Too much seemed to be happening for him to ever catch up. While this Earth felt similar to his, small things were different. And when they began to add up...he began to wonder if he was drowning.

"Turn left to merge onto the asscrack of traffic."

He barely heard the directions as he drove, his mind drifting the further they went. Part of him sensed the grief from earlier begin to claw up the back of his throat. It begged him to fall, to be swallowed whole by the darkness he'd been stuck in before. And he nearly gave in; could feel his body shift into its constant mode of fight or flight.

The steering wheel cracked under his white knuckled grip as Wade's voice became an afterthought to the war he fought in his mind. Terror trapped itself in his throat and he slammed his foot on the brakes a foot away from a parking spot in retaliation. The car lurched forward, his claws descended. A snarl rumbled in his chest the longer he sat there thinking.

"Woah..." For the first time in days, Wade fell silent. "You alright?"

Logan ripped himself free, shoving his body out of the car before he even threw it in park. He gulped in breath after breath and did his best to wait for this fucking feeling to leave his system. The nightmares only came as he slept. A constant familiar horror show after two centuries.

Yet now he was left like this. Leaned up against a car, his eyes closed shut, and heart racing.

All because he couldn't do his fucking job.

"Logan–"

He snapped, shoving past Wade and his pity that choked him with a vengeance. He didn't deserve anyone's pity. He didn't want it. But people couldn't help but hand it over unconsciously. As if they could see the layers of broken pieces beneath his false expression of strength. Logan never pretended to be okay. Why bother with something people could see right through?

He merely wanted others to ignore he was there. Walk past him, look through him, do whatever it took to pretend that him and all his tragedies weren't standing before them. Because one day he would die and fuck how he couldn't wait for that time to come.

A small hole in the wall dive bar sat in the corner of the shopping center. He barely caught sight of it. But the unmistakable scent of alcohol poured out the door as someone stumbled out—their eyes squeezed shut against the harsh brightness of the sun. He could understand them in a way.

His world didn't have sunlight this bright. Or perhaps he never noticed it ‘til now.

Maybe his body wasn't acclimated yet; unsure of what the fuck was still happening. Everything seemed to be turned up to eleven for him, yet no off switch existed.

The dark hazy glow of the interior sent a wave of calm through him as the door swung shut with a soft thud. Four people sat scattered around the place and a bartender with white and graying hair stood cleaning a glass so foggy it was probably better to throw it out. He found himself letting out a breath that'd been trapped in his chest since that morning. Finally some peace before he had to listen to Wade yap about bullshit he didn't in fact give a shit about.

"What'll you have?" the old man asked, his face screwing up in a wince as he limped towards Logan's spot at the end of the bar.

A quick glance down let him see the brace wrapped around the man's knee. "Whiskey on the rocks."

He nodded, slowly heading towards the center of the wall—a lonesome half empty bottle of Jack Daniels on the counter. Logan shifted, taking the center seat directly behind the man.

"I can't say I've seen you around before son."

He grinned, his finger tracing a random carving that'd been placed in the wood. "I just moved here. Living with a coworker."

"Coworker huh?"

The word didn't sound right to Logan, but he couldn't exactly call Wade his friend. Although they were more than people who fought together, more than men who shared blood during the same battle. That was the thing about Logan though. He'd never be able to put a label on something like that. To him...things weren't one or the other as much as he wanted to pretend they were. There was nuance to his life.

Complications which made living that much harder.

The man turned, surprised to see Logan so close, but didn't make note of it. Logan could see the gratitude in the way his drink was slid carefully to him. The small silent thank you in the bowl of pretzels placed beside it.

"You look lost."

Logan grunted, biting into the salty and dry snack. "Do I?"

"More than some of the others that come around here."

"And who comes around here?"

The man laughed. "No one as of late. You're the first young man I've seen in a while walk through those doors."

He bit back his laugh at the word young. The stories he could tell would leave the man baffled. About wars that no living person had witnessed. About when the world was far different than today—when mutants were freaks of nature and humans were far less forgiving. He could list it all and then some.

But whether or not someone would listen was another thing entirely.

"This place that old?" he inquired, sipping on the amber liquid with a contented sigh.

"Oh you bet." A weary laugh filled the space. "I bought this place in the sixties. When my wife was still my girlfriend. She almost left me because of it."

Logan huffed, his lips curling slightly. "She wasn't a fan?"

The man shook his head, tossing a cloth over his shoulder. "Still isn't. Well she...wasn't." He pressed his thumb to the worn gold band on his left hand. "When she was alive she used to host a book night. Helped bring in the men's wives. Kept them outta trouble."

"Book night huh?"

"She loved to read."

Before he could down the final sips of his drink it was topped off. Logan nodded his head in thanks, his thumb digging into the thumbprint shape of the glass. If he thought about it hard enough, he could almost see himself coming here every night. He pictured a life far different than his own, a past where he might have been happy. With someone who might have even made him smile.

"I'm not much of a reader," he replied, his voice hoarse and eyes fixed on the ice that floated to the surface.

"Ah me too," the man laughed. "I just liked seeing her smile."

A soft remark was on the tip of his tongue before an entirely new image began to take shape. The face of someone lost. Of a smile he'd known better than his own. Hands that once held his face with the tenderness of a lover—a voice that sent the hair rising on the back of his neck. He could see it as clear as he did the man.

You in all your beauty. Lost to a past he could no longer rectify.

He swallowed thickly, beating back every emotion that crawled under his skin. "What's your name?"

"Travis."

Raising his glass, he tipped it towards the man with a tight grin. "Logan." The alcohol went down with a quick and biting burn. A feeling he'd grown familiar with. One he counted on.

"Nice to meet you Logan."

"Yeah you too."

He dug out some cash and tossed it on the bar as he stood with a slight grunt. He may heal quickly but the ache in his bones still existed. As if something resisted against how his body moved with each slow shift.

Fighting meant he could ignore it.

Existing is what made it worse.

The sun practically burned his eyes when he stepped out, the heat of the day encompassing his whole body quicker than he would have liked. For some unknown fucking reason, summer here felt worse than on his Earth. Then again the alcohol didn't help. He stood in the shade of the building next to the bar, searching the parking lot for any sign of Wade.

Going into the store wasn't an option and as much as he wanted to leave the annoyance behind, he didn't want to feel like a piece of shit. That is...even more than he already did.

"Fuck," he hissed, leaning against the brick wall. "You've got to be fucking kidding me."

One option would be taking a walk to work off the energy that ran through his veins. At least then he'd be able to sleep at night. And the temptation almost worked. If it weren't for the shop doors that opened to his left, effectively distracting him from the chance of leaving. He could have ignored the person, probably should have given everything he'd been through.

But then his heart dropped to his stomach as you walked out. He'd never seen you in such a soft sundress before, the off white fabric draped off your curves in a way that floored him. As if you were an angel floating by without a care in the world. You were busy shoving a small piece of paper in your purse, your face furrowed in frustration, and Logan smiled. Because he'd traced each line of that face before, he'd kissed those cheeks, your eyelids as you slept.

He'd loved you in ways that would scare a normal human.

And there you were.

"Honey?" he called, unconsciously following you quicker than he intended to. "Honey."

You glanced to the side, completely unaware of the giant lumbering man trailing after you with a soft look on his face and hope in his hands.

That alone tore him in two more than the memories from before.

"Baby, it's me."

The breeze finally went through the air, pushing the skirt of your dress a bit higher on your thighs. Except that's not what he latched onto. Your scent was different. Unlike any he'd encountered before. Honey still sweetly caressed his senses, but flowers overlayed that—peonies if he guessed. Delicious enough to have his mouth watering; his body already aching for you to be closer. To look at him in the way you used to.

He wanted to call out to you—gain your attention properly—but your name wouldn't leave his tongue. Because you were there and you finally caught sight of him and you were looking at him as if nothing bad ever happened between the two of you.

You saw him as a man.

Not a disappointment.

He willed himself to stop and breathe. Take in his surroundings; realize that you weren't who he once knew. You weren't even the same fucking person.

But before he could think straight, he'd already followed you halfway to your car. His eyes were dazed, heart nearly throttling him alive as he stood there dumbly. Waiting for you to finally speak.

"Oh..." Your heart rate spiked quicker than he expected. He couldn't find it in himself to feel bad though. "Hello?"

"Honey," he sighed, the weight on his shoulders lifting ever so slightly.

He caught the way your fingers tightened around your keys, the defense mechanism an instinct by now. And Logan realized what he looked like. A strange man standing too close for your liking. So he took a step back and gave you some space. In the hopes that you wouldn't see him as a threat. That maybe...you'd listen to what he had to say.

"Can I help you?" you asked, eyes darting around the parking lot in case you needed help.

What he wouldn't give for the opportunity to reassure you. To explain that he wasn't here to hurt you. That he'd kill himself before even laying a hand on you. Yet the correct words were lost and all he seemed to get out was an incoherent babble that had him wanting to dig his own claws into his chest.

"You smell different."

You straightened your spine, eyes narrowed into a glare he felt burn across his skin. "Look, I don't know who you are. But fuck off."

Something akin to pride flared in his chest at your tone, your words. But he couldn't show it externally. How would he explain that your fight—your fire—is what drew him to you in the first place? How could he tell you about a version of yourself you'd never know? A person he thought would be with him until his last breath exhaled into the world.

"I'm not here to hurt you." He raised his hands in an attempt to prove his point, but like your variant counterpart you were willing to bite first and ask questions later.

"Yeah. Sure asshole." The shopping bag in your other hand was lifted up, until you had a tighter grip on it in case something happened. You didn't know him. You probably never would.

But Logan had to try. He owed it to you to give it all he had this time around.

Otherwise...what was the point of living?

"My name's–" He made the wrong move stepping forward and knew it the second his boot hit the gravel. With a wince, he watched you stumble back against your car, your arm coming up to protect yourself. "No. Look I'm not gonna do anything–"

"Get the fuck away from me," you spit.

He moved back as if approaching a wounded animal—his body finally on edge in a new way. The fact that you didn't know him wasn't what broke off another chunk of his heart. He could handle that. He'd been through that.

You were afraid of him.

That realization dug in too deep for his body to heal.

That...he couldn't live with.

"WOAH hey!" He'd never appreciated Wade's irritating ass more than in this moment. He jumped between the two of you, the cart of groceries forgotten as he blocked Logan from your sight. "Step away from the nice lady wolf boy." Wade regarded you with a smile. "Hi! Sorry. This is my uncle and well as you can probably tell he's lost eight of his lives. So we're going on little old nine. And well the mind just goes to shit first."

Seconds passed by like minutes and Logan watched you visibly deflate. "Wade," you greeted him, visibly calmer than before. Logan felt his stomach twist violently at the thought. "It's good to see you. How's the job?"

"Oh yup you know. Left that. But I'm really pushing through. I've got an Etsy store where I sell miniature paintings of Michael Angelo's David's penis. So there's that."

Your laughter sent a hole through his chest and Logan bit back the growl that rose up the back of his throat. What the fuck was Wade doing making friends with you? Why were you laughing at his humor?

He couldn't count how many days he'd spent longing to hear your laugh again, the shine in your eyes that always came around when joy flooded your bloodstream. He could smell the honey off your skin, the warmth of what no doubt lay beneath your thin dress. And he wanted to rip Wade to pieces knowing that he was the one making it happen. That you were comfortable with a man who's mouth ran at a mile a minute.

"Did your sister have the baby yet?"

You brightened and Logan felt his heart stutter. "She did! A boy."

"Named Wade I hope."

Another peal of laughter had Logan's claws itching to descend as you ignored he was there. "Theo actually. A cutie."

"Aww." Wade moved closer, head bent to see the small polaroid you pulled out of your wallet. "Wow, he looks like you'd find him in a Gerber's advertisement."

Your eyes drifted up, past Wade's shoulder, until you finally caught Logan's gaze. And he felt like he could breathe. Every ounce of fear was wiped from your face; interest now creeping in as you dragged your eyes down his form. Past the slight peek of chest hair and down to how his jeans hugged his hips. Logan stood taller for your benefit, as if he needed to make a good impression.

He wanted to linger in your mind for days. Until the curiosity ate you alive.

"We're gonna go," Wade announced, after grabbing your bag and placing it in your trunk for you. "Someone has to feed the blind woman in my apartment. She tends to root through everything looking for food." He gripped Logan's arm, shoving him back a good few feet. Even as your eyes still remained glued to his face. "Glad to see the Hyundai is still working. You know you could take the fattest fucking nap in the back of that puppy. Makes you feel like an Egyptian mummy."

"Bye," you said, a dazed look in your eyes as Logan smiled in your direction. At ease with the knowledge that even in a different universe, he could still fluster you with a look.

Dragging himself away from you was hell, but Wade's grip remained unbreakable as they clambered to the car. The groceries stacked in the small backseat.

He could glimpse you driving off and suddenly the nightmare from earlier was the last thing on his mind.

Wade's back hit the wall with a crack before the door could shut properly. The groceries in their hands toppled to the floor. He barely had time to duck before Logan's claws were aiming for his head—a snarl ripping from his throat.

"What the fuck?" Wade shouted, grabbing the paper bag and gently setting it on the table. "Next time just say you need to stay home and find some joy in an empty room and your hand."

"How do you know her?"

Wade smiled, assessing the furious state of chaos Logan was now left in. The tatters of his stability falling to the floor around him. For as much as he held himself together, it certainly remained easy enough to tear him a part.

"Got an eye on someone, do we honey badger?"

Logan grimaced, running a hand down his face. "Would you just fucking tell me?"

"Let me bask in this Logan. I'm about to watch a romcom come to life and need some popcorn." He rummaged through the bag, yanking out some chips. "Salty and sweet. That'll do."

"Wade," he bit out.

"Stick with us girls, we're about to get to the good stuff."

"WADE!"

He tossed the bag to the table, eyeing the way Logan never quite settled. "I'm gonna take a guess and say we know her more than just friendly hellos."

Logan couldn't answer because his grief did it for him. He did what he could to catch his breath, to stop seeing his version of you. The disappointment on your face, the pain in your voice. You'd been so angry with him. To watch the person he loved be reduced to a screaming crying mess wasn't something he wanted to relive, but Wade's question seemed to send an avalanche toppling to the ground.

"She's..." He sucked in a breath. "On my world. I...knew her."

"Knew her? Or knew her."

He reached for the bottle of whiskey Wade threw in with the rest of the groceries and popped it open before he spoke again. "It didn't end well between us. None of it did."

Wade fell silent and Logan found himself loathing the quiet more than the sound of his voice. If he was joking Logan could ignore it. He could pretend nothing happened. That you weren't here, you couldn't be hurt by him again.

You were safe from his destructive tendencies as long as you were in another universe.

"She lives across the street." Logan's head rose and whipped to see the window that faced the building across from them. "The old uncultured shit whistles that keep complaining about WHAM! the greatest thing to happen to music. They're her neighbors. Live right next door."

"Neighbors."

Wade nodded, offering him a chip. "She found their note and angel that she is, she very sweetly threatened to get them evicted. I offered to let her borrow my katanas but was rejected like younger me on prom night. You've really got yourself a catch there buddy."

Logan didn't need Wade to tell him how fucking lucky he was. He knew that the second you walked out of that store. You were everything good in his life at one point, everything he couldn't save. There wasn't much keeping him going on his old Earth, but having you made all the suffering he went through—all the pain he endured—worth it.

If you were waiting for him at the end, he'd do it all over again.

"So you want to take a dip in that honey huh? Taste that rainbow?"

His claws would have sunk into Wade's throat if a knock hadn't sounded at the door. With a huff, he stepped into the kitchen, the bottle clutched tightly in his hand. Whoever decided to give Wade some luck was of no concern to him.

Or so he believed.

"I didn't mean to accidentally take your groceries," you laughed, handing over a overpacked paper bag.

Stuffing the bottle under the sink, he met you halfway to the living room, his eyes drinking in the sight of you still in that dress. Still delicate enough for him to rip if he tugged it right. Heat curled along the base of his spine when your eyes met his, wide and glimmering with your laughter. He felt himself crumple at the sight of your lips parting, the surprise at his size still enough to make you speechless.

"Good to see you again," he greeted you, voice low and soft.

You didn't mean to grow flustered in his presence, but something about the way his gaze devoured you within seconds left you breathless. The swooping sensation in your stomach became too much to handle. Desire and attraction weren't unknown concepts to you. But this felt like more. You could sense him right down to your bones and it scared the shit out of you.

"Oh right!" Wade scooched past you to swing an arm around Logan's shoulders. He did what he could to not stab him in the stomach. "This is Logan. My hunky new roommate."

Logan groaned. "Alright–"

"No, no it's good. You remember when I was declared basically the savior of the universe?"

Your face screwed up in confusion. Logan had never wanted to kiss someone more.

"Marvel...Jesus right?"

"I prefer MJ. Since I've got a Peter." Wade's head whipped to the side. "Suck it Tom Holland." His grip on Logan tightened. "This walking People's Sexiest Magazine helped. We're talking big claws, abs you just want to lick whipped cream off of–"

Logan's elbow slammed into Wade's stomach—crimson slowly tinting the tips of his ears. "That's enough."

"AND the Wolverine."

Surprised etched itself onto your face even further. Until you finally regarded Logan with a look he'd seen once before. Awe. When you first met one another in the halls of the mansion, you stared at him that exact way. As if you couldn't quite believe that iconic figure the X-Men made him out to be actually existed.

He couldn't tell if he liked it. Or if he'd rather you view him as a stranger.

"Logan," he said, offering his hand to you politely. Your skin remained as soft as he remembered.

Warmth bloomed in your body at the feeling of his calloused palm overwhelming yours, the scars across his knuckles old and ancient. Yet you found yourself wanting to trace them over and over, until the sight of them seared in your mind. You fought the urge to press your lips to them, etch your own mark into his skin. Something told you he wouldn’t mind.

Logan could see the intrigue on your face—the distracted gaze he wanted to keep in place. You were still curious. Still willing to learn about him. To pick him a part with soft words and even softer touches.

"Logan," you murmured under your breath, your eyes catching his. He felt his stomach leap at the sound of your voice whispering his name. Memories flooding his mind quicker than he expected. Of mornings spent in bed, your skin pressed against his. Of nights alone in his cabin—your stories lulling him to sleep.

Everything he willed himself to forget, yet could never truly let go of.

"I've got to head back." Disappointment filled your heart at the thought of not getting a chance to talk to him more. He had yet to let go of your hand and you found you liked his touch on your skin. "I'll see you soon Wade."

"Logan will be more than happy to walk you back," Wade replied, waving drastically behind your back. "Can't have you getting hurt now can we? Right peanut?"

You smiled. "I'm just across the street."

"I don't mind," Logan cut in, glaring at Wade to shut the fuck up.

"Okay," your voice was soft. Happy.

Logan would have done anything to keep it that way.

The walk back wasn't long enough for him to explain his actions from earlier, but you seemed to be just as smart as your variant self. Shutting the building's door, you turned to him—your dress fluttering in the breeze. Logan choked on his spit at the slight peek of your ass before you pushed the skirt back down around you.

"Did you know me?" You lead him to the corner, waiting for the traffic to die down. "On your Earth."

He paused, his eyebrows pulling together, and for a moment you wondered if you asked the wrong question. Wade told you bits and pieces of what happened since you last saw him, but Logan's background wasn't a discussion you tried to seek out. All you knew was that Wade acquired a new roommate. Not even a name.

Certainly not that he was Wolverine.

"Yes," Logan muttered, glancing at the change in lights.

You started to walk. "In what way?"

His hands curled into fists—echoes of his past rising to the surface. "We were...friends. You're a professor."

"A professor?" you exclaimed, a smile tugging on your lips. "Am I a mutant?"

He nodded. "You're able to bend time. Or control it." He snorted, following your lead towards your building. "I could never understand it. But Charles did."

The walk up to your apartment was silent, your thoughts filled with the new information he'd given you. And no matter how hard you tried to picture it, you couldn't see yourself as a mutant. A powerful being that held the ability to manipulate time who just so happened to be a professor. Somehow even thinking about it made you wonder why Logan was bothering to entertain this version of you. When the better one existed on his Earth.

"You said were."

Stopping at your door, he nearly knocked into you. "Hm?"

"Were friends. What happened?"

The answer he couldn't give you. The words he wouldn't even admit out loud to himself.

He felt his heart twist as if a knife slowly carved through his spleen. "We uh..." He coughed. "You..."

"I don't have to know." Grasping gently onto his arm, you offered a warm smile he felt down to his toes. A look he hadn't seen in quite some time. Logan could picture the last day you were happy in his head. Laughing with Charles in his office as you shared dinner, working on theories of your powers late into the night.

A week before they came.

"It's good to see you like this," he breathed, his hand reaching out to touch your cheek before stopping midair. "Happy."

Your eyebrows knit together. "I wasn't happy?"

"No." What he wouldn't give to take that information back, but it was out in the open, and as always—he remained too late.

"Why?" you asked, your hand sliding down to his much to his delight.

"I made you a promise." He sucked in a breath, his body begging him to start running. You'd be better off if you never knew. If you never remembered him in the first place. "I couldn't keep it."

I'll always keep you safe.

Words he refused to say again.

How could he promise this version of you that? How could he look you in the eyes and lie again? Breaking his Earth's you would haunt him for the rest of his life. He couldn't fathom doing it all over. It would kill him.

Except you weren't the person in his mind. You weren't the mutant who hated him with every fiber of your being. You were you. A continuous surprise that left his heart stuttering in his chest each time you looked his way. An enigma he found himself wanting to unravel.

"Maybe this time around you can," you said softly, letting him go with a smile as you entered your apartment, effectively opening the wound in his heart so wide there was no saving him.

Although he now knew something he didn’t know before.

He didn’t want to be saved.

[thewriteadviceforwriters]

The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[cafterdark]

I don't think y'all truly grasp what fucking a god would be like.

Not only are they beings who can shape reality like clay, but they have such a massively different conception of time, morality, and existence that they become alien to you

For example, let's say you are a normal guy:

One moment you're looking at yourself in the mirror, the next in a quiet field. Before you even have a chance to react, a voice rips through your tissue paper body. It is multilayered, unable to stick to one voice, but is it smooth and alluring and almost feminine.

"I have chosen thee to be my temple." The voice says.

"W...who are you?" You stutter out.

The voice doesn't answer. For a moment you wonder if you've gone insane, then she begins. A thousand hands of light touch you, some delicate and precise, some wild and rough. They grab and grope and tear and claw and brush and pinch and slap all over, all at once. One hand grabs your short hair and forces you to look up in the air and she says:

"Let me show you your purpose."

You are launched in time to a temple, backwards or forwards, you don't know. It is lit by candles, showing that you're at the feet of a massive marble statue of a nude woman. The hands force you to your knees, all while feeling up your boiling body. You look up and only catch a glimpse of her beautiful thighs before you're unstuck in time again.

You feel yourself dragged back to reality. You're in a woman's body, being fucked by two other women in a dingy hotel. One hold the leash to a collar around your neck, the other holding your legs as she fucks you with her dick. The hands are still there and guide you, teasing each moans from your throat and buck of your hips. You've never felt this good ever as you start ascending the mountain of arousal. The collar chokes you enough for a momentary blackout

You're back in the temple, still looking up. You catch a glimpse of her hips, grabbable, with curves in just the right spots. You blink in awe and find yourself in another woman's body, actually no, a robot woman's body. You're connected to a machine made of tech so powerful you can't comprehend by series of wires and plugs throughout your body. A woman, dressed in lab wear smiles, kisses you, and starts the machine. You feel a jolt of pleasure shoot through you. The woman's smile widens, then a notification appears on your HUD

Sensitivity increased 150%

A soft glide teaches down your back and you feel your entire body kicks in response. You ascend further up, climbing step after step towards orgasm. Each touch the machine simulates makes you skip ten steps. The woman's laughs at you makes you skip more. The heat is unbearable, your fans spinning at Max speed, their noise filling the background. You get a warning notification about overheating and you're back at the temple.

The hands keep your arousal steady as the hand tilts your head further up still. You're enraptured by the most perfect pair of tits you have ever seen. The last bit of thought you we're holding onto is wiped away by their glory. But before you can properly worship them, you're thrown back in time.

You're in another temple, hazy and thick with the perfume of incense. You're in a priestess' body slick with oil, prepared to worship your goddess with your other priestesses. You look around and see the rest of your order staring at you and approach. After a long moment, you realize that you're the offering. The other women attack you with kisses and teeth and hands and nails in just the right spots. Each blow brings you closer to the peak. They pin you down and begin fucking you with their trained tongues and you blank out. You're so close now you can see the peak. You pray to just be allowed to reach it.

You're set back to the temple again and with one swift yank of your long hair, brings your eyes to the statues face.

It's you.

You don't know how you know. It looks nothing like you, but it's you. And you're gorgeous you can feel the orgasm coming, it's so so so so close now. The world stops, your body freezes.

You find yourself stuck one step before the peak, staring at your beautiful features and unable to do anything about it. You're stuck there for a long time. An hour? A year? A Millennia? A second? You don't know. But by the end, you're asking Her to let you cum. She responds:

"Do you know your purpose?"

"Yes... Goddess," you pant out. "As your temple... Where your followers... Worship you"

"Good Girl" She says.

Those two words bring you over the edge and you find yourself cumming harder than you've ever done before. Each convulsion rips away a part of your past life, what you ate for breakfast, your job, your hobbies, your name. If you could think through the tsunami of pleasure, you wouldn't care. Goddess will provide, she always will. But for now, you are drowning in devotional ecstasy.

After an eternity, you finally feel the afterglow bleed in. The hands let go and you collapse to the floor, letting the darkness consume you.

You wake up on the bathroom floor and groan. Was it really just a dream? You get up and look in the mirror and see you. Not the fake you that you wore before, but the you Goddess crafted, her masterpiece. You smile and dance in your body, that statue turned flesh, and laugh a beautiful laugh to celebrate and thank Her.

"You know your purpose and are trained in it," She says in the back of your mind. "Begin."

"Yes Goddess"

You leave the bathroom and begin your new life. After all, what's a god without her temple?