#The Orisoner

[quotemadness]

Joyfulness keeps the heart and face young. A good laugh makes us better friends with ourselves and everybody around us.

Orison Swett Marden

[ezekieltheultimatecatlover86]

Roblox art i did over the past few months

[idonin]

I've forgotten how to draw anything other than roblox😭

[lilydalexf]

You are welcome for the lists! This one is fics recs for "Orison". They are all related to that episode, though they're not all angsty smut fics. So it's not quite the ask, but I hope you and others enjoy the stories! Another Dark Forest by @aloysiavirgata Post-Orison sex Anyone with a Gun by V. Salmone (Punk and Sab) Mulder, Scully, and a gun. Atomic Split by Pteropod The world is glued together by the strong force, the weak force, the electromagnetic force, and gravity. Better Angels by wonderland (@amplifyme) “She���s okay, Maggie, I promise... No, no, just forget whatever you might hear. Don’t even watch the local news. She’s okay. She’s safe and resting. I got it.” Jesus, how many times had he had this conversation with her, or one very much like it? More than he’d ever wanted to. Black Hole Season by Penumbra (@mashnotesofthemythopoeic) Mulder muddles through the aftermath of Orison. Ceremony by @darwin-xf What’s left when words fail? Cold Comfort by Joann Humby When 3 men die, the killer seems to have a story to tell, but is it the same one that people are hearing? X-Files are dangerous, very dangerous if you're working alone. Exorcist Stairs by Elanor G Scully is adrift and on her own after the events of Orison. A chance encounter forces her to confront the banality of evil... fluorescence and night on all sides by audries (@audriesfic) He steps over a corpse to touch her. Ghast by @leiascully (No summary provided) Glub-Glub-Glub and Calming Spells by PostApocolypticAlien (@scullysexual) “you can stay here, tonight. for as long as you’d like.” / “Hey babe, babe, wake up.” The Devil's Instant by Maria Nicole Post-ep for Orison Incorruptible by Anjou A submission for an epistolary challenge on the Scullyfic/E-muse list in January of 2000. Set mid-season 7, immediately after the events of Orison, when Scully has been faced with an evil from her past. Mytharc heavy. i have your dreams and your teeth marks by audries (@audriesfic) Also in the trunk of the car: the latest edition of JAMA, The Amityville Horror on VHS from Blockbuster, Moby Dick, a Jewel CD, a bag of clementines. Her still-closed Bible. - post-orison. mulder takes scully on a witch hunt. there's nail polish involved. Imperfect Shadow by Nicknoc In a dark time, the eye begins to see, I meet my shadow in the deepening shade. Intuituve Reasoning, I Say Obsessive, You Say Compulsive, and I Can Eat Glass by Mish You can’t fool *all* of the people, *all* of the time. / Kosseff vs. Mulder - one analysis, seven minute time limit. / A late night distress call shatters the calm. The Nearness of You by a_steady_wish Her first night back in her own bed after the events of Orison, and Mulder is there to comfort and love her. Neptune's Ocean by M. Sebasky (No summary provided) Nothing Apart by Dyann Zimmerman What happened after the events in 'Orison'. Noyade by Rocketman Noyade--(french) whirlpool. Of Ladies Most Deject And Wretched by Circe Invidiosa and Helen Quilley (@invidiosa) It wasn't a question worth answering...post Orison. Orison by @scullywolf The aftermath of Pfaster's attack takes its toll in more ways than one. Possession by @mldrgrl Based on this prompt request: Mulder and Scully have both dealt with abductions and kidnappings where they were held against their will. I imagine that it took a while for them to feel comfortable with any type of bondage. I think it’d be interesting to explore how or when they became comfortable with that and if it felt really empowering the first time. I especially see Scully having reservations at first but maybe requesting it. the praxis of a water bed by skuls (@ghostbustermelanieking) Five of the first times Scully woke up in Mulder's bed. Right Here by @smalldisbeliever The soft thud of her duffle bag hitting the floor marks their arrival at her apartment. It’s been a little over a week since Donnie Pfaster tore through the space.

Sedimentation by Maria Nicole Musings on the edge of sleep Sins Remembered by rah What happens after they leave her apartment. soap bubble memories by @softnow five times mulder and scully showered together + one time they bathed. Some Nights by otto_tis_eratai Or "Six times Mulder and Scully slept together, and one time they did something more". A collection of seven one shots, all post/mid episode (although it can be also read as one story). Some fluff, some angst, some hurt/comfort elements, eventual smut, a lot of friendship. Submerged by hellsteeth (@wexleresque) Mulder helps Scully cope with her post-Orison anxiety Taller Than Other Waves by amyhit (mayhit) She read Salem’s Lot at ten years old, was brave enough to kiss her partner by thirty-five. That Was Then, This Is Now by @mldrgrl The difference between how Scully deals with the aftermath of Donnie Pfaster in Orison v. Irresistible.

Unintended Consequences by Sarah Segretti Just when you think you know how you’d react to a horrific event, life steps up to surprise you. Scully and Mulder deal with the aftermath of the Pfaster shooting. Untitled by @aloysiavirgata Prompt: alternate post-Orison where Scully doesn’t get to her gun and Mulder is the one that kills Pfaster. Untitled by @aloysiavirgata Prompt: Scully to Mulder: Make me feel alive again... Untitled by @o6666666 Prompt: can't wait to read their argument for anniversary date. who would win??? Walls by Ellie I can't hold out forever; even walls fall down. An Orison post-ep. The Weight of Water by @dashakay The aftereffects of trauma are sometimes unexpected.

[lacgris21]

Shot by Amir.M "19.09"

[randomfoggytiger]

Even though I am personally not religious, one of my favorite character traits of Scully was her faith despite being a hard nosed scientist. If you had to define her religious beliefs how would you? Would you consider her a hard core catholic, a catholic in name only or something else?

I look forward to a 1000 word prompt XD

The Journey of Scully's Faith, in Brief

Oh, yeah, Scully and her religion.

*cracks knuckles*

Faith was Scully's albatross until all things, a tug-of-war between her initial belief and secondary rationalization.

ATHEISM, AGNOSTICISM, AND THE FEAR OF HER BELIEFS

During the first half of the 90s, religion represented, to Scully, everything she was afraid to believe in: her father's ghost mouthing The Lord's Prayer, her Catholic mother's psychic dreams, her partner's and sister's convictions running concurrent with her struggle against faith.

She began Season 1 as an atheist-- more so than Mulder, perhaps-- using the rigidity of science to explain her world. Even though she wore a cross around her neck, Mulder didn't assume Scully was religious; and Maggie backed up that assumption in S2's Ascension, explaining, "I gave" [Scully's cross] "to her for her birthday." The religious iconography, then, was a memento of Scully's mother, not of her faith... which becomes particularly telling during her Season 3 and 4 struggles.

Why?

CHILDLIKE FAITH

Scully had a proclivity to believe in the supernatural, the unnatural, and the paranormal before, as she states in Quagmire, "I grew up and became a scientist." Science, then, is a shield against the unexplained: in other words, Scully fears what she can't quantify, so turns to science to deny her problem's existence. "Mulder, it doesn't matter," she insists when he prods about the cause of her cancer; "Mulder what difference would it make?" she rebuts whenever he wanders too far into the realm of hypothesis.

Beyond the Sea and Revelations hit upon the same raw nerve. Luther Lee Boggs preyed upon her repressed doubts, calling her a liar when she denied she believes and telling her that all liars "go to hell." Kevin Kryder was saved only through her acceptance, shall we say, of God's hand working through her. In both cases, religious belief-- be it her father's ghost mouthing The Lord's Prayer or a sweet-smelling saint her partner can't detect-- terrifies her.

Why would it terrify her? Because religion isolated her.

CONFUSION AND ITS ISOLATION

We know Scully has attachment issues. We see them explored in A Christmas Carol when she poured her heart out to the social worker-- admitting she kept her heart largely unattached for fear of losing yet another person in her life-- but we know Scully isn't a detached person, either. We know that Scully's greatest fear was being betrayed by Mulder. That was explored in Wetwired, when she collapsed in her mother's arms, confused and sick at heart. We know that Scully grew more and more isolated in her partnership with Mulder; but she adapted to and respected that isolation after years of professional betrayal.

In regard to religion, why would Scully feel isolated? The Scullys are a religious family: her mother dangled reminders in her life with cross necklaces and priest visits, her father prayed as his soul departed, and Bill buried her daughter in his local church.

Because religion, Scully believed, isolates her from herself.

When Scully changed her course from medical school to the FBI, her parents heavily disapproved. That disapproval heavily affected her, even if Melissa helped her work past her hang-ups, even if Scully chose to reframe her transfer as "an act of rebellion." In truth, Scully found "other fathers" to hitch her wagon to, "rebelling" only when she spotted another patch of grass that promised greener pastures. The FBI patted Scully on the head and encouraged her to sign up (pre-Pilot); Mulder patted her on the head and encouraged her to stick around (Squeeze), Ed Jerse patted her on the head and encouraged her to take a walk on the wild side (Never Again), and Daniel Waterston patted her on the head and encouraged her to come back to him (all things.) Every decision that drew Scully away from an old belief was caused by a single-minded focus on one aspect of herself: her parents' pride and joy as a doctor, Daniel Waterston's pride and joy as his med student, the FBI's pride and joy as a field agent, Mulder's pride and joy as his partner, Ed's pride and joy as his salvation. And in each case, Scully grew isolated and paranoid because she lost touch with herself as a whole; and usually fled (if temporarily) to what she considered a 'freer' freedom.

How does this apply to religion? As a child, Scully was a good little Catholic girl who smiled at her mother's cross gift; but was also a bad little Catholic girl that smoked her mother's cigarettes for attention. In medical school, Scully was a good little med student who preened under her teacher's adoration; but was also a "bad" little Catholic woman who "grew up and became a scientist." Before recruitment, Scully was a good little scientist who fled from Daniel Waterston's deception; but was a "bad" little lapsed Catholic that (unintentionally) broke up a home. In Quantico, she was a good little field agent who learned all her lessons; but was also a "bad" little by-the-books student who openly dated her Academy instructor. And she was a good little partner who helped Mulder investigate impossible cases; but was also a "bad" little scientist for "holding" him "back."

In short, Scully hadn't allowed herself to fully accept the dichotomous nature of humanity. She must either be a good little Catholic girl or be someone who wants to explore her wild side. Until Revelations, she believed one must believe in God or science; and science gave her clearer answers that squelched her anxieties.

But then, Beyond the Sea, One Breath, and Revelations happened. Scully was unable to articulate or fully understand what her experience "beyond" had been in One Breath, only that it wasn't something to fear. It forced her to brush up against sentiments lingering from Beyond the Sea, to begin to admit there was a simmering belief she wasn't ready to acknowledge.

Revelations in particular tossed Scully from agnosticism back to belief-- and, again, she feared that belief. "Afraid that God is speaking; but that no one's listening" was a distancing tactic she acknowledged in Irresistible, a way to separate from the emotions broiling uncontrollably below the surface. But it also revealed how effortlessly Scully slipped back into a belief in God-- and that she equated that belief with missed cues and punishment.

Why did Scully think religion is tied with punishment, and how did that isolate her from her other potential believers?

MOTHER MAGGIE

Maggie is the key.

As discussed above, Scully strove for acceptance from her parents or from "other fathers"; and that played an important role in her journey towards personal growth. But Captain Scully was but one-half of the picture. Scully's father served as the cattle prod for professional approval-- he modeled complete focus on climbing rank and keeping emotional burdens out from plain sight-- while her mother served as an emotional and religious one.

Maggie was the one person she could "always trust" and truly felt safe with in Wetwired. It was her mother she turned to for reassurance in Beyond the Sea, it was her mother's sins she smoked on the porch, it was her mother's gift she continued to wear when science dominated her beliefs. But Maggie has never been particularly stringent herself in her religion-- smoking cigarettes (during a time period when everyone did, but the point remains), believing in supernatural dreams, inviting the unbeliever "Fox" to mourn with the family, embracing her son's successful IVF baby in A Christmas Carol, and celebrating her daughter's out-of-wedlock baby in Essence.

It's what Margaret Scully represented, not Maggie herself, that Scully feared: unquestioning, childlike faith.

Unfortunately, we are never given closure to the dynamic Maggie provided. Other than a brief appearance in S8's Essence-- Scully's unruffled independence and Maggie's confidence in her daughter's confidence-- we're never shown that final conclusion. Alas.

A QUESTIONER AT HEART

Again, Scully couldn't reconcile the dichotomy of human nature with her (flawed) perception of religious "good and evil." Good people who do wrong, she presumed, have faltered and must repent. By that metric, evil people who do right do it for the wrong reasons. Moreover, Scully viewed a faith in God through one lens; and thought that if one did not completely believe in everything they didn't understand-- childlike faith-- then God was "speaking to them; but that no one's listening." That she wasn't listening. And what happens to those that know better but aren't listening? They are punished, because they are evil.

Scully is a questioner at heart; and Scully came to believe that questioning her beliefs, that failing to believe in things she couldn't understand, was tantamount to disbelieving in God. That's why her religious episodes can be difficult to rewatch: when facing an Almighty God, Scully cowered into complete, blind obedience-- "Perhaps that's what faith is"-- before casting off those shackles and fleeing back to denial and avoidance. But she couldn't shirk her belief, deep down, no matter her rationalizations.

A RETURN TO BELIEF, AND LIMBO

Post Revelations, Scully left the matter largely alone, resolving to finds answers to her own questions "because of my own reasons" in Memento Mori-- a courageous step for someone who usually put her own needs second.

However, the doomed inevitability of Elegy-- another agency-robbing experience Scully couldn't explain-- set her back; and she continued dodging both her mother's priest and her partner's complicated questions in Gethsemane. Scully would feel like a coward if she ran to God for strength after her absence, but she would also feel like a heretic if she questioned the nature of God's existence.

Maggie became crucial to the cancer arc narrative: it was she who kept trying to reach her daughter, to show her that God wasn't taking account of what she had or hadn't done, what she did or didn't fully believe. Scully finally cracked in Redux II, begging her mother to explain why she still clings to God but denies him-- part of her inability to understand and quantify that dichotomy-- but Maggie didn't understand what Scully was talking about, and tried to soothe her, instead. Scully ended up clinging to Maggie, clinging to Mulder, clinging to the priest before she clung to God, viewing even Mulder as a truer believer than herself.

Season 5, Fight the Future, and Season 6 left Scully in limbo. (A Christmas Carol and Emily were about her daughter and the supernatural, not her faith or belief in God.)

The series didn't return to this topic until Biogenesis, The Sixth Extinction, and Amor Fati, a three-parter that focused on the possibility of aliens creating Earth (or having a hand in its creation.) This changed the wide interpretation of her religious texts and tossed Scully back into fearful questions and self-doubt. She cried in Amor Fati because she "doesn't know what to believe or who to trust"-- a verbal slip back into that feeling of isolation that drove her from religion in the first place. (Diana Fowley was formerly evil, but she died saving Mulder. Did that make her a good person who did wrong, or an evil person who did something right?) Mulder, transformed from his own experience, gave her courage and became her touchstone, regardless.

The answer Amor Fati underlined is that Scully had yet to believe in redemption: one could repent, she thought, but it wouldn't change who they were as a person. That thinking formed the cornerstone of her "good or evil" foundation and separated her from the capability to falter but not to fail-- to "sin" but to be "redeemed."

UNANSWERED QUESTIONS

Season 7 sets into motion the culmination of religious journey: Amor Fati (as we already discussed), Orison, and all things.

Orison would have been the perfect followup to Revelations: another demon, another series of supernatural signs that only Scully would understand. However, this time she would fail to put the pieces together, and resort to an action against God's will that would put into question the goodness of her soul. Problems with Orison (that it obliterated Irresistible's message, that its side plots cluttered an already cluttered episode, that Pfaster's "affect" on victims didn't match the reaction Scully experienced) aside, the episode didn't give the audience enough information to explain why Scully believed it was the Devil, not PTSD or a trauma reaction, that forced her hand. However, that was Orison's conclusion.

This, then, set Scully in motion to either follow an path of dark self-doubt or forge a new path of enlightenment. Or both.

We know she took the latter (all things) route, but another episode's potential was wasted in the journey from question to conclusion: En Ami. A road trip with the "the Devil in the flesh" would have been the perfect opportunity for Scully to try to prove the depths of her own goodness: putting her life at risk to obtain the cure for all disease. Scientific altruism and religious redemption combined. It would also prove how well CSM knew her, inside and out: using that lure to bait her away from Mulder (and, hopefully, to his own side.) En Ami could easily have discovered the lengths Scully would go to prove herself and the depths CSM's depravity and justification could sink to. Instead, it became a study in how little CSM understood his unknowing captive, and how little the writers understood why or when Scully chose to leap when told "Jump!"

Regardless, we arrive at all things.

ALL THINGS AND PEACE

all things was about enlightenment and self-love (for Daniel Waterston and his daughter-- also curiously named Maggie-- as well): Scully decides what she wants for her life, which voice she wants to hear. It's also the episode where God spoke back.

all things was a bit of a mixed message, especially considering Scully chose to remain Catholic ("my prayers were answered" in Season 8, lighting the church candles in Season 11, etc.) Gillian's episode had clear Buddhist leanings-- the god of "all things", i.e. the god in all things. God wasn't an active force so much as a peace of mind with the right choice (that choice being Mulder.) But it worked, too-- the ending, especially (which was written with the help of Chris Carter, actually. We'll give him a point for this one.) "Mm, I didn't say 'God spoke back'," Scully corrected, which illustrated that she, at last, straddled the dichotomy of her beliefs: a God that will lead but not directly speak. A God whose signs she chose to follow, not one who punished her if she went another way. "Life's just a path", Melissa told her before she ever stepped foot in the FBI (canonically after the Daniel Waterston debacle we return to in all things); and that message wound back around and stuck, seven plus years later.

But why did all things break Scully's fear of isolation through her beliefs (or religion, at large?) Her flawed perception of her mother's God was reworked, with Mulder as Maggie Scully's stand-in: God became a god of "all things", an entity that not only allowed her to make her own choices, ask her own questions, and harbor her own doubts, but also gave her space to decide and time to return.

That reframing of God then helped her to reframe humanity. Mulder came back from a wasted weekend trip to England, empty-handed; yet she simply guided him home, made him tea, and contentedly listened to him ramble about theories she might not fully believe. Scully no longer felt the need to combat his beliefs or justify her own: she knew, now, what she believed, and that was enough. (As an aside, The Unnatural and all things both end on the same note-- Mulder coming to an epiphany and long-windedly spelling it out until he realizes Scully already knows. Interesting.)

CONCLUSION

And thus, we have concluded Scully's journey of faith.

Any further point canon tried to make was simply a retread of better, more complicated resolutions.

Thanks for reading~

Enjoy!

[quotefeeling]

Joyfulness keeps the heart and face young. A good laugh makes us better friends with ourselves and everybody around us.

Orison Swett Marden

[thehopefulquotes]

Joyfulness keeps the heart and face young. A good laugh makes us better friends with ourselves and everybody around us.

Orison Swett Marden

[thoughtkick]

Joyfulness keeps the heart and face young. A good laugh makes us better friends with ourselves and everybody around us.

Orison Swett Marden

[birchbow]

Your character designs are always so dang cool!!! Are the captain positions on other ships in the holy fleet challenged for like the position of GHB in a duel to the death, or are they appointed? (Some combination thereof?) The Orisoner looks so friendly, but I bet he’s brained somebody with that whimsical staff! I love that in the group shot Kurloz’s frame is almost a 2x scaled up version of Sister Waspclaw - his Gigantic Lankiness is just so fun. (Also LMAO at Kurloz being too prudish to claim his right to show tits! Honestly any time he mentions modesty standards being different a couple centuries ago it cracks me right up 😂)

Aw, thank you! :D Waspclaw is real small for a highblood, especially a relatively old and powerful one--smaller than pretty much all her pupated students, and a few of the pre-pupation ones! So next to Kurloz "Big Motherfucker" Makara, she's absolutely tiny. But does still manage to have more boobs than he does. Tragic.

RE: succession, it varies! It's pretty much always going to include some amount of combat--some of the variety where the loser is allowed to slink away and lick their wounds, and some where they definitely don't. Let's see. On a scale from most to least "Challenge To The Death"...

Definitely the Behemoth. It follows the same rules as the Grand Highblood challenge--if two trolls who want to be in charge walk into what passes for a captain's court on the Freakshow, only one is going to come out. Yozuna's not fast, and most trolls who ARE fast aren't nearly strong enough to make a dent in it even if they hit it--but the fact that Kurloz is big enough to really hit it hard and also came up specializing in speed and evasion is probably a real big part of the reason it hasn't made any attempt to challenge him for the throne, honestly.

Waspclaw. She's very lax with gutsy newbies getting fresh with each other and their superiors, thus the Joker's reputation for letting people get away with stuff, but stepping to her directly is SUPER dangerous. Make your gamble if you know you can get away with it!! But always know you aren't going to get away with it with her. :o) Plus, much like the Uderaks and Untoxxic, she works in poisons and venoms, and also she's heavily min-maxed into speed, so by the time you realize your challenge fight has officially been accepted, she's gone "well, they made their choice!" and you've been stung with something fatal.

The Abattoir. He isn't fucking around, although she also strikes me as very businesslike about it, and not inclined to be vindictive about the act of the challenge itself. I think the format is a little less "immediate fight to the death" and a little more "courtly duel" in keeping with both of his knightly sort of vibes. The exception being if you manage to draw blood on either of him, in which case shit flips very much into death-match mode. Also like. Hard-mode. You do have to challenge for both ships at once, and you will be fighting both of her. So like, considering authority over Elixir and Stardust features a lot of interfacing with the nonbelievers and doing Finance and shit, not a lot of people are jumping at THAT daunting prospect lol.

The Judgment. She wants to hear your argument for why the fuck you think you have what it takes to perform the physically, mentally, emotionally and spiritually-taxing work of disciplining the wayward sinner-criminals of the church, and she's not getting any younger, here! If she feels like she's won her argument and the battle and you're inclined to back down in shame, she's not going to continue to press the point, but she will definitely openly think less of you for making a stupid and badly thought out attempt on her authority. She's as close as the church fleet gets to having a legislacerator taskforce, and she's just as stern and hard-assed as the Cruelest Bar, but also a large part of the Penitent's function is for flagellation and rehabilitation (???) of potentially-redeemable highbloods who've fucked up in ways that the church considers forgivable enough to give them a shot. She's down to clown (fatal) but also she's not an executioner necessarily.

Brother Libation. I drew inspiration from Il Dottore from the commedia del'arte, Bacchus, and the whole concept of drunken fist characters as an archetype, so if he's challenged he's got like... a 33% chance of just offering some kind of whimsical puzzle challenge that nobody ever manages to solve to his satisfaction, a 33% chance of just verbally convincing them to chill the fuck out by being a Cool Hang, and a 33% chance of bonking them heartily to the brink of death with his big spiky gourd.

The Orisoner wins for least deathmatchy. You can try to challenge, but you'll just get invited to come chill and vibe and just like. Really get into why you think your leadership will be hilarious and honoring to the messiahs, and what you think about art, and why you feel like you need captaincy to make the changes you want to see in the church and empire. If anybody attempts to escalate to violence, they'll mostly be met with a vaguely disappointed, surprisingly benevolent no-weapon-open-palms kind of rebuff, and if things continue to get more aggressive from there, the big spiky walloping staff will come out and be employed with startling effectiveness and skill lmao. But! If there were ever going to be highbloods inclined to take debate of best leadership policy over violence, it's the ones who decide they want to be theologians professionally. (Debate of best religious interpretation is a whole other ballgame, and gets aggressive here more than any other ship on the fleet lol). Orisoner in general though, would be one of the safer trolls you could be around as like, a human or a lowblood, if you had to pick a ship.

[gaslightery]

yahooo!

[television-overload]

of our own making

(an X-Files fanfic)

Chapter 12/34 - empty suitcase

[Read on AO3]

His only thought as he holds her in his arms while they wait for the police to arrive, is just how much he’s failed her as a husband already. Sure, their marriage is mostly for show, but replace “husband” with “partner” and the statement still rings true.

He almost lost her. Again.

He knew something wasn’t right the moment her phone went to voicemail. He had been the one to assure her that things were okay—that the case was over. It was his fault that she let her guard down, and look what it got her.

When Pfaster’s body hit the floor, the first thing he did was take the gun from her hand and pull her away to where she couldn’t see him anymore. She was in shock, that much was obvious, and he scarcely had the time to take in the wreckage of her apartment in his haste to make sure she was okay. He cleaned the blood leaking from her nose (an unpleasant reminder of days past) and applied some cream to the burns on her wrists, and they waited.

The only thing he tells the police when they arrive is that she acted in self defense. If they want anything more than that from him, he has a shiny new ring and some spousal privileges he’s more than willing to wave around and refuse to testify. Thankfully, it doesn’t come to that. It seems the police are happy to believe whatever it is that wraps things up as simply as possible—no one will miss that wretched creature of a man.

It’s well into the night by the time the detectives clear them to go, promising to follow up soon. Arrangements have been made to get her apartment back in order in the next few days, and until then…

“Excuse me,” Mulder says, giving a parting nod to the local law enforcement officers. They wave him off, returning to their various duties around the living space, cataloging every shred of evidence.

Evidence that, when he looks at it, shows how Scully had been forced to fight for her life again, all alone and hopeless.

When he turns, she wanders out of the bathroom like a specter, a white knit blanket flowing behind her in an almost ghostly form. The door to her bedroom shuts behind her unceremoniously, and his heart constricts.

Sucking in a deep breath, Mulder glances up at the ceiling, willing the angry tears forming in his eyes to go away. Scully needs him. His wife needs him. Not his self-directed anger and loathing, or thoughts of would’ve, could’ve, should’ve.  

He starts toward her room, knocking lightly on the door before opening it.

“Scully?” he says, poking his head in. He finds her sitting on her bed facing the wall on the far side of the room, staring at nothing in particular. He swallows past the lump in his throat and enters. “Come on, I’m taking you home.”

She doesn’t react, not that he’d expected her to. He finds an empty suitcase in her closet and splays it open on her bed, tossing in a few items he knows she’ll need. Her comfy slippers. Silk pajamas. A blanket. A few of her medical journals from her to-be-read pile.

Her Bible.

He leaves the shampoo and hair products where they are. She can use his, tonight.

“Scully,” he tries again, placing a tentative hand on her shoulder and bending to meet her eyes. She flinches, but softens at the sight of him, which is an immense relief. “They’re letting you go,” he says. “Can I take you home?”

She nods wordlessly, allowing herself to be pulled to her feet. He lets her keep the blanket wrapped around her for comfort, hoisting her now packed bag into one hand while guiding her gently with the other. The officers spare him a glance and a nod as they make their escape, an odd sense of understanding and respect passing from one man to another.

He’s not sure if he’s just that obvious about it, or if it’s some innate caveman sense of duty that has activated in their brains, but either way, he’s thankful for the ability to attend to his partner without judgment or pushback. A few neighbors peek their heads out their doors at them as they pass, and it causes him to pull her closer, shielding her from their wandering stares.

She rides in silence in the passenger seat of his car, kept warm by the blanket she wears. The night is crisp and clear and way too quiet, but he’s used to that by now. Life changing events happen, and the world goes on none the wiser, that’s just how things go. The pinpricks of stars in the sky shine whether you want them to or not. It’s not like the movies (or like Kroner, Kansas). It doesn’t rain just because you’re sad, or storm because you’re upset. Sometimes the night is as beautiful as ever and you just have to face the fact that you’ll never be the same again.

He wishes it didn’t have to be that way.

When they arrive, he unlocks the door to his apartment for her, pushing open the door to number 42. The keys get tossed on the kitchen table, to be dealt with properly another time. Right now, there are more important things to take care of, like the woman standing in the middle of his entryway as if she had never stepped foot in there before.

Recognizing that she’ll need him to take the lead, Mulder guides her further into the space, wordlessly ushering her into the living room where he sits her down on the couch. He disappears into the bathroom to get things ready for her; a clean towel, a brand new toothbrush, a disposable cup for water. He gives the small room a once over to make sure none of it resembles Pfaster’s preparation of her bathtub hours earlier, and nods in approval.

“Dana,” he says tenderly, crouching in front of her at the couch. She looks up at him, and he nods toward the bathroom. “You want to get cleaned up?”

“I– yes,” she agrees, nodding feebly. He offers his hands to help her up and pulls her to her feet. 

“Let me know if you need anything else,” he says, sending her off on her own while trying not to hover or act too worried about her.

He hears the heavy wooden door shut behind her and lets out an exhausted sigh, his shoulders slumping. He takes a moment to gather himself before trudging into the bedroom, digging some rumpled but clean sheets out of his closet and starting the process of stripping and remaking the bed for her. He leaves a lamp on, just in case she wants it, and sets her suitcase on the bed.

Only then does he notice that there hasn’t been any sound of running water since she went in there.

“Mulder?” he hears, her voice muffled through the closed door. He nearly trips over himself in his haste to get to the bathroom, stopping halfway through shoving a fresh pillowcase on a pillow. He stands outside the doorway, his hand hesitating over the knob.

“I’m here, Scully,” he says, holding his hand up to the door. His forehead almost presses against the wood, and he listens intently for her to speak again, wondering for a moment if she even will.

But then he hears her uncertain voice come through again. 

“Can– can you come in here?”

His hand finds the doorknob and turns, the door creaking open slowly so as not to startle her. She’s wrapped in a towel and standing in front of the shower, but that seems to be as far as she’s made it. Her clothes are neatly folded on top of his sink, splatters of blood still visibly dotting the hem despite her attempt to hide them. Her feet are bare and probably freezing on the cold tile, but that isn’t what’s bothering her.

She stares at the bathtub like she’s seeing a ghost.

“What can I do?” Mulder asks. Not ‘what’s wrong?’ because he knows. That’s plain enough to see.

“Stay– stay in here?” she asks, sounding shy and ashamed, all things she doesn’t have to be. Not around him.

“Of course,” he says, because of course he will. He’ll do anything—whatever he can to make this easier for her.

She gives a shaky nod, not even casting a glance back in his direction, and takes a bold step forward.

Mulder finds a seat on the closed toilet seat lid and closes his eyes, offering her some semblance of privacy despite the circumstances.

“Talk about something,” she says, the sound of the shower coming on audibly marking her progress.

He thinks, frantically filing through a list of safe topics in his brain before finally settling on one.

“I had a dream,” he starts, picturing it in his mind as he speaks. “Skinner was holding up a piñata on a rope, shaped like an alien. And there was this kid, maybe four years old? I knew it was her birthday, and she started yelling about how the alien was the wrong color, except it was supposed to be rainbow colored, not gray. It was completely unrealistic.”

Scully doesn’t respond, but the scent of his body wash wafts through the curtain, so he knows she’s doing okay so far. 

Encouraged by this, he continues. “Suddenly she has a baseball bat—a real Louisville Slugger one, not a cheap one. And she takes this massive swing and lands one straight in Skinner’s– well, you can imagine where.” 

He smirks at this, the memory just as amusing as it had been when he woke up that morning. 

“Skinman obviously drops the rope, and Mr. Alien goes for a dive. It practically explodes on impact, and there are sunflower seeds absolutely everywhere. I’m talking way more than can feasibly fit into a piñata, Scully, not that anyone in their right mind would put seeds into a piñata.” He’s not sure why this detail is important, but it seemed like it at the time. 

In any case, it adds to the absurdity of the dream, which is the whole point of the story. Distract her from her troubles by sharing something utterly stupid and meaningless. 

“And then we all just laid down and made sunflower seed angels on the ground until I woke up.”

He lets his tale trail off there, the bathroom returning to silence save for the constant trickle of water down the drain. He can’t tell if his distraction worked or not, but he listens anyway, hoping for some sign that she’ll be okay.

And then:

“That’s ridiculous, Mulder.”

The tight squeeze of his heart loosens immediately at the sound of her voice. Her voice. Laced with the usual loveable skepticism that he’s come to expect from her. 

He’s never been so happy to be called ridiculous in his life.

“I didn’t say it was a reasonable dream, Scully,” he teases back carefully, smiling in spite of himself.

She doesn’t ask him to speak again for the rest of her shower, but the mood has lightened significantly, and for that he’s grateful.

Eventually, he hears the sound of the curtains getting pulled back, the faucet dripping now that the shower has been turned off. He’s getting tired, if he’s being honest. The sound of the water combined with the darkness of having his eyes closed for the past ten minutes has combined to form the perfect conditions for sleeping, not to mention the bone-deep exhaustion the day had leveled on him. It’s only the responsibility of looking after Scully that keeps him lucid. Otherwise, he might have conked out right there on the toilet seat before she was even done.

She asks for pajamas to borrow, the silk ones he'd packed in her bag too close to what she wore when Pfaster attacked. He gladly hands over some sweatpants and a t-shirt, helping her to roll the hem to fit her much shorter frame. It dwarfs her, but she doesn’t complain in the slightest.

“I, uh– I made up the bed,” he says, hovering awkwardly around his bedroom, fussing needlessly with the sheets. “I'll just be out there,” he adds, pointing to the living room. “If you need me.”

He starts toward the doorway, ready to collapse on his leather couch for what is sure to be a fitful night's sleep. She'll be fine, he tells himself. He'll just throw her clothes into the washer before bed, then leave her be.

“Mulder?”

He turns, worry creasing his brow. 

“I need you.”

She sits on the bed, looking so small and helpless in his oversized clothes. Even during her cancer treatments, she found it hard to admit her need for help. But things have changed since then. 

He sets her bloodied clothes aside and crosses to her, his eyes searching hers, asking what she wants him to do.

She pulls back the covers on the other side of the bed, and suddenly, he understands.

Glancing down at his own bloodied clothing, he sends her an apologetic look. “Give me a few minutes,” he says, his eyes meeting hers intently, as if she might disappear the second she's out of his sight.

Reluctantly, he tears himself away long enough to take a quick shower and slip into some comfortable sleep clothes. He wonders if this is wise, if having a man in bed beside her will trigger some kind of post traumatic stress, but she asked him, so he will gladly do it anyway. He'll just be cautious, let her take the lead. Give her as much or as little space as she needs.

He exits the bathroom, taking his clothes and hers and tossing them in the washer along with the blanket she'd worn on the ride over.

He re-enters the bedroom as quietly as possible, and can tell by the uneven rise and fall of her chest that she's still awake. With a boldness he doesn't quite feel, he slides onto the bed beside her, adjusting the sheets over his chest.

He doesn't want her to think he's uncomfortable with this, because he's not. He just worries that he'll scare her, that the unfamiliar surroundings will be too much, too soon, and she'll panic or run screaming away from him.

He stares listlessly at the ceiling for a few minutes before she speaks.

“Can I ask one more thing of you?” she says, her voice a whisper in the dark.

He turns his head toward her, staring at the back of her hair. Her shoulders are hunched in on themselves, her body stiff and unmoving.

“Anything, Scully,” is his answer. If she asks him to get lost, leave her alone because she changed her mind, he'll do it. But that's not what she does.

Instead, she turns and faces him, her expression defeated. Her request isn't spoken with words, but instead in the way she inches toward him, wrapping her arms around his waist and burying her face in his chest.

It takes his brain a second to catch up with his body, but when it does, he circles his arms around her, burying his nose in her freshly cleaned hair, potent with the scent of his shampoo.

She doesn’t cry, like he might expect. But she doesn’t pull away, either. He holds her close, reveling in every second of being allowed to comfort her in this way. If this is his only opportunity to hold his wife in his arms, he’ll make the most of it. His fingers tangle in her hair, cradling her tightly to him in what he hopes is a comforting gesture. She’s safe here, he needs her to know that.

They lay there for a few minutes, the room silent except for the sound of a ticking clock and the heater kicking on. He starts to wonder if she’s fallen asleep, but then he feels her hand brush up his chest, palm flat against him. Her fingers pause over the circular object tucked beneath his t-shirt, tracing the outline of it thoughtfully.

Oh, Scully.

Though he’s loath to part with her, he leans back a little, creating some space between them. With one arm, he pulls the chain from around his neck, unclasping it and removing the ring from its hidden place.

His eyes meet hers, heavy with meaning, as she lays back on the pillow looking up at him, and he slides it on his finger, his gaze never wavering.

A single tear slips from her eye, dissolving into the fabric of the pillow.

Tonight, she doesn’t need her partner. She doesn’t need her friend.

Tonight, Dana Scully needs her husband. And that’s exactly what he’ll be.

Without a word, he scoops her back into his arms, this time pulling her so his front is curled around her back, his arm wrapped protectively around her waist. Her hand finds his left one, her fingers taking a moment to brush over the cool metal band before resting atop it.

“I’m sorry I didn’t get there sooner,” he says into her shoulder, his voice straining against the emotion constricting his vocal cords.

“Why did I do it, Mulder?” she speaks, whispered like a dark secret into the night. 

He doesn’t have an answer for her beyond what he’s already said.

“Because you are good, Scully,” he says. “That kind of evil doesn’t belong in this world.”

He knows his words won’t be enough to put her mind at rest. Not yet. But he’ll keep saying them until she believes him. As many times as it takes.

“Sleep, sweetheart,” he says, the endearment falling easily from his lips. He presses a kiss to the side of her head and curls in tighter, providing much needed comfort and security to the both of them.

She does, and he follows soon after, drifting off into a blessedly dreamless sleep.

-.-.-

He wakes the next morning to the sound of his phone ringing in the living room. It’s cruel, to be forced to leave the warmth of the bed without getting to savor the last few minutes of peace while she sleeps, but he drags himself away anyway, creeping out of the room as quietly as possible. With one last glance back at her, he sees her roll into the divot he’d left in the mattress, wrapping her arm around the pillow he’d vacated.

His heart tugs painfully. Go back to her, it says.

The phone call turns out to be Skinner, asking after Scully and wanting to know how she’s doing. He’s not sure whether the Assistant Director had guessed where she was, or if the police had said something to him, but either way, it doesn’t seem to surprise him that he’d taken her home with him.

Their boss is generous, giving them a few days off to recuperate. Scully needs it, whether she’d admit to it or not. He thanks the man and hangs up the phone, contemplating how best to fill the free time they both suddenly have.

He starts some coffee brewing in the kitchen and moves their laundry into the dryer, then drifts back to the doorway leading into his bedroom, pulled like a magnet back to her side.

He hates to wake her, but it’s been hours since she’s eaten anything. He perches on the edge of the bed and tucks her hand into his, holding it gently as he sits mesmerized by the soft fluttering of her eyelashes.

“Scully,” he says softly, running his thumb over her knuckles. He repeats her name and she shifts slightly, slowly coming to consciousness.

“Mmm—Mulder?” she asks, her brows furrowing, eyes still closed.

He smiles softly. “Hey, sleepyhead,” he says. “How do you feel about breakfast?”

-.-.-

It feels dreadfully normal to be sitting across from her at his kitchen table, the newspaper open to the funny pages while they nibble on slightly rubbery scrambled eggs and steaming coffee. He’s still not used to the clink of his ring against the ceramic mug when he picks it up, but it just adds to the perfect picture of domesticity, one he’d never thought he’d experience again after Diana left him, and that was never so perfect in the first place.

Scully is doing well, this morning, all things considered. He tells her that Skinner called, a gesture he knows she’ll appreciate. Now the question is what to do with the rest of their day, and the days that follow.

He has some ideas about that. The only concern is whether she’ll be receptive to them.

The television is tuned in to a channel playing reruns of I Love Lucy when he approaches her on the couch, setting a stack of flattened cardboard boxes on the floor by the coffee table.

He can’t believe he’s about to suggest what he’s about to suggest, but he can’t deny that it makes sense. Pfaster was the final straw, the one that pushed him over the edge. Bad things happen when they’re apart. If the last seven years with her have taught him anything, it’s that.

He’d told the adoption agent he was planning to take a step back from the X-Files. The events of yesterday merely solidified his belief that it was the right decision. He’s ready if she is.

He sits beside her on the couch.

“I was thinking,” he starts, focusing his eyes on the scene playing out between Lucy and Ricky Ricardo on the screen. “It might be good if I move in before they do a home visit—hypothetically, of course. If we get approved.”

She turns to look at him, surprise—not unpleasant—lacing her features.

“I mean—” he fumbles with his words. “I have a good feeling we will get approved. So, if you want…”

“Yes,” she says simply.

He blinks, astonished that it was that easy.

The home visit ‘deadline’ is just an excuse, and both of them know it. But she still says yes, and once again he feels a thrill at all the drastic life changes they’ve made with comparatively little thought in the last several months.

It’s all worked out well so far, so why shouldn’t this too?

He fights back a grin, nodding calmly in response.

Okay.

“Uh, I figured we could start with the small stuff first,” he says, focusing intently to keep his voice from shaking. “Decide what to donate, what to keep, what to throw away…”

“Sounds fun, Mulder,” she says, a hint of the old Scully finding her way back into her speech.

Oh, yes. This is the right decision. He’s sure of it now.

Armed with packing tape, permanent markers, and bubble wrap, they take to the apartment with gusto, smiling infectiously whenever their eyes meet over the top of cardboard boxes and piles of his belongings, on their way to a new home.

~~~

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[dabeth-is-dead]

If I had a nickel for every time I was yelling for Mulder to listen to his damn voicemail right the fuck now, I'd have two nickels which isn't a lot but it's heartbreaking that it happened twice

[perfectfeelings]

Joyfulness keeps the heart and face young. A good laugh makes us better friends with ourselves and everybody around us.

Orison Swett Marden

[dovescheck]

orison community.areyou here. are you out there...

textless under cut

[randomfoggytiger]

I was watching "Orison" for maybe the 6th time, and I finally noticed that in the scene in which Mulder is brushing his teeth while Scully is being attack, there are 2 toothbrushes and 2 robes (I think they're robes) hanging in his bathroom. There is definitely what looks like a purple toothbrush hanging on the wall while he is brushing his teeth.

It's amazing how those little details escaped my perception after soo many views.

Anon, you're a GENIUS-- I've never noticed that before!

Yes, that is most certainly a second toothbrush. The jury's out on the robes: could be two, could be Mulder's coat he was too lazy to hang in his closet. There's a hairdryer hanging in his bathroom, too; but that could be his (would be curious to know who its manufacturers marketed towards....)

Screenshot for up-close study:

Oh, also: Mulder's a bike rider (and he hangs it on his wall):