#The Metropolitan Horseshoe | Explore Tumblr posts and blogs

opera-ghosts · 6 days ago

Text

OPERA COSTUMES NOW SUIT THE ROLE, NOT THE SINGER March 11, 1984, New York Times

Back in 1875 the famous diva Celestine Galli-Marie was about to create the title role in a new opera called ''Carmen.'' In preparation for the premiere, she ordered a suitable costume - one that was supposed to combine authentic Spanish flavor with a romantic sense of the picturesque in a manner befitting a star of the Paris Opera-Comique. Thus first- nighters witnessed Bizet's spitfire emerge from her shabby cigarette factory immaculately attired in a close-fitting frock of canary satin trimmed with black silk ball fringe, a black velvet bolero, and a wide- brimmed hat with ball fringe to match. ''Gypsy chic,'' one might have called it.

Two decades later, when Emma Calvé performed the same role at the Metropolitan, wearing a seedy shawl (her own, of course), the Diamond Horseshoe gasped in disbelief: they couldn't tell Carmen apart from the chorus. Even her tenor, Jean de Reszke, was stunned. Before singing the role of Don Jose, a sergeant of the Dragoons, he had purchased a gleaming pair of boots suitable for a general. Though they weren't aware of it at the time, Calve was helping to usher in a new age.

The concept of stage costume has changed considerably since opera's palmy days. During the 19th century it didn't matter whether the stars played courtiers or courtesans, barons or beggars, so long as they were arrayed in suitable finery. Elegance and opulence were the rule, and every singer of repute owned a personal stage wardrobe from crowns to shoes.

One can only imagine, therefore, the sort of stage picture that resulted when an international cast assembled to sing, say, ''Les Huguenots,'' ''I Puritani'' or ''Der Freisch"utz'' dressed in a blinding assortment of color schemes, styles and decorations. Certainly it was closer to a fancy-dress ball than an integrated production.

''Obviously this practice is discouraged nowadays,'' says Peter Hall, the most recent head of the Metropolitan Opera costume department. ''Productions should be absolutely complete. Moreover, period is often changed by directors wishing to break with tradition, and things become rather heated when somebody comes along dressed 200 years out of date.''

To the Victorians, richness of effect was paramount, hence old-style costume decoration was very fussy, with all manner of contrasting fabrics used in combination with yards of beads, ribbons, plumes, fake gems, and embroidery, not to mention the pleats and tucks that must have been an absolute terror to clean and press.

''Things are very much simpler today than they were at the turn of the century,'' says Mr. Hall. ''While some designers, such as Zeffirelli, look at old portraits and copy those styles exactly, another school will look at authentic styles and re-interpret them somewhat. Last comes the 'self-indulgent' school that says, 'I'm not going to listen to the music anyway - I'll just do what I think is nice. Obviously that is the wrong way to go about it, for in the end the music should be reflected in the look of sets and costumes. I don't think that you can do Monteverdi in space suits. It has been done, in fact, but the result was hardly successful.''

Space suits or not, stage costume has always tended somehow to mirror its own time. Whether Nellie Melba was singing Gilda, Violetta or the Countess in ''The Marriage of Figaro,'' her ''period'' gowns - which were supposed to represent roughly the years 1470, 1850 and 1785 respectively - emphasized the hour- glass figure dictated by fashion at the fin de si ecle. Photographs of Emma Eames as Tosca show her wearing a bosomy costume that is little more than a gored Edwardian morning dress with an appropriate picture hat. Further on in time, Maria Jeritza's Tosca boasted the svelte lines popular during the 1920's and 30's.

Make-up and coiffure also have a lot to do with period feeling, but most singers have tended to wear whatever is popular or flattering. For instance, dark eyelids, kewpie-doll lips and headbands worn low over the brow usually indicate performances of the post-World War I era, whether the role depicted is Tha"is, Lakme or the "Agyptische Helena, and everyone is familiar with the all-purpose hairdo that Dame Joan Sutherland lets down only for mad scenes.

Men have been just as fashion conscious. When large, waxed moustaches were the rage, Caruso, Florencio Constantino, Mattia Battistini and many others sported them even when portraying normally clean-shaven 18th-century characters in powdered wigs.

Renaissance and earlier historical styles gave Victorian and early 20th- century designers the chance to indulge in amazing flights of fancy shackled by considerations of modesty. A copy of Harper's Weekly from 1855 contains engravings of Giulia Grisi and Marietta Alboni as the protagonists of Rossini's ''Semiramide.'' As the exotic Queen of Babylon, Grisi wore a pointed bodice, short puff sleeves, multi-layered skirt over numerous petticoats, floor-length veil and Statue-of-Liberty coronet that were merely outlandish variations on the outfit worn by Queen Victoria to the opening of the Crystal Palace in 1851.

Alboni sang Arsace, a trouser role, in a short flounced skirt worn over voluminous pantaloons tucked into dainty suede-topped boots (to give the impression of pants while hiding her legs) . With her little painted moustache - lest anyone mistake her for a woman - she looked rather like Prince Albert in drag.

Biblical and ancient garb were generally treated more like upholstery than attire on the stage prior to 1920. Old production shots of ''A"ida'' show the singers draped like ottomans in layers of heavy, embroidered fabric that would have caused real-life Egyptians to drop from heat stroke. The traditional get-up for ''Samson and Delilah'' resembled the wares of a Levantine rug merchant.

''Once again, it is the music that governs the look,'' says Mr. Hall who remembered a production of ''Samson'' 20 years ago ''for which I had not paid as much attention to the score as I might have. We designed rough, tweedy things with heavy Sumerian fringes. Then, upon hearing the priestesses' music in Act I, I realized that it calls for silk and flowing drapery.''

Nowadays, some sopranos are sufficiently alluring to make sense of more revealing attire when necessary. Gwyneth Jones, for example, sang the ''Tannh"auser'' Venus at Bayreuth clad in little more than a fishnet. It is still a rare tenor, however, who can portray Radames, Samson or Siegfried bare-chested in the appropriate heroic - or sub-tropical - manner. Indeed, Peter Hoffmann, is the only exception that comes to mind. As Siegmund in the Bayreuth centennial production of the ''Ring,'' he managed to strip to the waist before his battle with Hunding in ''Die Walk"ure'' without looking foolish.

Simplification and a greater striving for comfort and economy have had a marked effect not only on contemporary costumes themselves, but on their accessories. Although Mr. Hall personally favors ''full period costumes using fabrics as close to the original as possible,'' synthetics and substitutes can frequently be more practical and less costly. ''I like wool to be wool and silk to be silk, but obviously things are so expensive nowadays that one can't always do it. Materials that were extravagant at $25 a yard 10 years ago are now $125. It is still more economical to buy leather in skins than the imitations, however. For one thing, imitations can't be cleaned, nor can they be shaped like the real article.''

Stage jewelry and armour tend to be much lighter today than formerly. Old opera crowns used to be made of gilded metal, but the Met usually uses gold kid on a felt or elastic base. ''In Italy,'' says Mr. Hall, ''armour is still often made by property departments using brass and tin. We're inclined to use felt or vacuform (a plastic) with a metalic coating. Jewelry has also been greatly simplified. The old practice was to set false gems and pearls in brass prongs, then to sew the entire setting to the fabric. ''Now we sew on the pearls and gems directly, and apply gold braid afterward to suggest the setting.''

Robert Tuggle, archivist of the the Met, who acts as curator of the historic collection along with restoration consultant Gail Frohlinger, recently commented that, ''Even though luxurious silks and handmade laces have yielded to less opulent fabrics and trimmings, the general level of costumes is higher today than it used to be. The greater attention now being paid by designers to the chorus and smaller roles has fostered productions for which the workmanship on minor costumes is on a par with that given the stars.''

Recalling the violent upheavals that formerly took place when divas and dressmakers disagreed, Mr. Hall observed that there are relatively few donnybrooks in the Met's costume department today because singers are more serious about their work than their forebears used to be. They still have their quirks, however. ''One singer will not permit wool or velvet to cover his chest - only hard satin, because he says his voice bounces off it.'' Another once insisted that his voice was going up inside his helmet and being trapped there - although it didn't cover his face at all. ''So we made small holes on each side - like a rain hat - and he was delighted.'' Some singers avoid certain colors, either due to vanity or superstition, while others take a liking to one color or even to a particular garment. Luciano Pavarotti, it seems, belongs to the second category. ''He has a pronounced tendency to wear his favorite black suede vest in everything,'' said Mr. Hall, ''and you may quote me on that because I'm sure he knows it himself.''

Whether he does know it or not, whether it stems from superstition or from a desire for personal comfort, we can regard the tenor's habit, perhaps, as a holdover from the palmy days, a slender link with those bursting steamer trunks of the opulent past. There have been many changes in the philosophy of the dressing room over the years, but it's nice to know that some customs remain immutable.

4 notes · View notes

thornwolfy235 · 2 months ago

Text

I wanted to share my concept for my impsona. I've been trying to draw her, and my hand doesn't want to convey what's in my brain. I'm having a similar issue with writing. So this will be kind of like an outline for her.

She is a hybrid, was born in the Lust ring, and her moniker is Lucky, but those have nothing to do with each other. (I haven't come up with a good given name as she rarely, if ever, uses it.)

Lucky's father was an imp and her mother was a hellhound. She refers to herself as an "imphound." Her head shape is similar to a fennec fox's, with a short muzzle and large ears positioned more to the sides of her head. Her small horns sit above them (still deciding if they're nubs or a little longer and slightly curved). Her body is nicely curvy and a little on the plumper side. Her hands are more imp-like than canine. She has thick thighs, but her lower legs are thin, ending in large paws rather than imp hooves. Her tail is thin like an imp's with a few spines at the top, but ends in a fluffy tuft. If what you're imaging resembles a jerboa with horns, you're on the right track.

Lust was too much for her, somewhat in terms of *lust* but mostly because of how metropolitan it was. Wrath's wide open spaces and hellish fauna lured her in and she got a job as a ranch hand. She essentially went through some hazing to prove her grit, and while she was told the first hellhorse she was handed was actually fresh off of the plains. The mare kicked her ass, leaving her with a horseshoe shaped scar on the side of her thigh, and would be the source of her moniker. (She usually rips her pants in such a way as to show off said scar.) The two would later become inseparable, of course. Lucky names the hellhorse Gyre. Her body is pale gray, her flames are blue and low but throw off a lot of smoke, which is what makes up most her mane and tail and is the source of her name.

How she fits into HH:

Charlie's trying to get her dad outside and interacting more after being holed up in the workshop for x years. She gets the idea for him to get a hellhorse, "It'll be like old times when you'd ride down to the lava lake to watch the hell ducks! Remember how relaxing that was for you?" (I have to imagine the royal family had horses before limos were invented). He gives in because how could he ever disappoint his Char-Char, goes down to Wrath and picks himself a gorgeous but ornery steed, so he's given Lucky to act as stablehand/trainer.

The pair have a slightly rough meeting. Lucky tends to play distant and aloof, especially when she's nervous, and she's a hybrid of Hell's lowest classes and he's the Satanforesaken *king of Hell*. That said, she can get snippy if she thinks the horses aren't being treated right. Lucifer is trash at peopling and also plays aloof to match the whole king-persona, and he's still got his dissociative moments he's working through. Through a much of miscommunications and misread signals, Lucifer's convinced she hates him, that she thinks he's just a failure in every sense of the word, and doesn't want to talk to him unless she's telling him what he's done wrong. Lucky thinks he despises her, sees her as even lower than imps and hellhounds because she's a hybrid, and doesn't care at all about his new horse.

Charlie is ecstatic about the stablehand, but feels bad that she's had a rough introduction to her dad and the hotel. So Charlie decides to have a girls' night sleepover to welcome the imphound and make her feel more at home (with Angel Dust because there's no way he's missing gossip from two other Rings, especially if one of them's Lust). Lucky's not keen on the idea, but she doesn't want to upset her boss's daughter (and honestly can't say no to Charlie's enthusiasm). While doing manicures and pedicures, Lucky offers to do Charlie's hooves as "I know my way around them."

Charlie shows off Lucky's work the next day, which gets Lucifer curious. Sure, he can snap his fingers to fix his appearance, but that also means he loses out on the relaxation of self-care. So Charlie suggests he has Lucky do his as well (read, she gushes about it to her dad, sees Lucky wandering by, and puts them both in a headlock until they agree to her puppy-dog eyes).

Cue calm, quiet time for Luci where he doesn't feel like he has to project that kingly aura and Lucky doesn't feel like she has to impress. It can be read as platonic or budding romance. (I mean, I am still thirsty for him, so yeah.)

#hazbin hotel #lucifer morningstar #charlie morningstar #impsona #writing #conceptual #hellaverse

0 notes

gokitetour · 11 months ago

Text

10 Top-Rated Tourist Attractions in Canada

Some of the most popular tourist destinations in the world are located in Canada, a country known for its wide and varied landscapes. Travelers seeking adventure, history, and breathtaking landscapes will find a compelling combination of experiences in this country, which is home to both natural and cultural jewels. The most famous natural wonder in the world, Niagara Falls, is located on the border between Ontario and New York. Millions of tourists visit the Horseshoe Falls, American Falls, and Bridal Veil Falls each year, drawn by their breathtaking beauty and force. An up-close interaction with the falling waves is made possible by boat cruises like the Maid of the Mist, making for a memorable experience. The two must-see locations in the Canadian Rockies are Banff National Park and Jasper National Park. Nestled in the heart of the Rockies, Banff captivates with its turquoise lakes, towering mountains, and glaciers; Jasper, on the other hand, provides pristine wilderness, stargazing-friendly dark sky preserves, and the famous Icefields Parkway.

Toronto's CN Tower towers over its metropolitan surroundings, providing panoramic vistas and an exhilarating Edge Walk around its periphery. In the meantime, Quebec City's old buildings and cobblestone streets offer a sense of Europe right here in North America. Canada's best attractions promise an amazing journey of discovery, whether you want to visit the Pacific paradise of Vancouver Island, see the political center of Ottawa at Parliament Hill, or delve into the rich cultural heritage of the Royal Ontario Museum.

Here are some top-rated tourist attractions in Canada.

1. Niagara Falls: A Wonder of Nature: Situated on the border between Ontario and New York, Niagara Falls is one of Canada's most famous and spectacular sights. Millions of tourists visit the falls every year because of their incredible beauty and strength. Horseshoe Falls, American Falls, and Bridal Veil Falls are the three distinct waterfalls that make up the falls. Travelers may have an amazing experience up close and personal with the tumbling waves by taking boat trips such as the Maid of the Mist.

2. Banff National Park: Majesty of the Rocky Mountains: Outdoor enthusiasts and nature lovers will find paradise at Banff National Park, which is tucked away in the heart of the Canadian Rockies. Glaciers, tall mountain peaks, and turquoise lakes are some of the breathtaking sceneries. The town of Banff provides a delightful fusion of intimate alpine settings and outdoor activities. It's a year-round location where visitors may climb to Lake Louise, experience the picturesque Icefields Parkway, or unwind in the Banff Upper Hot Springs.

3. Toronto's Skyline Marvel, the CN Tower: The CN Tower, which dominates Toronto's skyline, is a work of architectural art and a representation of the biggest city in Canada. At 553 meters, it was the highest free-standing building in the world for more than thirty years. Travelers may ride an elevator to the observation deck, which offers expansive city views, and even experience the exhilarating Edge Walk, a hands-free stroll around the outside edge of the tower.

4. Wilderness Wonderland at Jasper National Park: Another jewel in the Canadian Rockies is Jasper National Park, which provides a huge swath of pristine wilderness. Visitors may enjoy a leisurely drive along the Icefields Parkway, which is renowned for its breathtaking vistas and abundance of animals, or visit the breathtaking Maligne Canyon or sail on the tranquil Maligne Lake. Jasper is a great place to see stars because it is designated as a dark sky preserve.

5. Old Quebec City: North America's Taste of Europe: A UNESCO World Heritage Site, Quebec City is a quaint and ancient location that carries travellers back to a bygone era of European culture. A distinct atmosphere is created by the famous Château Frontenac, cobblestone streets, and old buildings. City walls encircle the Old Town, and sites like Place Royale and the Plains of Abraham provide insight into Canada's lengthy past.

6. Vancouver Island: The Eden on the Pacific: Vancouver Island, a Pacific paradise with a variety of scenery and outdoor activities, is accessible from Vancouver by a picturesque boat trip. The provincial capital, Victoria, is renowned for the Royal BC Museum, colorful gardens like Butchart Gardens, and its ancient architecture. The Pacific Rim National Park Reserve, renowned for its untamed coastline and mild rainforests, is open to outdoor lovers.

7. Parliament Hill: The Political Pulse of Ottawa: Canada's political and cultural center is Parliament Hill, which is located in the nation's capital, Ottawa. Symbolic of Ottawa River views, the Gothic-style Parliament Buildings are a sight to behold. Aside from taking in the breathtaking city views, visitors may explore the Peace Tower and see the ceremonial changing of the guard. Canada Day festivities and other exciting summertime activities take place on Parliament Hill.

8. Whistler Blackcomb: A Summer Adventure and Winter Wonderland: Whistler Blackcomb, regarded as one of the best ski resorts in the world, is a year-round location with summer and winter activities. Its large, continuous slopes draw skiers and snowboarders in the winter. Summertime brings breathtaking views of the Coast Mountains and perfect conditions for hiking, mountain biking, and zip-lining.

9. Royal Ontario Museum: A Cultural Treasure in Toronto: One of the biggest museums in North America, the Royal Ontario Museum (ROM) in Toronto, features an enormous collection of works of art, cultural artifacts, and natural history. The museum has nearly six million objects, covering everything from ancient civilizations to dinosaur fossils. The Michael Lee-Chin Crystal's avant-garde construction gives the ROM an interesting fusion of the ancient and the modern.

10. Gros Morne National Park: A Geological Wonder of Newfoundland: Gros Morne National Park, a UNESCO World Heritage Site in Newfoundland, is well-known for its remarkable geological characteristics. Towering cliffs, fjords, and the Tablelands, a region with distinctive exposed mantle rock, are just a few of the park's many geographical features. Discover the natural beauty of this park's geology, take a boat ride around Western Brook Pond, and ascend Gros Morne Mountain.

In summary, Canada's best tourist destinations provide a diverse range of experiences that highlight the nation's modern wonders, cultural legacy, and natural beauty. Canada is a place that appeals to a wide variety of interests, from the iconic Niagara Falls, where the sheer power of nature enthrals millions, to the magnificent Canadian Rockies with Banff and Jasper National Parks.

The cities each have their own special charm; in Toronto, the skyline is dominated by the CN Tower, while in Quebec City, travellers are immersed in a European atmosphere. The Pacific paradise of Vancouver Island and Parliament Hill, the political center of Ottawa, add to the attraction of the nation. With its vast collection, Toronto's Royal Ontario Museum gives the experience a dash of cultural depth.

It's critical for visitors to be informed of the required arrangements, such as obtaining a Canada visa, as they tour these beauties. Obtaining a Canada visa is essential for a smooth and delightful stay, enabling visitors to fully experience the allure and splendour that Canada has to offer. Canada is still a popular travel destination, luring travellers to make lifelong experiences in this breathtaking region of North America with its welcoming people, varied landscapes, and top-notch attractions.

#Canada visa #Canada Visit Visa from India

0 notes

real-estate-broker · 1 year ago

Text

4 Most Popular Cities in Canada

The Great White North is home to many beloved cities. Canada is a diverse country, resulting in unique cities with distinct personalities. From the urban jungle that is Toronto to cities like Vancouver that embrace nature, there's a lot to love about Canada. Here are some of the country's most popular cities.

Toronto

We can't talk about great Canadian Cities without mentioning Toronto! Toronto homes for sale are pricey, but that comes with living in the country's most populous city. Toronto is Canada's financial hub, making it home to colorful neighborhoods and tons to do.

If you like the urban feel, Toronto has several walkable neighborhoods. There are also many fine museums, art centers and restaurants to die for. But even nature lovers flock to Toronto. There's easy access to Lake Ontario, and three major rivers intersect the city. As a result, people who invest in Toronto homes for sale can spend their days having fun at parks or exploring many trails.

Niagara Falls

Niagara Falls is a popular tourist destination, and it's not hard to see why. It sits on the Niagara River's western shore, overlooking the Horseshoe Falls. There are several tourist-filled areas, but Niagara Falls residents have plenty to enjoy.

It's a nature-lovers paradise! A beautiful wine region, yearly festivals and countless outdoor activities are also on your doorstep.

Vancouver

Vancouver is a coastal city with a stunning mountain backdrop. It's in British Columbia on Canada's west coast. Despite having a population of more than 2.4 million in the metropolitan area, Vancouver has a noticeably relaxed charm.

It's home to many outdoor sites. There are ski resorts in the mountains, Vancouver Island to the west and plenty of parks to enjoy nature within the city limits.

Montreal

Montreal is Canada's biggest French-speaking city. Throughout most of Canada's history, the municipality of Quebec was the country's economic hub. While that title now belongs to Toronto, Montreal has the beauty of Canada's past on full display.

Visitors and residents can stroll through historic cobblestone streets, appreciate architecture that stands the test of time and see some of Canada's finest landmarks.

Read a similar article about home selling guide here at this page.

#Toronto homes for sale

0 notes

ame-gosh · 2 years ago

Photo

Hawes ‘Diamond Horseshoe’ Gown - back - 1936 - by Elizabeth Hawes (American, 1903-1971)

#the front is very very good too #fashion #insp

30 notes · View notes

80s-fashion-expert · 3 years ago

Text

The Effects of Postmodernism on Fashion in the 80s

Post-modernist art was chaotic and confusing sometimes even described as erotic. (Armitage cited in what is postmodernism 2018) The product was left for the viewer to interpret. And these chaotic features leave one to ask the question – what is post modernism? Born as a response to the clarity of modernism, Postmodernism was a movement of culture literature and arts. With no consistent aesthetic, the movement focused more on presenting conceptual subjects in new and innovative ways rather than focusing on style or technique that was presented by modernism. (Tate 2021)

A common theme often played on in the movement was ‘dystopia’ and the bring forward ideas of a new world that made no logical sense. And to show this theme often distressed materials were used to create a sense of urban decay (2021)

2 designers who used the dystopia of postmodernism in their designs where Vivienne Westwood and Rei Kawakubo of Comme de Garcons. They both introduced unfamiliar styles and techniques to the runway and sent shockwaves through fashion critics

Rei Kawakubo’s made her debut in the west at Paris fashion week with her autumn winter collection “pirates” All pieces where of dark colours. No pieces hugged the body. She played on the idea of chaos and unbalance by creating asymmetry with her designs. She was criticised for defeminising women by “Stripping them of beauty sophistication and glamour” (Klensch 1987). However, it was a postmodernists intention to shock audiences with their controversial outputs.

(Pic from the met)

Additionally, in the 1985, Kawakubo, played on the idea of distressing with her Spring/ Summer collection named “Mud dyed”. This could be considred a a fusion of western and japanese fashion as she combinged wester style colours with japanese sillotes using traditonal japanese techniques to create a ‘tiedye’ like pattern.

Kawakubo’s shapeless silhouettes where a direct contradiction to the tailored suit popularly worn in the city. And despite being considered a ‘designer’ brand, Comme des garcons was not a brand of choice to be worn in the by the Yuppies of the 80. They were far to assimilated to modernistic values that postmodernism fights against. For instance, idealism, strive for progress and ‘Utopia’ (2021)

As mentioned, Vivienne Westwood was a designer influenced by post modernism. In the 1985 for her spring/ summer collection she released the ‘rocking horseshoe’. With a large wooden chunk of a sole, dark leather, and contrasting soft then sharp lines the shoe is reminiscent of a post-modernist sculpture.

As what started of a small movement in the 70, postmodernism had grown to inspire not just high fashion high street shops like ‘Colours of Benetton by the end of the decade. Their advertisements stylistically had influences of the movement with bright colours, and graphic text and short punchlines. It has parallels to the work of Barbara Kruger whose used contrasting red to convey a political message. Benneton also conveyed such messages in their advertisements but also used the shock factor. The messages they were conveying often were very controversial and sometimes racist. They used graphic images such as “pictures of a duck covered with thick oil, a bloodied mafia murder victim, depictions of child labour, and a terrorist car bombing” (Giroux, H.A. 1993)

Bibliography

Giroux, H.A. 1993. Consuming social change: The ‘united colors of Benetton’. Cultural critique. (26), p.5.

Kawakubo, R. 1985. Comme Des Garcons Ensemble spring/summer 1985[Dress] At: New York: The Metropolitan Museum of Art.

Klensch, E. 1987. Fashion: Another World of Style: Rei Kawakubo. Vouge ., p.306.

Tate n.d. Postmodernism. Tate. [Online]. [Accessed 1 December 2021]. Available from: https://www.tate.org.uk/art/art-terms/p/postmodernism.

The Met n.d. Comme des Garçons Ensemble fall/winter 1982–83. Metmuseum.org. [Online]. [Accessed 3 December 2021]. Available from: https://www.metmuseum.org/art/collection/search/650061.

Victoria and Albert Museum 2018. What is Postmodernism? [Online]. UK: Youtube. Available from: https://www.youtube.com/watch?v=5x4ntciHTXU.

2 notes · View notes

cleverwordsandotherstuffilike · 4 years ago

Text

October 28, 1929 - The night before the “Black Tuesday” stock market crash. “The Dowager Mrs. Cornelieus Vanderbilt” and guests sit in the Diamond Horseshoe tiers of boxes on opening night of Puccini’s Manon Lescaut at the Metropolitan Opera House, NY

4 notes · View notes

newyorkthegoldenage · 1 month ago

Text

The famed "Diamond horseshoe" of the (old) Metropolitan Opera House sparkles on November 13, 1951, as the 67th season opens with the presentation of Verdi's Aida.

Photo: Associated Press

#vintage New York #1950s #Metropolitan Opera #old Met #opera #Nov. 13 #13 Nov.#1950s New York #opening night #opera opening

69 notes · View notes

xf-2 · 5 years ago

Link

論文は消え、研究者は消息を絶った

新型コロナウイルスの「出所」について、議論が渦巻いている。「中国の生物兵器だ」などとする説がネット上ではまことしやかに流れる一方、中国政府は「米軍が中国へ持ち込んだのだ」と主張。さらに、そうした「新型コロナウイルスは人為的に生まれた」という論調を「陰謀説だ」として否定する向きもあり、世界中で感染が本格的に拡大する中、錯綜している状況だ。

こうした最中、日本ではほとんど伝えられていないが、中国の研究者が書いた「消された論文」が海外メディアなどで話題となっている。そこには、中国に存在する「2つの研究所」が発生源として明記されていた――。

この衝撃的な論文を発表したのは、広東省広州市にある華南理工大学・生物科学与工程学院（School of biology and Biological Engineering）の肖波濤（Botao Xiao、シャオ・ボタオ）教授ら、生物学に通じる研究者。2020年2月6日、新型コロナウイルスの発生源について研究者向けサイト「ResearchGate」に投稿したのである。

この論文はその後、ほどなくして削除された。そして、肖教授らも消息を絶ってしまった。中国政府の情報操作や工作活動に通じる外事関係者が語る。

「論文には、遺伝子レベルで新しいウイルスが開発されていたことを示唆する記述などがあった。中国政府にとっては、とうてい看過できないものだ。場合によっては、国民の暴動などにつながりかねないし、国際的な非難も相当なものになるとみたからだ。論文の削除には中国政府がかかわっている可能性もある。肖教授らも、身柄を拘束されたとみられている」

中国政府は論文を抹消するばかりか、研究者らの口をも封じる強硬策に出たとみられる、というのだ。それほどまでして隠滅しようとした論文には、いったい何が書かれていたのか。

今回、「消された論文」である「The possible origins of 2019-nCoV coronavirus」（新型コロナウイルスの考えうる発生源）の原文を入手した。以下、日本語訳した全文を掲載しよう（読みやすいよう一部に改行を加え、図表や参考文献を示す番号は省略している。太字、見出しは編集部による）。

「コウモリは売られていなかった」

〈新型コロナウイルスが中国で伝染病を発生させた。2020年2月6日までに564人の死者を含め、2万8060人が感染したことが検査で確認されている。今週の（学術誌）ネイチャーの解説によると、患者から検出されたゲノム配列の96％あるいは89％が中型コウモリ由来のZC45型コロナウイルスと一致したという。研究では、病原体はどこから来たのか、そして、それがどのようにしてヒトに伝染したのかを究明することが重要視された。

（世界的な医学誌）「ランセット」の記事では、武漢の41人の人々が重症急性呼吸器症候群に罹っており、そのうち27人が華南海鮮市場を訪れていたと報じられている。伝染病発生後に市場で採集された585のサンプルのうち33から新型コロナウイルスが検出され、伝染病の発生源ではないかとみられた市場は、伝染病が流行している間、発生源隔離の規則に従って閉鎖された。

ZC45型コロナウイルスを運ぶコウモリは、雲南省または浙江省で発見されたが、どちらも海鮮市場から900km以上離れている。（そもそも）コウモリは通常、洞窟や森に生息しているものだ。だが、海鮮市場は人口1500万人の大都市である武漢の住宅密集地区にある。コウモリが市場まで飛んでくる可能性も非常に低い。

自治体の報告と31人の住民および28人の訪問者の証言によると、コウモリは食料源だったことはなく、市場で取引されてもいなかった。コロナウイルスの遺伝子が自然に組み換えされたか、あるいは中間で介在した宿主があった可能性があるが、確たることはこれまでほとんど報告されていない。

他に考えられる感染経路はあるのだろうか?　私たちは海鮮市場の周辺をスクリーニングした結果、コウモリコロナウイルスの研究を行��ている2つの研究所を特定した。市場から280メートル以内に、武漢疾病管理予防センター（WHCDC）があった。

「血が皮膚についた」

WHCDCは研究の目的で所内に数々の動物を飼育していたが、そのうちの1つは病原体の収集と識別に特化したものであった。ある研究では、湖北省で中型コウモリを含む155匹のコウモリが捕獲され、また他の450匹のコウモリは浙江省で捕獲されていたこともわかった。ある収集の専門家が、論文の貢献度表記の中でそう記している。

さらにこの専門家が収集していたのがウイルスであったことが、2017年と2019年に全国的な新聞やウェブサイトで報じられている。そのなかでこの専門家は、かつてコウモリに襲われ、コウモリの血が皮膚についたと述べていた。感染の危険性が著しく高いことを知っていた専門家は、自ら14日間の隔離措置を取った。コウモリの尿を被った別の事故の際にも同じように隔離措置を講じたという。ダニが寄生しているコウモリの捕獲で脅威にさらされたことがかつてあった、とも述べていた。

（こうして）捕獲された動物には手術が施され、組織サンプルがDNAおよびRNAの抽出とシーケンシング（塩基配列の解明）のために採取されたという。組織サンプルと汚染された廃棄物が病原体の供給源だった。これらは、海鮮市場からわずか280メートルほどのところに存在したのである。

またWHCDCは、今回の伝染病流行の期間中、最初に感染した医者グループが勤務するユニオン病院に隣接してもいた。確かなことは今後の研究を待つ必要があるが、ウイルスが研究所の周辺に漏れ、初期の患者を汚染したとしてもおかしくない。

もうひとつの研究所は、海鮮市場から約12km離れたところにある中国科学院・武漢ウイルス研究所だ。この研究所は、中国のキクガシラコウモリが2002年から2003年にかけて流行した重症急性呼吸器症候群（SARSコロナウイルス）の発生源であるとの報告を行っている。

SARSコロナウイルスの逆遺伝学システムを用いてキメラウイルス（異なる遺伝子情報を同一個体内に混在させたウイルス）を発生させるプロジェクトに参加した主任研究者は、ヒトに伝染する可能性について報告している。憶測ではあるが、はっきりと言えば、SARSコロナウイルスまたはその派生物が研究所から漏れたかもしれないということだ。

要するに、誰かが新型コロナウイルスの変異と関係していたのである。武漢にある研究所は、自然発生的な遺伝子組み換えや中間宿主の発生源であっただけでなく、おそらく、猛威を振るうコロナウイルスの発生源でもあったのだ。バイオハザード（生物災害）の危険性の高い研究所においては、安全レベルを強化する必要があるだろう。これらの研究所を市内中心部やそのほかの住宅密集地域から遠く離れた場所に移転するような規制が必要ではなかろうか〉

習近平は「出所を解明せよ」と言うが…

中国外務省の耿爽報道官は2月20日、この論文が示唆した内容――すなわち「研究機関が発生源であった」とする説について「世界の著名な専門家たちは全く科学的根拠がないと認識している」と明確に否定するコメントを出した。

耿爽報道官（Photo by gettyimages）

そして3月に入ると、中国外務省の趙立堅副報道局長が「米軍が武漢にウイルスを持ち込んだ可能性がある」と英語と中国語でツイッターに投稿。その後、新型コロナウイルスの発生源が米軍の研究施設だと推測する記事を紹介するなどもしている。

さらに、これを後押しするかのような論文を習近平国家主席が自ら、中国共産党が発行する理論誌「求是」に発表。3月16日に発行された同誌上で、「（新型コロナウイルスの）病原がどこから来て、どこに向かったのか明らかにしなければいけない」と訴えた。

しかし当然ながら、その「どこから来たのか」をいち早く指摘した肖氏らの論文には一切、触れなかった。論文は消え、研究者も消え――中国政府にとってなんとも都合のいい話だが、「嘘も重ねれば真実になる」を地で行く態度には、呆れるほかない。

＊　＊　＊

（以下、肖氏らの論文の原文を転載する）

〈The possible origins of 2019-nCoV coronavirus〉 (Botao Xiao and Lei Xiao)

The 2019-nCoV coronavirus has caused an epidemic of 28,060 laboratory-confirmed infections in human including 564 deaths in China by February 6, 2020. Two descriptions of the virus published on Nature this week indicated that the genome sequences from patients were 96% or 89% identical to the Bat CoV ZC45 coronavirus originally found in Rhinolophus affinis. It was critical to study where the pathogen came from and how it passed onto human.

An article published on The Lancet reported that 41 people in Wuhan were found to have the acute respiratory syndrome and 27 of them had contact with Huanan Seafood Market. The 2019-nCoV was found in 33 out of 585 samples collected in the market after the outbreak. The market was suspicious to be the origin of the epidemic, and was shut down according to the rule of quarantine the source during an epidemic.

The bats carrying CoV ZC45 were originally found in Yunnan or Zhejiang province, both of which were more than 900 kilometers away from the seafood market. Bats were normally found to live in caves and trees. But the seafood market is in a densely-populated district of Wuhan, a metropolitan of ~15 million people. The probability was very low for the bats to fly to the market. According to municipal reports and the testimonies of 31 residents and 28 visitors, the bat was never a food source in the city, and no bat was traded in the market. There was possible natural recombination or intermediate host of the coronavirus, yet little proof has been reported. Was there any other possible pathway? We screened the area around the seafood market and identified two laboratories conducting research on bat coronavirus. Within ~280 meters from the market, there was the Wuhan Center for Disease Control Prevention (WHCDC). WHCDC hosted animals in laboratories for research purpose, one of which was specialized in pathogens collection and identification. In one of their studies, 155 bats including Rhinolophus affinis were captured in Hubei province, and other 450 bats were captured in Zhejiang province. The expert in collection was noted in the Author Contributions. Moreover, he was broadcasted for collecting viruses on nation-wide newspapers and websites in 2017 and 2019. He described that he was once by attacked by bats and the blood of a bat shot on his skin. He knew the extreme danger of the infection so he quarantined himself for 14 days. In another accident, he quarantined himself again because bats peed on him. He was once thrilled for capturing a bat carrying a live tick.

Surgery was performed on the caged animals and the tissue samples were collected for DNA and RNA extraction and sequencing. The tissue samples and contaminated trashes were source of pathogens. They were only ~280 meters from the seafood market. The WHCDC was also adjacent to the Union Hospital where the first group of doctors were infected during this epidemic. It is plausible that the virus leaked around and some of them contaminated the initial patients in this epidemic, though solid proofs are needed in future study. The second laboratory was ~12 kilometers from the seafood market and belonged to Wuhan Institute of Virology, Chinese Academy of Sciences. This laboratory reported that the Chinese horseshoe bats were natural reservoirs for the severe acute respiratory syndrome coronavirus (SARS-CoV) which caused the 2002-3 pandemic. The principle investigator participated in a project which generated a chimeric virus using the SARS-CoV reverse genetics system, and reported the potential for human emergence. A direct speculation was that SARS-CoV or its derivative might leak from the laboratory. In summary, somebody was entangled with the evolution of 2019-nCoV coronavirus. In addition to origins of natural recombination and intermediate host, the killer coronavirus probably originated from a laboratory in Wuhan. Safety level may need to be reinforced in high risk biohazardous laboratories. Regulations may be taken to relocate these laboratories far away from city center and other densely populated places.

47 notes · View notes

dallasairduct0 · 4 years ago

Link

Arts District Dallas:

On This Page

Arts District Dallas

24 hours in the Dallas Arts District

Discover rentals near work and play

Popular searches near Dallas, TX

Apartments for Rent in Arts District, Dallas, TX

7 Must-See Museum Exhibits for 2019

Top Real Estate Markets in Texas

Arts District Dallas

3. Explore the Nasher Sculpture CenterThe Nasher Sculpture Center is considered one of the foremost collections of sculptures in the world. The center features more than 300 modern sculptures from great artists like Gormley, Matisse, Miró, Picasso, and Rodin. Be sure to save time to stroll through the city-block long outdoor sculpture garden.

24 hours in the Dallas Arts District

5. Check Out the Crow Museum of Asian ArtIf you’re a fan of Asian art, then the Crow Museum of Asian Art is not to be missed. It’s one of only a handful of museums in the country dedicated solely to the arts and cultures of Japan, China, India, and Southeast Asia. During your visit, you’ll see jade ornaments from China, delicate Japanese scrolls, and a rarely seen 2-by-28-foot sandstone façade of an 18th-century Indian residence.

Discover rentals near work and play

Nearly 9,000 Dallas residents have engaged in this process to develop over a hundred initiatives and strategies under these six priorities:

Dealey Plaza Dallas

As of July 2020, the average apartment rent in Arts District is $1,121 for a studio, $2,218 for one-bedroom, $2,609 for two bedrooms, and $2,964 for three bedrooms. Apartment rent in Arts District has decreased by -1.2% in the past year.

6. See a show at the Winspear Opera HouseThe Arts District is not just famous for its visual arts. Performing arts reign high here as well. One example of this is the Winspear Opera House, home to the Dallas Opera and Texas Ballet Theater. The horseshoe-shaped performance hall was specifically designed for opera and musical performances.

Popular searches near Dallas, TX

Boasting the largest contiguous urban arts district in the nation and an array of vibrant and breathtaking visual and performing arts experiences across the city, Dallas offers world-class exhibits and adventures for culture lovers.

http://airductcleaningdfw.com/commercial-duct-cleaning-dallas-tx/ These properties are currently listed for sale. They are owned by a bank or a lender who took ownership through foreclosure proceedings. These are also known as bank-owned or real estate owned (REO).

Coming Soon listings are homes that will soon be on the market. The listing agent for these homes has added a Coming Soon note to alert buyers in advance.

Perot Museum of Nature and Science Disclaimer: School attendance zone boundaries are supplied by Pitney Bowes and are subject to change. Check with the applicable school district prior to making a decision based on these boundaries.

Apartments for Rent in Arts District, Dallas, TX

Vision: Transform the Dallas Arts District into a dynamic destination for locals and tourists alike while creating a fulfilling urban experience. The District is powered by the imagination of artists globally, while seamlessly integrating exemplary artistic, residential, cultural, and commercial life.

ABOUT: The first donation given to the foundation was by the Crow Family Foundation. Over the past 30 years, the Dallas Arts District Foundation has awarded over 420 grants totaling $1.1 million to Dallas arts and culture organizations. In 2018, the Dallas Arts District (DAD) took a year’s hiatus to review, revise, and develop the application and grants process to promote access, collaborations, and new audiences in the neighborhood. DAD partnered with HALL Group and created Through the Lens: Dallas Arts District, a coffee table photo book with 91 incredible photos by 56 talented photographers. All sales of the book will go toward growing the Foundation Grants Fund. This project marks the first effort to grow funding to support local artists through the grants program for the Dallas Arts District Foundation since the first donation by the Crow Family Foundation. The revised application is now ready to launch online, and the book will be available in Fall 2019 with the opening of the HALL Arts Hotel.

Dallas Arts District is excited about the partnership with HALL Group and Through the Lens: Dallas Arts District with 91 incredible photos by 56 talented photographers. This is the first fundraiser that will support the grants program for the Dallas Arts District Foundation since the first donation in 1984 by the Crow family. With this opportunity, Dallas Arts District is taking the next six months to review, revise, and develop the application and grants process to create access, collaborations, and new audiences in the Dallas Arts District. The revised application will be ready in the summer of 2019; the book will be available in Fall 2019 with the opening of the HALL Arts Hotel, and the grant recipients will be announced in December 2019 for projects in 2020. Over the past 34 years, the Dallas Arts District Foundation has awarded over 420 grants totaling $1.1 million to Dallas arts and culture organizations since 1984.

7 Must-See Museum Exhibits for 2019

The Crow Collection of Asian Art is one of only a handful of museums in the country dedicated solely to the arts and cultures of Japan, China, India and Southeast Asia. Experience a peaceful world of beauty and spirituality in the heart of the city with pieces dating from 3500 B.C. to the early 20th century. Don’t miss a glimpse at precious jade ornaments from China, delicate Japanese scrolls, and a rarely seen 2-by-28 foot sandstone façade of an 18th-century Indian residence.

Located in the northeast corner of downtown Dallas, the Dallas Arts District is the largest contiguous urban arts district in the nation, spanning 68 acres and 19 contiguous blocks. This iconic neighborhood has more buildings designed by Pritzker award-winning architects than any location in the world. Dallas Arts District unifies culture and commerce with integrated and exemplary artistic, residential, cultural, educational, recreational, religious and commercial life and was awarded a maximum 3-star rating by the prestigious Le Guide Vert – Michelin Green Guide. Its programmatic highlight is the Signature Block Party Series comprised of two free public events that support events at the cultural venues, featuring local, state, and national artists drawing more than 50,000 visitors from over 144 zip codes.

–Sustainable arts ecosystem: Model sustainability to the arts and culture community through OCA’s facilities and encourage and support the development of future sustainability in the broader arts and cultural sector.

Top Real Estate Markets in Texas

Aside from major attractions and entertainment spots, Dallas’s Arts District is home to the popular Klyde Warren Park, an urban neighborhood green space that’s host to a range of community events. Enjoy food truck lunches, live music performances, outdoor fitness classes, local art shows, and kid-friendly fun. The Arts District sits along Woodall Rodgers Freeway and neighbors Downtown Dallas, home to an array of office buildings, local restaurants, and major attractions. The Arts District is within reach of the Dallas World Aquarium, the Giant Eyeball, the JFK Memorial Plaza, and so much more.

The Arts District is home to 13 facilities and organizations including The Annette Strauss Artist Square, the Belo Mansion/Dallas Bar Association, Booker T. Washington High School for the Performing and Visual Arts, Cathedral Shrine of the Virgin of Guadalupe, Dallas Black Dance Theatre, Dallas Museum of Art, Dallas Symphony Orchestra, Dallas Theater Center, Morton H. Meyerson Symphony Center, Nasher Sculpture Center, St. Paul United Methodist Church, Fellowship Church, Trammell Crow Center, and the Trammell & Margaret Crow Collection of Asian Art.

The compact, vertical orientation of the Dee and Charles Wyly Theatre, climbing 12 stories into the Dallas skyline, was designed by Joshua Prince-Ramus of REX and Rem Koolhaas of the Office for Metropolitan Architecture. The theater, home to the Dallas Theater Center, Dallas Black Dance Theatre and the Anita N. Martinez Ballet Folklorico, is a prime destination for music and theatre enthusiasts.

from http://airductcleaningdfw.com/arts-district-dallas/ from https://airductclean1.tumblr.com/post/623019719134494720 from https://dallasairductcleaning00.blogspot.com/2020/07/arts-district-dallas.html

1 note · View note

airdutdallas0 · 4 years ago

Text

Arts District Dallas

Arts District Dallas:

On This Page

Arts District Dallas

24 hours in the Dallas Arts District

Discover rentals near work and play

Popular searches near Dallas, TX

Apartments for Rent in Arts District, Dallas, TX

7 Must-See Museum Exhibits for 2019

Top Real Estate Markets in Texas

Arts District Dallas

24 hours in the Dallas Arts District

Discover rentals near work and play

Nearly 9,000 Dallas residents have engaged in this process to develop over a hundred initiatives and strategies under these six priorities:

Dealey Plaza Dallas

Popular searches near Dallas, TX

Coming Soon listings are homes that will soon be on the market. The listing agent for these homes has added a Coming Soon note to alert buyers in advance.

Apartments for Rent in Arts District, Dallas, TX

7 Must-See Museum Exhibits for 2019

Top Real Estate Markets in Texas

from http://airductcleaningdfw.com/arts-district-dallas/ from https://airductclean1.tumblr.com/post/623019719134494720 from https://airductdallas0.blogspot.com/2020/07/arts-district-dallas.html

1 note · View note

airductclean1 · 4 years ago

Link

On This Page

Arts District Dallas

24 hours in the Dallas Arts District

Discover rentals near work and play

Popular searches near Dallas, TX

Apartments for Rent in Arts District, Dallas, TX

7 Must-See Museum Exhibits for 2019

Top Real Estate Markets in Texas

Arts District Dallas

24 hours in the Dallas Arts District

Discover rentals near work and play

Nearly 9,000 Dallas residents have engaged in this process to develop over a hundred initiatives and strategies under these six priorities:

Dealey Plaza Dallas

Popular searches near Dallas, TX

Coming Soon listings are homes that will soon be on the market. The listing agent for these homes has added a Coming Soon note to alert buyers in advance.

Apartments for Rent in Arts District, Dallas, TX

7 Must-See Museum Exhibits for 2019

Top Real Estate Markets in Texas

from http://airductcleaningdfw.com/arts-district-dallas/

1 note · View note

mostlysignssomeportents · 6 years ago

Text

London police arrest man who covered face during public facial recognition trials

Police in London conducted a public street trial with facial recognition cameras. A man who covered his face as he walked by the cameras was stopped by officers, forced to submit to being photographed, and then arrested on a charge of public disorder after complaining loudly. The segment starts at 3:35 in the embedded BBC video; here's more coverage from The Independent:

The Independent revealed that more than £200,000 was spent on six deployments that resulted in no arrests between August 2016 and July last year. Two people wanted for violent offences were arrested after a trial in December.

Critics have called the force’s use of facial recognition a “shambles” and accused Scotland Yard of wasting public money ... The Metropolitan Police has described the deployments as “overt” and said members of the public were informed facial recognition was being used by posters and leaflets. But no one questioned by The Independent after they passed through a scanning zone in central London in December had seen police publicity material, and campaigners claim the technology is being rolled out “by stealth”.

I can barely beleive the motto of the Metropolitan Police is 'TOTAL POLICING'. Horseshoe theory is a limiting view of politics, but it is amazing how we get to the terminology of comic-book villainy by other means.

The jobsworth "for your own protection" attitude of British cops is incredibly annoying, albeit less annoying than getting executed in the street by American ones. The real danger, though, lurks in how the cops dance their way between that nonsense and, as one plain-clothes officer puts it, "covering your face is grounds for reasonable suspicion." When authorities pick and choose rationalizations depending on the audience, the true answer is a secret.

https://boingboing.net/2019/05/15/london-police-arrest-man-who-c.html

37 notes · View notes

italianartsociety · 6 years ago

Text

By Jennifer D. Webb

Benedetto Innocente Alfieri died in Turin on December 9th, 1767. The architect, best known for his innovative design for the Church of SS. Giovanni and Remigo in Carignano, initially trained as a lawyer at the Collegio dei Nobili in Turin. Even after embarking on his building career, Alfieri continued to draw upon his legal experience and also served as mayor of both Asti and Turin.

Although born in Rome, Alfieri’s family came from Asti in the Piedmont where he spent most of his life. It was for friends and relatives that Alfieri first worked as an architect. In 1730, his uncle provided him with the opportunity to build a family palace in Alessandria; it was while working on this project that Alfieri first met Filippo Juvarra who he succeeded in the post of First Architect to the King. Over the course of the 1740s and 1750s, Alfieri frequently expanded upon or continued projects begun by Juvarra.

In his approach to design, Alfieri drew from a number of traditions in order to create buildings that best suited the functional needs as well as met the interests of the patron. For example, in his design for the Teatro Regio in Turin (1738-40), Alfieri considered the connection between the theater and the Palazzo Reale. Addressing convenience for the royal family did not mean a sacrifice for the rest of the theater-goers; Alfieri also prioritized their viewing angles, comfort, and acoustical experience . It was in this theater that Alfieri introduced a horseshoe-plan with distributed boxes which became the standard. His interest in the viewer experience is also evident in the unique design of SS. Giovanni and Remigo. The semi-circular plan, which replaced a narrower, longitudinal church, features seven different views “as controlled as grooves of a seashell” according to Richard Pommer.

In addition to these projects, Alfieri also executed the Segretaria di Stato (1739-67) and the Carceri Senatoriali in Turin. These two buildings, according to Peter Stein “anticipate” the “purpose-built functional architecture of the 20th century.”

References: Peter Stein. “Alfieri, Benedetto Innocente.” Grove Art Online. Oxford Art Online. Oxford University Press. https://doi.org/10.1093/gao/9781884446054.article.T001752; Richard Pommer. Eighteenth-Century Architecture in Piedmont. New York: New York University, 1967.

SS Remigio e Giovanni (1757-67), Carignano (Italy). Source: Wikipedia Commons.

Pietro Domenico Oliviero, Interior of Teatro Regio (c.1752) Source: Wikipedia Commons.

Further reading: Myers, Mary L. Architectural and Ornament Drawing: Juvarra, Vanvitelli, and Bibiena Family, and Other Italian Draughtsmen. New York: Metropolitan Museum of Art, 2013; Millon, Henry A. Triumph of the Baroque: Architecture in Europe, 1600-1750. New York: Rizzoli, 1999.

#otd #baroque #Architecture #rococo #Turin #asti #Piedmont #theater #carignano #alfieri

33 notes · View notes