#The Fate of the Inspector (audio plays)

[inspectorspacetimerevisited]

As it happens, the plot of ‘.world’ bears a very strong resemblance to the Small Beginnings 50th-anniversary audio play ‘Mumbleworld’, released 10 years ago.

Contrary to what the show runner said about having come up with the idea nine years before writing the script for this episode.

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Return of the Obra Dinn, from the creator of Papers, Please, is a sort of murder mystery logic game. You play the role of an insurance inspector sent to assess the Obra Dinn, a ship that was supposed to sail around the cape of Africa but has mysteriously drifted back into port with no visible crew. You are armed with only a few things to aid you in trying to figure out matches for the names and cause of death (or present location if still alive) of each member of the sixty person crew: an artist's sketch of the crew, a list of names, jobs, and country of origin, and most importantly, a magic pocket watch. When you find the corpse of someone on the ship, the pocket watch allows you to rewind to the moment of that individual's death. You hear the audio that preceded their death over a black screen, before, in the instant of death, the audio cuts and you're given control to walk around the full 3d environment in the instant they died. The game is dripping with style, with a true monochrome aesthetic reminiscent of early macintosh computers. Figuring out the fates is challenging but deeply rewarding, with one of the most satisfying sound cues in gaming when you get confirmation your entries were correct. Fates are only confirmed correct if you have three entered correctly at one time, to prevent brute forcing or getting too fixated on one person when you should instead be coming back later with more info. Overall, an excellent time that'll really make you think. $20

Armored Core 6: The Fires of Rubicon was the first mecha game that I really played, and the first game in ages that compelled me to 100% it. It is one of Fromsoft's most tightly tuned games in recent memory, with optimization that makes it frankly a marvel given the speed of the gameplay and the amount of projectiles that may be in a given fight. Combat feels incredibly good, with tons of crunch and feedback to big hits and massive bombastic enemies to face. Like most fromsoft games, the inventory and equipment screen can be opaque and hard to parse, but getting a handle on it is well worth it because of how much the game rewards experimentation and usage of a number of different builds for different types of missions. While not a particularly story-heavy game, if you like good stories you won't be disappointed. AC6 tells its story in a very minimal but deliberate manner, with a lot left to subtext and conveyed through the excellent voice acting. Characters are never shown outside of their mechs or their emblems, leading them to be characterized through their voice and actions as well as their choices of customization on their mech. The story has a lot of interesting themes to chew on with regards to the horrible reality of capitalism left to progress to its latest possible stage, various angles of transhumanist ideas, and corporate colonialist exploitation of the planet's natives. It's $60, but I'd say it's worth the price. It's not just worth playing, it's worth playing three times to see every possible boss and ending.

hey guys i just got a small loan of Many Dollars as christmas gift money are there any video games y'all would especially recommend

[brokehorrorfan]

Blu-ray Review: The Fly Collection

David Cronenberg's The Fly is commonly cited as a remake that is superior to the original; an assertion that's difficult to argue, but both films are effective mashups of science fiction and horror for their time. In fact, the Fly franchise - the 1958 original, its two sequels, the remake, and its sequel - is quite good as a whole. Scream Factory has collected them all on Blu-ray in a box set dubbed The Fly Collection.

Each of the five films is housed in an individual Blu-ray case with original poster art, all of which are packaged inside a rigid slipcover case featuring new artwork. 20th Century Fox's existing high definition transfers have been utilized, and each presentation is crisp and clear. The movies are accompanied by a variety of newly-produced special features along with archival extras to make viewers buzz with excitement.

The Fly begins with an atypical murder-mystery, in which the mystery is not a whodunit but rather a whydunit. Helene Delambre (Patricia Owens, Sayonara) immediately confesses to killing her husband, scientist Andre Delambre (David Hedison, Live and Let Die), via hydraulic press - first to her husband's brother, Francois (Vincent Price, House on Haunted Hill), and then to the detective on the case, Inspector Charas (Herbert Marshall, Foreign Correspondent), - but she refuses to say why.

The slow build pays off with a dramatic reveal toward the end of an extended flashback sequence that makes up the film's second act. Andre invented a light-speed teleportation device, the disintegrator-integrator, that he eventually went through himself, only to have a pesky fly unknowingly join him. The result is a disquieting hybrid with a human body topped by a fly's head, revealed in an iconic shot that harkens back to the climax of The Phantom of the Opera.

The creature is ingrained in pop culture, but it's easy to imagine audiences in 1958 being shocked by the dramatic reveal. The theatrical trailer smartly features Vincent Price addressing the audience directly, teasing the "unearthly horror" without revealing anything. The special effects may be schlocky by modern standards, but the overall concept - based on the 1957 short story of the same name by George Langelaan - holds up quite well.

The Fly is directed by Kurt Neumann (Rocketship X-M) and written by James Clavell (The Great Escape), marking his only foray into genre pictures. Neumann died under mysterious circumstances shortly before the film's release, missing its commercial success as one of Fox's biggest hits of the year. Shot in CinemaScope with Color by Deluxe, the picture features cinematography by Karl Struss (The Great Dictator) that makes the laboratory's sleek production design pop.

The Fly's Blu-ray disc has two audio commentaries. The first is a new track featuring filmmakers/historians Steve Haberman (co-writer of Dracula: Dead and Loving It) and Constantine Nasr. It's educational but far more casual than the average historian commentary, and much better for it. The second is a light, cheery track with Hedison circa 2008. His memory is sharp, and he proudly discusses playing his character for the duration, including when his face is obscured by a cloth and, later, the fly mask.

Fly Trap: Catching a Classic is ported over from the 2007 DVD. The making-of featurette includes Hedison, Haberman, David Frankham, Tony Timpone, Donald F. Glut, and more, and even touches on the sequels, but at 11 minutes, it's only able to scratch the surface. A 1997 episode of Biography on Vincent Price features interviews with the likes of Roger Corman, Dennis Hopper, Roddy McDowall, Hazel Court, Norman Lloyd, and daughter Victoria Price. Extras are rounded out by a brief Fox Movietone News segment about movie monsters attending the film's premiere, along with the aforementioned trailer.

Fox was quick to capitalize on the success of The Fly with a sequel, Return of the Fly, released in 1959. This was a time when sequels were not the norm, mind you, so the budget is noticeably smaller. It was shot in a mere 10 days and recycles sets from the first film. CinemaScope was utlized agan but this time in black and white, which feels like a regression yet also lends itself to a film noir atmosphere. It greatly pales in comparison to its predecessor, naturally, but it fares rather well for a rushed, cheap followup.

Price is the only original cast member to reprise his role, although several other characters return to be played by different actors. Well on his way to genre stardom, thanks in no small part to The Fly, Price receives top billing this time around; although he's still not really the main character. That honor goes to Brett Halsey (The Devil's Honey) as Philippe Delambre, the now-adult son of Andre who wishes to continue his father's mysterious work, against Francois' wishes.

Despite Andre's attempts to destroy all traces of his research in the previous film, Philippe is able to successfully recreate the disintegrator-integrator with the assistance of his father's former associate, Alan Hinds (David Frankham, 101 Dalmatians). Hinds, however, is a dastardly double-crosser out to sabotage Philippe for his own gain. He ultimately causes Philippe to suffer the same fate as his father, turning him into a mutant fly creature.

Writer-director Edward Bernds (World Without End) rehashes a lot for the sequel, but there are some interesting twists. While the original story's creature largely garnered sympathy between shocks, the sequel's creature is a victim that's out for revenge. It's occasionally played for scares, although the mask - oversized and cheesy compared to the original - isn't nearly as effective this time around, but the viewer is rooting for, rather than sympathizing with, the monster as a hero.

Return of the Fly's Blu-ray disc boasts three audio commentaries, two of which are new. Frankham showcases a miraculously good memory for a 93-year-old, citing events from 50 years prior with ease. He's joined by friend/actor Jonathan David Dixon, who facilitates the conversation and fills in the blanks as needed. The actor's sweet demeanor and impressive recollection caused me to add his 2012 autobiography, Which One Was David?, to my to-read list.

Film historian/author Tom Weaver's new commentary is informative yet feels conversational; a welcome change of pace from the typically dry solo historian track. The third commentary is an archival session with Halsey and film historian/journalist David Del Valle. It may not be the most enlightening listen, as Halsey's memory isn't as strong as Frankham's, but it's enjoyable enough. Other special features include the theatrical trailer, a TV spot, and a still gallery.

The diminishing budget and resources between The Fly and Return of the Fly pales in comparison to the decline from Return to Curse of the Fly. Released in 1965, the third and final entry in the original series was produced in the United Kingdom. With Price unable to return, as he was under an iron-clad contract with American International Pictures, a new story was conceived. The go-for-broke sequel extends the mythology but distorts the familial lineage, and there's no fly this time around.

Taking another jump into the near future, the film opens with a woman, who we later come to know as Patricia Stanley (Carole Gray, Island of Terror), running away from a mental institution in her underwear. The slow motion sequence is more likely to be mistaken for a Roger Corman exploitation picture rather than identified as a studio sequel. Patricia runs into Andre Delambre's grandson, Martin (The Spy Who Loved Me), and the two quickly fall for one another despite their respective sordid pasts.

Beyond the opening attempt at titillation, this is a slow burner that's decidedly less familiar than its predecessor. Martin and his father, Henri (Brian Donlevy, The Quatermass Xperiment), have continued to make advancements using the technology developed by Andre. They have successfully teleported between Quebec and London with terrible consequences; deformed experiments gone wrong are kept locked away like prisoners. A grotesque effect in the last act is a fitting precursor to the remake.

Director Don Sharp (The Kiss of the Vampire) and writer Harry Spalding (The Watcher in the Woods) present an interesting moral quandary. Once again shot in CinemaScope black and white, the picture has a bit of a Gothic horror atmosphere. It's never fully harnessed, but the plot flirts with Patricia's descent into madness. An ill-advised Caucasian actress (Yvette Rees) playing an Asian role - with obvious fake eyelids to change the shape of her eyes - is a harsh reminder of racist practices in Hollywood.

Curse of the Fly's Blu-ray disc kicks off with an audio commentary with Haberman and Nasr, who once again provide a thorough, analytical look at the film, making a compelling argument for it being superior to Return. In new interviews, actress Mary Manson recalls going under complicated makeup to play the "very, very odd part" of the film's most integral creature, and continuity person Renee Glynne doesn't remember much about her work on the picture but offers a perspective from a rarely-heard crew position. The theatrical trailer, a TV spot, and a still gallery are also included.

When The Fly received the remake treatment in 1986, director David Cronenberg (Videodrome) put his patented body-horror spin on the concept. But beyond the Academy Award-winning makeup effects, which are aberrant and plentiful, lays a beautiful romance. The lean-paced film gets into it right away, opening with quirky scientist Seth Brundle (Jeff Goldblum, Jurassic Park) meeting journalist Veronica Quaife (Geena Davis, Beeteljuice).

Brundle courts Veronica by showing off his latest invention - teleportation devices known as telepods - and enlisting her to document his monumental findings. Brundle eventually goes through the telepod himself, unaware that a fly is in the device with him. While he's ostensibly unphased at first, he quickly discovers increased physical abilities. The benefits are short-lived, however, as he literally falls apart as the fly molecules overtake the human ones.

Unlike the original film, which hinged on a single, big reveal of a human-fly hybrid, Cronenberg and co-writer Charles Edward Pogue's (DragonHeart) script features a metamorphosis that slowly progresses - with gooey, practical effects by Chris Walas (Gremlins, Raiders of the Lost Ark) - throughout the film. Regular Cronenberg cinematographer Mark Irwin (Scream, There's Something About Mary) captures the atmosphere in an environment that begins cold and gets warmer as the film progresses.

Goldblum's awkward charms are at a peak. He and Davis were already a real-life couple, and their chemistry is palpable on screen. John Getz (Blood Simple) plays the third part of their love triangle as Stathis Borans, Veronica's boss and ex-boyfriend. But the intimacy extends beyond the relationships; the sparse film has but three essential roles, all of whom the viewer gets to know on a visceral level. The romance is supplemented by a heartstring-pulling score by Howard Shore (The Lord of the Rings, The Silence of the Lambs).

The Fly's Blu-ray disc offers two audio commentaries: an archival track with Cronenberg and a new one with The Artist as Monster: The Cinema of David Cronenberg author William Beard. Cronenberg's commentary is a fascinating mix of anecdotes and insight, such as the telepod design being based on a Ducati motorcycle cylinder and how he had to stop Davis from subconsciously mimicking Goldblum's distinct mannerisms. Beard's analytical track digs into the film's subtext and explores its themes, giving context to how it fits into Cronenberg's filmography. There's also a trivia track, in which bits of information pop up while the movie plays.

A new interview with comedy legend Mel Brooks (Blazing Saddles) - who produced The Fly under his Brooksfilms banner - is a highlight of the set. The 93-year-old Hollywood veteran chats about Cronenberg, Goldblum, David Lynch, and more. Other new interviews include producer Stuart Cornfeld, who reveals that Robert Bierman was going to direct until a family tragedy prevented it and that John Malkovich was originally sought for the lead role; Iriwn, who discusses the unique experience of working with Cronenberg, including their unfortunate falling out; and Shore, who explains how he implemented tragic themes for his first symphonic score of this size.

A plethora of existing special features are ported over. Fear of the Flesh: The Making of The Fly is a three-part documentary produced by Fox in 2005. The three stages of the film's production are covered by Goldblum, Davis, Getz, Walas, Pogue, Irwin, and more over the course of 135 minutes, not to mention extended/deleted interview segments. The Brundle Museum of Natural History features Walas sharing design concepts and effects materials alongside behind-the-scenes footage. Deleted and extended scenes, including the alternate ending, are also featured.

The disc contains a number of written works to peruse: Langelaan's original short story, Pogue's draft of the script, Cronenberg's rewrite of the script, and three 1986 articles about the film ("The Fly Papers" from Cinefex and "The Fly: New Buzz on an Old Theme" and "More About The Fly" from American Cinematographer). Other extras includes pre-production film tests, the original electronic press kit, a vintage profile on Cronenberg, various trailers, teasers, and TV spots, and still galleries (poster and lobby cards, publicity, behind the scenes, concept art, and four different effects galleries).

Much like the original The Fly, the remake's success led to a sequel. Released in 1989, The Fly II saw Walas assume the director's chair for the first time in his illustrious career. The script is written by Mick Garris (Hocus Pocus), Frank Darabont (The Shawshank Redemption), and Jim and Ken Wheat (Pitch Black). The pacing languishes in comparison to its predecessor, but it's not a bad followup overall. While Irwin and Shore's contributions are missed, the film reunites the talents of Hellraiser and Hellbound: Hellraiser II cinematographer Robin Vidgeon and composer Christopher Young.

The film opens with Veronica (recast with Saffron Henderson, Friday the 13th Part VIII: Jason Takes Manhattan) giving birth to Seth Brundle's baby - a squirming, amorphous creature - while Stathis (Getz, the only returning cast member, sporting a fake beard) looks on. The child, Martin Brundle (Eric Stoltz, Mask), suffers from a dramatically accelerated life cycle in terms of both physical growth and intelligence, so by his fifth birthday, he looks like he's in his 20s.

Martin is offered a job repairing his father's telepods in the laboratory in which he was raised. While working, he becomes romantically involved with a fellow employee, Beth Logan (Daphne Zuniga, Spaceballs). Their relationship is far less organic than the one depicted in the previous film, but it largely works. Martin eventually enters a cocoon-like state, only to emerge as a creature with virtually no humanity left for a final act that feels more like an Aliens knock-off than a Fly sequel.

Despite Walas helming several ambitious special effects - including a messy head crushing that initially earned the picture an X rating - he’s unable to outdo his landmark work on Cronenberg's film. The effects feel comparatively restrained with the exception of the the fly creature's final form, which looks a bit too cartoony. Yet, as beautifully tragic as Cronenberg's film is, The Fly II contains what is perhaps the franchise's most heart-wrenching scene: Martin watching his dog - his only friend - go through the telepod with disastrous results.

The Fly II's Blu-ray disc features new interviews with Cornfeld, who opens up about the difficulties of working with the studio on the sequel; Garris, who details his quite interesting original concept that greatly differs from the final product; Ken Wheat, who explains what he and his brother's draft introduced to the project before Darabont came on for the final rewrite; Vidgeon, who discusses working with Walas as a first-time director; Young, who talks about tapping into the emotional aspects and how his score differs from that of The Fly; and special effects artist Tom Sullivan (The Evil Dead), who talks collaborating on the creatures with other artists.

An audio commentary with Walas and film historian Bob Burns, whose extensive prop collection includes several pieces from The Fly II, is carried over. The old friends' camaraderie is apparent as Walas expounds upon the experience, including Davis' reasoning for not reprising her role. Transformations: Looking Back at The Fly II is a 48-minute retrospective from 2005 with Walas, Young, and producer Steven-Charles Jaffe (Ghost, Near Dark). Extended interviews with Walas (a sprawling 80 minutes) and Jaffe are also included.

The Fly Papers: The Buzz on Hollywood’s Scariest Insect is an hour-long TV documentary from 2000 about all five Fly films. Narrated by Star Trek's Lenoard Nimoy, it features Hugh Hefner, Ray Bradbury, Walas, Hedison, and more. Walas' crew's video production journal offers a behind-the-scenes look at the film's special effects. Young provides a master class in soundtrack composition in relation to his work in The Fly II. Other extras include storyboard-to-film comparisons with optional commentary by Walas; the original electronic press kit plus extended segments with Walas, Stoltz, and Zuniga; an alternate ending; a deleted scene; teaser and theatrical trailers; and still and storyboard galleries.

Genre fans should be afraid... be very afraid of not owning this set. Scream Factory has a reputation of going above and beyond for their collector's edition releases, but their box sets - like this and the recent The Omen Collection - are downright essential for horror completists. From presentation to special features, The Fly Collection does justice to each entry in the influential franchise.

The Fly Collection is available now on Blu-ray via Scream Factory.

[crackinstaller]

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[allcheatscodes]

saints row iv xbox 360

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Cheats

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Official Title: Saints Row IV

Genre: Adventure, First-Person Adventure

Developer: Volition

Publisher: Deep Silver

ESRB Rating: Mature

Release Date: August 20, 2013

Hints

Currently we have no tips for Saints Row IV yet. If you have any unlockables please feel free to submit. We will include them in the next post update and help the fellow gamers. Remeber to mention game name while submiting new codes.

Cheats

Vehicle Codes

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Hub Cheat Codes Effects List

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superdfa : Death from Above is unlocked

superstomp : Stomp is unlocked

supertk : Telekinesis unlocked

unlockitall : Access is granted to all unlockables

vroom : Indestructible cars

World Chaning Cheats

ASCII Mode : ascii

Big Head Mode : bigheadmode

Disable Glitch FX : noglitchcity

Drunk Pedestrians : dui

Evil Cars : evilcars

Fast-Forward : fastforward

Giant Player : imhuge

Heaven-Bound : fryhole

Hide HUD : hidehud

Insane City : insanecity

Low Gravity : gravitykills

Mascot Pedestrians : mascot

Pimps and Hos Pedestrians : hohoho

Player Pratfalls : ragdoll

Smash Vehicles Easily : isquishyou

Super Explosions : bigbadaboom

Tiny Player : ittybitty

Cheat Mode

While you’re playing the game, open your phone (press the “BACK” button), and thengo to EXTRAS. Select CHEATS and then ADD CHEAT. You can then enter variouscheats!

NOTE!!!! You will disable autosave and achievements when you turn on cheat mode.

Unlockables

Currently we have no unlockables for Saints Row IV yet. If you have any unlockables please feel free to submit. We will include them in the next post update and help the fellow gamers. Remeber to mention game name while submiting new codes.

Easter eggs

Currently we have no easter eggs for Saints Row IV yet. If you have any unlockables please feel free to submit. We will include them in the next post update and help the fellow gamers. Remeber to mention game name while submiting new codes.

Glitches

Currently we have no glitches for Saints Row IV yet. If you have any unlockables please feel free to submit. We will include them in the next post update and help the fellow gamers. Remeber to mention game name while submiting new codes.

Guides

Currently no guide available.

Achievements

DLC Achievements: Enter The Dominatrix

All Too Easy – Kill Zinyak in less than 5 minutes in ‘Save the Planet’. – 10

Bow to the Boss! – Kill the Dominatrix in ‘Escape the Dominatrix’. – 15

Friend of the Raptors – Complete all five missions. – 20

Health Inspector – Destroy all the green polyps inside Paul in ‘Pop His Top’. – 10

Hello Little Friend – Get 250 kills with the Minigun. – 5

Indomitable – Complete ‘Meet the Dominatrix’ without dying. – 10

OMGWTFBBQ – Get 100 kills with the Flamethrower. – 5

Rigging the Race – Destroy all the rival pony carts in ‘At the Races’. – 10

Ultimate Hot Potato – Get 100 kills with the Grenade Launcher. – 5

Walking the Dinosaur (secret) – Spent 30 minutes with Chicken Ned’s prehistoric ancestor. – 10

Achievement List

A Real Cluster. – Found 100% of all Data Clusters. – 30

About Time! – Completed ‘Welcome Back’ and got the gang back together at last. – 30

Actor-Turned-Politician – Completed Keith David’s Quests. – 25

And I Ran. – Super Sprinted for 250,000 meters. – 10

Back in the Day – Spent some quality time with your homies from back in the day. – 10

Benjamin [CENSORED] King – Completed Ben’s Quests, Loyalty Mission, and Romance. – 25

Betrayed – Completed ‘All Hands On Deck’, as if you needed another reason to want to perforate Zinyak. – 30

Better This Way – Customized the style of all the weapons on your radial and hit the Simulation with style. – 10

Blast from the Past – Completed ‘A Game of Clones’ and defeated shades of the past. – 20

Bouncin’ with an Old Friend (secret) – Completed Gat’s Quests, Loyalty Mission, and Romance. – 25

Bringin’ the Heat – Killed 100 Aliens using the Fire Buff Super Power. – 10

Chill Out – Froze and Shatter Killed 100 Aliens with the Freeze Blast Super Power. – 10

Destroyer-In-Chief – Completed ‘The Saints Wing’ and fought the alien invasion as Commander-In-Chief. – 10

Didn’t Need to See Him Naked – Completed ‘Matt’s Back’ and rescued Matt in the real world. – 20

Don’t Look Down – Airborne during Super Jumps for a combined 10 minutes of gameplay. – 10

Don’t Panic – Completed ‘The Real World’ and escaped the simulation. Now what? – 30

Elementary – Customized the elements of all four superpowers. Now you’re playing with powers! – 10

Epic Jump Quest – Completed the epic jump quest between the tops of the Three Count and the Nuke Plant. Amazing! – 10

Experimental Tech – Killed 25 enemies with each of the best toys. – 20

First of Many – Bought your first Upgrade, now you have the action Kung Fu grip! – 10

Fist Meet Ground – Killed 100 Aliens with the Death From Above Super Power. – 10

Fourth and Forty – Played Saints Row IV for 40+ hours. Pour one out for your homies! – 40

Ghost in the Machine – Completed ‘Power Up CID’ and hacked your own CID. – 20

Half Way Home – Completed half of all open world gameplay, let’s finish the fight. – 25

Here! Catch! – Killed 100 Aliens with the Telekinesis Super Power. – 10

How It Should Be – Completed all open world gameplay, Simulated Steelport is yours! – 40

I Am Become Death – Killed 1000 Aliens with any combination of Super Powers. – 30

Imperator – Completed ‘Grand Finale’ and ruled the universe with terrible majesty. – 40

Keymaster – Completed ‘Batteries Not Included’. Now you’re ready to bring down the Simulation. – 30

Machine Man – Completed CID’s Quests and Romance. – 25

Maximum Stopping Power – Completely upgraded one of your weapons. They can’t repel firepower of this magnitude! – 20

On Her Saint’s Secret Service – Completed Asha’s Quests, Loyalty Mission, and Romance. – 25

Ooo A Piece of Candy! – Found 100 Data Clusters in virtual Steelport. There are so many more… – 10

Paranormal Bromance – Completed Matt’s Quests, Loyalty Mission, and Romance. – 25

Poodle Skirt – Completed ‘Hello Teacup’ and saved Kinzie from a fate worse than death. – 30

Pounding the Pavement – Killed 150 Aliens with the Stomp Super Power. – 10

Saintified – Created and shared a character online, you’re a part of the Saints Row community now! – 10

Saints & Sensibility – Completed ‘Grand Finale’ with the full help of your homies. – 30

Switch Hitter – You were an equal-opportunity offender. – 10

The Challenge King – Completed all Challenges. – 30

The Face of the Saints – Completed Pierce’s Quests, Loyalty Mission, and Romance. – 25

The Full Kinzie – Completed Kinzie’s Quests, Loyalty Mission, and Romance. – 25

The Two Shaundis – Completed Shaundi’s Quests, Loyalty Mission, and Romance. – 25

The Whole Story – Found all Audio Logs. – 20

There Is No Pancakes – Completed ‘A Pleasant Day’ and ruined your first virtual prison. – 10

Where’s My Cape? – Purchased all Super Power upgrades. Super Excellent! – 20

Woah. – Arrived in the Main Simulation and got some Super Powers. – 20

You Chose. Poorly (secret) – Surrendered to the Simulation in the end. – 10

Zero Saints Thirty (secret) – Completed ‘Zero Saints Thirty’ and won the adulation of America. – 10

Zoo Keeper – Killed 25 Wardens. The inmates are running wild. – 10

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