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love-takes-work · 4 years ago

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Steven Universe: End of an Era: Outline & Review

I wrote this review in October but never got around to posting it here

Steven Universe: End of an Era is far more than an art book–it’s also a collection of behind-the-scenes material, stories about the experience of working on the show, planning documents and associated background info, and both older versions of developed concepts AND concepts that never made it into the show. It's a huge fusion of all those elements, and it's definitely an experience!

Some low-quality images are included with my review just to give you an idea of what’s there--it’s not a good substitute for getting your own copy, but here’s a tour!

Like the previous concept art book, Art and Origins, I'll be giving you a description of the structure and overview, while also collecting notable information for fans. Obviously just about everything is "notable" once again, but I'll aim for unique insight or perspective on the main source material, keeping the screaming about everything new to a minimum so you can also enjoy something for yourself if you pick it up. My low-quality photos should prevent people from feeling like I'm reproducing the book in any capacity. Please grab one while you can and have your own experience!

[SU Book and Comic Reviews]

OVERVIEW

The book is titled "End of an Era" for a couple reasons--obviously because it is released after the show has wrapped, but also because Gem history recently ended its "Era 2" and began Era 3--an age of prosperity and peace. The author--the person in charge of adapting all of this information into this slick, readable package--is Chris McDonnell, whose work was previously applied on the Art and Origins book.

The foreword is by N.K. Jemisin, a well-known science fiction author who's a huge fan of the show (and wrote a really excellent series that also has a weird geological connection, by the way).

And the cover, like its predecessor, is shiny and decorated with a beach scene featuring minimalistic characters--this time it's the Gems at night in front of the Temple, and on the back cover is a big pink leg ship in a cross-legged pose.

The interior covers are decorated with tons of amazing sketches of Steven and Connie on the front, and a bunch of Gem sketches on the back. Every interior page that most would leave blank is highlighted with some kind of sketch art or character exercise--it's so much to look at, so much to absorb.

The book is dedicated "For Eddie."

Its organization is different from the previous book in that it shares applicable work in chunks associated with groups of episodes rather than pertaining to different aspects of building the show.

FOREWORD

N.K. Jemisin gives us such a great introduction to the book--apparently understanding very well that the audience of this book is full of animation enthusiasts and adult fans more than it is full of kids, and explaining that bewildering journey some adults had from blowing this show off as a silly kid thing to falling in love with it hard and fast.

The important thing, Jemisin says, is being able to trust a storyteller with your heart. And it was clear to her that Rebecca Sugar knew what she was talking about and was saying important things about identity and the radical power that comes with accepting it and demanding respect.

Important also is how we handle heroes and who gets to be one in fantasy. That's part of the reason Steven Universe speaks to so many--because we see ourselves here, and know stories can be about us. Acknowledging the power we all have to MAKE THINGS BETTER with what we fight for is so important--especially if we're going to speaking to the next generation about it.

Highlighting Rose Quartz as a "born leader" who failed and Steven as a relatable scamp who did what she couldn't, Jemisin asserts that we can save the world.

1. END OF AN ERA

We start with an appeal to the audience to think about identity and the formative parts of our childhood--and how different it is if who you are and who you become is restricted, mocked, erased, or Not Allowed. Most people, if not ALL people, can relate to this, but for those of us with a special relationship with Steven Universe because of queer identity, this hits hard.

But it doesn't have to be anything grand to be something we respect--this show's authenticity comes largely from how personal everything is, drawn from real-life experiences and incidental truths from each artist's perspective, leaning hard on childhood and formative experiences.

Rebecca Sugar offers some interview bits to discuss writing philosophy and why "writing female characters" was difficult for a nonbinary person who'd been socialized as a girl and a woman. Rebecca has spoken before about how frustrating it is that marketing for cartoons was SO gendered when she was growing up (and to some extent still is).

The Gems in the story are all "she/her," but on their planet they're defined by their work, not by emotion or relationships (unlike women in our society), so having them be socialized opposite to how she was and be able to claim those emotions through choice and NOT as just an expectation "as women" was revolutionary. Rebecca wants her show to tell all marginalized people that they don't deserve to be in the margins.

Weighing in on other aspects of the show were Ian Jones-Quartey, Joe Johnston, and Miki Brewster. Ian describes feeling like at first doing SU was a thrill ride that meant they'd finally get to do all the cool stuff, but it quickly became a responsibility that he took very seriously--the need to tell a good story now that he'd been given a megaphone.

Promotional art, planning documents, character sketches, and concept art from the lighthearted to the stone serious is included, along with some very cool (sort of famous) timeline charts that track major characters' developments. It's emphasized by Rebecca that the developmental materials ARE NOT CANON (and especially are not MORE canon) compared the final show.

There are concept sketches alongside final art for Aquamarine and Topaz in "Wanted" (with Topaz labeled "Imperial Topaz"), the Zircons in "The Trial," Blue and Yellow Diamond, and the Off Colors (including Pink Lars).

And there's also a spread of "the two sides of Steven's life: Gem Magic and Rock N Roll" featuring Sadie Killer and the Suspects (referred to as "Buck's band")--as well as a cool "Crew Cameos" key and some concepts for short-haired Connie.

And then there's some more "finished" art with stills alongside concepts, including some background art, revision, and really cool "fairytale" art from some of the shadowplay storytelling bits. We get "Lars of the Stars," "Jungle Moon," and "Can't Go Back."

2. THE BEGINNING OF THE END: A SINGLE PALE ROSE

In discussing the huge reveals and Gem mysteries in the show, the pacing is examined, and emphasis is put on the intended "slow burn." One of the most difficult things in the show was to strategize so that every piece that was needed to support another piece in the future was placed properly to seed what it was supposed to.

Some of the ideas they developed were more of a group effort and were fit together collaboratively (like Amethyst's being younger than the other Gems and Jasper being from Earth), while others were intended from the beginning based on Rebecca's vision (the fundamental idea of Pink Diamond's true identity, for instance, as well as Obsidian's design and sword and our Pearl not being Pink's first).

The writing process gets a great deep dive here, including fun tidbits like how the orb in the moon base was inserted by Joe Johnston and they literally had no idea what it was for when they wrote the episode. They repurposed it when they figured out what they needed.

Rebecca credits her detailed timelines for helping keep the order straight, and discusses how other artists are sometimes flabbergasted that a storyboard-driven show can have this much detail and continuity and yet not get wrecked by the free non-scripted boarding process. But Rebecca and the Crew valued that approach and loved the way fresh eyes would handle an idea, making it come back alive, entertaining, vivid.

Several Crew members weigh in on the writing process. Lauren Hecht refers to making lots of incorrect guesses despite being on the inside. Joe Johnston recalled getting briefed on his first day and getting so excited to start working on this massive project.

Miki Brewster remembered being told Rose Quartz is Pink Diamond and being shocked--and also confused about why Ruby and Sapphire would need to be married if they're already basically married. Drew Green talks about being brought in late and getting to watch unaired episodes and a rough of the movie while eating cereal.

Ian Jones-Quartey complains about Pink Diamond's real jester-like form being leaked to the internet through a Hot Topic shirt. Rebecca piggybacks on that and says it was upsetting that the wedding was leaked because of toy fair keychains featuring Ruby and Sapphire in wedding attire. They'd always be worried about leaks, and sometimes Rebecca struggled not to talk about the reality of Pink Diamond before the reveal because she knew it would make so much more sense once the truth was out. And everything associated with Rose makes more sense once you know she's Pink--especially what happened with Bismuth, considering what we know about how Pink Diamond has a habit of treating anyone who no longer serves her interests.

When it comes to visual cues, Rebecca also talks about intentional designs to create a feeling of unity between concepts, like the flower shapes on Pink Diamond's palanquin lining up with the poofs of Steven's hair and the star imagery of the series. Steven Sugar and Mary Nash discuss how the Human Zoo incorporated this imagery, trying to look like Homeworld with a Pink Diamond touch.

Steven Sugar, as a game nerd, liked to throw in video game references from old and modern stuff to feel like he's inserting what he's enjoying and who he is from moment to moment, while Mary Nash, who related to Sadie as a basement-dwelling young person with cult interests, liked to include stuff from MST3K and cult movies. Pearl's hand gestures get a spotlight too--her reflex to cover her mouth when Pink Diamond was being discussed was analyzed here.

A "Top Secret Visual Timeline" from 2016 is included which tells us some Diamond history. It has an earlier version of Pink Pearl's fate and does not include Spinel since the movie hadn't been greenlit. The timeline includes the birth of the Diamonds, the emergence and major story beats for each major character, and some philosophy of the driving force behind each.

We're told that Pink Diamond straightened up, behavior-wise, after she lost her first Pearl, and that Yellow and Blue wanted to give her a planet but White only agreed to it to prove she would fail at managing a colony. Pearl, meanwhile, is so confused to have a Diamond who keeps asking her what she thinks when she doesn't believe she should have opinions.

And when Pink moonlighted as Rose to start conflict, she found herself leading an army to fight Pink's troops--then Yellow's, and eventually Blue's too. Lapis is said to be waiting for the conflict to end on Earth so she can terraform, but she gets trapped instead.

Pearl's love story with Rose is described as "an endless honeymoon" where she's free to love her, while Rose's is more like "I'm now the head of the family and I'm going to give everyone what they never had, so everyone is super special!"

Jasper is described as "adopted" into Yellow's army as the only successful Beta Quartz. And White Diamond knew that Pink Diamond was not dead--she thought she was just running away from home like a brat and would eventually be back.

3. THE HEART OF THE CRYSTAL GEMS

Now we discuss Rose Quartz--the original Pink Diamond. How she was selfish and selfless, never enough and always too much, and how Greg was her first partner who "challenged her" to be an equal. Rebecca describes Rose as being delighted by the idea that both she and Greg reinvented themselves, but when that leads her to want to share her past, Greg isn't interested--he only wants to know who she is now, and doesn't consider the old her to be her.

Rebecca likes Carl Jung's concept of "enantiodromia," which is the idea that extremes lead to their extreme opposite. This is demonstrated in all of the Diamonds. This narrative is interspersed with drawings of Greg and Rose being cute.

But another "heart" of the Crystal Gems is its relationships--particularly, Garnet, the fairy tale romance embodied. More psychological theories are discussed with regard to differentiation in a relationship making the relationship stronger, and how they made sure that happened for Garnet during the appropriate arc. Rebecca has struggled with the idea that she, like Ruby, went straight from a "family" group to a living-with-others situation and never lived by herself. But she also learned that you can in fact develop as a person in the context of a relationship--you don't have to be alone to do it. Ruby learned that too, and chose on her own terms to be with Sapphire.

The wedding made so much sense to Rebecca and the crew that they couldn't imagine a wholesome couple like Ruby and Sapphire not having a wedding episode. They wanted it for years: The wedding concepts always included the tuxedo for Sapphire and the wedding dress for Ruby.

But pushback (often blamed on the conservative standards of the international market) led to negotiations trying to keep Ruby and Sapphire's relationship from being explicit. Rebecca and the Crew were very tired of this double standard, and they were especially irritated by attempts to claim a wedding wouldn't be well received by a core demographic or wouldn't make sense for Steven's character. But other shows had done weddings and Steven had been established to love weddings already.

Rebecca kept adding more elements to the wedding episode to answer all the concerns, but she didn't want to back down from explicit marriage between these characters. They deserved it. And the audience deserved to see this as wholesome, like any other cartoon wedding. Eventually they got their way and were allowed to have the wedding. But the ordered episodes were also coming to a close without promise of more, so Rebecca had to request more episodes to be able to wrap up the storyline!

And of course, there is Steven, the true heart of the team. A very interesting aside discusses Garnet's leadership and how the network pushed the Crewniverse to acknowledge Steven as the leader. This was successfully resisted throughout as well--because Garnet is the leader (unless she's incapacitated, of course). It's fantastic that this concept was preserved because too often a young male chosen one is elevated above people with more experience and knowledge because of that chosen one tradition, so it's really nice to have a show acknowledge that team leadership is more appropriate for an adult.

4. ERA 3

Beginning with a discussion of the Diamonds, this chapter deconstructs the dysfunctional "family" of the Diamonds (who are said to be based on tropes about evil stepmothers and stepsisters), with the thread of dysfunction originating with White Diamond.

Yellow is physical, Blue is emotional, White is judgmental, and Pink is impulsive. Some philosophy on why Pink is naturally manipulative and why she clashes so much with White is offered.

White believes her identity is to be imposed on all because she is the pinnacle of what should be--and therefore, she has the right to make decisions and statements about and on behalf of everyone. But her secret is that she can't do what the others do--act or feel or want. In trying to be everyone, she is no one.

And this becomes very important when she confronts Steven about his identity and turns out to be wrong. The triumph of Steven being totally, fully himself is a beautiful, simple revelation that's described as far more satisfying than the theories about Pink living inside him or Rose returning from his Gem.

Also discussed is Gem architecture. A lot went into this idea, and Steven Sugar weighs in to say he had to think of what it would mean for a world to have buildings but serve no human needs. That's why it's mostly focused on transport and storage. Even the broken planet is meant to indicate a place stripped for its resources, and everything serves a function that is meant to avoid looking like the human equivalents.

And there's another layer, too: a difference between Era 1 and Era 2. Era 2 became more functional to hide Era 1's broken bits, and older Homeworld buildings still have some "ornate and ancient" feel to them. And the fact that props, tools, and even walls and doors could be living was taken from a concept Rebecca thought was horrible from old Busby Berkeley movies, where people were inanimate objects and it was portrayed as lovely. Tom Herpich helped conceptualize these living objects.

Steven dealing with "princess tropes" is discussed here too. The Pebbles (worked on with Pendleton Ward) were sort of his Cinderella's mice, and all the locked-in-a-tower, having supportive tiny friends help you, getting princess clothes made, attending a ball, having to mind your manners stuff was intentionally related to fairy tales.

The point of doing that (besides fun) was to easily invoke the feeling that Steven was being made to be someone he's not, and that he was being treated like THIS is who he really is when it isn't. White Diamond as the "evil stepmother" is discussed with regard to her detailed features and massive scale. They generally didn't put fingernails and eyelashes on characters (especially not to indicate that they were women or girls!), but they decided White would get all of these feminine markers for tradition's sake.

Rebecca also invokes several other references that were included and describes the princess tropes as "chipping away at his integrity" setting him up for the final challenge with White.

There is again tons of concept art: Homeworld architecture, Pebbles, Diamond diagrams, background Jades and Lemon Jade Fusion, Comby, Diamond extraction chambers, and White Diamond.

5. CHANGE YOUR MIND

Now we finally begin to discuss Steven's identity. The "Perfect Steven," discussed in several interviews before this book's release, was an idea back in 2013; the "ultimate Steven," beefed up and shonen-looking, was far from perfect because OUR Steven is perfect, while this alpha hero Steven idea (used in Steven Universe Future) didn't belong being idolized in such a show.

They thought about having Steven fall apart into organic half and Gem half early in the show (during "Giant Woman" after a successful fusion and unfusion, even!), but they didn't try the concept until the last episode. They didn't want the "Pink" Steven to be portrayed as "better" even though he would be more powerful, so they decided he isn't whole without his organic self and he's just as much of a shell as the organic half. They absolutely did not want any ending that required Rose to be inside him or waiting to come back. But the debates were fierce--what DOES it mean to have Rose's Gem?

Ian Jones-Quartey brings in an anecdote about his own family to emphasize some of the immigrant themes that inspired aspects of the show. He had a brother who reinvented himself elsewhere away from family without resolving issues, and all the ramifications of that were explored in the show through Rose Quartz. (He is careful to say he doesn't think his immigrant experience is like being from another planet!) But he did say you can hurt your old family even if they were toxic or didn't know the real you, and you can hurt your new family by hiding your past. The Pizza family of course was also a more direct reference to Ian's Ghanaian family.

In talking about the new Fusions from this episode, Sunstone is largely described by Miki, who also got to board the Sunstone section. Sunstone was described as a cool 1990s character and the evolution just continued into making them a fourth-wall-breaking PSA dispenser. Obsidian is also discussed, with their sword being an early concept. Steven Sugar said they totally knew it would be forged in action. Obsidian being similar to the Temple design is of course another very early detail.

The story of how James Baxter got involved with one of the final scenes (Organic Steven and Pink Steven fusing in front of White Diamond) was shared. His family was fans of the show and Rebecca Sugar took the time to drive to a birthday party for his daughter and give her a drawing. He then owed her a favor, and this was it.

Concept art is again included, this time with sample boards, promo images, a Diamond fight concept, costume design changes for the Gems, new Fusions, the so-called "Mega Diamond" ship conglomerate, some scenes from the White Diamond confrontation, Pink Steven, multiple pages of James Baxter animation, corrupted Gems and their healed selves, and photos from the "Change Your Mind" premiere and some awards. The show has won one design-related Emmy, a Peabody Award, and a GLAAD award.

6. STEVEN UNIVERSE FUTURE

The book doesn't cover the movie because it got its own book, but dives right into Future. Ian Jones-Quartey emphasizes that the movie and Future are separate and different from the original show, which ENDED. After all, after that, Steven has a neck!

Some new names are invoked now: new writers Kate Tsang, Jack Pendarvis, and Taneka Stotts. They were excited to have Steven make HIS OWN mistakes instead of trying to clean up someone else's! Now, instead of doing the usual shonen anime thing and having the final battle be a big physical rumble, Steven has to make peace with himself and take an active role in coping with what all the fighting has done to him and what effect it's had on who he is (and who he wants to be). There is no sudden "I love myself!" answer, either. It's always a process.

Drew Green and Maya Petersen, who came on board as storyboarders officially in Future, also weighed in on writing for a "mature" show, how to deal with Steven being a "moral compass" while being sort of unreliable, and what they learned as Crew that they didn't know as fans. Drew didn't know Garnet never asks questions. Jack didn't realize the show never deviated from Steven's point of view. Taneka was nervous but excited to collaborate. Kate was worried about how established the show was and what to do as a new writer to contribute appropriately.

Maya was on the old Crew but not as a storyboarder, so felt like some of the "old" ideas ended up not being appropriate for the "new" Future in an embarrassing way--and dreaded the idea of dealing with Steven's emotional problems when they were similar to stuff she'd been through. She also was personally behind the idea of Steven wanting to dump his problems by becoming Stevonnie, and got to work with Etienne Guignard on inventing the Pearl creation backstory with Volleyball.

There's some discussion of "depression hobbies," stress, and the show's pacing. And they say Etienne was entertaining at pitches. There's even some discussion of how Greg is taken off a bit of a pedestal because his terrible restrictive life in the suburbs sounded wholesome to Steven and Greg presented it negatively.

And then there is some information about how the Crew felt behind the scenes due to fan reactions and negative press. Ian discusses feeling offended when the Black characters are described as bad examples, as if their cartoonized but realistic-in-context features are automatically caricatures.

Rebecca Sugar felt beaten down by some of these narratives and began to access mental health services, inspiring some of the content of "Mindful Education." A long reflection from Rebecca discusses people's infighting about her show and what she had a responsibility to show or not show in the story. She learned a lot about bullying from Cartoon Network's anti-bullying program and learned that bullies thrive on whatever attention you give them--unless it is made clear to them by a peer group that no one is impressed by their cruel actions. Also, not all negative feedback is bullying. Constructive criticism is different. Self-awareness can help you avoid internalizing what bullies might do or say to you.

Segueing from the discussion of how people are affected by and connect with the show, we then discuss how they chose as a team what should be covered as the show came to a close. They didn't have time to do quite a few stories they wanted time for, like a Rhodonite story, a Lars side story, and Diamond "prehistory" and religion; all of it was put aside for the main arc with Steven.

They thought people would find those stories about Homeworld and Off Color history very interesting, but so much of the show had been about Steven's Gem adventures, so keeping him mostly on Earth seemed appropriate. The acknowledgment of his battle damage, of his trauma, was necessary and real, and helpful in an important way to the core audience.

Oh, and there was some stuff about a cheeseburger tree. Don't ask.

In discussing the "reverse escapism" of the original show (Gem aliens are intrigued by everyday human culture, and realism is necessary), Rebecca says her views have changed on escapism and gets why some people want a soothing feel-better show. She acknowledged also that her own escapist dreams-come-true fulfilled in the show didn't feel like escapism because they were givens to the majority of mainstream culture, but were never guaranteed to marginalized people.

Rebecca ties in her several-times-told story about "Love Like You" and how the middle bit was when she didn't feel she was worth looking up to, and the realizations she had to tie the beginning to the end. Feeling like someone will like you less if they know you more is terrible. So sometimes a show like this can be helpful in telling people that they belong when their fantasies are things like "I want to be loved" and "I want to know I exist."

In Future, Steven has to connect to who he is and love that person--and understand that person enough to finally feel that even if he's not fixing their problems or saving their world right this second, Steven deserves his family's love and support, and they WANT to give it to him.

There's a huge amount of supplemental material in this section so there's no way I could name it all. The charts for Future's timeline are pretty straightforward, though a few episodes like "A Very Special Episode," "Why So Blue," "In Dreams," and "Bismuth Casual" aren't specifically represented and a couple are in a different order ("Prickly Pair" was conceived as happening after "Fragments" and "Homeworld Bound").

Steven feeling like a monster, having intrusive thoughts, having not forgiven the Diamonds, and getting help/moving on--it's all there.

We have keys, color scripts, and boards for the new opening and some various backgrounds and storyboard art from episodes. Model sheets for Shep, Nice Lapis and Mean Lapis, Jasper, Steven Tag Gems, Pink Steven Powers, Monster Steven. New house concepts, Era 3 Homeworld concept art for the Diamond environments, and background art for the Reef.

New Connie and Greg designs. Concepts for Mega Pearl, the Rose Quartzes, Bluebird, and Morganite (who didn't get used). And there are some photos from recording and the conference room. There are even some extras from "Crossover Nexus," the crossover with OK K.O.!--including an unused cut scene that included Ruby and Sapphire fighting. The rest of the book is a bunch of adorable Crewniverse art--extras, blog drawings, promos, and gifts to each other.

NOTABLE

The first timeline chart in the book features a cool sketch of the original Off Colors, which at the time this planning document was drafted included unused Off Colors Flint and Chert.

We knew of their existence already because of an episode of the podcast, but these two unexpectedly appeared as incidental characters in the Steven Universe Future episode "Homeworld Bound," identified only in the credits. Sad to think that instead of banding with the Off Colors, these two were probably shattered for their crime (being Quartzes who don't want to fight) and that's why we see them being repaired in this episode. Later, there's some brainstorming for types of Off Colors and "a Ruby that wants to wear limb enhancers" is mentioned as well.

It looks like there was also originally more juice to the story of tracking down the events of the war culminating in Pink Diamond's assassination.

One of the timelines talks about Steven thinking it makes sense that Pearl can't talk about her involvement because she might have been a double agent, explaining why Rose Quartz always knew what Pink Diamond was doing. It seems like that bit was supposed to be included in Garnet's version of the story she believed in "Your Mother and Mine." Seems like they originally conceived Garnet's story to inspire the Off Colors to become pirates and freedom fighters, though in the show's canon this storytelling happened after Lars had already reinvented himself the way he did.

Sadie was also supposed to be sending letters to Lars via Steven, which is funny since the "Letters to Lars" episode is just a montage Steven letter. And of course it's specified that Steven was supposed to get Pink Diamond flashbacks by going to the Palace on Homeworld.

The second chart in the book makes references to Sadie's reinvention of herself as a parallel to Lars, Greg, and Pink Diamond all doing the same thing, and how positive it is to embrace such a thing--a version of yourself that YOU create.

I love that Yellow Diamond's arm ship arm-wrestling the Cluster was always part of the plan.

There's some more explicit direction to have Connie help Steven understand the Diamonds as "strict parents," and a lot more emphasis on everyone realizing Rose had been inspired by THEM rather than them all following her.

White Diamond is presented here as if she thinks of Pink Diamond as a "daughter" (whom she now understands she has "lost"). There are notes on how the Diamonds have a responsibility to their children and should attend to it before just continuing to make more.

One of the concept art images for the Off Colors features Rhodonite crouching by Padparadscha saying "Don't worry, I won't let them hurt you." It's very interesting because she DOES seem to protect Padparadscha in the show, but doesn't seem confident about it in her final version, even though it does seem like she'd be "programmed" to guard aristocratic Gems because of her Ruby and Pearl makeup. Cool.

A "Crew Cameos" spread was included, which is of great interest to some of us who loved seeing the Crew insert themselves into the show. Not every SU Crew person who's been represented in a crowd was there, but this crowd included Amish Kumar, Kat Morris, Amanda Winterstein, Angie Wang, Lamar Abrams, Emily Walus, Mary Nash, Joe Johnston, Christy Cohen, Danny Cragg, Hilary Florido, Danny Hynes, Matt Burnett, Ben Levin, Elle Michalka.

The official national flower of South Korea, Hibiscus syriacus, is the name of Pink Diamond's flower.

One of Steven Sugar's comments about the silhouette difference between humans and Gems points out that humans have ears. This seems to be pretty good confirmation that they are not supposed to have ears, despite that sometimes we'll see ears drawn on them in some frames.

Rose Quartz/Pink Diamond is characterized in this book as "self-hating" in a really interesting way, saying that because she believed she was not capable of compassion, she practically worshiped those who demonstrated that ability and thought they were so much better than her--which is described as "intoxicating" and resulted in others being drawn to her. How interesting is that!

Timelines reveal that early plans for Pink Diamond's first Pearl originally had her getting destroyed by Pink during a game, and then her destruction was rewritten as a punishment from the Diamonds after Pink Pearl defended Pink Diamond to the other Diamonds. They went back to the idea of her getting hurt by Pink for the final version, though the cracked face and control by White Diamond was not on the agenda until they started writing "Change Your Mind."

10.

The approximate ages of the major characters, based on emergence, are revealed on these timelines. It begins with a cracked-planet-looking graphic depicting four tiny Diamonds emerging at 20,000 years ago. Some suspicious "blacked out" redacting surrounds a long timeline tail that goes back before that, which may mean there are secrets they still don't want to reveal. But the dates go like this:

20,000 years ago: The Diamonds emerge.

11,000 years ago: Pearl is custom-made for Pink Diamond.

8,000 years ago: Sapphire emerges (on Homeworld).

6,000 years ago: Ruby emerges (on a colony).

5,750 years ago: Garnet is formed.

5,600 years ago: Lapis is poofed and put in the mirror.

5,200 years ago: Jasper emerges (on Earth).

5,050 years ago: The Cluster is planted.

5,000 years ago: Amethyst emerges (on Earth).

4,500 years ago: The Crystal Gems found Amethyst.

3,000 years ago: Peridot emerges (on Homeworld).

40 years ago: Pearl found Lapis's mirror at the Galaxy Warp.

And of course we know 14 years ago Steven is born!

11.

Originally the Diamonds were based on a quartet of themes: Love, Fear, Pride, and Sorrow. It got too complicated to keep and it was abandoned, with Pink's identification of "love" being described as "particularly outdated."

12.

Notes on a sketch say that Pearl was inspired to become bold and unashamed because Pink's questions drove her to have opinions, and it's said that Rose "fell in love" with her boldness.

13.

Rebecca tells the story of driving off a ridge and getting stuck in the desert, comparing this to Ruby's tumble during her Wild West adventure and using it as inspiration. She's told this story before but here it is in print. She also included the story about using the flowers from a friend's wedding to put in Ruby's hair.

14.

Rebecca describes having to "fight" notes she was given when it had to do with Ruby and Sapphire's relationship. One she describes as NOT fighting was for a signing card depicting Ruby and Sapphire dancing. It was called "too romantic" and she decided not to worry about it since it wasn't the actual show content.

She was also scolded over her book The Answer because the powers that be expected her to downplay that relationship. She always argued that queer youth deserved these things.

15.

Tom Herpich describes being inspired to name Blue Diamond's comb "Comby" because he was watching the news about Comey getting fired from the FBI. It's also a mineral-related term and I always assumed that reference was intentional, but maybe it's not and this is the only intended significance to Comby's name?

16.

Rainbow Quartz 2.0's design is not discussed, though the other two new Fusions from "Change Your Mind" (Sunstone and Obsidian) were. RQ2 has some sketches included, but no accompanying narrative in the text.

17.

A sheet of corrupted Gems and their healed selves is offered, though it doesn't appear to be final. The obelisk in "Serious Steven" is labeled Albite. The unnamed Worm Monster, Desert Glass, and Watermelon Tourmaline are included. An unnamed birdlike Gem represents the Big Bird monster from "Giant Woman." The crab monster from "Arcade Mania" is labeled Blue Chalcedony. The Tongue Monster is drawn uncorrupted but not named. The Flower Monster from "Back to the Kindergarten" is labeled Grossular Diopside or Titanite. The invisible monster from "Island Adventure" is labeled Moonstone. The Lighthouse Gem is labeled White Topaz. A form for Larimar that was used in "Change Your Mind" but changed in Future is there. The Slinker is listed as Chrysocolla. And the Crab Monster is listed as Aventurine.

On the next page, this is changed to Bixbite (as it was in Steven Universe Future), and we then also have Lace Amethyst, Blue Lace Agate, Crazy Lace Agate (Fusion), Ocean Jasper, the Mother Centipeetle Nephrite (Facet 413 Cabochon 12) and three other Nephrites, Angel Aura Quartz, a hooded Jasper, Zebra Jasper, Biggs Jasper, Watermelon Tourmaline (labeled as Fusion of Gem * Onion--huh?), Snowflake Obsidian, "Little" Larimar, and Orange Spodumene (who was the Worm).

18.

The Rhodonite side story would have been about the love story of a Ruby and a Pearl working for Morganite. Images of Morganite and her servants, unfused, are in the book. We do not get this additional information, but Rebecca said in a panel shortly before the book's release that Rhodonite's story would have been about finding out that she had been Rejuvenated 17 times because her components kept falling in love and needing to be reset.

19.

Referring to the Diamonds on one of the charts, Steven's perspective is "I can't believe I helped these" and then there's a censor bar. Welp.

20.

Some included art by Hilary Florido features Kevin with a souped-up Koala Princess car and another where Kevin is staring at himself in the mirror in front of an altar to himself.

21.

Rebecca's sweater collection is included in the Crew art.

[SU Book and Comic Reviews]

#steven universe #steven universe end of an era #su spoilers #long post #su merch #myblog

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todayesterday · 3 years ago

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hi! so there's this quote from this video that i found rather interesting: “an interesting comparison i like to make is bts have quite possibly become the antithesis of the beatles—a band that once started off with this manufactured sweetheart pop music but in their later releases experimented with texture and genre fusion because they had the means and resources to do so. they shifted the music industry in how people perceived boybands but instead bts are feeding right into it.”

i'm not even gonna get into the fact that the beatles were more than just manufactured bubblegum pop from 64-66 but thoughts?

oh boy... well, that is certainly An Opinion. and i certainly have Many Opinions on this too. so now that you mention it, here they go. you've endulged me, now prepare for my VERY LONG hot takes on bts' recent comebacks and recent career and how it compares to the beatles' later years (fair warning, i'm very bitter about hybe and i have very strong feelings about bts' management, so). and i love talking about their career in relation to the beatles, so bare with me here, i could talk about this for days on end.

i watched the entire bts part of the video and, beatles comparisson aside (i'll talk about this in a minute), i agree with every single word. it is UTTERLY frustrating to me, as someone who fell in love with bts's music for their incredibly unique and varied discography, to witness what they career has come to in 2021. i find it so hard to come to terms with the fact that the group has some of the most talented songwriters i've seen (namjoon's lyrics in particular are phenomenal and so full of substance), plus some very creative producers, such as hoseok and yoongi who clearly care about music very much - and some rising musicians too, like taehyung who has been doing a great job of writing and producing -, and such unique vocals has come to... that. generic pop that is a very obvious attempt to produce a hit, regardless of meaning or substance substance. really, the only word that comes to my mind is frustration, because i am positive that they can do SO much better than butter and PTD (and i don't even hate the songs btw, and dynamite i really love) if they're given the creative opportunity, and be is proof of that. so it bothers me to no end how this is what we are stuck with.

now, i can only imagine that this direction is not one really chosen by bts themselves, at least not fully. because those songs are not songs, they are business decisions (and bad decisions, at that). and hybe does the business decisions. i'm not saying that the boys don't have any authonomy or whatever, but some things (mainly namjoon's live he did on youtube after dynamite got #1, plus some weverse interviews) do make me think they're not totally happy with this direction either. watching them in those BE-hind interviews they did with each other, all of them talked about how into music they were, how they wanted to explore other genres, their relationship to songwriting, etc - to me, right then at the end of 2020 they seemed almost more connected to music-making then i've ever seen them before. so it came as a shock to me when all we got in 2021, after such a personal album - and after such a wonderful array of albuns and songs since their debut - were two comercial, soulless, generic pop songs. because bts is anything but soulless and that's what irks me.

really, it's been hard being a bts stan recently because of how much this makes me just *sigh*. because i love them for their art and their music, and hybe recently only ever uses them as models for overpriced merch and advertisements - that has been their main occupation in 2021. and i don't think that it is because they have regressed as songwriters or musicians, but because hybe's vision of what bts is has changed. and that's what i think the biggest difference lies between bts and the beatles when it comes to the progression of their career.

you see, i think that hybe is stuck in a very tight situation that they're handling the worst possible way. as bighit, they had only bts as their only chance, their lifeboat. bang pd had his philosophy of authenticity and Being True To Music, and he got lucky with finding the perfect people to carry it through. plus, they were a smaller house, i don't even think he'd have the money to hire overseas producers when they were working on their first albuns, so it was a process that i imagine was a lot more intimate and open than whatever went on with their latest singles. however, with bts, bh (and bang pd) always had their Extra Content, bring-bts-close-to-the-fans strategy. and of course that worked, the boys managed to gather the very loyal fanbase that we have today. but the thing is, as bts rose to success, i have the very strong impression that pd convinced himself that it happened because of the extra content, because of run bts, etc - and not because of the honesty of their music. i think it was in that harvard report that he said that he believes bh found the 'formula for success' with bts, citing the extra shows, the social media, etc. and so, as bts took over the world, hybe seems to have convinced themselves that they are to blame, and not bts. plus, they realised that they can make so much money out of them, but they also need to diversify their income as well.

now, the tight situation that i mentioned is explained by three main things.

they are obviously seen as The BTS Company

they don't want to be seen as The BTS Company, because what the hell will they do when bts ends? so they have now a bunch of other groups too. and social network. and everything else they can get, because they're DESPERATE to make money that isn't directly bts-related

at the same time, they CAN'T lose bts revenue, because none of their groups or enterprises make nearly as much as bts makes them.

in short, to me, it is a very clear goose that lays the golden eggs situation.

they want bts to become mainstream in the usa, and they want bts to get a grammy (probably desperate for it because it might mean that bts will get an exemption from the millitary, which would mean that they'd be around longer to make them money), and they're apparently willing to do anything for it. but at the same time, they don't want bts to be their only thing, because, well, the military. whatever will they do if bts stays away for two years!

now, as i said, i believe that hybe thinks that bts' success is due to their management, their ideas and their formula. and they seem to think that commercial success = easy pop, because that's what bts put out when they did the biggest breakthroughs of their career (boy with luv in 2019 and dynamite in 2020). so, naturally, when they had dynamite and it was such a smash hit, they thought, well, he hit the golden pot guys! this is it! and it probably didn't help that the sales were absolutely huge and they probably made so much money off it. they learned that the hot 100 is a very lucrative thing and they barely have to do anything for it, just release the song and army will buy it to oblivion to get the boys the #1. and don't get me wrong, i loved seeing them getting that #1, it's a very important landmark, but... what does it say, really? after the first two ones?

so there's another important point to the story, army's consuming power. army will buy anything, anything at all, music or otherwise. if the singles are in english that's a bit amplified, sure, but i don't think that hybe understands that most fans don't care about what language it is, and the general public doesn't care for generic pop. hybe is still trying to break the mainstream barrier while trying to keep fans engaged and ends up not really appealing to anybody. but, if they think that songs like ptd and butter are what's going to get them money (and they haven't been proven wrong), then they certainly won't release a song like tomorrow or butterfly as their main single. and they make so much money. they own bts in its entirety, so they can do what they want, basically. that's why they put so much merch out. they're not interested anymore in authentic music, they want to grow and have more things and more fancy buildings and grow and grow. they're a billionaire corporation now, and so they hire whatever producers they think will write the biggest hit, they do what they have to do to keep the ~winning streak~.

of course, they missed the mark completely. they're killing their goose of golden eggs. but, as of yet, they're only killing it creatively (and its musical reputation, tbh, but again, i don't think they care), because the money keeps coming in. did you see the amount of pointless merch they released last year? the amount of advertisement bts worked on? they sold bts water. music isn't a priority in their agenda anymore. but how does that work? bts are musicians.

as i said earlier, during be they showed signs to be super involved and eager to create music, to write, to produce. how come so many members have been writing mixtapes for the past two years, writing music, producing, and we haven't had a crumb of really authentic music from them all year? did their talents just vanish from thin air? how come?? we're going to have a jungkook song produced by yoongi for that pointless webtoon instead of putting it on an actual album. like, why??????????? we haven't had a yoongi produced song in SO long. and he's a well-renowed producer. but no, let's treat him like a model. this makes me so furious, honestly.

and that's where i think the comparisson with the beatles pales a bit. it is not wrong, necessarily, but i think the situations are very different, and i think it's kind of unfair to say that bts became what they said they wouldn't be.

to me, the thing that differentiates the situations is that the beatles formed, in the very start, a really strong bond with a single producer who they trusted and who trusted them, and with a team who recognized their talent for what it was and was prepared to let them do their thing. of course, kpop is a completely different industry than the 1960s british rock scene; however, putting that aside and talking only about music, i think that is a big part of why bts "regressed". in actuality i don't think they regressed: i believe that they are simply not given the space and chance to evolve.

with the beatles, george martin was really only theirs. they had a BUNCH of problems with contracts and with emi and shit, of course, but abbey road and george martin were there to let them go and do their shit. they trusted them to put out music that wasn't "common", they saw that they were huge and let them go for it. the bigger they got, the more trust and control they had over their creative decisions, and the more security they had to go and do things like what they did on the white album. by that point, they had their people, george martin knew how to work with them, they were making SO much money and nobody was really scared that it was going to flop or what the public would think. and the fact that they were english helped them to gain and secure that space, because it is true that the mainstream USA media doesn't care for anything else other than american and english people - and apart from the "we don't care about british people" attitude of the early-60s, the beatles were never really outsiders. not in the way bts is. so, essentially, they could go and do whatever they wanted, and they knew that. so they did.

with bts, the opposite happened. firstly, they don't have the security. even though they are huge, they're still outsiders to the music industry - so the company (and themselves too, in a way) is probably scared of scaring the public away in a way the beatles/EMI/apple were not. secondly, they don't have a team who is ready to ensure that they have creative freedom, and they don't have a secure team to work with them. to me it's pretty clear that hybe is more concerned with their business and making sure they're selling than they are with bts doing the music they want - and they made the most money when bts put out ptd and butter and etc, probably. that's the opposite of what george martin meant to the beatles creatively. in their recent singles (and we know it's hybe who decides that), they worked with american producers that they probably have never met before - that can't be a safe environment to be open and vulnerable about their music or to try something bold or experimental. additionally, if they spend so much time doing adds, recording stupid merch videos, working on a goddamn webtoon that has nothing to do with their art at all or games or whatever unrelated project hybe has, how are they going to have time to sit down and develop their art? the beatles stopped touring to dedicate to music in the height of their career. bts became full-time models because their ads probably give bang pd so much money he shits his pants just thinking about it. george martin never cared about john wearing fila for ads or whatever - because that wasn't such a thing then. EMI certainly wanted to make money off them, but things were different.

now, i have to clarify that i don't know for sure where does bts stand in this, and yes, they do make money too from all those things i mentioned. but not even nearly as much as bh does. and, to be honest, i don't see a world where people who care about music and art (and we know they do) and find themselves in this situation wouldn't be frustrated and angry about it. in interviews they have talked about questioning all of this, namjoon in particular, seokjin too.

i think this is, in general, a very telling tale of what the music industry has come to from the 60s to now, with mainstream artists (not only bts, i think this applies to a lot of people) really having become products and the objects of advertisement, hostages to what the creative industry as a whole has become with hypermodernity and the Internet as we so have it. it goes in line with what tiktok is doing to music, what instagram and algorhythms have done to art, and so on and so forth. it does raise the question of whether the beatles would have had the creative freedom they had back then if they were artists nowadays, and to that i haven't got an answer, but i think it's interesting to wonder. what if, instead of having time to record revolver or sgt pepper's, the beatles were stuck recording ads for partner brands that they are legally obliged to do? the paralells between the two groups fascinate me so much that my literal master's dissertation will be about this very thing, the differences in the consolidation of both of them as global icons in their different contexts and cultures.

as for bts, i just think it's such a shame to see it come to this. i think they have so much potential, creatively. they have so much talent, such great songs, and they could do many other things. they could release whatever they wanted and so many people would still love and support it. i think hybe is making a huge, huge mistake with all of this. they can't produce another bts, and they're putting a serious strain on the one they do have. and i don't think the problem is the english, but they soullessness of the songs they chose. because we didn't choose to love bts because they are cute, or because of run bts. we choose them because we resonate with them, because we fell in love with their music, with them as people, and not with whatever vision some american producer/songwriter has of what they think bts is.

i'm curious to see where 2022 will lead us, with them. there's apparently an album coming. i don't have any expectations for the single, but we'll see. i just want them to be free to create, honestly. i miss them and their music very much, and i wish dearly that they were in another situation because they're not a golden eggs goose, they are people who love art and who love to express themselves through it. i hope that's what they get to do, once this webtoon and merch nonsense is over. they deserve a safe space to create. they deserve their hearts and their voices to shine through, as they have always done.

#god this was VERY long i'm posting as it is because im too lazy to read through it again #so i'm sorry if it doesn't make any sense of if it's full of typos #i just. have a lot to say. i have so many opinions on how hybe manages them #and about their latest singles #and about all of this #im SO sorry for the length though this is truly a monster of a post #i just miss bts music so bad i feel like im constantly fighting to not rant about this so it all just poured out lol #bts #i hope nobody comes for me for saying these things here tho if i did on twt i'd be hunted with a knife #also this is obviously MY opinion of things i'm not saying this is *exactly* the case but it's how i see it #if there's anything i haven't made clear etc feel free to ask!#the beatles #also yes i completely ignored the claim that the beatles were manufactured pop at some point bc i said TOO much already lol #but yeah!!!! i hope this answers the question lolzers #b*ng p* please dont sue me <3 #asd

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sarunohadaki · 3 years ago

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DQXI/Octopath Traveler Crossover

Crossover week: Home | 1 | 2 | 3| 4 | 5 | 6 | 7 | 8 |

Anyone call for a story idea with just character roles planned but no plot? Oh boy do I have the post for you! I’ve only played through chapter 2 of Octopath but from how things are going I have a few ideas for plotlines… on the whole, however, this post outlines each of the characters and their backstories.

Character descriptions under the cut because it’s long! Mentions of a character who's deaf, another character who's trans, and another character with DID.

I’ve been loving Octopath Traveler, but if there’s one thing I had to nitpick, it’s that there’s not enough moments woven in between all the characters! There’s a “travel banter” feature that covers the thinnest bases, where at some points in the game, the option for travel banter will appear on your screen and you can select it to see two characters have a short conversation. You have no choice in which characters talk to which, and you can’t go to that chat feature whenever. Also, let’s say you’re doing someone’s storyline. The other characters don’t talk in other’s cutscenes!

It sort of feels like there are eight games in one when you format the game that way. It's a little… disjointed.

Premise: Another fusion fic where the eight characters in Octopath are swapped for the team in DQXI (plus Gemma). Each character can still have their own backstories and subplots, but I am hankering hard for an overarching plot and antagonist. Maybe there’s, like, an evil League of Villains or some cult. Shouldn’t be too hard to find a place to slot that in, right?

Just like in the game, you stick to one character’s perspective and travel around to pick up the rest of your team, only in this fic, there’s varying dynamics between all the characters and oh boy it’d be prominent.

Characters

H’aanit ➡ Elimelech (El)

The Hunter

Born deaf, Elimelech hunts with his wolf companion and a quiver on his back. Despite appearances, El is not one to be underestimated; he is the pride of his village, which has recently celebrated his rite to adulthood. However, with adulthood comes an unexpected discovery, one which spurs him to leave the village in search of answers to his true heritage.

A literal strong, silent type. But has his shy moments, too. I can imagine you having to tap his shoulder to get him to see you talking to him sometimes, and he has this cute, brief look of curiosity on his face… 🥺

Similar to how H’aanit spoke in Middle and Old English, I think sign language would be interpreted the same way in this world. So everyone’s comprehension of SL is good, signing back… maybe not so good.

Animal companion (Sandy but beefed up into a wolf) would help him interact with the world, or at least keep him out of trouble.

Therion ➡ Erik

The Thief

Like the muck wiped off someone’s shoe, Erik’s not much wanted in most places, but luckily not thought about, either, which helps when he’s stealing coin purses. After a heist goes wrong, he’s tasked with retrieving priceless heirlooms to get back something important.

Does Derk fit well as replacement for Therion’s best buddy? (Sure?)

Therion was apparently well-known despite no one knowing what he looked like. Maybe I can make the opposite work for Erik.

The whole thing with Therion was getting a silver band off his wrist but I still like Erik’s canon plot more, so I’d find a way to shove that in.

Tressa ➡ Gemma

The Merchant

An ambitious and overly friendly adventure wannabe, Gemma uses an anonymous journal as her guide to the wonderful — and perilous — world beneath her feet.

Original plot for Tressa tracks fine, although wouldn’t it be cool if Gemma’s journal were written by Sudo Nim??

Old Dragon Quest had merchant classes, too. Wonder if there’s anything in those mechanics I could add to this fic.

Gemma and El hit it off right away and converse excitedly about everything from cuisine to cute boys. Though… no one tells Erik, who thinks they’re crushing on each other. (love triangle that really isn’t, haha!)

Cyrus ➡ Rab

The Scholar

Newly retired and looking for a new purpose in life, Rab decides to answer a decade-old mystery. While scholarly work has always been a hobby for him, he’s prepared to get to the bottom of this puzzle and hone his analytical skills in the process.

Definitely NOT following Cyrus’s plotline here

I could still have fired Rab (similar to Cyrus) and claimed workplace discrimination, but I like my alternative: “Rab was the head of a royal estate but got bored and ‘quit,’ putting someone else in charge so he could go fart off elsewhere.”

Is Rab related to El in this??? He could be. (Sercretly.)

Alfyn ➡ Sylvia

The Performer

A talented performer with an elusive path, Sylvia has called many places home. Following in the path of a traveler who once changed her life, she sets out to bring smiles to people’s faces and avoid the roots of a past that refuses to leave her alone.

Alfyn was last on the list when I was doing matching so sorry Sylv that you got matched with this backstory. But I can adjust it to make it work

Sylvia and Alfyn both have the goal of cheering up sick kids and ya know I think Sylv could learn some healing stuff along the way! She’s much more than just a pretty face, you know.

Someone from Sylvia’s path definitely shows up again and that will be trouble for her

Primrose ➡ Jade

The Dancer

Jade’s patience and sharp mind have sustained her through years of hard living, although it is all worth it when she finds her chance to exact revenge upon those who killed her father.

— Pretty straightforward, can take a lot from Octopath’s plot for this one.

— Hard decision of whether to somehow incorporate this into Hendrik’s storyline or make Jade’s father and the king Hendrik serves two completely different people

Olberic ➡ Hendrik

The Warrior

An erstwhile knight of a fallen kingdom, Hendrik melts into life in a quiet mountain village until word comes of a former comrade who’d turned traitor and killed their liege.

Jasper is the traitor, obviously!

As for their slain liege… can it really be Carnelian again when that’s Jade’s storyline? Like a plot twist that they were both following the same guy this whole time? Probably not. Probably needs to be someone different. Or Carny can just be twice as dead.

Ophilia ➡ Serenica (Serena and Veronica)

The Cleric

A level-headed cleric, Serenica serves the faith alongside her adoptive family. She takes up the torch to fulfil a traditional pilgrimage to rekindle light across the realm.

This one is complicated and I’m not sure how I’m going to do it yet

I wanted Veronica and Serena to both inhabit the same body and considered them having Dissociative Identity Disorder. I am very not sure about this. If I do it that way, I’d want to do it properly, with a sensitivity reader, research, etc. Because being respectful is Cool.

(P.s. There was fanart but someone (me) misplaced the art and never took photos of it???)

#Crossover Week #my fic ideas #my writing #Octopath Traveler #dqxi #deaf character #dissociative identity disorder #trans character #character with DID #why am i nervous hahah...

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mylifeisactuallyamess · 4 years ago

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So I got a new book today Star Wars related of course! And I was super excited and inspired me to write this quickly as I cooked dinner.

Are you a mechanic?

Poe Dameron x Female Reader

No warnings! Unless Poe being put in his place is a warning 🤣

You were new to the Resistance, you had been recruited when a group of pilots had rocked up at the bar on your home planet. You noticed one of the ships needed a repair and you asked if they’d let you do it, the pilot Snap had been so impressed with your fix he immediately asked you to join and you accepted. There was nothing for you here on your planet, you had lost much to the First Order your family.....were gone. This was the best thing you could of think of doing.

The hanger rang out with engine noises and people calling out to each other as you tied the arms of your overalls tightly across your stomach, the smell of the burning fuel permeated your nostrils and you breathed it in deeply. This is what you had been missing, you’d been a mechanic all your life working on every machine you could get your hands on but when your husband and children had been killed in a First Order raid you had stopped. Stopped living and just existed. Your life had ended that day, or so you thought because now you were here, your mind already working over time. There was a shout and an explosion from over by a black and orange X-wing, this one was different to the others, definitely a one of a kind. You ran towards it grabbing the fire extinguisher on the way as you saw the grey smoke billow out from the fusion and ionisation chamber, if it didn’t get put out soon it could damage the life support and the hyperdrive and you’d rather not fix all those in one go, not on your first day.

‘BB8 get out of there!’ The pilot, you assumed him to be the pilot but his bright orange flight suit was standing at the top of the ladder coughing at the smoke that wafted into his face. You raced up the ladder and deftly manoeuvred around him so you were standing in the cockpit. ‘Hey what are you....’ you cut him off by spraying the extinguisher full blast at the fire. The little white and orange droid made an alarmed beeping noise as you leaned over him to make sure the fire was out. It had been small but it could have done some serious damage.

‘What are you doing taking this panel off?’ You demanded loudly causing some people to turn at the sound of your tone. The man stood there his eyes flashed as he crossed his arms. ‘Are you actually a mechanic or are you plain stupid?’

‘Listen sweetheart, this is my ship...’

‘Are you a mechanic?’ You demanded again flinching at the heat on the durasteel as you stuck your hand in the hole trying to see if all the components were still intact or if they were damaged.

‘I do most of my own repairs...’ you cut across him again frustration lacing your tone as you reached further down, the poor droid out his moveable head back as far as possible to allow you room.

‘So you’re not. You’re just pretending.’ His expression darkened as he unfolded his arms.

‘Leave you to it then shall I? Come on BB8 she clearly doesn’t need any help.’ You sighed loudly, you’d been a bit abrupt but this could have been serious, the entire ship could have gone up and it was such a beautiful T-70 it would have been a waste. As you felt around you noticed the chamber was still intact, no holes or bulges so all was good. You moved on to check the life support, stupid man wanted to breathe in space right? And then you checked the hyperdrive, some wiring could do with being replaced but this looked good otherwise. You eased yourself back into the cockpit and you saw Snap talking to the pilot you’d just shouted at, you waved and he waved cheerily back. You wiped your hands on your overalls before slipping down the ladder.

‘I see you’ve been here half a day and you’ve already upset the golden boy of the Resistance.’ You looked round Snap to look at the other pilot.

‘Him? He’s a better pilot than you?’ Snap laughed and put a hand on your shoulder.

‘As much as I hate to admit it yes he is. One of the best. Poe would do anything for anyone he was just trying to help out as we’ve been so short on mechanics recently.’

‘I was a bit harsh,’ you agreed. ‘Just that could have been really serious. I should rewire some of it anyway, not my favourite job but I can do it.’ Snap grinned again.

‘I’ll tell him the best mechanic in the Resistance is working on his ship.’

‘You do that!’

You shivered slightly as the cool air whispered over your shoulders, you looked up surprised at how dark it had got no wonder you were struggling to see the small wires. Suddenly light flooded the cockpit you were slumped in and you shielded your eyes, someone had wheeled over and switched on a large light directly over you. Footsteps rung out on the ladder and you assumed it was Snap, so you weren’t prepared when Poe appeared next to the cockpit.

‘I put the light on for you.’ You were too stunned to say anything, part of you wanted to apologise for earlier but part of you wanted to still lecture him. ‘Alright, no need to say thanks or anything.’ He went to head back down but you stopped him.

‘I’m sorry, I’ve been staring at these wires for hours I think I’ve forgotten how to interact.’ His deep brown eyes studied you for a second before breaking out into a lop sided grin.

‘Busy keeping this the best ship in the fleet for me?’ You made a face as you looked back at the wires.

‘There’s a question, is it the pilot that makes the ship or the ship that makes the pilot the best in the Resistance?’

‘You think I’m the best?’ The cockiness in his tone had you rolling your eyes. You’d been here a day, the droid could be the best pilot for all you knew.

‘I wouldn’t know flyboy, I’m new.’

‘I didn’t think I’d seen you before. Or been spoken to like that before.’

‘Yeah sorry about that.’ He shrugged his eyes dancing with unspoken mischief.

‘Get out of that cockpit and you can make it up me properly.’ Your head snapped up and he smirked at the look on your face.

‘I meant with a drink sweetheart,’ he went down a couple of steps before looking back at you. ‘Comin’?’ You grinned.

‘Yeah alright I’m coming.’

#poe dameron #poe dameron x female reader #poe dameron x you #poe dameron imagine #star wars #one shot #poe dameron one shot #my writing #mylifeisactuallyamess

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ladyonfire28 · 4 years ago

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A new interview of Noémie Merlant for Les Cinémas Aixois (recorded back in March 2020)

(I might translate Zoé’s part if needed when I can, but i can’t promise anything, it’s quite long...). Noémie’s interview starts at 23:15

Hello Noémie Merlant !

Hello !

Welcome to Aix en Provence, in the Cinémas Aixois. Recently you’ve been doing lot of love stories.

Yes passionated love stories, modern love stories. Modern in the sense that it’s about women who follow and listen to their desires.

How do you see Jeanne and her relationship with Jumbo. And how did you work on those emotions, to fall in love with Jumbo.

It’s not easy to develop a relationship with an object, something that isn’t alive. And the special effects weren’t there yet, so it wasn’t fully embodied. There’s a lot of things to say I’m trying to think where I should start. Well I was very scared of amusement rides and I didn’t say it to Zoé but I was terrorized to go on those rides that move everywhere and I’m scared of heights. So I developed a relationship with Jumbo and I asked him to make sure everything goes well. And I used that fear when I went on Jumbo and it’s like when we start a new love story, we’re a bit terrorized and I used those kind of emotions. And once I got on Jumbo and did that first ride, I really pretended to be Jeanne and to believe , like Jeanne, that I loved that. And this is how you also see the power of belief, the film talks about that too. So I let it go and it was like a full vertigo, orgasm of let go. And it feels really good to let go, it made me feel really good. And then I was still in dialogue with Jumbo thanking him for making me experience this and for protecting me.

And I think we all have those kind of dialogues with ourselves. To me Jumbo is also a mirror of Jeanne. She struggles to talk and to have a relationships with people, with her mother who’s very possessive, fusional, toxic, she also struggles to deal with men’s desire, with what they're looking at her for. She’s very introvert and with Jumbo she can be herself, she’s not scared of anything because it’s neutral, and so she’s more open, more alive, more herself and so I worked on very concret things: different postures, ways of talking, of looking. We also we feed off our own love stories, it’s the same journey. So I start from here because it’s a real love story with Jumbo so I tried to be the most sincere and real I could.

Was it easier to let your guard down as an actress sharing feeling with Jumbo. I’m thinking that maybe if you were in front of a woman or a man…

Oh yes it’s easier because it’s neutral and Jeanne is calmer with Jumbo because she faces herself. But when it comes to acting it’s more complicated because, there’s a journey to create that is more difficult because it’s not a journey that we’re used to take, especially as actors. To only lean on a dialogue with yourself and the atmosphere. And when I say atmosphere I mean the machine, this material, these smells, to find other things.

And did Jumbo change.. I mean as scenes progressed did you…

Was it changing ? Yes at the beginning it was my enemy and at the end it was my great friend because thanks to it I surpassed something. Because before I used to be scared of everything and with Jumbo I’m less scared of many things. So something really powerful happened and I had a real relationship with it regarding that.

Some actors can really separate their characters to themselves and when the scene is cut they go back to reality …

Me not really.

You stay in character ?

How to say this, it goes a bit beyond, it overflows.

And what did you keep from Jeanne ?

I already had a bit of Jeanne before and I think we all have a bit of Jeanne in ourselves. A side that I have, that I had more before, to sometimes before totally elsewhere, not being able to deal with people, their desires, what they were projecting on me, what they expect from me and I would shut myself off. So I could relate to some of the things. And the way she would be in her own world, and talk to herself and with that machine, that was something that moved me and that I could understand. And those things stayed in my but were already there before.

What I managed is to overcome rides, now I like it, which is something pretty huge.

What made you decide to do this if you were scared of it ?

Usually when I��m scared about something, I confront it and I do it. I know that the moment I’m stagnating, I’m staying stuck, I’m finished. Finished in the sense that we have to keep moving and to go forwards. If I was scared of this character as much as I loved her it’s because there was a thing. But I saw the importance of this film, of this role, what it would lead to, the reflexion, the emotions that it brings, which was essential for me. And it’s an unique film.

Were you scared to work with Emmanuelle Bercot ?

Well I met her at the audition and she was so cool that I wasn’t scared after; I was very excited.

There are a lotto tensions with Jeanne and her mother. Does the desire to work with an actor is an advantage even if it’s to play something conflictive ?

Oh yes, it’s definitely an advantage. You’re not scared to really go for it and to threw yourself into the role. Every actor is different so it’s important and interesting to know everyone’s limits and it’s really interesting when the actor in front of you have the same limits as you because it’s really fun.

What do you think about the relationship between Jeanne and Jumbo, is it fantasized, or is there some reality etc.

It’s a love story, it’s the love story of Jeanne and it’s beautiful.

Di you watch films to get some inspiration for that role ?

Ryan Gosling, with his doll [Lars and the Real Girl], we watched that. Also Dancer in Dark, Breaking the Waves. We also watched The Shape of Water after filming. It’s a bit different though because it’s a creature that is pretty masculine. And the documentary about Erika Eiffel, and one about another woman that is in love with a ride. That was interesting.

Did you meet Erika Eiffel?

No. Well I met her later, in Berlin, at the screening, which was very moving.

What topic mattered the most to you in the film ? It talks about a lot of different subjects. What is the strongest to you ?

There’s that journey to make her mother accept that she is different, different from what her mother was expecting her to be. Because she has a love story that is out of the norm, because she’s different. And I think it’s very important, especially int he world we live in today.

And also I’m also moved by something more indirect. The film is also about reconnecting with ourselves. When I see Jeanne listening to herself, to her desire, that are different, that are very personal, intimate. Those things made me reconnect with some things, with myself. She has a strong dialogue with herself and I think it’s very beautiful. And that’s why she manages to talk about it with her mother quite quickly and to try to make her understand through the emotions.

This journey is important ?

Yes, the cinema of emotion is important because there are things that are hard to understand and sometimes through emotions we can relate more easily and understand them.

Do we have to go through a phase of loneliness ?

I think so yes. A phase of loneliness and a phase of cinema too.

Is that kind of leading role a gift ?

It’s a beautiful role that Zoé wrote and yes it’s a gift when you start a career to have that kind of role.

Were you two close on set to give instructions or was there some freedom in the interpretation ?

Well it’s a mix of those two things. We worked a lot before filming, in rehearsal. We were searching together. We tried different things, sometimes Zoé had a precise idea, and I wanted to try something different, so there was a real dialogue. And sometimes it was Emmanuelle that tried something different too. There was really something between us three.

#noémie merlant #noemie merlant #jumbo #jumbo le film #les cinémas aixois #please let me know if there's any grammar or english mistakes #I couldn't re-read myself because I was kind of in a hurry #but will make the corrections when I can !#sometimes i translate things #portrait of a lady on fire

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the-softest-puffball · 4 years ago

Text

of the naming of planets and the colliding of galaxies

notes: yes this is just an excuse to infodump about space and also make more space metaphors, but i like it so

prompt: Song/Stars

pairings: analogical

warnings: a curse word or two

read on AO3

@analogicalweek

------------

“The constellation Orion contains two of the brightest stars in the observable night sky,” Logan said as he pointed towards the recognizable cluster of stars, “Betelgeuse and Rigel. Betelgeuse is about 300 times the size of the Sun’s diameter. It also is a red supergiant star, which is the largest class of stars. It’s so big, in fact, that when it dies, it will create a giant fireball that will be so bright it will outshine many of the stars around it for a brief moment.”

“Wow,” Virgil muttered from beside him. “That’s really cool.”

“Fascinating, isn’t it?” Logan said, his gaze fixed on the constellation. “Rigel is directly opposite to Betelguese in Orion's chest in the constellation, and it is a blue supergiant, meaning it is still larger than the sun like Betelgeuse. However, it’s surface is thousands of times hotter, making it appear blue.”

“That’s awesome.” Silence filled the air around them after that, both deep in thought. Logan kept watching the constellation, imagining the surface of the stars, imagining seeing them up close with his very own eyes.

As if Virgil could hear his thoughts, he spoke again. “Do you think we could ever visit outer space? Like, I know space travel already exists and stuff, but do you think we could go that far into space to see those stars?”

“Well, it will possibly never happen unless we somehow discover the power of immortality, as it would take us about 8 million years to reach Betelgeuse, at least where it is now.”

“Oh, jeez. Time’s so fucked up.” Virgil laughed to himself, which made Logan smile as butterflies began to awaken in his stomach.

“Yes, time is a very strange construct.”

He looked over to Virgil, who was back to gazing at the sky with complete wonder, his eyes reflecting the stars as if he had captured them from the night. Logan’s breath apparently was also captured by him, and Logan willed himself to calm down.

The cosmos Logan could understand. He could conceptualize the creation of stars, gases coming together under pressure from an intense amount of gravity until it explodes in a sequence of fusion reactions. He could comprehend the constellations in the sky, how ancient people saw shapes in the sky and decided to connect them to their own mythologies and history. However, Virgil and his feelings towards him were an enigma.

Logan didn’t ever mean Virgil being an enigma as a bad thing; he always thought of enigmas as a new thing to learn, a new thing to explore. Virgil was another mystery that he wanted to uncover. Another universe that he wanted to understand, which confused him the most.

Logan had never been so fascinated by another being before. Space had interested him since Thomas was a child, and chemistry had come later, so much so that his infatuation with it spread to Thomas and pushed him towards getting a degree in chemical engineering. It was one of Logan’s proudest achievements, but Virgil made him feel different things than when he was looking through a telescope at the newest star he had learned about or when he was mixing different elements together to see how they reacted to each other. Virgil made him feel like he was solving a puzzle, but a puzzle that gave him figurative butterflies and distracted him from everything that wasn’t related to him.

Logan was so lost in thought that he didn’t notice Virgil had turned back towards him, possibly to ask a question, until he started talking again.

“Hey, you alive there?” He said with a joking smile, Logan quickly blinking for a moment to break the trance he was in.

“Yes, I’m alright. Why would I have died if I had been lost in thought too long?” He replied, catching back up to Virgil’s words.

“It’s an expression, Lo.” Virgil laughed again, the combination of Virgil’s laughter and the nickname he had used making Logan’s heart figuratively skip a beat. “Anyways, I have another question.”

“Of course, what is it?” Logan was glad Virgil seemed excited to learn about space and shared a similar appreciation to it. Answering questions was something that Logan thought was one of his strengths.

“How did all the planets get their names? I know they’re all based on ancient gods and stuff but how did we decide on those names for each planet?”

Logan thought for a second, trying to recall the information as he looked back out to the sky. “The planets in our solar system are named after ancient mythology, specifically Greek and Roman mythology, which you are correct about, but they were named over thousands of years ago. Mercury was named after the god of travel, possibly based on how fast it moves across the sky. Venus is named after the goddess of love and beauty, and only the moon and the sun shine brighter than it, at least from our viewpoint on Earth. Mars was the god of war, therefore the red planet, a color associated with blood and war, was named after it. Jupiter was the ancient Roman’s version of Zeus, and it is the biggest planet in the solar system. Saturn was named after the god of agriculture, though we are not sure why. Those were all of the ones that were observed by ancient astronomers, the outer planets only being discovered more recently, following the naming process of the other planets.”

Logan turned towards Virgil again, who had been watching him explain. “I hope that wasn’t too much information.”

“Nah, that’s really interesting. So the planets besides Uranus, Neptune, and Pluto are all observable from Earth?”

“Yes, you are correct.”

“Wow.” Virgil looked to the stars. “Can we see any right now?”

Logan followed his gaze, scanning the night to see if he recognized any of the planets. Then, he spotted the small red spec of Mars, pointing at it. “There, you can see Mars clearly next to the constellation Taurus.”

Virgil leaned closer to him so he could follow his hand easier, which made Logan fluster slightly. It wasn’t the first time he and Virgil had gotten this close, but something felt different this time.

He looked at Virgil’s face, seeing as he stared with a furrowed brow, concentrating on trying to see it. Logan thought he looked adorable like that, which then made him want to shake his head to get the thoughts out of his mind. It wouldn’t actually work, but it didn’t make the urge to do it any less strong.

However, Virgil’s eyes then lit up as a grin stretched across his face. “I see it!”

Logan quickly looked back at the planet, feeling Virgil move away from him, which made Logan a little more upset than it should have. God, his feelings were so confusing.

“That’s awesome,” Virgil muttered. “That’s really Mars?”

“Yes, it is.”

“Woah.” Virgil paused. “Really puts into perspective the size of the universe, doesn’t it?”

Logan thought about it for a moment. The red spec floating between the billion of stars that looked about exactly the same size was a planet. He had never thought about it that much to realize it fully. “I suppose you’re right." He paused. "Doesn’t it make you feel small, though?”

“No. In fact, it kind of gives me comfort, you know? Like, you were telling me last time, we are all made of the same atoms and elements the stars are made of, so it almost makes me feel at home. We might be only here for a small amount of time but the universe has been here for billions of years, and just, I don’t know, it’s nice to know that we aren’t all alone. Maybe we'll become our own stars when we die.”

Logan looked back towards Virgil, the intense feelings of confusion and butterflies and love rushing back to him. The idea of Virgil finding comfort in the stars in that way made Logan understand the universe in a whole different way. He had always seen the universe more as collection of things to learn, but Virgil offering such a different perspective, connecting what he had learned to an emotion of loneliness and home was something Logan had never been able to do. The thought of Virgil being such a fascinating enigma returned, this time in such a profound and fond way Logan had to at least express his appreciation for such an interesting, figuratively eye-opening idea.

“You are much more astute than people lead on,” he said, hoping that Virgil understood what he meant.

“What? No, it’s nothing,” Virgil replied, glancing over at Logan before looking at the grass they were sitting on, slightly flustered.

“It is not nothing, you offered a fascinating perspective that I have never been able to even connect together myself.”

“Well, thanks.” Virgil sent him a smile, Logan noticing even in the dark the red dusting his cheeks. Logan returned the smile himself, hoping it didn’t look too fond as he didn’t want to let all of his emotions for Virgil figuratively spill all over the floor.

“You are a wonderful listener, Virgil. Thank you for joining me these past couple times.”

“Yeah, it’s no problem. Anytime.” Virgil looked back to the sky, his grin returning as he gazed at Mars.

Logan checked the time with his phone. 1:21 am. They should probably go to sleep soon if they wanted to be able to help Thomas fully tomorrow.

“We should go back, it has gotten quite late,” he said, voicing his earlier thoughts.

“Okay,” Virgil replied, but making no moves to actually get up. Logan slowly stood to his feet, stretching a bit as sitting on the grass for an hour or two was not very beneficial for his body.

He held out a hand for Virgil to grab, pulling him up when he did. Virgil also stretched, Logan turning around so he couldn’t see how flustered he was. His feelings were going to be the death of him if every time Virgil even touches him it sends shockwaves up his spine.

He started making his way to the door of the Imagination, which was just about a 3 minute walk away, but then he heard Virgil behind him speak.

“Hey, uh, actually, I have another question,” he said. Logan stopped, turning back towards him.

“What is it?”

Virgil got closer to him. “Well, you were talking about how the planets are named after ancient gods, and, uh, so Venus is named after the ancient Roman god of love, so, do you think that, uh, affects our lives here?”

“Well, of course, Venus is the name we use for the planet-”

“No, I mean, like…” Virgil paused and took another step closer, which was starting to distract Logan to an unreasonable amount. “Does that planet, and therefore the god it’s associated with, affect our relationships with people and how we feel about them?”

“Oh, you mean like astrology?”

“Yeah, I guess, yeah.”

“Well, there’s no specific scientific evidence supporting it, but perhaps, since many have said the planets’ positions in the universe is quite accurate in figuring out certain personality traits or relationships with others.”

“Oh, well, uh, okay.” Virgil seemed more anxious than usual, and Logan began to worry.

“Is everything alright?”

“Yeah, it’s just, uh, that was actually just a really shitty segway into the actual question I wanted to ask, which is…” Virgil gulped and took Logan’s hands with his own. Logan instantly flushed deeply once more, and his stomach felt like the figurative butterflies had multiplied. “Since we mentioned a goddess of love, I wanted to ask…”

Logan didn’t dare interrupt. He didn’t know where Virgil was going with this, but he didn’t seem to care when it felt like he could barely get a sentence out anyway.

Finally, Virgil found the courage to say it.

“Can I kiss you?” He looked right into Logan’s eyes as he spoke, and Logan felt as if he was going to fall over if it wasn’t for Virgil’s touch grounding him. “Like, just I already liked you before, but right now I just realized while you were talking that I think I’m in love with you, and it’s cool if you don’t want to or if you don’t like me that way, we could just pretend this never happened, and yeah.”

Logan couldn’t find the words to reply. It was as if Virgil had taken all the words from his mouth by saying four words, four that Logan couldn’t believe he would ever hear. He knew he should respond, but his mouth wasn’t responding to his brain, which he knew was actually unlikely but it felt like it. How Virgil had managed to make him completely speechless was another mystery that Logan was desperate to solve. However, he noticed Virgil still staring at him, probably waiting for him to say something, and Logan sucked in a breath just enough so he could speak.

“Please do,” he said, breathless and a whisper, which he thought was completely pathetic but Virgil must have thought it was the best thing he’s ever heard because he grinned as bright as the sun before pressing their lips together.

It was as if two galaxies collided together; a merging of completely different planets and stars forming into one beautiful spectacle. Logan went to run his hand through Virgil’s hair, tugging slightly and moving his lips against Virgil’s as Virgil’s hands moved to his hips. Logan felt like he was moving through an entirely different universe, but it was one of the most captivating and effervescent universes he had ever seen.

This amount of emotions Logan was experiencing at that very moment threatened to overwhelm him, so he pushed Virgil back a bit to break the kiss.

He took a couple shaky breaths, his eyes still closed. He still had so many questions about Virgil, perhaps even more now, but when he opened his eyes and saw Virgil staring at him like how he stared at the stars he couldn’t seem to mind anymore.

“That was… wonderful,” he said, at a loss for any other words that could describe even the slightest of what he feels. Virgil laughs.

“Nerd. Come on, let’s head back.” Virgil separated a little more, but still grabbed Logan’s hand with his own as they began walking back to the door.

Logan looked back at the sky, stopping Virgil in his tracks as well, and watched as the stars twinkled knowingly from their spots in the night. He gave one last glance at Betelgeuse and Rigel and smiled.

Maybe he understood how to connect emotions to the stars after all.

#analogical #logan sanders #virgil sanders #liz writes #analogicalweek #of the naming of planets and the colliding of galaxies

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starr-fall-knight-rise · 5 years ago

Text

Humans are Space Orcs, “Black Tie.”

I hope you guys like this. Writing has been weirdly difficult for me these past few days, so I sort of hope it isn’t showing lol

This is a little peak into the way that humans try to subtly one up each other in social situations, so Karma is fun :)

Krill was mildly uncomfortable, and so was Sunny. They had all been invited to what the humans described as a “black tie” event on mars mostly for political delegations, rich sponsors, a couple of famous people, and the occasional member of the UNSC or the GA. Most of the GA reps were Rundi since they tended to like this political sort of thing. There was at least one Tesraki, who had made the executive decision to come since he saw financial opportunity in getting to know some rich humans.

Sunny had been invited to stand in for the Drev counselor, who could not attend due to some issues back on Anum. Dr Krill and Dr. Katie had been invited to attend the event in case medical personnel were required for any reason.

Adam was the only one who had been invited for himself.

The black tie event had been sent by way of a physical letter which Adam had called, “Excessively pretentious.” in a day and age where everything was sent electronically. The fact they had managed to get a letter to him out in the middle of space in the first place was pretty impressive.

Sunny hadn’t really known or cared what all of this meant, but Adam had been nervous and very serious about the dress code. Despite thinking the entire thing was pretentious, that didn't stop him from immediately sending away for his mother’s help.

Sunny was, of course, encouraged to wear ceremonial formal armor to the event.

Krill was keeping very close track of this odd human behavior constantly asking questions as Adam was preparing himself.

“Why don’t you just wear a regular suit?”

“Because that would be a social faux pas.”

“A what?”

He sighed, “I don't know, it's french or something. I think it’s a ballet term. IT just means it would be a social screw up and people would totally judge me for it.”

“They would judge you for wearing the wrong thing?” Krill wondered curiously.

Adam nodded, “That is the point of these parties, and has been for the last two and a half thousand years. These parties are honestly just the biggest pissing contests where people try to out dress each other in subtle ways, and the old people who know what they are doing make fun of the new people for having no idea how to do it properly.”

Krill looked interested, “how fascinating. So it is a way to show your status subtly.”

“Oh yes. Status is a big deal. It started to go out of style for a while, but this whole adherence to dress code has come back with a vengeance in the last few years. The fashion world has seen an upheaval in pretentiousness, and celebrities have been laughed out of parties for trying to be avant-garde.”

“To be what?”

“Sorry, pretty sure that’s also french too. It means new, interesting, or out of the ordinary usually to make a statement.”

Sunny leaned in a little, “And they expect an air force commander to know how to properly dress for black tie?”

“They don’t, which is why they invited me. I am supposed to make others look good by looking bad. Of course I also make them look good by being invited in the first place. Of course joke's on them because i have a secret weapon on my side…” He patted the front of his shirt, “Thank you mother.”

“I am now confused.”

Adam waved a hand, “Yeah, I know, It’s pretty stupid

“I thought you recently decided that you like dressing up.” The human turned in place a couple of times in front of the mirror trying to get a better view of himself, “Correction, I have always enjoyed dressing up -- got that from my mom -- what I don’t enjoy is the pissing contest that comes along with it.

“What is that?”

“Bow tie.”

“You look like someone’s Christmas present.”

He adjusted the bow tie, “Well than someone is getting a sexy as fuck Christmas present now aren’t they.”

He buttoned up the front of the ‘waistcoat’ and pulled on the jacket.

When he was done, the two aliens had to admit that he really did stand out, all in black black pants black tuxedo jacket, cuff links, black tie, black waistcoat, and a purple/blue carnation threaded through the buttonhole on the lapel.

His shoes were almost as reflective as the mirror behind him.

“How do I look?”

“Like a goofy idiot, but the suit wasn’t going to change that.” He lifted a finger to flip Sunny off.

“Not very dapper of you.” Katie said from the doorway.

They looked up to see Katie, who had also commissioned a dress from Martha, and honestly made Adam look a little plain.

“Ready to go.”

“As I will ever be.”

***

Krill kept a shrewd eye on all the strange human protocols. As far as dressing up went Krill could immediately see who the in-crowd included. Ost of those people understood the rules Adam had laid out for him wearing the proper evening attire, where those not in the-in wore clothing that approximated the rules but missed them on several occasions.

The way the evening was set up was a little bit more like a ‘ball’ as Adam described being announced as they were walked in, and then ordered to mingle with the crowd. Adam and Katie got a few glances from the in-group who seemed surprised that a simple ship captain would known anything about formal evening attire.

Sunny just found the entire thing hilarious. All of this subtle dressing up to impress each other.

If Drev held balls, instead of dancing they would probably just beat each other to death.

But here, there were a lot of subtle clues and hints that went right over her and the Doctor’s heads, while Adam seemed to know what he was doing.

As they walked in waiters offered Adam an alcoholic drink, while Krill received water, and sunny a rather strange tincture that was generally just water with plant flavoring. It was pretty good though so she didn’t complain.

They were met on arriving by the event coordinator whose eyes opened wide when she saw Adam pausing and holding out a hand.

Due to the conflated and rather twisted nature of black tie events in the future, Adam took the hand, and bowed a bit lowering his head, a strange area between the less formal handshake and the more formal kiss on the hand, which was also not a thing in societies post WWIII

“Commander, I… you look…” She trailed off

Even to sunny it was clear the woman hadn’t expected him to know anything.

He smiled icily at her.

Krill leaned in in fascination.

This was one of the most intriguing parts of humanity. The polite way in which they were totally rude to each other, “Well than you. My mother has a Ph.D in the information age and a masters in historical fashion.”

That shut the woman up and she politely dismissed herself walking away straight back.

Adam smirked, “Her dress isn’t the right length for an evening event.”

“I thought she coordinated the event.” Sunny muttered

“She couldn’t coordinate herself out of a paper bag.” He winked at Sunny and Krill, “You can’t out-dress the son of a historical fashion expert. Simply not possible, she even used the correct materials.” He tugged lightly at his jacket.

Dr. Katie had disappeared on entry leaving the three of them to wander about the room as Adam pointed out the other important people.

There were a few military commanders, rundi, and the aforementioned Tesraki. There were at least five major political leaders, and even larger handful of actors who had their hands in charities or political causes related to the event.

Adam was only halfway through his first drink when he was waylaid by one of the younger actors. Even Sunny could tell straight off that he was not dressed appropriately. He had clearly tried very hard, but his efforts were in vain. While everything looked alright from a distance, up close something was wrong about everything. The material of his jacket, the style of his shirt, the type of pants, the lapels on the coat, and even the patterned pocket square which should have been a solid color but wasn’t.

He was joined by another group of men who then began some pretentious conversation about noticing how Adam was new to these sort of events. The way they spoke made it pretty clear they had no idea who he was or what the proper dress code was either.

Adam smiled and didn’t say anything.

“And what do you do for a living?” One of them asked

“Simply a UNSC representative.”

“Ah that explains a lot.” They glanced down at him with pointed looks

The conversation continued. Sunn wondered why Adam didn’t just shut them all up by telling them exactly who he was, but Krill had a theory that Adam was just playing with them as a human way to build up the moment so that he could socially crush them.

As humans do, their conversation wandered until it eventually moved around to the UNSC and other related topics.

One of the men nodded knowingly, “I am somewhat knowledgeable on the subject myself.” Adam raised an eyebrow.

“Are you?”

“Well yes, I have a brother in law who flies shuttles and planes for the UNSC. Tell me, what is your opinion on the D-4 class engine on a F-90 darkfire. I honestly think they are rather overpowered for what is being asked of them.”

Adam frowned, “The darkfire doesn't have a D-4 engine. That is a warp classification which-”

The man raised a hand, “No no. I heard my brother in law talking about it. Personally I think they should have just kept the jet engines they would have been plenty enough power to make it into orbit.

The Commander’s face scrunched in confusion as he shook his head, “No, it's a fusion engine, and the jet engine can’t fly in the upper atmosphere because there is no lift-”

“Look, Adam, was that your name. I generally tend to know what I am talking about. The darkfire jet engines would have plenty of power to make it into atmosphere,”

“But its a jet engine which implies it is for a plane and not for a rocket-”

The guy cut him off again and continued to ramble onward about how he took some engineering classes in college and would know what he was talking about. Since Adam Joined the UNSC and didn’t go to college, that he probably didn’t know anything at all, or at least that is what they said in not so many words.

Sunny was getting a bit annoyed and would like to have squished the guy, but Adam just shook his head at her.

She stayed silent and grumpy as the other men continued to correct Adam on knowledge of his own favorite aircraft.

“My brother owns a spaceship with a class E warp core one of them boasted.”

Adam rolled his eyes, “There is no such thing-”

“My brother owns the craft, I am pretty sure I know what I am talking about. It’s one of the most powerful cores in the galaxy.”

“Um, I don’t think.”

“Yes the E is more powerful than the A. A ship like the Harbinger or the Enterprise would only make it part of the way across the galaxy but the-” He kept going.

Adam looked like he was dying but why didn’t he say anything.

It was just then that someone appeared from the crowd. Sunny recognized a political figure they had met at GA summits on occasion.

He raised his glass and stepped into the group, “Ah commander! I am glad to see you could make it.”

The group of men glanced at each other in confusion.

Adam nodded, “It’s good to see you two counselor.” He motioned to the group we were just having a fascinating discussion on warp engines.”

“Oh yes.” He turned to look at the men, “Than I am sure the commander has told you about his escapades as a darkfire pilot.”

The satisfaction Sunny got from watching their faces was priceless, almost orgasmic. She could tell from the look on Adam’s face that he was feeling similarly, “Well no we had not made it to the subject, “I was just going to explain to them how the duel E 20 engine has both a jet engine and a fusion engine. The jet engine for flying in atmosphere and the Fusion engine for moving out of atmosphere considering that the jet engine is not powerful enough to lift the craft without air buoyancy.”

Sunny was laughing on the inside.

“Ah yes. I seem to recall a discussion along those lines. Tell me commander, what about the Harbinger’s engine is it a class A-1.”

Adam nodded, “Could potentially get you to the other side of the universe if you asked her. The classification system is A-D 1-4 on each, so my ship has one of the most powerful engines mankind has ever bothered to build.”

He glanced out of the corner of his eye and the other men who were beginning to slink away.

Sunny chirped in pleasure.

The rep nodded as they left, “I heard the futility of your conversation from the other side of the room.”

“Thanks for the help. I was dying inside.”

The two men laughed and took their drinks.

Krill was very pleased with his examination on how humans subtly tried to one up each other with their dress and understanding of certain topics, though it seemed odd to him that someone would claim to be an expert when it was, in fact, their brother or brother in law who knew about the subject and not them.

But he supposed that was the social nature of humanity.

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fauzhee10069 · 4 years ago

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The Rock-Women, extinct or exist? (JoJolion)

This post is related to these posts:

JJBA Youthful Moms

The Biology of Rock-Humans

With the rise of youthful looking moms in JJBA, has Araki lost his ability in drawing 'old people'?

Araki’s evolving art-style

First, let's review his art-style and art-revolution in previous parts:

Part 1: Phantom Blood

I don’t really remember any significant old people here, so I’ll give it a pass.

Part 2: Battle Tendency

There was grandma Erina and Speedwagon in their 70s, both really looked their age.

There were also Straizo in his 70s and a 50 years old Lisa Lisa, as hamon users, they appeared younger than their age. Initially, Straizo looked like in his 50s and then in his 20s after he turned into vampire. Lisa Lisa looked like in her 20s, her youthful look had a purpose in-story and also got in-world recognition.

Then, there was also Erina in her 50s when she was holding baby Joseph, she really looked her age.

Part 3: Stardust Crusaders

There was this villainous villain named Enya Geil and she really looked old.

Then, a 69 years old grandpa Joseph really looked a granpa, despite being a hamon user. Readers believe that he rarely practices because he was lazy, but there is also wholesome speculation that he wanted to age together with his wife.

And Joseph’s wife, Suzy Q who is also a grandma looked old according to her age.

There was DIO who should be +100 years old, but just like Lisa Lisa and Straizo, as a vampire, he looked much younger than his actual age. Therefore, his youthful look had a purpose in-story.

Part 4: Diamond is Unbreakable

In part 4, there was Josuke’s grandpa, Higashikata Ryohei at 55 years old. He did look like a grandpa.

Then, a 79 years old Joseph who looked very old and frail.

There were also Kira’s parents who were in their old age.

Part 5: Vento Aureo/Golden Wind

Just like in part 1, I don’t recall any significant old people in this story, but there was a Stand named 「The Grateful Dead」 with its terrifying ability to forcefully age people over a large area. Araki had drawn the aging too well.

Part 6: Stone Ocean

I don’t really remember significant old character but I know about the user of 「Dragon’s Dream」, a 78 years old elderly prisoner named Kenzo. He looked bizarrely old like Enya Geil. But I think this part could be the beginning of the aging problem for certain parent characters.

First, Jolyne's mom (whom sadly never named) didn't really look like a middle-aged woman. Although her age was never mentioned, I believe that she should be in her 40s or at least late 30s which should be her youngest estimated age.

Then there was Mrs. Bluemarine, left panel is when her son was still a baby then the right panel is around 15 years later when she confessed her sin. Not only her face remained unchanged (with no apparent aging), the hairstyle and dress are hilariously not changed.

And the meme of Jotaro ages backwards is not without reason.

Part 7: Steel Ball Run

This part also has a similar problem with the previous, the main villain of part 7, Funny Valentine (43/48) in his sexy form (late appearance) didn’t look much older than Johnny (19) and Diego (20), when he should have been more than twice their age, old enough to be their dads. Can you see their age difference on these panels?

But interestingly, Araki was also able to draw the differences in age and facial features of the two females (Lucy and Scarlet), as the former (the 14 years old girl) eventually had to impersonate the later. I also believe that the first lady Scarlet was in late 30s or in her 40s.

Then, there was also Stephen Steel who was around 51-53 years old and he looked his age.

Perhaps in this case, Araki just wanted to tell that Funny Valentine was older than he looked.

And now, we reached JoJolion (part 8) that likely suffers from the ‘youthful moms’ syndrome. So how did this begin?

The Middle-Aged Moms and their looks in JoJolion

Kira Holy Joestar

The first middle-aged woman to be introduced in JJL was Kira Holy Joestar, a 52 years old woman. Interestingly, she really looked her age, a middle-aged woman.

This early Holy also has similar facial feature with Scarlet Valentine

In fact, I think Araki did really well when he drew her as we can see the age difference between Holy (52) and Yasuho (19) clearly, a thing I highly praise because Araki did not rely using the frown lines on the sides of the mouth to illustrate the aging.

Hirose Suzuyo

Another woman that we can consider as a middle-aged woman is Yasuho’s mom, Hirose Suzuyo. Even though she is younger than Holy, being 44 years old can already be considered a middle-aged.

But together with Yasuho on the same panel, she doesn't look much older than her daughter. She basically looks like Yasuho’s older sister than her mom.

And if you prefer '43' to be the correct age of Funny Valentine, then it would make Suzuyo a year older than the president (in their respective timeline).

(Higashikata) Caato

Then this infamous gilf who rocked readers in her early debut and still being hyped by her supporters, (Higashikata) Caato:

Being 52 years old, she is the same age as Kira Holy Joestar, but her appearances and the fact that she already had a grandson makes the readers thought that her youthful look must have ‘a reason’:

Is she secretly a rock woman?

Is she a fusion of two people by Rokakaka fruit that caused her stop aging (an outdated theory from redditors due to her strange eyes)?

Will her attractive look signify that she will be the main villain (like Funny Valentine)?

Besides, during her family reunion, it seemed that Araki no longer bothered to make her distinguishable and significantly belong to different generation from her daughter Hato.

Though I think, there was a moment when Caato kinda look her age just like Holy in her early debut:

What is behind their youthful looks?

I think it is kinda unfair to think that only Caato who purposely looks youthful while disregarding the other moms’ look. Holy's first debut with her middle-aged look was in chapter 14, then Yasuho’s mom, Suzuyo even debuted earlier back in chapter 8 and she already looked attractive and youthful there. Only then did Caato made her debut in chapter 55.

Many readers also don't consider Holy's appearance during the Vitamin C arc, flashback where she met Josefumi and her son Yoshikage. The timeline at the time should be around 2010, because a chapter earlier (50), Yoshikage talked about Iwakiri, a baseball player who was taking a year off since 2009 due to an injury. Then Josefumi and Kira Yoshikage took action to steal Locacaca's branch until afterwards headed to a scene with Holy.

JJL chapter 51: Vitamin C and Killer Queen – part 2

In other words, a year ago (2010), Holy was already in her early 50s! And her face here definitely looks younger than her face when she debuted for the first time. We can argue that perhaps her older look in present time (her debut) was caused by her strange illness, as people who are sick often appear older than usual.

But in Holy's most recent appearance in chapter 92, she looks much younger than her age:

Her wiki page also agrees and has described her appearance that she still having her ‘youthful look’:

Holy Joestar-Kira’s wikia page

So, here is the breakdown:

Hirose Suzuyo (Yasuho’s mom)’s debut in chapter 8, aged 44, she is older than she looks.

Kira Holy Joestar’s debut in chapter 14, aged 52, she looked her age.

Kira Holy Joestar’s appearance in chapter 51, aged 51, she is older than she looks.

(Higashikata) Caato’s debut in chapter 55, aged 52, she is older than she looks.

Kira Holy Joestar’s recent appearance in chapter 92, aged 52, she is older than she looks.

The mystery is why Araki changed Holy's appearance from her initial debut? Why does she become younger than before? Did he do this on purpose or is this purely due to his evolving art?

The Hidden Rock Woman and The Red Herrings

What is ‘female rock-human’ in general?

They are indistinguishable from (carbon-based) female humans.

Their life span is ±240 years (just like the males).

They can be older than they look (just like the males).

They need to hibernate (just like the males).

Their gestation period is 6 months and give birth in the spring and summer.

They rarely (if ever) have affection for or a parental relationship with their children.

Their babies have an average body length of 28 mm and weight of 15 grams.

They can procreate with human males.

As Araki has brought up about the existence of rock-human females in chapter 99, coupled with the possibility of reproduction with (carbon-based) human males, readers have created various theories about them.

(Higashikata) Caato

The most popular theory nowadays is about “Caato as the rock-woman”. Since the beginning, this female character is often hyped as the character who will play a major role, mostly in antagonist side, be it as the main villain and (now) as ‘the rock-woman’.

I think there are a lot of made-up theories and far-fetched reasons created by her supporters, problems regarding the theory of "Caato as the rock-woman" have been mostly explained in my previous post:

Is Caato a Rock-Woman?

Even so, I myself have not dared to confirm that Caato can’t be a rock-woman. However, my post there was more to show how forced, flawed and ridiculous the theories made by her supporters. I am worried that this would be 'the case of bad writing' so I also hope that Araki would not make it happen.

But if Araki is going to make Caato a female rock-human in the future, I hope that he can provide a nice explanation with a story that makes sense and is not forced. Still, I think to make Caato a rock-woman will be the most complicated choice.

We never saw the signs of Caato as a rock-human. In her flashback, she had already behaved very different from the rock-woman, she was shown as a doting mom, she really loves Jobin and took care of him, in contrast to rock-woman who abandoned her newborn baby. She didn’t want Jobin to get hurt, she almost cried (see the beginning scene when he climbed a tree), she was very worried about him. Unlike the rock-women, Caato certainly has affection to her children.

Then we’ve also seen how her children grew up like any normal human in contrast to the bizarre growth of the rock-humans:

We still don’t know what happens to the baby born from reproduction between human males and rock-women? A human babies, rock-babies or crossbreeds?

Then with the four children of Norisuke IV and Caato, we also have to begin questioning again about what Jobin, Hato, Joshu and Daiya truly are? Are they half rock-humans, fully rock-humans or just regular humans? The problem is: we’ve been following their characters and there is absolutely no hint that these four were somewhat different from regular humans.

If the crossbreeds are somewhat different than the normal humans, then Araki will need to further develop not just one, but “four characters!” to show how they slightly differ from normal humans. Then if Jobin is a half rock-human with Mitsuba as regular human female, is it possible for Tsurugi to be born then? This will also be a problem that must be resolved in the story.

As rock-humans need to hibernate, how is he going to show that Caato need it too? Or perhaps she is fighting it off? A Caatofag has theorized that she uses Locacaca to be able to do that, as her son Jobin has access to the fruit, this kinda makes sense. However, there are many plotholes in this theory that need to be explored.

The fact that Caato became a model prisoner and was able to perform the penal hard labor for 15 years should be contradicting the idea of her as a rock-woman, but a Caatofag uses Locacaca as the reason of why she was able to do that, because in chapter 32, Yotsuyu was able to cure the dog Iwasuke of the rock-disease by feeding it a piece of a it. But what about Aishō? The member of Damokan Group did not use Locacaca to fight off his hibernation, he still needed to hibernate and that was the cause of his break up with his (then) girlfriend.

Besides, if Caato fights off her hibernation to hide her status as a rock-woman, she should have done it since her marriage to Norisuke IV, as her (then) husband just found out about the existence of rock-humans after the death of Yotsuyu.

This meant that Caato should have used Locacaca long before she was incarcerated. Then if she already used it during her marriage to Norisuke IV, it should include the flashback in chapter 64 as well, when she cured Jobin of the rock-disease using equivalent exchange on Higashikata’s land. Why did she use her late mother-in-law’s method instead of Locacaca (which allegedly in her possession)? Isn't Locacaca the fruit believed to be able to heal the rock-disease?

Then supposed that the rock-disease that has befallen the Higashikata family is the result of reproduction between human male and rock-woman, Caato as ‘a rock-woman’ can’t be the cause because the disease has already existed since several generations before and had afflicted the daughter of the first generation of Norisuke (I), Higashikata Rina.

We have seen how Caato handled the family curse in the past (chapter 64) and in that scene we did not see any hint of her as ‘a rock-human’ and her relation with the curse. It will be convoluted and redundant to have Caato reappears as a rock-human and involve her in Higashikata’s family curse once again. In short, Araki will need a lot of build-up to make Caato a rock-woman.

Kira Holy Joestar

Then, there is Kira Holy Joestar. If Caato becomes a candidate for secret rock-woman due to her youthful look (and various wild speculations), then Holy also deserved to be a candidate for the same reason.

Unlike Caato, in which her knowledge regarding Locacaca and her connection to the rock-humans are still pure speculations, Holy is already closer to both of these things (Locacaca & rock-humans). She has done scientific analysis on Locacaca and also knows about the rock-humans organization (Head Doctor gang and Damokan Group).

However, making Holy a rock-woman is probably more impossible than Caato because she is a descendant of Joestar family with very clear lineage too.

Johnny is clearly not a rock-human while Rina, she could be a descended from a rock-human (if that is the reason for the existence of the ‘rock-disease’). Holy can’t be a full blooded rock-human, but she can still be a crossbreed or a descendant of a rock-human.

By looking at Joestar family tree, it is still possible to make Johnny's son or grandson to marry a rock-woman. The rock-woman could be Elizabeth or Suzie Q, but I am more inclined to have Elizabeth as ‘the rock-woman’, she could be a little callback from Lisa Lisa in part 2 with her youthful look and how Lisa Lisa was made to abandon baby Joseph in the past. This can also be a nice parallelism to the rock-women's nature in abandoning their newborn baby.

In addition, Holy as a descendant of rock-human/crossbreed can be served as a nice reason of why the Head Doctor gang used Holy as their test subject.

Unfortunately, unlike the rock-woman, Holy also has affection to her children, even to other children whom she did not give birth to. However, if the speculation is only limited to "Holy as a descendant of rock-human", then this is still possible, because her traits might have been mixed with normal human’s traits.

Another problem is that Araki also has to build up Holy’s children, Yoshikage and Kyo, that they also have to descend from rock-human. However, they are still easier to build-up than Caato's children, as Yoshikage is already dead and Kyo rarely shows up.

If Kira Yoshikage is descended from rock-human, then Yoshikage who has turned into Josuke will make Josuke (the main protagonist) a part of rock-human as well. This can be an astonishing parallel if both Josuke and Tooru (as the main villain) are somewhat rock-humans (suppose that Tooru will be the main villain).

The next problem is about the existence of rock-disease that has befallen to the Higashikata family. If the crossbreeding between a human male and rock-woman was the cause of it, why didn't the curse fall on Johnny's descendants? It only ever struck his wife Rina in the past. Johnny's method in 1901 might have succeeded in protecting his descendants from the curse.

Holy's illness which was initially thought to be a part of family curse is apparently the product of illegal experiment. Therefore, will it be possible if Holy is a descendant of rock-human?

Hirose Suzuyo

Lastly, there is also Hirose Suzuyo who is still attractive at 44 years old, despite being several years younger than Holy and Caato, her youthful look should also be a consideration as well.

I think making Suzuyo the secret rock-woman would be the easiest choice compared to Caato and Holy. Out of the three characters, she has the least development and this instead becomes her advantage.

Caato and Norisuke IV have divorced and this is often used as an excuse by supporters that their failed relationship was caused by one of them (Caato) being a rock-human.

Caato is not the only person who has been divorced, Josefumi’s mother Kiyomi and Yasuho’s mom Suzuyo have also been divorced. Therefore, Suzuyo could have the excuse that her divorce from her husband could be the result of an incompatible relationship between a human and a rock-human.

JJL chapter 71: Hairclip of the Qing Dynasty

Chapter 46 told that “95% of rock-humans are Stand users”, Caato and (allegedly) Holy are Stand users, but what about Suzuyo?

Maybe yes maybe no, but the way she dressed when she debuted for the first time in chapter 8 could be a typical Stand user’s style:

Thanks to her limited appearance, it’s not difficult to suddenly turn her into a Stand user.

The only problem is that Araki (again) has to build-up Yasuho, the main female protagonist as a rock-human descent, but is it possible?

There is one particular incident in chapter 94, as Yasuho has snuck into Higashikata's house, Jobin caught her and flushed 「Paisley Park」 down the toilet, breaking both Yasuho and her Stand’s body in the process.

JJL chapter 94: The Wonder of You (Your Miraculous Love) – part 11

Seeing how her body was in the process of breaking apart, some readers pointed out that there is a resemblance to the rock-humans' body while breaking apart.

JJL chapter 32 & JJL chapter 42

Others simply assumed that Yasuho's breaking body is the effect of her breaking Stand as well.

I am also more inclined towards the second opinion, in which her body is breaking apart simply because of her breaking Stand. But the interpretation of this picture is still free, so it would be easy for Araki if he suddenly wants to decide that the reason of Yasuho's breaking body is due to her being a part of rock-human.

It is also fortunate that we have not seen normal humans and their Stands break apart like Yasuho and her 「Paisley Park」.

Perhaps, making Yasuho a part of rock-human could be the reason why Tooru dated her. I've always felt there must be something behind this. Tooru as the person behind HD gang can't possibly date Yasuho without reason.

Even though they had broken up, Tooru is still eager to to rekindle his relationship with Yasuho, but chapter 97 proves that his reason for that was not simply that he still loved her. There must be something that he wants from her and will take advantage of her.

But back to the issue of the origin of the Higashikata’s family curse, if the crossbreeding is the cause, why doesn't it befall to Yasuho too?

Once again, it is fortunate that we got the flashback of Higashikata Rina as the female affected by rock-disease. She became symptomatic as adult, in her late 20s. Yasuho is a female and she is still 19, it is possible if the rock-disease had not yet befallen her (suppose that she is a crossbreed).

The real problem is that Suzuyo has also shown that she cares to her daughter Yasuho, again, the opposite trait with the rock-women.

JJL chapter 24 & JJL chapter 71

Though she is not on Holy's level… or the level of Caato to Jobin, at least she is trying to show her love to Yasuho.

Then how about her job? Being a single mom should have demanded Suzuyo to have a job to support Yasuho and her life. We've never seen what kind of job Suzuyo has, we've only seen in her debut that she brought a man home from a club. Was this part of her job as a hostess or she simply had fun?

In her flashback of chapter 71, we have seen Suzuyo who was currently receiving a call, was the phone related to her job?

Suppose that it was related to her job, “Oh really? Sounds exciting, I’ll write that down”… an idea? Or was it a new job offer? Freelancing?

It is very fortunate that it is still very hard to determine of Suzuyo's actual career, Araki just has to give her a career that is suitable for rock-human if he wants to make her a rock-human.

Crossbreeding and developing affection in rock-women(?)

Apparently, these three women share the same problems, that they have affection for their children, the opposite trait of rock-women in chapter 99. The mother who had more of a similar nature to rock-women is (actually) Kujo Kiyomi, Josefumi’s mother. She almost left a drowning Josefumi, though the guilt overcame her in the end.

JJL chapter 52: Vitamin C and Killer Queen – part 3

Even so, Josefumi still felt that his mother had abandoned him. Could it be that she abandoned him again after the drowning event and that’s why Josefumi had a lot of respect for Holy as his mother figure? Or maybe it was only to that particular moment, but it was so engraved on Josefumi's memory that he hated his own mother?

And also remember that Kujo Kiyomi has been divorced. Too bad we never saw her again in her middle-aged, but I believe that if she will reappear, she will have that 'youthful look' like any others.

Regarding Caato and Suzuyo, suppose that they are rock-women, it is possible that they may develop affection for their children as a result of their copulation with human males.

To be honest, I think that Caato's role is more of a comparison to the other Higashikata mothers, so it would be too much if she is a rock-woman as I explained in my previous post.

However regarding Suzuyo, I think that her efforts to take care and love Yasuho are like a rock-woman learning to be a 'mother'.

JJL chapter 24: Paper Moon Deception – part 2

Perhaps it is just me, but Suzuyo’s response in that scene is a bit weird. She offered Yasuho to cook for her while playing video games, something that pretty normal in family dynamic. But then, Yasuho declined and said she was just going to go out again. Annoyed by her daughter response, she brought up Yasuho’s annoying attitude and likened her to her ex-husband (Yasuho’s father).

When Yasuho remarked that she was in a rush and didn’t have a time to be lectured her, Suzuyo out-of-nowhere brought up whether she wasn't motherly to Yasuho, something that I think was not quite related in a conflict. Because I have also experienced a similar conflict with my mother, but she wouldn't suddenly bring up of her being motherly and just straightly scolded me.

It was as if she said that “I’m trying to be a good mother for you, because I’m not like the other rock-women out there.”

JJL chapter 71: Hairclip of the Qing Dynasty

Her bad-mouthing her ex-husband (Yasuho’s dad) felt like she was trying to keep Yasuho away from her father. Besides, her words also indicate possessiveness towards her daughter.

Rock-humans in general have little to no relationship with their children, unlike (carbon-based) humans. So maybe Suzuyo is trying hard to get close to her daughter Yasuho while trying to keep her away from her father, because (perhaps) in her perspective, a close relationship between fellow humans will always be easier to achieve compared to the rock-humans.

Conclusion

At first I thought that ‘the youthful moms’ in JoJolion is just a deliberate artistic choice on behalf of Araki to make the characters more attractive, but what if it turns out to have a purpose?

Added with the recent chapter (99) which hinted the existence of rock-women, what if Araki wanted to make us wonder, is it true that currently there is a rock-woman among his characters? Which one?

I don't know why but I feel that possibility may lie in some middle-aged mother characters that look younger than their actual age. I also became suspicious, why Araki changed Holy’s appearance in chapter 92, that she significantly looks younger than when she debuted?

Especially with the reemergence of the theory about Caato as a rock-woman which becomes popular once again.

Of course I am more certain that a rock-woman will appear in the form of a flashback which will explain the origin of Higashikata’s family curse. It would also fit into the plausible theory of ‘reproduction’ that has been created by u/Mamezuku on reddit. But what if a rock-woman would appear in the present time as well? Who is she? Will it be Caato?

Of the three candidates I suspect, Caato will be the most difficult choice and requires a lot of build-up (and possibly retconing here and there). Holy highly unlikely will be a full blooded rock-woman, but it’s possible to make her a descendant of a rock-human and the build-up will be slightly easier. Suzuyo (Yasuho’s mom) will be an unexpected choice but she will be the easiest and least complicated to be built-up, the only big challenge is about the build-up of her daughter Yasuho as a crossbreed.

#jojo's bizarre adventure #jojolion #rock humans jojo #suzuyo hirose #holy joestar #kaato higashikata #jojo meta #jjba part 8 #art evolution #kira holy joestar #kiyomi kujo #jojo's bizarre analysis #rock women #jjba meta #holy joestar kira #caato

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gunnerpalace · 5 years ago

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YoruIchiRuki (Neapolitan Ice Cream) AUs & Headcanons

(Art by @371am, used with permission and originally posted here; if you like it, please go show your appreciation!)

INTRODUCTION & CONTINUITIES

YoruIchiRuki, or variously YIR, The Idiots, or Neapolitan Ice Cream (so named because Yoruichi: chocolate, Ichigo: strawberry, Rukia: vanilla) is my AU-only OT3 of choice, and I’m here to talk about their major AUs and my headcanons for them! Most of the notes I have are from discussions some years ago with @sequencefairy (Jess), although many other people have contributed as well and I will try to point them out as and when possible. If you find this post interesting, please give me your feedback!

As YIR is explicitly AU-only (because it doesn’t really make any sense at all in anything even really remotely resembling “canonical” Bleach) it’s probably prudent to go over its contexts first. The major AUs are as follows:

Grounded! Modern Continuity - What might be called the “prime” YIR continuity, Grounded! is the original timeline, set in a No Powers, Human, and Modern alternate-history in which Japan colonized the West Coast of North America. Rukia, Yoruichi, and Ichigo are drawn together in a series of comic (yet sometimes angsty) circumstances in the midst of the worst snowstorm in ages, and become entangled going forward. Its revised outline can be seen here, its namesake fic here, and other fics set in its timeline here (with two more associated fics here and here). I am attempting to get back to continuing the main fic in the near future.

Western Continuity - Set earlier in the above timeline (but technically in a parallel universe version of it), the as-yet unnamed Western Continuity is intended to be an east-meets-west fusion set in the Wild West, reminiscent of things such as Sukiyaki Western Django. Currently largely undeveloped. There is, however, a post about some of the aesthetics here.

Samurai Continuity - The as-yet unnamed Samurai Continuity is much the same as Western Continuity, except set earlier still during the Edo period and drawing major inspiration from Samurai Champloo, with Ichigo in a role like Mugen, Yoruichi in a role like Jin, and Rukia in a role like Fuu (searching for Byakuya, “the samurai who smells of sakura”). Currently largely undeveloped.

BattleTech Continuity - The as-yet unnamed BattleTech Continuity is set in a distant future where mankind has colonized the stars, only to divide into five major political powers and descend into internecine warfare, often waged by means of BattleMechs, hulking bipedal war machines. Yoruichi, Ichigo, and Rukia are members of the elite of three of these powers, and wind up serving together as soldiers of fortune due to a strange series of events. The initial outline can be seen here.

Operation GAMER QZGS Continuity - Designed by @synoshian (Lies), Operation GAMER is set in the same timeline as Quan Zhi Gao Shou / The King’s Avatar, a Chinese property (novel, manhua, donghua, and live action series) revolving around an MMORPG called Glory. Taking place five years after that series begins, and focusing on the Japanese (rather than the Chinese) professional scene, it sees Rukia, Ichigo, and Yoruichi as pro-players on different teams who all meet on alternate accounts shortly after the opening of the 15th Server. Although largely undeveloped, there is some nifty art of Yoruichi and Rukia’s in-game characters.

All of the characters are aged up in these scenarios, with Ichigo and Rukia usually being in their early-to-mid-20s, and Yoruichi being in her mid-20s to early-30s, depending (with the youngest age I could see being Ichigo at 18 in the Western Continuity; even Mugen is 19 in Samurai Champloo). The mechanisms of how YIR gravitate together vary by continuity. For example: in Grounded!, Ichigo and Rukia know of each other, but only properly meet each other after Yoruichi makes moves on Rukia; meanwhile, in BattleTech Ichigo and Rukia meet much as they do in Bleach, with Yoruichi entering the picture roughly a month later as usual. What matters to their dynamic is less who makes the first moves, and more who they are as people and how they interrelate.

VISUAL NOTES

Before I move on, I would like to briefly note the visual contrasts each pair of the triad presents. Everyone already knows how Ichigo and Rukia visually contrast one another. Ichigo and Yoruichi have a similar height contrast (as manga-Yoruichi is notably shorter than anime-Yoruichi), a skin tone contrast, and a hair color contrast (orange vs. purple). Rukia and Yoruichi are of fairly similar heights, but again have a skin tone contrast, an eye color contrast (violet-blue vs. yellow), and a body shape contrast (petite but developed vs. curvy but thin).

Each set looks good and distinct from one another optically, and the same is true when they’re all together as a result. I feel that their aesthetic is reflected in the OT3 name of Neapolitan Ice Cream; they’re just really nice to look at together.

LOVE LANGUAGES

To expound on how the three relate to one another, I recently discussed the concept of love languages with @rukia-kuchiki-divided (having first been informed of the concept by Jess and having discussed it with her), and she wrote a lovely post introducing the concept and applying it to IchiRuki. I agree with her reading of how it applies to them, and find it useful to expand on what’s presented there as a means of better understanding how YIR interact with one another. My best estimate for a more detailed take on the love languages that each of them hear (desire) and speak (provide), based on “canonical” Bleach, is as follows:

Yoruichi • Desires: 1. Physical Touch, 2. Acts of Service, 3. Quality Time • Provides: 1. Acts of Service, 2. Physical Touch, 3. Quality Time Ichigo • Desires: 1. Words of Affirmation, 2. Physical Touch, 3. Quality Time • Provides: 1. Acts of Service, 2. Physical Touch, 3. Quality Time Rukia • Desires: 1. Acts of Service, 2. Physical Touch, 3. Quality Time • Provides: 1. Words of Affirmation, 2. Acts of Service, 3. Physical Touch

As can be seen, Ichigo and Rukia are almost perfectly reciprocal. (Rukia’s tertiary provision was settled on being Physical Touch rather than Quality Time due to her tendency to bond through token violence, and initially aloof disposition, although it’s a fairly close thing. I think most of the others are essentially self-evident and don’t require much substantiation.) However, it can also be seen that Yoruichi has very strong secondary and tertiary matches across the board. That is what forms the basis of her addition to the triad in all scenarios.

Having at least alluded to the sorts of circumstances under which they come together (and hopefully having piqued your interest!), allow me to elaborate upon that further by explaining the history of the concept, which is strongly related to the writing history of Grounded! itself, before moving on to actual headcanons.

IDEA HISTORY

When I first came up with the idea for Grounded!, the original intent was for it to be a sort of sexy and comedic one-shot. The short version was, instead of “just as keikaku” shounen shenanigans organized by Kisuke and Aizen leading to Ichigo and Rukia meeting, it’s instead Yoruichi’s desire to live her life the way she wants and enjoy herself that lead to her bringing them together, as she basically steps into their nascent awareness of each other in pursuing a physical attraction to Rukia, and then decides to catalyze them meeting each other by going after Ichigo and then setting the two of them up together. This probably epitomizes it:

“Listen: you could do the normal thing of going on dates and trying to do some kind of long-distance relationship and whatever, and be miserable about the opportunity you might be losing. Or you could trust in my judgment and believe me. You and you,” Yoruichi said, pointing between them, “are like this.” She clapped her hands together, interlinking her fingers.

Ichigo and Rukia flushed and looked at each other with disbelief.

Yoruichi unhooked her fingers and made a circle with one thumb and forefinger, poking the other forefinger through it. “So, you should save us all the drama and just do this already.”

Their expressions shifted to mortification.

Yoruichi shrugged and lifted a hand, rolling her eyes. “If you’re so nervous, I could be there for your first time together,” she teased. She didn’t really believe they’d agree, but it wasn’t like she hadn’t been with both of them.

At that, Ichigo and Rukia both gaped.

She gave a mock frown. “What?”

“No!” they both stated at the same time, looking at one another in surprise.

Yoruichi smiled and held up her hands in surrender before scooting her chair back and sauntering off. She’d expected as much. Besides, it was clearly a mission accomplished.

The pair watched her abrupt departure together before slowly turning their attention toward one another. It wasn’t long until they both flushed.

Ichigo looked away decisively.

Rukia looked down. “Well...”

“Let me take you out to dinner.”

She blinked and side-eyed him.

“I don't know about... all the nonsense she was saying. And you can decide whatever you want. But at least... let me take you out to dinner.”

Which would lead to dinner and a movie and staying over for coffee and one thing leading to another until Ichigo and Rukia lay together, cuddled together under the sheets and blankets

“She was right,” Rukia whispered.

“... Yeah.”

One of her hands spiraled over his chest. “But?”

Ichigo shifted his jaw. How Yoruichi had gone about proving she was right still didn't entirely sit well with him.

She peered up at him lazily. “I guess we owe her.”

There was a long silence.

“Yeah...”

Which led to the idea of the two getting their “revenge” on Yoruichi by rewarding her in kind. All’s well that ends well, and the three were supposed to go their two separate ways.

It was only gradually that the internal timeline of the story expanded and more emotive and genuinely angsty elements started to creep into my notions of it: Ichigo’s self-loathing at being unable to work up the nerve to approach Rukia, Rukia’s loneliness and isolation, the touch-deprivation of both, Yoruichi’s growing realization she made a mess of things by following her own heart, her resolve to “fix” things, and finally and most importantly, her own budding attachment to the two of them.

I started thinking about Yoruichi’s physical attraction toward first Rukia (and then Ichigo) turning into actual feelings. My read of her has always been that she’s much more emotive than she lets on, she just has a fairly tight grip on her sentiments most of the time and tends to keep her observations to herself. But after having slept with both Ichigo and Rukia, and especially the two of them together, I imagined her seeing what they had together and missing it afterward. I thought of her going to Kisuke’s bar and asking if she could sleep in his room just to not be alone at night. And I imagined Rukia and Ichigo missing her too—her playfulness and teasing, her confident smile, her laugh. The more I contemplated that, the more I thought of them returning to her some weeks later to invite her on a proper trip with them, only to find Yoruichi still hurt and lonely and aching for the connection with them. This is where “The Ending” section of the summary of Grounded! (linked above) came in:

Yoruichi frowned and set her expression hard, focusing intently on some point off to the side. When she spoke, her voice carried the gravitas of authority. “What the fuck are you doing?”

Rukia blinked and automatically drew her hands back in confusion.

Ichigo likewise released her as he felt her go rigid.

Yoruichi closed her eyes. “I can understand wanting to pay me back, but you did that already! Do you think I was bullshitting you!? You’re perfect for each other! Hell, it’s like you were designed to be together! You’re like yin and yang, black and white! Why are you trying to ruin it, you idiots?!”

Ichigo and Rukia’s gazes found each other before they glanced to Yoruichi and then looking to either side.

“Do you think I’m stupid?” Yoruichi’s tone was low, but in the quiet that had descended over the room it was more than loud enough.

The attentions of the two were instantly upon her again.

Yoruichi clamped her hands around her upper arms tighter yet, letting out a brief, harsh laugh. Her voice grew quieter still. “Do you think I’m stupid enough to believe that there’s any place for me in that kind of thing…?”

A moment passed. Then another.

Rukia bit her lip and looked to Ichigo.

He met her gaze. A decision flickered between them and he turned his attention to Yoruichi, delicately taking hold of her waist again.

She blinked her eyes open in surprise only to freeze as Rukia’s hands returned to her cheeks.

Rukia once more tried to turn Yoruichi’s head—succeeding given her preoccupation—and studied her intently. Yoruichi’s voice had been steady but there was no mistaking the gleam at the outer corners of her eyes. She carefully brought her thumbs up to wipe the tears away.

Yoruichi’s eyes widened in response and she was suddenly aware of her heartbeat hammering in her ears. She looked up, needing to focus on anything but the concern Rukia was radiating for her. “I just wanted you to be happy,” she whispered. There was no space for her in that picture. No room.

Ichigo moved closer so he was lightly pressed to her back, and brought his forehead down to rest against the top of her head, burying his nose against the start of her ponytail. The citrus scent of her hair put him at ease and his arms naturally slid around her waist. “Then come with us.”

She shivered at the contact but didn’t try to pull away.

Rukia released Yoruichi’s hands and slid her arms around her neck, hugging her and pushing her back against Ichigo. The sudden rush of the aromas that so defined Yoruichi filled her thoughts and she found herself relaxing at it. “Please?”

Yoruichi shut her eyes. “But…”

“We’d like you to be there,” Ichigo insisted.

“And we know you’d like it too,” Rukia whispered.

Yoruichi clenched her jaw before dropping her chin so she leaned against Rukia, unfolding her arms. She got one hand around to the back of Rukia’s head and brought the other up onto the back of Ichigo’s.

This is where I came to a conundrum, and then happened to find the solution a few weeks later. Ichigo and Rukia, even in AUs, still often feel like they have the weight of their “canonical” symbolism arrayed about them—their Sun and Moon symbolism in all its resplendent glory. And this is what Yoruichi is alluding to in her criticisms of their actions; how can one fit into such a picture?

It’ll probably sound silly to you when I try to explain it, but there was a video of a black cat that got into a bath tub full of seaweed-based glitter from a Lush bath bomb going around at the time. Someone then drew some art with the caption, “he’s cosplaying the night sky,” and something in my head just clicked. While I reblogged it at the time with, “I know this is a male cat, but: imagine Yoruichi…” the association went deeper than that.

The characters of Yoruichi’s name, 夜一, mean "night" and "one" respectively. There are a number of ways to potentially read her name. The use of numerals in names is often just a counter, so it could mean something like "(first daughter) night," but counters are usually reserved for men. (Presumably, her brother Yuushirou's name, whose characters are "evening," "four," and a suffix for "son," is a similar time reference to his birthday rather than a counter, as there is no evidence Yoruichi had any additional brothers, be it two or three more, whom would presumably be dead.) What I think it might actually be supposed to signify is wordplay on her birthday, as she was born on the 1st of January (thus, on the literal first night).

If taken more literally and combined with her shunshin nickname (usually translated as “Flash Goddess,” but more literally meaning something like, “God of Moving in the Blink of an Eye”), it becomes evocative of a meaning like, “The Goddess Who Disappeared in One Night.” (There was an old name meanings post on the Soul-Society LiveJournal which has since been deleted which affirms this, but her relevant entry is still quoted here.) This was sort of a play on her disappearance from Soul Society, but as an actual character it does her quite a disservice; she is actually quite loyal and sticks around when she wants to. (One could also easily make “one night stand” jokes about her and I think this likewise does her a disservice, but I’ll get into that more later.)

Regardless, her association with the night is very established through her name. It's the dominant component of her name.

And so I thought, “My god, that’s exactly it: she’s the night sky. She’s Space.” What’s interesting about the Sun and Moon is that they do not exist unto themselves. You might initially think of space as nothingness, yet not only is that scientifically inaccurate, but more importantly for our discussion it obscures its role in permitting the Sun and Moon to exist and move around. Space is not nothingness, it’s a place. It is a thing unto itself.

I don’t think Rukia and Ichigo, themselves, are aware of their Moon and Sun symbolism, because that is essentially metatextual to them as characters. But if they were, and they were trying to explain why they wanted Yoruichi to come along with them in the scene above, I think they would say exactly that: “The Sun and the Moon aren't just these Platonic ideals, you know. They exist out in Space. But Space isn't just nothing, doing nothing. And you, you're our Space. You helped make this happen. You’re a part of it.”

I have had this idea in mind from almost the very start of actually taking Grounded! (and YIR in general) seriously, and as I constructed the more detailed love languages chart above, I felt that I was again seeing the same kind of underlying logic borne out in it. My conception of YIR’s dynamics, the way I really see it, might be considered as an expansion on traditional IR dynamics, rather than something bolted onto the side; like going from the set of real numbers to complex numbers, rather than just adding on a new code library to a program.

This has been a somewhat long-winded way of circling back to where we were with that love languages chart, but I felt that addressing the historical process of how this happened was important to explaining it and why I personally feel it’s more than just run-of-the mill crack fic, even if it again makes no sense in relation to “canon.”

INTERPERSONAL RELATIONS

Ichigo and Rukia’s relational mechanism of being (playfully) combative is quite well established. They essentially play fight over petty or inconsequential matters as a way of showing engagement, but there’s a demonstrated understanding and affection underneath such behavior. Their comfort with and ease in being in physical contact and proximity with each other is a reflection of their secondary and tertiary love languages, with their primaries coming out in more serious and meaningful moments. This is not to say that they aren’t capable of being sappy or romantic, but rather that they often code it within their squabbling; arguing and teasing each other is often how they show they care. Consider Rukia’s teasing of Ichigo in chapter 423 of the manga as the archetypal example:

Rukia: What's this? Don't look so sad. Even if you can no longer see me, I will still be able to see you. Ichigo: What the hell? That's nothing to be happy about. And I don't look sad!

The image that Ichigo and Rukia front is one of a pair who seem to argue but do so mostly just to keep things interesting, like an old married couple, which is the main reason why so many people both in the text and reading it assume they are a thing. I think structurally similar but expressively different behavior would happen between the other two sides of the triangle.

Ichigo and Yoruichi’s behavior would often come across as being more like that of “bros.” In “canon,” Ichigo is clearly shown to have hobbies and interests (video games and literature) and to at least engage with other activities even if he doesn’t particularly care about them (sports, pop culture, movies). While the same is not immediately obvious for Yoruichi, it can be inferred she probably has similar token interests as otherwise there’d be precious little for her to do in the Living World. (I have always headcanoned her absence[s] from the Urahara Shop as being her out seeing the wider world.) We’re not talking about Bleach, but I think these behaviors are intrinsic to them as characters, and I think it’s how they’d often connect. They might talk about TV shows, movies, games, sports teams, whatever. I can imagine them setting up a fantasy football league between them, even if they didn’t care about football. The content is not really what matters to them so much as the fact that it provides them something to talk about and bond over, without necessarily being overtly emotional. They would probably also leaven it with physical teasing or innuendo (mostly from Yoruichi’s end, with Ichigo playing the role of straight man in response). The sense you would get as an outsider is a couple who are on the same wavelength and have the same values and interests and are rather physically in tune too.

Rukia and Yoruichi’s behavior would by contrast often come across as “girly.” I don’t mean that pejoratively or necessarily to typecast it. As they’re both proud, independent, and strong women, and are often in positions that require them to present a certain face to the world that relies on those attributes, I think they’d relish opportunities to figuratively let their hair and guards down, relax, and just laugh and smile and have a good time. I think one of the ways this would manifest is that they would see time together as a way of indulging in shared activities, many of which are seen as feminine, such as shopping, gossiping, and enjoying time out and about (such as in restaurants or cafes). A less traditional avenue of expressing it would be shared physical activities. I can imagine them wanting to do things like duos beach volleyball, badminton, paintball, and so on. (Ichigo, although physical and perfectly capable of playing sports, doesn’t seem much interested in them for their own sake; he is ironically the biggest “nerd” of the three.) I think they’d find a lot of commonality and companionship in these shared activities, regardless of what they were actually doing. They’d probably also tease each other and have a back and forth, as they both often tend to like adopting that role (perhaps more physically from Yoruichi’s side, and more emotionally from Rukia’s). From the outside, they would probably seem like a sprightly and sincere couple, more akin to “young love.”

I think what makes the concept of YIR really special to me is what happens when the three of them are all together, because what I see winding up happening is a synthesis of all three of these paired relationships. I imagine it as being fluid and fun. There is this concept in astronomy known as the three-body problem, the simple explanation of which is that when there are three (or more) celestial bodies moving together, it becomes impossible to accurately determine their future motion; there is no general closed-form solution and a dynamical and chaotic system is produced. And that’s exactly how I imagine YIR would work together. One minute, Yoruichi and Rukia would be teaming up to poke fun at Ichigo; the next, Ichigo and Yoruichi would be doting on Rukia and making her feel flustered; the one after, Ichigo and Rukia could be making Yoruichi feel sappy and mushy. From seemingly fairly simple operating rules, one gets very complex interactions that can turn on a dime. And I feel that’s really the joy of YIR as a triad: they’re very high-contrast and have tremendous range together.

I think all four sets of interactions (each pair and the triad) would have strong but subtle elements of verbal teasing and physical touch. Holding hands, light touches here or there (the shoulder, the side, the arm), and more provocative ones (little butt pats or brushes or slaps, or the ladies discreetly rubbing their chests against the recipient of affection), or a whisper in the ear... but I’ll address their teasing and more involved physicality and sexuality in more detail in two later sections.

Even more pronounced than that, however, would be their routine eye contact. Ichigo and Rukia are well known for using their eyes to communicate with one another, and I think Yoruichi would fit into that dynamic quite well, as she’s very visually expressive too. Where and how she is looking at things is a big tell for her mood and psychological state, just like it is for the other two, and I think she would be very good at speaking to them and hearing them in ways they already understand.

I’m working on a sort of compilation fic for @duckiesteasmiles (Nami) called The Many Mornings of Yoruichi, where each entry is a different morning of Yoruichi waking up within a YIR relationship (nominally Modern Continuity), some of which are sweet and fluffy, some of which are spicy and sexy, and some of which are wistful and thoughtful. In one of them:

Her gaze continued to linger in his direction for long seconds until she closed her eyes and turned her head the other way, pressing her lips and nose to the back of his hand. She neither quite kissed it nor merely nuzzled it. His skin smelled good in a way she couldn't really explain, just like Rukia's hair did. Just like all of both of them did. And being like this with the two of them...

They gave her something that was difficult to put into words. It was like the difference between being out on the water and standing on dry land. It went beyond something as simple as a mere sense of stability. For the first time since she was a child, it felt like there was a place for her that she could truly call home. Such a gift, she wanted to both pay it back and pay it forward. She wanted them to have that feeling too, as best as she could possibly manage. Their family situations might not be nearly so estranged as hers, but... she wanted them to always feel that sense of home.

Yoruichi smooched the back of Ichigo's hand and turned her head back toward him and Rukia, quietly sighing in contentment. Did she really have butterflies in her stomach from just this? These two idiots have turned me into such a sap...

I feel like this middle paragraph is true for all three of them, if each in their own ways. In Bleach, it seems evident to me that Ichigo and Rukia create a sense of home for one another, and it manifests in the familiar and expected, the little things that fill in the gaps in their lives. I think things would be much the same for YIR.

A big part of that, I think, would be homemaking—mundane and domestic things through which they could show their care and affection. Things like washing the dishes together, going out for groceries, meeting each other at the arrivals gate and acting as chauffeurs for one another (Yoruichi would mostly drive, although sometimes Ichigo would), and collapsing on the couch together to watch TV or movies, or play games, or just lounge after they've had long days. Yoruichi would put away leftovers but always make sure there was lunch for them for the next day, Rukia would remember to pick up the juice she knows they like when she's at the store, and Ichigo would bring little things home for them when he comes back from wherever he's been travelling.

I think they would all take to cooking for one another. Yoruichi would do a lot of it and would be responsible for the majority of meal prep, and be the closest thing they had to a chef. Ichigo would only really be good at making a small set of about a half-dozen (hearty) hings, and they would often look a bit sketchy, but they’d taste fantastic (think like that one really ugly cake Gordon Ramsay hated to admit tasted great). Rukia is more into making fiddly pastries and desserts. They’d often wind up dividing dinnertime efforts between them (almost like an Iron Chef team) and sometimes it’d all go wrong and they’d have to order pizza, but they always have fun with it.

It feels like, by virtue of her choices in life (especially military service) and spending a lot of time living alone, Yoruichi would be primed to know the most about domestic activities (keeping things neat and tidy and clean, doing chores) and would try and set examples that way, even and especially when their schedules didn’t really line up. So, Ichigo and Rukia would come home to find everything in order and ready for them, and meals cooked in the freezer they could heat up. I think they’d always be kind of shocked she tried so hard, but that’d be part of how she justified her role in it to herself: she’d want them taken care of so they could be excellent, because that's what she was wanting and trying to do from the start.

And they’d take it up too and reciprocate it; when she was away from home for a while and they weren’t, they’d do the same for her—both of them realizing it was one of the ways she would tell them she loves them without saying it, and remembering to do it in return. Ichigo would perform a lot of this, sort of standing in as Yoruichi’s second in command in this regard, and also take on a lot of the “manlier” responsibilities like mowing the lawn, raking leaves, cleaning out the rain gutters, and so on. I imagine him becoming handy around the house and doing a lot of the heavy, tedious, or mindless things.

Meanwhile, Rukia would focus more on supporting morale, leaving around little notes and messages and reminders for them to keep up their spirits; things like fridge magnet messages or little framed photos or collages, cheery messages by text or chat or on social media. She’s the one who’d tell them both all the time how much she loves them—she's the one who would (eventually, because she’s stubborn sometimes herself) say that she misses them, who’d call when it was late and she thought they might be lonely, and when and she wanted and needed (however privately) to hear from them. She'd always be there with the right words at the right time; psyching Ichigo up before a big case, helping Yoruichi navigate a difficult co-worker situation... Rukia would always know what to say and when. (This, by itself, might move Yoruichi less, initially, but I think she would always appreciate the intent behind it.)

I think they’d also have interesting relationships with one another’s relatives. Ichigo would have to field some interesting questions from Karin and Yuzu and deal with some absurdities from Isshin (or Masaki!). Rukia and Yoruichi might work with Kuukaku to shield Ichigo from the public spotlight on the Shiba. Little things like that. Byakuya would probably be more than a little protective of Rukia and have interesting interactions with Yoruichi and Ichigo. Early on in the relationship, he might wind up getting into a staring contest with Yoruichi over the whole thing. Ichigo would back her up without question, and he’d just look between the two of them for a time before stating, “I know you will treat Rukia well.” Later, Yoruichi would be annoyed at Ichigo and be all, “I didn’t need you to do that,” and he'd be like, “Yeah, yeah, I know, Captain.”

(In the Modern Continuity, at any rate, Byakuya initially does not really approve, but also does not really disapprove. He sometimes checks in with Rukia by phone, and can occasionally hear Ichigo and Yoruichi yelling at each other in the background. This sometimes seems like an actual argument but is of no substance and is just about some surreal nonsense. [What is “Dance Dance Revolution” anyway?] Kuukaku catches him brooding about it after the calls sometimes, and is always touching a shoulder and intoning, “If she's happy, it’s fine.” “I know,” he says. Eventually, he really does come to believe it and respect the other two. In the other continuities, and especially BattleTech, it’d be... more complicated still.)

I also think the three would have a lot of intimate moments that weren’t sexual. Things like: Yoruichi and Rukia waiting for Ichigo to come home so they could surprise him with the contrasting lingerie they bought together; Ichigo and Yoruichi drawing a bath with candles and rose petals and scented wash for Rukia, sitting beside it and keeping her company while she soaks and then massaging her together; or Ichigo and Rukia laying out a candlelit dinner for Yoruichi and pulling her over to a fire place to sip wine with her, giving her just enough to loosen up but not enough to lay her out. (Yoruichi is “canonically” a total lightweight, although I sometimes headcanon that she developed a strong aversion to alcohol in her past; Nami has come up with a cute headcanon that she pops her hair-tie off and lets her hair down when she drinks, like Chisato in Love is Like a Cocktail.)

Hell, even the way they jockey for position in front of the mirror in the morning to brush their teeth together strikes me as cute.

To make a long story short, I think they could have a very mature and nuanced but still fun and playful relationship that winds up mutually supporting all of them.

TEASING

In my opinion, one of the other great joys of YIR is how they’d tease each other. I think their teasing of one another in public or private would be quite multifaceted, especially through repartee.

Yoruichi and Rukia would always be teasing Ichigo just for the fun of it; going to the bathroom together, shopping for clothes and going to the dressing rooms at the same time, it wouldn't matter. Always leaving him standing there in the store with the pile of bags or at the table with drinks and coming back giggling to each other and flushed. Maybe a third of the time they’d actually have done something, and the rest they’d just pretend they had, working each other up to the teasing by critiquing each other's acting and telling jokes. And he’d know, and play along even if they caught him off-guard:

“I know you're just saying these things.”

“Do you?” they both asked with raised eyebrows

They’d also always be being wing-women for one another, winding him up. They might be at a restaurant and:

Ichigo’s eyes instinctively tracked Rukia as she went to go get a bottle of ketchup from another table.

Yoruichi leaned sideways and brought her lips to his ear. “Did you know she's wearing crotchless panties?” she breathed.

He abruptly reddened.

She give his earlobe a kitten lick, adding, “So am I,” then smoothly leaned back into place before Rukia could return.

When she did so she stopped and studied him, noting the sweat at his hairline. She adopted an exasperated look. “Did you order your food too spicy again?”

Or Ichigo and Rukia might be laying on recliners poolside while Yoruichi is stretching some distance away before hitting the pool:

“Oi, Ichigo,” Rukia said mildly.

“What?”

“Have you ever noticed how well that swimsuit defines her mound?”

“Don't say things like that!”

Rukia grinned impishly at him.

And Ichigo would, of course, sometimes get them back:

Rukia: Don't act like you know my favorite kind of chocolate, fool. Ichigo: Of course I do. Yoruichi: So, what is it then? Ichigo: The same as yours: salted. Both ladies blink and then flush. Ichigo: The same as how I know your favorite pies are— They clasp their hands over his mouth while glaring at him.

But his main method of retaliation would be being really good at inappropriately hot goodbye kisses that leave whichever of them he’s kissing breathless and reaching for him as he steps back. That and he’d be good at low-key yet also really flagrant public displays of affection that give away they're a unit, like swatting or groping their asses, though he’d also be good at timing them so nobody else saw them.

This kind of teasing would extend across a wide range of scenarios too. Imagine, if you will: Ichigo and Rukia are sitting down for dinner in a really fancy restaurant; Ichigo has on a very fitted black tuxedo, Rukia has on a slinky black cocktail dress with lots of bling, and they're waiting on Yoruichi, who said she’d meet them there. When she walks in, she’s got on a white tuxedo jacket like James Bond (although her lapel flower is orange; I headcanon it as her favorite color) and the other two just kinda stop and stare because that is not at all what they were expecting, but damn.

Yoruichi: What’s the matter? Cat got your tongue? Ichigo: ... Rukia: I think he’s just realized he’s kinda gay for you in that. Ichigo: ... Shut up! Rukia: ... I’m a little gay for you in that... Yoruichi: Haha. Only a little~?

When I was contemplating the Samurai Continuity, I thought about them commenting on the show intro of Samurai Champloo as though they were actors playing the roles and seeing the assembled cut for the first time:

Yoruichi: How fitting that Ichigo is symbolized by a cock. Ichigo: I could say the same about the irony of you being symbolized by a fish. Yoruichi: Are you insulting my hygiene, you bastard!? I don't recall you complaining about it last night when you had your head down there for an hour! Rukia: Shut up, both of you! How could I possibly be expected to eat so much food? It’s ridiculous!

In the same setting, I sort of imagined that Yoruichi and Ichigo would sleep together first given all the crackling tension between them (not quite a hatefuck the first time, but something competitive, rough, and passionate and not exactly loving) but would refuse to admit they had a thing together even afterwards:

Yoruichi: Me? With that orange-haired brat? Ichigo: With that purple-haired bitch? Yoruichi: With his stupid chocolate eyes? Ichigo: With her arrogant, gleaming, little canine-toothed smirk? Yoruichi: His oxen, large, dumb, wide shoulders. Ichigo: Her prissy, smug, sashaying hips. Yoruichi: Always getting you vice-like in those big, strong hands... Ichigo: Always shoving her chest into you every chance she gets... They both blush and go quiet. Rukia, in the background: GOD, JUST FUCK ALREADY! Yoruichi and Ichigo, turning: SHUT UP, HOW DO YOU KNOW WE HAVEN’T!?

I think Yoruichi would often indulge Rukia’s flights of fancy and cuteness. Going back to Grounded!, I can imagine them subjecting Ichigo to “The Thrilling Adventures of Chappy and Kitty” while he’s trying to work from home:

Yoruichi, wearing cat ears: He’s just mad because he doesn't have an animal associated with him, nyan. Rukia, wearing bunny ears: That’s right! You’re just a strawberry, pyon! Ichigo: Seriously, it’s annoying, stop it. Rukia: Fool. Yoruichi, luridly: You plan on making us? Ichigo: Hmph... you wish! Rukia: You know, bunnies are famous for nibbling, and kitties for licking... Yoruichi leans over and gives Rukia a cute peck on the cheek followed by a small lick. Yoruichi: Maybe he doesn’t want to play~

A random little teasing scenario:

Yoruichi got her arms around Rukia’s shoulders from behind and put her in a light and playful choke hold, poking her head out to one side and leering at Ichigo. “Oi, wanna know how to make her squeal like a schoolgirl? I can tell you~”

I really just cannot emphasize enough how much I love their banter and playfulness and the different forms it can take, from mature and witty to childish and bratty.

ANGST

I don’t think YIR’s relationship would always be sunshine and rainbows. I think each of them has their own trauma to deal with, regardless of the timeline. In every one of these continuities (although not every possible continuity), Rukia would be dealing with the death of Kaien, and Ichigo would be dealing with the death of a parent (often Masaki, but as time goes on I think it’s increasingly more interesting that Isshin die instead). That’s well-established. But I also think Yoruichi has her own sources of angst too, albeit perhaps not as severe.

In “canon” Bleach, Yoruichi is shown as having given up everything in order to live on her own terms. This is often presented as no big deal, and as having been her choice, but I often get the sense that it added a contemplative and possibly even morose side to her. (If you made me pick two songs for her, one would be a song I had her choose to do karaoke to in a fic, Bon Jovi’s “It’s My Life”, and the other would be a remix of Lana Del Rey’s “Born To Die”.)

I imagine the same is true of the various versions of Yoruichi in each of these continuities. I think many of them also have their own additional traumas. Yoruichi in Grounded! had some unpleasant experiences during the Gulf War (having had to eject and evade capture on the ground overnight), while Yoruichi in BattleTech would have seen (and done) a fair share of nasty things as Coordinator and as a mercenary, and the Yoruichi of the Samurai Continuity and the Yoruichi of the Western Continuity both probably would’ve done more than a little maiming, if not outright killing.

The result is that I see all three of them as burdened with some degree of PTSD, which would occasionally take the form of moods or nightmares. An example of the former, for Yoruichi:

Ichigo quickly finished shredding the pieces of chocolate he'd picked out and sprinkled them over the bowl of ice cream, peeking through the kitchen's breakfast bar into the living room.

Yoruichi's hair poked up above the back of the couch, unmoving.

He grabbed a spoon and slid it into the bowl, got a paper towel, and made his way out into the living room, going around to the other end of the couch so as not to walk in front of her.

Drawing nearer, he sat down next to her, scarcely hazarding a glance her way. He didn't have to, really.

Sometimes she would cry, but he had never seen it. She wouldn't ever let him see. Not even Rukia had ever seen it happen either. But he'd heard it, and listening to it was like standing in a rain made of nails. He hated it. Seeing her willingly vulnerable was one thing, but when she was compromised... Ah, there were times he wanted to burn the world down, go out and fight whoever had wronged her, hit them until blood trickled from their mouths like water from a faucet.

Mostly though, when she was in a mood, she'd be sullen. Sometimes with a side order of aggressive irritability if she was provoked. He could tell with a glance that that was how things were at the moment.

Yoruichi was curled up in a corner of the couch, sitting in a fetal position, her arms crossed atop her legs, frowning disinterestedly at the TV.

Ichigo kept his eyes on it. They'd bought a ridiculously large plasma screen after much deliberation, and it was currently playing an episode of Meerkat Manor on Animal Planet. The audio was barely perceptible.

He set the bowl of ice cream on his lap and took a bite, savoring it. It was chocolate chunk ice cream with chocolate syrup and more bits of milk chocolate on top. There was nothing subtle about the emphasis on boosting endorphins. After swallowing the bite, he took up another spoonful, holding it in front of her.

Yoruichi didn't react.

Ichigo kept waiting for a few seconds, then brought it back and ate it himself.

He kept on alternating for four more runs before he felt a tug on the spoon; she'd clamped her mouth over it.

After that they began to switch every bite until the bowl was empty.

Once Ichigo had finally set it on the coffee table, Yoruichi flopped over to one side, resting her head on his lap.

He started to gently rake his fingers through her hair, just carefully combing it out. They had all the time in the world.

I think they would have additional hang-ups that would occasionally beset them. Ichigo might sometimes feel that he didn’t deserve the attention of either Rukia or Yoruichi, let alone both. Rukia could sometimes feel that she was kind of superfluous or a burden upon Ichigo and Yoruichi. And Yoruichi could sometimes feel like she was just getting in the way of Ichigo and Rukia and didn’t deserve such companionship. (This is before getting into uncertainties they might have early on in their relationship together as a triad, which need not necessarily be a smooth process.)

I don’t have strongly developed ideas for hurt and comfort, but the BattleTech, Samurai, and Western Continuities all provide plenty of actual danger on a regular basis that could set up opportunities for it. We all know the lengths Ichigo would go to for Rukia, and vice versa, but I don’t think it’s very hard to imagine what Yoruichi would be capable of if either of them were threatened or injured.

I think that all these things give them an added dimension of complexity, as they’re not just perfectly content and happy forever, but it also gives them opportunities to lift one another up.

ASSORTED SCENARIOS

Within Grounded!, I have a line I like that may or may not wind up fitting in when (if) Rangiku goes to confront Yoruichi on what’s happening during the snowstorm, so I thought I’d include it here:

Rangiku: Kuchiki Rukia could decapitate a man with a meal tray’s plastic knife, and I just watched her giggle and pirouette up and down the shopping mall. What did you do, Yoruichi?

In the post-Grounded! era of the Modern Continuity, the vacation which Rukia and Ichigo invite Yoruichi on, which she assents to, is to the South Pacific, perhaps Tahiti. I can imagine the sand is hot and Ichigo has to carry Rukia and Yoruichi out onto the beach under each arm, like how he held Rukia at the Soukyoku in Bleach; Yoruichi acts indignant at being carried and deliberately makes it difficult by pouting like a kitty. (Maybe on a different day he takes Rukia in a bridal carry while Yoruichi rides piggyback, or vice-versa.) The three of them would have fun putting sun tan lotion or sun screen on each other. Yoruichi might casually strip off her swimsuit, making the other two blush only for her to chide them with, “What? We're the only people here, live a little.” They have a midday nap together on their bleach blanket under a big parasol. Yoruichi teases Ichigo and Rukia by poking them with cold ice pops, saying something like, “Ah, you're all sticky now, somebody will have to clean you off!” only for them to start returning the favor. Clouds roll in in the afternoon and they beat a hasty retreat through the brush to their rented bungalow, laughing in the warm rain that comes down before they make it. They wash off together and the power goes out, so they assemble in a sort of cabana area and listen to the steady rain and surf and thunder together, bundled up with one another. Things like that.

I think that Yoruichi’s lifestyle in the Modern Continuity is relatively austere given her history and background, but still very comfortable. Once Ichigo and Rukia decide they want to move in with her (which would probably happen sometime relatively soon after their post-Grounded! vacation together) Yoruichi would probably set about trying to get them a house, which would be quite nice but not palatial or opulent.

I think her one eccentric and rich hobby, given her background as a naval aviator, would be having bought and maintained a surplus F-14 Tomcat (probably the unproduced-in-our-reality F-14 Super Tomcat 21) like she flew in the Navy. She’d keep it at a local airport, probably have a mechanic to help her maintain it (could be something Tessai does in his spare time?) and take it up now and then to have fun. I imagine it’d be heavily customized and have a lightning paint job. Anyway, I can imagine her getting really excited to show it off to Ichigo and Rukia and to take them up in it for the first time. (She would probably get a special safety harness and air supply splitter made so Rukia could safely sit on Ichigo’s lap in the rear RIO seat, rather than make them ride separately.) Anyway, I imagine that Yoruichi’s aviator call sign would have been either Flash or Flash Goddess (probably originally earned for her nonchalant and risqué behavior rather than her piloting ability), and she’d have a customized flight helmet. For their first visit, I imagine she’d have gotten them helmets made and would give them their own call signs. A short list I came up with, with @rukia-kuchiki-divided, were Glacier, Aurora, Ice Queen, Snow White, or Blizzard for Rukia (although the 3rd is normally an insult, I think it’d be taken as kind of endearing here, like how in “canon” Ichigo at one point thinks of Rukia as “bitch” and Rukia openly calls Ichigo a “brat”), and Anarchy, Mayhem, Skyscraper, Havoc, or Riot for Ichigo (with the 3rd being a reference to both “canon” Getsuga Tenshō and a dig at his height relative to them), with their own custom designs. (There could be a whole fic of Yoruichi just writing out different names and talking to herself about them; I imagine her laughing at Snowpiercer for Ichigo and Snowjob for Rukia.)

(These would probably also be used as their call signs in the BattleTech Continuity.)

I watched Top Gun a lot as a kid and the karaoke scene of The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’” has always been in my head as a result, and I can picture Yoruichi hooking Rukia up with a spare Navy uniform and insignia so they could surprise Ichigo at a local bar by replicating it. (Which of them takes whose role is up for debate; I headcanon Rukia as being fantastic at singing and Yoruichi as pretty good, but the idea of Rukia in aviators tickles me more. They could mix it up and both wear sunglasses and treat it as a genuine duet.) Ichigo would be mortified (but enchanted), especially if other people recognized what was happening and joined in on the song.

I like the idea that, although Yoruichi and Rukia start out with their “canonical” haircuts (long and either of Rukia’s shoulder-length haircuts, respectively) that they might eventually decide to synchronize their styles; Yoruichi might cut hers short again (like in Turn Back the Pendulum) to match Rukia’s, or Rukia might grow hers out to match Yoruichi’s, or back and forth. I get these images of Ichigo and Rukia helping Yoruichi with her hair and maybe playfully braiding it too. I feel like Rukia would be sorta fascinated by Yoruichi's hair, just its length and the feel of it. The weight and texture of it would be different from her own (I imagine it’s a little thicker than Rukia’s) and she likes the feel of it spilled over her. This could also be an interesting reason for Rukia to later grow her own out. (Ichigo likes the hair of both and is often touching it or putting his face into it, especially since they’re shorter than him. The scent of it is one of the ways he thinks of home.)

I have this scene in mind of them going out fishing, which is something I feel Yoruichi would’ve picked up at some point before meeting them. I picture all of them out on a dock or in a rowboat real early in the morning, wearing personal flotation devices; the sun's not even come up fully yet, and there’s mist over this pond or little lake they’re on. Rukia is just conked out asleep between the other two, her head on one of their laps and feet and legs on the other’s. Yoruichi looks perfectly content and is just beaming. Ichigo is tired-looking and clearly wondering why he’s there, but he still is because Yoruichi thought it was important they had the experience and, as he thinks about it, it isn’t really so bad. Eventually he smiles despite himself.

Sometimes I think Yoruichi would be resistant to Ichigo being sappy; their personalities are sort of similar in that they put on a tough exterior, but I think they would break each other down in interesting ways:

Yoruichi crossed her arms and looked aside dubiously. “Oi! I know I’m not her, and you miss her, but you don't have to be so sullen all the—” She stopped as his palms came to rest against her cheeks. Her gaze snapped toward him right as his fingers came to rest against and behind her ears.

Ichigo gently cradled her face and leaned in, studying her.

Her focal point swung from one of his eyes to the other as she searched. His look smoldered but what she saw was cryptic and it gave her pause. She wasn’t worried—she was never worried with him—but something about it made the difference in their sizes abundantly clear, made it obvious just how large and strong his hands were.

A beat passed before he irritably whispered, “I love you too.” He never felt that it needed to be said, but apparently he was wrong.

Yoruichi blinked.

Ichigo moved in closer and dropped his eyelids fractionally. “I’m in love with you too,” he added, with a quieter and almost-not-vexed delivery.

Her lips parted slightly before her eyes swung to one side again and she scoffed. She tried to follow suit with her whole head but found herself gently restrained. A furtive glance back at him had her eyes going wide as he kissed her. She resisted for a moment before leaning into it, reaching up to grasp his shirt with both hands.

He brought a hand around and slid his fingers into her hair, moving the other down to rest on one of her shoulders.

Yoruichi pushed closer and turned her head more to one side, taking in handfuls of his shirt.

I had this idea of the three of them going somewhere cold (Alaska? Hokkaido? Russia? Swiss Alps? Canada?) and having to wait around in a space that’s not really heated. Yoruichi’s wearing a round ushanka, while Rukia has on a flappy-eared one that’s just a touch too big. Ichigo takes off his coat and drapes it over both of them, who huddle up under it (as it’s big enough to fit them both), and:

Rukia: Idiot, you’ll catch a cold. Yoruichi: We're not babying you if you get sick. Ichigo: Shut up!

Maybe later they wind up in front of a fireplace together, curled into one another. Rukia has long since started calling Yoruichi “fool” as well, it being one of her signs of affection and care. They continue their gentle backbiting:

Yoruichi: Brings back memories, huh? Rukia: Fool. Ichigo: You know she has a thing for us tying her up, she just wants us to do it again. Yoruichi: I do not!

The three of them regularly alternate who is being spooned and who faces who. Yoruichi and Rukia take turns in the middle and change up who they face; Ichigo is usually only in the middle when he’s on his back and they can cuddle into his sides. Both Yoruichi and Rukia steal some of Ichigo’s t-shirts and boxers to use as pajamas and start to share them interchangeably. Whenever one of them has to go off for a couple of days, somehow one of his shirts is always mysteriously packed into their bags, and Ichigo never says anything about it. (They get him back by sometimes smuggling pairs of their underwear into his luggage with cheeky little notes.)

Ichigo is a t-shirt and boxers kind of guy when it comes to lounging or sleeping clothes, although he’ll swap out for long-sleeves and plaid lounging pants when it’s cold enough. Rukia has several sets of cute pajamas that she uses, in addition to items stolen from Ichigo. Yoruichi is highly variable, and sometimes can be found in odd combinations like a turtleneck, her panties, and long fluffy socks. In the winter she's prone to sprawling out in beams of sunlight filtering in through the windows and disrobing to catch the same; in the summer she might be found laying around in just her panties or Ichigo's boxers, fanning herself and complaining about the heat until they turn on the AC (both are very distracting).

Their soaking tub is spacious but isn't really properly big enough to hold all of them, so sometimes they share lap space, and both Rukia and Yoruichi are always glaring at Ichigo and warning him about funny business (as if they don't sometimes do things in the tub).

Rukia: There’s a time and a place, Ichigo. Ichigo: Watch those hands, Yoruichi. Yoruichi: Maybe watch where you've got your feet, Rukia.

In the Samurai Continuity, I can imagine them running out of food to eat like Mugen, Jin, and Fuu do, and Yoruichi's like, "Ichigo, you're the biggest, you have to eat more," and he's all, "No, shut up, I'm fine, there's enough here for you two." Yoruichi falls silent. Rukia continues protesting instead, only for Yoruichi to touch her arm to get her to stop because she knows what he's doing. Ichigo can take it better than they can precisely because he is bigger, and he’s always going to try and protect them first.

A little scene about comforting and snuggling together:

Ichigo cinched his arms a little tighter around Yoruichi's waist. There was a long silence. “Are you cold?”

She shook her head faintly against his chest. “No.” He was putting out enough warmth for two.

He shifted and brought his face down into her hair and inhaled. The orange and saffron scent underlying the spice and musk of her aroma made it smell bright and sunny despite its indigo hue. It was different but... right. “You smell good,” he eventually whispered.

A small chuckle escaped her. “You're such a sap, but you're not so bad yourself.”

“I mean it.”

A pause passed. “I know.”

“Yoruichi—”

“You're tired, get some rest.”

He gently squeezed her sides. “Hey.”

He used his grasp to draw her up while shifting down so they were face to face on the pillow they were sharing.

She studied him curiously.

Ichigo did the same before looking aside. “You shouldn’t need any more convincing that I’m a man, not a boy, so don’t treat me like one.”

Yoruichi blinked before smirking slightly. “Is that right?”

He locked eyes with her again. “I’m glad you're here.”

There was a pause before she looked down.

He started to rub her back and neck to assure her through touch. “And not because Rukia isn't.”

She just quietly pressed in a bit closer.

I feel like Yoruichi would have the least personal sense of “ownership” of the relationship, since she would have lingering doubts about her place in it, and Rukia would have the most. Ichigo thinks of them as “his girls,” but Rukia... Rukia views herself as theirs after a time, and accordingly, they’re hers. Not in some transactional or proprietary way, but just... it’s like her with that soul ribbon in the first ED of Bleach: it just is. And i think that’s where her knowing what to say often comes in, because she does have that perspective. She can ferret out when, say, Yoruichi is feeling like maybe she doesn't belong to them as much as they belong to each other, and Rukia is the one who brings her back, who reminds her that they are three—that two was nice, but three is best.

You might imagine her curling into Yoruichi and quietly stating, “I love you,” and Yoruichi's just kind of at a loss for words, so Rukia repeats herself and waits for Yoruichi to say it back. Yoruichi would feel... maybe a little overwhelmed at the quiet declaration, because it would never be a big or loud thing with Rukia, just firm and quiet and brooking no argument. And this is also why, for as much as Yoruichi and Ichigo wind up curled around Rukia, sometimes Rukia conspires with him to just snuggle Yoruichi between them:

“She's got better ‘pillows’ anyway,” Rukia stated.

Ichigo blinked and flushed, looking away. “There's nothing wrong with yours.”

She glanced to him dubiously but still cracked a thin smirk.

Yoruichi is often physical in showing her concern; sometimes she plays it up and hugs Rukia’s head to her chest, and other times it's just very natural. Ichigo she can only really tease properly when he's sitting in some fashion; neither ever really objects much, no matter how ridiculous they think she's being.

They all drink coffee and tea alike. Yoruichi likes her coffee with sugar and cream, and her favorite tea is a heavily spiced chai. Ichigo likes his coffee black, and his favorite tea is Earl Grey. Rukia likes fancy dessert coffees (like Starbucks Frappuccinos) and likes white and green teas. Yoruichi is the one who actually makes coffee, while Rukia tends to make the tea.

Yoruichi is probably the only one who is really even remotely a morning person, although by habit rather than by choice. Making coffee is like her early morning ritual and meditation to start the day, and including their favorites into that routine just gives her more time to wake up naturally. On work days she likes to let them sleep in—she slides out of bed, careful not to jostle them, but sometimes Ichigo will wake up anyway and reach out for her before settling back when she pats at his hand. It also gives her a chance to have a bit of quiet in the morning and think about things. The sounds and smells of breakfast are often what wake Ichigo and Rukia.

They make an effort to bathe together whenever possible; although they wake up with breakfast, the shower and bath is when they really start their days. It’s a bonding thing for them. (They probably shower both morning and night, but bathe whenever they have the time.)

I sorta like the idea that Yoruichi is a loud and kind of angry gamer, which Ichigo and Rukia regard as kind of an endearing quirk given how put together she is most of the rest of the time. I can see her being really mean on mic to annoying pre-teens. “Yes, I’m a girl, you prepubescent brat! What’s your excuse for sounding like one other than that your balls haven’t dropped yet?!” Ichigo and Rukia just kinda look at each other when she really starts popping off; Ichigo goes over to start to massage her and she sinks into the couch, grumbling and focusing up on whatever she’s doing.

Ichigo is kinda ticklish, Rukia is not all that ticklish, and Yoruichi is very ticklish and she absolutely hates it.

SEXUALITY & PHYSICALITY

My personal read of these characters, which I invoke in these scenarios, is that Yoruichi is pansexual, and Ichigo and Rukia are both something approximating demisexual, with at least Rukia (and possibly Ichigo) being bisexual. (I think in “canon” a strong case could be made for them both being closer to but not necessarily purely at asexual, while Yoruichi could be read numerous ways, but that is neither here nor there.) These are, of course, only my interpretations.

At any rate, Yoruichi is usually experienced (somewhere between fairly and quite so depending on the scenario; I imagine she and Kuukaku could have fooled around when they were younger, and that in more recent times she has had Kisuke as a lover, but that the two of them are an off-again, on-again thing) and views sex as a fun, normal, and healthy way of physical and/or emotional bonding; Ichigo is uniformly a virgin but is old enough to not be a stammering fool about it; and Rukia is either a virgin or may have had a sexual relationship previously (if so, with Renji) but is not very in tune with her sexuality or sexual desires to begin with.

It might initially seem like Yoruichi trains both Ichigo and Rukia, being the one who moves first physically and the one who’s got more experience, but I don’t think she herself or either of them think of it that way. Yoruichi would always be more interested in coaxing the other two, in helping them to figure out what they like and want, and encouraging them to explore it. That would quickly get turned back around on her as they grew more confident, as they would start to return the favor to her. Personally, I think that Ichigo is often physically dominant, but loves to serve and please. Rukia and Yoruichi can both be dominant themselves (with him or with each other) but also like being submissive; Rukia enjoys the comfort and safety of the headspace it puts her in, while for Yoruichi it heightens her pleasure more than she could imagine. I think this would be a surprise to Yoruichi, and eventually she’d come to realize that she had always still been keeping up walls in her past relationships to try and maintain some control. Ichigo and Rukia would be the first to really break through those, which would give her all kinds of feels and open her up more to trying things she had only rarely explored with partners before. (As examples, I think Yoruichi would have a thing for light bondage and anal sex, but only have tried them with other people a scant handful of times.) Their process of discovery would not at all be a one-sided thing, and I think they’d be very sexually active (probably having orgasms only every other day at the longest stretch).

If I had to pick words to describe what sex is like for each of the pairs, for Ichigo and Rukia it’d be cosmic (powerful and beautiful, breathtaking) for Yoruichi and Rukia it’d be oceanic (constant motion and energy, unifying) and for Ichigo and Yoruichi it’d be tectonic (earth-shattering and resonant, awesome). Just like with the rest of their behaviors, when they were all together, it would vary and oscillate among the three. However, sex between them wouldn’t necessarily always be a big production or need to go both ways either. I think they wouldn’t think much of pulling clothes down (or dipping their hands into them) and using their digits and mouths on each other, depending on the mood. I think they’d all just be very invested in making one another feel good, and that could be quick and servicing or slow and mutual as the case might be.

The three would always wind up appreciative of one another in states of undress, although Rukia and Yoruichi would be more circumspect and covert about it. Ichigo doesn’t hide his admiration, sometimes earning him rebukes, but those incidents really only tee him up to say something sappy and adoring, which usually result in the other two getting annoyed at how gooey it makes them feel. Sometimes they reward him by showing off, Rukia usually emphasizing her ass, and Yoruichi her chest. Yoruichi might turn quick so she swayed and bounced, put her hands on her hips and lean forward, say something like, “If you want to have a look you can always just ask, you know. I don't mind,” then lift her arms up and stretch. Rukia might lean forward or bend over to show off more, use a hand to pull a cheek aside and waggle her eyebrows, say something like, “If you see something you like, you should give a compliment.”

Something that would melt Ichigo and Yoruichi's hearts would be having Rukia between the two of them, arched and trembling, weakly clutching at them and moaning out, "Yoru... Ichi... go..." Hearing their names co-mingled like that, they'd be filled with thoughts of how they've got to protect her, they've got to deliver her, they've got to give her everything and be one with her. And afterward Ichigo would pull Yoruichi tight to gently squish Rukia between them, Yoruichi not much less spacey than Rukia would be. Rukia might be gathered between them, face buried in Ichigo's neck and Yoruichi pressed up against her back, the pair of them grounding her to the earth.

Yoruichi and Rukia sometimes pair off together while Ichigo is left in the dust recovering from his refractory period, and they make him watch. He'd always be astonished at seeing them together, how they can keep on and on, and always be kind of struck by, Why... do they need me...? and I don't think he'd ever fully get over it, but it would inspire him to always try and be worthy of them, and sometimes give them cause to reassure him.

“Fool. You think we'd just... always be doing this without you?” Rukia asked.

He turned and stayed silent. Why not?

Yoruichi maneuvered around so he she was in front of him, cupping his jaw. “We need you too.”

Ichigo's eyes widened as they met hers.

Rukia pressed against him from behind. “Who else is going to make us feel safe, idiot?”

Yoruichi tapped a finger above his heart. “And it's not like you're bad...” she purred.

“Not bad at all,” Rukia added quietly.

"There's some things toys just can't do,” Yoruichi mused, looking deep into him.

Ichigo's face heated. “Well. I...”

Rukia grinned, pressing against him. “Fingers and tongues and toys are good and all, but...”

"Nothing like a man who knows how to use what he's got,” Yoruichi finished, and she and Rukia shared a meaningful look.

Ichigo cleared his throat.

“A toy doesn't feel warm like sunlight.”

“It doesn't tangle fingers in your hair and smoothly pull your head back.”

“It doesn't clutch at your hips.”

“It doesn't tremble between your thighs.”

“It doesn't curl up with you after and tell you it loves you.”

And he quietly thought, But, you can do that to each other... And yet, even so, his cheeks went red and he just kind of sank between them as they petted and stroked at him and whispered sweet nothings that eventually became soft kisses here and there.

When they’re separated due to travel, I think they would remember each other in different ways. Much of it would be domestic and fluffy, but when their thoughts turned to intimacy, the focus would be a little different for each of them. I think that Ichigo would remember sights and feelings: Yoruichi on her back and Rukia atop her, their legs interlocked so as to spread each other and both of them looking back over their shoulders at him expectantly and hungrily, and how that made his chest clench around his heart. Yoruichi would recall images and physical sensations: Ichigo and Rukia moving together, Rukia spread under her, the feeling of Ichigo’s hands tangled in her hair, the tastes and smells of them. Rukia would focus on emotional memories, of what it felt like in the afterglow and during aftercare: Yoruichi and Ichigo curling around her and the way she felt safe and warm in their arms, the way it felt like they built a boundary between her and the world. (Rukia would still sometimes think of particular things though; things like images of Yoruichi between her thighs, while Ichigo held her from behind—his voice in her ear, a low rumble of all the things he was going to do to her when Yoruichi was finished...)

I think, when they were paired off with Ichigo due to the absence of the other, Yoruichi and Rukia would be intrigued with how he treated the other. I imagine they'd watch each other often when they were all together; sometimes it might be all three of them at once, but other times they'd take turns. Rukia might be fascinated by the contrast in Ichigo and Yoruichi's skin and the difference in the way they moved, the power of them. Yoruichi might be bewitched by the tenderness Ichigo showed Rukia, the softness of them even when they were rough together. So you might have, with Ichigo and Rukia:

Rukia ended the kiss and dipped her head, bringing the fringe of her hair to rest against Ichigo’s chin. She gently squeezed his shoulders and pressed closer.

His fingers dug into the sides of her waist appreciatively.

She let out a small sound and pressed her face down against his neck, getting secure against him. Being so close seemed to distort things, as if she was in a deep gravity well. She closed her eyes. “Ichigo...?”

“Hmm?”

She spiraled her pointer fingers against his collarbones with a touch of uncertainty. “Um...”

He began to massage her sides in reassurance. “What's wrong?”

“Nothing’s... wrong, I just—” She broke off and pulled her head back, looking up at him.

Ichigo met her gaze.

Rukia looked between his eyes, wondering at how soft they were—always so soft for her. She looked down again. “I want you to treat me like you do Yoruichi,” she whispered.

He blinked.

“I’m... not made of glass, Ichigo,” she murmured. She loved how tender he was with her, but... He was always powerful with Yoruichi, even when he was slow with her, and the two of them always looked... so damn sexy! The more she’d seen of it, the more she wanted it for herself. She wanted to feel that power, that strength, that energy.

Ichigo soon reached a hand up to brush her hair. “No, you’re not.”

Something about his tone made Rukia bite her lip, and she pressed her head toward his hand, appreciating the contact for a short time. She then released his shoulders and carefully turned around, getting her legs astride his and pushing back firmly against him before slowly starting to roll her rear suggestively against his hips.

He gripped her sides firmly. “Rukia...”

She turned her head fractionally to look at him out of the corner of her eyes, asking with them. She needed to know what it was like.

And with Ichigo and Yoruichi:

Yoruichi softly bit Ichigo’s tongue to signal an end to the kiss, wrenching her lips away from his and sliding her head forward so they were cheek to cheek.

He turned his head toward her neck to follow on as he pushing her up against the fridge more firmly, squeezing handfuls of her ass.

She let out a needy moan and pressed her cheek to his, drawing her arms tighter around his neck and tangling her fingers in his hair. “Ichigo.”

“What?” he whispered, his impatience hanging from every letter of the word.

“Wait.” It was a soft instruction, but an instruction nonetheless.

Ichigo paused and blinked, very deliberately focusing on her. She’d never been one for delays. A little silence rolled out between them before his eyelids slid halfway shut again. “What's wrong?”

“Don't assume something is wrong,” Yoruichi chided mildly, slowly arching a little to push her rear into his hands. She waited a few breaths, beginning to brush through his hair. “I want to try something different,” she eventually conceded.

He started to rub his cheek against hers as a memory returned to him of something very much like this. “Different? How...?”

Yoruichi lowered her head a little. “Treat me like Rukia?” He was so caring and patient with Rukia—always making love to her in the most passionate yet considerate way. She loved what she had with him—it was always fun and satisfying—but she’d seen them so many times and she increasingly found herself wondering...

Ichigo looked askew at the side of her head for long seconds before lowering his face, snuggling her against the refrigerator door. “You know... Last time, she asked me to treat her like you.”

She blinked in surprise.

A little smile curved his lips and he gave her neck a soft kiss, musing on the irony. “Did you two plan this?”

“No!” she denied in a sharp whisper, only for her eyes to widen as he squeezed her ass again, very differently. The motion was smooth, celebratory, and made her shiver—something about it made her soul ache with recognition.

“Okay,” Ichigo promised, standing up and pulling her away from the appliance. He held onto her securely as he bore her to the bedroom.

Yoruichi faintly bit her lower lip at the sudden change in his attitude but clung to him, offering no resistance or further comment.

All three of them quite like one another’s scents and flavors (although Ichigo and Yoruichi regard Rukia as primus inter pares and think she’s the best) and they’re not shy about it. You can imagine Yoruichi mocking the old Tootsie-Rolls commercial line while she and Rukia are holding Ichigo, whose cock is covered in magic shell topping: “How many licks does it take to get to the creamy center...?”

CONCLUSION

There is even more (as there are a dozen or so little in-progress fics and ficlets scattered around, mostly for Modern Continuity) but that’s the end of all the notes I have on hand for now. If you made it this far, thank you, and I hope you found this charming or persuasive, or at least entertaining! If you did, please leave me your thoughts!

#YoruIchiRuki #OT3: Neapolitan Ice Cream #yes this is about #13000 words of meta #on my favorite OT3 #and i am so hoping #that at least a few people #might like it #but i had to write it regardless

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