#Thaddaeus Ropac

[abstracteddistractions]

Vera Molnàr, "Molndrian, 74,066/13.36.22," 1974,

Computer drawing, 26 x 26 cm.

Courtesy: Thaddaeus Ropac

[pop-up-x]

Not Vital - Nijinski [title tbc], 2024

170 x 155 x 73 cm (66,93 x 61,02 x 28,74 in)

© Not Vital. Photo: Charles Duprat, Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul

[antronaut]

Joseph Beuys - Bewegung Rhythmus (1962)

[eucanthos]

Erwin Wurm (Austria, Bruck an der Mur, July 27, 1954)

Skinny, 2021 (flat sculpture). Acrylic and oil paint on canvas 150 x 120 cm Skins, exhibition view, Thaddaeus Ropac gallery, Paris, 2022.

Flat Sculptures, are the artist’s first foray into painting.

The titles of the Flat Sculptures, correspond to the words inscribed on the canvas, ‘stone’, ‘wurst’, ‘melt’ or ‘clay’, reference the artist’s past series of works [supposedly readable]

https://ropac.net/fr/exhibitions/617-erwin-wurm-skins/

[jordi-gali]

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haddaeusropac

Join us in Paris Marais, tomorrow, Tuesday, 6–8pm, for the opening of Robert Rauschenberg, 'Japanese Clayworks'. The exhibition presents a selection of key works on ceramic by Robert Rauschenberg from the 1980s, including rarely seen works from a formative series, which will be exhibited in collaboration with the @rauschenbergfoundation. ‘I think collaboration is a prescription or device that keeps one from getting hung up on a strong single intention that blinds. [...] Every individual that you add to a project will result in ten times as many possibilities.’ — Robert Rauschenberg, 1987

[wanderrealms]

[4eternal-life]

Anselm Kiefer  (German, b. 1945)

Die bösen Mütter,  2007–11

Oil, emulsion, acrylic, shellac, chalk, branches, wood and iron on canvas380 x 560 x 70 cm

© 2022 Thaddaeus Ropac

[tonyvwright]

Rauschenberg @ Thaddaeus Ropac

ROCI Venezuela

[artintestine]

Erwin Wurm, Surrogates, Thaddaeus Ropac, London, 2024

[iamflowerta]

[bizarreauhavre]

Paris, galerie Thaddaeus Ropac, 17 octobre 2024.

[hyperallergic]

Fame is a kind of *soup,* Adrian Ghenie has said. The remark brings to mind the *primeval soup* from which humanity is often said to have emerged, formlessness slowly becoming form. But what kind of form? And how upright and stable will that form prove to be when it does emerge?

Ghenie considers the baleful effect of social media and interprets a howling, turbulent tragedy in his paintings of Marilyn Monroe in “The Fear of NOW” at Thaddaeus Ropac gallery. 

Michael Glover reviews.

[mentaltimetraveller]

Not Vital

HEADS Installation view, Galerie Thaddaeus Ropac Paris

[antronaut]

Liliane Lijn - Poemkoan=D=4=Open=Apollinaire (1968)

[thinkingimages]

Robert Longo. Untitled (X-Ray of A Bar at the Folies-Bergère, 1882 after Manet), 2017 (detail). Courtesy Galerie Thaddaeus Ropac London · Paris · Salzburg. Photograph: Artist Studio.

[theaskew]

Yan Pei–Ming (Chinese b. 1960, lives and works in Dijon, France), Suzanne, 2018. Oil on canvas, 150 x 150 x 2.5 cm. (Source: Thaddaeus Ropac Gallery)