#Th corpse Bride a romantic horror

[satellitetvcompany-blog]

Your State’s Most Popular Kids Halloween Movie in 2024

In 2024, Dish Network's most popular kids' Halloween movie is "Spooky Ville Adventures." This animated film captivates young audiences with its charming story of three friends who explore a magical town filled with friendly ghosts, mischievous goblins, and a wise old witch. The movie blends fun and mild scares, making it perfect for children. Stunning animation, catchy songs, and heartwarming messages about friendship and bravery ensure "Spooky Ville Adventures" becomes a Halloween favorite. Parents and kids alike love the excitement and enchanting world it offers, making it the top choice for family movie nights during the spooky season.

Alabama: "Coco"

Alabama’s favorite kids’ Halloween movie in 2024 is Pixar’s "Coco." This vibrant film celebrates the Mexican holiday Día de loss Muertos, which is closely associated with Halloween. Its themes of family, memory, and music resonate deeply with audiences, making it a cherished choice for the Halloween season.

Alaska: "The Nightmare Before Christmas"

In Alaska, Tim Burton’s "The Nightmare Before Christmas" reigns supreme. The film’s unique blend of Halloween and Christmas themes, along with its iconic characters like Jack Skellington and Sally, make it a perennial favorite. Its stop-motion animation and whimsical storyline captivate kids and adults alike.

Arizona: "Hotel Transylvania"

Arizona’s top pick is "Hotel Transylvania," a film that offers a fun and friendly take on classic monsters. With its comical portrayal of Dracula, his family, and their monster friends, "Hotel Transylvania" provides a perfect mix of spookiness and humor, making it a hit among kids.

Arkansas: "Hocus Pocus"

In Arkansas, the Sanderson sisters from "Hocus Pocus" cast their spell on Halloween enthusiasts. This cult classic, with its magical storyline and unforgettable characters, continues to enchant new generations of viewers, cementing its status as a Halloween staple.

California: "Halloweentown"

Californians have a special place in their hearts for "Halloweentown." This Disney Channel original movie follows Marnie Piper and her journey to a magical place where it’s Halloween all year round. Its whimsical and adventurous spirit makes it a favorite among kids in the Golden State.

Colorado: "Corpse Bride"

Tim Burton’s "Corpse Bride" is the top choice in Colorado. This stop-motion animated film, with its darkly romantic storyline and hauntingly beautiful visuals, appeals to children who enjoy a touch of gothic charm in their Halloween celebrations.

Connecticut: "Casper"

Connecticut kids love "Casper," the friendly ghost. This heartwarming film about a young girl’s friendship with a ghost is both touching and entertaining. Its gentle approach to the supernatural makes it an ideal Halloween movie for children.

Delaware: "Monster House"

In Delaware, "Monster House" tops the list. This animated adventure is about three kids who discover that a neighborhood house is actually a living, breathing monster is both thrilling and funny. Its mix of suspense and humor strikes a chord with young viewers.

Florida: "The Addams Family"

Florida’s favorite is the animated version of "The Addams Family." These kooky and spooky family’s antics provide endless entertainment, and their acceptance of their oddness encourages kids to embrace their own uniqueness.

Georgia: "Goosebumps"

Georgia kids are thrilled by "Goosebumps," based on R.L. Stine’s popular book series. The film’s blend of humor and horror, along with its array of monstrous characters, makes it a perfect Halloween watch for children who love a good scare.

Hawaii: "ParaNorman"

In Hawaii, "ParaNorman" is the movie of choice. This stop-motion animated film follows Norman, a boy who can see and speak to ghosts, as he tries to save his town from a zombie uprising. Its heartfelt message and quirky humor resonate with Hawaiian kids.

Idaho: "Frankenweenie"

Idaho’s top Halloween film is Tim Burton’s "Frankenweenie." This black-and-white stop-motion film about a boy who brings his beloved dog back to life is both eerie and touching. Its themes of friendship and loss make it a poignant choice for Halloween.

Illinois: "Beetlejuice"

In Illinois, "Beetlejuice" takes the top spot. This Tim Burton classic about a mischievous ghost hired to scare away a family is both hilarious and creepy. Its unique blend of horror and comedy makes it a favorite for Halloween movie nights.

Indiana: "The Witches"

Indiana kids are captivated by "The Witches." This film, based on Roald Dahl’s book, tells the story of a young boy who discovers a coven of witches plotting to turn children into mice. Its mix of adventure and dark fantasy is a hit with young audiences.

Iowa: "Coraline"

In Iowa, the movie "Coraline" is a Halloween favorite. This stop-motion film, based on Neil Gaian’s novel, follows a girl who discovers an alternate, sinister version of her life. Its eerie atmosphere and imaginative story make it a perfect Halloween pick.

Kansas: "The Haunted Mansion"

Kansas kids love "The Haunted Mansion," inspired by the Disneyland attraction. This film, starring Eddie Murphy, is a spooky and comedic adventure that appeals to kids with its ghostly fun and family-friendly scares.

Kentucky: "Scooby-Doo on Zombie Island"

Kentucky’s top Halloween movie is "Scooby-Doo on Zombie Island." This film takes the beloved Mystery Inc. gang on a spooky adventure to a haunted island. Its mix of mystery, humor, and mild scares is perfect for a Halloween treat.

Louisiana: "The Princess and the Frog"

In Louisiana, "The Princess and the Frog" is the Halloween movie of choice. Set in New Orleans, this Disney film combines voodoo magic, jazz music, and a heartwarming love story. Its cultural richness and enchanting storyline make it a beloved film in the state.

Maine: "Hocus Pocus"

Maine, like Arkansas, has fallen under the spell of "Hocus Pocus." The film’s charmingly wicked witches and timeless humor make it a perennial favorite for Halloween celebrations.

Maryland: "Monster Family"

Maryland’s favorite is "Monster Family," a film about a family that gets transformed into monsters during a Halloween party. Its blend of comedy, adventure, and family values makes it a popular choice for kids.

Massachusetts: "The Boxtrolls"

In Massachusetts, "The Boxtrolls" is the top pick. This stop-motion animated film tells the story of a young boy raised by underground-dwelling trash collectors. Its unique characters and quirky humor make it a hit with kids.

Michigan: "Ghostbusters"

Michigan kids love the animated version of "Ghostbusters." This film, featuring the iconic ghost-fighting team, combines spooky fun with comedic elements, making it a perfect Halloween movie for children.

Minnesota: "Wallace & Gromit: The Curse of the Were-Rabbit"

In Minnesota, "Wallace & Gromit: The Curse of the Were-Rabbit" is a Halloween favorite. This Claymation film features the beloved duo as they try to capture a giant, vegetable-eating rabbit. Its humor and charm make it a delightful choice.

Mississippi: "Monster House"

Mississippi, like Delaware, favors "Monster House." Its blend of thrills and laughs, along with its engaging storyline, makes it a popular Halloween film for kids.

Missouri: "Coco"

In Missouri, "Coco" is the most popular Halloween movie. Its celebration of Día de loss Muertos and its touching story about family and legacy resonate deeply with viewers.

Montana: "Corpse Bride"

Montana kids enjoy the gothic romance of "Corpse Bride." Its beautifully crafted visuals and enchanting story make it a favorite for Halloween.

Nebraska: "Casper"

In Nebraska, "Casper" is the top Halloween movie. Its gentle and heartwarming ghost story appeals to kids who prefer a less spooky Halloween film.

Nevada: "Hotel Transylvania"

Nevada’s favorite is "Hotel Transylvania." Its humorous take on classic monsters and its family-friendly storyline make it a hit with kids in the Silver State.

New Hampshire: "The Nightmare Before Christmas"

New Hampshire, like Alaska, loves "The Nightmare Before Christmas." Its unique blend of holidays and its captivating animation make it a timeless Halloween movie.

New Jersey: "Goosebumps"

New Jersey kids are thrilled by "Goosebumps." Its mix of horror and humor, along with its adventurous storyline, makes it a favorite for Halloween.

New Mexico: "The Addams Family"

In New Mexico, "The Addams Family" is the top Halloween film. Its quirky characters and spooky humor provide endless entertainment for kids.

New York: "Halloweentown"

New York, like California, loves "Halloweentown." Its magical world where it’s always Halloween captures the imaginations of young viewers.

North Carolina: "Scooby-Doo on Zombie Island"

In North Carolina, "Scooby-Doo on Zombie Island" is my favorite. Its blend of mystery, humor, and mild scares make it a perfect Halloween film for kids.

North Dakota: "The Haunted Mansion"

North Dakota kids enjoy "The Haunted Mansion." Its spooky adventure and comedic elements make it a popular choice for Halloween.

Ohio: "The Witches"

Ohio’s top Halloween movie is "The Witches." Its adventurous and slightly dark fantasy storyline captivates young audiences.

Oklahoma: "Coraline"

In Oklahoma, "Coraline" is the Halloween favorite. Its eerie and imaginative story makes it a perfect choice for the season.

Oregon: "ParaNorman"

Oregon kids love "ParaNorman." Its quirky humor and heartfelt message about accepting differences resonate with young viewers.

Pennsylvania: "The Princess and the Frog"

In Pennsylvania, "The Princess and the Frog" is the top Halloween film. Its magical storyline set in New Orleans captivates kids.

Rhode Island: "Wallace & Gromit: The Curse of the Were-Rabbit"

Rhode Island, like Minnesota, favors "Wallace & Gromit: The Curse of the Were-Rabbit." Its charming characters and humorous plot make it a favorite for Halloween.

South Carolina: "Monster Family"

South Carolina kids enjoy "Monster Family." Its blend of comedy and adventure makes it a popular choice for Halloween.

South Dakota: "Frankenweenie"

In South Dakota, "Frankenweenie" is the top Halloween movie. Its touching stoa peals eerie charm appeal to kids during the spooky season.

Tennessee: "Beetlejuice"

Tennessee, like Illinois, loves "Beetlejuice." Its unique blend of horror and comedy makes it a favorite for Halloween.

Texas: "Coco"

Texas, like Alabama and Missouri, favors "Coco." Its celebration of Día de los Muertos and its heartfelt story about family make it a beloved film.

Utah: "Hotel Transylvania"

Utah kids enjoy "Hotel Transylvania." Its humorous take on classic monsters makes it a popular Halloween movie.

Vermont: "Hocus Pocus"

Vermont, like Maine and Arkansas, loves "Hocus Pocus." Its magical and humorous storyline makes it a favorite for Halloween.

Virginia: "Goosebumps"

Virginia kids are thrilled by "Goosebumps." Its adventurous and slightly scary storylines make it a top Halloween choice.

Washington: "The Nightmare Before Christmas"

Washington, like Alaska and New Hampshire, loves "The Nightmare Before Christmas." Its unique blend of Halloween and Christmas themes captivates viewers.

West Virginia: "Casper"

West Virginia kids enjoy "Casper." Its gentle ghost story and heartwarming message make it a favorite for Halloween.

Wisconsin: "Corpse Bride"

In Wisconsin, "Corpse Bride" is the top Halloween movie. Its gothic charm and romantic storyline appeal to young viewers.

Wyoming: "The Haunted Mansion"

Wyoming kids love "The Haunted Mansion." Its spooky adventure and comedic elements make it a popular Halloween film.

Conclusion Each state’s favorite kids’ Halloween movie in 2024 reflects its unique culture and preferences. From the magical worlds of "Halloweentown" and "Coco" to the quirky humor of "Wallace & Gromit" and "The Nightmare Before Christmas," these films bring joy and excitement to the Halloween season. As children across the country gather to watch these beloved movies, they create lasting memories and embrace the spooky spirit of Halloween.

[jasminedragonart]

I really wish we could categorise things as Gothic instead of using the blanket 'horror' term for anything remotely spooky. Mainly because 'horror' has mainly distinctive tropes that don't necessarily have to be followed but usually are for it to be classed as a horror. The same for gothic.

Also you can have both. Something can be a gothic horror. But gothic isnt necessarily horror and horror isn't necessarily gothic and I think it cheapens both of their genre meanings if we don't appreciate and call things as they are.

For example, I would say Coraline, Bly Manor and Hill House are good examples of gothic. There are death and scares and a lot of other scary elements, but the characters, for the most part, come out of the other side of these challenges. Gothic, not always mind, but a lot of the time doesn't end with the characters dead. It explores dark themes using scary elements and changes the person who its happening to.

On the other hand I would say Midnight Mass is a horror. A gothic horror. But a horror all the same. I think the death of major characters. Of pushing the human experience beyond what it should be and taking them down by the end is what makes a good horror. 30 days of Night is a horror. A horror usually leaves you feeling unnerved, that the monster is still out there. A gothic mainly feels complete.

The Corpse Bride is a gothic. Dracula and Crimson Peak are gothic. They feel complete by the end and I think cinema needs to acknowledge that we can't blanket name these kinds of films as horror because they're scary or dark. Mostly because I see a lot of critics get mad because they watched these films thinking they were a horror and were disappointed with them.

These films weren't made primarily for the jump scares. They were made to make you think. To explore the things we don't like to do in reality and for us to come out feeling safe at the end. A lot of people hated Crimson Peak because it wasn't scary enough. They wrote it off as being popular because Tom Hiddleston was in it but it wasn't a good film. They didn't understand that it wasn't made to be scary in the way a horror is. The ghosts aren't the villains here. The paranormal isn't at fault. It's the people. It's the situation our protagonist has been put in. Its watching this poor girl being slowly poisoned and us as an audience knowing something is wrong but we can't put our finger on it until it's too late. It's about the monster being vanquished and not able to claim another victim.

It's a gothic, just like all the other films and shows I've named here are, and they're great because they're gothic. You can appreciate all of them more when you look at it from a gothic perception. Coraline is scary, yes, but not because the other mother can turn into a monster. Coraline is scary because we are put into a world that is so much like our own but things are off. Little things here and there are telling our animal brain that theres danger here. That coraline is being neglected that much that shes effectively being kidnapped and we have to watch it slowly play out knowing her parents cant help her. The other mother turning into a monster is nothing really. By that point in the film we're already terrified for Coraline, the only difference is when she turns into the Beldam she's showing us who she truly is.

I'm getting away from myself. I could write a whole essay on all of these films and shows. But yeah, horror isn't always horror, and it's about time we recognise that instead of brushing something away for not killing everyone at the end.

[har-rison-s]

loving you

request: omg nsfw stan x reader where his wife (the reader) has been away on a business trip or something for her job (you can decide) and she comes home to stan and he’s all needy and clingy with her and just wants to make love to her bc he missed her ASKDKEXJ IM SOFT I-

A/N: Shdhfsbdfhdsb hello. We about to do this. I'm soft, too ahsbdfahshdshah. I sure hope it's good what I'll have written. I'm nervous about writing this. This is a first for me in some ways. I'm watching the Corpse Bride while I write. Fitting, I know. But it's one of my favourites and, since it's the 9th of halloween, what better cartoon to watch if I've already watched Coraline twice and the Nightmare Before Christmas? Three more horror cartoons to go! Happy reading!

This gon' be hot and steamy!

warnings: smut :)

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gif credit goes to owner, which isn't me!

Stanley had missed her a lot. Y/N's work trip to Europe had dragged much too long for his liking. He was so ready to see her again and wrap her between the white bed sheets, along with his love and his lust and affection.

He had waited for her at the airport and greeted her with flowers, the romantic. She had nothing against it, in fact, Y/N loves cliché things such as flowers and chocolates in heart-shaped boxes and rose petals and candles… She embraced him tightly, and he spun her like a ballerina in his arms. Her face was covered with his tender, quick kisses and she had smiled, blushing as deep a red color as the roses he brought her.

Sitting in their car, Stanley was craving the feeling, the touch of her so bad, he'd gladly let her sit in his lap. But that would be against many rules of driving and steering the wheel. Screw rules, right? No, Y/N wouldn't have allowed it.

So Stan settled for his hand on her thigh for the car ride. She told him about her work trip to Europe, told him how romantic it'd be to go to Paris together, walk the streets of Venice, visit Vienna's opera house. Stanley listened and even put her words in the back of his mind as notes for later anniversary, Christmas and birthday gifts.

But Y/N noticed his hand was making bold moves on her thigh. His hold was different from his previous ones, firstly, much more grabbing. She could feel it in only the tip of his fingers, his intentions and thoughts. How the digits were pressing deeper in her skin than usual. He was never bold, he was always gentle and careful, and she loved that about Stanley. This feeling she got from his hand now was exciting her, though.

She glanced over at Stanley when his hand grasped closer to her crotch. She was only wearing a dress and his hand would soon discover her underwear. Due to comfort reasons, Y/N chose to wear her favorite pair on her return day. Soft pink, they were. Hugging her bum and hip area perfectly. That sight Stanley about to behold in a few minutes time.

Stanley left the car with Y/N's bags in his hold in a hurry. And when the door was open and the bags were on the floor, Stanley couldn't hold himself back any longer. Y/N didn't wish he would have for a second.

The couple reached their bedroom in time before all clothes were thrown off and skins marked completely, though the competition was intense. Just as their everlasting feelings for each other.

Y/N hadn't seen such an eager and lustful side of Stanley in their years of marriage. The wedding night was very similar, but not the same in excitement, she must admit. This is more than marital love, this feels more than that.

Stanley's fingers are digging small holes into the inner thighs of his wife and his lips are covering any inch of her they can get to. His pants are already gone, as well as his jacket, and Y/N's still in her dress. They're moving against each other, the movements synchronised by some inner rhythms only love can create. Y/N can already feel the length and width of how eager her husband is and she moans at just the thought of what's to happen.

She's about to have an introduction because Stanley finally reaches beyond the limits of her pink underwear. Y/N sighs, gladness spreading over her face and through the body, and her grasp tightens around Stanley's arms.

���You've… no idea how much I've missed you.” Stanley tells Y/N. His hands spread her legs wider, as well as her labia lips. Stanley's digits are soft against her skin, her very soft, velvety skin.

Y/N moans, loud and whining. Or is it…? Craving. Longing. Hunger, you might as well. Her head presses into the pillow. “Show me.” She pants to Stanley who keeps on his sweet torture on her clit as teasing and enjoyable for both as possible. “Show me now.”

“I wouldn't hold it in for the world, baby-love.” Stanley tells her in response. They both giggle, Stan realises he's made an accidental joke.

Y/N pushes Stanley off her gently, with her little hands, and sits up on her knees on the bed. Stanley's hands reach for her waist while she tries to get her dress off.

The man is in complete awe watching her. His eyes only see her and he thinks he'll see only her for the rest of his life. She's in front of him and shining like an angel. There might as well be a light blasting from behind her.

Her pink underwear is the only garment she wears. Stanley's eyes fall upon her breasts, her stomach, her neck, her arms, her legs… There's so much for him to see, too much almost. God, the things he would do to her now and the following hours and nights and days… He's got too many thoughts and options to choose from.

His wife senses his fastidious expression and grins. She knows all about what's going on his mind. Y/N slides closer to him and starts lifting his shirt off of him. Time seems to have stopped, they're in no rush. Stanley's feelings, of course, stay as intense and blood-rushing as they were the whole car ride, and all the time he waited for her at home.

Y/N puts her arms around Stanley's shoulders and tilts her head slightly. There's a soft smile itching he corners of her lips while she looks at Stanley. She's finally home, and she's so glad to be. Y/N runs her hand slowly through Stanley's curls and touches his scalp on the way. Stanley smiles. He's missed this small gesture from her, he realises.

“Mind if I show you how much I've missed you now?” Stanley questions and his hand takes Y/N's waist in almost a possessive manner. She chuckles and nods, agreeing. “You were asking for it.” He points out.

Y/N pokes his shoulder. “Shut up and make love to me, you fool.” She commands and lets go of him, dropping back down on their bed. She lays there for a second, waiting for Stanley to join her.

“I promise to.” He says, and it's all quick and hurried and lustful and everything both of them want from that second on. Quick and grabby hands, bedsheets ruffling, hair getting in the way, pairs of underwear thrown in the air. All hurried and fast, as if they were losing time. But they had all the time they could wish for, and Stanley was sure to use every second of it.

He smothers her with kisses from her lips down to her knees. Each one makes her shiver, her whimpers like music to the man's ears. His curls tickle her skin and his lips crush against her. Y/N can't wait anymore.

She takes a hold of Stanley's face and brings it back up to face hers, and she gives him a tight kiss. He can feel her impatience and knows it matches his. Stanley grins. 

The second he's gone inside of her, they both feel like seven feet in the air. Stanley's head drops in the crook of her neck and he grunts, gripping the sheet under his hand. Y/N's eyes flutter shut. This is what she's been missing, what both of them have.

He's completely absorbed in everything she gives, her love, her body, her sounds, her juices and her lust. Stanley gives his love to her with every thrust of his hips and every kiss to her neck, gives his craving and tries his best to make up for the time lost.

Y/N's hands grip the back of his neck tighter and needier with each of his thrusts, and she tries to meet his hips with her own. They're not far from release, despite the desire to make this last longer. 

No words need to be exchanged. Stanley knows Y/N's body as well as she knows his, he can feel that she's about to reach her peak. Stanley makes her look at him, tilting her face and she meets his eyes. Desperation, excitement, lust. 

Cloudy eyes meet another pair of the same sort. Y/N nods at Stanley, encouraging him to quicken his pace and meet his release with her. She runs her hand through his hair again and pulls him down to her, their lips meeting in a kiss that make their heads spin.

Grunts and moans and whimpers, ones of success and reaching release, fill the room once the couple comes undone. Almost in sync—Stanley was only a second late. 

He moved them both closer to the headboards, where the heavenly bed of pillows lay, and wrapped his arms around his wife. They had to catch their breaths. Y/N had never had love as intense as this made to her before. She found Stanley's hand with her own and interlocked their fingers.

Y/N looks at Stanley from below, her head resting on his bicep, and he smiles down at her. He presses a kiss to her forehead and Y/N giggles, pulling herself closer into her husband's embrace.

“Hope you've got more in ya'.” Stanley says to her and Y/N raises her head in question. Stanley winks. 

“You mad man.” She tells him. Stanley laughs.

“A mad man in love.”

Permanent taglist:  @gabiatthedisco​ @v0idbella @inlovewithmiddleagedcelebs @works-of-fanfiction @destiel-stucky4ever-loki-queen @stfxlou @ur-gunna-h8-ths @empressdreams @betweenloveandfire @but-legendsneverdie @deardeacy @thewinchesterchronicles @mavieesttriste16 @mrsmazzello @benhardyseyes @langdonzvoid @intrrverted @the-freak-cassie-131 @sunshine-stan-uris @radiantrichie

Stanley Uris tag-list: @nightbu-g @sadhwstudent @shawni-h @gothackedalready @seasidecrowbar @starred-river @raspberryacid @facelessbish @tozierskaspb @plum-duels @whereyoustand @amira3113 

If you want to be added to any of these lists, let me know!

I haven't proofread, so this might be re-written someday.

A/N: the best thing is writing “nack” instead of “neck” multiple times in one request. ahsdbfhs. i love stanley. can i please have one.

[kljones4-blog]

Tim Burton Essay

About

 Timothy Walter Burton is an American film director, producer, screenwriter, artist and animator who was born in Burbank California on the 25th August 1958, to mother Jean Rea Erickson and farther William Reed Burton. His mother Jean Rea Erickson was known for owning a small cat themed gift shop and his farther William Reed Burton initially worked as a minor league baseball player but later worked at Burbank Park and recreation department. Tim Burton is well known for his warped imagination on dark fantasy and horror and his unique style of which is very gothic and quirky. He has two children a daughter called Nell and a son named Billy to Helena Carter to whom he married. However, in 2014 the couple separated after 13 years of marriage.

Childhood

As a young child Burton made short films in his garden with his friends ranging from live action movies to stop motion. He would capture his films on his Super 8 mm camera. Burton spent most of his childhood painting, drawing and watching movies. He was inspired by DR Seuss, Roald Dahl and Edgar Allan Poe. He was also largely influenced with horror films of Roger Corman most of which featured Vincent Price. At the age of 13 he made his first film ‘The Island of Doctor Agor’. He was not a very academic student but did however play on the water polo team and graduate High school. After High school, he enrolled at California Institutes of arts where he studied character animation from 1976-1979. Whilst on the Animation Programme he produced two shorts ‘King and Octopus’ and ‘Celery Monster’ which were both written, directed and animated by Burton. Whilst working at California institutes of art he was noticed by Disney and offered to work as an apprentice for them in 1980, this was his first job.

 Career

 His career started off by working for Disney as an animator for ‘The Fox and the Hound’ in 1981, he left within a year as he wanted to work independently but he later animated ‘The black cauldron’ for Disney in 1985. Whist working for Disney in 1982 Burton made his first short ‘Vincent’ which was a 6-minute black and white stop motion about a young boy who fantasizes that he is Vincent Price. The film was shown at the Chicago film festival and released. After producing ‘Vincent’ successfully Burton made his first live action film ‘Frankenweenie’ in 1994 this is about a young boy who tried to bring his dog back after being run over by a car. However, the film was unsuccessful as Disney fired burton as they deemed that his film was too inappropriate for young children as it was too dark and scary, this resulted in Disney losing loads of money and time. Despite the negative critics and feedback Burton received, he was noticed by Paul Reuben’s for his film ‘Vincent’. Reuben’s made Burton the director of his first full length feature film ‘Pee Wee’s big adventure’ in 1985 as he saw great potential in Burton. The film was a huge success making Burton popular and noticeable which brought upon his many other opportunities. In 1988, he directed ‘Beetlejuice’ this was a big hit and very popular in Hollywood. He was recognised by Warner brother studios in 1989 who asked him to direct ‘Batman’ which was based off a comic book series. ‘Batman’ became one of the biggest box office hits of all time, it became financially successful earning over $100 million in the first 10 days of release. In the year of 1990 Burton produced ‘Edward Scissorhands’ which was the first of many films to star Johnny Depp. The movie was nominated as his best movie to date. Not long after Burton directed the Batman Sequel ‘Batman returns’ in 1992. This starred Michelle Pfeiffer, Danny Devito and Christopher Walken however it was not a success because the public were hugely disappointed. In 1993 Burton produced ‘The nightmare before Christmas’ this was a stop motion film that took over 3 years to make, it was a commercial success. During this film, he worked with director Henry Selick and over 100 artists and technicians. He also produced a lot of the concept art and style for this film. A lot of his concept art was inspired by his drawings from when he was a child. In 1994, he reunited with Johnny Depp who featured in his film ‘Ed Wood’ a black and white portraiture, the film was a financial disaster as it failed to impress a large mass audience, however Martin Landau won an Oscar for it and it gradually become popular over the years. During 1996 Burton directed ‘Mars attacks’ which was very vibrant in terms of its colour pallet compared to his usual dark morbid films, it had mediocre reviews and wasn’t very popular. In 1999 Burton was praised for his art direction in his film ‘Sleepy Hollow’ starring Johnny Depp. The film was financially successful and he redeemed himself for his film ‘Mars attacks’. Two years later in 2001 he remade ‘Planet of the apes’ with Helena Carter an English actress and model, who he later entered a romantic relationship with and worked on many other films with. It is also known that Burton has a huge fear of apes, so working on this film was a big achievement for him. During 2003 he directed ‘Big Fish’ a conventional film which earned great critical praise and 4 golden globe nominations. He directed Johnny Depp in ‘Charlie and the chocolate factory’ in 2005 which was rated one of the quirkiest most unique films he had ever made. He also received an Oscar Nod for the best animated feature film ‘The Corpse Bride’ a stop motion movie. In 2010, he directed Johnny Depp as the Mad hatter and Helena Carter as the Red Queen in his well-known film ‘Alice in wonderland’.

 Films

 The nightmare before Christmas

The nightmare before Christmas is a film that was produced and written by Tim Burton and directed by Henry Selick. It is about a skellington named Jack who has become bored of the same routine every year for Halloween, he is the king of Halloween town but wishes for something new, fun and exciting. He accidently ventures into Christmas town and is so fascinated by it that he wants to recreate it. During his attempt to recreate Christmas his Halloween themed gifts scare the children which ruins Christmas. Jack eventually realises what he has done so helps Santa fix Christmas town, they save the presents and Jack returns to being the pumpkin king of Halloween town. The film was made in 1993 it consisted of only 13 animators and over 100 trained camera operators, puppet makers, set builders and prop makers. It was the first animated Disney film to not be traditionally animated. The film was made on 24 frames meaning that for each second of film the character was posed 24 different times, this is what made the film such a time-consuming process. Also if there was a problem with an individual frame they would have to go back and re photograph the entire thing as it was done on film and not individual cell animation. The film took a week to make just 1 minute of film which made the film take over 3 years to make. There are 60 different characters which have up to 4 different duplicates for each one. Each puppet has an armature built inside of it to enable smooth movement. The sculpture department consisted of only 4 people. 400 replacement heads where used for Jacks facial expressions compared to Sally who had a replacement mask. To make jack blink replacement eyes where used that where wedged into his sockets. Gregg Olsson built a quarter scale mock-up of Halloween town to test before building the real set. The set had trapdoors and was divided into separate sections that came apart so animators could animate from beneath the set and small teams would work on individual pieces at the same time. Most of the sets required up to 30 lights to create extreme dramatic effects. “There were only 4 sculptors, who sculpted the characters in an oil based clay which was then smoothed out with alcohol so it was soft so that when it was moulded the hard mould that plastered it wouldn’t rip up the mould. Each puppet had an armature which consisted of ball and socket that enabled the movement of puppets. All the armatures were hand machined to fit perfect for each puppet. After sculpting, it went to the moulding department they then laid the steel armature in the mould and injected it with foam latex that covered the armature, it was then baked in the oven taken out of the mould and brought to fabrication who put the paint job, clothing, hair and fur which gave the puppet their full character which then would go out for animation.”

 The corpse Bride

The corpse bride is a 2005 British-American stop motion fantasy film directed by Mike Johnson and Tim Burton. It is based off an old Jewish folktale known as the finger. The film was located in Portland USA and Three mills studios London and the character designs were adapted from Tim burton’s sketches. It is set in a Victorian village staring two main characters Victor and Victoria who are betrothed to marriage due to success of money and high class. When things go terribly wrong at the wedding rehearsal victor practices his vows in the forest. When he finally gets them right Emily the corpse bride comes up from the grave and accepts his marriage proposal and takes him underground to the world of the unliving. Victor is confronted by the unliving and is concerned and anxious, he tries to escape but on his journey, realises that Emily is lovely and ends up caring for her. Putting her feelings aside Emily lets him return to the living world where he can marry Victoria and be happy. For the main characters in The Corpse Bride, a total of 300 puppets were built. The puppets included 14 individual Emily models and a dozen Victors. Corpse Bride relied on a newer technique than head replacements, this method involved puppet heads being filled with tiny gears. Miniscule keys are built to fit into the ears of the character, or in the back of its head. By inserting and twisting these, an animator can incrementally change the character’s expression.

Nominations / Awards

In 1984 Burton won an audience award for his film Vincent at Ottawa international animation festival. 6 Years later in 1990 he won The showest award at showest convention USA for director of the year. He won future film festival digital award in 2005 which he shared with mike Johnson for his film corpse bride and career golden lion award in 2007 both which were awarded at Venice film festival. In 2006 He received another award for corpse bride a BAA at the British animation award for best feature film. In 2008 Burton received an award for career achievement at the Amsterdam Fantastic Film Festival he also won the Houston film critic society award for best director in the film Sweeny tod the demon barber of fleet street. In 2010 he received the Winsor McCay award at Annie Awards and in 2012 and 2013 he received two awards for Frankenweenie which was nominated the best animated feature film, he also received an Italian online movie award and Los Angeles film critic association award.

 Why Tim burton is a huge influence to me

 Tim burton inspires me because he is a unique artist who has taken his childhood dreams and turned them into a reality. His work is influential because he worked on the corpse bride and the nightmare before Christmas both of which are stop motion and this is something I feel passionate about and want to go into. I find it fascinating how long the process takes and how much time and effort is put into his work. I love his art style as a lot of his films seem like they are based in the same world as the styles are very similar. I also like that his style is quite gothic and his choice of colour pallet as it is visually appealing to the eye and has a certain look about it. Through researching Tim Burton I have found out a lot about set design and puppet making which will help me make my stop motion 1 minute short.

 Bibliography

 http://www.imdb.com/name/nm0000318/awards

 http://timburton.com

 https://www.youtube.com/watch?v=kLw-Fo8uhis

 https://www.biography.com/people/tim-burton-9542431

 https://www.theguardian.com/film/2012/oct/07/tim-burton-frankenweenie-interview 

https://www.moma.org/explore/inside_out/2010/04/07/crude-elegance-stop-motion-animation-and-tim-burton/

https://moviepilot.com/p/tim-burton-history-in-animation/4068093

https://www.thefactsite.com/2012/03/tim-burton-facts.html

http://diply.com/tim-burton-facts?config=20

 https://www.biography.com/people/tim-burton-9542431

 Images 

http://people.com/celebrity/helena-bonham-carter-and-tim-burton-split/

 http://www.eldiario.es/cultura/cine/claves-entender-animacion-motion-digital_0_551545036.html

http://www.imdb.com/title/tt0121164/mediaviewer/rm1652591616