CHOICES
by Tess Gallagher
I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,
an unseen nest
where a mountain
would be.
#tessgallagher
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utterly by Morena Gaia Rampon https://flic.kr/p/2m9phUV
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Sad to miss out on a reading @openpoetrybooks tonight, but these words by #tessgallagher in shiny 18pt perpetua are admittedly fine consolation company. #metaltype #poetry #choices @graywolfpress
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Nadie llevaba gafas en su clase, aunque en el patio de recreo vio a algunas niñas con ellas. Este detalle las hacía diferentes, como si pudieran ser más listas o hacer cosas fuera de su alcance. Empezó a buscar la compañía de las que llevaban gafas. #TessGallagher #Gafas #ElAmanteDeLosCaballos #Cuento https://www.instagram.com/appellemoisirene/p/ByoZEykj6-7geFQ9--Y1WFcW7V6IpVSMuKKPXI0/?igshid=1qd4udla83029
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The sleep of this night deepens
because I have walked coatless from the house
carrying the white envelope.
All night it will say one name
in its little tin house by the roadside.
I have raised the metal flag
so its shadow under the roadlamp
leaves an imprint on the rain-heavy bushes.
Now I will walk back
thinking of the few lights still on
in the town a mile away.
In the yellowed light of a kitchen
the millworker has finished his coffee,
his wife has laid out the white slices of bread
on the counter. Now while the bed they have left
is still warm, I will think of you, you
who are so far away
you have caused me to look up at the stars.
Tonight they have not moved
from childhood, those games played after dark.
Again I walk into the wet grass
toward the starry voices. Again, I
am the found one, intimate, returned
by all I touch on the way.
Tess Gallagher, “Under Stars”
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The Hug // Tess Gallagher
A woman is reading a poem on the street
and another woman stops to listen. We stop too.
with our arms around each other.
Suddenly a hug comes over me and I’m
giving it to you, like a variable star shooting light
off to make itself comfortable, then
subsiding. I finish but keep on holding
you. A man walks up to us and we know he hasn’t
come out of nowhere, but if he could, he
would have. He looks homeless because of how
he needs. “Can I have one of those?” he asks you,
and I feel you nod. I’m surprised,
surprised you don’t tell him how
it is – that I’m yours, only
yours, etc., exclusive as a nose to
its face. Love – that’s what we’re talking about, love
that nabs you with “for me
only” and holds on.
So I walk over to him and put my
arms around him and try to
hug him like I mean it. He’s got an overcoat on
so thick I can’t feel
him past it. I’m starting the hug
and thinking, “How big a hug is this supposed to be?
How long shall I hold this hug?” Already
we could be eternal, his arms falling over my
shoulders, my hands not
meeting behind his back, he is so big!
I put my head into his chest and snuggle
in. I lean into him. I lean my blood and my wishes
into him. He stands for it. This is his
and he’s starting to give it back so well I know he’s
getting it. This hug. So truly, so tenderly
we stop having arms and I don’t know if
my lover has walked away or what, or
whether the woman is still reading the poem…
Clearly, a little permission is a dangerous thing.
But when you hug someone you want it
to be a masterpiece of connection, the way the button
on his coat will leave the imprint of
a planet in my cheek
when I walk away. When I try to find some place
to go back to.
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#tessgallagher #mooncrossingbridge I've been looking for this #beautiful #poetry #book for years! Found it #yesterday at the #palmspringslibrary #joy #happyreader #raymondcarver #janekellerthompson (at Palm Springs Public Library)
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National Poetry Month. 28 April 2016. Tess Gallagher from Under Stars. #nationalpoetrymonth #poetry #poetsorg #tessgallagher
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"I go to the mountain side / of the house to cut saplings, / and clear a view to snow / on the mountain. But when I look up, ...." Tess Gallagher, "Choices," from Midnight Lantern, Graywolf Press, 2011. I found this poem last winter at the downtown @seattlepubliclibrary, thanks to the certain kind of slow, half-purposeful half-accidental wandering you can only do deep in the Dewey decimal laden stacks of real books, at a real library. By much luck and grace, I got to meet Tess and ask her permission to work with her words. Hard to add more here – suffice to say I feel all filled up. Oh! And you can reserve a copy here: shop.expedition.press. Official release is Nov 11. #choices #tessgallagher @graywolfpress #poetry #broadside #letterpress #library
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... por lo visto no pudo enamorarse de ningún otro hombre. #NuevoCrush #TessGallagher #Cuento #ElAmanteDeLosCaballos
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The Ritual Of Memories
When your widow had left the graveside
and you were most alone
I went to you in that future
you can't remember yet. I brought
a basin of clear water where no tear
had fallen, water gathered like grapes
a drop at a time
from the leaves of the willow. I brought
oils, I brought a clean white gown
"Come out," I said, and you came up
like a man pulling himself out of a river,
a river with so many names
there was no word left for it but "earth"
"Now," I said, "I'm ready. These eyes
that have not left your face
since the day we met, wash these eyes.
Remember, it was a country road
above the sea and I was passing
from the house of a friend. Look
into these eyes where we met."
I saw your mind go back through the years
searching for that day and finding it,
you washed my eyes
with the pure water
so that I vanished from that road
and you passed a lifetime
and I was not there.
So you washed every part of me
where any look or touch
had passed between us. "Remember,"
I said, when you came to the feet,
"It was the night before you would ask
the girl of your village to marry. I
was the strange one. I was the one
with the gypsy look.
Remember how you stroked these feet."
When the lips and the hands
had been treated likewise and the pit
of the throat where one thoughtless kiss
had fallen, you rubbed in the sweet oil
and I glistened like a new-made thing, not
merely human, but of the world gone past
being human.
“The hair,” I said. “You’ve forgotten
the hair. Don’t you know it remembers.
Don’t you know it keeps everything. Listen,
there is your voice and in it the liar’s charm
that caught me.”
You listened. You heard your voice
and a look of such sadness
passed over your dead face that I wanted
to touch you. Who could have known
I would be so held? Not you
in your boyish cunning; not me
in my traveler’s clothes.
It’s finished.
Put the gown on my shoulders.
It’s no life in the shadow of another’s joys.
Let me go freely now.
One life I have lived for you. This one
is mine.
- Tess Gallagher from Under the Stars
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TRACE, IN UNISON | Tess Gallagher
Terrible, the rain. All night, rain that I love. So the weight of his leg falls again like a huge tender wing across my hipbone. Its continuing- the rain, as he does not. Except as that caress most inhabited. Ellipsis of eucalyptus. His arms, his beautiful careless breathing. Inscription contralto where his lips graze the bow of my neck. Muslin half-light. Musk of kerosene in the hall, fixative to ceaselessly this rain, in which there is nothing to do but be happy, be free, as if someone sadly accused came in with their coat soaked through and said, "But I only wanted to weep and love," and we rolled toward the voice like one body and said with our eyes closed, "Then weep, then love." Buds of jasmine threaded through her hair so they opened after dark, brightening the room. That morning rain as it would fall, still falling, and where we had lain, an arctic light steady in the mind's releasing.
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The Lovers
Decision made,
time to move forward. There will be a little time to gain momentum before the jump but I am in motion and the falling isn't as scary with someone beside me.
Some people can do it alone, move out into the big world after living in a dollhouse. I probably could. It would be doable.
Some people will go to hell and back if they've got someone beside them, because what's the fucking point if there isn't a hand to hold when it’s dark. Not only a hand that stretches toward you but a hand you can find in return.
And I am content.
And it will be all right
to make a distance of a nearness
if I need to, just as I have done before.
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Green today! Dialing in the first pass for "Choices" with ivy mint + a whole lot of trans. #inkingup #coltsarmorypress #tessgallagher @graywolfpress
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"Choices" by Tess Gallagher is now officially released! First copies are already winging their way into the world. After much travel this past month, I'm mighty content to be back in the shop and shipping prints left and right – never mind the windy, chilly, power-flickering weather here in the PNW today. #choices #tessgallagher @graywolfpress
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Starstruck and steadfast delight: got to spend a day with Tess Gallagher in her tea room full of plants and good things to eat and bright streaming October sun lighting up her beauty, wit, rolling Irish/English lilt of words a constant flow of poetry across a life so rich, so full. Hours flew by and all prints were signed (Choices broadside soon to be available!) with a sudden rush to catch the day's last light along the river, and see it set on the straits. Some days account for so many days; and you know you're walking just right. #choices #tessgallagher #raymondcarver #mailbox #literarynorthwest
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