#Telugu Film Music

[ghost-in-the-corner]

They took the Telugu version of Naatu Naatu off of Spotify :,(

[dammitanvi]

south indian rep at oscars with elephant whisperers (directed and produced by two wonderful women) and esp. telugu rep from the naatu naatu win is just *chef's kiss*

[ambar-pe-milte-hain]

[whatarenargles19]

Celebrating MM Keeravani's golden globe by listening to my favourite song of him and also my favourite film by SS Rajamouli

Magadheera is just so personal to me

[matyas-ss]

RRR (2022)

Directed by S. S. Rajamouli

Cinematography by K. K. Senthil Kumar

[an-asuryampasya]

scream

it's been a while since I ranted about Hindi on here but Netflix having RRR in Hindi but not in Telugu has me right back on my bullshit.

I mean it's. a fucking Telugu movies ffs. It's just greattttttt (/s) to be reminded aGAIN that Hindi (slash north Indian culture in general in other contexts) is the de-facto answer to anything Indian. I mean it's annoying enough in the depiction of anything that's just "vaguely Indian", but fine whatever I can't expect every single facet of a very diverse country to be represented so whatever. but this!!! is a fucking telugu movie!!! by telugu people!!! about telugu people!!!! One of whom I've literally grown up hearing about!! now packaged for consumption by the whole world in Hindi :)))

I mean it's probably just a result of how licensing agreements and that stuff works (hopefully) more than being an intentional choice or whatever, but it still pisses me off. I mean, there's a reason I've never related to the term 'desi' - because all the connotations that word has for me have always been distinctly north Indian with minimal room for the culture that I grew up in. So as much as the popularity of Baahubali and RRR made me flinch (because if there's one thing I've learnt from my years of consuming media, it's that it never, never ends well if anything from my part of the world makes it onto international screens; that is and probably will remain my default reaction for a while tbh), it was still nice because ha, maybe NOW the rest of the world (rest of my own country included) will recognise that we're distinct from Bollywood, y'know? (Heck, it's not even North India as a whole that I take issue with, because Hindi being treated as ubiquitous also hurts other North Indian languages.)

Because yeah!!! RRR is not a Bollywood flick! Nor was Baahubali! It grates on my nerves when I see them being referred to as such. And now it's really annoying that apparently I can't even expect a film to stay in its original language when it leaves the country because of course everything Indian is automatically something Hindi when it comes to the rest of the world. the rest of us plebeians speaking other languages can go fuck ourselves I guess.

[sivadigitalart]

Happy Birthday, SivaKarthikeyan Sir! ♥️

Here's the first single #SceneAhSceneAh from #Maaveeran! 🥁💥 Link: https://youtu.be/FO6aMc8Itec

A Bharath Sankar Musical!🥁 🎙️Sung by #Anirudh Ravichander Choreographed by Shobimaster Lyricist Kabilan Cmlokesh

#SivaKarthikeyan Madonne Ashwin ArunViswa Shanthi Talkies #aditishankar #Yogi Babu DirectorMysskin Sunil Saritha Vidhu Ayyanna Bharath Sankar Philomin Raj Dinesh Manoharan Chandru A ArunVenjaramoodu kumargangappan

All the best to the entire team #மாவீரன் ❤️

#HBDPrinceSK #HappyBirthdaySivakarthikeyan

#Mahaveerudu #art #love #sivadigitalart

[theomenmedia]

"Raa Macha Macha" From Ram Charan's "Game Changer" Is Out Now!

"RaaMachaMacha" has landed, and it's more than just a song; it's the heartbeat of Game Changer! Ram Charan, Shankar, and Thaman have crafted an anthem that's setting the stage for what's to be a cinematic spectacle. Are you ready for the change?

Link to the full story: https://www.theomenmedia.com/post/raamachamacha-the-second-anthem-from-ram-charan-s-game-changer-drops-with-a-bang

[neengareadynaaready]

I still absolutely love the energy of this song because it’s so grateful and hopeful and… seriously how many movies about revolution and fight for freedom end with a celebratory song?! I can’t even think of one because they’re usually solemn — and that’s obviously understandable. But. It’s also nice to revel in that celebratory mood of having won a battle and having brought people together to fight for a common cause.

RRR (2022)

[telugutimesdigimedia]

'Kantara' music director Ajanish Loknath in 'RX100' director's new film!!

Director Ajay Bhupathi who grabbed everyone's attention with 'RX 100'. He will be making his third film with a new genre story under his own banner 'A Creative Works' and 'Mudra Media Works'.

'Ajanish Loknath' who has given sensational albums for films like 'Vikrant Rona' and 'Kantara', while giving divine albums on the one hand, has enthralled the masses with songs.

Ajanish Loknath, who takes any story to the next level with his background music and songs, will be composing the music for Ajay Bhupathi's third film.

[hobiebrownismygod]

Let's talk about Desi representation again!!

I don't talk about this stuff often but when I do, I have some strong ass opinions

and yes I'm gonna be talking about none other than Pavitr Prabhakar at the end cuz he's just special to me <3

Hollywood is lagging behind on Desi representation

You'd think one of the biggest film industries in the world would be able to represent us properly, considering the fact that we make up the largest group of South-Asian Americans and the second largest group of Asian-Americans in the US, but instead-

Western Television forces Indians to conform to harmful stereotypes

Some of the most popular Desi characters on screen are Raj Koothrappali from the Big Bang Theory, Devi Vishwakumar from Never Have I Ever and Kelly Kapoor from the Office.

Indian men are almost always portrayed as robotics engineers and computer whizzes, but with terrible social intellect, making them seem like awkward nerds.

Indian women are almost always portrayed as "whitewashed", or wanting to appear more western, with zero understanding of their own culture or language along with an unrelenting need for attention from white friends/colleagues.

These are both based on stereotypes that Indian culture is "toxic" and "too traditional" and that Indians are only interested in studies.

Most Desi characters in western media have stories that are solely based around their ethnicity and/or racial stereotypes.

British television actually showcases a lot more representation than Hollywood does

I was watching Polite Society, a movie starring two Pakistani characters as the main leads, and there was a dance scene where both the leads are wearing traditional desi attire. My mom turned over, looked at me, and asked, "Is this Hollywood? It can't be."

And she was right. It's a British movie with British-Pakistani actors.

The reason she didn't believe that it could've been Hollywood was because the dresses the two leads were wearing were traditional and beautiful and the song playing in the background was authentic Hindi music, not some random westernized DJ version of it.

A Hollywood movie would've never dressed up their Desi actors in actually flattering attire (*cough cough the Patel twins from Harry Potter) or have used real, popular Desi music in the background.

You see my point?

It is so uncommon to see well-thought-out Desi representation in TV nowadays, where to see real diversity we have to watch movies made by the same country that colonized us.

Ironic.

British movies/shows with desi leads have far better South Asian representation than anything I've seen in Hollywood recently.

The Hollywood movies starring Indian leads, like Slumdog Millionaire or Bend it like Beckham were filmed in the UK, and because they were filmed in the UK, they had fantastic South Asian representation.

Not only does Hollywood refuse to create shows and movies about real problems that South Asians face, but they also don't cast South Asian actors in good roles.

When's the last time you saw a South Asian actor playing a character that wasn't a walking stereotype? When's the last time you saw a South Asian actor playing a character that was a genuine part of the story rather than just comedic relief or a random smart kid in the classroom?

Not often, right?

Me, personally, I didn't grow up with a lot of South Asian characters or actors in shows/movies that I watched. In fact, every time someone even close to my skin color showed up on TV, I was on the edge of my seat because it was just so rare to see it.

This is why representation matters.

You've heard about all the young girls with braids being so excited when the new little mermaid with Halle Bailey came out. Well, us desi kids wanted that too.

I wanted to see a Telugu speaking girl with wavy hair and dark skin who would wear traditional clothing to Desi get-togethers and parties, go to the temple with her family, eat vegetarian Indian meals, etc...

I wanted to see a character who was a representation of me and my experiences as an Indian-American. I wanted to see a character that was at least a representation of Indians or just South Asians in general.

Instead, we were given characters that ridiculed their own culture, were extreme stereotypes and furthered the existence of casual racism in western society today. So many Desi kids experience small acts of racism on a daily basis because people have been so desensitized to the existence of these stereotypes.

Telling South Asians that their culture is a joke and feeding non-asian children media which pokes fun at other cultures is harmful, not only to us South Asians but also communities that could end up being targeted next.

Pavitr Prabhakar; Representation Matters

If you've been following me or if we're mutuals, you probably know I have a tiny obsession with Pavitr Prabhakar. But why?

Because of all the reasons I just listed.

There are few South Asian characters us Desis can look up to these days, and Pavitr Prabhakar is one of the maybe two or three characters who have great writing, magnificent representation, and overall a fun vibe.

He's likable, funny, smart and best of all, unapologetically Desi.

He's just like all the other side characters, with a little bit of his own culture mixed in. He's not being shoved down our throats to further an agenda about fake diversity, he's not a walking stereotype and best of all, he was designed by Indian creators.

He's refreshing and exciting to follow in a world full of a demand for half-hearted representations and the people who created him were obviously putting their hearts and souls into it.

He's awoken a love for Indian culture amongst, not only Desi children themselves but also among westerners who, prior to this, had thought of India as a "3rd world" country, because that's the agenda that Hollywood pushes onto many South Asian countries today.

WE LOVE PAVITR PRABHAKAR!!

This was kinda all over the place but I just had to get this off my chest <3

Sources:

https://www.washingtonpost.com/politics/2021/06/10/discrimination-against-indian-americans-happens-more-than-you-might-think/

[timetravellingkitty]

Do you know any Indian horror movies like a slasher film (or just in general) because I've personally never seen an Indian slasher movie? Or Indian musicals because I love musicals or just Indian films in general I would love some recommendations!!!<3

Hey! There aren't that many Indian slashers but two I remember are NH10 and Chup: Revenge of the Artist. For other horror, I recommend Bulbbul, Tumbbad, Aamis and Manichitrathazu (this one has been remade in other Indian languages so you can also check those out)

Indian musicals well. I will be really honest most of our movies technically fall under this category we just have to start dancing everywhere BUT to start off, I'll recommend some movies from the different industries:

Hindi: Om Shanti Om, 3 Idiots (mandatory viewing if you want to get into Indian cinema), Rang De Basanti, Qala, Sholay, Taare Zameen Par, Kal Ho Naa Ho and Fitoor

Telugu: Jersey, Magadheera, Sita Ramam, Shyam Singha Roy, Eega (don't question anything. Please don't) and Mahanati

Malayalam: Uyare, Premam, Bangalore Days, Minnal Murali, Athiran, Jallikkattu and Jana Gana Mana

Tamil: Iruvar, Ponniyin Selvan (both parts), Kaithi and its sequel Vikram, Jai Bhim, Super Deluxe, Gargi, Paava Kadhaigal and Soorarai Pottru

For Marathi I've only watched Sairat and The Disciple but I would recommend both and for Kannada there's always 777 Charlie (it's about a dog. What more could you want)

Like you can probably tell, there is a LOT meaning that there's a lot of other amazing stuff I had to leave out but I think this is a good starting point (our film output is number 1 in the world for a reason). Feel free to ask if you want more recs <3

[abgnsp]

devadas(telugu film)

soooo, i saw this film just now and i loved it. Looking for people who have seen it. The friendship between deva and das gave me ram and bheem vibes. The comedy was not stomachachingly funny and not bland comedy too, it was just right.

Sure it had a little of unrealistic fighting, BuT the plot and the acting of nagarjuna and nani was great with kunal kapoor (he kinda reminded me of the viliian in kaththi-the vijay film - Neil Nitin Mukesh)

I've usually seen these kinds of movie plot with nani's character as female and her changing the villian into a hero but this was different. The naivety of das and deva enjoying and learning from him was just pure fluff.

How did the rambheem shippers miss this?!

(And i watched this in a shitty youtube channel where the music was cut off so i missed a bit of plot and i dont own Netflix or hotstar)

I watched it in tamil btw

[remusawoooo]

Hey?!I crave telugu james potter but the world is not ready for it z so please please do telugu james potter hcs

AHHHHH you have no idea how happy i was to see this?? i was pleasantly surprised when i first saw that there was a popular hc in the fandom that james was indian?? its fun but sometimes its just very superficial - he celebrates diwali and throws in one or two hindi words, lol.

my hc:

Honestly the strongest point i have is that he is from telangana lol (warangal bidda if you will)

he listens to telugu music (only knows what his dad listens to tho). it was hard to connect to the telugu popculture (hogwarts doesnt have technology and he's in the U.K. anyway)

James would probably be a chiranjeevi fan (he was very campy and talented!) if he cared. He would crush on sridevi, it's just natural.

He didn't care for cultural festivals, and his parents are Christian, but he devoured Ugadi pachadi. (laddoos and kaja for Christmas?? anyone?? Sirius would be so fascinated with putharekulu and remus' sweet tooth would be happy with all the sweets-his fav is peda!)

I tried to be period friendly (even looked up media in the 70s lmao), but if it's just any era: James would be a hoe for 2000s films. probably loves okkadu if I'm being real.

his cousins in the mainland definitely gave him shit for his accent, and he doesn't care enough to code switch.

if he was a muggle in India, definitely would go to hps for school (very self-indulgent, lmao)

he uses dad and amma. (Nanna feels a little awkward, okay!!!)

saying "abbaaaaa" when things don't go his way, (any chance for an ABBA telugu pun shouldn't be left out, btw) and "cheeee" when disgusted.

he used to tease his parents for their 4 p.m. chai habits and call it unhealthy but would pick it up during the first war. just a reminder of normality in the chaos and would give a moment with loved ones. he finally understood why his parents always had their chai and biscuits out in the garden, at 4 p.m.

his mum would insist on oiling his hair (to somehow manage the messy mop on his head) during holidays. he'd fight back hard but give in when she threatened to do it with magic. (he'd be super relaxed cause of the massaging but will never admit). he misses that later and cries hard into lily's shoulder one day, when she casually rubs his scalp in a way it reminds him of his mother (and how she'd never oil his head now!)

feel free to add on (or dismiss anything you don't like hahahaha)

[bollywoodirect]

Celebrating 19 Years of Bunty Aur Babli (27/05/2005).

Directed by Shaad Ali and starring #AmitabhBachchan, #AbhishekBachchan, and #RaniMukerji, Bunty Aur Babli was the first film to feature both Amitabh and Abhishek Bachchan together, with special appearances by Aishwarya Rai Bachchan. The movie's soundtrack was crafted by Shankar–Ehsaan–Loy, with lyrics by Gulzar and Blaaze. Cinematography by Avik Mukhopadhyay and editing by Ritesh Soni.

At the 51st Filmfare Awards, Bunty Aur Babli received 8 nominations, including Best Film, Best Actor (Abhishek Bachchan), Best Actress (Rani Mukerji), and Best Supporting Actor (Amitabh Bachchan). It won awards for Best Music Director (Shankar–Ehsaan–Loy), Best Lyricist (Gulzar), and Best Female Playback Singer (Alisha Chinai) for the song "Kajra Re." The film was also remade in Telugu as Bhale Dongalu (2008).

[thescribbleddiaries]

Bollywood Vs The South Indian Cinema

Introduction to Bollywood and South Indian Film Industries

India is renowned for its vibrant and diverse film industries, with Bollywood representing the Hindi-language cinema based in Mumbai and the South Indian movie industry encompassing Tamil, Telugu, Malayalam, and Kannada films. Each of these industries has its own unique characteristics, cultural influences, and star power that have captivated audiences worldwide. In this article, we explore the dynamic landscape of Bollywood and South Indian cinema, delving into their historical evolution, box office impact, global recognition, stylistic elements, talent pool, evolving trends, and the challenges and opportunities they face in the ever-changing world of cinema.

Overview of Bollywood and South Indian Movie Industries

Introduction to Bollywood and South Indian Film Industries

Bollywood, the Hindi-language film industry based in Mumbai, and the South Indian movie industry, comprising Tamil, Telugu, Kannada, and Malayalam cinema, are two powerhouses of Indian cinema known for their unique styles and storytelling.

Historical Development and Growth

Bollywood traces its roots back to the early 20th century, while South Indian cinema has a rich history dating back to the 1930s. Both industries have evolved over the years, embracing new technologies and trends to captivate audiences worldwide.

Cultural Influences and Diversity in Bollywood and South Indian Films

Themes and Storytelling in Bollywood Films

Bollywood films often explore themes of love, drama, and family relationships, blending extravagant song-and-dance sequences with emotional storytelling that resonates with audiences of all ages.

Regional Diversity in South Indian Cinema

South Indian cinema, on the other hand, boasts a diverse range of genres and storytelling techniques across its different language industries, showcasing rich cultural traditions and narratives unique to each region.

Box Office Success and Market Reach of Bollywood vs South Indian Cinema

Box Office Performance of Bollywood Films

Bollywood films have a global appeal and consistently dominate the Indian box office, with big-budget productions and star-studded casts drawing massive audiences both domestically and internationally.

Market Dominance of South Indian Cinema in Regional Markets

While Bollywood enjoys a wide reach, South Indian cinema holds sway in its respective regional markets, with loyal fan bases and a steady stream of hit films that cater to the diverse cultural preferences of audiences in the South.

Impact of Bollywood and South Indian Films on Global Cinema

International Recognition and Film Festivals

Both Bollywood and South Indian films have garnered international acclaim, with entries in major film festivals and recognition for their unique storytelling, performances, and technical brilliance that transcend cultural boundaries.

Global Box Office Influence

The global popularity of Bollywood and the rising profile of South Indian cinema have expanded the reach of Indian films on the world stage, influencing trends in filmmaking and attracting a diverse audience eager to experience the magic of Indian cinema.# Unique Characteristics and Stylistic Elements in Bollywood and South Indian Movies

## Musical Elements in Bollywood Films Bollywood movies are known for their infectious songs and dance sequences that range from emotional ballads to energetic dance numbers. These musical interludes often become chart-topping hits and play a significant role in the storytelling of the film.

## Action and Visual Effects in South Indian Cinema South Indian cinema, particularly in the Tamil and Telugu industries, excels in high-octane action sequences and cutting-edge visual effects. From gravity-defying stunts to larger-than-life fight scenes, South Indian movies set the bar high when it comes to adrenaline-pumping action on screen.

Talent and Star Power: A Comparison between Bollywood and South Indian Film Industry

## Superstars of Bollywood vs South Indian Cinema Bollywood boasts of iconic stars like Shah Rukh Khan, Salman Khan, and Aamir Khan who have a massive global fan following. On the other hand, South Indian cinema has its own galaxy of superstars including Rajinikanth, Vijay, and Prabhas, who command immense popularity and loyalty from their fans.

## Emerging Talent and New Faces in the Industry Both industries are witnessing the rise of talented newcomers who are making a mark with their fresh acting skills and unique personas. Whether it's Bollywood's Sara Ali Khan or South Indian sensation Rashmika Mandanna, the influx of new talent ensures a dynamic and evolving film landscape.

# Evolution and Trends in Bollywood and South Indian Cinema

## Technological Advancements and Digital Impact With advancements in technology, both Bollywood and South Indian cinema are embracing CGI, VFX, and digital filmmaking techniques to enhance the visual appeal of their movies. This digital revolution has revolutionized the way films are made and consumed, opening up new possibilities for storytelling.

## Changing Audience Preferences and Genre Shifts Audiences' tastes are constantly evolving, leading to a shift in the kinds of films being made in both industries. While Bollywood is exploring diverse genres beyond traditional romances and dramas, South Indian cinema is experimenting with unconventional narratives and pushing the boundaries of storytelling.

# Challenges and Opportunities for Growth in Bollywood and South Indian Movie Industries

## Piracy and Copyright Issues One of the major challenges faced by both industries is piracy and copyright infringement, which affects the revenue of filmmakers and producers. Finding effective ways to combat piracy and protect intellectual property rights is crucial for the sustainable growth of the Bollywood and South Indian movie industries.

## Collaborations and Co-Productions for Global Reach To expand their reach and appeal to a global audience, collaborations and co-productions between Bollywood and South Indian filmmakers are becoming increasingly common. By joining forces and sharing expertise, the industry can leverage international markets and create content that resonates with a diverse audience worldwide.As we conclude our exploration of the Bollywood and South Indian movie industries, it is evident that both have made significant contributions to the world of cinema, showcasing diverse storytelling, cultural richness, and immense talent. While Bollywood's global reach and iconic status continue to shine, the South Indian film industry's regional dominance and unique offerings are equally noteworthy. With ongoing evolution, emerging trends, and the constant pursuit of excellence, these industries stand poised to shape the future of Indian cinema and captivate audiences for generations to come.