#TYPES OF MACHINE LEARNING

[metaficco]

Demystifying AI and Machine Learning: A Beginner's Guide

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[hitechdigital]

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[currentinfo]

Understanding Machine Learning

Understanding Machine Learning, Types, Applications, and Challenges, this page will give all you need to know about machine learning. Machine learning is a subset of artificial intelligence (AI) that involves the development of algorithms that allow computers to learn and make decisions based on data input. It is a powerful tool for solving complex problems and has numerous applications in…

[gayvampyr]

any sliver of a chance i had of appreciating AI has been completely decimated by this clownery

[kyuohki]

After admiring all the lovely quilts I've been lucky enough to order from @anotherdayforchaosfay, I remembered that I had made this waaay back in high school. Took some digging, but I found it folded on a hanger in one of my closets.

It's not the best, being the first (and only) quilt that I've ever made. If you get close to it, points dont match and the quilting is wonky. But I'm still proud of it. I took the class bc I knew knowing the basics of how to sew and how to operate a sewing machine are important skills, even if I don't apply it in my everyday life.

[monarchisms]

i am not immune to being apprehensive to change when it comes to something i really like getting a redesign/rebrand/what have you, but i think what the try guys have been doing lately is an exception. in my opinion, the best like, refreshes of a long-lasting brand/group are the ones that have (at least some of) the same recognizable elements of its previous iteration(s):

from day one, branding with the try guys has had a heavy emphasis on color, with the blue/red/green/purple scheme representing keith/ned/zach/eugene, respectively. the colors were in their intro and outro to their videos, they're still especially present in their merchandise, the whole nine yards. with ned rightfully getting kicked out of the group for his "consensual workplace relationship" (jesus), it made sense that they had to stop and change their branding after this sudden event.

the orange era serves as a good bridge between the quartet group icon they started with and the neon triangle icon we have now, but it was kinda temporary. in a way, the try guys as a brand were having an identity crisis, having lost both a founding member and a (now former) friend. i think the current rebrand is a solid mix of their past and future, the blue/green/purple making a return + the triceratops remaining in the center, and the new elements with the triangles and general neon aesthetic (sidenote: triangle + triceratops + try/tri guys makes me go insane. i love it)

i also really like how the orange is reincorporated with the portraits for each of the guys in the pictures shared on their social accounts. alongside this, their poses showcasing their general personalities with the fact that the triangles are play buttons (which i didn't know until i read some alt text on one of their their tweets, whoops!):

overall present a strong sense of familiarity with the boys, but Also the excitement they have on moving forward with whatever the future brings, and i just think that's neat :)

*i didn't know where to fit this bit besides the very end,

but i like the idea that the triangles can also represent a fast forward button, further pushing the idea of the guys moving forward. likely more of a coincidence here but still cool nonetheless :P

[ahalliance]

what even is an AI-powered google search . what even is an AI-chat . I’ll kill you

[fallingsatellive]

I don't understand the "type _ with your eyes closed" challenges. Are you ALL exclusive phone users or were you just never taught to touch type?? I'm on a keyboard and I typed this whole post with my eyes closed. Just for fun.

[thatonecrookedsmile]

I made these sketches the week SOTM launched, and I didn't think about posting them at the time. I recently looked at them again and thought "hmm, why not". In my own way, I decided to add a *little* color to make it a little more nice,and I edited the image *just* a little,and boom, here it is. My Riley Wells design. There's not much to say about the process of creating her design. I only used the portrait you find in the game as a reference, and I made a design of her at the time she joined JDS and then Gent. There's not much to say,really.

These were sketches made after I made an initial sketch of her to put the idea of her design on paper, and were made to help solidify and test out her design better. I haven't drawn her since.

So, yeah. They aren't much, and I don't have much to say about them. But I wanted to eventually show my design that I made of her. Plus, those sketches turned out quite nice,so there's that.

Other than a small idea that I don't know when I'll do, I don't have anything in mind that could result in drawing Riley again in the future. But hey, in case one day I end up wanting to draw her again, at least I have a design prepared for the occasion.

As a bonus, here is the first sketch I made of her. No editing or colors.

[master-of-the-railway]

Relating to your post on the subtle angst of being a machine, I hunger for all the possible physical angst elements. Where is the fear of limited or increasingly costly repair parts? Where is the worry of the shrinking pool of mechanical experts (engine troubleshooters)? The simple inescapable awareness that one's moving parts are constantly degrading? Horror relating to corrosive/damaging environments? Complex emotional trauma and strange coping mechanisms in response to the reality of their entire "family" slowly *literally* falling apart?

YES!!! YESS!!! FUCK YES!!! SOMEONE THAT GETS IT!!!!!

going to. put this under the cut bc I have SO MUCH TO SAY.

You get it SO well, so many good points there. All things come to an end, and engines especially can be kept alive for over a hundred years if they are well taken care of, but there's so many who are not as valued or who simply cannot be taken care of as well as their owners want to take care of them. And they can rarely do things about it. It's honestly admirable that some of the Sodor engines have worked so hard to protect and preserve their fellow rolling stock. Oliver is a beloved little engine, but he likely stays up some nights thinking about how if Douglas hadn't happened upon him, he wouldn't even be here right now. He'd have been melted down ages ago. Not to bring up Hiro again but he is literally the first engine that comes to mind when I think of this sort of thing. He went to Sodor so excited to be helpful and useful and was promptly abandoned not long after he'd broke down. He was stuck there for god knows how long and if Thomas hadn't found him, by accident mind you, he would've corroded and died there most likely. And yet he would've rather done that then get scrapped. Almost as if he wanted to pass away on his own terms. Like I mentioned before, we're shown often that most of the kind-hearted engines (specifically on Sodor) will put forth their best effort to keep any machine out of the smelters. Thomas listened to Hiro's story and was likely deeply disturbed that Hiro had been abandoned like that and not a single person dared to look hard enough to find him when he was still on Sodor this whole time. But with his horror, came understanding, because he knows the reality of even some of the most famous locomotives at times can be harsh and even deadly. And Spencer showed no care or concern at all, not only that, but he almost seemed delighted to inform Sir Tophamn Hatt of Hiro's existence purely to ensure that he was scrapped. He knew nothing about Hiro. He doesn't even LIVE on Sodor. And yet he took great pride in the concept of getting the old engine scrapped. As if that does not mean the very end of an engine's life. It's honestly really unsettling to me how quickly Spencer jumped to that conclusion. Not to mention the tearful horror in Hiro's voice when he was yelling out to Thomas whilst trying to get away from Spencer.

Henry was locked in a tunnel for fearing the rain would damage his coat. How often did he beg those workers that would come by to let him out? How many times do you think he cried feeling like he'd failed his entire railway and that he'd never be released again? There was no sympathy shown for him. And no acknowledgement to the terror he very likely felt for the time he was trapped there in that tunnel. He got sick not long afterwards, the anguish he went through in that time period was probably something awful. Most all machines are at the mercy of their employers. They don't have the appendages to escape the situations they get in that some humans might be able to get out of. If you deprive any machine of their fuel they cannot go anywhere. If you refuse to repair them they cannot go anywhere or function properly. There's a reason they pride themselves on being really useful. If you're not really useful, you're either sent away or you're...well...sent somewhere to be scrapped. It's the way the world works with real, non-sentient machines...and it seems like the TTTE universe operates on those same principals despite being a world where 99% of all heavy machinery is alive and can think and speak for themselves. Sometimes it's just progression, sometimes it's business, but at no time is it ethical. They are alive. They have wants and desires and emotions and fears, yet very few of the humans in their world seem capable of understanding that. There's so many scary things that come with being an engine. If you're too slow and you get less done than a new model, you're likely done for unless somebody cares enough about you to take you in and restore you. Sodor seems to work overtime to preserve old rolling stock, I'm sure they would've taken incredible care of Hiro had he not went home to Japan, and it seems like they did miss him there considering that he's still very well taken care of when he comes to visit Sodor after he'd moved back home. But there's so many engines who don't have that luxury. Hiro just as well could've been sent back or left sitting still, of course whoever owns him now clearly cares for him a great deal. The other types of machines aren't as touched on as our beloved engines are, but they surely experience the same kind of stuff. Airplanes may just as easily feel the same anxieties as old steamers do. They get antsy when they can't fly because what is a plane good for if it can't get off the ground? There's just SO many things to talk about. I really do think the fandom should include things like this in angst content more bc there is a lot of the show's own canon that is genuinely unsettling when put into real world perspectives.

[shirogane-oushirou]

meowdy... <3

[lykoiii]

i think i look somewhat cool here haha

[inkykeiji]

I love your mind to the moon and back, Clari. And I totally recommend book binding your writtings!! It's so therapeutic and entretaining, and nice when it is done and you hold your babies in your hands 💓 and you can make nice covers and decorate it as you like

PLEASE I AM SO SOFT AND SO FULL OF WARMTH waaaaah i love YOU to the moon and back, sweetpea!!! <333 thank you so very much for being here with me, for reading my work and taking a moment to send me such sweet lil letters <3 it has my whole heart expanding to engulf my chest!! ♡(˃͈ દ ˂͈ ༶ )

aaah i rly want to learn!!! life is mega busy right now but it should be evening out and becoming more stable within the next month so!! i’d love to bind my writing, and i’d also love to make myself a few notebooks! i even looked into purchasing a cricut machine (LMAO) because if i do end up book binding i’d rly love to be able to make those pretty gold foil covers!!

[onewomancitadel]

I haven't even listened to the music but I do have a strange fondness for Charli XCX's new album cover

because the relative lack of artistic effort is inversely proportional to the fact that you know somebody did make it, because it's not actually something even worth machine generating (and text itself it really struggles with). Maybe all those postmodern artists actually knew what they were talking about, because I doubt machine is ever going to output an empty canvas.

Like, something lesser or resisting form is actually indicative of a human agent, contrary to maximalist Escher nightmares. It's sort of similar to how machine generated prose is always overwrought borderline purple prose and actually inefficient in construction. Writers who value minimalist prose can't be imitated. (To be fair, neither can any author really be meaningfully imitated, but I'm talking about style here; it's a total giveaway). I think it's interesting because inherent to the issue is the idea that there is 'one' way to produce art, which there isn't, which a lot of people greatly misunderstand - well, yeah there is, it involves a human agent (I'm even excluding animals here, sorry, I hear the objections and I'm not expanding) - but also what it tends to output means you can look at something like 'Brat' and pretty much definitively say a human did it. Because it's bad. And consequently I like it.

I probably should've just sent this thought to my best friend instead of writing a Tumblr post about it, so I'll just do that and send this post to her. Hahahaha.