#TULSI DEVI

[mysticalblizzardcolor]

Karma is a product of the mind. Our mind has myriads of impressions from this life and our previous lives. That's why we have to engage our minds as much as possible in the purifying vibrations of Krishna.

Queen Samya ✨✨✨

Anoushka Shankar•Monsoon

https://www.instagram.com/p/CsD-QY-LRzs/

[krishnaart]

Srimati Tulasi Maharani 🌺🪴🌱

“I offer my repeated obeisances unto Vrinda, Srimati Tulasi Devi, who is very dear to Lord Kesava. O goddess, you bestow devotional service to Vishnu and you possess the highest truth.”~Pranam mantra

[rwpohl]

pather panchali, satayajit ray 1955

[ms-potato]

Hindu goddess as students in school ; another modern(ish) au

disclaimer: there are as many as thousand avataras of lakshmi devi and I can definitely not add all of them <\3

✿ Lakshmi

• rich girl™

• she loves to take care of her friends

• "wanna go out girls? My treat!"

• her love language is obv giving gifts to her girls

• she and vishnu are the IT couple of the school.

✿ Parvati

• Feminist™

• a girl's girl

• a great dancer

• really kind and nice but everyone is scared to talk to her because that shiva dude is always following her 🙄

• power couple tbh.

✿ Saraswati

• epitome of studious™

• always shares her notes and explains topics if someone needs help (our savior fr)

• she plays veena. beautifully.

• she and brahma are the parent friends.

• every one calls for her one day before the exam 😃

✿ Sita

• Girl boss™

• done with everyone. she is just wants to go home 😭

• she reminds everyone to stay hydrated and eat properly everyday, she even shares her lunch with everyone

• she somehow became the class representative btw.

• so she hangs out with Rama a lot because of their work.

✿ Padmavati

• cottage core girly™

• really really shy

• spends most of the time in the school garden taking care of the plants and trees.

• likes to wear flowers (mostly lotus) and tulsi on her braid

• venkat once accidentally confessed to her and then ran away.

✿ Durga

• fierce™

• "is someone bothering you Padma? 🤨"

• she loves the color red

• cat person (she wanted a lion/tiger but due to legal reasons, she got a cat)

• please don't piss her off

[blackknight-100]

Not exactly mainstream mythology, but the past few days I've been thinking about how many goddesses and some gods are associated with rivers, and how their parentages changed over the years.

There is a Wikipedia page for the Rivers in Hinduism, and while I haven't been able to cross-reference some of these (Wikipedia, due to the nature of contributions, has a vast number of references from books, travelogues and anecdotes written by individual authors instead of actual scripture or local sources), many others are easily verifiable and extremely interesting. I'd still advise taking this with a grain of salt, though, because some might not be extensively true.

The south gets a separate post, and this one is a list of the most prominent rivers of the north:

1, Ganga: As the major river in the plains, Ganga has quite a few myths attached to her. There is, of course, the story of how she was brought down to earth, with a detour through Patala, by Bhagiratha, and the Ramayana makes her Parvati's sister and Himavat's daughter by his wife Mainavati, daughter of Mount Meru. During the descent, she floods sage Jahnu's aashram so the sage drinks her up completely. Bhagiratha comes to entreat him, and Jahnu, realising his mistake, lets her out of his ear. This is Ganga's rebirth, and also why so many people call her Janhavi.

Another myth that is attested in the Devi Bhagwata Purana labels her as Vishnu's wife, along with Lakshmi and Saraswati. Once Saraswati accuses Ganga of trying to steal Vishnu's love. Vishnu refuses to intervene in this, but Lakshmi tries to soothe Saraswati, who becomes angrier and curses Lakshmi to be born on earth as a river (which Vishnu later alters so she is born as both the Padma(vati?) river, and the Tulsi plant). Ganga gets upset that Lakshmi got cursed defending her, and curses Saraswati to become a river, and adds on that men will wash away there sins in her waters. Saraswati gets even madder and curses Ganga to also become a river with the same conditions . Then Vishnu intervenes, and declaring he will keep only Lakshmi as his wife, and sends Saraswati to Brahma and Ganga to Shiva. Which is a hell of a thing to say when you have three wives in who were quarreling for your affection and you did not interfere. Predictably, the three of them band together and Vishnu in the end has to back down. A third part of Ganga goes to Shiva's hair, a third into Bharata, and the full part (no I don't get the math either) stays with him at Vaikuntha. Similarly, the other two remain his wives in Vaikuntha, while simultaneously being rivers and all the other things they're supposed to be.

The story of Ganga marrying Shantanu and drowning seven of their eight kids is pretty popular, but this myth has a bit of a prequel, in which everyone gets cursed. Ganga (called Janhavi in the Mahabharata, because she was reborn to the sage Jahnu) and this other Suryavamshi King are attending Brahma's court with the other gods. Suddenly, the wind blows off Ganga's clothes, and everyone averts their eyes, except the King. Brahma is furious at the disrespect and curses him to be reborn on earth as a man, and Ganga, who apparently didn't mind as much, decides to follow him. In some versions, she also gets cursed because she enjoys the act of being watched and Brahma went "get a room and the room is the earth". As she is leaving the meeting, she runs across the Vasus, who also just got cursed, and offers to help them. Nice :)

Also the Devi Bhagawata Purana makes Shantanu a part of Vishnu to retain Ganga as Vishnu's wife, which, given that both he and Krishna did their best to cause war, makes sense in a weird type of way.

The sacredness of river Ganga comes from the fact that she interacts with all the three supreme gods. The Bhagwata Purana says that when Vamana Vishnu stepped for the second time, his toenail pierced the fabric of the universe and let in the water from outside in the form of Ganga (yes, this is exactly what is written. I'm not exaggerating one bit, they even call her Vishnupadi for this). Then she passes past the Saptarshis, into Brahma's city, and afterwards Shiva picks her up and ties her in his hair so her force will not shatter the earth.

The Agni Purana depicts her as a fair-complexioned goddess with a pot and a flower, and names her vehicle the crocodile.

2. Yamuna: She is very often referred to as Kalindi in later texts, and is included among Krishna's eight principal wives, and also plays an important role in Krishna's childhood myths. By and large, her parents are accepted to be Surya and Sanjana/Saranyu, which makes her related to a bunch of Kunti's children in some really complicated ways.

[Side note: despite Indra being the King of Gods, Surya appears to have a much broader influence in the genealogy of heroes and most of his children end up being kings and queens.]

There are a few early texts that equate Yami with Yamuna, and by that metric, here is another story about her. In one version, attested in the Rig Veda, Yami wishes to marry her brother Yama and gets rejected. It sounds like a dialogue between a little sister and her big brother, because all Yami says is, "Let's get married, and we will be beautiful and happy forever!" and Yama keeps dissuading her by saying things like, "No, that is wrong, that is sinful. You're going to get a lovely husband, don't worry." And then Yami gets upset and calls him a bad brother. But there is no basis for this, I just got those vibes. This is very likely a moral and social rejection of brother-sister marriage. In her book, The Indian Theogony, Sukumari Bhattacharji speculates that Yama-Yami may have been married at some point, as a parallel to all the married brother-sister couples across mythologies who retain their opposite and comparative nature, and Yama committed adultery to avoid laying with his sister.

Cute story about Yamuna and Yama: In my culture, and possibly some others as well, we say that Yamuna gives 'phota' to her brother Yama, and all sisters do the same to the brothers on Bhai-Phota to cover Yama's doors with thorns so he will never be able to take their brothers away. I think Bhai-Dooj, Bhai-Beej and Bhratri-Dwitiya are celebrated similarly.

There is another story, and this one involves coercive intimacy, so skip to #3 if this is uncomfortable for you. In the Bhagwata Purana (and the Agni Purana mentions this in passing), a drunken Balarama spots Yamuna and beckons her to come "play" with him (we all know what that means). She refuses and ignores his calls, so he gets mad and using his plow, diverts her waters into the orchard he was standing in. Now frightened, Yamuna apologises to him and agrees to "play" with him, explaining that she was unable to recognise him as the Supreme Lord. Evidently, this is supposed to be a metaphor for divertion of canals for irrigation.

The Agni Purana depicts her as a dark-complexioned goddess with a pot, and names the tortoise as her vehicle. It also names Yamuna's mother as Rajni, mother of Revanta and daughter of Raivata, and I have no idea who this is. There is one Raivata who is the father of Revati, Balarama's wife, but as far as I was aware he had no daughters named Rajni and Revanta was Sanjana's son so... Idk what happened here. The most likely option is that this Raivata is one of the Rudras, but he could also be the mountain Raivata or the fifth Manu Raivata, because the Agni Purana also mentions all of them them.

3. Sindhu: So, Wikipedia thinks this river is a goddess, sourced from a book called Rivers of the Rigveda by J.N. Ravi. I have always heard of Sindhu being labelled masculine (along with Brahmaputra) at least in my mother tongue. The Mahabharata calls him the Devanada - an exclusively masculine epithet meaning River of the Gods. But wisdom.lib, a mostly reliable website, notes that at one point Sindhu is invited to Parvati's meeting with other goddesses where they discuss the duties of women. I couldn't find it, but then again, Ctrl+F is useless in the MB pdf so eh.

The Rig Veda also appears to refer to Sindhu as a man. I have only the english version, so the accuracy of translation is difficult to pin down, however, Sindhu is compared to a king or lord leading an army (the confluence) and a fleet-footed stallion (but I've also seen a mare translation though smh). SIndhu is also considered to "unite" with several female rivers - Gomati, Shveti etc. And then, right after, Sindhu is called "as handsome as a beautiful woman". Also he is invoked with the goddess Aditi and Saraswati a bunch of times and is listed with the "Goddess Floods". So make of that what you will. Maybe Sindhu is a god who sometimes looks androgynous. Or he is trans as well. Or enby. Or something else. Idk.

Also in one version of Rig Veda I came across Sindhu being called the Dragon of the Deep and I think that's the coolest thing I've read while searching up the rivers.

Varuna is credited with charting out the river Sindhu's course, is very often invoked right before Sindhu, and is also said to glorify Sindhu (Mahabharata, Sabha Parva) so it is safe to say Varuna really likes him.

Interestingly, although he is supposed to be hailed before a battle or a sacrifice, Sindhu's chariot is said to perform no violent deeds. Whether this means the Sindhu river never flooded in those days* or something else, I am not very sure, but quite a few kings of the Bharata lineage sheltered in the Sindhu basin when attacked, so make of that what you will.

*This would be very strange because a) the Sindhu nowadays floods pretty often and b) Sindhu is also called "of the [mighty] floods" a bunch of times. His other epithet is "Sindhu with the path of gold" so it could also mean that Sindhu is a bounteous and fertile river.

It is likely that the region around the Sindhu River was known as Sapta Sindhu, after the seven sacred rivers - Sindhu, Vitasta (Jhelum), Asikli (Chenab/Chandrabhaga), Parushni (possibly Iravati, i.e. Ravi), Vipasha/Arjikiya (Beas), Shatadru (Sutlej) and Sarasvati.

4. Saraswati/Sarasvati: I am going to make a separate post for her because she is, by far, the most interesting of all the rivers when it comes to evolution pre and post Indra-supremacy age and there is a lot more to share.

[santmat]

Jesus and the Masters Invite Everyone Into the Temple - The Egalitarian Message of the Saints

Hear a truly delightful story about Jesus and his unwashed disciples crashing the temple as uninvited guests. It's found in an unknown gospel given by scholars the catchy name "Oxyrhynchus 840". Then more Brahman-Pharisee parallels: Sant Tulsi Sahib comes to the aid of a member of the Untouchable Caste known as the Sudras. Other compassionate, inclusive readings are from Baba Devi Sahab of Moradabad as well as Huzur Maharaj Rai Saligram of Agra. Ritual vs. real spiritual purity today during this Spiritual Awakening Radio Podcast. (Happy New Year)

Jesus and the Masters Invite Everyone Into the Temple - The Egalitarian Message of the Saints - Spiritual Awakening Radio Podcast - Listen or Download MP3 @

https://traffic.libsyn.com/spiritualawakeningradio/Unknown_Gospels.mp3

@ the Podcast Website With Buttons That Go To All the Popular Podcast APPS - Wherever You Follow Podcasts:

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https://open.spotify.com/episode/6YFDGIjJAuaGWiI59pms5u

& @ Wherever You Subscribe and Follow Podcasts - At Your Favorite Podcast APP Just Do a Search for "Spiritual Awakening Radio" -  (Apple Podcasts, Spotify, Google Podcasts, Amazon, Audible, PodBean, Podcast APP, Overcast, Jio Saavan, iHeart Radio, CastBox, etc...):

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In Divine Love (Bhakti), Light, and Sound, At the Feet of the Masters, Radhasoami,

James Bean

Spiritual Awakening Radio Podcasts

Sant Mat Satsang Podcasts

Sant Mat Radhasoami

A Satsang Without Walls

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#satsang #spiritual #spiritualawakening #spiritualawakeningradio #podcast #spiritualpodcasts #spiritualitypodcasts #santmatsatsangpodcasts #santmat #sant_mat #radha_soami #radhasoami #radhasoamiji #radhaswami #inclusiveness #discrimination #egalitarian #egalitarianism #religion #compassion #freedom #liberation #spiritualfreedom #Sufis #suratshabdyoga #Jesus #Apocrypha #SayingsOfJesus #applepodcasts #spotifypodcasts

[madhubniart]

The Evolution of Madhubani Art Over Time

Madhubani art (also Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchstick. The paint is created using natural dyes and pigments. The paintings are characterized by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja.

Madhubani painting (or Mithila painting) was traditionally created by the women of various communities in the Mithila region of the Indian subcontinent. It originated from Madhubani district of the Mithila region of Bihar. Madhubani is also a major export center of these paintings.

This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments that led to the term “Madhubani art” being used alongside “Mithila Painting.”

Mithila paintings mostly depict people and their association with nature and scenes and deities from the ancient epics. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. In this paintings generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.[citation needed] Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women .

It is still practiced and kept alive in institutions spread across the Mithila region. Asha Jha of Madhubanipaints in Darbhanga,

Vaidehi in Madhubani, Benipatti in Madhubani district and Gram Vikas Parishad in Ranti are some of the major centres of Madhubani painting which have kept this ancient art form alive.

Contributions:

The Madhubani painting tradition played a key role in the conservation efforts in India in 2012, where there was frequent deforestation in the state of Bihar. Shashthi Nath Jha, who runs the Gram Vikas Parishad, an NGO, started the initiative as an attempt to protect local trees that were being cut down in the name of expanding roads and development. The main reason behind this was that the trees were traditionally adorned with forms of gods and other religious and spiritual images such as those of Radha-Krishna, Rama-Sita, scenes from Ramayana and Mahabharata and other mythologies.

Darbhanga MP Gopal Jee Thakur started the tradition of honouring people with Mithila Painting in Indian Politics.

Awards:

Madhubani painting received official recognition in 1969 when Sita Devi received the State award by Government of Bihar. Mamta Devi from the village Jitwarpur has also got National Award. Jagdamba Devi from Bhajparaul, Madhubani was given Padma Shri in 1975 and the National Award to Sita Devi of Jitwarpur village near Madhubani.

Jagdamba Devi’s foster son Satya Narayan Lal Karn and his wife Moti Karn are also well-regarded Mithila artists, and they won the National Award jointly in 2003. Sita Devi received the Padma Shri in 1981. Sita Devi was also awarded by Bihar Ratna in 1984 and Shilp Guru in 2006.

In 1984 Ganga Devi was awarded by Padma Shri. Mahasundari Devi received the Padma Shri in 2011. Baua Devi, Yamuna Devi, Shanti Devi, Chano Devi, Bindeshwari Devi, Chandrakala Devi, Shashi kala Devi, Leela Devi, Godavari Dutta, Asha Jha and Bharti Dayal were also given the National award.

Chandrabhushan (Rasidpur), Ambika Devi (Rasidpur), Manisha Jha were also given the National award.[citation needed] In 2020, Madhubani artist Dulari Devi won the Padma Shri for contributions to art.

Styles:

Mithila art has five distinctive styles:

Bharni

Katchni

Tantrik

Godna

Kohbar

In the 1960s Bharni, and Tantrik styles were mainly done by Brahman women in India and Nepal. Their themes were mainly religious and they depicted Gods and Goddesses paintings. People of other castes included aspects of their daily life and symbols, the story of Raja Shailesh (guard of the village) and much more, in their paintings. Nowadays Madhubani art has become a globalised art form, so there is no difference in the work on the basis of the caste system. They work in all five styles. Mithila art has received worldwide attention.

The paintings were traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.

Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Thus, Madhubani painting has received GI (Geographical Indication) status. Madhubani paintings use two-dimensional imagery, and the colors used are derived from plants. Ochre, Lampblack and Red are used for reddish-brown and black, respectively.

For more info visit our Website — https://madhubniart.com/

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[byneddiedingo]

The Apu Trilogy

Subir Banerjee in Pather Panchali (Satyajit Ray, 1955)

Cast: Kanu Bannerjee, Karuna Bannerjee, Chunibala Devi, Uma Das Gupta, Subir Banerjee, Runki Banerjee, Reba Devi, Aparna Devi, Tulsi Chakraborty. Screenplay: Satyajit Ray, based on a novel by Bibhutibhushan Bandyopadhyay. Cinematography: Subrata Mitra. Production design: Bansi Chandragupta. Film editing: Dulal Dutta. Music: Ravi Shankar.

When I first saw Pather Panchali I was in my early 20s and unprepared for anything so foreign to my experience either in life or in movies. And as is usual at that age, my response was to mock. So half a century passed, and when I saw it again both the world and I had changed. I now regard it as a transformative experience -- even for one whom the years have transformed. What it shows us is both alien and familiar, and I wonder how I could have missed its resonance with my own childhood: the significance of family, the problems consequent on adherence to a social code, the universal effect of wonder and fear of the unknown, the necessity of art, and so on. Central to it all is Ray's vision of the subject matter and the essential participation of Ravi Shankar's music and Subrata Mitra's cinematography. And of course the extraordinary performances: Kanu Bannerjee as the feckless, deluded father, clinging to a role no longer relevant in his world; Karuna Bannerjee as the long-suffering mother; Uma Das Gupta as Durga, the fated, slightly rebellious daughter; the fascinating Chunibala Devi as the aged "Auntie"; and 8-year-old Subir Banerjee as the wide-eyed Apu. It's still not an immediately accessible film, even for sophisticated Western viewers, but it will always be an essential one, not only as a landmark in the history of movie-making but also as an eye-opening human document of the sort that these fractious times need more than ever.

Smaran Ghosal in Aparajito (Satyajit Ray, 1956)

Cast: Pinaki Sengupta, Smaran Ghosal, Kanu Bannerjee, Karuna Bannerjee, Ramani Sengupta, Charuprakash Ghosh, Subodh Ganguli. Screenplay: Satayajit Ray, Kanaili Basu, based on a novel by Bibhutibhushan Bandyopadhyay. Cinematography: Subrata Mitra. Production design: Bansi Chandragupta. Film editing: Dulal Dutta. Music: Ravi Shankar

As the middle film of a trilogy, Aparajito could have been merely transitional -- think for example of the middle film in The Lord of the Rings trilogy: The Two Towers (Peter Jackson, 2002), which lacks both the tension of a story forming and the release of one ending. But Ray's film stands by itself, as one of the great films about adolescence, that coming-together of a personality. The "Apu trilogy," like its source, the novels by Bibhutibhushan Bandyopadhyay, is a Bildungsroman, a novel of ... well, the German Bildung can be translated as "education" or "development" or even "personal growth." In Aparajito, the boy Apu (Pinaki Sengupta) sprouts into the adolescent Apu (Smaran Ghosal), as his family moves from their Bengal village to the city of Benares (Varanasi), where Apu's father  continues to work as a priest, while his mother supplements their income as a maid and cook in their apartment house. When his father dies, Apu and his mother move to the village Mansapota, where she works for her uncle and Apu begins to train to follow his father's profession of priest. But the ever-restless Apu persuades his mother to let him attend the village school, where he excels, eventually winning a scholarship to study in Calcutta. In Pather Panchali (1955), the distant train was a symbol for Apu and his sister, Durga, of a world outside; now Apu takes a train into that world, not without the painful but necessary break with his mother. Karuna Bannerjee's portrayal of the mother's heartbreak as she releases her son into the world is unforgettable. Whereas Pather Panchali clung to a limited setting, the decaying home and village of Apu's childhood, the richness of Aparajito lies in its use of various settings: the steep stairs that Apu's father descends and ascends to practice his priestly duties on the Benares riverfront, the isolated village of Mansapota, and the crowded streets of Kolkata, all of them magnificently captured by Subrata Mitra's cinematogaphy.

Soumitra Chatterjee in The World of Apu (Satyajit Ray, 1959)

Cast: Soumitra Chatterjee, Sharmila Tagore, Swapan Mukherjee, Alok Chakravarty, Dhiresh Majumdar, Dhiren Ghosh. Screenplay: Satyajit Ray, based on a novel by Bibhutibhushan Bandyopadhyay. Cinematography: Subrata Mitra. Production design: Bansi Chandragupta. Film editing: Dulal Dutta. Music: Ravi Shankar.

The exquisite conclusion to Ray's trilogy takes Apu (Soumitra Chatterjee) into manhood. He leaves school, unable to afford to continue into university, and begins to support himself by tutoring while trying to write a novel. When his friend Pulu (Swapan Mukherjee) persuades him to go along to the wedding of his cousin, Aparna (Sharmila Tagore), Apu finds himself marrying her: The intended bridegroom turns out to be insane, and when her father and the other villagers insist that the astrological signs indicate that Aparna must marry someone, Apu, the only available male, is persuaded, even though he regards the whole situation as nonsensical superstition, to take on the role of bridegroom. (It's a tribute to both the director and the actors that this plot turn makes complete sense in the context of the film.) After a wonderfully awkward scene in which Apu and Aparna meet for the first time, and another in which Aparna, who has been raised in comparative luxury, comes to terms with the reality of Apu's one-room apartment, the two fall deeply in love. But having returned to her family home for a visit, Aparna dies in childbirth. Apu refuses to see his son, Kajal (Alok Chakravarty), blaming him for Aparna's death and leaving him in the care of the boy's grandfather. He spends the next five years wandering, working for a while in a coal mine, until Pulu finds him and persuades him to see the child. As with Pather Panchali and Aparajito, The World of Apu (aka Apur Sansar) stands alone, its story complete in itself. But it also works beautifully as part of a trilogy. Apu's story often echoes that of his own father, whose desire to become a writer sometimes set him at odds with his family. When, in Pather Panchali, Apu's father returns from a long absence to find his daughter dead and his ancestral home in ruins, he burns the manuscripts of the plays he had tried to write. Apu, during his wanderings after Aparna's death, flings the manuscript of the novel he had been writing to the winds. And just as the railroad train figures as a symbol of the wider world in Pather Panchali, and as the means to escape into it in Aparajito, it plays a role in The World of Apu. Instead of being a remote entity, it's present in Apu's own back yard: His Calcutta apartment looks out onto the railyards of the city. Adjusting to life with Apu, Aparna at one point has to cover her ears at the whistle of a train. Apu's last sight of her is as she boards a train to visit her family. And when he reunites with his son, he tries to play with the boy and a model train engine. The glory of this film is that it has a "happy ending" that is, unlike most of them, completely earned and doesn't fall into false sentiment. I don't use the world "masterpiece" lightly, but The World of Apu, both alone and with its companion films, seems to me to merit it.  

[nkukar]

या दृष्टा निखिलाघसंघशमनी स्पृष्टा वपुष्पावनी।

��ोगाणामभिवन्दिता निरसनी सिक्तान्तकत्रासिनी।।

प्रत्यासत्तिविधायिनी भगवतः कृष्णस्य संरोपिता।

न्यस्ता तच्चरणे विमुक्तिफलदा तस्यै तुलस्यै नमः।।

जो दर्शन करने से सारे पाप का नाश कर देती है, स्पर्श करने पर शरीर को पवित्र कर देती है, प्रणाम करने पर रोगों का नाश करती है, जल से सींचने पर यमराज को भी भय पहुँचा देती है, आरोपित करने पर भगवान श्रीकृष्ण के समीप ले जाती है और भगवान के चरणों में चढ़ाने पर, मोक्ष रूपी फल देती है, उस तुलसी देवी को नमस्कार है।

One who destroys all sins by seeing, purifies the body when touched, destroys diseases when worshiped, gives fear to Yamraj even when irrigated with water, when placed near Lord Krishna And on offering at the feet of the Lord, gives the fruit of salvation, salutations to that Tulsi Devi.

Padam Puran

[mysticalblizzardcolor]

[dreammissionedtech]

Rahul Meena's "Thread" – A Gripping Thriller That Keeps You on Edge

In the world of mystery and suspense, few books manage to keep readers on the edge of their seats from start to finish. "Thread" by Rahul Meena is one such novel—a fast-paced thriller filled with secrets, deception, and life-threatening danger. This book takes readers on an exhilarating journey where every clue unravels a new layer of suspense, and the truth is far more dangerous than it seems.

A Story Woven with Intrigue

At the heart of Thread are its two protagonists—Maya and Vikram, an ordinary pair who stumble upon an extraordinary mystery. What starts as a simple discovery quickly turns into a deadly game, where the past and present collide in ways they never imagined. As they chase the truth, they realize that they are caught in a web of lies so intricate that escaping seems impossible.

Rahul Meena masterfully crafts a story where every revelation brings new questions, and trust is a luxury that Maya and Vikram cannot afford. The deeper they dig, the more dangerous their journey becomes. Someone is watching, someone is waiting, and someone is willing to kill to keep their secrets hidden.

A Race Against Time

One of the most thrilling aspects of Thread is its relentless pace. There is never a moment of rest as Maya and Vikram move from one clue to the next, desperately trying to stay ahead of those who want them silenced. The tension builds with every chapter, making it impossible to put the book down.

The novel keeps readers engaged with its constant twists and turns. Just when you think you have figured out what’s happening, a new piece of information shatters your expectations. Meena's storytelling ensures that the suspense never fades, and the climax delivers an impact that stays with you long after you turn the final page.

Complex Characters and Their Hidden Secrets

What makes Thread more than just a mystery novel is its deeply layered characters. Maya and Vikram are not just puzzle-solvers; they are individuals with fears, weaknesses, and a past that haunts them. Their journey is as much about uncovering the mystery as it is about understanding themselves.

The book also introduces a cast of suspicious and intriguing side characters—some who help, some who hinder, and some whose true intentions remain unclear until the very end. In a world where deception is the norm, Maya and Vikram must constantly question who they can trust.

A Setting That Adds to the Suspense

Meena’s descriptions bring the world of Thread to life, from dark alleys and abandoned buildings to secret chambers filled with hidden truths. The atmosphere is thick with mystery, making the setting feel like an active part of the story rather than just a backdrop.

Each location in the novel adds to the tension, making readers feel as if they are walking alongside Maya and Vikram, experiencing the fear, uncertainty, and adrenaline rush firsthand.

Why You Should Read "Thread"

If you love fast-paced thrillers that keep you guessing, Thread is the perfect book for you. It combines:

- A gripping mystery that deepens with every page.

- High-stakes suspense that keeps you hooked.

- Unpredictable twists that will leave you stunned.

- Characters with depth and complexity.

Rahul Meena’s storytelling makes Thread more than just a mystery—it’s an experience, one that stays with you long after the last word.

Final Verdict

In the world of thrillers, Thread stands out as a must-read for fans of suspense, mystery, and unexpected revelations. It’s a novel that pulls you in, keeps you hooked, and refuses to let go until the truth is revealed.

The question is—are you ready to unravel the thread?

Buy book here:

About Rahul Meena

The author hails from Sabla, a picturesque town in Dungarpur, Rajasthan. Born on December 12, 2001, they are the son of TULSI DEVI AND MANSHANKER MEENA. The author completed their schooling at New Adarsh Public Senior Secondary School, Sabla, where they laid the foundation for their academic journey. Currently, the author is pursuing their graduation at Maa Bharti PG College in Kota, Rajasthan. Alongside their studies, they serve as the President of the Student Council, showcasing their leadership skills and commitment to fostering a strong community at the college. The author Is greatly inspired by their HOD, DR. ARSHI ABBASI, AND ANJANA SHARMA, who have been incredible sources of support and encouragement throughout their academic career. Their unwavering belief in the author has played a pivotal role in shaping their growth and ambitions. The author is always eager to learn and expand their knowledge, driven by a desire to continuously improve and contribute meaningfully to the world.

[rudrahouse]

Shaligram Stone All You Need To Know about Shaligram

Shaligram Stone is found in the Kali Gandaki River in Nepal at Muktinath. Shaligram Shila is worshiped by many families and in temples around the world. In this blog, I will answer some central questions and topics about Shaligram.

What is Shaligram?

Shaligram story in Hinduism

How to worship Shaligram Stone?

Types of Shaligram Stone

Which Shaligram is best for worship at home?

How to identify the original Shaligram Shila?

Shaligram stone benefits worshiping at home

What is Shaligram Stone: Shaligram is a Blackstone brought from the banks of the Kali Gandaki River in Nepal at Muktinath. It is a holy stone worshipped by Vishnu Bhakts in temples and families worldwide. It is the most sacred and holy stone worshipped by the Vaishnavas (Especially those who worship Lord Krishna). There are different types of Shaligram with different names, and all of them are considered auspicious idols of Lord Vishnu. Vajrakita (a kind of ancient insect with strong teeth) has different types of chakra curves.

In scientific name, Shaligram is a black-colored Ammonoid fossil from millions of years ago. Shaligram story in Hinduism: According to the Devi Bhagavata Purana/Brahmavaivarta Purana & Shiva Purana in Hinduism. Shaligram Stone is Lord Vishnu, and Tulsi is worshiped story mentioned in Purana. There was a king named Vrishadhvaja, and he was a big devotee of Lord Shiva. He only worships Lord Shiva and refuses to worship another deity because he refuses to worship another deity. Lord Suriya Dev cursed him to suffer from poverty and the loss of his all kingdom. After many years, the grandson of Vrishadhvaya, Dharmadhvaja & Kusadhvaja came to know the reason behind their poverty. They performed very hard Tapasya(propitiate austerities) to Goddess Laxmi to regain their prosperity. Finally, Goddess Laxmi was pleased with their austerities (Tapasya). She blessed them with prosperity and even promised them she would take birth as a daughter in their life.

Both brothers were blessed with a daughter. Dharmadhvaja's daughter Tulsi( Vrinda), and Kusadhvaja's daughter, are Vedavati (Sita Devi). Tulsi and Vedavati are both avatars (incarnations) of Goddess Laxmi. Tulsi went to Badrinath to perform Tapasya. (austerities) to get Lord Vishnu as her husband in that life, she had to marry Shankhachuda( Jalandhara). Shankhachuda was Sudama ( a Lord Vishnu Saywak/devotee/reside) in the previous birth. For some reason, Sudama was cursed by Radha to take rebirth as a Danava, so as a result, Shankhachuda took birth from out of Vishu's body. He was mighty from his natural birth from Vishnu itself, and he was a big devotee of Lord Vishnu. Shankhachuda is very virtuous & religious to Lord Vishnu. He was the leader of Danavas (giant). Lord Bharma suggested he marry Tulsi to become more powerful, and he did that. (Lord Bharma knows that Goddess Laxmi is Tulsi and Shankhachuda a natural birth from Lord Vishnu itself).

Shankhachuda announced a battle against devatas. He won against many Gods in his leadership, and even he won Svarga (Heaven) and made out all gods from it. All Gods went to Lord Shiva to protect them and help them regain their respect and kingdom.

Finally, Shankhachuda announced a battle against Lord Shiva to rule Kailash Parvat (Mount Kailash). Lord Shiva also announced a battle against him to give back God's respect and kingdom. There was a battle between Devatas and Danavas (God and Giant) for a long time, but the result was not coming. Lord Bharma suggests to Lord Vishnu that due to Shankhachuda's virtue and his wife, Tulsi Pativrata (purity), protect him. So no one can beat him in battle. So it would help if you violated Tulsi Pativrata to win against Danavas. Once, when Shankhachuda was busy in battle fighting with Lord Shiva, Lord Vishnu took the form (counterpart) of Shankhachuda and went to Tulsi and cohabited (Physical intimacy) with her. Tulsi lost her Pativrata (purity). Meanwhile, Shankhachuda was killed by Lord Shiva because Tulsi Pativrata Kawach (armor) was no more protecting him. Meanwhile, after Shankhachuda's death, Tulsi became doubtful that the person with her at the time was not Shankhachuda. So he must be someone else. So she looked at him and asked him to see his natural face. Lord Vishnu turns into his avatar. Now she knows that Lord Vishnu destroyed her Pativrata (purity).

She got so angry that she cursed Lord Vishnu, saying I was your devotee and even my husband. We always pray to you. Your idol statue is a stone, so you don't have any feelings or emotions. So I cursed you that you become a stone for destroying my Pativarta and the reason for my husband's death. Lord Vishnu explains to her that he wants to end the curse on Sudama by Radha, who took rebirth as Shankhachuda as a leader of Danavas. So you are my devotee and incarnation of Goddess Laxmi only. After hearing that, Tulsi fired and destroyed herself, saying I don't want to leave with her husband. Later, God planted some seed on Tulsi's body, rakh (ash). And the blessing that she would remain with Lord Vishnu on earth in the form of the Tulsi plant, and Lord Krishna took the curse of Tulsi and went to Kali Gandi River and took both and became a stone. Shaligram is the incarnation of Lord Vishnu, and Tulsi is the incarnation of Goddess Laxmi. A home where Tulsi and Shaligram at home. Both Laxmi Narayan blesses them. So Tulsi is married to Shaligram Ji in Hindu mythology. How to worship Shaligram Stone? There are different ways to worship Shaligram at home. But every people are not perfect in puja as Guru Ji in temples. I will let you know the simple way to do Shaligram Shila pooja( Prey) to get blessed by Lord Vishnu at home.

First, Abhishek Shaligram Ji with some holy or ordinary water will do. Then Abhishek with Panchamrita (it is a mixture of honey, sugar, cow milk, curd, and ghee) Then Abhishek it with simple water and cleaned it with some cloth. Apply Chandan(Sandalwood) Tika on Shaligram Ji. Offer him some flowers, and Tulsi leaps. Light a Diya(lamp usually made from clay, with a cotton wick dipped in ghee or oils) before him. Chant Mantra: Om Namo Narayana or Om Vishnu Hari Narayan or any Lord Vishnu Mantra you know. ( It should be chanted a minimum of 21 times, or 108 times is best). If some item is unavailable, puja, just prey with a pure soul, will do. The same puja can be offered every day. It is good to keep Shankha (Conch) near Shaligram Shila. (Chakra, Padma(Flower), Gada(Mace), Shankha(Conch) are appurtenances of Lord Vishnu. Types of Shaligram Stone: The Vishnu Puran mentioned different types of Shaligram Shila. All are the incarnation of Lord Vishnu. Name of Shaligram according to several Sudarshana Chakra on it.

Sudarsan Shaligram - One Vishnu chakra

Laxmi Narayan Shaligram - Two Vishnu Chakra

Achyut Shaligram - Three Vishnu Chakra

Janardan Shaligram - Four Vishnu Chakra

Basudev Shaligram - Five Vishnu Chakra

Pradhyumna Shaligram -  Six Vishnu Chakra

Shankarshan Shaligram - Seven Vishnu Chakra

Purushottam Shaligram - Eight Vishnu Chakra

Navavyuha Shaligram - Nine Vishnu Chakra

Dashavatar Shaligram - Ten Vishnu Chakra

Aniruddha Shaligram  - Eleven Vishnu Chakra

Ananta Shaligram - Twelve Vishnu Chakra

Paramatma Shaligram  -Thirteen Vishnu Chakra

Name of Shaligram Shila according to the ten incarnations of Lord Vishnu: 1) Matsya Shaligram - Fish Avatar (Incarnation) 2) Kurma Shaligram - Tortoise avatar 3) Varaha Shaligram - Boar avat 4) Narshimba Shaligram - Half lion, half men avatar 5) Vamana Shaligram - Brahman avatar 6) Parashurama Shaligram - Vishnu avatar 7) Rama Shaligram - Rama avatar 8) Krishna Shaligram - Krishan avatar 9) Buddha Shaligram - Buddha avatar 10) Kalki Shaligram - Vishnu avatar to appear at the end of the Kali Yuga. Many types of Shaligram are found in the Kali Gandaki River in Nepal at Muktinath. A few names are following. Laxmi Narayan Shaligram, Laxmi Narayan Sudarshna Shaligram, Keshava Shaligram, Narayana Shaligram, Madhava Shaligram, Govinda Shaligram, Vishnu Shaligram, Madusudhana Shaligram, Trivikrama Shaligram, Vamana Shaligram, Shridhara Shaligram, Hrishikesh Shaligram, Padmanabha Shaligram, Damodara Shaligram, Sankarshana Shaligram, Pradyumna Shaligram, Aniruddha Shaligram, Purushottama Shaligram, Adokshaja Shaligram, Narashima Shaligram, Achyuta Shaligram, Janardana Shaligram, Upendra Shaligram, Hari Shaligram, Krishna Shaligram, Vasudeva Shaligram, Buddha Shaligram, Suriya Shaligram, Janeudhari Shaligram, Kalki Shaligram, Shesha Naag Shaligram. These are a few names of the Shaligram stone; there are many more. The name of Shaligrams is given by their structure, by four appurtenances of Lord Vishnu - Chakra, Padma, Gada, and Shankha. Which Shaligram is best for worship at home? There are different types of Shaligram. Among them, you can worship any Shaligram; they all are the avatar of Lord Vishnu. Any number of Shaligram you can have for worship; there is no specification about worshiping Shaligram numbers. You may console yourself, Guru Ji, if you have any doubts. There are different sizes of Shaligram, and you can worship any size. How to identify the original Shaligram Shila? Nowadays, it is tough to identify the original Shaligram by ordinary people. This is because so many people are selling fake made of black cement or joined. But still, few people are selling genuine Shaligram stones. Therefore, there are a few basic things that you keep in your mind while you purchase Shaligram:

Shaligram is always irregular in shape and size because of nature. Therefore, it is not original if someone gives you the same size and shape Shaligram.

Nowadays, Shaligram mala with the same size and same shape is available in the market. However, those mala can not be authentic because drilling holes and the exact size are impossible. Shaligram is to worship at home and in the temple, not for wearing on the neck.

Naturally found, Shaligram is suitable for worship. But, unfortunately, many people are selling Shaligram Shila with God curved on them. In that way, they made natural Shaligram destroyed. You can look for an expert person and some temple Guru Ji to identify for you. They can help you to identify. Suppose Shaligram Shila is broken/cracked or gets broken even after you worshiped it. Nevertheless, it does not lose its good nature, so it is good to worship.

And if you are buying online, check and read about the owner of the site and some genuine online reviews. Genuine reviews make you understand the product quality and website service. Shaligram stone benefits worshiping at home: There are thousands of benefits. It depends on your purity and deep prey. Primarily Shaligram Shila is worshiped for six benefits of life: Righteous living, Wealth, Protection, Pleasures, and Spiritual blessing. But still, there are some crucial benefits of worshiping Shaligram at home. It protects from negative energy, Removes obstacles in life, Blesses with health and wealth, Prosperity brings good luck, Good fortune brings happiness, Unity in the family, Removes Vishnu Dosha, Protects from evil eyes, Brings success, Give name and fame in society, Removes kundali dosha, Blesses with a long and healthy life, Blesses with a person with the child. There are many other benefits as well. These are a few of them.

Rudrahouse - Buy Rudraksha Direct From Nepal - 100% Authentic

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Kasi tour package from Hyderabad

Varanasi, also known as Kasi, is one of the holiest cities in India, attracting millions of pilgrims and travelers every year. If you are planning a spiritual retreat to Kasi from Hyderabad, a well-planned tour package can make your journey smooth and fulfilling. Here's everything you need to know about the Kasi tour package from Hyderabad.

Why Visit Kasi?

Kasi, situated on the banks of the sacred River Ganges, is known for its rich cultural heritage, ancient temples, and divine aura. It is believed that a visit to Kasi washes away sins and grants liberation (Moksha). The city is home to famous temples such as Kashi Vishwanath, Sankat Mochan Hanuman Temple, and Durga Kund Temple, making it a must-visit pilgrimage site.

Tour Package Details

A typical Kasi tour package from Hyderabad includes flights/train tickets, accommodation, guided sightseeing, and special rituals like Ganga Aarti and Pind Daan. Below are the details:

Duration:

3 Nights / 4 Days

4 Nights / 5 Days

Inclusions:

Round-trip airfare/train tickets from Hyderabad

Hotel stay (budget, deluxe, or luxury options)

Daily breakfast and meals

Sightseeing tours with a local guide

Special rituals like Ganga Aarti, temple visits, and boat rides

Comfortable transportation

Exclusions:

Personal expenses

Entry fees to specific temples and monuments

Special Pujas (optional)

Itinerary Highlights

Day 1: Arrival in Varanasi

Pick-up from Varanasi Airport/railway station

Check-in at the hotel and rest

Evening Ganga Aarti at Dashashwamedh Ghat

Day 2: Temple Tour & Rituals

Early morning visit to Kashi Vishwanath Temple

Darshan at Annapurna Devi and Sankat Mochan Hanuman Temple

Boat ride on the Ganges

Visit to Sarnath, a Buddhist pilgrimage site

Day 3: Excursion & Local Sightseeing

Explore Bharat Mata Temple and Banaras Hindu University (BHU)

Visit Tulsi Manas Mandir & Durga Kund

Shopping at local markets for Banarasi silk sarees and handicrafts

Day 4: Departure

Free time for personal prayers and rituals

Drop at the airport/railway station for the return journey

Best Time to Visit Kasi

The ideal time to visit Kasi is between October and March when the weather is pleasant. Festivals like Dev Deepawali and Mahashivaratri attract thousands of devotees, making the experience even more divine.

How to Book?

Several travel agencies offer Kasi tour packages from Hyderabad. You can book online through travel websites or directly contact a tour operator for customized packages.

Final Thoughts: A Kasi tour is not just a trip but a soulful journey that connects you with spirituality and traditions. Whether you seek divine blessings or want to explore the cultural richness of Varanasi, this tour package ensures a hassle-free and enriching experience.

[myflighttrip1]

4-Day Spiritual Golden Triangle Tour: A Spiritual Journey

Are you planning a spiritual tour with your family? If Yes, then you can take a wonderful trip through the center of India with a Varanasi Prayagraj Ayodhya Pilgrimage Tour. This spiritual tour ensures a memorable adventure in three culturally rich cities. You can explore the spiritual vibes of Varanasi, see where rivers meet on Prayagraj, and learn about the sacred history of Ayodhya. So, immerse yourself in the lively tradition and historical marvels as you visit these attractive places. Come along for an experience that perfectly combines history, spirituality, and cultural allure.

Best Time to Plan Varanasi Prayagraj Ayodhya Pilgrimage Tour

The best time to plan a 4-day Spiritual Golden Triangle Tour is between the months of October and March. During these months, the weather is cool and pleasant, making it perfect for sightseeing and outdoor activities. On your trip during these months, you can enjoy exploring the historical monuments and ancient temples without any discomfort. Plus, you take a dip bath at the Triveni Sangam in Prayagraj and enjoy a boat ride as well.

Things to Do on a 4-Day Spiritual Golden Triangle Tour

On a Varanasi Prayagraj Ayodhya Tour, you can visit the famous tourist attractions of the cities. On this tour, you can do the following things mentioned below to make your spiritual journey unforgettable:

Varanasi: It is one of the oldest cities in the world. This is the only city where you can see the holy confluence of the Ganga, Yamuna, and Saraswati rivers. In this Varanasi Prayagraj Ayodhya Pilgrimage Tour, you’ll explore historic places, sacred temples, and important places as well. These sacred sites include Kashi Vishwanath Temple, Monkey Temple, Tulsi Manas Temple, and Birla Mandir.

Ayodhya: The city is one of the most significant sites related to the life of Bhagwan Shree Ram. Here, you’ll witness the unimaginably beautiful idol of Ram Lala in the 2024 inaugurated Ram Janmabhoomin Mandir. Also, you can spend some time in Ram ki Paidi, Hanuman Garhi, and Kanak Bhawan. Also, if you plan your trip in the month of October or November, then you can enjoy the biggest festival of Lights, Deepotsav in Ram Nagri.

Prayagraj: This city is one of the greatest pilgrimages since the Rig-Veda era. The basic reason is the confluence of the holy rivers including - Ganga, Yamuna, and Saraswati. This confluence is called Triveni Sangam. You can explore several famous temples of the city including - Mankameshwar Temple, Hanuman Temple, and Alopi Devi Temple. 

So, these were the few sacred sites that you must explore on your 4-Day Spiritual Golden Triangle Tour. 

Choose My Flight Trip to Book Varanasi Prayagraj Ayodhya Tour

Now that you know everything about the Spiritual Golden Triangle, you must book your Ayodhya Varanasi Prayagraj Tour Package with My Flight Trip. On this tour, you’ll explore several sacred temples, and peaceful ghats, and see the confluence of three holy rivers. So, don’t hold yourself back, connect with us today to book your spiritual tour package. You can call us or visit our official website to book a tour.

[shinykittenland]

Varanasi Ayodhya Tour Package

Varanasi and Ayodhya are two most sacred cities for Hindus. Both cities are rooted deep in mythology and Hindu history. Varanasi and Ayodhya both attract pilgrims and travellers from all over the world. The distance from Varanasi to Ayodhya is approx. 220 km and it takes around 4 to 5 hours to reach there.

Varanasi is also known as Kashi. It is famous for being one of the oldest cities in the world. it is believed that kasha has been founded by Lord Shiva himself and Kashi is protected by the Kothwal of Kashi, Kaal Bhairav, who is a fierce form of Lord Shiva. There are total 84 Ghats in Varanasi that you can visit some famous Ghats such as Dashashwamedh Ghat, Assi Ghat and Manikarnika Ghat. There are also many famous temples to visit in Varanasi are Kashi Vishwanath Temple, Durga Temple, Tulsi Manas Mandir, Sankat Mochan Hanuman Temple and Annapurna Devi Temple.

Ayodhya is the birthplace of Lord Rama. He is the seventh incarnation of Lord Vishnu. Ayodhya is mentioned in the Ramayana and has been a significant spiritual center for Hindus. You must visit places such as Ram Janmabhoomi where Lord Rama was born, Hanuman Garhi and the Saryu River.

It would be good to choose a reliable Varanasi Ayodhya Tour Package that is specially designed for devotees and tourists. These packages include guided tours and comfortable accommodations that make your spiritual tour comfortable and memorable.

[santmat]

Spiritual Wisdom From Rural India: Sant Mat Teachings of Santji, Baba Devi Sahab, and Maharshi Mehi - Spiritual Awakening Radio Podcast

Unaffected by the West, in rural India spiritual paths such as traditional Sant Mat continue to preserve and communicate the wisdom of the masters about living a spiritual way of life. At the heart of their spirituality is the meditation practice known as Inner Light and Sound Meditation (Surat Shabd Yoga). There are references to this form of meditation dating back to the time of the Upanishads and other ancient scriptures, also more recently with the various Sant movements populated by bhakti poet-mystics and spiritual masters such as Sant Namdev, Guru Kabir, Guru Nanak, Sant Ravidas, Sant Dharam Das, Sant Tukaram, Sant Dadu Dayal, Sant Dariya Sahib of Bihar, Goswami Tulsi Das, Sant Tulsi Sahib, Sant Radhaswani Sahib up to the living present. Today we explore the teachings of Santji, Baba Devi Sahab, and Maharshi Mehi Paramhans about successful meditation practice and the journey of the soul back to God.

Spiritual Awakening Radio Podcast - Spiritual Wisdom From Rural India: Sant Mat Teachings of Santji, Baba Devi Sahab, and Maharshi Mehi - Listen/Download @ the Podcast Website:

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"It is the highest duty of every individual to acquire experiential knowledge of this Sound and to investigate or explore the Origin or Source from where this Sound flows out." (Baba Devi Sahab)

Do attend Satsang every day,

Internal as well as external Satsang.

Listen and read spiritual literature for external Satsang,

Unbroken trance is the internal Satsang.

Practice meditation with your eyes closed,

Sitting motionlessly quite easily posed.

O traveler! If you wish to go alone on

the path of the Lord,

Look for the path within and do

not delay;

The four spheres of darkness, Light,

Sound and Soundlessness --

They all lie within the temple of your

body.

-- Padavali of Maharshi Mehi Paramhans

Santji: "We do not do enough Simran... If we do Simran all the time, the amount of Simran which we are supposed to do can be done very easily, and after that when we sit for meditation -- since before we sit we would have done our Simran at once our soul will withdraw from the body and we will start hearing the Sound Current by itself. But because we do not place enough emphasis on Simran, that is why when we sit for meditation all our time is spent in just collecting our thoughts, and because we lack in Simran that is why we hardly withdraw our soul from our body."

"Nowadays, what do people do? Whenever they have done a little bit of Simran during the day, and when their mind is a little bit quiet and still, then the Sound Current which they hear is very melodious and they like it, and sometimes they feel a little bit of withdrawal. Other times, when their mind is not quiet and they have not done enough Simran, then no doubt they hear the Sound Current, but still the Sound Current is not able to pull them up."

"If we have done a lot of Simran and if we have brought our soul to the Eye Center, then our soul gets on the Shabd or the Sound which is coming there, which we hear there, and we are able to reach our Real Home. If we hear the Sound Current after perfecting our Simran and after reaching the Eye Center, that Sound Current or that Shabd will definitely pull us up, and we will like that very much." (The Light of Ajaib)

In Divine Love (Bhakti), Light, and Sound, At the Feet of the Masters, Radhaswami,

James Bean

Spiritual Awakening Radio Podcasts

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A Satsang Without Walls

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