#TRIMARK

[2ndaryprotocol]

Peter Jackson’s gloriously goofy gorefest ‘Dead Alive’ (aka ‘Braindead’) grossed out US moviegoers this day 30 years ago. 🐀🐒🧟‍♂️

“𝙸 𝚔𝚗𝚘𝚠 𝚠𝚑𝚊𝚝 𝚝𝚘 𝚍𝚘, 𝙸'𝚟𝚎 𝚛𝚎𝚊𝚍 𝚝𝚑𝚎 𝚌𝚘𝚖����𝚌𝚜! 𝚃𝚘𝚝𝚊𝚕... 𝚋𝚘𝚍𝚒𝚕𝚢... 𝚍𝚒𝚜𝚖𝚎𝚖𝚋𝚎𝚛𝚖𝚎𝚗𝚝!”

[bkenber]

Worst Movie Trailers Ever: 'Warlock - The Armageddon'

I remember seeing this movie trailer back when I was an employee at Crow Canyon Cinemas in Northern California. I was aware of the original “Warlock” which starred the late Julian Sands as the title character, a son of Satan who is intent on destroying the world. And like any horror film from the 1980’s, it had to be followed by a sequel. This teaser showed some promise as we watch a peaceful…

[tallaxia]

Death Machine article with director Stephen Norrington, Brad Dourif & Ely Pouget

Cinefantastique #26 - 1995

Brad Dourif creates the mother of all rampaging robots.

The mother of all psycho robots roamed the corridors of Pinewood Studios, England from September 2, 1993, for 12 weeks. But the 20-foot tall, cable-controlled star of DEATH MACHINE mav look vaguely familiar. Like a giant metallic version of the Alien from Rid¬ ley Scott’s 1979 science-fiction classic? "Well sort of,” replied director Stephen Norrington adding, "It’s like ROBOCOP, TERMINATOR and HARDWARE too! That’s why it got financed in the first place. But while DEATH MACHINE is in the same area as all of those genre movies, it has emerged from that place with a unique style and humor to become its own separate entity.” Trimark Pictures has picked up the film’s U.S. video and technical rights for release later this year.

Norrington makes his directorial debut with this selfpenned chiller after years of gaining a formidable reputation as one of Britain's best special effects masters. He began as Rick Baker’s runner on GREYSTOKE and has since worked on numerous blockbusters including ALIENS, RETURN TO OZ and YOUNG SHERLOCK HOLMES. "After GREMLINS 2 I began losing interest in effects,” explained Norrington. "I started writing scripts with effects twists and the third one I came up with was DEATH MACHINE.” By 1990 however, Norrington hadn't got very far in attracting any financial interest in his new ambition so he joined the ALIEN special effects crew “just to keep my hand in” and then accepted an offer to supervise SPLIT SECOND. While working on that futuristic actioncr, producer Laura Gregory showed interest in one of Norringlon’s other scripts. SPEEDER, as a possible sequel for Rutger Hauer. (The script: Norrington’s TERMINATOR meets A NIGHTMARE ON ELM STREET, is now planned as a follow-up to DEATH MACHINE.) The interest led Norrington to meet future DEATH MACHINE producer Vic Bateman (Japan's Victor Company head), who handled the world sales for SPLIT SECOND.

Noted Dominic Anciano, who produced DEATH MACHINE with Bateman and had a massive European success with Peter Medak’s THE KRAYS, "Vic thought Norrington ’s writing and ideas were very commercial and urged me to take him seriously. Because SPEEDER was apparently all tied up with Laura Gregory, I asked Stephen what else he had written and was given DEATH MACHINE. I thought it was so unusual for a British writer to be that succinct in his writing, that passionate about directing, 1 felt I had to give him the chance and let him make it his way. DEATH MACHINE is the sort of movie audiences worldwide want to see and we seem to have a commercial knack for making them in Britain.”

Co-financed by Japan’s Victor Company and Britain’s Entertainment Film Distributors (the latter produced SLIP STREAM), the $3 million DEATH MACHINE is set in the 21st century and focuses on nightmare events taking place behind the closed doors of the Chaank Weapons Corporation. The company has appointed a new female Chief Executive, Hayden Cale (Ely Pouget), to ensure they remain the leader of the techno-armament pack. But she wants to fire their number one asset Jack Dante, a neo-hippie whose dark genius for weaponry design is the envy of the industry. However, Dante is a childlike psychopath incapable of making the distinction between right and wrong after years of watching hardcore cartoon violence on television and decides he isn’t going without a fight. The result is the invention of his most destructive instrument ever…the unstoppable DEATH MACHINE.

Norrington pointed out, "It’s a hybrid of a million things I love; maniacs, actor Brad Dourif [who plays Dante], psycho robots, corporate nightmares, DIE HARD action and huge hi-tech sets. And that’s only naming a few. It’s your average ‘Crazed cyborg on the rampage menacing great looking people' saga!” Added Norrington more seriously, "While DEATH MACHINE is grim with some blood and gore, it isn't a splatter movie. Underneath the surface it’s about losing one’s innocence and how you become dehumanized if you are involved in an industry dealing with destruction. Do such inventors ever think about what they’re doing in real terms? Does their judgment have a guilty edge? This is about that turning off point taken to the most horrifying extreme.”

It was this edge in Norrington’s script which stirred Brad Dourif’s stomach a little. "And when that happens, it’s a sign of good material,” noted the voice of Chucky from the CHILD’S PLAY movie series and star of BODY PARTS and GRAVEYARD SHIFT. "The main point of interest for me was the cartoon connection. Dante is so tuned into animation and the mass media, he mimics everything he sees. I m taking a lot of acting risks playing this part because his responses are all so unreal and based on recognizable things. Dante responds more to TV than people. He’s a villain but a hard one to hate."

Many of the crew have noted how Dourif’s on-screen identity resembles Norrington's own off-screen look. Dourif nodded sagely, "There arc numerous similarities between Dante and Stephen. It’s his personal story about the problems we will all face when the world becomes even more industrialized. 1 can honestly say that Stephen is the best director I’ve ever worked with. It’s the era of first-timers and I've had an incredible run of them. Stephen is better equipped than most to direct this sort of movie because of his visual eye, love of the genre and his special effects background."

For Ely Pougct, the attraction was the weird twisted logic of DEATH MACHINE. The actress who appeared in the recent DARK SHADOWS TV series noted, “In Hayden’s backstory, she was responsible for the death of a child. So hunting and trying to kill the ‘childlike’ Dante causes her major psychological traumas. However, I'm definitely the tough Sigourney Weaver figure in DEATH MACHINE. Despite the script's hard as nails exterior, Stephen has put in a softness, an underlying sadness allying it more to KING KONG and FRANKENSTEIN than the obvious hi-tech equivalents.”

“The fine acting from Brad and Ely has made DEATH MACHINE less derivative than I expected in truth,” admitted Norrington on the Pinewood soundstage where the glass Chaank offices have been created. He added, “Their unique characterizations have added some real potent surprises above those contained in the script. It's less reliant on hard-tech gimmicks than I anticipated and far more bizarre than I ever imagined. I see it as a more thoughtful cross between Sam Raimi horror slapstick and James Cameron energetic action."

Norrington loves those two directors. It’s the reason he included them in a script peppered with familiar names for the leading characters; Scott Ridley, Carpenter and, of course, Dante are other examples. Plagiarism as an art form!” said Norrington. "I wrote the script when I was still a frothing fan boy. Then someone pointed out Fred Dekker had done exactly the same thing in NIGHT OF THE CREEPS. How uncool! 1 ditched a few references after finding that out.”

Responsible for the special effects in Norrington’s feature debut is Creature Effects (CFX for short) an all-British outfit consisting of Dave Elsey, Cliff Wallace, Alan Hedgecock and Brendan Lonergan who together and separately have worked on numerous high profile movies including NIGHTBREED, RETURN OF THE JEDI and WHO FRAMED ROGER RABBIT. Norrington chose CFX mainly because he knew them, and their work, personally.

Constructing the Death Machine fell to Animated Extras, the prosthetic/ mechanics company owned by Daniel Parker and Nick Williams who worked on the Indiana Jones film scories, ENEMY MINE and MARY SHELLEY’S FRANKENSTEIN. They worked from Norrington’s design marquette for the killer robot. "The fullsize construction was so big and heavy it needed 12 people on the controls to make it move,” said Parker.

So was directing harder or easier than Norrington expected? He gave a wry smile and said, “I’d directed some award winning commercials and promos before DEATH MACHINE. Anyone could do it. I’m living proof that directing, in the words of the immortal, god-like James Cameron, is criminally easy. The only challenge I’ve faced had to do with time and money: staying at a consistently high quality on such a short schedule.”

[life-winners-liveblog]

the glitch Pokémon "??????????" is usually called "Decamark"

so i guess ??? would be "Trimark" (not to be confused with the shop Primark)

That's so cursed

I love it

[heavenboy09]

30 Years Ago On January 8th, 1993

The Most Unbelievable & Outlandish Horror / Comedy Film Was Released On That Day

& Till This Very Day

It Has Remained A Cult Classic For The Month Of March for many years

Dan O'Grady (Shay Duffin) steals 100 gold coins from

A LEPRECHAUN (Warwick Davis) while on vacation in Ireland.

The Leprechaun follows him home, but Dan locks the murderous midget in a crate, held at bay by a four-leaf clover.

Ten years later, J.D. Redding (John Sanderford) and his daughter, Tory (Jennifer Aniston), rent O'Grady's property for the summer.

When their new neighbors accidentally release the leprechaun, he goes on a murderous rampage to reclaim his gold.

This Time In The Month Of March

The Luck Of The Irish Is Not Upon You

For It Would Seem

THAT YOUR LUCK JUST RAN OUT

FROM TRIMARK PICTURES PRESENTS

LEPRECHAUN 🍀

HAPPY 30TH ANNIVERSARY TO LEPRECHAUN 🍀

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 5 / 10

Título Original: Love and a .45

Año:  1994

Duración: 101 min

País: Estados Unidos

Dirección: C.M. Talkington

Guion: C.M. Talkington

Música: Tom Verlaine

Fotografía: Tom Richmond

Reparto: Gil Bellows, Renée Zellweger, Rory Cochrane, Jeffrey Combs, Jace Alexander, Peter Fonda, Ann Wedgeworth, Jack Nance, Charlotte Ross, Michael Bowen, Wiley Wiggins, Scott Roland

Productora: Trimark Pictures

Género: Crime; Romance; Thriller

https://www.imdb.com/title/tt0110395/

TRAILER:

[retrociema]

Ночной беглец - триллер, боевик США 1994 Эндрю МакКарти, Скотт Гленн, Алекс Зонн

Как быстро Вы попытались бы убежать с миллионом долларов! Джерри Логан работал таксистом в Лас-Вегасе до тех пор, пока не обнаружил сумку с миллионом долларов на заднем сидении своего автомобиля. Неудачник-пассажир, оставивший деньги, бежал от мафии, ну и естественно, был застрелен. И когда Джерри понимает, что мафия свидетелей в живых не оставляет, он пытается покинуть страну с этими деньгами, но обнаруживает, что за ним по ��ятам уже следует безжалостный профессиональный убийца...

#триллер #боевик #киноклассика

Выпущено: США, Trimark Pictures Режиссер: Марк Л. Лестер В ролях: Эндрю МакКарти, Скотт Гленн, Алекс Зонн, Мэттью Лоранс, Карл Киарфалио, Энтони Пондзини, Джинна Майклс, Катрин Лотнер, Питер Яканджело

Перевод: Профессиональный многоголосый («Нева-1 СПБ»)

[back-and-totheleft]

The Oliver Stone Collection

Long before the advent of DVD, the name Oliver Stone was already synonymous with the term director’s cut. Now, thanks to the wonders of digital technology, the voluble director of ”Wall Street,” ”JFK,” and ”Any Given Sunday” has found the perfect place to unload his vast cinematic attic: the ”Oliver Stone Collection,” a mammoth DVD boxed set loaded with extra scenes, supplemental research, and plenty of conspiracy theories. Recently, the natural born rabble rouser sat down with EW to look back (and to the left) on his collected works — including the mysteriously MIA ”Platoon.”

So where’s ”Platoon”? You know, MGM stiffed [Warner] on ”Platoon” and ”Salvador.” They had a big fight. I don’t know much, I just know there was a lot of bad blood.

Kinda nice having people fight over your work, huh? You could say I’m glad they have some library value, although a lot of people don’t remember ”Salvador.” I know this because the people at MGM said, ”What is it?” But I did a commentary for it. I think [MGM] is going to [release ”Salvador” and rerelease ”Platoon” on DVD] midyear.

Are you a big DVD fan? Any form of preservation is good. And there are so many worthy films they can’t keep up. Museums do good work, of course, but the commercial motivation is the best motivation.

So what version of ”Natural Born Killers” [the R rated version is in the set; the unrated director’s cut is available from Trimark] — and of all your movies, for that matter — do you want the public to remember? I’m not that picky about it. It’s an ongoing process. Think about books: Writers go back to them at various stages of their lives, so there are earlier editions, later editions. I’d never have released a film theatrically without having approved it. So I’ve never had a problem with a studio [cut]. I did have huge problems with the MPAA…. I was okay with the R cut [of ”Natural Born Killers”], but I prefer the director’s cut. I accept the theatrical cut because I made it — nobody replaced me.

Well, you certainly weren’t stingy with the supplements. I wanted to be thorough because my films are often criticized for accuracy, and I’m trying to point out that a lot of research went into them.

So is this the last word on Oliver Stone, or do you foresee future editions? Well, look at ”JFK.” It’s enormous [at 205 minutes]. Other people are talking, people who are very knowledgeable in [the Kennedy assassination lore], even more so than I am, and that opens up the possibility that, yeah, there ought to be [another edition]. Probably in 2010, there will be some new DNA evidence. [Pause] If they’ll let it out.

Speaking of classified information: You were a writer on the original ”Conan the Barbarian,” correct? I wrote a very elaborate script. Paramount saw it and flipped out. It [would] have cost $50 million [to make] at that time. I wanted Ridley Scott to do it. But he chose ”Blade Runner.” And that set us back. I really always strongly felt it could have been a Bond series, 12 pictures, with a great central character if they’d kept the quality up. Ah, it was an outrageous script. I always get approached about remakes.

-Scott Brown, "EW sits down with Oliver Stone," Entertainment Weekly, Feb 9 2001

[gotoblogs-blog]

Tisha Campbell Talks About Leaving Material Things Behind

Campbell's first television appearance was at the age of six, in an episode in 1974 of the PBS show The Big Blue Marble. As a child, she won many talent shows, going on to appear in such children's programs as Kids Are People Too, Unicorn Tales (played lead Daisy Bunsen in episode, The Magnificent Major), and Captain Kangaroo. At age 17, she performed in the musical feature film, Little Shop of Horrors as Chiffon, one of The Supremes-like girl group Greek Chorus, along with future Martin co-star & best friend, Tichina Arnold. After graduating from the Arts High School in Newark, she moved to Hollywood, where she became a star on the short lived NBC musical comedy-drama series, Rags to Riches (1987–88). She later starred in the musical comedy drama film School Daze, directed by Spike Lee, as Jane Toussaint. In 1989, Campbell costarred in the crime film Rooftops, and the following year starred alongside Eddie Murphy in the action comedy Another 48 Hrs.. She later appeared in a supporting role in the 1992 romantic comedy Boomerang, also starring Murphy. Her most notable film credit is 1990 comedy House Party for which she received Independent Spirit Award for Best Supporting Female nomination. She later co starred in its two sequels; House Party 2 (1991), and House Party 3 (1994). In 1997, she received her star billed role in the Trimark Pictures' comedy film Sprung.[5] She later had the leading role in the independent drama film The Last Place on Earth (2002),[6] and appeared in Kevin Smith's sex comedy film Zack and Miri Make a Porno (2008) playing the acerbic wife of Craig Robinson's character. In 1992, Campbell was cast as Regina "Gina" Waters-Payne in the Fox comedy series Martin. She left the show in April 1997, after settling the lawsuit against Martin Lawrence of sexual harassment.[7] The following year, she starred opposite Diahann Carroll in the Hallmark Hall of Fame film The Sweetest Gift (1998). Campbell returned to television in 2001, starring opposite Damon Wayans in the ABC comedy series My Wife and Kids. The series ran for five seasons, until 2005. In 2003, she won NAACP Image Award for Outstanding Actress in a Comedy Series for her role. After My Wife and Kids, Campbell was a regular in the Lifetime comedy series Rita Rocks (2008–09). In 2011, she starred opposite Ally Walker in the Lifetime police drama The Protector. The series was canceled after a single season. In September 2015, she was cast in the ABC sitcom Dr. Ken, starring Ken Jeong.[8] The series was cancelled after two seasons in 2017. In the beginning of 2018, she played Olympic gymnast Simone Biles' mother in the Lifetime movie The Simone Biles Story: Courage to Soar.[9][10] Later in 2018, Campbell starred on the ABC drama pilot The Holmes Sisters about the lives of five African-American sisters, all officers in the NYPD. It was produced by Regina King and Robin Roberts.[11]

[retrocgads]

USA 1996

[spinwithagrin]

LEPRECHAUN (1993), dir. Mark Jones

[logosnstuff]

🇺🇸🎥🎞

[brokehorrorfan]

Gutter Garbs has released two Return of the Living Dead 3 shirts to die for. Priced at $27 each, one is designed by Justin Bryant, while the other features official artwork from the film.

[retrociema]

Чернокнижник - триллер, приключения США 1989 Джулиан Сэндс, Лори Сингер

Бостон, 1691 год. Обвиненный �� связях с дьяволом  - колдун (чернокнижник), приговоренный к смерти, на кануне казни спасается при помощи своего покровителя. Перешнагув через столетия чернокнижник оказывается в 20-м веке, где буквально попадает в объятия простой американской девушки по имени Кассандра. Три века не отняли у колдуна шарма и способности держать осанку. Используя их наряду с магией, колдун занят поисками потерянных частей книги, соединив которые он сможет вызвать своего Повелителя, что грозит уничтожением всего мира. Кассандра и прибывший из средневековья охотник за ведьмами -  вступают в войну с посланником Сатаны, чтобы не дать отыскать и соединить три части сатанинской Библии, спасти свои жизни и жизни людей.

#триллер #приключения #мистика #фэнтези

Выпущено: США, New World Pictures Режиссер: Стив Майнер В ролях: Джулиан Сэндс, Лори Сингер, Ричард Э. Грант, Мэри Воронов, Кевин О`Брайэн, Ричард Касс, Аллан Миллер, Анна Левайн-Томпсон, Дэвид Карпентер, Кей Катер

Перевод: Профессиональный (дублированный) Мосфильм

Картина была закончена еще в 1988 году, став одним из последних фильмов кинокомпании Роджера Кормэна «New World Pictures», прежде, чем та обанкротилась. После того, как она пошла ко дну, фильм положили на полку. Только в 1990 году «Trimark» выпустила фильм на широкие экраны. Фильм снимался в штате Юта, в городах штата Массачусетс – Бостоне и Плимуте, а также в г. Лос-Анджелесе (штат Калифорния).

[videoreligion]

Vidmark Entertainment (c1991)