#THIS ISNT AN OFFICIAL ZINE

[selamat-linting]

i like to write, both serious and silly things, fiction and nonfiction. the serious stuff gets published in the newspaper, or submitted to some zine or a magazine and posted in a personal blog when rejected. the silly stuff tho, that ones for my eyes only. i enjoy both equally. but i do find it a little sad that i didnt have much chance sharing the silly writings because it was so personal and self indulgent. tbf, when i say its silly, its very silly. its a homestuck ripoff with some hints of eschatology using a mary sue as the main character.

premise is this : the world is inevitably ending in several decades, so somehow it activates an eldritch pocket dimension / machine / entity / creature hidden in the earth that are meant as a second chance for humanity. a sample of a few thousand humans were selected. using the data gathered on the internet, the device sets up a network of puzzles and quests to test the chosen people. it almost looks like a game. it promise that if they win, they will be given the means to create a new world. but ofc, its not just the machines who is the judge, but is also the entire humanity. barring certain exceptions (void players, the people who really likes not knowing shit and having things be a mystery, basically ppl who would be religious/spiritual and not question it), the player must do everything in game with the eyes and the judgement of the world watching. something they only know after heavy plot development.

some believed that the players were seen by the rest of the world because theyre judged as a representative for humanity, and that this intense scrutiny was just like how in the end of the world, god would ask every single part of your body about the things you do during your life, and that you will not be able to lie because it was the parts of your body (your actions) that testified for the truth.

anyway, as the contestants played the game, gets outside interference from world powers, the 1% and the like, suffer untold amounts of trauma, and loses their entire privacy as the inside of their heads gets laid out on the table for all to see, they realized that their myriad of different tests was ultimately asking them to look for another way and think for themselves instead of choosing black and white options on ethical/moral dilemmas. theyre metaphorically forced to walk on a long bridge that are as thin as hair. but it wasnt hopeless. again, the bridge, the pathway, was metaphorical. the machine demands the winning players to be a certain way. the kind who wanted to change the world for the better and has done enough thinking and actions to understand what it took, the one who has already let go of conventional human morals and forged their own path and philosophical system. this is the second chance of humanity afterall, they better make it work. the world is not for amusement after all.

anyway, the main character is a prince of doom who proudly proclaims he's killing himself to live. nah, he's not good at walking the metaphorical bridge either at first. look, the answer isnt to demand perfect people to cross the bridge, its mutual coordination, working together, you know the kind of shit leftists love to do. this wip im writing only has like, two first draft chapters and several disconnected scenes of things i find cool. im not that interested in making things coherent or completely finishing the story. the main character is still temporarily names as Anonymous. At best, it will be complete but only as a partially edited second draft that i will never officially share to anyone. its my personal fun project :)

[screamingatnoone]

It looks like PE pearl zine that Hilary Florido made was a hint to Blue liking art and Yellow liking looking at herself.

[bugbound]

*calls myself a homestuck artist and is killed instantly by its legal team*

[actualbird]

greetings from hell week im dying and i think i signed up for something thatll Kill Me

[ladyjaja]

entry 3 ... the lobby of castle conejo 1/2 ~ the bookstore .. talking about virtual books

here is what you see when you enter the castle.. three doors.. lets disregard the blue door for now and learn about whats behind the red doors.. starting with the door on the left

the bookstore has all the virtual books that conejo has produced, and theyre all for free, theres a LOT here...

the room is optimized for reading right there, as all the books on the shelf contain a book you can attach to yourself.. appearing as a HUD!

yes.. all the books in here can be read anywhere.. you can also rez them in-world.. about 3 landimpact and the books are fully readable

the book was created using the NekoToys BOOK ( located here --> https://marketplace.secondlife.com/p/NekoToys-BOOK-Copy-Transfer-OK/15323559 ) .. if you want to make your own books.. they have copy and transfer permissions, i recommend it, as its easy to use ^,,^

like i said, all these items are free.. the first shelf matches the poster infront of it, these are all the CONEJODIGEST issues, CONEJODIGEST is a magazine organized by me that contains news of things that happened in conejo as well as contributions from friends in conejo.. these are the most important distributions in the bookstore..

theres 5 issues, they all have a lot of stuff, they were created within two months of eachother usually.. most of them are available to read in pdf format here --> https://casaconejo.info/conejodigest/directory.html .. theres a wide range and i guess you can learn a lot about conejo through them if you know nothing, even if you know everything about conejo its enjoyable.. they contain the issue itself and two posters each, you can put these posters in the walls of your home, and these posters appear around homes in conejo itself too

 these are very proud products of conejo.. conejodigest on its own could warrant its own post.. but im trying not to get too ahead of myself.. a LOT of things warrant their own post around here

i havent been able to produce new issues of conejodigest because they are stressful for me, since i make a majority of the pages its a lot of work and i became very busy with working on my visual novel that i didnt have time for the digest, or even big scale events besides conejobeat, because its the one event im not the sole organizer for ^,,^; .. regardless i am not leaving the digest in the dust.. and eventually a new digest will emerge.. when i feel like it!

the second shelf has more individual things.. most importantly a wafa plush, probably the most useless bookstopper ever and only there for cuteness and because i love it.. and then also 3 books.. left to right:

the conejo island official info miniguide: this book was created to give people a rundown of conejo stuff, some of the info in it is outdated, like the map (note: a lot of maps around conejo are outdated, for a while i just gave up keeping up because conejo was changing so much geographically.. but i guess now is a period of calm? nothing has changed.. yet im scared to make a map in belief that it will jinx it and the virtual tectonic plates will attach or remove another 1024sqm parcel) it holds up for its purpose..

yayebunny volume 1: this is a little picture zine of photos osa & i took of a stuffed bunny i take everywhere, these are all irl photos.. this is really cute and probably the only not really conejo related book here..

holy conejobeat official artbook: the most recent and most ambitious conejobeat, holy conejobeat had a lot of artwork attatched to it, this is an artbook initially distributed during the event that contains all holy conejobeat related artwork,  theres art by my closest friends in here as many of my own paintings

last and least (cuz it isnt a book) is the heartlovepowertemple free cd item that i gave away the day heartlovepowertemple came out .. it doesnt contain the actual VN, its a decorative cd with custom textures all over.. its really pretty, if you want it in your house.. and next to the shelf we see the conejopress poster, which gives details for those interested in submitting their own books to the library

[leomitchellart]

So… about this latest Inktober controversy….

Time to begrudgingly chuck in my two penneth… (Remeber you can always press “J” to skip this post altogether)

As most of you may or may not know, Alphonso Dunn released a Youtube video wherein he publicly accused Jake Parker, and creator of the Inktober challenge, of plagiarising his book. Both of these men are public figures, artists specialising in pen & ink. In the video Dunn looks at the preview pages and flip through footage of Parker’s “Inktober All Year Round” and says they draw many similarities in the illustrations, language and layout that he used in his own book, “Pen & Ink Drawing”. Parker’s book was set to this month. Hense why Dunn only used footage and not a physical copy.

Since the video’s release, the art community has been very spilt down the middle. The book’s publisher has halted the launch of Parker’s book until the matter can be investigated. Even DeviantArt cancelled their own Inktober event thing (I’ll admit I don’t keep up with these things DA keeps doing). Parker has since released a statement in the matter. Now it’s up to the courts to decide what’s happening next. The video itself is an hour long, but it’s crucial to see it yourself. 

People are, understandably, outraged after seeing it. This seems like a shitty thing to rip-off Dunn - not to mention stupid. Since Dunn is the more popular pen & ink artist with more social media followers and name recognition. Many have called to boycott inktober and condemn Parker. I’ll admit, I was right alongside them at first, at least for feeling outraged. The similarities are there. But if YMS’s Kimba video has taught me anything, it’s that, even if an accusation of plagiarism may be obvious at a cursory glance, sometimes it’s important to take a more critical eye and do more research to learn that things aren’t as cut and dry as they first seem. If there’s a lesson I can take away from the internet as a whole, it’s that no one thinks about the consequences of mob mentality.

The most common defence of Parker is that because they’re both books about pen and ink drawing, then they’re inevitably going to be similar. I’ll admit that, when you pick-up so many art books, a lot of them will cover the same basic grounds of materials, tutorials, strokes, techniques etc. The parts about rendering textures on spheres and cubes isnt new. Look up “texture study” and you’ll see so many examples of artists rendering these kinds of things digitally. I’ve also noticed a common theme of people more formally educated in art pointing out how none of these are original. Everything down to the steps and illustrations are things they’ve learned from years ago. Since I'm a pen & ink artist, inspired by my love of comics, I have quite a few books about inking: Dunn’s included. I own both his books and still highly recommend them. I didn't even preorder Parker’s book. Ironically because I didn't think it could offer anything new that my other books hadn’t already.

While Ethan Becker took the time to cross-examine Dunn and Parker’s books with several others, there weren’t many of the ones I actually owned. So I looked to my shelves to see what I could find. Books like:

“The Art of Comic Book Inking” by Gary Martin & Steve Rude

“How Comics Work” by Dave Gibbons & Tim Pilcher

“The DC Comics guide to Inking Comics” by Klaus Janson

“Making Comics” by Scott McCloud

“Stan Lee’s How to Draw Comics”

I’m sure there’s plenty more examples out there. I was planning to go through all of these and take pictures. But ultimately that’s not the core point of these post. Plus it would’ve taken WAY too long and this post itself, is long enough.

Of course, none of the them are 100% close to Dunn’s in the way they’re displayed. Not as close as Parker’s could be considered. That being said, I know Dunn is trying to claim that he invented these techniques. The nucleus of the issue is how similar they are in terms of order and how these pages are displayed. Some I can chock-up to standard practice, while others seem more coincidental.

If there’s one thing I’m adamant about, it’s that I think that Dunn should’ve messaged Parker first before making the accusation public. Some try to dispute that this would've made it easier for Dunn to be “silenced”, whatever that means; but that sounds a bit conspiratorial to me. Ideally, you confront him about it in private, if he makes any threats or blows you off, get your lawyer on the phone and then make the video. Not only is it the more civil thing to do - but it’s the smarter thing to do. This is a serious legal matter, not just internet drama. While I’m sure Dunn had no intention of tearing Parker down or getting a mob onto him, that’s unfortunately what’s happened. A backlash both from the general artisan community and several companies. Wherein it was left to Parker himself to make this an official legal matter. If Parker’s found not guilty, then this could easily leave the gate open for him to sue Dunn for damages, loss of revenue, defamation of character or whatever else, should he see fit. As could the publishers, given how this affected their sales. Companies responded to the accusation of the video alone, before an investigation could be launched. Sure, it wouldn't be “acting the bigger man” but he’d be well within his right to do it. Dunn showed that Jake has mentioned him before, shown admiration for his career and referenced him in other posts. If it comes to light in court, that Dunn is even cited as an inspiration or source in the book itself, then it’s case closed. 

Then there’s the other possibility that Parker might not have done this on his own, but that he has a team behind the book. If that’s the case, the most I can accuse Parker of is being a hack. I worry Dunn has kneecapped himself for just how badly he’s handled this situation. Made worse by him not having an actual physical copy to assess and just had footage of preview pages to go on. So far, the circumstances don’t seem on his favour. 

I don’t think ill of Dunn. I do think he believes he’s been wronged and no malice in his intentions. I just think he’s made some critical errors on how to handled this. As for Parker himself, I couldn't give a donkey’s doo-dah about him. I’m sure you could accuse me of playing devil’s advocate earlier, but to me, he was the guy who released the annual prompt list. If it really does turn out that he’s a plagiarist and had malicious intent, then fuck ‘im. I never regarded him as an inspiration of mine or paid much attention to him outside of that. It was the community that made Inktober what it is. I’ve never met Parker. Maybe he’s a cool guy? Maybe he’s a bellend? I don’t know.

Granted this isn't the first time Parker has proved himself to be a controversial figure: - Last year people were upset about him trademarking (not copywriting, as many have erroneously claimed) the word “Inktober” and some artists were stopped from selling their related work or zines. Parker would issue a statement: claiming the takedowns were a mistake of “overzealous lawyers” and it’s just a matter of the logo being trademarked. People can sell their Inktober works and even mention they are Inktober-related. Just not use the official logo. On the one hand, from a business standpoint, I get it. It’s the bare minimum you need to do to protect your IP, especially when you have a store. BUT, like most people, I don’t like how, what’s intended as a community challenge, has slowly become more of a brand associated with one man. Hardly a surprise it left a bad taste in so many people’s mouths. But, since it doesn't actually effect anyone’s ability to take part in the challenge, outside of personal principle, I went ahead with it the previous year. 

 - The year before, when asked if one can do Inktober digitally, Parker said the following:

I know some are still bitter about that, but speaking as someone who inks traditionally and digitally, this came across as needless whinging and blowing things out of proportion. Claiming that Jake had derided digital artists and said they were invalid etc etc. Take it from me, challenging yourself to try out different methods to ink traditionally can greatly improve the work you do digitally. It’s like how learning traditional fundamentals of art can still be applied to digital. Plus he never said “No.” he just gave valid reasons about how it makes it a different experience. That said, if you’re someone who can’t afford any kind of inking equipment or pens and only have a selected application to draw on - then none of this applies to you. Just the aforementioned few who took it upon themselves to get angry over nothing. Recently I’ve heard from subscribers of his newsletter that he’s now embraced the idea of people doing inktober digitally, to the point of selling digital brushes for inktober. I’m sure some will call this “backsliding” or “money grubbing” because people aren’t allowed to change their minds or update their statements.

For weeks I’ve been torn on what to do, not being able to solidify one stance over another. One minute I thought #JusticeForAlphonsoDunn then I wonder “Wait maybe I should look again?” to “But wait, those are way too similar!” Having splinters in my arse from sitting on the fence for so long. The longer this went on, however, I began to realise that I can’t take one stance over another. This case is far too muddy and complicated. I don’t have enough sufficient knowledge or evidence. Nor do any of you. We literally only have Dunn’s video to go on. While it’s a good start, it’s not enough to be taken 100% as gospel when it’s the only thing to hand. 

As previously mentioned, a lot of artists have decided to not take part in Inktober at all, or follow different prompt lists. That’s completely fine. A lot of them are based around a specific theme: halloween, kinky stuff, bears, transformers, OCs, Disney or whatever. That has massive appeal. I just can’d do it myself. I prefer the focus on random words, rather than all centred on a single subject; allowing me to be creative with my ideas and execution. I actually did try to make a list of my own random words. Problem is, I worried that because I was choosing my own, I might be subconsciously bias towards certain prompts and not truly challenging myself. Even narrowing down my options was taking too long. In the end…. I’ve decided to just do the official prompts again this year.

For me, that’s what it ultimately came down to. TIME. It’s the middle of September. I can’t afford to wait for the court case to be settled. No other prominent artists I respect have released their own prompt lists. I know there’s been some shitty people who are condemning this choice. Attacking others, accusing them of supporting plagiarism, looking to block anyone who does the official prompts. Even trying to make this a racial issue. Just…. no. 

If someone doesn’t want to take part in Inktober, that’s fine. If someone wants to do the official prompts, that’s fine. If someone wants to do their own prompts, that’s fine.

Don’t go around aggressively making snap judgements or accusing people of taking a side. Do whatever makes you feel comfortable. This has been a shit year, let people enjoy something.

If you look at this situation and it makes you feel angry, and you don’t feel comfortable in taking part in a challenge because of it’s creator. I get that, I literally get that. It’s why I haven't done Mermay. And please don’t mention Pinktober, I’m aware of it, but given his insta video on the subject and the things he said, I quickly came to the conclusion that I can’t take this person seriously. I’m sure this might make me seem hypocritical, but how this differs, if only for me, is the sheer amount Inktober means to me. It’s more than a simple challenge. Inktober's the one thing I’ve been most excited about all year. As it was ruined for me in 2019, when I lost my home and I didn't get to complete every prompt. (Long story, I’m okay now). As we all know, 2020, has been an AWFUL year. We’ve got to take whatever joy we can. As I’ve looked longer at the official prompts, I found ideas I’m really excited for. 

Once I started to really dedicate myself to it, it became a massive event. I hype myself up as I prepare for the busy month. Buy in supplies, clean the house and workspace, cook and freeze meals in bulk to save time, printing off a sheet that allows me to jot down ideas as I plan ahead.  Then once it’s done, after so much work, it makes the reward all the sweeter: Ordering a takeaway, celebrating a great halloween night and still rocking those vibes throughout November. Feeling proud of myself for doing it and seeing myself improve my technique, discipline and earning a few lie-ins to make up for the sleep I lost working. I’m like a kid waiting for Christmas. That said, don’t think that there’s something wrong with you when you understandably can’t dedicate that amount time for a simple art challenge. If anything that’s plenty of reason to why you’re smarter than me. You have a life and don’t push yourself too much.

Now, I need to crack on with the preparations. If you want to boycott Jake Parker, just not buying any of his products should be enough. Doing the inktober challenge doesn't bring attention to him, as I doubt most people even know him as the creator, nor does it even line his pockets. I just hate how cancel culture can do such serious damage like this and then try and put pressure on others to act accordingly without even doing any research themselves. 

As long as you’re not harassing anybody. Just do what YOU want to do. That’s fine. 

[ao3feed-hitoshi-shinsou]

Blind Eyes and Empty Hearts

Blind Eyes and Empty Hearts by thatanon1

Since Hitoshi joined his clan - the infamous fledglings of UA and their corresponding Elders - he's known that some things are just forbidden. It's stupid for him to question that, and it's even more stupid to cross Aizawa of all people. He's got four adult vampires up his ass twenty-four hours a day, so really, he should know better than to get home after dawn, no matter how pure (or gruesome) his intentions may be.

Or: A vampire AU where Hitoshi screws up a grand total of three times, and Dadzawa is Not Happy.

(WARNING: This story contains corporal punishment (i.e. spanking) of a minor. This is a work of fiction. Don't like? Don't read.)

Words: 4564, Chapters: 1/2, Language: English

Series: Part 2 of Spooktober Prompts 2020

Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Categories: Gen

Characters: Shinsou Hitoshi, Aizawa Shouta | Eraserhead, Yamada Hizashi | Present Mic, Shirakumo Oboro, Bakugou Katsuki, Class 1-A, Kayama Nemuri | Midnight

Relationships: Aizawa Shouta | Eraserhead & Shinsou Hitoshi, Shinsou Hitoshi & Yamada Hizashi | Present Mic, Shinsou Hitoshi & Shirakumo Oboro, Aizawa Shouta | Eraserhead & Yamada Hizashi | Present Mic, Aizawa Shouta | Eraserhead & Shirakumo Oboro & Yamada Hizashi | Present Mic, Shinsou Hitoshi & Everyone, Class 1-A & Shinsou Hitoshi, Bakugou Katsuki & Shinsou Hitoshi

Additional Tags: Shinsou Hitoshi-centric, Aizawa Shouta | Eraserhead Adopts Shinsou Hitoshi, Basically, he just dads him its pretty much official, Supernatural Elements, Alternate Universe - Vampire, Alternate Universe - No Quirks, but they still have powers bc like, Vampires, Corporal Punishment, Non-Sexual Spanking, Don't Like Don't Read, Spanking, Implied/Referenced Torture, but like barely mentioned at all, its just in Hitoshi's backstory, i swear its not elaborated on pls dont hurt me, Past Child Abuse, Child Abandonment, this isnt as dark as it sounds i swear, Blood, October Prompt Challenge, Prompt Fill, Mythical Beings & Creatures, Minor Injuries, Burns, hitoshi done f-ed up, Dadzawa - An Aizawa Shota Zine, Parental Aizawa Shouta | Eraserhead, Parental Yamada Hizashi | Present Mic, Parental Shirakumo Oboro, but hes more like a fun uncle, Class 1-A as Family, Shinsou Hitoshi is in Class 1-A, but its not an actual class lol, I'm Sorry, Angst and Hurt/Comfort, Angst with a Happy Ending, Fluff and Crack, im sorry there are so many tags pls forgive

Read Here: https://archiveofourown.org/works/27379369

[crusty]

It's like people have some fucking brain rot disease fhfjjdjd the shit that I see on twitter about the problematic favs zine Rly like. TELLS ME how much people dont care to look into shit and read.

Annoying vriska stan: *sees vriska next to gamzee or eridan in any way shape or form*

Like bro we get it you want to believe vriska really did Nothing wrong so bad

The problematic favs zine isnt like. "Durr hurr all these characters are equally bad"

Its hey, all these characters, regardless of the things they did and their moral status did something controversial or sparked controversy in the fandom. Liking them is ok???

Of course, you'd only know that if you actually went and looked at any of the official blogs yourself lmao

fakewoke vriska stans always prove to be really fucking stupid literally all the time.

[nbapprentice]

there’s so, so, SO much nonsense surrounding this game that i’m gonna do my best to separate it into digestible bits, with its own categories. even then this is... wow. it’s big.

Warning tags will be added at the start of every section, but the general gist is: incest, pedophilia mentions, fetishization of rape and abuse, fetishization of mlm, fetishization of people of color, racism, ableism, nb erasure and transphobia. aside of the warnings, this post will also touch upon Scummy Business Practices

let’s get going

Dana Rune’s and Elle’s lack of moral fiber: #incest #pedophilia#rape and abuse fetishization #homophobia

tl;dr: dana loves incest porn, elle loves guy on guy rape, and the both of them are friends with at least one pedophile

dana rune has run, is still running an incest zine (please visit my faq on what i think about “thats not really incest” and “it’s just fictional!”). The Arcana, as a dev team, clearly does not care, as shown in their e-mail responses.

dana also very much doesn’t care and has reacted to any criticism on this by dismissing people and blocking actual incest victims who tried to contact her about it claiming it was for her “mental health”

in some tweets she claims she “interprets” the characters as not siblings, but she never really cared enough to cover her ass when it all began (she happily admits she’d “cross the incest line”)

dana has commissioned artists who also ship incest, draw near-pedophilic art that’s supposed to pass as acceptable because the character involved is supposedly not a minor despite looking like a child down to wearing pigtails (the character is also wearing a racist-ass belly dancer outfit), AND even made white-washed fanart of The Arcana.

dana follows twitter user kapymui who also produces incestuous Fire Emblem art

dana has retweeted omocat long after it came out that omocat is, at the very least, consuming pedophilic content (on “omocat didn’t know what shota meant!”: yes they did)

moving on, elle has a long, long, LONG history of fetishizing mlm and the rape and abuse that comes with yaoi and had a rich, RICH “yaoi” tag before they deleted their tumblr

they curiously deleted their tumblr right after i made this reblog

shortly after that, tumblr user thalassiq remade and started attacking and insulting any blogs criticizing them - even people providing support in IMs. Since this doesn’t match Dana and Elle’s normal pity parties I’m personally willing to believe they were just a person wanting to start shit - but it’s so telling how Elle used this chance to dismiss everyone who disagrees with them by calling them “children” and did not even bother to offer a kind word to people who were harassed and even had their trauma mocked by this person. It costs 0 dollars to say “that was not me but I’m sorry about people who were hurt.”

Dana and Elle are close with Ava’s Demon creator Michelle Czajkowski aka that one person who endorses child porn of her characters, and even had her draw a promo image for the game. Michelle has been creating highly sexualized content of her minor characters for a while now.

ok so elle and dana are gross freaks, how is that related to the game?

oh it’s very very related

Dana Rune’s and Elle’s lack of moral fiber that’s Actually Inside The Game or The Game’s Blog: now with more #racism #fetishization of poc and mlm #whitewashing #fat hate #pedophilia #nb erasure #transphobia

tl;dr: the arcana is filled to the brim with racism! so much of it! haha holy shit! and that’s not even where it ends!!!

their game is rated PG-13 but includes incredibly sexual situations such as Julian making this fucking face while getting off on pain. This isn’t the only time Dana and Elle use their videogame aimed at young teens to showcase their kinks and fetishes. I have no issue with NSFW or titillating content, as long as it’s rated accordingly. This content is NOT and it’s a blatant disregard for their audience just to have a larger, more pliable demographic and have more money sent their way.

if you start your argument with “well, teenagers look at porn” 1. shut up 2. theres a HUGE difference between teenagers going after adult content aimed at adults, and adults creating content they know will be seen by kids barely starting puberty

as pointed above, dana has 0 qualms literally commissioning people who make whitewashed fanart of her own fucking game that’s supposed to be all about the inclusivity and safe spaces

thearcanagame blog has a pattern of reblogging whitewashed fanart (before you come in swinging with the good ole “ITS THE LIGHTING”: 1. no it isnt 2. the artist should’ve picked better lightning then 3. i draw and post shit online too so dont come telling me i just dont understaaaand),

fanart of their fat characters showed skinnier than they are in their sprites (although to be real for a moment - Portia is curvy at most and them behaving she’s fat rep is HILARIOUS).

going back to NSFW content: nadia and asra are overwhemlingly sexualized in the game, and were the first to have sexualized CGs and sprites introduced.

CGs: Asra’s here, here aND HERE, Nadia’s here with a NSFW warning because she’s just got her whole fucking ass out. Sprites: Asra’s thank god for whoever compiled it all in one image, Nadia’s and once again, NSFW warning lmfao!

Julian’s sprites on the other hand are noticeably tamer, including the one where he’s fucking strapped in leather. His only sexual (NSFW warning because its literally softcore tentacle porn WHICH, ONCE AGAIN, SHOULDN’T BE PUT IN A GAME AIMED AT 13YOS) CGs were also included months after Nadia and Asra received any of theirs.

Through all of the updates, people have constantly requested that Asra and Nadia’s sexualization be toned down, and time after time The Arcana just churned out fetishistic, hypersexualized content at an absurd rate, especially when compared to the one white love interest.

Oh, speaking of the one white love interest: Julian is based off of Jeff Goldblum (this is not spectulation - they p much bring it up at any given time) but like. If Jeff Goldblum was white. They base their favorite love interest off their supposed favorite man in the world but casually leave his skin tone behind. Lmao.

they also play favorites very obviously - in the prologue, Nadia and Asra have a romance paid scene each. Julian has a scene... that requires no coins. Julian was also the first LI to receive three CGs, two of them requiring no coins, while both Asra’s and Nadia’s first CGs were behind a paywall

Dana and Elle have been notoriously skittish about confirming or denying their characters’ ethnicities. After hyping for weeks on thearcanagame that they would confirm the character’s races they basically made a post that amounted to “well they’re not white lol!”

they only relented after the perfectly understandable outrage... and posted a thread about it on Elle’s twitter. Nothing on the actual thearcanagame blog. Anyway, here’s the thread. Note how there’s mention of Julian being Jeff Goldblum... but nothing about him and Portia being Jewish (or “fantasy Jewish” as it were).

The one time they did confirm their jewishness dana then backpedaled and said she shouldn’t have done that lol.

another fun tidbit of how well The Arcana handles race and how much it cares about feedback from fans: an ask was sent about an anon begging for Nadia to step on them. The blog, with the finesse of a bunch of horny dumbasses, didn’t just publish the ask, but approved of it (even though the fans of color had long, long, LONG been telling everyone not to fetishize Nadia into a “step on me kween” wet dream). People were outraged, of course, and the blog ~apologized~ and said they were still learning.... then a new chapter included a scene of Nadia stepping on the Apprentice. 🙃

not to mention elle, on their twitter, made a passive aggressive “women can be doms?” tweet, trying to twist it into a “yr oppressing women” angle (when the issue is that women of color are always constantly portrayed as aggressive and domineering)

Now for a wombo combo of racism and Elle’s fetishization of mlm:

the devs have spoken at length of how Julian’s and Asra’s relationship was quite unhealthy. In a paid scene in Asra’s route, they’re depicted as Asra being disgusted w Julian touching him+Julian following Asra to his shop when Asra refused his offer to go with him (aka julian... stalked him lmfao).

.......... this scene is promptly followed by a highly sexual scenario where Julian’s pain fetish is played up. Remember how this game is rated PG-13? Me neither. Asra’s previous disgust with Julian is also forgotten, for some reason (and by some reason i mean Elle wants to make them fuck w/o buildup or logic).

Then Asra’s route has yet another paid scene dedicated to Asrian, even though he’s supposed to not even like Julian! And be head over heels with the Apprentice! But Elle just has to make these two be entangled despite insisting their relationship was not good for either of them!

Now here’s the kicker: Julian doesn’t have any paid scenes related to his romance with Asra. Note how it’s one of the brown LIs whose route is highjacked by the white LI, but not vice versa. Hmmmmm.

Now, on the topic of Asra: thearcanagame has said repeatedly that he’s nb and uses he/him pronouns, and promised (since last year) that there would be dialogue where he speaks about his gender

as of the making of this post such dialogue still does not exist

so basically asra is the nb to dumbledore’s gay: anyone who just plays the game w/o keeping up with the official blog has no idea of what asra’s gender is supposed to be.

aka he’s not nb. he’s just a cis guy. the arcana just doesn’t want to put its money where its mouth is, i dont care if elle is nb themself. the team made a promise which has not been fulfilled yet and i suspect will not be.

instead, our introduction to canon nb characters is... these two.

By “these two” i mean neither vulgora nor valdemar are even fucking human, and stick out like sore thumbs with their monstruousness.

so our nb rep is... non-human villains. a few books later one of Nadia’s sisters with they/them pronouns shows up, but that’s too little too late on top of the fact that we should’ve known Asra was nb from the first to begin with. It’s a fucking embarrassment and an insult.

at least two villains are visibly disabled (Lucio’s missing arm and Volta’s blind eye+intentionally asymmetrical face). Julian’s eye doesn’t count because, spoilers, he’s not lacking an eye and even if he was it’d still be hidden behind a dashing eyepatch instead of grotesquely displayed as a sign of his lacking morality.

BUT WAIT! IT DOESN’T EVEN END THERE!

The Arcana Exploits The App Business Model To Price Their Full Game at $500, $1000 if the three extra routes make it out, and they never delivered their Kickstarter rewards:

tl;dr: you heard me

the original price per route was planned on being $1.99

they took that “subject to change” really seriously, it seems, because now each route, once the game is fully out, is estimated to cost around $170 each.

both those screenshots are taken from this post which explains in detail just how truly scummy all of The Arcana’s business model and decisions are: https://mysticmicrotransactions.tumblr.com/post/174308723344/dishonesty-from-the-arcana

the tl;dr is basically what’s listed in the beginning of this section, but other highlights from that post are: the use of addictive gambling mechanics such the Wheel of Fortune, and the dazzling calls to action in the new mini-game.

something that The Arcana supporters forget (or choose to ignore) is the fact that for a long, long time the game did not have the mini-game or the log-in rewards for coins. Players depended only on the gambling of the WoF or paying absurd amounts of money for the new chapters.

the devs went from playing the victims who were unable of controlling prices to (as spoken of in the link from mysticmicrotransactions) saying the making of the game (a pathetic little app game backed by a studio and a kickstarter) justifies the prices

they also gave people false hope about maybe changing the prices in the future, all while bleeding money from loyal players in “micro” transactions

the arcana literally added a $99.99 coins option on their latest update

in case it hasn’t sunk in yet: you can pay a hundred dollars upfront to the arcana, and you still will not have access to the whole game

there is no defense to this

none

“it’s free stop whining” let me explain:

“spend months on end accumulating fake currency or pay hundreds of dollars up-front to be able to play” is a scummy business model no matter how you look at it

if i can spend $60 upfront to play an AAA game there’s no excuse to demand more than that for a game with much smaller and, honestly, inferior content

the combination of there being already far and few games featuring lgbt characters and characters of color AND the little cult of personality set up by Dana and Elle makes people feel that spending money to support them is an acceptable expense.

it’s not

manipulating people into spending ridiculous amounts of money and then claiming “it’s their choice” is just scummy business, baby, and thats all the arcana does

the devs are brats who instead of admitting $500 is absurd for a game instead write petty little caricatures into their game - like, lbr: dana, elle, if i could afford diamonds in my hair i wouldn’t have even bothered with your shitstain of a game

despite bragging that ppl would get the full story w/o needing to pay, the paid scenes are pretty much required - the first few books of julian’s route have no romance without accessing any of the paid options. you dont even get so much as a kiss in without handing coins over. many, many people were baffled when julian had a teary break-up scene when from their perspective they hadn’t even started building a relationship.

wow that’s more than i ever thought it’d be

and i’ve been aware of their bullshit for near a whole year now!

i don’t have much of a note to end this on, other than: the arcana just isn’t even that good. it suffers from weak writing, pathetic character development and above all actually harmful content. do not try to argue with me on any of these points unless you’ve read all of that, because whatever you have to say i’ve likely mentioned before. if you still are that determined to yell at a me on the internet, please preface your argument with the phrase “I’m a pee pee poo poo man” so I know you’ve read everything in here. thank you!

[vintageklancezine]

Hello everyone! If you haven’t noticed it yet in our schedule, the application dates for artists are officially between Feb 3 and Feb 17! In this post we’ll be telling you about the guidelines and criteria we’ll be evaluating applications on, so that you’ll have time to build on your portfolio by the time the date arrives!

You will be required to submit the links to 3 of your best works, in the style you will be using for the zine. These should ideally be complete pieces, i.e. not sketches or WIPs.

At least one (1) should have a proper illustrated background, complete with detail and fully colored.

Although not necessary, it is recommended that at least (1) is Klance-related.

What we will be judging you on:

1. Anatomy: You must have a good grasp on how the human body works. Even if you have an exaggerated/cartoony style of drawing, it’s completely fine as long as it flows naturally!

2. Background and Composition: Your ability to maintain cohesion between your background and your characters says a lot about you as an artist! Even if your bg isn’t too detailed, it should have a strong relationship with the characters in it. Since this zine will revolve not just around klance but also the context of their time period, this criterion is especially important.

3. Color Schemes: The mark of a good illustration is how well the viewer relates to it, and this is particularly affected by the artists’ choice of color and how well you are able to depict mood and setting in your piece!

4. Creativity: Despite not relating to level of skill, this criterion helps us judge your thinking and ideas. It has absolutely nothing to do with your portfolio and everything to do with what ideas you pitch to us for the zine! We want this zine to explode with variety and creativity, and although this doesn’t have as much weightage as your artistic skill, it helps us evaluate you as a person!

Thank you so much for your support so far, we look forward to seeing wonderful artwork from everyone! If you have a question that’s not answered here, don’t hesitate to send over an ask :)

[maternalcube]

i did an art summary so now im doing a fic summary. i was tagged by @jamthedingus also!! ive never done one of these before!! lets go!!!

Rest (13106)

Keith & Lance's Island Adventure (20631)

Atlantis (10014 words)

The Way to a Man’s Heart (6858 words)

nobody's business (2096 words)

leave, and take (557 words)

dead girl walking (1661 words)

the course of fate (1039 words)

who ya gonna call (465 words)

come here often? (806 words)

til kingdom come (1950 words)

stars in the sky (pt 2) (5404 words)

a song of falling (630 words)

Eyes to the Sky (3683 words)

Feet on the Ground (4050 words)

Divergence (6669 words)

homecoming (1426 words)

Window of Opportunity (11144 words)

along that wilderness of glass (3801 words)

string theory (2327 words)

Katt Week (1062 words)

The Pining-Plant (3860 words)

at the end of many worlds (21684 words)

you're my home (19646 words)

Believe Me (3177 words)

Starchild (3568 words)

Summer Heat (2285 words)

third time's the charm (5349 words)

Blackbird (59546 words)

The Sixth Planet (9444 words)

all the infinite realities (1197 words)

Total Fics: 31! (plus one i posted anonymously lmao) Total Words: 229999! (except parts of string theory and the sixth planet were actually posted last year... but still, what a number)

more under the cut!

Ship/character breakdown: i didnt filter out my prompt collection or abandoned wips here so /shrug Ship breakdown:

klance - 6 sheith - 5 shance - 5 katt - 4 heith - 3 pallura - 2 and one each of plance, kallura, allurance, shatt, shkatt, kidge, kidgance, and shunk. and keiths parents lol. let it never be said i am not a multishipper.

and i know gen isnt a ship but it tied with klance at 6 (plus whatevers in the prompt collection) which was a surprise

Character breakdown: man if theres a way to get ao3 to show me ALL the stats, i dont know it. but.

keith - 25 (shocker) shiro - 23 lance - 21 pidge - 17 hunk - 16 allura - 12 matt - 12 and then coran and sam are at 4, and zarkon ats 3 and presumably many others are at 3 or less

Characters that had the main focus: well ~9 were from keiths pov, and ~5 each from shiro and lances povs. i think i also had ~5 from multiple points of view. its safe to say that keith has my heart tho lol

Specifics:

Best/worst title? Best title: i still like “at the end of many worlds.” i weirdly still like “Blackbird” too even if it has nothing to do with anything... Worst title: “Rest.” :/ also like all of the abandoned wips bc i didnt care. and “Keith & Lance's Island Adventure.″ some of my zine fic titles were also... bad. im bad at titles.

Best/worst first line?

Best: Keith & Lance's Island Adventure. ok the title is bad but this line? this really sets the tone for whole fic. you know what youre getting yourself into here.

When Pidge invited Keith to a fully-funded graduation party aboard the Holt family boat (“the smaller one, anyway,” she’d said), this is not exactly what he'd pictured: three of them standing on a wobbly dock, packed bags at their feet, sky cloudy and gray, while the Holt siblings stand on a little ledge off the back of the boat and deny entry.

Worst: ive got two for this lol

at the end of many worlds: even i have to read this a couple times to figure out what i was trying to say. at least you know youre in for pain...

Keith’s mother shows up to interrupt movie night often enough that, this time, Keith almost doesn’t realize anything’s wrong. Almost, because she’s silhouetted by the movie, but she’s clutching her arm and panting for breath, and in the thin edge of light around her he sees a wet and vibrant red.

Divergence: because all your friends being dead is EXACTLY like losing at dodgeball. yeah, theres a reason i abandoned this one.

Hunk always hated playing dodgeball. Not because he was bad at it--though he was--but because he always ended up the last one standing, and therefore the only target for the entire other team. It was due to a tendency to hang unnoticed in the back, he knew, but that didn't change the sickening, empty feeling of looking around and realizing there's no one left but him, and there's no way he can win. Only wait for the inevitable.

This, Hunk decides, is a lot like that, only, like, a billion times worse.

Best/worst last line?

Best: The Pining-Plant. there are a few others that were cute too but this one is also good out of context so

And then the pod swishes open and he's scrambling to catch Pidge as she stumbles out. She clings to his arms to steady herself and his heart swells.

"Falling for me again, huh?" he asks, and she groans loudly.

"Let me go, I'm getting back in the pod," she says, and he laughs. He doesn't let go, and neither does she.

Worst: if im bad at titles, im worse at endings. most are bad. i suspect the ending to “Rest” is terrible but i cant bring myself to even open that shit again so: Believe Me. if weather were a recurring theme in this fic, itd be fine, but as is its just... a weird note to end the fic on lmao

Hunk rocks back on his heels. "We aren't counting this as our official first date, right?"

"I dunno," Keith says, and now he smiles at the rain instead of frowning. It shows no sign of easing up, but whatever—they're soaked anyway. "This seems pretty good to me."

“...All right.” If nothing else, it’ll make a good story. And, Hunk had to admit—he’s pretty happy with how it’s turned out, rain and all.

But next time, he's double-checking the forecast, just in case.

General questions:

Looking back, did you write more fics than you thought you would this year, less than you thought, or about what you predicted?

more than i expected! considering ive been in grad school all year!! i wrote about the same amount wordcount-wise in 2017 which i spent only half in school so. idk how i managed it.

What pairing/genre/fandom did you write that you would never have predicted last year?

the anonymous fic was a surprise but im not gonna talk about that lol. otherwise... nah, its all been my usual stuff.

What’s your favorite story this year? Not the most popular, but the one that makes you the happiest.

blackbird, probably. i like working on that one. summer heat was also fun, id sort of forgotten about it bc it was a zine fic but coming back to it, i really liked it. likewise with third time’s the charm. and i like t6p a lot even if i kinda hate drawing for it :’)

Okay, NOW your most popular story.

depends on your metric. window of opportunity has the most kudos, keith and lance’s island adventure has the most hits, and t6p has the most comments and subscriptions. 

Story most underappreciated by the universe?

AT THE END OF MANY WORLDS. oh man i killed myself over that fic. it was important to me. but i think the mcd scared everyone off :’)

Story that could have been better?

i realize “all of them” is kind of a cop out answer but like

Sexiest story?

i have written nothing sexy, ever, in my whole life

Saddest story?

i mean, ateomw. considering all the death. blackbird def has its moments too.

Most fun?

i feel like i answered this in the favorite story q lmao. you’re my home also gets a shoutout, that thing was,, super self-indulgent lmao. and id be lying if i said i didnt have fun with parts of ateomw, even if its mostly sad.

Story with single sweetest moment?

man i write a lot of fluff but so much of you’re my home is just tooth-rotting. heres part of the proposal scene lmao

"Lance!" Keith yelps, barely rescuing the ring from falling into the sand with them. Lance pushes himself up on his arms, silhouetted by the sun and glowing with it.

"Really?" he asks breathlessly.

"Yeah," Keith says, and maybe he should've prepared something to say, that's a thing people do, right? Hell, he's winging it. "I know we can't stay here on Earth forever, 'cause we're paladins, and there's still stuff out there we gotta do. And I know you probably want to stay because this is your home—but you're my home, and if we gotta go, at least you'll have me, good or bad." He grins crookedly. "Or rocket science. Whatever happens, I'll be there."

Hardest story to write?

well t6p gets a shoutout, but its not the writing thats the hard part for that. uhhh ive struggled with parts of blackbird. i remember k&l’s island adventure giving me a LOT of trouble, i think i posted late lol

Easiest/most fun story to write?

anything short uhhh for all the infinite realities, i kind of just sat down the other day (actually i was in bed but) and was like “im gonna write this” and then in the morning i just sat down and wrote it in one go. i dunno if id call it fun, but it was easy. t6p is super fun to write but, as mentioned, drawing it sucks.

Did any stories shift your perceptions of the characters?

no... my perceptions probably have shifted but not due to anything i wrote in particular. i did talk myself into liking allurance with a prompt fill, though, but im not sure that was 2018...

Most overdue story?

all the infinite realities lmao. at the end of many worlds needed that happy ending. and another shoutout to t6p, because thats been going on over a year and im still nowhere.

Did you take any writing risks this year? What did you learn from them?

does posting my abandoned wips count? ive still got some of those hanging around... blackbird was a bit of a risk bc my last longfic was written while i was unemployed and out of school, so like i had the time for it, and now i kinda dont. still chugging tho. ateomw b/c of all the death but it turns out i really like writing whump woops. and writing any sort of kissing always feels like a risk bc i suck at it but im getting better lol... i hope...

What are your fic writing goals for next year?

write more! finish things! do more sheith! i really want to work on this sheith longfic i came up with the other day... but i want to get blackbird over with first.

Tagging: eh! do it if you want to!

[supporthosechi]

One of our collective members will be presenting a poem Alisha wrote for her mama Sherri at this year’s Incarcerated Mother’s Day! This will be our third year talking about our work to free our comrade, and the complexities of care-giving and sex working! You’ll recognize the piece being read as a part of LeLe’s latest creative project: “A Survivor: Alisha Walker” a poetry and art zine. 

###

Join Moms United and co-sponsoring orgs for our 5th annual Mother's Day vigil and toiletry drive outside Cook County Jail, on the green, directly across from the main visitor's gate. Our co-sponsors include Brave Space Alliance, Chicago Community Bond Fund, Chicago Books to Women in Prison, Chicago Volunteer Doulas, Black Lives Matter: Chicago, Lifted Voices, Love & Protect, People's Lobby, Justice for Alisha Walker & Support Ho(s)e, Sister Survivor, Westside Justice Center and more! We will uplift and honor mothers separated from their kids by incarceration in jails, prisons, deportation centers, and even by the restrictive conditions of electronic monitoring and parole, which are not supportive of caregiver duties. We will hear from formerly and recently incarcerated moms, their loved ones, and abolitionist organizers/artists--many embody all of these descriptions. We'll hear music, release balloons*, greet loved ones on their way to and from visits. We'll be collecting toiletry donations at the vigil; please contact us in advance if you have a larger quantity to donate. For those who do not live near or who cannot be physically present, we'll have a link to donate so that specific moms in need at Logan and Decatur can receive phone funds to talk with their families. We can accept full or travel size bottles of shampoo, conditioner, liquid soap, lotion. We can accept bar soap, deodorant, toothbrushes, toothpaste. We can accept tampons and pads. Any cosmetics or higher end products (e.g. samples of skin creams, etc), we'll reserve for women who are returning, as not all can or will be distributed inside. All items must be sealed/unused. Reach out with questions: holly.krig@gmail.com We hope you can join us for a vigil that gets a bit bigger each year! Some background: According to the Prison Policy Institute, there are nearly 220,000 women incarcerated in the US, 96,000 of whom are in jails, the vast majority of whom are there because the bond required for pre-trial release amounts to half or all of their annual income. The majority of incarcerated women are mothers. We do not have good numbers on how many transgender women and non-binary caregivers are in men's facilities. The average distance between an incarcerated mom and their child is 180 miles, a cost prohibitive 360 mile roundtrip to visit. If you would like to learn more about supporting visits between moms and kids, check out our collaboration with CGLA and Nehemiah Trinity Rising: https://www.facebook.com/ReunificationRide/) While rates of incarceration in jails and prisons have flattened decreased overall--a stat obscured by the increase in use of electronic monitoring--they have remained steady and/or increased for women, in part related to increased criminalization of drug use and addiction. That increase also correlates to the wage gap, rising rates of rent and decreasing supply of affordable housing, and barriers to services. That correlation is reinforced by the fact that Black, Latinx, and Native women are incarcerated at disproportionately high rates. Incarceration rates for women also relate to, and reflect violence against women, and how that is founded and compounded by state violence. 87% of incarcerated girls experienced some form of family-based violence and often acute housing insecurity prior to their incarceration. Nearly all incarcerated women are survivors of domestic violence, most were struggling to raise children below the poverty line, and most are criminalized directly related to violence and poverty. Women with long sentences are often convicted under variations of accountability laws, where the underlying reality of abuse and coercion was disregarded in their prosecution. While incarcerated, an estimated 200,000 people each year are victims of sexual violence, though that number could be much higher given the fear of retaliation, especially when the assault is initiated by staff. And the invasion of bodies is also a function of official procedure insofar as incarcerate people are subject to invasive searches, even to get a visit. Incarceration is violence. The correlation of trauma, poverty, abuse, and community divestment with women's incarceration, describes incarceration as a whole. And, if all or most of incarceration is criminalized survival, in which prisoners are subject to further violence and trauma as a matter of course, then our collective response must be to shut them down, address poverty/targeted disinvestment in Black and Brown communities as another form of violence, whose harm can only be reduced with resources that meet needs, not punishment or surveillance. We believe that we can have that world if we demand it, create it, and resist the belief that anyone should be denied a livable world. Free them all. Stats: https://www.prisonpolicy.org/reports/pie2017women.html https://rewire.news/article/2018/01/08/survivors-prison-rape-saying-isnt-option/ *Biodegradable balloons! Stats: https://www.prisonpolicy.org/reports/pie2017women.html https://rewire.news/article/2018/01/08/survivors-prison-rape-saying-isnt-option/

[dynared]

I think your just making things up about vld losing viewership and poor toy sales bc ur bitter the show isnt catering to you

First, I think everyone is mad the show isn’t catering to them, because their ship isn’t canon, or said character isn’t a confirmed gender, or in many cases, because the show sucks. It’s just how they deal with that frustration. Do you post 10,000 times a day on Twitter about how “Klance is totally gonna be canon you guys!” or do you answer inbox questions about how craptacular the show is?

Netflix doesn’t give out ratings and we don’t have sales figures for merch, which is why I always said these were guesses. BUT…the merchandise being previewed from the first year’s panels to the second year’s is an incredibly dramatic shift. There was a big toy presence the first year, and they promised tons of merch, everything from robot toys to jewelry to a Brazilian Jiu Jitsu gi!

This year? A few woefully poor quality Paladin figurines…and toys of the classic Voltron, which is an odd move if your show is doing well. And a lot of fans, as noted in their own posts, didn’t buy official merch, but unofficial merch, like the time someone lied about giving profits from a fan zine to charity and used them to buy Lance stuff. Like I said, it’s conjecture, but something doesn’t add up.

[thejockthenerdthemustang]

Awesome! Could you do Jontlex headcanons where it's like an AU and you have Popular!Jock!Monty and Popular!Alex but then Justin is this like, really shy nerd(?) and Monty and Alex want to bring him into their relationship. Could you make it kind of more Monty x Justin centric? I'm sorry if that's confusing😂

Nah its not confused dont worry Anon I gotchu and so here are you Headcannons I hope you like them :)

+So Monty Is the Classic popular mean boy Jock he is feared but also loved in a weird way

+Alex is popular because Hes like the Pretty Boy of the school everyone can’t help but love the guy

+Justin isnt neccessarily shy he just doesnt really like people but he hangs with Clay occasionally so is a Nerd by association

+Alex and Monty get together and Become basically the school power couple

+However the pair notice something is massive in Their relationship and that something is Justin

+Alex and Monty then decide they need to ask Justin out

+So at Lunch the next day Monty goes up to Justin and asks him out

+At first Justin is a little confused I mean Monty already has Alex but then Monty explains the whole situation and Justin is completely on board

+So the three go on this date and just click instantly

+Another date goes by and the three are officially dating

+They walk into school with Alex and Monty holding hands whilst Monty’s arm is around Justin’s neck

+Justin ends up getting the morjority of Monty’s attention as Monty wants to make up for lost time

+So Lunch ends up becoming Full Blown make out sessions between Monty and Justin whilst Alex rolls his eyes at his two boyfriends and eats his salad (However once Alex finishes his salad he makes sure to get some attention from his boyfriends)

+Alex doesnt completely mind the lack off attention Hes getting from Month and Justin but occasionally he will whine about it which is stopped by Justin and Monty spending more time On Alex

+After Justin is all caught up in attention from Monty its Alex’s turn to spoil Justin with attention

+However Monty Is a lot more vocal ABOIT his dislike of the lack of attention Hes getting

+Which ends in losts of cuddles and kisses and make out sessions

+The three of them are disgusting with the amount of Pda they have

+The entire school loves Their relationship Though and are Fully supportive

+However when Justin is called a shy Nerd in Ryan’s Zine he isnt too happy where as Alex and Monty just tease him about it constantly

+And the trio couldnt be happier

[limejuicer1862]

Wombwell Rainbow Interviews

I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me. I gave the writers two options: an emailed list of questions or a more fluid interview via messenger. The usual ground is covered about motivation, daily routines and work ethic, but some surprises too. Some of these poets you may know, others may be new to you. I hope you enjoy the experience as much as I do.

  Magdalena Ball

was born in New York City, where she grew up. After gaining an honours degree in English Literature from the City University of New York (CCNY), she moved to Oxford to study English Literature at a postgraduate level. After a brief return to the US, she then migrated to NSW Australia, where she now resides on a rural property with her husband and three children. While in Australia she received a Masters degree in Business from Charles Sturt University and a Marketing degree from the University of Newcastle. Magdalena runs the respected review site Compulsive Reader. Her short stories, editorials, poetry, reviews and articles have appeared in a wide number of printed anthologies and journals, and have won local and international awards for poetry and fiction. She is the author of the poetry books Unmaking Atoms, Repulsion Thrust and Quark Soup, the novels Black Cow, and Sleep Before Evening, a nonfiction book The Art of Assessment, and, in collaboration with Carolyn Howard-Johnson, the Celebration Series poetry books Sublime Planet, Deeper Into the Pond, Blooming Red, Cherished Pulse, She Wore Emerald Then, and Imagining the Future. She also runs a radio show, Compulsive Reader Talks. In addition to her writing, Magdalena is a Research Support Lead for a multinational company, and regardless of what she’s doing, will usually be found with a book or two in one form or another, sneaking time for reading.

The Interview

1. When and why did you begin to write poetry?

I honestly cannot remember a time when I wasn’t writing poetry. It feels very natural to me to express myself poetically, probably because I grew up with a lot of poetry around me, from Dr Seuss and Maurice Sendak to the songs my mother, who was in a rock band, was writing and singing or the poetry my uncle set to music including literary giants like Edna St Vincent Millay, Frank O’Hara, WB Yeats and Emily Dickinson. Poetry has always been part of my environment. I created a lot of handmade ‘zines, themed booklets and celebration poems for friends when I was growing up, but my first official publication was a full centre-page spread in a Greenwich village magazine while I was an undergraduate. I’ve lost the publication now though I kept the clipping for years, but the buzz of that first publication was pretty intense.

2. Who introduced you to poetry?

I think I’d have to say my parents. They both read to me a lot – and there was poetry in the children’s books I loved (Sendak and Seuss come to mind immediately because I also bought and read many books by those two authors for my own children, but there were many books I loved when I was very young like The Story of Ping by Marjorie Flack, Goodnight Moon by Margaret Wise Brown, and Harold and the Purple Crayon by Crocket Johnson, all of which became introductions for me to what language can do as an art form, and how poetic language in particular can convey complex ideas in ways that jump past the intellect using rhythm, correspondence and imagery. I always had a visceral response to the books that were read to me, perhaps because my parents were very good readers and tended to act out the work and engage me in the process by talking to me about what they were reading, letting me fill in words and take over when I was ready. I’m deeply grateful to them for this early gift, which to be honest, I didn’t properly recognise until I was much older. Beyond being read to, I was pretty heavily influenced by my uncle, the composer Ricky Ian Gordon, who not only set a lot of superb poems to music – the sound of which formed a backdrop to my childhood as I spent a lot of time at my grandparents’ house where Ricky, who is only 10 years older than me, was growing up, but also he was always recommending and gifting books to me. I remember a book pack he gave to me when I was around 12 after he read some of my poems. I still have the books, which include Plath’s Ariel, Sexton’s Live or Die, Brecht’s Manuel of Piety and Rimbaud’s The Drunken Boat – none of which were age appropriate (!) but they certainly left a mark on me – like many young women I became a bit obsessed with Plath in particular for a while! Even now, when I see him he’ll usually recite a poem by heart to me from someone he personally knows or has recently discovered which will immediately blow me away.

3. How aware were and are you of the dominating presence of older poets?

I’d be lying if I said I didn’t suffer from imposter syndrome regularly as a writer. However, I have always been a confident reader. The delight I take in other people’s words is something that has bolstered me since I was very (possibly too) young. I think it’s fair to say that nearly all writers, no matter how famous, need and love attentive readers and reading is my happy place. So whenever I don’t feel like I’m writer enough to match the company I’m keeping (and that company may be on the page rather than in the flesh though I have been lucky enough to meet some intimidatingly good writers), I’m always able to fall back on the joy of delighting in the words of others. It’s a great privilege I think to be able to just pay attention to art that is exquisite. The sheer joy of that deep engagement is something that I think transcends age, fame, and even genius. It’s connection that is very primal and powerful and wipes out jealousy, intimidation and domination. That said, I’m always actively seeking diversity in my reading as I’m conscious that the “dominating presence of older poets” is really partly determined by a canon that isn’t necessarily very diverse. I’m actively trying to read as diversely as possible, not only because it is healthy to be exposed to what challenges you, but also because nuance and exquisite beauty can often be found in under-represented writers that isn’t so easy to find in some of the bigger, more famous names that are treated as “classics”. So I will sometimes deliberately resist that domination.

4. What is your daily writing routine?

I think it would be a rare day when I didn’t write something, but aside from that I just write whenever I can, often in brief snatches here and there, or while everyone else is watching television in the evening once the hubbub of the day has eased off. I have done things like pulled my car over to the side of the road to write something down that came to mind; written poems during business meetings; stirred something on the stove with one hand while writing with the other – you get the idea. I have three children and a day job so can’t really be precious with the time. Poetry is particularly flexible that way and can be fitted into a tight schedule but I have to admit that fiction is harder for me to write in short bursts which is why I’ve been writing a lot of poetry over the past few years.

5. What motivates you to write?

I’m not really sure what motivates me! It’s kind of instinctual. If I don’t write almost every day I find I’m not at my best – I get cranky – some variation of hangry – like there’s a hunger that needs satiating. Being able to sit down, even for just a few minutes, and put something down in writing is part of what my body needs each day – like food, water, exercise, sleep. It’s just part of how I live in the world. I get a lot of pleasure from extrinsic motivations like publication, praise (poets seem to me to be particularly supportive of one another and I’m so grateful for the gorgeous community I feel very much bolstered by), the odd tiny financial reward, and being able to perform/read/connect with readers – they’re all really wonderful perks, but the practice of writing is something I do regardless of those things.

6. What is your work ethic?

I was born and raised in New York, and it may just go with the territory but I think my work ethic has always been a little bit too strong. I have really tried to ease back on my work ethic – to be more present; to take more time on quality over quantity; to slow down a little bit and not feel like I have to be ticking every box on a daily to-do list. That said, I’m always feeling the tug to get one more thing done today. I’m trying to plan a little bit less, and to be more open as I get older.

7. How do the writers you read when you were young influence you today?

See question 2. The writers I read when I was young have had a massive influence on me – they’ve helped formed my identity and not just as a writer. I honestly don’t think I’d be the same person if I hadn’t read so much Maurice Sendak as a child. I still get a little shiver of excitement thinking about Little Bear’s trip to the moon or that wordless page of the wild rumpus in Where the Wild Things Are. I also was heavily influenced as a young adult by writers like Czesław Miłosz who I saw perform at Princeton when I was about 17, and I used to hang around the St Marks Poetry Project around that time hoping one day I might just end up having a conversation with Patti Smith, Jim Carroll, Allen Ginsberg or Anne Waldman. I was always too shy to approach them (see question 3), but I knew very strongly then that this was a place I felt at home and that theses were voices that resonated with my young self. I took a lot of that in and it helped form my identity.

8. Who of today’s writers do you admire the most and why?

I love so many writers that the answer to this question could go on for about 20 pages! It never fails to amaze me how much superb work just keeps coming out. I’m very lucky to be a book reviewer and so I get a lot of books. I certainly don’t like everything but I get at least one book a week that is excellent, often by someone I never heard of before. I know that the minute I commit a name to paper I’ll have missed out someone critical or maybe I’ll read someone tomorrow and by the time this goes to air I’ll be sad I didn’t include them. So instead of answering this question I might just ‘gather some paradise’ (to steal a phrase from the wonderful PoemTalk podcast) and talk about a few poets that I’ve recently read whose work I like. Please note that this is a snapshot of the work I’ve been in contact with over the past month or so and is in no way comprehensive! Tracy K Smith’s latest book Wade in the Water is just so good. You can read the title poem here: https://www.poetryfoundation.org/poems/147467/wade-in-the-water Another poet whose work gets me everytime is Danez Smith’s Don’t Call Us Dead. I don’t even know why but the book has brought me to tears several times and even now, I’m thinking of the title poem. I’m right in the middle of reading Anne Casey’s Where the Lost Things Go which is just so warm and lovely – so rich with empathy and compassion, and so very relevant. Another book I recently read and loved was Ali Whitelock’s And My Heart Crumples Like a Coke Can, which is hysterically funny, raw, sad and uplifting all at the same time. Both Anne and Ali are people I recently met and immediately became friends with – it was like we’ve known each other for years and we instantly began planning collaborations, tours, tweeting about one another’s work, etc. I’m so happy to give their wonderful books a shout-out.

9. Why do you write? Probably answered in question 5.

10. What would you say to someone who asked you “How do you become a writer?”

At the risk of sounding like Yoda (it wouldn’t be the first time), there is no ‘become’ – if you want to write, write. Don’t waste too much time dreaming about it or making elaborate promotional plans (something I have been guilty of). Just get on with it. Write what you like to read best or what you feel compelling to write. Or pick a competition and begin working towards a submission. Push asdie the doubt and discomfort and that stupid “monkey” voice at the back of your head that says you’re not up to it, and just get on with it. No one is a ‘natural’ – first drafts are almost all bad, every writer no matter how well-respected is struggling with what they’re working on now, and the only way to get good at writing is, like anything, regular practice. You have to fail. It’s part of the learning curve – so get on with the failure, accept it, become comfortable in its presence and keep going. When you’ve got enough material or when your material fits a market, submit it somewhere. Then repeat the process. The one other thing you must do is to read, a lot, and diversely. If, like me, you’re nervous about promoting your own work or you’re uncertain that what you’ve done is great, then promote someone else. Shine a light on the wonderful, especially where it’s underrepresented. Everyone has the power to do that these days – leave a review, buy someone a book for a present, talk up what you love. Then get back to the table and make your own beauty. There’s no magic formula and raw talent that isn’t utilised is nothing. (may the force be with you…)

11. Tell me about the writing projects you have on at the moment.

I’ve just had a poetry book published by Flying Island Books titled High Wire Step, and I’ve got another one coming out in April from Girls on Key Press titled Unreliable Narratives. Neither of those were planned this time last year and I’m really pleased with how they came together and the incredible editorial support I had on both books (I’m very grateful to Kit Kelen and Anna Forsyth respectively). I’m still a bit in promotion mode for these two and there are launches and performances planned at the Newcastle Wrtiers Festival this year and throughout the early part of 2019. I have begun working on a new book of poetry (I’m always working on a book of poetry ), and I am still working on my third novel, a sci fi which is proving to be quite difficult. One of my resolutions for 2019 is to either finish the thing or call it. Every time I sit down to write it strikes me as being too good and too far along to abandon but then I get distracted and it drifts away from my mind and the desire to work on it recedes. This is the year I either finish, or make the call. I also have quite a few multimedia/anthology collaborations in-hand, which I’m very excited about. I can’t divulge, but good things are on the horizon.

Wombwell Rainbow Interviews: Magdalena Ball Wombwell Rainbow Interviews I am honoured and privileged that the following writers local, national and international have agreed to be interviewed by me.

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Six-month-long stretches of seven-day work weeks and looming deadlines: What it takes to be a strategy guide author

Image: Christopher Mineses/mashable

Ancient map-making required mastery over the disciplines of mathematics and astronomy, the means and courage to venture into dangerous uncharted territories, inhuman patience, artistry and attention to detail, and the ability to perch on the cutting edge of every new technological advancement your cultures most talented minds could muster. David Hodgsons job is arguably more difficult and certainly more tedious.

Hodgson makes video game strategy guides which, much like ancient cartography, is a lost art of primitive methods and painstaking processes.

Not that Hodgson would complain. He started working at gaming magazines in the 90s, but was always drawn back to the world of strategy guides. Currently working on contract for Prima Games, the largest strategy guide publisher in the US, he gets access to some of the biggest games in the world months before the public. And he slaves over their every detail, spending months and months gorging on each new obsession.

I think it’s one of those jobs that you kind of have to pinch yourself, he told me in his workshop a converted guest house behind his Spanish-style Southern California home. The room is equipped with comfortable seating, a large wraparound desk housing three monitors, countless books most of them strategy guides lining floor to ceiling shelves on one wall, and various macabre knick-knacks, from Lovecraftian posters to the crown jewel: Two replica Egyptian sarcophagi flanking the flatscreen like golden guardian deities.

It’s one of those jobs that you kind of have to pinch yourself.

Exact statistics about strategy guide sales are closely guarded info, Douglas Walsh, another longtime strategy guide author, told me over Twitter. As you can imagine, the sales today have consolidated around a few big hits: Skyrim, Grand Theft Auto, things like that, he said. [Sales] have also dropped off considerably, especially for shooters. The Call of Duty and Gears of War books sell a fraction of the copies they used to. But a big hit, especially as a Limited Edition hardcover, can crack Amazon’s top 25. Fighting game books in particular (and Skyrim, GTA, etc.) have even cracked the top five.

Despite those isolated successes, the number of guides produced each year is down along with sales to about 60 every year, half of what the figure was in the PS2 era, Walsh said.

Like vinyl records, the strategy guide as we once knew it all but died as a medium with the internets rise, transforming by necessity into a niche market for hardcore collectors and hobbyists. Hodgson said hes one of around a dozen remaining strategy guide authors.

In the middle of the afternoon, the rays of golden California sunlight barely grazed the exposed rafters of Hodgsons lair. He wore a black t-shirt with the words Who are you a ghost of? a reference to his brother Ian Hodgsons experimental musical act, Moon Wiring Club, described on its own labels website as confusing English electronic music. Hodgson often speaks wistfully of his succulents, and hes frequently sarcastic, though in the dry English way that you barely register after a while.

Each guide Hodgson authors is a massive undertaking involving a six-month-long stretch of seven-day work weeks and looming deadlines, gargantuan organizational conundrums, word counts and page limits, two-week spans of 12-hour days spent hunched over monitors far from home in a game studios back room, trying to beat every quest in a 100-hour RPG. Hes been doing this long and well enough with somewhere over 100 guides to his name (he lost count around 80) that he gets to pick what games he tackles. He mostly chooses massive role-playing games like The Witcher 3 and Fallout 4, simply because he loves diving deep into overwhelmingly huge projects. These are the types of games that seem to get more complex with every release. Each new feature Hodgson must chronicle and quadruple-check is another grey hair in his tangled beard.

I have a very understanding wife, Hodgson said.

***

The process of creating a video game strategy guide is shockingly complex. Look, for example, at what it takes just to make the hundreds of maps that go into the average guide on which Hodgson works.

In the old days the 90s hed draw maps freehand on graph paper and hand them over to a designer. But the games back then were significantly smaller than the ones he writes guides for now.

He starts by doing fly-overs in a special debug version of the game that still contains developer tools, taking screenshots of every single inch of the games exterior locations. In the case of Fallout 4, that included 3.82 square miles of irradiated wilderness and crumbling city streets.

What I’ve done is I’ve flown over the entire tiles of the map, multiple times, inch by inch. I do a north-south pass, I do an east-west pass, over the course of a week, he said. This isn’t playing the game. This is me floating above each sector in the game and plotting it out.

This isn’t playing the game. This is me floating above each sector in the game and plotting it out.

The game wont be out for several months, and its still very much in development, which unfortunately means that dozens of the points he and his assistants and co-authors have plotted in these exteriors could change.

Then you have 500 maps that need to be drawn of all of the different interiors in the game, he continued. You have to figure out first how many interiors there are in the game. So you go to every location in the game, and you see how big it is, then you estimate it, then you tell [strategy guide maker] Prima, ‘It’s going to be about this big. Find more mappers please.

At this point, hes still far from done. I’ve figured out how many primary locations there are. I’ve then figured out how many secondary locations there are that don’t appear on your worldmap. Those are just like, Oh, it’s a shed. Does it appear as an icon on the world map? No. Shit. Well, it has to go in the guide, he said. I’m talking about stuff that isn’t even a quest-related location. I’m talking about a pond with some barrels in it. Maybe he doesnt have to be that thorough not all strategy guides take inventory of every nonessential part of the environment the author can find. But thats just his personality, and its part of the reason hes so good at this job.

With the exterior and interior maps more or less complete, the rough versions based on screenshots are sent to a team of around 20 designers. Its now been weeks since Hodgson first received the early build of the game, and he hasnt even written anything yet.

He hasnt catalogued, sorted and described every single gun, sword, helmet, potion, blueprint, material, artifact, food, enemy, character, spell and skill in the game; he hasnt completed every possible branch of each and every quest, mission, side-quest, bounty, treasure hunt and optional objective; he hasnt compiled strategies for every mini-game, tactics for every boss, solutions to every puzzle and tricks for every fight; and he hasnt taken the hundreds screenshots that need to accompany it all.

A lot of it isnt playing a game necessarily its just checking something in a game and then checking it against an Excel document or a map or something like that, he said. If Im playing Skyrim for 6,000 hours over ten months with a co-author, Im not Woohoo! playing Skyrim; Im going here and checking to make sure that the guides accurate at that location.

The part of my brain that says ‘You don’t need to be this meticulous’ doesn’t work.

The games change in sometimes major ways, even after the guide goes to print. In that case all they can do is update the guides online component and point readers to the web should anything in the final book prove inaccurate. Whenever possible, though, Hodgson redoes a lot of work every time he gets a new build. For 2001s 007: Agent Under Fire, for example, he had to retake all of the screenshots two days before the game was going to go to print because they changed the color of one of the lasers, he said.

The part of my brain that says ‘You don’t need to be this meticulous’ doesn’t work, Hodgson told me.

***

Hodgson began working in the video game industry in the mid 90s after graduating with a history degree from the University of Sheffield in South Yorkshire, England. Hed wanted to become a history teacher, but instead used a PlayStation fan zine hed started called PlayStation Frenzy to get a job at Maximum, a new gaming magazine from a media company called EMAP.

He wrote massive 40-page features on individual games a precursor of things to come in his career while living on a disused German fishing trawler called the St. Michael that he says was moored illegally on the River Thames in London. They had to siphon power from a nearby car scrapyard.

It sounds quite idyllic, but it wasn’t, he remembered. It was dripping with different weird poisonous acid from roofs that hadn’t been sealed, and it was sort of slowly dissolving.

I kept my PlayStation, but not my sanity, he continued.

Maximum folded after seven issues, and Hodgson went on to a brief stint at Official Nintendo Magazine before receiving a call from Dave Halverson, publisher of the popular GameFan magazine.

Hodgson moved to LA and worked on his first strategy guides at GameFan for games like Super Mario 64, Soul Blade and Doom 64 under the magazines GameFan Books division. He flitted among various publishers and magazines until 2000. He called Prima, at the time one of the biggest strategy guide companies (its main competitor, BradyGames, would later be bought by publisher Penguin Random House and folded into Prima). He sent Prima his Metal Gear Solid guide, and they assigned him Armored Core.

That was 16 years ago and I’m still doing it right now, he said.

***

Hodgson flipped lovingly through his creations as we chatted, pointing out where hed embellished a simple description with some flowery joke, or where hed really gotten into it and written entire sections in the voice of a character from the game.

That love goes both ways CD Projekt Red, developers of The Witcher 3, built Hodgson his own tribute in the form of book merchant Marcus T.K. Hodgson, a character in the games Free City of Novigrad.

We just wanted to honor David for all the awesome work he does, CD Projekt PR Manager Radek Grabowski told me over email. This is just a tribute.

The Witcher 3 tributes Hodgson in the form of book merchant Marcus T.K. Hodgson

Hodgson seems to always go above and beyond. His humor is often self-deprecating, but hes also proud when he talks about some of the things hes accomplished within the limited medium of strategy guides, like the note he received from Hideo Kojima about his Metal Gear Solid guide in 1998.

Strategy guides were usually just go here, do this, go here, do that. I wanted it to be a bit more of an ‘official mission handbook.'”

He loved the guide. He liked the fact that I’d put box-outs for the history of the forklift truck in the first level, Hodgson said. Strategy guides were usually just go here, do this, go here, do that. I wanted it to be a bit more of an ‘official mission handbook,’ we called it. Kojima said hed shown the guide to his mother, who didnt really understand video games but of course knew what a book was.

For 2004s Star Wars: Knights of the Old Republic II Hodgson planned and orchestrated an easter egg on the strategy guides DVD pack-in: Pressing a secret combination on your DVD player remote results in a special menu where you can access videos in which the voice actor for HK-47, a popular droid from the games, quotes other famous fictional robots and AI. Hodgson was excited to get the voice actor involved for a secret he deemed so obscure although his assertion that Nobody A) cares or B) has ever found that, because we never published the easter egg code is more self-deprecating than accurate, based on the above YouTube video and this forum thread.

But he nevertheless lit up when he talked about it, or about the more creative work hes gotten to do, like A Fractured Land: Tales of the Northern Realms, a 96-page lore book that came with the hardcover edition of the official The Witcher 3 guide, or The Improved Emperor’s Guide to Tamriel, a 224-page illustrated guide to the lands of Bethesdas The Elder Scrolls Online that was packed in with the games Imperial collectors edition.

Hodgson wrote the Emperors Guide in character as the scholar Flaccus Terentius, conjuring the characters imagined journal entries as he walked the games fictional lands. It has annotations like Strange to find such Daedra worship among the devout, nestled next to detailed sketches, diagrams and paintings.

I studied history. Its sort of finding the evidence for something and then writing about it, and that was my transferrable skill, Hodgson said. If I wasn’t going to become a history teacher, I was going to maybe become a travel writer or something like that. And in a sense I am, except the places that I write about don’t really exist.

But travel writers dont go to Paris and painstakingly catalog every street sign and boulangerie.

Though travel writers much like strategy guide authors have been made obsolete. Why read a book about a place when you can simply search for photos of it on Instagram? Likewise, why buy an expensive book when everything you could want to know about every game ever made is a Google search away?

For one thing, you only have to look at one of Hodgsons guides to see the value for collectors and hardcore fans. And while the internet is always playing catch-up to catalog new releases in YouTube guides and Wikis, the official strategy guide arrives on day one (or earlier). That makes the physical strategy guide, ironically, the first choice for players who want instant, day one gratification.

“There’s a nice archaic nature to strategy guides that I enjoy. I can write about something that’s cutting edge, like Fallout 4, but I can publish it using 16th century technology.

Hodgson has his own reasons. I can’t show you the writings I’ve done for Maxim.com and Gamespy, because those sites aren’t there anymore, he said. Stuff disappears when you’re on the net. But this Akuji the Heartless strategy guide on paper, or in fact the Fallout 3 strategy guide that’s in the Library of Congress. So even after the bombs drop and we’re in the future apocalypse, you can go to the bunker down below the Library of Congress or even now, if you’d like to do it properly [and] you can search my books out. I think I’m the only person who will ever do that, but there’s a nice archaic nature to strategy guides that I enjoy. I can write about something that’s cutting edge, like Fallout 4, but I can publish it using 16th century technology.

***

Hodgson works on guides ten months out of every twelve, and he rarely plays video games for fun anymore. At the end of a long stretch, Im just sick of staring at screens, so I just go outside or I go and buy another aloe tree or an agave or a different type of succulent, he said. I maybe go on Facebook, but just to see what some of the people that I never get to see do. Friends.

You are suffering from extreme fatigue, and the dogs looking at you going I need to be fed and walked. Immediately, he said.

But if he quit tomorrow, hed still play games after a six-month sabbatical, at least. After your first week [off] youre just like Ah, sort of semi-retirement, this is great. This is fantastic, he said. And then another week goes by and youre sort of starting to get an itchy feeling. Cabin fever sets in. Youre like, whats next?

Hodgson recently wrapped up work on the Complete edition guide to The Witcher 3 and the official Watch Dogs 2 strategy guide, and at the time of writing hes putting the finishing touches on his Ghost Recon Wildlands guide. You can find his work wherever strategy guides are sold.

Mike Rougeau is a freelance journalist who lives in Los Angeles with his girlfriend and two dogs.

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