#THE ONE HE LOVES MOST WHO IS YJH BECAUSE YJH IS HIS BELOVED PROTAGONIST

[pttucker]

Despite the lack of time, Yoo Joonghyuk hesitated. He hesitated while holding tightly to my collar. "…We don't have to hold another funeral, right?" I smiled because of Yoo Joonghyuk's question. "Even if I die, I will rise again." "That isn't what I mean." Yoo Joonghyuk's expression was serious. A high wind blew between me and Yoo Joonghyuk. I looked at him for a moment before asking, "Do you remember the second scenario?" The subway of Oksu Station. It was where Yoo Joonghyuk first appeared after smashing everything. He was a cold-blooded regressor who would use whatever means necessary for the results. Yoo Joonghyuk's calm eyes shook at my words. Who would've known at the time? Me and this guy, we would actually end up as companions. I hadn't wanted to admit it but now I had to. The things that hadn't seemed possible became reality. I was actually going through the scenarios with him. That's why I could now say it. Just like I did when I first met him on Han River Bridge. This was the way that suited us best. "Release your hand and get lost, you damn son of a bitch."

*Screaming*

Hey guys, remember when Heewon and Dokja had that totally random conversation about dating right in the middle of the arc about figuring out who the person Dokja loves most is?

Remember how Heewon said that Dokja's the type of person to want a "fateful meeting"?

[lunaxstrange]

Can we talk about love in orv?

[SPOILERS]

Okay so, I am aware that Kdj loves the "story" but I really wanna point some things out individually because it's 2am and ORV is on my mind.

Kdj had the easiest way out of the 1863rd turn. The most perfect turn (at the time) but he really went I'd let the world burn for Yjh? Yeah, everything is "part of his plan" but let's talk about the 73rd Demon King arc. My man would do anything to make sure Yjh finishes his story. Apart from this, it's the fact that while everyone else dislike any other version of Yjh (even he hates himself lol), Kdj loves every. single. one. I mean 3rd turn (1864th) Yjh? Yes. Hsy's 1863rd turn? Yes. Frickin' Secretive Plotter? Got off to a rough start but yes. You simply cannot make Kdj hate his beloved protagonist. I mean, this man risked his whole existence to make sure the 0th turn is actually the most perfect one. He didn't want Yjh to regress but became his sponsor anyway because it's what Yjh wanted. He would do anything to see Yjh happy. This type of love isn't romantic or platonic or anything else, it's the most inexplicable form of love. Love in its purest form. I'd like to take the time to compare it to Achilles and Patroclus because while we can fight over whether these two were gay or not, we cannot deny the sheer love they had for each other. No strings attached. Kdj is in awe of Yjh.

Yjh. The regressor. The protagonist. The person Kdj loves the most. Yjh had everything (0th turn) but he really gave it all up just to meet Kdj. Suffered the "Hell of eternity" just to see him. Bro didn't even love Lsw the way he loves Kdj. Tbf, 0th turn Yjh didn't know what the real struggle of passing the scenarios without help was but I'm sure he got the gist. Okay, sure, you can call it "curiosity" that led to Yjh keeping Kdj alive during the 3rd (1864th) turn. But my guy didn't choose Kdj to go to Peace Land because he had "someone he loved" like bro, YJH!? THE COLD REGRESSOR??? HE DID THAT FOR KIM DOKJA! Not to mention the fact that Yjh didn't even care that his whole life was a mere novel. He just despised the fact that Kdj chose the 1863rd turn over him. I'm gonna cry. Bro wanted Kdj so bad that he kept fighting the Secretive Plotter. Not only this, he gave up the 3rd (1864th) turn for Kdj too. Went from Supreme King to terrorist just to save Kdj. When everyone else - even Hsy - gave up. After all, what is a protagonist without a reader? The whole astronaut ordeal might've been to "find his purpose" but we can't ignore their connection. He gave up everything he could ever ask for twice (0th and 3rd/1864th turn) for Kdj. The attachment these two have with each other is insane.

I could go on about them for eternity but we have another person to talk about - Hsy. This woman spent 10 years exhausted, stuck in a world-line and body not her own for one person. Even if it's only Hsy with half her memories, she gave up her perfect world-line because she missed Kdj. Just like Kdj loves Yjh, Hsy also loves every version of Kdj. She wanted to meet him, no matter what the world-line. My girl had only a few hours where she was in control and decided to use off all those hours to write TWSA - a story she herself disliked. Hsy wants to see Kdj happy, every part of Hsy loves Kdj. There is nothing a writer could love more than an avid reader who loves their story. And let's talk about the fact that Yjh and Hsy absolutely hate each other. He is literally her creation (more or less) but their relationship is questionable. Why? Because a protagonist has no value without a reader. Kinda like Asuka Ren and Kyrgios Rodgraim. They have no special relationship despite being creator and creation. Since there is no reader, Asuka and Kyrgios are as distant as two people can be. Alternatively, what brings Hsy and Yjh together is Kdj.

I just can't get enough of the way ORV relationships are written. If I had to describe love as a writer, I'd cite ORV as an example.

[generallypo]

in all sincerity, kim dokja makes me happy and he deserves to be so too :^(

incoherent yelling and sobbing under the cut. these fEELINGS will not be contained aaauuunnghhh. 

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anyway i binge-read all 500+ chapters of ORV this week and i honest to god feel bad for this -- completely! fictional! aghhhh -- guy. in case you haven’t figured it out, the following is some spoilerly shit

i went in expecting a fun, brainless power trip fantasy for dudes with an isekai addiction. instead, it turns out ORV is actually a gigantic, self-deprecating prank on the entire genre itself. kdj plays more into the sad -- if high-functioning-- clown trope than the sexy, edgy, chuuni bastard type i was prepared to laugh at. there were -- gasp! -- female characters with personalities! parents (aka ADULTS who act like ADULTS) who actually survive and feature prominently! adorable children! a real sexy, edgy bastard! a power trio with amazing fashion! sexual tension and bickering! friendship! life and death bonding! 

*breathes in deeply* fouND FAMILYYYYYYY.

like, yeah, the plot around the first few arcs seems a little aimless, but the buildup is worth. the world-building is pretty decent. there’s discernible effort put into the fight scenes, and i can appreciate that. but -- but! what i stayed for were the characters -- namely, the fantastic OT3 of KDJ, HSY, and YJH -- who come together despite their initial rivalries and end up saving each other’s asses, like, every other day. granted, the other characters don’t get as much focus, and they do fall into certain character tropes.. 

but a trope done well is nothing i would gripe about. every significant character in ORV has a coherent, and more importantly, respectful take on their respective trope. maybe it’s because sing-shong is actually a married couple, but all the interactions between even minor characters are a convincing blend of awkward rambling, suggestive humor, sharp remarks, and casual banter. in other words, this cast of mostly working adults (plus a teen and two kids) talks like working adults. the relationships built throughout the story are, frankly, some of most realistic of its genre. sing-shong has managed to craft a dynamic that undoubtedly brims with fluffy fondness all around, but also drips with sarcastic tension, with unspoken urgency, with a wariness that softens into sincerity over the course of many, many chapters. it’s the kind of progression that makes even stock characters read like more than just the 2-bit villain or comrade or love interest. here, we have relationships both straightforward and not, strained or otherwise, romantically-oriented as well as decidedly the opposite -- and then numerous others scattered along the spectrum with the freedom to shift either way. 

it’s also an interesting point of note that our MC kdj actually does not end up with a stated romantic partner, much less a conventional heteroromantic harem. he gets teased about that fact from time to time, but it’s with less of the sleazy shonen locker room humor one would expect and more of the good-natured ribbing you’d find among friends or that one especially nosy auntie at the yearly family reunion. kdj is a grown ass man. in the background, i applaud his maturity, and he handles all the prodding like a champ. 

so instead of finding and fulfilling his horny, he builds himself a wealth of loving family. yeah, there are beautiful men and women around him. yeah, they unequivocally adore him. but they’re also adults, and they have priorities, too -- which are not so much finding a way to bang kdj’s brains out and more so simply keeping the damn guy alive. this is truly not ‘oblivious mc with his thirsty, sex kitten harem’. it just so happens that a guy proves himself to be unflinchingly gentle and capable in an apocalyptic setting despite his broken self-esteem, and lots of people find that attractive, romantically and platonically. 

it.. kinda makes sense? he’s a hard worker, thoughtful, and good with kids. kdj is the kind of guy you know would make a reliable partner, and anybody with eyes can plainly see and appreciate that. 

and it’s not that our MC’s a total brick wall. in fact, it’s likely the opposite, and he’s just too darned repressed to admit it. from what has been implied, kdj does indeed recognize and accept love, or at least a primitive concept of it. i like to imagine that the kind of love that he ends up seeking out simply manifests itself more easily as acceptance and safety, as warmth and a home of people to return to every day. even better, the people who surround him know this, and they give him exactly that. it’s refreshing, and honestly, really sweet.

(as a side note, i really, really do appreciate the cosmic bi energy radiating off of kdj, who canonically earns the title of being loved by all and is all but in name married to yjh and hsy. he also respects women and small children and honestly anyone who isn’t total scum to him or his family. i respect that.)

but the happy stuff aside, you know it it just ain’t ORV without the generous screaming dollop of angst. admittedly, there’s self-sacrifice, injury, lonesome wandering, more sacrifice, some epic fighting, reunion and confrontation. all of it is a lot to digest, sure, but never does it feel entirely hopeless, or truly, truly heart-clenching. ORV, up until the final act, is a mostly light read. you relax in your chair, thinking that nothing beyond this point can disturb you. 

yeah fucking right.

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and then the beginning of the end arrives. when the squad finally break through to their ‘ending’, the scene that kind of breaks me is the reveal of the Most Ancient Dream. it ties so much thematically into the little tidbits that we get of kdj’s past, and it though it feels like almost a joke that the source of the goddamn apocalypse is a kid with bruises smeared across his skinny ass body -- it’s such a pathetic picture that it’s kinda poetic, actually. you’re left mystified but somewhat convinced, like a math problem explained halfway through. this.. child.. is a villain somehow, isn’t he?

and then 999th turn uriel speaks up, and she. just. hugs him. 

[[You are this universe’s most powerless existence, aren’t you.]] 

that. that gets me. kdj’s reaction immediately upon this revelation? absolute murder. seeing him essentially self-destruct upon realizing that all these people he’s surrounded himself with -- some who continuously proclaim their loyalty and affection for him throughout their journey, some who suffered eons of war and loss and trauma because of his existence -- not only forgive his younger self but smother him with unconditional acceptance and love is stifling, is too vulnerable and exposed and he simply can’t cope -- it’s so telling of his true mentality, of his crippling insecurity and crumpled sense of self-worth. kim dokja is a liar, through and through, so much that he fails, or perhaps refuses, to comprehend the veracity of others’ kindness and love towards himself. 

by some miracle, the events at the end of the world somehow resolve.. or so it seems. there is a departing train, a liberated team of ex-gods, and a child rousing from his slumber. in the aftermath, i am left shaking. somehow, despite the ending having been (happily?) reached, there’s still another chapter ahead. what is this witchcraft?

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and then ah, yes -- the epilogue arc. i teetered on the edge of being critical for a little bit there -- is that display of deus ex machina, of sad, self-sacrificing nobility a bit too egregious to be acceptable? is this some wild last let-me-yank-this-outta-my-ass plot twist to drag out the chapter count? i sincerely thought that the arc before it would have been the finale. i was wrong. thank god.

anyways, as an answer to the above: no, and no. i stake my firm claim on the belief that the epilogue arc was meticulously planned out well in advance of its release, confusing and time-warpy as it is. i liked it. tremendously. even if it entirely invalidates all of kdj’s supposed development (”haha lol yeah sure i won’t sacrifice myself or anything anymore guys don’t worry about me” -- KDJ, at some point because he’s a lying rat bastard). actually, our beloved MC disappears for a large chunk of this arc, and i think it’s great. in his absence, the other characters not only go absolutely fucking nuts, but they have to figure out this new problem on their own, even if the lure of peaceful complacency in the newly saved Korea might convince them otherwise. 

and then the whole time paradox thing comes around. yjh goes to space, hsy saves the only life she can, and kdj grows up. the crew waits, holding onto their hope even if it bleeds them dry. sing-shong does a damn good job of illustrating their fraying calm, their lurking madness, the unseen but pervasive depression that seeps in from kdj’s absence. the kids lose their father, lhs and jhw lose their reliable leader figure, ysa loses a best friend and confidant, lsk -- as distant as she pretends to be from her son -- loses her only child. and then there’s hsy and yjh , who are essentially bereft of the other half of their existences. their pain is palpable, is grounded in the hopeless, gnawing frustration of an utterly meaningless victory. emotionally, ORV hits all the right -- if agonizing -- beats.

however, a story can’t sustain itself just through its pathos. i’m happy to say that ORV doesn’t drop the ball after the first milestone, and after all the hurt, the characters do leap straight back into action. even better, the plot holes actually do get patches, and the poetic cycle of writer, protagonist, and reader comes full circle by making use of all those supposedly throwaway characters from the myriad world lines. 

at the end of the road, there is a distinct sense of unity, of a delicate but undeniable cohesion to the world lines and their origins. sing-shong lets us guess a little here at the finish, but there’s just enough information to feel hopeful. maybe there never had been a definite start -- or finish -- to the story of kdj company, and... that’s okay. everybody ends up where they were meant to be, where they fought and struggled to reach. it’s.. almost like a happily ever after, if we’re allowed to dream of that.

------

now, i realize, this was all an orchestrated maneuver.

i’ll take it.

to me, all of this work sounds like someone put some serious thought into this behemoth of a plot. it cements the entire original premise of the story. it suggests -- but never explicitly confirms! -- the possibility that breaking free of the cycle is possible through the exact same system that sustains it. it’s terribly interesting -- and inspirational! with all the dramatic revelations and life-threatening scenarios  and the cast’s resigned acceptance of them that essentially make up ORV’s entire mood, there’s still that last hint of rebellious and righteous anger that lights up the whole damn nebula. it’s like the kdj company blasting away at the heavens just to yell into the nether: we’re not looking for the happy end, but the free one. stay alive.

it’s subtle, and yet it’s such an emotional gut punch. i came away with the most ruinous, frustrating, bittersweet sense of longing in ages. i pined. for these fictional darlings. god, i am weak.

so. yeah. ORV is pretty good. flawed, but ambitious and impressively thought out.  i’m stoked that the webtoon is making pretty good progress, even if it’ll take an eternity and a half to meet that monstrous chapter count. i’m still gonna follow it. hell yeah. 

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(by the way the idea that secretive plotter and co are literally gonna take care of and raise baby kdj and spoil him and be the best friggin family a kid could ever want does things to me. protect him. he’s suffered too much. let at least one worldline’s version of him know happiness. and actually, aLL OF THEM DESERVE DOMESTIC BLISS TOGETHER IN A BIG OL MANSION WITH SUN AND FRESH AIR AND TENDER FAMILY MOMENTS UGH)

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and there you have it, folks. you made it to the end. in the far, far distance, i’m cheering you on and crying my eyes out in gratitude. thanks for tuning in!