#Syd Shores

[atomic-chronoscaph]

Sub-Mariner - art by Syd Shores (1946)

[ungoliantschilde]

Captain America, Vol. 1 # 109 Cover and Page 05, by Jack Kirby, with Inks by Syd Shores, Letters by Artie Simek, and a Script by Stan Lee.

[comic-covers]

(1947)

[mudwerks]

(via Bully Says: Just a Reminder for the Week Ahead)

from All-Winners Comics (1941 series) #19 (Marvel/Timely, Fall 1946), script by Bill Finger, pencils by Syd Shores

[gameraboy2]

Blonde Phantom #16 (1947), cover by Syd Shores

[evilhorse]

Alter Ego magazine #167

[tomoleary]

Gene Colan and Syd Shores Daredevil #64 Story Pages Original Art (Marvel Comics, 1970)

[weirdlookindog]

Blood Thirst!

by Syd Shores

Web of Horror #1 - Major Magazines, 1969

[dirtyriver]

Tales to Astonish #101, March 1968, original cover art by Marie Severin & Frank Giacoia and Jack Kirby & Syd Shores

[ginge1962]

Gunhawks #1 - October 1972, cover by Syd Shores.

[splooosh]

“Wrath

Syd Shores

[nerds-yearbook]

The Blond Phantom from the 1940's was reintroduced into the modern Marvel Universe in The Sensational She-Hulk 4#, cover date August, 1989. She was created by Al Sulman and Syd Shores in the anthology comic "All Select Comics" (in the "The Atom Spells Doom" segment), cover date September, 1946. The issue also introduced Lexington Loopner created by John Byrne ("Tall Disorder", The Sensational She-Hulk 4#, Marvel Comic Event)

[agentxthirteen]

Sharon-A-Day, Day 577 (7/31/23)

Tales of Suspense 99. On sale 11/30/67. "The Man Who Lived Twice"

Writer/Editor: Stan Lee

Penciller: Jack Kirby

Inker: Syd Shores

Letterer: Artie Simek

Sharon should get paid more for having to put up with this crap, that's for sure.

[wanderingmind867]

I know I've made clear I dislike Chris Claremont's X-Men, but I don't hate all he wrote. This story here for example seems fun. (Daredevil #102):

[barkingbonzo]

SYD SHORES

War Criminals, August 1963

Sydney Shores (1916 – June 3, 1973) was an American comic book artist known for his work on Captain America both during the 1940s, in what fans and historians call the Golden Age of comic books, and during the 1960s Silver Age of comic books.

Syd Shores began drawing in childhood, fascinated by the comic-strip art of Alex Raymond's Flash Gordon and Hal Foster's Prince Valiant. He went to graduate from Brooklyn's Pratt Institute, where he had met his wife-to-be, Selma. After working seven years at his uncle's whiskey bottling plant until it closed in 1940, he became an assistant at the studio of Selma's cousin, the comic book packager Harry "A" Chesler, working under comics artists Mac Raboy and Phil Sturm. "For months I was just a joe-boy, watching and learning and helping wherever I could. I studied Mac Raboy for hours on end — he was slow and meticulous about everything, doing maybe only a single panel of artwork a day, but it was truly beautiful work. After four months I tried my own hand at work, doing a seven-page piece called 'The Terror'. I was proud of it then, of course, but in looking back it really was a terror!"

"The Terror" still held enough promise that it saw print in Mystic Comics #5 (March 1941) from Timely Comics, the 1940s precursor of Marvel Comics, and went on to make other appearances. Timely editor Joe Simon hired Shores as the fledgling company's third employee.

[gameraboy2]

Blaze Carson #1 (1948) Art by Syd Shores