#Swadeshi Products

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[nimblermortal]

Fine, one more post: Further reflections as I do some research on things I didn’t know when I watched RRR.

First, I think the concept of satyagraha is probably a useful one for me to be familiar with if I’m going to continue watching Indian movies. Seems like it’s a backbone of Gandhi’s plan for resistance to the British Empire, and as such probably still an underpinning of Indian society/a huge influence on when violence is justified. See the section for Rules for Satyagraha Campaigns and what that means for how it is justified to resist a public flogging, for example, if you are the victim, the executor, or the onlooker.

Second, it is a principle of modern marketing campaigns that while it’s nice if your ad makes people go “oh yeah, I want to buy that product,” it’s not necessary. It’s more important if people just think about your product regularly, and then when they, say, need to go to the hospital, theirs is the one whose name they know to request. It’s a principle of propaganda, perhaps in a similar vein, that if you say something often enough, no matter how stupid, people will eventually come to believe it. Perhaps, on some level, that’s a matter of making your internal voice repeat that phrase - but the end point is, it doesn’t matter if propaganda is good so long as it’s repeated.

...Hyacinth wants to tell me things, more on reading the Wiki page on the Indian independence movement later (tomorrow?)

Ooh, the doctrine of lapse is vicious.

Okay, so summary of my wiki reading so far, as a sort of timeline:

There was never actually a period where India was not rebelling against British/BEIC rule. (I don’t mean there was a rebellion going at all times, just that the British Empire conquered the last bits of India in like 1849 and the first revolutions were occurring by 1857, but that’s if you don’t count the rebellions in the conquered bits before that last bit was conquered.)

The major item preventing widespread revolution was that there was no concept of ‘India’ at this time - it was a lot of different countries, so why would they work together? And what actually started to deal with that was... the garment industry!

(The garment industry plays a much stronger role in every period of history than one would initially think - consider spinsters, viking ship sails, purple dyes, etc. We might not even be past that point, despite industrialization, if there’s ever widespread revolution against sweatshop practices, I’m not ruling it out.)

The problem in India was classic British colony practice: they require you to grow and export cotton at low prices, then they process it in Britain and ship it back to you to have finished garments sold at high prices. This was widely agreed to be bullshit, and there was widespread support for Indian-made garments and factories (swadeshi, which does not solely refer to the garment industry). And while I am just reading the Wiki article and there is philosophical movement going on as well, I think that that is where we got this idea that India might be one country (well, that and the Brits) - from which point ‘India should rule itself’ (swaraj) is an obvious conclusion.

Wait, I skipped a step - the independence movement officially started in 1857, among the sepoys (local Hindu/Muslim troops), because the British started using a particular gun whose cartridges were rumored (were?) to be manufactured with tallow and/or lard - meaning cow and pig fat. So when troops had to bite those cartridges as part of the loading process, they were violating religious taboos, and this irritated troops in general and one Mangal Pandey in particular enough that there was a brief mutiny (coupla months) which resulted in Britain taking the governance of India back from the British East India Company.

Anyway.

At this point, after the whole swadeshi business, we’re getting into the early 1900s, and various revolutionary cells making the news. In particular very young revolutionaries (Khudiram Bose) getting executed, which is an excellent way to make martyrs. And then WWI happens, and Britain goes “oh no if India exploded in revolution that would be very bad for us” and Germany goes “oh yes if India exploded in revolution that would be very good for us” and India as a whole goes “why does everyone think we are going to explode in revolution instead of supporting this very justified war?”

(Nimbler: Why do they think World War One was something they should support??)

- and this one group of a mere 21 people (Jugantar) managed to get their fingers in I swear every single conspiracy across the entire country, it’s really impressive. But the result on a larger scale is that Britain keeps cracking down on plots that aren’t successful or widespread, because they’re skeered, which results in sufficient oppression (esp. the Rowlatt Acts) that they have something to actually be skeered about.

So after the war, India went, “We sent men to your war, who didn’t come back. We suffered hunger and influenza. The economy’s a wreck. After all of this, we deserve the reward of ruling our own country.” To which Britain responded, “That seems reasonable. What if we set up an Indian government so you can practice this sort of thing, and it will work together with British rule, and you can be in charge of unimportant stuff like agriculture and public works, and we’ll do the important stuff like finances and policing? And at the same time we’ll expand wartime emergency acts like indefinite detention.”

(as regards my watching RRR, this is the status in 1920 - an Indian congress that can advise British rule but is actually only a year old and only allowed to touch ‘unimportant’ things)

Enter..... Gandhi

[byneddiedingo]

Swatilekha Sengupta in The Home and the World (Satyajit Ray, 1984)

Cast: Soumitra Chatterjee, Victor Banerjee, Swatilekha Sengupta, Gopa Aich, Jennifer, Kendal, Manoj Mitra, Bimala Chatterjee, Indrapramit Roy. Screenplay: Satyajit Ray, based on a novel by Rabindranath Tagore. Cinematography: Sumendru Roy. Production design: Athoke Bose. Film editing: Dulal Dutta. Music: Satyajit Ray. 

Revolutions are mounted in the name of human betterment, but humanists -- those who try to act upon their belief in the potential of all human beings -- make lousy revolutionaries. That seems to be the message of Satyajit Ray's The Home and the World, an adaptation of a novel by Rabindranath Tagore that Ray had wanted to film almost his entire career. He finally overcame the obstacles to its filming in the last years of his life, but paid the price of two severe heart attacks while making it. He supervised its completion by his son, Sandip Ray. While it's rich in images and performances, the film does seem a little slow in telling its complex story. Satyajit Ray, who also wrote the screenplay, resorts occasionally to voiceovers, often a sign of uncertainty on the part of a filmmaker about whether his story is getting clearly told. The film begins with Bimala (Swatilekha Sengupta), the wife of the wealthy Nikhilesh Choudhury (Victor Banerjee), being tutored in English style and manners by Miss Gilby (Jennifer Kendal). Specifically, Bimala is learning an English parlor song, "Long, Long Ago." But Nikhil, who is a nascent liberal reformer, wonders why Bimala should be learning a foreign song. He becomes determined to free her from the strictures imposed on Indian women: Among other things, she's confined to only part of their large house -- women are forbidden to enter the part where he entertains guests. So when his friend Sandip (Soumitra Chatterjee), a spokesman for Swadeshi, the revolutionary movement protesting British rule, comes to stay in that part of the house, Nikhil takes Bimala down the corridor that connects the two parts -- shocking Bimala's widowed sister-in-law (Gopa Aich), who lives a life of idle complaining about her lot -- and introduces her to Sandip. It's an electric moment. Suddenly, not only her home but also the world of politics is opened to Bimala. Eventually, Sandip and Nikhil will have to clash, not just over Bimala but also over Swadeshi's program to have the country boycott foreign goods and learn to rely only on India-produced merchandise. The year is 1907, when the British mandated a partition of Bengal into separate Hindu and Muslim regions, and the religious separation only adds fuel to the economic conflict. Nikhil is in favor of Swadeshi up to a point, but as a man who owns a largely Muslim-run market, he also knows that eliminating foreign goods will hurt the poor, who can't afford the higher-priced Indian items. Bimala becomes the film's focal point for the division between Sandip's fervor and Nikhil's idealism, with tragic results. The three central performances are superb, and the color cinematography of Soumendu Roy and production design by Ashoke Bose are handsome, but the merger of history and romantic fiction is uneasy, with occasionally sketchy results on both counts.

[fashionbasicsgg]

“EARTH PROVIDES ENOUGH TO SATISFY EVERY MAN'S NEED BUT NOT ANY MAN'S GREED.” – MAHATMA GANDHI

I’m Gargi Gosavi a student at NIFT, Gandhinagar. Fashion is something that has always fascinated me since I was a teenager. I made sure I had the trendiest outfits. Back then buying things from H&M, Zara and other fast fashion brands didn’t matter as much as it does now after knowing the back story of the fast fashion brands. Coming to NIFT was like a dream come true. While doing my research for the course I want to apply for textile design was something which caught my attention. After high school, I gave my entrance exam and here I'm today in Gandhinagar. Learning the subject of Fashion Basic has changed my perspective towards fashion.

It was my first time when I was presenting. My anxiety had reached the peak. I was not very confident about myself that time. My first presentation was on “fashion according to you” my topic for this presentation was the Nike Air Jordans and Air Force which we all know are trendy. In my presentation I talked about their history, price, different types of Jordans, Air Force and how people take care of them like their own babies. On the very first day, we were told about our mid term assignment, which was to dress up reflecting our traditions and state we belong to. Coming from Maharashtra and being a Maharashtrian I was wearing a Nauvari saree(nine yard saree) which I sourced from my sister in law. I was wearing all the traditional Maharashtrian accessories from head to toe.In my presentation I spoke about the history of nauvari saree ,textiles, food, culture and festivals of Maharashtra. These presentations helped me become confident about myself.

Fashion changed my perspective

It’s tempting to turn a blind eye in front of such flashy offers, but the planet can’t take it anymore! 

If you’re used to buying clothes without questioning how they were made, acknowledging these fast fashion facts can be the first step towards making an actual change.

I now have realised that fashion is not only about clothes and looking fashionable. It may look very glamorous from the outside but it has a dark side that very few people are aware of. We had a debate in our class on slow fashion and fast fashion which changed my perspective. Buying clothes from fast fashion brands will make you look fashionable but how about the damage it’s creating to the environment? We don't even know that the people working for these brands are even safe. Are they paid well? We all are aware of the Rana Plaza collapse in Bangladesh where around 1136 people lost their lives and 3120 people were injured. The conditions where the people are working for these brands are unsafe and promote child labour. Millions of children are forced to work in terrible conditions for the clothing we wear. We don’t even know that the women working for the clothes are even safe. We all wear clothes even if we’re not necessarily lovers of fashion but we all are responsible for the transition to this flourishing fashion industry. The materials these brands use are harmful to the environment.Fast fashion is responsible for 20-35% of ocean microplastics Another problem with polyester and synthetic fabrics is that every time you wash them, they’ll release between 700 to 4000 plastic polyester per gram.These end up in the ocean, fish bellies, and… yep, yours too if you eat seafood. Polyester now has been found in breast milk as well. Can you imagine how much worse the situation is? Fast fashion clothing relies upon planned obsolescence unlike durable vintage or ethical clothes. These items are designed to fall so that the consumers like us will keep buying new items regularly.

Can we bring change as Gandhiji did?

Let me take you back to the time when Gandhiji started a Swadeshi Movement a movement designed to boycott imported goods and production. The citizens of India burnt all the clothes which came from the UK and started to make their clothes using the charkha. Khadi cloth became the heart of this strategy when Gandhi asked every man and woman to plant and harvest their materials for the yarn needed to create Khadi fabric. He also asked everyone, whether rich or poor, to spend time each day spinning Khadi. People of all classes came together to do as Gandhi asked, and their efforts helped the country in its bid to become self-sufficient. Entire villages adopted the movement, weaving their way to economic freedom through fashion. Let’s support our artisans and our culture by following slow fashion.

Do slow-fashion items last longer?

Items from my grandmother and even my mother when she was young are still in pristine shape. I can not say the same for the items I bought some years ago from fast fashion brands. Why? Have you ever heard of planned obsolescence? If the stitching is not good, if the materials are not great, the piece will not stand washing and wearing. And so, eventually will not be good to be worn. Now, you need to buy a new piece, and here we go again. This is easy math, high quality = longer-lasting item. Slow fashion items are long-lasting so you can wear them as long as your heart desires. In the end, it is cheaper to purchase a more expensive item. It is a win-win for you and the environment.After the debate, I was thrilled after knowing the damage fast fashion brands are creating in the environment and that the people working for these brands are miserable and unsafe.

How You Can Make Sustainability Stylish

One of the biggest drivers of fast fashion – and its associated waste – is the consumer. After all, no one wants to be stuck wearing outdated outfits. But if you extend the life of your clothes by just nine months, you can reduce the environmental impact by as much as 30 per cent. By getting creative with your closet, you can make a difference just like I did in lockdown I had nothing to do so I used to experiment with my brother's clothes. He had a black old t-shirt which he wasn’t using anymore so I decided to make a top for myself by cutting and splitting the tshirt into two halves, folding &twisting it around my neck and chest and creating a pattern in itself. The other top was a normal top where I stitched straps of the remaining fabric and made it a tie-around crop top.

Know what would trend in future

As a beginner in the design industry the fact that we can predict what will trend in future surprised me. I didn’t know something like this existed until I learnt about fashion forecasting.

Fashion forecasting is something that focuses on upcoming trends. Prediction of the colours, textures, fabrics, style, beauty, etc that will be presented on the runways and in upcoming seasons.

Is polyester the new Khadi?

During the pre-independence period people started to use the hand-spun cloth that remains warm in winters and cool in summers. We visited Reliance Trends to see their winter collection and overall clothes. One thing which we noticed was that none of the sweaters had wool as their material. 90-95 per cent polyester was used in sweater. Polyester is a performance textile, used in activewear, athleisure, etc. Polyester is used everywhere and is recyclable. We all know how harmful this fabric is and when I saw the amount of polyester each and every clothing item contained I was stunned! The traditional wear and the kids section clothing was mainly made using cotton. They also had the sustainable denim.

Reviving our handloom heritage

An exhibition of the artist weaver Rajen Chaudhari was organised by CEPT University in Ahmedabad. He was a student at JJ School of Arts, Mumbai. Having interest in textiles, he went to different places in India where he could learn how to use a handloom weave. He practised hand spinning and hand weaving for a very long time. His work was stunning which had patterns using the weave, very intricate and each one of them was unique in its own way. He transformed his paintings and sketches into weaves. There was a handloom weave and a spinning wheel kept where a lady showed us how it is functioned. The process involves entwining a set of vertical threads, the wrap with a set of horizontal threads, the weft.

The second visit was to Kasturbhai Lalbhai Museum. Kasturbhai Lalbhai was one of the pioneering Industrialists of pre and post-independent sage of India. One can see the vast panorama of Indian art history ie. Mughal, Rajput, Pahari, Bengal school – early modern and contemporary art, all under one roof is unique. Inside the house, which is now the museum there was a beautiful collection of old paintings using natural paints, betels used for the emerald colour on the gold foil, watercolours, etc. The artist back then made every painting/artwork meticulously. I was speechless after seeing those paintings which were done so thoughtfully and with intricacy. The furniture on which the exhibition was displayed was designed by the students of NID.

The next place was the White on White exhibition of Mr Asif Shaikh who is one of India’s most accomplished and acclaimed embroidery and textile artist. He’s on a 5 yr project which he started back in 2020 in which he is making 100 textiles out of which 37 are done with the help of Indian artisans. These 37 textiles were an introduction to his new collection. We could see the efforts he had put into fabricating those textiles. All the designs were very unique and were from different regions of India. His work astonished and inspired me.

The next exhibition was of Arvind Indigo museum where it has opened a world of possibilities for unexplored surfaces such as metal, stone, paper, leather, polyester fibre, glass, and wood, among others.

Knowing the bitter reality of the fast fashion industry I’ll make sure to follow sustainable fashion as much as I can. And lastly I would like to conclude by extending my heartiest gratitude to Miss Neha Kedia and NIFT Gandhinagar for providing us this opportunity and opening windows of exportation through this educational visits and giving us a glimpse of industry life.

[social-yogi-shyam-satish]

https://x.com/ShyamAndhra_YB/status/1832056040461918250?t=VFnS0cGFP8qRohoFe2ibnA&s=08?

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[livesanskrit]

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It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet

National Handloom day.

The handloom sector is a symbol of our country’s rich and varied cultural heritage, and is an important source of livelihood in rural and semi-rural parts of our country. It is also a sector that directly addresses women’s empowerment with over 70% of all weavers and allied workers being female. Rooted in nature, it has eco-friendly production processes with minimal requirement of capital and power, and provides flexibility to innovate to meet changes in fashion trends and fast-changing customer preferences.

The Swadeshi Movement which was launched on 7th August, 1905 had encouraged indigenous industries and in particular handloom weavers. In 2015, the Government of India decided to designate the 7th August every year, as the National Handloom Day. The first National Handloom Day was inaugurated on 7 August 2015 by Prime Minister Narendra Modi in Chennai.

On this day, we honour our handloom-weaving community and highlight the contribution of this sector in the socio-economic development of our country. We reaffirm our resolve to protect our handloom heritage and to empower the handloom weavers and workers financially and instilling pride in their exquisite craftsmanship.

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[addnoral]

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[nepalinews]

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[rahulblog89]

gandhi's vows

Satya (Truth): Truthfulness was the foundation of all the other vows for Gandhi. He believed in being honest in thought, word, and deed. Opens in a new windowwww.instagram.comSatya (Truth) vow

Ahimsa (Non-violence): This is perhaps Gandhi's most well-known principle. Ahimsa means non-violence in thought, word, and action. It formed the core of his philosophy of Satyagraha, or truth force. Opens in a new windowen.wikipedia.orgAhimsa (Nonviolence) vow

Brahmacharya (Celibacy): For Gandhi, this vow wasn't just about physical celibacy but also about conserving sexual energy for a higher purpose. It also meant practicing self-control in all aspects of life. Opens in a new windowwww.dadabhagwan.orgBrahmacharya (Celibacy) vow

Asteya (Non-stealing): This vow promoted honesty and respect for others' belongings. It extended beyond physical possessions to include not taking what wasn't rightfully yours, like time or credit. Opens in a new windowwww.classicyoga.co.inAsteya (Nonstealing) vow

Aparigraha (Non-possession): This vow advocated for a simple life with minimal possessions. Gandhi believed that detachment from material things freed one to focus on spiritual pursuits. Opens in a new windowbrainly.inAparigraha (Nonpossession) vow

Sharir Shram (Bread Labor): This vow emphasized the importance of physical work. Gandhi believed that everyone should contribute to society through some form of manual labor, fostering self-reliance and dignity.

Asvada (Control of the Palate): This vow promoted mindful eating and moderation. Gandhi advocated for a simple, vegetarian diet that was respectful of all living things. Opens in a new windowwww.instagram.comAsvada (Control of the Palate) vow

Swadeshi (Self-reliance): This vow encouraged the use of locally produced goods and the boycott of foreign products. Gandhi believed this would strengthen the Indian economy and reduce dependence on British rule.

Sarva Dharma Sambhav (Equal respect for all religions): Gandhi valued religious pluralism and believed in respecting all faiths. He saw truth as multifaceted and present in all religions.

Abhaya (Fearlessness): This vow encouraged courage and the ability to stand up for what is right, even in the face of fear. It emphasized facing challenges with determination and non-violence. Opens in a new windowecumenici.wordpress.comAbhaya (Fearlessness) vow

Asparsh (Removal of Untouchability): This vow addressed the social evil of untouchability in India's caste system. Gandhi believed in treating all people with dignity and working to dismantle this oppressive practice.

[hindonheater]

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[nikhilgulia]

Bal Gangadhar Tilak, popularly known as Lokmanya Tilak, was born on July 23, 1856, in Ratnagiri, Maharashtra, India. He was a nationalist, social reformer, and one of the key leaders in the fight against British colonial rule in India.

Tilak received an excellent education and was deeply influenced by the teachings of the Indian freedom fighters and reformers of his time. He strongly believed in the idea of Swaraj, or self-rule, and dedicated his life to the cause of Indian independence.

Tilak was a staunch advocate of the concept of "Swaraj is my birthright and I shall have it." He believed that political freedom could only be achieved through the empowerment and mobilization of the masses. Tilak was a strong proponent of education and played a crucial role in promoting the importance of education among the masses, especially in his home state of Maharashtra.

He was one of the founders of the Deccan Education Society, which aimed to provide quality education to all sections of society. Tilak firmly believed that education was the key to awakening the spirit of nationalism and empowering the people to fight against British oppression.

Tilak was also a prolific writer and journalist. He started two influential newspapers, Kesari (Lion) in Marathi and The Mahratta in English, through which he spread his nationalist ideas and rallied the people against British rule. His writings and speeches were powerful tools in inspiring and mobilizing the masses.

Tilak's contribution to the Indian independence movement was immense. He played a crucial role in organizing and leading various mass movements and protests against British policies. One of his most significant contributions was the promotion of the concept of Ganapati Utsav, a public festival celebrating Lord Ganesha, which became a platform for political and social awakening.

In 1905, Tilak initiated the Swadeshi Movement, which encouraged the use of indigenous products and boycotting British goods. This movement gained widespread support and became a powerful tool in the fight for independence.

Tilak's relentless efforts and fearless leadership made him a thorn in the side of the British authorities. He faced several arrests and imprisonments throughout his life but remained undeterred in his pursuit of freedom.

Sadly, Bal Gangadhar Tilak passed away on August 1, 1920, but his

[fashionautograph]

Threads of Tradition: Discovering Ahmedabad's Saree Styles

Ahmedabad, a bustling city in the heart of Gujarat, holds a rich tapestry of culture and heritage. Among its many treasures, the saree stands out as a symbol of tradition and elegance. Embodied in vibrant hues and intricate weaves, Ahmedabad's saree styles are a testament to the city's rich textile legacy.

Introduction

Ahmedabad, often referred to as the 'Manchester of the East', has been a hub of textile production for centuries. Its sarees, known for their exquisite craftsmanship and timeless beauty, reflect the city's cultural diversity and artistic flair. From the opulent Patola sarees to the delicate Chanderi drapes, each style tells a story of heritage and tradition.

History of Sarees in Ahmedabad

The history of sarees in Ahmedabad dates back to ancient times when the art of weaving, along with blouse designs for South Indian silk sarees, was patronized by royal families and aristocrats. Over the years, various influences, including Mughal and British rule, have shaped the city's textile landscape, giving rise to unique saree styles that are cherished to this day.

Patola Sarees: The Pride of Ahmedabad

Patola sarees, renowned for their double ikat weave, are considered the crown jewel of Ahmedabad's textile heritage. Originating from the Salvi community of Gujarat, these sarees are characterized by their vibrant colours, intricate patterns, and impeccable craftsmanship. Each Patola saree is a labour of love, taking months to complete, and is treasured as a symbol of status and tradition.

Bandhani Sarees: A Splash of Vibrancy

Bandhani sarees, also known as tie and dye sarees, are a quintessential part of Ahmedabad's textile tradition. Crafted using a meticulous process of tying and dyeing, these sarees feature intricate patterns and vibrant colours that capture the essence of Gujarat's festive spirit. From weddings to religious ceremonies, Bandhani sarees are worn on special occasions as a symbol of joy and celebration.

Khadi Sarees: Embracing Sustainability

Khadi sarees hold a special place in the hearts of Indians as a symbol of self-reliance and sustainability. Inspired by Mahatma Gandhi's call for Swadeshi, Khadi fabric became synonymous with India's freedom movement. In Ahmedabad, Khadi sarees continue to be cherished for their simplicity and elegance, reflecting a commitment to eco-friendly fashion.

Block Printed Sarees: Artistic Expressions

Ahmedabad's block-printed sarees are a testament to the city's rich tradition of handcrafted textiles. Using age-old techniques passed down through generations, artisans create intricate designs on fabric using wooden blocks. Each saree tells a story of cultural heritage, with motifs inspired by nature, mythology, and everyday life.

Embroidered Sarees: Intricate Elegance

Embroidered sarees showcase the skill and artistry of Ahmedabad's talented artisans. From intricate threadwork to dazzling mirror embellishments, these sarees exude elegance and sophistication. Whether it's the famous Kutchi embroidery or the delicate Zardosi work, each style reflects the rich cultural tapestry of Gujarat.

Chanderi Sarees: Timeless Elegance

Chanderi sarees, known for their sheer texture and subtle shimmer, are prized for their timeless elegance. Originating from the town of Chanderi in Madhya Pradesh, these sarees have found a special place in Ahmedabad's fashion scene. Adorned with delicate motifs and intricate borders, Chanderi sarees are a favourite among women who appreciate understated luxury.

Conclusion

Ahmedabad's saree styles are more than just garments; they are a reflection of the city's soul. Each weave, each motif tells a story of tradition, craftsmanship, and timeless beauty. As we celebrate Ahmedabad's rich textile heritage, let us cherish the threads that bind us to our past and inspire us for the future.

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Sampuran Swadesi

Sampuran Swadeshi is a leading manufacturer of Ayurvedic juices, dedicated to producing natural and authentic Ayurvedic blends. Inspired by the ideology of Maharishi Vagbhat, a renowned ancient Ayurvedic scholar and physician, we strive to uphold the principles of Ayurveda in our products. Our main offerings include Arjun Ashwagandha juice, Amla juice, Sugercure juice, Punarnava Micoy juice, Triphala juice, and Jwar Kirti juice. Maharishi Vagbhat's wisdom continues to inspire us as we craft high-quality Ayurvedic solutions for holistic well-being.

At the heart of our journey lies the wisdom of Maharishi Vagbhat, whose teachings continue to inspire and guide us. His profound understanding of Ayurveda serves as a guiding light, illuminating our path as we strive to craft high-quality Ayurvedic solutions for holistic well-being. With every sip of Sampuran Swadeshi juice, we invite our customers to embark on a journey of wellness, rooted in the ancient wisdom of Ayurveda and fueled by the power of nature.

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Swadeshi Khomba illuminates “Attanagalla Raja Maha Viharaya”

Swadeshi Khomba illuminates “Attanagalla Raja Maha Viharaya”

The Swadeshi Industrial Works PLC, the pioneer and the market leader in herbal personal care products in one of its community support initiatives recently sponsored the “Aloka Poojawa” of the historic Attanagalla Raja Maha Viharaya. “Swadeshi Khomba Aloka Puja Sathkaraya” is a concept of Swadeshi Chairperson Ms. Amari Wijewardene.  Situated in the Gampaha district, Attanagalla Raja Maha Viharaya…

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best waterproof rainwear in Guwahati, Assam

“When the going gets tough, the tough get going.”

The above quote describes 100 year journey that Brand Duckback has made from its humble origins of a Swadeshi alternative in the backdrop of pre-independence economic exploitation of our countryman. In essence duckback is the saga of a simple Indian company from Bengal that is navigating through the trials and tribulations of a volatile business ecosystem where many competitors came and left. Our biggest asset is the trust that we have earned in the hearts of our customers whom we do not view as a market, rather as our fellow countrymen whom we need to serve. We are thus driven with a zeal to top-notch quality products available in domestic sector.

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Rajiv Dixit Swadeshi & Herbal Udhyog, under the brand name Vagbhatt, has been a beacon of herbal wellness since its establishment in 2023 in Wardha, Maharashtra, India. The brand offers a diverse range of products rooted in Ayurveda, including Herbal Ashwagandha Shilajit Juice, Jamun Karela Juice, and Boswellia Nirgundi Juice. With a commitment to health, they also provide Gudmar Methidana Juice, Lajcoanti Chintrak Juice, and Haldi Ashwagandha Juice. Additionally, their offerings extend to Natural Rock Salt, Chyawanprash, spices, and an Herbally Washing Powder, reflecting a dedication to holistic well-being through the power of traditional Ayurvedic formulations.

Visit:-https://shorturl.at/flvTU