#Surreal wildlife poster

[decadentkidturkeywagon]

Elegant Illustrative Style: Bold Colors and Playful Nature Design-Posters with Wooden Frame

Explore a surreal fusion of nature and artistry in this hand-drawn masterpiece. A sleek, white leopard with vivid red markings is the star of this composition, accompanied by two intricately designed owls. Set against a rich navy backdrop and surrounded by golden plants, this bold, decorative design captures elegance and playfulness in perfect harmony

Discover this stunning artwork and more! Visit our website now to explore our unique collection

[htfmetsy]

[audreyyp]

While creating this still life I decided to curate the theme around my sample ballot because early voting is coming up and I am also a political science major interested in this sort of topic. After that initial finding I added scissors up against the ballot as a sort of symbolism for being able to cut out unwanted policy by voting or simply a symbolism towards putting up posters/ election material. In the foreground I thought to add objects that symbolize issues people may be voting for this election cycle. Rose quartz is commonly associated with love, which can be translated to interest in LGBTQ rights or issues each voter is passionate about. The rubber duck is meant to symbolize wildlife as well as the endangerment of animals due to climate change and aggressive policies. The tacks are used as a sort of symbolism to the different factors that may be negatively affecting the climate. I draped a cross necklace over the candle as a way to symbolize religion and how it factors into people's voting choices. Finally, the candle could represent global warming, but also the energy this election is bringing to the U.S, whether it is aggressive candidates/citizens or the turbulent emotions seen in this election cycle. With placement I decided to display the ballot in the background as it was the sort of focal piece in order for everything else to sit in front, but eventually lead back to the ballot. The display of the other objects was focused on how they would interact with each other and be seamlessly presented. After curating this still life I began to edit the image in photoshop taking inspiration from Lucas Blalock as well as altering the image in a surreal way. One of the aspects of Lucas art that I find interesting is that he sometimes copies part of a still life by redrawing it, which is what I decided to do with the rose quartz. Also, I used a brush tool to add to the sample ballot, as well as a sort of oil spill equivalent in the foreground, and make the candle burn. These were chosen in order to make parts of the image pop as well as have fun/ alter the image to make it look more alive. One of my favorite aspects was the manipulation of the duck; I not only duplicated the duck, but also copied the lips and added an eye to ensure the image looks surreal. The final aspect that I altered was copying the cross and adding it to the corner of the ballet. I decided to add this in order to symbolize how important religious affiliation tends to be when voting and its influence on potential policy. Overall, the still life curation was themed around the upcoming election and was altered with inspiration for Lucas Blalock to create a surreal/fun photoshopped image.

[bahribachir]

the chameleon

A small slow-moving Old World lizard with a prehensile tail, long extensible tongue, protruding eyes that rotate independently, and a highly developed ability to change color.

[mt-an]

Moth Club - Acrylic Nope

[stringsoftime]

❂ PREORDERS ARE OPEN ❂

❂ Are you ready, travelers? ❂

PREORDERS FOR CHARITY BNHA ZINE STRINGS OF TIME ARE FINALLY OPEN!

Pre-orders are open from July 6 until August 10! All profit will go to World Wildlife Fund. You can purchase equipment for this journey right here: Store 

And here are our bundles for this exciting journey!

Every traveler needs their own diary to write their adventures down. Do you want to find out for yourself what secrets and stories holds one such book? In this bundle you will find: ⚙ 1 PDF copy of the zine

One Traveler’s bag can hide so many wonderful secrets and artifacts in it! There are no limits to amount of treasures you’ll find on your way.

In this bundle you will find:

☆ 3 button badges ☆ 1 poster ☆ 4 individual stickers ☆ 3 sticker pack sheets ☆ 3 postcards

A world of magic, mystic creatures and otherworldly wonders – Fantasy universe will bring you one of the most memorable adventures of your life. 

In this bundle you’ll find: ☆ 1 physical copy of the zine ☆ 1 digital PDF of the zine ☆ 4 individual stickers ☆ 3 sticker pack sheets ☆ 3 postcards

Deep rumble of machines, thick clouds of steam and smoke and shining buildings made out of copper and steel that reach to the skies. Ladies and gentlemen, welcome to the Era of Steampunk.

In this bundle you’ll find:

☆ 1 physical copy of the zine ☆ 1 digital PDF of the zine ☆ 3 button badges ☆ 1 poster ☆ 4 individual stickers ☆ 3 sticker pack sheets ☆ 3 postcards

A world of advanced science and technology. On one side, you have powerful mega-corporations and private security forces, and on the other, you have the dark and gritty underworld of illegal trade, gangs and crime. It’s surreal and breathtaking and yes - Cyberpunk is finally here!

In this bundle you’ll find:

☆ 1 physical copy of the zine ☆ 1 digital PDF of the zine ☆ 3 button badges ☆ 1 poster ☆ 4 individual stickers ☆ 3 sticker pack sheets ☆ 3 postcards ☆ 1 acrylic charm ☆ 1 tote bag 

@zineapps @uahigh-newsletter @bnha-community-board @zine-scene @zinefeed @fandomzines @bokunozines​ @anizines​

[rubyudys]

‘On the Plumage of Birds’ Artists Statement

‘On the Plumage of Birds’, Ruby Udys, 2021,18cm x 12.5cm, digital illustration printed on poster paper. (Limited prints available at: https://www.rubyudys.com/product-page/on-the-plumage-of-birds ).   

Dream Scented Rushes was the third exhibition I have contributed my artwork to as well as my third effort as assistant curator in collaboration with curator and artist, Azzurro.    I am so thankful for the experience and for having Azzurro trust me in the curation process, its an art in itself!  I'd like to share my artist statements, along with the artworks I contributed to this group show: 

“Before the discovery of Australia, people in the Old World were convinced that all swans were white, an unassailable belief as it seemed completely confirmed by empirical evidence. The sighting of the first black swan might have been an interesting surprise for a few ornithologists (and others extremely concerned with the coloring of birds), but that is not where the significance of the story lies. It illustrates a severe limitation to our learning from observations or experience and the fragility of our knowledge. One single observation can invalidate a general statement derived from millennia of confirmatory sightings of millions of white swans” (Taleb, 2007), all it took was one black swan! 

Nassim Nicholas Taleb, a professor of sciences, has devoted time to the consideration and labelling of life’s most improbable events. Events that lie outside the realm of regular expectations, as it where when the white settlers discovered black swans on Indigenous land. He uses this example of the white settlers discovering something that once seemed ‘improbable’ as a ‘Black Swan event’. Examples of Black Swan events include World War one, the dissolution of the Soviet Union, the September 11 attacks, the 2008 financial crisis, the rise of the internet and personal computers, etc.  (Taleb, 2007). 

Without the hindsight we have now, the consideration of these aforementioned events in their worldview-altering ways, are absurd. A black swan event takes us from “How could two planes fly into the twin towers?” to “How couldn’t two planes fly into the twin towers? 

Our experiences of reality are shaped by our expectations of reality. We are amongst surrealism, absurdity, and possibility, each and every day. Surely that qualifies our living experience akin to Wonderland? If there is possibility for terror, there is possibility for enchantment. There is inherent magic in the native wildlife naturally found in Australia. We are amongst creatures and culture beyond any imagination, or at least to the untrained eye. You won’t believe it until you see it…

Reference: Taleb, N. (2007). The Black Swan: The Impact of the Highly Improbable. Penguin.  

[decadentkidturkeywagon]

Whimsical Wildlife Art: A Leopard and Owls in Stunning Symmetry-Poster Wall Art

Immerse yourself in a whimsical scene of nature, featuring a graceful leopard adorned with bright red spots and intricate geometric patterns. Two charming owls perch gracefully on its back, creating a stunning centerpiece surrounded by golden foliage. The deep navy background enhances the vibrant colors and adds an artistic, decorative flair. Perfect for anyone who loves bold, imaginative designs

Discover this stunning artwork and more! Visit our website now to explore our unique collection.

[htfmetsy]

[wallpaperpainting]

10 Facts That Nobody Told You About Red Flower Canvas Wall Art | red flower canvas wall art

Brandan “BMike” Odums has corrective murals beyond New Orleans. His purple-hued account of Buddy Bolden’s bandage faces Sorth Rampart Street, the armpit of abounding celebrated applesauce clubs. His Flat BE barn amplitude on Royal Artery is adorned with his and added artists’ murals, featuring civilian rights and cultural leaders and accouchement ambitious to become artists. French soccer brilliant Paul Pogba’s image is on a red bank on North Rocheblave Artery abreast the Lafitte Greenway, area Odums currently is commutual a accumulating of behemothic portraits on a barn on St. Louis Artery at North Roman Street.

Odums’ aboriginal architecture appearance opened at the Newcomb Art Architecture at Tulane University in backward January . It’s blue-blooded “NOT Supposed 2-Be Here,” which reflects that abundant of his massive-scale assignment is in accessible spaces, abounding of his murals abode advantageous ancestral abuse and civic barriers, and that — in bandage with the canon of some graffiti artists — some of his best-known works were amorphous in places area he didn’t aboriginal defended permission to paint, such as his battleground Activity BE and Flat BE efforts.

But now, “NOT Supposed 2-Be Here” applies to everyone, as the coronavirus communicable has ushered in concrete break restrictions. Odums’ architecture appearance is arresting on the Newcomb website (https://ift.tt/2XqLK7j), but locals can appearance his accessible works and added murals about the burghal while advancement bloom precautions.

New Orleans has become a burghal of murals, abnormally with an admission of bright new works created in the aftermost 10 years. There are works of all sorts in accessible and clandestine spaces, central and out, in heavily trafficked and ambagious locations, announcement businesses and agitation issues. There are works adulatory history and ability from acceptable and conflicting or underground perspectives. There are amusing images of pets and wildlife, surreal amplitude creatures and massive colorbursts. Some artists bifold as canvas painters or boom artists. Abounding tag their assignment with amusing media handles, so their art is arresting online, alike while the artists advance some amount of anonymity.

This mural adorns Brandan “BMike” Odums’ Flat BE in Bywater.

Recent mural projects accommodate the NOLA Mural Activity (https://ift.tt/2ztQ65A), which spun off of a accusation that invalidated a burghal authorization acute fees and a admittance action for murals. The mural activity became a array of “matchmaker” for artists and bodies or businesses absorbed in allotment them, says artist Neal Morris. The website has a map of its murals and others accept been added to it. The Helis Foundation (https://ift.tt/2epUqlY) created “Unframed,” which includes bristles ample murals in the Barn District.

Gambit beheld and aggregate a account and photos of added than 120 alfresco murals in accessible appearance in Orleans and Jefferson parishes, admitting there are abounding more. There additionally are abounding added types

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[bigyack-com]

Artist Marcel Dzama’s on folklores, hybrid characters, and why his art exists in a world of the subconscious - art and culture

Canadian artist, Marcel Dzama’s work raises many questions. For the conscious and the subconscious, the real and the unreal. Where does personal, intimate art exist in the age of digital revolution? Are we still acquainted with the time-honoured fairytales and can we create our own with a pinch of the present realities? Is the representation of nature getting further divided or coming together in the world of art? At the India Art Fair’s12th edition held in Delhi recently, the Canadian-born artist who is known for his fantastical illustrations and hybrid characters that are inspired by day-to-day lives and real events showcased 15 works among which some were made particularly for the fair as part of the David Zwirner’s presentation, one of the leading international galleries in the world in the domain of contemporary art. An admirer of Indian culture and its many elements, Dzama chose themes like Bollywood dancers to regional wildlife for his visual storytelling. One of his works from 2019, ‘A dance can be taken as a manifesto’ depicts a woman dancing while three tigers watch and an eagle hovers above. It makes you think if that’s how nature intended it? A sense of universal celebration across species and definitely, an ode to the innocent territories of imagination. The turbulent oceanic wall titled Flowers of Romance, created by Dzama at the his booth at the Fair where many of these works were hung examined the constant and interrelated rhythm of nature and its beings. One cannot fail to notice Dzama’s tribute to American Artist Jason Polan who died in January early this year.    

Marcel Dzama for David Zwirner at the India Art Fair 2020. ( Mansi Midha ) Dzama rose to prominence in the late 1990s with his representation of mystical narratives inspired by his childhood memories and fantasies, showcasing the delicate relationship between the real and the unreal, in an intricate and powerful way. He poignantly explores the elements of human action and stimulus mostly through erotic, grotesque, aggressive and absurd imagery creating an overlapping world of persistent human, animal and hybrid characters like humans with antlers or trees with hands, speckled with relative motifs. One can see strong influences of Surrealism, Dadaism and Agitprop in his work, bringing elements of reason, individualism, and half-truths and the many social and cultural battles that construct societies across communities. His strong sense of symbolism gives the viewer an open window to interpret the art in their own ways and revisit the deeply buried folktales and many forgotten stories of the past that must echo with our present and the future.

Marcel Dzama for David Zwirner at the India Art Fair 2020. ( Mansi Midha ) In an exclusive interview, artist Marcel Dzama who believes that storytelling and art are one and the same talks about his varied inspirations, the art of storytelling, the multilayered relationship between the real and the subconscious and why drawing continues to be his favourite medium. Excerpts from an exclusive interview: Your new collection goes big on Indian culture that varies from the charm of Bollywood dancers to the many elements of regional wildlife. How did the inspiration come along? -With this new work for the India Art Fair, I referenced a few of the Bollywood films I have seen over the years. Most of the work for the show was influenced by early Indian films that I had seen while living in Winnipeg, Canada. There is a large Indian population there and there were many Indian video stores back in the 90s. I had a few lobby cards I had purchased long ago and a book of movie posters from some Bollywood films from the 1960s. I’ve always loved the choreography and costumes in those films. I read Indian myths, and watched Bollywood films and listened to their soundtracks - mainly those from the 1960s by artists like Mohammad Rafi and Kishore Kumar. I always have some animals appear and I wanted to use animals that would speak to the setting, with cobras and elephants included as part of these new works. Your art narrative holds a special place for fantasies, fairy tales and folk vernacular references. How do you think it affects your work in contemporary space? How do you deal with the juxtaposition? -I like the juxtaposition of mixing high brow and low brow culture. I try not to discriminate between popular culture and intellectual pursuits. Your work looks at the multi-layered and evolving relationship between the real and the subconscious via visual arts. How difficult it is to align the real and the subconscious and what are the related challenges to bring the two worlds together? Do you equate subconscious with ‘unreal’? -I feel that my work exists in a world of the subconscious but is sometimes infiltrated by the real. Whenever I find the news too disturbing or negative, I find that my work gets more political as an exorcism of the news of the day so I’m able to sleep at night. In the times we live in now, reality seems almost more of a farce and absurd than the subconscious. Your narrative has time and again touched upon hybrid characters, often by means of the violent, erotic, grotesque, and absurd. What is your take on the term hybrid and how it impacts your idea of storytelling? -When I was in high school, there was a mentor programme where you would become a teacher’s assistant for the younger kids. I would get the kids in a group and ask two kids what their favourite animals were and draw the two together as a new creature. That might have inspired my first hybrid creature. But throughout mythology, there are many hybrid creatures that I’m fascinated by. You have worked across many mediums, be it puppetry, costumes, illustrations, water colour, sculpture, video among many others. What particular domain remains a favourite and why? -My favourite medium has always been drawing, it is the beginning of all my other projects. Not only is it its own art form, but it also leads to creating the costumes, films and everything else. Do you read as much as you draw? What are you reading currently? -I definitely draw a lot more than I read. I find myself reading in situations where its impossible to draw, like the airport or the subway. I spend at least two hours on the subway in New York each day, so I have been getting a lot of reading done. At the moment I’m reading a biography on William Blake. What’s next?     -I’ve been experimenting with making large pectoral mosaics & a secret project is coming soon from that.  I’ll be doing a New York show with David Zwirner which will feature some collaborations with Raymond Pettibon and Amy Sedaris, as well as a musical collaboration with Will Butler from the band Arcade Fire. Will and I might try to make it soundtrack vinyl record for A Flower of Evil, so I guess I’ll be doing an album cover for that. But no others that I know of yet. Follow more stories on Facebook and Twitter Read the full article

[bnvupdates]

Sustainable Travel: How Overtourism Affects Our Environment

The Grand Canyon, the Great Smoky Mountains, Yellowstone National Park. Just a quick mention of these beautiful national parks might prompt some daydreams of stunning sceneries, breathtaking views and surreal landscapes. After all, there is no color palette that compares to what can already be found in nature.

You could be one of the millions that has had the privilege to visit and experience these national parks firsthand. The Great Smoky Mountains, the Grand Canyon and Yellowstone National Park respectively received over 11 million, 6 million and 4 million visitors in 2018 alone.

When we think of building out a travel itinerary, weaving in an off-road trip to a national park seems like a sustainable, eco-friendly option, right? They say spending more time in nature is key to adopting positive environmental values. It isn’t until we are face-to-face with gorgeous views that extend far beyond what meets the eye that we truly learn to respect nature or begin to feel a real need to protect it. 

However, a huge paradox lies behind the reality of travel and tourism in regards to our national parks. In the interest of preserving these beautiful landscapes for years to come, we may want to reconsider our nature-oriented vacation plans and adopt a more mindful approach. Sustainability is a long-term game, and considering the impact of overtourism is vital if we wish to maintain these national parks for future generations.

Overtourism essentially examines how excessive tourism to a given location impacts the surrounding environment and socio-economic landscape. As you may assume, it has been linked to some detrimental effects that are entirely worth contemplating.

The World Travel & Tourism Council partnered with McKinsey & Company to publish a study in 2017 that found five main challenges associated with overtourism to popular travel destinations:               

1. Alienated local residents

2. Degraded tourist experience

3. Overloaded infrastructure

4. Damage to nature

5. Threats to culture and heritage

Given the volume of visitors these destinations receive on a daily basis, it isn’t hard to imagine how their natural ecosystems and the surrounding communities end up exposed to disturbance and damage. Aside from a mass surge of litter and waste products,  there is also the increase in air pollution and consumption of water and other natural resources to consider. Furthermore, the local communities are often subject to a rise in dues for rent, displacement of local retail and changes to their neighborhood’s character, as cited in the 2017 study. Overtourism often benefits visitors at the expense of those who call these popular destinations home. 

That trip to the Grand Canyon might not feel so sustainable after all has been said and done.

National parks are ironically given the coveted title primarily out of the desire to preserve and protect their landscapes, wildlife and precious natural resources. Aside from their beauty, they are also a mark of our nation’s history, education, recreation and inspiration. Given the criteria, it’s not so shocking to hear only 61 sites are recognized as United States National Parks, as mandated by the National Park System. While there’s good intention behind establishing our national parks, not much is being done to significantly control the impact of overtourism and the risk we’re posing on these beautiful landscapes. 

To combat overtourism and adopt a more eco-friendly travel approach, Reservations.com is raising awareness to 20 of the Least Visited National Parks in the U.S. The roundup includes hidden gems all over the country and some fun facts on each, in addition to the visitor count they individually saw in 2018. Scroll through and you’ll also enjoy a vintage style poster depicting the unique characteristics of each park. With 20 to choose from, there’s a national park to match any destination and special interests you have. You might just discover your next trip to add to the bucket list!

Leading a 100% sustainable lifestyle is quite nearly impossible, but what matters the most is the sum of our combined efforts. Our best tip to combat overtourism and the detrimental effects it poses on our environment is to lead by example. When you mindfully choose to visit one of these national parks that could use some more tourism, you not only give back to the local economy but you also make an impact on the planet. Being eco-friendly doesn’t always have to entail huge efforts on our part – it can be as simple as embracing a more mindful approach to travel and tourism.

20. Great Sand Dunes National Park & Preserve, Colorado – Visits in 2018: 442,905

19. Big Bend National Park, Texas – Visits in 2018: 440,091

18. Channel Islands National Park, California – Visits in 2018: 366,250

17. Kenai Fjords National Park, Alaska – Visits in 2018: 321,596

16. Black Canyon of the Gunnison National Park, Colorado – Visits in 2018: 308,962

15. Voyageurs National Park, Minnesota – Visits in 2018: 239,656

14. Pinnacles National Park, California – Visits in 2018: 222,152

13. Guadalupe Mountains National Park, Texas – Visits in 2018: 172,347

12. Great Basin National Park, Nevada – Visits in 2018: 153,094

11. Congaree National Park, South Carolina – Visits in 2018: 145,929

10. Virgin Islands National Park, Virgin Islands – Visits in 2018: 112,287

9. Wrangell-St. Elias National Park and Preserve, Alaska – Visits in 2018: 79,450

8. Dry Tortugas National Park, Florida – Visits in 2018: 56,810

7. Katmai National Park and Preserve, Alaska – Visits in 2018: 37,818

6. North Cascades National Park, Washington – Visits in 2018: 30,085

5. National Park of American Samoa, American Samoa – Visits in 2018: 28,626

4. Isle Royal National Park, Michigan – Visits in 2018: 25,798

3. Kobuk Valley National Park, Alaska – Visits in 2018: 14,937

2. Lake Clark National Park and Preserve, Alaska – Visits in 2018: 14,479

1. Gates of the Arctic National Park and Preserve, Alaska – Visits in 2018: 9,591

____________ Author: Nicole Villegas

    from https://ift.tt/33AeJXt

[naumovskidusan]

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[jpowssbcu]

Producer as an activist My project commenced with “what do I care about”. I listed a few things that I care about and followed it with a brain storm. Gathering and developing ideas about the environment allowed me to trigger genius ideas. I used a mixture of quotes; companies that are helping the environment and questions relevant to my project. I found this as a benefit as I could relate back to these when I needed to.

I then created some logos for my protest party to help gather ideas for my protest banner that I was working towards. I created some 1 sentence manifestos/rules to initialise more ideas to allow myself to dig deeper. This also allowed me to visualise what I would like to see on my protest banner.

I wrote a longer manifesto about my developed political party which was about the ocean and putting the humans in the sea life’s position - swimming through plastics and other foreign bodies of the ocean. I felt that my next action was to start drawing out ideas for my banner which I would then prototype a few times to get it right. I prototyped a rectangular-basic shape banner and a ‘H’ Kind of shape design using bits of scrap materials so that I wasn’t wasting materials contradict my work. I wasn’t really for the ‘H’ design as it just didn’t flow so well with my theme. A simple design seemed to fit well. With my banner design, I was planning to use a layering technique and to create my own embroidery logo to represent my protest party.

Moving on, I started to develop a mind block towards my idea as I had too many ideas all in one place which meant I needed to narrow down to only 1 idea with its purposes. This is when I decided that it would be appropriate to start another ‘digging deeper’ task. Some of the websites I used were Tate.org.uk and It’s nice that. This was a good benefit to introduce new motives. I realised that a book called Humans by Tom Phillips that I’ve recently started to read is actually very relevant to my work and I should start generating new ideas that are unambiguous. The book is ‘a brief history of how we fucked it all up’. It is quite an eye-opening book to read as it goes into depth about precious locations of the world that have been destroyed and how the government could do better and how we could do better. It makes you realise how selfish we are as human beings. Some examples of the book are ‘Cuyahoga River – Cleveland Ohio. A river that is so polluted that it caught on fire no less than 15 times in the past 100 years’. ‘Electronic waste mountain in Guiyu China – mountains of old thrown out electronics. 20 square mile graveyard of unwanted gadgets, piled high with out dated laptops and last year’s smartphones.’ Imagine the impact these events have on the environment alone. The Cuyahoga River can’t be used as a drinking water source by nearby habitants and can’t house aquatic species either due to the pollution. The Electronic Waste Mountain could be a habitat for vegetation and wildlife which saddens me. I believe that the local authorities and government are mostly to blame as they’re not providing the correct ways to recycle and dispose of waste; they’re the cause of deforestation and they aren’t helping to create a sustainable environment.

·     What if pollution was causing something we are not yet aware of, but it will be too late when we find out what that something is?

·     What if illegally importing plants and animals created a new species of animal where only polluted environments would allow this creature to survive and would this creature be a threat to humans?

I started to look into artists with similar ideas such as Luigi Serafini who created Codex Seraphinianus. This artist originally published this illustrated encyclopaedia of an imaginary world in 1981. This project was created over 30 months, between 1976 and 1978. It approximately has 360 pages and is written in Cipher alphabet. The language was completely made up which makes this codex valuable. The artist used coloured pencils to create plants, fauna, anatomies, fashion and foods.

I like how the illustrations are often surreal and a mockery of the real world. Such as birds in their nests with human legs bleeding fruit and a range of foliage twisting into itself.  I particularly like the handwriting which gives the codex authenticity. After decided on my projects progress so far, I believe that using this artist alongside as other artists I will research seem quite relevant to relate to during my practise.

I’m still considering how I could publish/broadcast my work. I’m not sure if I want to create a series of drawings or photography. I’m not really familiar with photography but this will challenge me and allow me to develop a new skill during this project.

Another artist I have been looking into is Erik Ferguson. A digital artist who uses soft wares to create some amazing fusions – parts from the human anatomy, flora and fauna. These mutants are formed in realistic features/textures which gives the impression that these mutants actually exist. This artist creates person works and has worked with ‘Guardians of The Galaxy’ and live performances for Rihanna. Erik Ferguson – ‘I can get hundreds or thousands of comments to an image or video. I take that feedback and work it into future designs.’ I really like that he engages with his audience to develop his own work and to create work that the audience want as well as pleasing himself to combine what he wants.

I adore the use of detail Erik pits into his work. Even the smooth textures have small details. I’m going to develop ways I can achieve detail in the sculptures of the mutants that I will be making to capture attention and to create a depth of emotion that triggers a sense of an unforgettable experience. I think that I could create some gross skin textures by using the glue gun to create skin folds etc.

I created a collage to generate the idea of hybrid creatures that would come cleanse the earth. This then gave me the idea to scrap the idea of creating protest banners and to create sculptural works. I took old toys and re-assembled them using hot glue. The hot glue also gifted these sculptures with additional details. The oozing liquid texture made these creatures appear a lot more threatening than they would if they were perfectly glued together. I decided to completely/partially paint some of these to add extra threatening features and textures. I then drew my sculptures to consider how I would display these when protesting for my party – whether these will be displayed as illustrated designs? During this time of planning, I moved onto photographing my designs to see how they look in natural lighting. I felt the natural light gave them a natural ambient look and it seemed a lot more realistic rather than toys glued together and photographed.

I used my photos to create collaged posters to create mood and to consider another way of display. Maybe I should create a multi-media poster collection of these creatures?

Mother Nature’s Revenge

Note: Mundane – Non- spiritual (in this script human(s) will be replaced with mundane).

Purgatory: 100 years ago, the Earth became heavily polluted that scientists and the government could no longer do anything to save the planet. So, it was Mother Nature’s plan to do something about this catastrophe. Objects were documented falling from the sky – Juveniles were caught recording on their smartphones and recording live on social media which justified this apocalypse. The mundane are the reason why this Earth is so corrupt which is why Mother is seeking genesis.

As the UFOs fell from the sky and were getting closer to the sight of the mundane, it was that moment when they realised that they were in danger. The creatures began wiping the mundane out of existence with lashes from their huge monstrous hands and other uncanny limbs. The only thing left was vegetation, wild natural fauna and other natural forms. It’s time to start again. Will there be a new race? Or will some of the mundane revive with intellect?

Post-Purgatory:

After days of cleansing the Earth from pestilence, the minions slowly began to perish as the Earth is becoming so pure that there’s no more pollution left for the minions to consume. Vegetation began to grow, and extinct species are revived into existence. Locations such a Cuyahoga River has become cleansed so thoroughly that only the most sacred aquatic life populate there. Slowly, fauna began to establish and the rare are becoming habitual and the place once known as ‘The Electronic Waste Mountain – Guiyu China’ is now a sustainable habitat, populated with variegated vegetation and fauna. Let us hope that the new mundane population will not be what they were before.

Final Protest Banner:

Now that I decided how I wanted my poster to look. It was hard to figure out how exactly I wanted to display my protest poster. After researching, I came across stickers. That’s when it hit me, my protest poster will be a stick which can easily be mass produced and placed around different locations to spread awareness of my protest. Purgatio Clamoris. Save the Earth. Be the genesis.  In the images, you will notice how the environment in my photography clearly captures evidence of human interference with nature. The location of my photography is no more than 2 miles away from my home -- so literally on my door step. It’s unfair that the environment is always brushed aside and business is put first. My protest stickers are definitely something I will continue to use to spread awareness of my campaign.

I really enjoyed this project because it allowed me to play around with collage again. I felt that working with collage worked really well as I could reuse old materials which complimented the cause of the protest (cutting down on waste and pollution). When finding a location for these protest stickers, I originally wanted to stick them in public toilets and notice boards. However, on my way to those locations, I happened to across deforestation which was so serendipitous as the stickers themselves have a sci-fi fantasy inspired deforestation scene on them. I placed my stickers in this location and took some photos to document this. The photography worked really well and I captured some nice compositions which worked quite well. One thing I would like to change is the size of the stickers. I feel that from a distance it’s pretty hard to notice the A5 sticker on the tree. I think an A3 or at least an A4 size sticker would be more affective as it would capture the attention of the public causing them to approach the scene.

[crossconnectmag]

Beautiful Splendor of Nature Comes to Life in Surreal Illustrations

Indian artist Svabhu Kohli‘s stylized illustrations of flora and fauna offer a dreamy glimpse into the artist’s love of nature and imaginative approach to art. Each enchanting work of art combines bright colors, bold graphics, and intricate designs to capture the beauty and splendor of the natural world.

With a tremendous amount of detail and a focus on visual storytelling, each magical, multilayered work of art showcases a unique scene straight from the artist’s imagination. Kohli’s illustrations are equally inspired by nature and by fantasy, presenting a unique twist on traditional landscapes and studies of wildlife. In one particularly ornate piece, a family of whales frolics below a mystical waterfall as sparkling constellations dot the night sky. In another, a glowing giant squid lurks in a luminous lagoon framed by a canopy of plants.

Rendered both by hand and through digital programs, the pieces that comprise Kohli’s captivating portfolio demonstrate his array of artistic abilities and his versatile approach to his craft—and people have taken notice. In addition to personal projects and prints, Kohli is often commissioned for album covers, book illustrations, theatrical posters, and even stage backdrops.MyModernMet

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Posted by Andrew