#Super A tractor

[rmspeltzfarm]

Driveway Staking

[gummybearstastelikesadness]

When Danny enters the Fenton portal for the very first time, he still trips and shocks himself but at the same time damages the inside of the portal enough that it can’t sustain itself past the point of changing Danny’s molecules.

The electricity and damage done to both Danny and the portal isn’t something Danny, Sam, and Tucker can cover up and his parents find out immediately. They’re more concerned about their son then the portal (they have the blueprints for the portal and can rebuild it later but can’t replace their son if something happened to him) and go through a lot of things emotions regarding the existence of ghost human hybrids.

Danny’s new biology could easily be passed as meta human traits. Unfortunately President Lex Luther had just recently passed laws against meta humans. Meaning they can’t risk people find out about Danny’s new powers, at all. The Fentons decide that Danny should live with one of Maddie or Jacks relatives off grid until he can control his new abilities better.

luckily Jacks sister, Martha, and her husband have experience with a super powered child and after their son moved to the city could probably use a hand on their farm. All Jack needed to do was call.

[horsesarecreatures]

Well fuck Tractor Supply!

[abirddogmoment]

Waving goodbye to the snow geese as they head south for the winter

[that-was-anticlimactic]

all of my dreams are in color

His hand is the brush now, his blood the ink. He drags his injury across the canvas, spreading it haphazardly across the weretiger’s scattered limbs.

It stings, not a lot, but enough, and for a moment, Ryuunosuke thinks he feels human again.

Yes, blood is a fine substitute for ink.

[or, akutagawa paints the weretiger and reflects]

🖌2,400 words | akutagawa-centric, sskk🖌

🖌a birthday present for @ryuvnosuke <3🖌

[cara-mel5]

no one talk to me

[beesbeesbees42]

RIP The Forgotten Desert

May 14th, 2014 to December 18th, 2023

[superdictionary]

Tractor - Superman caught the tractor. He caught the machine that is used to pull heavy loads. The other tractors needed his help, too.

[lunerabo]

You ever just meet someone who’s super shy and it makes you curious and then they casually reveal smth and you’re like oh. You can stay shy actually

[nerdyfangirlingbooks]

I've had a stupid merlin au idea stuck in my head for days now and I know I'll never get around to writing it the way I want it written but I kinda wanna try anyway even though I am 100% of the target audience

[rmspeltzfarm]

Draft Horse to the RESUCE

Draft Horse the RESCUE today in the video=)

[gracesfilmphoto]

Kentmere 400 - Practika Super TL

[chicago-geniza]

Interesting thing I've picked up from trying to read Literally Everything Stefania Zahorska Ever Wrote (and the secondary literature such an undertaking demands) is that "propaganda" did not carry a default negative valence, at least po polsku, during the interwar period. In many cases it was in fact a positive means to achieve a desired sociopolitical end; it was not the sole purview of "totalitarian" or "authoritarian" regimes, the way the concept has been ideologically resignified since the Cold War. Like in 1937 (or 38, need to double check) Stefania was one of three judges in a publicly advertised contest for "best propaganda screenplay." She was involved with a committee to propagandize Polish art abroad (they published an ephemeral French-language journal in Paris). She's even enthusiastic about socialist realism as a tendency in Soviet film circa 1935 because for her film is a democratic medium capable of reaching the masses and influencing their taste, their worldview, etc.; by using film to illustrate how an individual, interacting with social/material conditions, becomes conscious of themself as a(n) historical subject, directors can "propagandize" a similar process of social transformation to the viewer. And that's good! Her four points on film are basically: 1. The profit motive should not drive the film industry; the fact that it does leads to formulaic, predictable "blockbusters" that cater to unsophisticated tastes instead of using film, instrumentally, to refine them; 2. People in the film industry need education. Literally any education; 3. Filmmakers should experiment with the aesthetic/formal aspects of film AS A MEDIUM (e.g., montage) that are not possible in other media, and make film both unique and uniquely modern; 4. Propaganda is good, actually, and film can be used to change people's tastes and ideas

[or-4]

[beware-thecrow]

Now that I think about it I've had some very odd dates, but I think nothing tops that gorgeous, absolutely lovely guy who invited me lunch and then explained to me all the ways you can slaughter a cow.