#Sumita Dey

[townpostin]

Shiksha Niketan School Celebrates Ganesh Chaturthi

Students and staff honor Bhagwan Ganesh with devotion and cultural program Key Points: • Shiksha Niketan School installs Lord Ganesh idol for worship • Principal and Vice-Principal join students in offering flowers • Cultural program enhances festive atmosphere at school JAMSHEDPUR – Shiksha Niketan School marked Ganesh Chaturthi with a blend of traditional worship and student performances,…

[somerabbitholes]

Hi there! Over the past 3 years or so I’ve become increasingly interested in historical dress. Most of the stuff I’ve looked at is Western European hist dress. When I tried looking for Indian sources I couldn’t find any. I don’t think I’m looking in the right place or searching for the right things. I was wondering if you could tell me about some sources?

Hi there, sorry for writing back so late. Here are a couple of links that I think are pretty helpful with regard to what you’re looking for:

Textiles and Attires: 19th-Early 20th Century Bombay Presidency: a collection from Dr Bhau Daji Lad Museum in Mumbai

Variations of the Sari

Sanskriti Museum of Indian Textiles’ online collection

Cotton manufacture: online exhibit by Dr Bhau Daji Lad Museum, Mumbai

Craft Revival Trust’s collection: very well curated collection of textiles, prints, patterns and their cultural influences

Fashion, Attire, and Mughal Women by Sumita Dey (essay)

Clothing Matters: Dress and Identity in India by Emma Tarlo (it’s a book)

Hope that helps :)

[ipshitadeyofficial]

এসো মা লক্ষ্মী  l Eso Maa Lakkhi l Ipshita Dey Song l Lakkhi Pujar Gaan l DumDum Shalom Old Age Home

https://www.youtube.com/watch?v=b7bBjk9aLbQ

🌺Eso Ma Lokkhi Boso Ghore Song Lyrics In Bengali: শঙ্খ বাজিয়ে মা কে ঘরে এনেছি সুগন্ধি ধূপ জ্বেলে আসন পেতেছি, শঙ্খ বাজিয়ে মা কে ঘরে এনেছি সুগন্ধি ধূপ জ্বেলে আসন পেতেছি, প্রদীপ জ্বেলে নিলাম তোমায় বরণ করে, আমার এ ঘরে থাকো আলো করে। এসো মা লক্ষ্মী বসো ঘরে আমার এ ঘরে থাকো আলো করে, এসো মা লক্ষ্মী বসো ঘরে আমার এ ঘরে থাকো আলো করে।। আলপনা এঁকে তোমার সাজিয়ে দিলাম পট আমের পল্লব দিলাম জল ভরা ঘট, আলপনা এঁকে তোমার সাজিয়ে দিলাম পট আমের পল্লব দিলাম জল ভরা ঘট, পান সুপারি সিঁদুর দিলাম দু'হাত ভরে, ধনধান্যে ভরো আমার এ ঘরে। এসো মা লক্ষ্মী বসো ঘরে আমার এ ঘরে থাকো আলো করে, এসো মা লক্ষ্মী বসো ঘরে আমার এ ঘরে থাকো আলো করে।। শঙ্খ বাজিয়ে তোমায় ঘরে এনেছি সুগন্ধি ধূপ জ্বেলে আসন পেতেছি, শঙ্খ বাজিয়ে তোমায় ঘরে এনেছি সুগন্ধি ধূপ জ্বেলে আসন পেতেছি, প্রদীপ জ্বেলে নিলাম তোমায় বরণ করে জনম জনম থাকো আমার এ ঘরে, এসো মা লক্ষ্মী বসো ঘরে আমার এ ঘরে থাকো আলো করে, এসো মা লক্ষ্মী বসো ঘরে আমার এ ঘরে থাকো আলো করে।।

🌺Audio Credits: Song Name: Eso Maa Lakkhi Vocal: Ipshita Dey Music Re-Arranger & Sound Design: Argha Dutta, Recording Studio: AD Voice,   Mixed & Mastered: Indranil Raju.

🌺Video Credit: Direction :Ipshita Dey, Video Concept: Abhishek Sarkar & Ipshita Dey, Video DOP & Editing: Sayan Joydhar (pom), Light: Arpan Rahul, Poster Design: Sudip Roy, Cust: Ipshita Dey, Usha Mukhuty, Chitra Sarkar, Rita Das, Anima Singh, Sumita Roy, Komolini Bala, Chinmoy Ghosh, Hitadri Kumar Neogi, Subir Banerjee etc. Label: @Ipshita Dey Official.

🌺Original Song Credit: Song Name: Eso Maa Lakkhi, Singers: Sandhya Mukherjee, Label: Saregama India Limited.

🌺Thanks to DumDum Shalom Old Age Home Incharge👇 Aparna / Bithi Workers👇 Mitali Paul Aparna D'Costa Subala bhuiya Promotho bhuiya

🌺A Special Thanks: Dadu: Asish Chakraborty, Baba: Tapan Dey, Maa: Atashi Chakraborty Dey.

🌺Previous Released: https://www.youtube.com/watch?v=sktcH7JrVDw https://www.youtube.com/watch?v=XWOkHxuuDF4 https://www.youtube.com/watch?v=_fInvHz7-sI https://www.youtube.com/watch?v=cg-RyShsfZ4 https://www.youtube.com/watch?v=I9ITW1xUN80&t=0s https://www.youtube.com/watch?v=ev5lY1GpaKc&t=0s https://www.youtube.com/watch?v=glHJurG9U1Q&t=0s https://www.youtube.com/watch?v=Y6Zd8vEOlLk&t=0s

🌺My Social Media & Digital Marketing Partner: Visit My Google Site: https://bit.ly/2WOAN2x Follow me on YouTube: https://bit.ly/3CexTEu Follow me on Facebook: https://bit.ly/3lvVPxw Follow me on Instagram: https://bit.ly/2WTH3Gu Follow me on Twitter: https://bit.ly/3lv06kD Follow me on LinkedIn: https://bit.ly/3jeXEMc Digital Marketing Partner: https://bit.ly/2VEgErR

🌺Contact me: Email: IpshitaDeyOfficial@gmail.com

🌺Hash Tag: #SandhyaMukherjeeSong #IpshitaDeyOfficial #IpshitaDey #SingerIpshitaDey #IpshitaDeySong #EsoMaaLakshmiSong #এসোমালক্ষ্মী

[mezzopieno-news]

UNA NUOVA LEGGE PIÙ PARITARIA PER LE DONNE IN INDIA

A distanza di cinquant’anni dall’emanazione della legge sull’aborto l’India ha approvato una modifica che prevede una maggiore parità di trattamento delle donne, indipendentemente dal proprio status sociale, religione o casta.

Il nuovo Medical Termination of Pragnancy Act (legge sul termine medicalmente assistito della gravidanza) è entrato in vigore il 25 marzo e aiuterà a diminuire il tasso di mortalità materna, in linea con alcuni degli Obiettivi di Sviluppo Sostenibile (SDGs) promossi dalle Nazioni Unite. “ È una vittoria per il desiderio collettivo delle donne in India. Le modifiche hanno aumentato le possibilità di accesso per le donne ai servizi per l’aborto legale e sicuro”, ha dichiarato la dottoressa Sumita Ghosh, commissario aggiunto per le commissioni per l’Assistenza Completa all’Aborto e per la Sanità dei bambini e degli Adolescenti del Ministro della Salute e del Benessere Famigliare (MoHFW).

In particolare, la nuova normativa prevede l’aumento del limite di tempo per poter effettuare l’interruzione di gravidanza per alcune categorie speciali di donne quali vittime di stupro, minorenni e disabili e la possibilità di eseguire l’operazione in qualsiasi momento a seguito di una diagnosi di sostanziali anomalie fetali. Inoltre il servizio viene aperto anche alle donne non sposate, escluse finora dalla vecchia norma ed è stata inserita la clausola di riservatezza che vieta la comunicazione dei dati sensibili delle donne se non a chi legalmente autorizzato.

_____________________

Fonte:  World Health Organization - 13 aprile 2021

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✖  BUONE NOTIZIE CAMBIANO IL MONDO | Firma la petizione per avere più informazione positiva in giornali e telegiornali

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[lyricsbest]

Zindagi Kaisi Hai Paheli Lyrics in Hindi | ज़िन्दगी कैसी है पहेली

Zindagi Kaisi Hai Paheli Lyrics in Hindi | ज़िन्दगी कैसी है पहेली

Presenting Zindagi Kaisi Hai Paheli Lyrics In Hindi SONG from the bollywood superhit movie ANAND. The song is sung by Manna Dey and music is given by Salil Chowdhury. Lyrics of the song is written by YOGESH. Starring Rajesh Khanna, Amitabh Bachchan, Sumita Sanyal, Ramesh Deo in lead roles, released in 1971. Zindagi Kaisi Hai Paheli Lyrics ज़िन्दगी कैसी है पहेली Song Details – ज़िन्दगी कैसी है…

[importantlovecolor]

Chandramukhi Serial Full Story

Chandramukhi Serial Full Story Episode

Chandramukhi Serial Full Story Zee Tv

Watch FIR tv serial full episodes videos online! FIR, a Tv show aired on SAB Tv is a comedy show with amusing & entertaining comedy and is being broadcast Monday to Friday – Hindishows.com. The plot of 'Chandramukhi' revolves around a woman who suffers from a mental disorder affecting a family and a psychiatrist who risks his life to save hers. Readmore 03 /6 'Santosh Subramaniam' - 2008.

Chandra Mukhi is a 1993 Hindi-language Indian feature film directed by Debaloy Dey starring Sridevi, Salman Khan, Mohnish Behl and Pran in lead roles. Chandra Mukhi Film poster Directed byDebaloy Dey Produced byBubby Kent Written byAnwar Khan Story bySalman Khan StarringSridevi Salman Khan Pran Gulshan Grover Mohnish Behl Puneet Issar Music byAnand-Milind Edited byMukhtar Ahmed Release date 22 October 1993 Running time 152 minutes CountryIndia LanguageHindi.

Chandramukhi is one of the pivotal characters in the 1917 Bengali novel Devdas by Sarat Chandra Chattopadhyay. Her character was inspired by the Hindu mystical singer Meera, who devoted her life to Lord Krishna; similarly Chandramukhi devoted her life to Devdas.

ChandramukhiDevdas characterCreated bySarat Chandra ChattopadhyayPortrayed byChandrabati Devi Vyjayanthimala Madhuri Dixit Kalki Koechlin Anwara For more 'Performers'In-universe informationAliasChandrikaNicknameLeniRaceIndian peopleGenderFemaleOccupationTawaif CourtesanSpouseDevdas MukherjeeReligionHindu

Chandramukhi is one of the pivotal characters in the 1917 Bengali novelDevdas by Sarat Chandra Chattopadhyay. Her character was inspired by the Hindumystical singer Meera, who devoted her life to Lord Krishna; similarly Chandramukhi devoted her life to Devdas.[1] Chandramukhi is portrayed as a hooker with a heart of gold in the novel and its film adaptations.[2] Chandramukhi means 'moon faced' or 'as beautiful as the moon' in Sanskrit.[3]

In the novel[edit]

Chandramukhi is a courtesan who lives in Calcutta also known as Kolkata. She is considered the most beautiful and richest prostitute in the area of Chitpur.[4] She is first introduced to Devdas by Chunnilal, who returns to Calcutta heartbroken after the marriage of Parvathi 'Paro'. Devdas, disgusted over Chandramukhi's profession insults her and leaves her kotha. Chandramukhi, impressed by Devdas's attitude, later falls in love with him after realizing his steadfast love for Paro. She leaves her profession for Devdas and convinces him to marry her; he, however, has to reluctantly reject her offer as he has devoted his life to Paro. In return, Chandramukhi does not force him to be with her but waits patiently for him. Subsequently, she also moves to Ashthajhari village, where she lives in a muddy house located at the bank of a river and helps the needy. After some struggle, she meets with Devdas again, who now accepts her love.

In the film[edit]

Chandrabati Devi as Chandramukhi and Pramathesh Barua as Devdas in the 1935 Bengali filmDevdas

In most of the film adaptations of Devdas, the story of Chandramukhi is similar to the novel. Ibm lotus notes mac. However, in most of the films her humanitarian work in helping the needy is not depicted. Unlike in the novel, a scene in which Chandramukhi and Parvathi meet was added in Bimal Roy's 1955 version when Paro, played by Suchitra Sen riding in a human rickshaw, comes across Chandramukhi, played by Vyjayanthimala, who just stares at Paro without a single word being exchanged between them.[5] The meeting scene of Paro and Chandramukhi in the 1955 version was still regarded as one of the memorable scene in Bollywood with the background music adding the impact to the scene.[6] In the 2002 version, the director, Sanjay Leela Bhansali, extended the interaction between Paro and Chandramukhi, also showing them dancing together to the hit song 'Dola Re Dola'.[7]

Performers[edit]

YearTitleEssayed byLanguageOther castNotesDevdasParo1928DevdasNiharbala / Miss ParulSilentPhani SharmaTarakbala1935DevdasChandrabati DeviBengaliP.C. BaruaJamuna Baruah1936DevdasT. R. RajakumariHindiK.L. SaigalJamuna Baruah1937DevdasMohiniAssamesePhani SharmaZubeida1953DevadasuLalithaTelugu, TamilAkkineni Nageswara RaoSavitri–1955DevdasVyjayanthimalaHindiDilip KumarSuchitra Sen1955Good Bye My LoverMolly LimMalayS. Roomai NoorChang Lai LaiMalaysian film; also known as Selamat Tinggal, Kekasihku[8]1965DevdasNayyar SultanaUrduHabib TaalishShamim AraPakistani film1974DevadasuJayanthiTeluguGhattamaneni KrishnaVijaya Nirmala1979DevdasSupriya ChoudhuryBengaliSoumitra ChatterjeeSumitra Mukherjeealso known as Debdas1982DevdasAnwaraBengaliBulbul AhmedKabori SarwarBangladeshi film1989DevadasRamya KrishnanMalayalamVenu NagavallyParvathy2002DevdasIndrani HalderBengaliPrasenjit ChatterjeeArpita Pal2002DevdasMadhuri DixitHindiShah Rukh KhanAishwarya Rai2009Dev.DKalki KoechlinHindiAbhay DeolMahi GillA modern-day take on Devdas2010DevdasMeeraUrduNadeem ShahZara ShaikhPakistani film2013DevdasMoushumiBengaliShakib KhanApu BiswasBangladeshi film2017DeviShataf FigarBengaliPaoli DamShubh Mukherjeemodern-day take on Devdas genderbent versions of characters2017 – presentDev DDSanjay SuriHindiAsheema VardaanAkhil Kapoorweb series modern-day take on Devdas genderbent versions of characters2018Daas DevAditi Rao HydariHindiRahul BhattRicha Chaddamodern-day take on Devdas

Social impact[edit]

Chandramukhi is one of the first characters in an Indian novel to deal with prostitution.[9] She was often depicted as a prostitute with a heart of gold.[10] The character of Chandramukhi had paved the way for other portrayals of prostitutes in films like Sadhna, Pyaasa and Pakeezah.[11] Actresses such as Nargis, Suraiya and Bina Rai refused to enact the role of a prostitute in the 1955 film of Devdas, which later went to Vyjayanthimala.[12]

Legacy[edit]

Chandramukhi was well-received in India by critics. In 2006, Rediff listed Chandramukhi in their list of 'Bollywood's Best Tawaif'.[13]Nikhat Kazmi of The Times of India also ranked Chandramukhi at #5 in his list 'Tart with a heart', saying that 'The egotistical Paro may have given her boy friend the goby, but self-sacricficing Chandramukhi was willing to put everything on hold — her livelihood too — for her lover'.[14]

Chandramukhi Serial Full Story Episode

Awards[edit]

Riverbed nightmare pathfinder. There are many actresses who have portrayed Chandramukhi in film adaptations of Devdas. The first notable award was won by Vyjayanthimala in 1956 when she won the Filmfare Awards, known as Bollywood's Oscar,[15] in the Supporting Actress category. However, she was also the first person to decline the award, as she thought that her role was not a supporting one but was of equal importance and parallel to that of Parvathy in the 1955 version.[16] Other actresses who played Chandramukhi in Hindi versions of the novel have also won this award.[13]

The following are awards and nominations received by actresses who have played the role of Chandramukhi in film:

YearFilmNomineeAwardResultNoteRef.1957DevdasVyjayanthimalaFilmfare Award for Best Supporting ActressWonShe refused to accept the award as she thought that Chandramukhi and Parvathi were parallel roles and not a main and a supporting role[17] [18] [19] [20] [21]2002DevdasMadhuri DixitFilmfare Award for Best Supporting ActressScreen Award for Best Supporting ActressZee Cine Award for Best Actor – FemaleNominatedIIFA Award for Best Actress2010Dev.DKalki KoechlinFilmfare Award for Best Supporting ActressWonStardust Award for Breakthrough Performance – FemaleNominated2013DevdasMoushumiBangladesh National Film Award for Best ActressWonMeril-Prothom Alo Award for Best Film Actress (people’s choice)Nom[22]

See also[edit]

Chandramukhi (2005) Tamil film

References[edit]

^Guha, Srejara (2002). Devdas: a novel. Penguin Books. p. 9. ISBN978-0-14-302926-7. Retrieved 17 February 2012.

^Vidya Pradhan (21 Jan 2008). 'Heart of gold, speckled with sin'. The Hindu. Retrieved 16 Feb 2012.

^Ghose, Anindita (August 2006). 'Of Names of Women in Hindi Cinema: An Exploration in Semantics'(PDF). e-Social Sciences. p. 11. Archived from the original(PDF) on 2011-04-10. Retrieved 16 Feb 2012. Madhuri Dixit in ‘Devdas’ (2002) is Chandramukhi which means ‘moon faced’.

^Shubha Tiwari (2005). Indian fiction in English translation. New Delhi Atlantic Publication. p. 151. ISBN978-81-269-0450-1. Retrieved 2012-02-16.

^Corey K. Creekmur (13 December 2001). 'The Devdas Phenomenon'. University of Iowa. Archived from the original on 13 January 2012. Retrieved 18 February 2012.

^Vijay Lokapally (20 February 2009). 'Devdas (1955)'. The Hindu. Retrieved 7 March 2012.

^'Fighting Queens'. Outlook (magazine). 13 December 2001. Retrieved 18 February 2012.

^Allan Koay (2 Apr 2007). 'A new era'. The Star (Malaysia). Archived from the original on 2012-07-11. Retrieved 22 Feb 2012.

^Lindsay J. Proudfoot, M. M. Roche (2005). (Dis)placing empire: renegotiating British colonial geographies. Ashgate Publishing Limited. p. 160. ISBN0-7546-4213-5. Retrieved 18 February 2012.

^Sumita S. Chakravarty (1993). National identity in Indian popular cinema, 1947-1987. Harward Academic Publication. p. 271. ISBN978-0-292-71156-3. Retrieved 18 February 2012.

^Meghnad Desai (2004). Nehru's hero Dilip Kumar in the life of India. Lotus Collection, Roli Books. p. 95. ISBN978-81-7436-311-4. Retrieved 18 February 2012.

^Lata Khubchandani (5 Jul 2002). ''I did not approve of Vyjayanthimala as Chandramukhi''. Rediff. Retrieved 18 Feb 2012.

^ abDinesh Raheja (30 Oct 2006). 'Bollywood's top tawaifs'. Rediff. Retrieved 18 Feb 2012.

^Nikhat Kazmi (16 January 2006). 'Tart with a heart'. The Times of India. Retrieved 20 March 2011.

^Mishra, Vijay, Bollywood Cinema: A Critical Genealogy(PDF), Victoria University of Wellington, p. 9, archived from the original(PDF) on 2012-09-24, retrieved 2012-02-18

^Sheela Bhatt (22 Jun 2012). 'A star spangled evening'. Mumbai, Maharashtra: Rediff. Retrieved 18 Feb 2012.

^'Vyjayanthimala'. Upperstall. Retrieved 16 Feb 2012.

^'The Winners – 1956'. Indiatimes. Archived from the original on 2012-07-14. Retrieved 2012-02-16.

^Subhash K. Jha (2003-02-22). 'Shah Rukh, Ash, Ajay Devgan's rich haul'. Rediff. Retrieved 2012-02-16.

^Raymond Ronamai. 'The winners of the 55th Filmfare Awards are..'Oneindia.in. Retrieved 2012-02-16.

^Bollywood Hungama News Network (2010-01-16). 'Nominations for Max Stardust Awards 2010'. Bollywood Hungama. Retrieved 2012-02-16.[permanent dead link]

^'মেরিল—প্রথম আলো পুরস্কার ২০১৩' [Meril Prothom Alo Award, 2013]. Prothom Alo (in Bengali). April 17, 2014.

External links[edit]

Chandramukhi on IMDb

Chandramukhi Serial Full Story Zee Tv

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Chandramukhi_(character)&oldid=992321596'

Chandra MukhiDirected byDebaloy DeyProduced byBubby KentWritten byAnwar KhanStory bySalman KhanStarringSridevi Salman Khan Pran Gulshan Grover Mohnish Behl Puneet IssarMusic byAnand-MilindEdited byMukhtar Ahmed

Release date

Running time

152 minutesCountryIndiaLanguageHindi

Chandra Mukhi is a 1993Hindi-languageIndianfeature filmdirected by Debaloy Dey starring Sridevi, Salman Khan, Mohnish Behl and Pran in lead roles.[1][2][3][4][5]

Summary[edit]

Chandra Mukhi tells the story of Chandra Mukhi (Sridevi), a princess of a heavenly kingdom, who comes down to earth in search of her lost magical leaf. A boy named Raja (Salman Khan) gets the same magical leaf and the adventure starts.

Cast[edit]

Sri Devi as Chandra Mukhi

Salman Khan as Raja Rai

Pran as Rai (Raja's grandfather)

Gulshan Grover as Madan (Raja's Uncle)

Mohnish Behl as Tony

Puneet Issar as Zhola

Tinnu Anand as Santala

Kunika as Lily

Maya Alagh as Chandra Mukhi's mom

Asha Sachdev as Kamini Rai

Tej Sapru as Ghunga

Shiva Rindani as Bob

Avtaar Gill as Yakeemo

Rana Jung Bahadur as Ved

Kim Yashpal as special appearance in song (deleted song)

Soundtrack[edit]

No.TitleSinger(s)Length1.'Aa Paas Aa To Zara'S. P. Balasubrahmanyam, Kavita Krishnamurthy05:022.'Tune Pakdi Kalai'Renu Mukherjee04:033.'Chha Raha Hai Pyaar Ka Nasha'Kumar Sanu, Alisha Chinai06:554.'Maine Pilayee Ke Tune Pilayee'S. P. Balasubrahmanyam04:175.'Mere Honthon Pe Ek Kahani'Anand (Anand-Milind, Kavita Krishnamurthy08:396.'Tere Dil Ki Baat Main Janoo'Kumar Sanu, Alka Yagnik05:207.'Teri Hi Aarzoo Hai'S. P. Balasubrahmanyam, Kavita Krishnamurthy05:548.'Ding dong bell Ding dong bell Apna hai Main' (Deleted song)

References[edit]

^'Salman Khan's films you might have missed watching'. The Times of India. Retrieved 9 July 2020.

^'rediff.com: Sridevi-Salman Khan, Shah Rukh Khan'. Rediff.com. Retrieved 9 July 2020.

^Poonacha, Sahitya P (15 April 2020). 'What made Salman Khan fear Sridevi alone [Throwback]'. International Business Times, India Edition. Retrieved 9 July 2020.

^'Watch: When Salman Khan Introduced Sridevi as 'The Ultimate Superstar''. News18. 28 February 2018. Retrieved 9 July 2020.

^Bhatnagar, Rohit (2 December 2016). 'Salman Khan to cast Sridevi?'. The Asian Age. Retrieved 9 July 2020.

External links[edit]

Chandra Mukhi on IMDb

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Chandra_Mukhi&oldid=990186770'

[hotboylove]

Zindagi Kaisi Hai Paheli Lyrics Hindi | Anand

Zindagi Kaisi Hai Paheli Lyrics Hindi | Anand

Zindagi Kaisi Hai Paheli Lyrics from Anand (1971) Drama movie directed by Hrishikesh Mukherjee, Zindagi Kaisi Hai Paheli Lyrics writer is Yogesh and singer Manna Dey. Song: Zindagi Kaisi Hai PaheliMovie/Album: Anand(1971)Singer: Manna DeyStarring: Rajesh Khanna, Amitabh Bachchan, Sumita SanyalLyrics Writer: YogeshMusic By: Salil Chowdhury Zindagi Kaisi Hai Paheli Video Song Read Also K.S.…

[bigyack-com]

Mira Nair, Naseeruddin Shah among 300 signatories extend support to students protesting CAA-NRC: ‘Our silence ends now’ - bollywood

More than 300 prominent individuals, including filmmakers Mira Nair, Nandita Das, actors Naseeruddin Shah, Ratna Pathak Shah, Jaaved Jafferi, Homi K Bhabha, Partha Chatterjee, Anita Desai, Kiran Desai, TM Krishna, Ashish Nandy, and Gaytri Chakravorty Spivak, among others, have signed an open letter, expressing their solidarity with the students of India who have been protesting Citizenship Amendment Act (CAA) and against the National Register of Citizens (NRC). Extending their support to the students, the signatories said in their letter, “We stand in solidarity with the students and others who are protesting and speaking out against the Citizenship Amendment Act (CAA) and against the National Register of Citizens (NRC). We salute their collective cry for upholding the principles of the Constitution of India, with its promise of a plural and diverse society. We are aware that we have not always lived up to that promise, and many of us have too often remained silent in the face of injustice. The gravity of this moment demands that each of us stand for our principles.” Also read: Shah Rukh Khan: ‘I am a Muslim, my wife is a Hindu and my kids are Hindustan’. Watch video Here is the complete text of the letter: An open statement from members of the Creative and Scholarly Community in IndiaWe are artists, filmmakers, writers and scholars. Our work reflects people’s lives, struggles and hopes. We offer our dreams to everyone.But what dream can show us the way in the midst of the present nightmare? Our vision for this nation demands that we speak up now, in the name of our democracy and the constitution that protects it. We stand in solidarity with the students and others who are protesting and speaking out against the Citizenship Amendment Act (CAA) and against the National Register of Citizens (NRC). We salute their collective cry for upholding the principles of the Constitution of India, with its promise of a plural and diverse society. We are aware that we have not always lived up to that promise, and many of us have too often remained silent in the face of injustice. The gravity of this moment demands that each of us stand for our principles.The policies and actions of the present government, passed quickly through parliament and without opportunity for public dissent or open discussion, are antithetical to the principle of a secular, inclusive nation. The soul of the nation is threatened. The livelihoods and statehoods of millions of our fellow Indians are at stake. Under the NRC, anyone unable to produce documentation (which, in many cases, does not exist) to prove their ancestry may be rendered stateless.  Those deemed“illegal” through the NRC may be eligible for citizenship under the CAA, unless they are Muslim.Contrary to the stated objective of the government, this does not appear to be a benign legislation, only meant to shelter persecuted minorities. The list of exclusions seems to indicate otherwise. Why are minorities from other neighbours like Sri Lanka, China and Myanmar excluded? Isit because the ruling powers in these latter countries are not Muslim? It appears that the legislation believes that only Muslim governments can be perpetrators of religious persecution. Why exclude the most persecuted minorities in the region,the Rohingya of Myanmar or the Uighurs of China? This legislation only acknowledges Muslim perpetrators, never Muslim victims. The aim is transparent: Muslims are the unwelcome Other.This is state-sanctioned religious persecution, and we will not condone it. In Assam and the Northeast, and in Kashmir, the indigenous identity and livelihood is threatened as never before, and we will not condone it. The response of the government and law-enforcement agencies to the distress of its citizens has been callous and high-handed. India has seen the most Internet shutdowns of any democracy in the world. Police brutality has left hundreds injured, including many students from Jamia Milia Islamia University and Aligarh Muslim University. Several citizens have been killed while protesting. Many more have been placed in preventive detention. Section 144 has been imposed in numerous states to curb protests. We need look no further than Kashmir to see how far this government is willing to go to suppress democratic dissent. Kashmir is now living under the longest Internet shutdown ever imposed by a democratic government. Enough is enough.Those of us who have been quiet in the past, our silence ends now. We will be clear-sighted in our dissent. Like our freedom fighters before us, we stand for a secular and inclusive vision of India. We stand with those who bravely oppose anti-Muslim and divisive policies. We stand with those who stand up for democracy. We will be with you on our streets and across all our platforms. We are in solidarity.” Here is a list of some the signatories: Rahman Abbas, Anvita Abbi, Ajayan Adat, Ramona Adhikari, Faraz Ahmad, Anvar Ali, Zaheer Ali, Lalitha Alilu, Shimit Amin, Jyothi Ananthasubbarao, Vidya Das Arora, Sushila Bahanda, Vikas Bajpai, Ritwik Banerjee, Sudeshna Banerjee, Sumanta Banerjee, Susan Barton, Aamir Bashir, Amit Basole, Rakhi Basu, Dev Benegal, Homi Bhabha, Amit Bhaduri, Madhu Bhaduri, Nabakumar Bhattacharyya, Akeel Bilgrami, Rani Day Burra, Sundar Burra, Meena C. K., Priya Sarukkai Chabria, Suresh Chabria, Amitabha Chakrabarti, Pariplab Chakraborty, Sudhir Chandra, Civic Chandran, Indu Chandrasekhar, R.K. Chandrika, Partha Chatterjee, Shoma A. Chatterji, Salil Chaturvedi, Amit Chaudhuri, Neel Chaudhuri, Vasundhara Chauhan, Rajendra Chenni, Anuradha Chenoy, Kamal Chenoy, Zasha Colah, Naresh Dadhich, Vasudha Dalmia, Sumangala Damodaran, Swati Dandekar, Arpita Das, Nandita Das, Vibha Puri Das, Maya Dayal, Naina Dayal, Deena VJ, Anita Desai, Kiran Desai, Sudhanva Deshpande, Meera Devidayal, J. Devika, Asish Dey, Dipak Dholakia, Arundhati Dhuru, Xavier Dias, Anju Dodiya, Atul Dodiya, Jean Dreze, Lillete Dubey, Avalokita Dutt, Indranee Dutta, Walter Fernandes, Arunima G., Karen Gabriel, Ramakrishna Gampalahalli, Leela Gandhi, Mridula Garg, Geetika, Amitav Ghosh, Jayati Ghosh, Persis Ginwalla, Roshmi Goswami, Sheela Gowda, Srinivasa Gowda, Meena Gupta, Rajiv Gupta, Atul Gurtu, Rajan Gurukkal, Leela Hansda, Saba Hasan, Zoya Hasan, Sohail Hashmi, Shabnam Hashmi, Vinita Hembrom, Nataraj Honnavalli, M. G. Husain, Shamsul Islam, Sameera Iyengar, Vikram Iyengar, Jaya Iyer, Jaaved Jaferi, Bharati Jagannathan, Jagmani, N.D. Jayaprakash, K.P. Jayasankar, Pervin Jehangir, Dhirendra Jha, Ram Naresh Jha, Mary John, Mary Joseph, Rajesh Joshi, Jane K., Sushi Kadanakuppe Srinivas Kakkilaya, Vimala Kalagar, Priya Kalapurayil, Rina Kamath, Kalpana Kannabiran, Aman Kanwar, Harsh Kapoor, Ram Kapoor, Geeta Kapur, Manju Kapur, Aruni Kashyap, Suhit Kelkar, Sonal Kellogg, Mukul Kesavan, Faisal Khan, Habib Khan, Shah Alam Khan, Devaki Khanna, Ayesha Kidwai, Santosh Kiro, K John Koshy, Mridula Koshy, Teresa Kotturan, Ancilla Kozhipat, Pradip Krishan, Sumi Krishna, T.M. Krishna, Amitadyuti Kumar, Ashutosh Kumar, Kirtana Kumar, Radha Kumar, Sandhya Kumar, Sitanath Lahkar, Basanti Lakra, Jyotsna Lall, Swapna Liddle, Ania Loomba, N. S. Madhavan, Surabhi Sharma, Jatin Sheth, Mira Shiva, Geetanjali Shree, Dilip Simeon, Devika Singh, Savithri Singh, Preeti Sinha, Sachidanand Sinha, Shantha Sinha, Kita Sinku, Jawhar Sircar, Gayatri Chakravorty Spivak, M. S. Sriram, K. V. Subrahmanyam, Kadayam Subramanian, Sumita, Vivan Sundaram, Sehba Taban, Deepika Tandon, Kiran Tandon, Vikram Tandon, Anand Teltumbde, Anita Thampi, Romila Thapar, P. K. Michael Tharakan, Susie Tharu, Asha Tirkey, Palo Tunti, Ananya Vajpeyi, Vamsi Vakulabharanam, Achin Vanaik, Sankar Varma, Sushma Varma, Sushma Veerappa, Prem Verma, Gauri Vishwanathan, Asha Vombatkere, Sudhir Vombatkere, Salim Yusufji, Ajit Zacharias. Follow @htshowbiz for more Interact with the author @swetakaushal Read the full article

[manukyan]

VFX Festival 2018 Titles from Zelig Sound: Music & Sound on Vimeo.

Music / Sound design: Zelig Sound Production: MPC Director: Antar Walker Executive Producer: Jonathan Davies Line Producers: Deepanjali Singh, Solomon Tiigah

VFX Team Michael Marczewski, Will Laban, Thomas Carrick, James McIver, Donal O Keeffe, Kerim Camdzic, Erik Norrhede , Edvin Cindrak, Alexis Williams, Jessica Gaynor, Daena Llorne, Jessie Amadio, Mattias Lullini, Anthony Bloor, Andy Steele, Amir Bazazi, Lou Thomas, Noel Winzen, Bibin Balan P, Mohammed Asif K, Sandeep K, Sourodeep Dey, D. Sumita, Gopika Priya, Jaspreet Dua, Kartik Gupta, shreyas Joshi, Craig Savio Padua, Deepali Negi, Mohan Pugaz, Parineeta Jasiwal

[lyricsstopus]

Zindagi Kaisi Hai Paheli Lyrics – Manna Dey | Anand (1971)

Zindagi Kaisi Hai Paheli lyrics is a song from Hindi movie Anand (1971) which is close to all Hindi music lovers. The movie Anand is starring Rajesh Khanna, Amitabh Bachchan and Sumita Sanyal. The song is sung by Manna Dey and lyrics of the song is written by Yogesh. The music is composed by Salil Choudhury.

Zindagi Kaisi Hai Paheli Song Details

Song: Zindagi Kaisi Hai Paheli

Movie: Anand (1971)

Singer: Manna Dey

Lyrics: Yogesh

Music: Salil Choudhury

Zindagi Kaisi Hai Paheli Lyrics

Zindagi… Kaisi Hai Paheli Haye… Kabhi To Hasaaye Kabhi Ye Rulaaye

Zindagi… Kaisi Hai Paheli Haye… Kabhi To Hasaaye Kabhi Ye Rulaaye

Kabhi Dekho Man Nahi Jaage Pichhe Pichhe Sapano Ke Bhaage Hey..Kabhi Dekho Man Nahi Jaage Pichhe Pichhe Sapano Ke Bhaage Ek Din Sapano Kaa Raahi Chalaa Jaae Sapano Ke Aage Kahaan

Zindagi… Kaisi Hai Paheli Haye… Kabhi To Hasaaye Kabhi Ye Rulaaye

Jinhone Sajaae Yahaan Mele Sukh-Dukh Sang-Sang Jhele Hey..Jinhone Sajaae Yahaan Mele Sukh-Dukh Sang-Sang Jhele Vahi Chunakar Khaamoshi Yun Chali Jaae Akele Kahaan

Zindagi… Kaisi Hai Paheli Haye… Kabhi To Hasaaye Kabhi Ye Rulaaye

Zindagi Kaisi Hai Paheli Lyrics in Hindi

जिंदगी … कैसी है पहेली हाय… कभी तो हसाए कभी ये रुलाए…

जिंदगी … कैसी है पहेली हाय… कभी तो हसाए कभी ये रुलाए…

कभी देखो मन नहीं जागे पीछे पीछे सपनो के भागे हें..कभी देखो मन नहीं जागे पीछे पीछे सपनो के भागे एक दिन सपनो का राही चला जाये सपनो के आगे कहाँ

जिंदगी … कैसी है पहेली हाय… कभी तो हसाए कभी ये रुलाए…

जिन्होंने सजाये यहाँ मेले सुख दुःख संग संग झेले हें..जिन्होंने सजाये यहाँ मेले सुख दुःख संग संग झेले वही चुनकर खामोशी यूं चली जाये अकेले कहाँ

जिंदगी … कैसी है पहेली हाय… कभी तो हसाए कभी ये रुलाए…

Zindagi Kaisi Hai Paheli Song

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The post Zindagi Kaisi Hai Paheli Lyrics – Manna Dey | Anand (1971) appeared first on LyricsStop.

[issuewire]

Sumita Dey Chowdhury Wins VG MRS INDIA West Zone 2019, a Journey of Quintessential Wisdom and Beauty

[townpostin]

Shiksha Niketan Honors Top Board Exam Performers

City topper Hina Firdaus among students recognized for academic excellence Shiksha Niketan in Telco celebrated outstanding 10th and 12th board exam results with an award ceremony. JAMSHEDPUR – Shiksha Niketan held an award ceremony on August 9 to honor students who excelled in their 10th and 12th board examinations. Dr. Sanjay Kumar, Head of Medical Service at Tata Motors Hospital, attended as…

[manodzit-blog]

VFX Festival 2018 Titles from Zelig Sound: Music & Sound on Vimeo.

Music / Sound design: Zelig Sound Production: MPC Director: Antar Walker Executive Producer: Jonathan Davies Line Producers: Deepanjali Singh, Solomon Tiigah

VFX Team Michael Marczewski, Will Laban, Thomas Carrick, James McIver, Donal O Keeffe, Kerim Camdzic, Erik Norrhede , Edvin Cindrak, Alexis Williams, Jessica Gaynor, Daena Llorne, Jessie Amadio, Mattias Lullini, Anthony Bloor, Andy Steele, Amir Bazazi, Lou Thomas, Noel Winzen, Bibin Balan P, Mohammed Asif K, Sandeep K, Sourodeep Dey, D. Sumita, Gopika Priya, Jaspreet Dua, Kartik Gupta, shreyas Joshi, Craig Savio Padua, Deepali Negi, Mohan Pugaz, Parineeta Jasiwal

[raduchits]

VFX Festival 2018 Titles from Zelig Sound: Music & Sound on Vimeo.

Music / Sound design: Zelig Sound Production: MPC Director: Antar Walker Executive Producer: Jonathan Davies Line Producers: Deepanjali Singh, Solomon Tiigah

VFX Team Michael Marczewski, Will Laban, Thomas Carrick, James McIver, Donal O Keeffe, Kerim Camdzic, Erik Norrhede , Edvin Cindrak, Alexis Williams, Jessica Gaynor, Daena Llorne, Jessie Amadio, Mattias Lullini, Anthony Bloor, Andy Steele, Amir Bazazi, Lou Thomas, Noel Winzen, Bibin Balan P, Mohammed Asif K, Sandeep K, Sourodeep Dey, D. Sumita, Gopika Priya, Jaspreet Dua, Kartik Gupta, shreyas Joshi, Craig Savio Padua, Deepali Negi, Mohan Pugaz, Parineeta Jasiwal

[fondazioneterradotranto]

Nuovo post su http://www.fondazioneterradotranto.it/2017/04/26/taranto-comera-circa-500-anni/

Taranto, com'era circa 500 anni fa

di Armando Polito

Chi trova un amico, recita il proverbio, trova un tesoro; io qualche giorno fa ho trovato una mappa che è un tesoro, anche se non è una mappa del tesoro. Il lettore che non abbia deciso di abbandonarmi comprenderà alla fine  le motivazioni dell’uso di questo gioco di parole che lì per lì può sembrare insulso, uno di quelli, tanto per intenderci, sfruttati a mo’ di slogan da un politico che in questo campo può fare a gara con chiunque e il cui nome è già una gare …nzia o, fate voi, una ga … renzi … a.

L’ho trovata, la mappa, sul sito della Biblioteca Universitaria Estense di Modena, da cui l’ho riprodotta (http://bibliotecaestense.beniculturali.it/info/img/geo/i-mo-beu-c.g.a.6.a.pdf). Lì compare come datata al XV-XVI secolo ma, sulla scorta del commento che farò alla didascalia n. 3, credo senz’ombra di dubbio che la datazione debba essere collocata non prima del XVI.

Consiglio al lettore che volesse analizzarla di persona e controllare le osservazioni che farò di scaricarla dal link appena indicato; per gli altri più pigri di natura oppure solo nell’acquisizione delle competenze elementari per poter sfruttare gli strumenti, quelli informatici nel nostro caso, che la tecnologia ci mette quasi giornalmente a disposizione, volta per volta, prima di trascrivere e commentare il testo delle didascalie (nell’immagine di testa le ho numerate; purtroppo alcune di loro sono monche a causa della rifilatura dei margine superiore, inferiore e sinistro del supporto) ne proporrò, ingrandito, il dettaglio relativo, in qualche caso ruotandolo pure  opportunamente per renderne più agevole la lettura.

Anticipatamente esprimo la solita gratitudine a chi vorrà correggere col suo commento i tutt’altro che improbabili errori e proporre una o più  integrazioni. La mappa dovrebbe essere stata studiata da Giuseppe Carlo  Speziale in Storia militare di Taranto negli ultimi cinque secoli, Giuseppe Laterza & figli, Bari, 1930 e successivamente da Franco Porsia e Mario Scionti in Taranto, Laterza,  Roma, 1989.  Sarò grato a chiunque, avendo la possibilità di leggerlo, vorrà renderci partecipi di quanto vi troverà, fosse solo con esclusivo riferimento alla lettura delle didascalie1.

1

MARE PICOLO (oggi Mar Piccolo)

_______________________

2

Larghezaa del mare piccolo miglia quatro b in am[piezac (?)]/nel qual puonod stare sicurissime infinite  galeree […]/perchef gira 13 miglia, nel qual mare Ha[nnibale g]/condusse le barche sopra li carri, passando [per la (?)]/citah come etiami  fece el gran Capitano, g[onzalo (?)]/obsediando l il Figliolo  di re Fedrigo m

a larghezza

b quattro

c ho preferito la probabile lettura integrativa ampieza e non ampiezza per coerenza col precedente largheza.

d possono

e galee

f perché

g nel 212 a. C. Annibale, facendo leva sul malcontento dei Tarantini per la dominazione romana, entrò in città ed annientò il presidio romano, secoNdo quanto estesamente riportato da Polibio (II secolo a. C.) nel libro VIII delle sue Storie.

h città

i anche

l assediando

m  Fedrigo è Federico I (re di Napoli dal 1452 al 1504), il suo Figliolo Ferdinando duca di Calabria e il gran Capitano Gonzalo Fernández de Córdoba. La didascalia fa cenno all’occupazione del Regno di Napoli nel 1501 da parte delle truppe alleate di Luigi XII re di Francia e di Ferdinando il cattolico re di Spagna. In quell’occasione Ferdinando si trovava a Taranto, che fu assediata dalle forze spagnole al comando di Gonzalo Fernandez. Questa didascalia è importante per la datazione della carta, che non può essere anteriore al 1501; anzi il fece ci suggerisce che da quell’evento era passato almeno pià di un decennio.

____________________

3

Questo fosso fu tagliato dal duca di Calabria alaa venuta de’ Turchi ad O[tranto]/et fece la citab in Isola turando el mare per la fossa (?) quale […]/per l’intrata di una galea col paramento disteso et ha 19 pa[lmi]/di alteza di aqua et hà la currente del ? et rifi[…]/per strumento a molti molini ? li duy ponti di legno/sono ne le mani del Castillanoc di modo che nullo homod puoe entrare et uscire de la terra, senza volunta f de’ pr[edetti (?)]

a alla

b città

c castellano

d nessun uomo

e può

f volontà

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4

Porto delaa/cita b optimoc   

a della

b città

c ottimo

_____________________

5

Ponte di legno fondato sopra pilastri/per el quale passa uno (?) aquitrino (?)

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6

Ponte antiquo, ma/chiamato Torre a mare/[… di]stante da Taranto 24 miglia

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7

Intrata bona

______________________

8

Capo Rondinelloa

a oggi Punta Rondinella

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9

S. Nicola

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10

Sotto questa isolaa puonob star galere c/ma puonob essere offese da lartigliaria d/delae cittadella perche f  la sumitag de lae/torre soverchiah capo rotondoi

a S. Nicola (vedi didascalia precedente)

b possono

c galee

d dall’artiglieria

e della

f perché

g sommità

h sovrasta, supera

i oggi Capo S. Vito

_____________________

11

Capo rotondoa

a oggi Capo S. Vito (vedi didascalia precedente)

____________________

12

da questa parte ea tutab spiagiac  bassa

citadellad

fonte

citadellac

questa parte de la citae ea tutab scopulosaf

a è

b tutta

c spiaggia

d cittadella

e città

f ricca di scogli

________________________

13

S. Antonio

_______________________

14

 a è

b tutta

c spiaggia

d cittadella

e città

f ricca di scogli

_______________________

15

Si vede anchoraa questa fossa antiquab dec Tarento d vechioe

a ancora

b antica

c di

d Taranto

e vecchia

_______________________

16

Porto bellissimo

_______________________

17

Distantiaa deb  unoc miglio e mezod

a distanza

b di

c un

d mezzo

__________________________

18

Ponente

_____________________

19

distantiaa fino alab terra di quatroc miglia/e questo mare ed Porto per havere bonof/? per vasellig grossi ma galere/ puonoh star per el Temporalei

a distanza

b alla

c quattro

d è

e aver

f buono

g vascelli

h possono

i tempesta

__________________________

20

ramontana

__________________________

21

Levante

__________________________

22

  locoa  per fare la fortezab 

a luogo

b fortezza

La didascalia qui ha una valenza premonitoria perché, con  quella che oggi con termine tecnico si direbbe destinazione d’uso, precorre la costruzione del Forte de Laclos voluta da Napoleone Bonaparte verso la fine del XVIII secolo. Vedi sull’argomento anche il recente post http://www.fondazioneterradotranto.it/2017/04/19/taranto-pierre-ambroise-francois-choderlos-de-laclos-damnatio-memoriae-riuscita-solo-meta/.

[townpostin]

Shiksha Niketan School Inaugurates New Student Council

Newly elected leaders take oath of office in ceremonial event Shiksha Niketan School in Telco held a formal inauguration ceremony for its student council, emphasizing leadership and responsibility. JAMSHEDPUR – Shiksha Niketan School in Telco conducted its student council inauguration ceremony on Wednesday, welcoming newly elected student leaders. The event took place in the school’s prayer hall,…