Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….
I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.
Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.
Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!
Inspired by the rainbows of light against a wall when sunlight passes through a multi-faceted glass, Wavelength is a wrap worked in slip stitch, using increases and decreases to add movement to the stitches. @fiberopticyarns Over the Rainbow Infinity Fade plus one skein of Kashmir in the colorways Justice and Kindness are used for the wrap you see here.
Purchase through Ravelry or Payhip includes pdf for pattern in the original striping shown, as well as an additional pdf of alternative striping sequences.
From June 1 until June 10, receive a 20% discount by using coupon code PRISMATIC.
Dylan O'Brien with River Gallo, Victoria Pedretti, director Esteban Arango, Annie Henk and Indya Moore photographed for The Wrap at The Wrap Portrait Studio at the Sundance Film Festival in Park City, Utah. (January 20, 2024)
It sounds like it should be the end credit after you finish the main story and made it through an arduous journey, and now everyone is going to live happily ever after. This would be playing during an epilogue as it shows scenes of every single character going about their normal daily life. As the song ends, it will pan to the main characters, implying that this is just the beginning of the next stage of their lives.
Studio Kafka has paid so much attention to the manga and its characters... Sure, s2 doesn't have some mind-blowing ultra clean hyper realistic animation, but there are SO many meaningful little details here and there in almost every scene, like the sound of footsteps that shows the mood of characters, the background humming and echo in the college, Chise's voice gaining a deeper tone as she grows up, lines that weren't in the manga but make perfect sense in the anime, the peace and quiet during moments when you'd expect music, the timing of characters' interactions and the timing of jokes... And most importantly, the studio managed to cut and alter the scenario without actually changing it... It takes great creativity and care for the work to make a good adaptation without following the source material to the letter! respectfully looking at my beloved sxf Honestly there were so many excellent decisions made during the adaptation that I don't mind the bad cgi and fight scenes and some other faults this season has
I want to note down every specific moment I'm talking about and put it in one post, but I've just watched the new episode and desperately needed to share this thought at least in this unpolished form 😵💫 They portrayed little Veronica so well... I even dare say better than in the manga