#Strategy And Soul theater
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fightforthesoulofthecities · 3 months ago
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Join Strategy & Soul Theater At the Pan African Film & Arts Festival on February 11th for a film showing of Soundtrack to a Coup d'Etat
Join Strategy & Soul Theater At the Pan African Film & Arts Festival on February 11th for a film showing of Soundtrack to a Coup d'Etat directed by Johan Grimonprez
[vc_row][vc_column][vc_column_text css=”.vc_custom_1738882125809{margin-bottom: 0px !important;}”] Join Strategy & Soul Theater at the Pan African Film & Arts Festival Film showing of Soundtrack to a Coup d’Etat Directed by Johan Grimonprez February 11th 2025 @ 8:30pm The Culver Theater – Auditorium #6     |     9500 Culver Blvd, Culver City, CA…
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thereaperwatchesme · 1 year ago
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Parker facts pleaseee ✨
Parker Facts
• Parker was a champion underground boxer before they became paranoid after seeing the Grim Reaper take souls. They believed too many concussions caused these visions, and therefore promptly quit boxing.
• Parker was bounced around foster homes, never finding a family before they turned 18. However, they found their forever home with the Onlookers.
• Parker loves scary movies, and going to watch a scary movie in the theater is always something they do for a first date. They time how long it would be until their date takes their hand in fright.
• Parker has a pet goldfish—Harry, who was named after their younger brother who was separated from them.
• Parker is insanely smart, mainly in mathematics. But they want to stray away from brains, and therefore, do not take on more of a proactive role in the group that involves strategy. However, they have their times…
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weaselandfriends · 2 years ago
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So you are going to make a fanfic about Pokemon, huh.
Are you a pokemon fan? Or you known about the franchise enough? or is a case of you, waking up one day and thinking:" I'm going to make a Pokemon Fan-Fic!" And started to consume media from it in order to make a story?
I was a child in 1998.
During that initial invasion of Pokemon into the West, when Pokemon was far more than simply the "most profitable media property in the world" that it is today, when it was a tidal wave phenomenon that swept away an entire continent, I was something of a Pokemaniac. I had Blue Version, Red Version, Yellow Version, Pokemon Pinball, Pokemon Stadium, Pokemon Puzzle League, Hey You Pikachu. I had (and still have) every single card from the first three TGC sets, included the oh-so-vaunted holographic Charizard card. I had Pokemon figurines, I had toy Poke Balls, I had Pokemon stickers, I had Pokemon stamps, I had Pokemon clothes, I had Pokemon strategy guides, I had Pokemon choose your own adventure novels. I had the then-complete runs of both Pokemon Adventures and Electric Tale of Pikachu (I vastly preferred the latter). I would wake up early every day to watch the Pokemon anime on TV. I went to Pokemon The First Movie opening day and remember walking into a theater packed to the brim only to hear a man scream—to my delight and assuredly my mother's horror—"SEATS IN THE FRONT ROW!"
Of course, it's been 25 years since 1998. I've played most of the mainline games since then (GSC, RSE, DPP, SuMo, and recently SV). I've seen a few of the endless array of movies. For some reason I watched the entire SuMo anime. So yeah, I still like Pokemon.
Is it my favorite thing ever? No. The unfortunate reality is the games are pretty formulaic and often have questionable design choices. It's not like Mario or Zelda, other nostalgic Nintendo series, where the devs put their heart and soul into each new mainline installment.
But the fundamentally fascinating elements of its world continue to interest me. I've always seen the Pokemon world as a near-future nigh-utopia, clean and neat and orderly, with large swaths of the population free to pursue their hobbies rather than slave away at some useless job. I've always wanted to delve into such a world narratively, as opposed to the endless dystopias that seem to clog contemporary fiction.
Chicago was written as a kind of critical response to To the Stars, which is a utopian story that glosses over the steps taken to reach utopia. I wanted to peer more deeply at how a world akin to that in To the Stars might actually be created, the kind of political turmoil and upheaval required to eventually integrate the panacea to mankind's ill—magic—into functional society. A Pokemon story would instead be about the utopia itself. What does it mean for society that children are not simply allowed but encouraged to leave home at 10 to pursue a vague, unstructured path to become what is basically a competitive sports athlete? What has had to happen to society for such a thing to be not simply okay, but preferred? And what does it mean for that society's future development, especially considering a world where rapid evolution of generally symbiotic non-human creatures is possible? And why, in this peaceful and low-scarcity world, are there so many insane doomsday death cults essentially seeking to usher in the apocalypse?
There are two works of literature that particularly influenced the direction of my idea for a Pokemon fanfic. The first is Eyeless in Gaza (unfortunately topical title) by Aldous Huxley of Brave New World fame. Gaza is a mostly autobiographical story touching on a variety of topics, and one chapter near its end involves the main character traveling to Central America, where he meets a strange, idealistic man named Dr. Miller. Dr. Miller espouses many ideas about anthropology, especially ones critical of or antithetical to British imperialist pseudo-scientific anthropology: "An anthropologist is a person who studies men," he says, "but you prefer to deal with bugs. I'd call you an entomologist [...] the only remedy is for the bug-hunter to throw his bayonets away and treat the bugs as though they were human beings." But the most interesting thing he talks about, the thing that has stuck with me more than anything else in the otherwise mediocre novel, is soccer.
"But [football is] the greatest English contribution to civilization," said the doctor. "Much more important than parliamentary government, or steam engines, or Newton's Principia. More important even than English poetry. Poetry can never be a substitute for war and murder. Whereas games can be. A complete and genuine substitute."
Dr. Miller envisions a world where competitive sports replace the destructive and combative elements of humanity; he teaches soccer to small Mexican tribes as a way to settle their differences instead of war. What does a utopian society look like that has replaced conflict with competitive sport at a grand, worldwide scale? In our world, the Olympics are often spoken of in similar terms, but Pokemon appears to have actually accomplished this lofty goal, to the point that becoming a trainer at 10 is more important than standard education. By setting my fanfic at a prestigious, global tournament, I become perfectly posed to explore this question...
The other point of inspiration comes from Underground, Haruki Murakami's nonfiction account of the 1995 Tokyo sarin gas attacks committed by the cult Aum Shinrikyo. The book contains numerous interviews with both survivors of the attacks themselves and former members of the cult, and ends with Murakami's essay on how the Japanese social psyche allowed this event to occur. Describing the cult members he interviewed, he says:
To all of them I posed the same question, that is, whether they regretted having joined Aum. Almost everyone answered: "No, I have no regrets. I don't think those years were wasted." Why is that? The answer is simple—because in Aum they found a purity of purpose they could not find in ordinary society.
This idea of "purity of purpose unfound in ordinary society," what does that mean in a society like Pokemon's? In a utopian society, where nearly all needs are met? Where sports replaces conflict?
Anyway, I've started to veer off topic, so I'll cut it short there. I'm incredibly excited for this project, so I hope all of you decide to give it a read when I finish!
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diamondcrownacademy · 2 years ago
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DCA Info Part 5: Subjects and Clubs
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The following subjects are thought at Diamond Crown Academy
Basic Classes
Magic History - The study of the historical figures of the academy and the histories throughout the years.
Incantations - Verbal spells that require learning a specific language while waving the magic pen in a certain pattern.
Basic Etiquette - The study of proper manners, posture and communication.
Ancient Rune Reading - The study of ancient writing and spells that are cast through magic rune stones.
Animal Linguistics - The study of animal language, and conversing with animals.
Music - Theater and musical performances.
Alchemy - Minerals, plants and many other ingredients are fused to create something entirely new.
General Magic - Magical spells for offense and defense as well as spell breakers and minor hexes.
Study of Magical Relics - The study of old relics and the identification of their history and uses.
PE Subjects
Fencing/Sword Fighting - There is various swords used as well as various sword-handling.
Obstacle Run - The tracks are set with magic traps and obstacles that students need to overcome.
Derby Racing - Horseback racing.
Magical Shift/Maglift - Using magic to throw discs towards a goal.
Griffin Disc - Riding griffins while having to chase a gold disc and place it on the team's catching net.
Martial Arts - Taekwondo, Judo and many other physical combat activities.
Marathon Run - Running a set amount of kilometers.
Side Note: If a student does feel anxious then they're allowed to be excused, Actius dislikes forcing students to do physical activities if they feel uncomfortable. But since he is allowed to run the class however he wishes, he'll just have them write some papers regarding physical education as a substitute or maybe have them do light jogging instead.
Extra-Curricular Classes
Animal Care - Basic study of caring for animals and identifying what they require.
Magical Beast Study - Study of magical beasts as well as taming them for the purpose of gathering information before they are released.
Party Hosting - Learning how to host an event.
Needlework and Jewelry - Sewing clothes and making accessories. The finished products are worn by the students.
Cultural Dance - Dance to different cultures.
Art - Study of art and any form be it, sculpture, painting, metalwork and many more.
Ballroom Dance - Learning the steps of the waltz and many other dances performed by nobles.
Clubs
Theater Club - Stage plays performed by students, the club expects a lot from their members to deliver their roles to utmost perfection. Allison and Evonie are members of this club.
Horse Grooming Club - The horses are used for the derby but also performance. So this club focuses on taking care of the horses as well as training them to do tricks. Ella is a member of this club.
Gardening Research Club - Planting rare species or mixing seeds to see what plant will grow. Vidya is a member of this club.
Volleyball Club - It's volleyball. You smack a ball, also you get hand strength to slap the soul out of someone.
Chess Club - Students play a battle of wits and strategy.
Book Writers Club - Students write novels or short stories and present them during club meetings.
Comic Otaku Club - Fangirling over 2D boys or girls and having the waifu and husbando wars.
Fairy Keeping Club - A club for making sure that the fairies on campus are given proper treatment, such as treating broken wings, keeping their homes clean as well as learning about the body language of fairies.
Magical Artworks Club - Students paint with enchanted brushes to create moving portaits. Rozeline is a member of this club.
Roleplay Game Club - The students play, Dragons and Maidens (Note: This is likely Twisted Wonderland's version of Dungeons and Dragons) and sometimes play the game while wearing a costume of their avatar. Perrine and Cerule are members of this club.
Aviary Club - Bird watching, as well as bird keeping are the clubs main activities. Jinlong is a member of this club.
Asher Vs. Florence Club - A secret club made by Faustus. Only those who know the password are allowed to join. The password asks if you prefer the color pink or blue.
Griffin Scout Club - The griffins are ridden to forests and the students do the scout activities such as recognizing carvings to mark directions. There's also scout cookie sales where they train griffins to deliver packages of cookies to customers. Elu and Briar are members of this club.
The Griffin Scouts was an idea of Actius. He manages the club activities and schedules, and he also manages the griffins used for the scouting team.
The griffins are not like horses, they have a more high standard when it comes to people riding them. Only senior members of the club who has earned a number of badges to receive their senior badge could only ride griffins. Elu and Briar are two of the few who have senior badges. No one owns the griffins, they are called in the summer and autumn for the scout club activities and when winter rolls in, Actius lets them go to migrate to a warmer climate.
Novice scouts are the ones who have to get community service badges, expert scouts have to survive in the wilderness and learn secret codes and symbols to get badges and become senior scouts when they have a certain number of badges and have completed the griffin test. It's when the scout stands a meter away from a griffin flock and have a griffin approach them and offer them a feather as a sign of mutual respect and that they are a worthy rider.
Actius is still stern but a bit more hands on with his teaching, he will show the students how to properly tie a certain rope knot or how to pitch a tent. Even the griffin scout cookie sale was also being taught by him, his cookie recipe is to die for.
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cocoreallylovesraiden · 2 years ago
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hihi!! how are you??? i see that you've started a bleach blog! may i ask ab your fave bleach charas?? 🩷
My favourite bleach characters!! (some of them at least)
Omg hai /// unfortunately the flood-gates have immediately opened…. My views on the characters might be a little skewed because i have so many random headcanons but!! I am always excited to share my Thoughts…
Shunsui 
I've always been a sucker for the ‘sleazy/ lousy older man’ stereotype in anime, especially when its revealed later on that they are super strong (kisuke is another one of my faves go figure) and Shunsui is That to a T
He seems really silly and carefree on the outside but melancholic on the inside which is such a nice contrast that works so well in his favour!! Especially paired next to Ukitake like the two literally fit together like puzzle pieces in both fighting style and personality
I am also a big theater nerd so when I was reading and found that his bankai was essentially a play come to life! I was sold like a cold drink during summer
His entire kit and how he uses it is really cool too; whenever a zanpakuto has multiple forms/ attacks it’s always a huge plus! Children’s games are such a neat idea and unexpectedly tie so well with his character (he does seem to represent alot of traditional Japanese sentiments with his character overall)
But mostly his morals and outlook of the world are really impactful. I think he serves as a great way to show the transition that the gotei 13 are going through after the passage of time- he is more accepting of newer ideologies and is much more flexible than yamamoto was/ but still cares deeply about the soul society just as much! His reluctance to battle is ironically also admirable, even if he does preface by saying that he’d just ‘rather not’ or wanting to drink instead. While the other characters fight for their beliefs, or to bring down a ‘bad guy’, Shunsui sees situations with more sobriety (haha) from an unbiased perspective. That the moment you enter battle everyone is evil, regardless of their intention from the beginning.
You see other characters next to Shunsui and would think that (for example: Byakuya or even Yamamoto) they would be more intelligent or insightful than he is, but would be pleasantly surprised! I can always appreciate a character with that kind of unpredictability,
Also I like pink and he wears pink. Like my first point I am weak for sleazy old farts so I have to admit when I was young reading bleach as it came out; all I could think was “man very pretty… me likey…”
Kenpachi 
It really helps that he is objectively one of the most unapologetically Cool characters in the series
But for me the main selling point is because the main thing he cares about is battle, he would be an entirely chill person otherwise. The fact that he always allowed his officers to basically do whatever, and puts ‘fun’ (read: brawling for your life) in front of everything? I do feel bad for Yumichika because i do think he’s the one doing all the admin work but oh well 
There is just something just so beautiful about this big chunk of man tearing through hoards of opponents just to go back to his barracks and loaf about for the rest of the day 
I also love how he’s wayyy more intelligent than you would first assume; he’s smart enough to devise little strategies like putting in the eyepatch, putting the bells in his hair etc. Even if they are just to hinder him you gotta give him props! 
This is a personal headcanon but I do think that he would be an excellent listener (especially with gossip) like he would not retain any of the information at all an hour from a conversation, and he would give the most rudimentary answers but a good listener all the same
He does not wear pink BUT Yachiru comes along with him like an accessory to his barbie set and she’s pink so it counts
Rangiku 
First and foremost. I am a woman lover
Bleach, out of all the shounens i’ve digested in my life, probably has some of my favourite female characters! I yo-yo between having rangiku, isane, riruka and soi fon as my faves 
But rangiku. Oh How I Love Her. I always love a sneaky gal who is not afraid to use her looks to get what she wants. A party gal and someone who just has a lust for life and wants to have fun! 
She also does seem like she would be terrifyingly real with you as a friend and never say shit just to make you feel better- like I need that in a friend. Tough love! 
Like the advice she gives to Orihime when she feels down about Ichigo (even if she did it butt ass naked) just shows that even if she presents as self-centered she is also aware of other’s feelings and knows when to cut the shit and give it to you like it is
When she’s most needed she is also incredibly loyal to her captain and peers, and puts her whole titty into the battle when it's necessary. It’s a pity that her zanpakuto isn’t more explored; either she hasn’t developed her methods well or hasn’t been shown to its full powers yet. It think of all the problems in bleach that might be its biggest issue (that there are so many characters that it's impossible to showcase them all)
She also wears pink and I like pink 
Shinji 
Shinji technically isn’t my favorite character but he is my number one enemy forever
I am currently going through some strange enemies to lovers (sans the lovers) with him and im not sure how to feel about it? 
Sort of like Shunsui he has that thing where on the outside he looks devastatingly goofy and greasy but is really experienced with lots of valuable insight 
Also I am a big voice person. Even though I am a manga reader I’ve watched most of the anime and his voice… the accent… God I hate him so much 
He also reminds me of a really naughty cat that will do little things to frustrate you but still jump onto your bed at night to snuggle with you and that’s the nicest thing I can say about him 
His music slaps violently hard.
This accidentally became way too long oops i will stop here but other characters that I am very madly deeply in love with with Many Thoughts about include;
Ukitake (my beloved),
Nemu,
Byakuya (because i do think that every bleach fan has a crush on him regardless of their orientation)
and yumchika!!
Also even if i know nothing about miss yaya i would die for her.
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Anyone here ever listen to the Fine Tooning podcast hosted by entertainment writers Drew Taylor and Jim Hill?
I tend to tune in every Tuesday. Sometimes I learn things about Disney history I never knew, in addition to hearing their takes on current animation news.
This week's episode was about Gary Rydstrom, long-time sound designer - especially for many Pixar films - and filmmaker who eventually directed the Pixar short LIFTED (attached to RATATOUILLE in theaters) and Lucasfilm's STRANGE MAGIC.
As many people know, he was set to direct an ill-fated Pixar film called NEWT, which would've - at one point - released in the summer of 2011 following TOY STORY 3. Before its cancellation, it swapped spots with CARS 2 and went to summer 2012.
What I never knew about this movie was that it was meant to begin a line of lower-budget, quirkier Pixar films. Similar to that of the films Disney Feature Animation's Orlando unit made before they were shut down in 2004.
And if you remember, back when NEWT was announced, it was supposed to share that year with THE BEAR AND THE BOW. That movie, of course, would later be titled BRAVE, and it opened in the summer of 2012. BRAVE would've been a holiday 2011 release if plans had held, and obviously would've been the mainline bigger budget movie opposite NEWT.
Pixar would try doing two-a-year again for 2013 - but w/ both movies being mainline big budget endeavors. So for 2013, the plan was: MONSTERS UNIVERSITY was set for the summer, and THE GOOD DINOSAUR - the thrown-out version that was being directed by Bob Peterson - following during the Thanksgiving frame. Of course, as we all know, that didn't happen either.
Finally, in 2015, they made it happen... INSIDE OUT was the summer movie of the pair, a huge hit all-around: Boffo box office, enthusiastic critical reception, an Oscar... THE GOOD DINOSAUR, the Thanksgiving movie, didn't enjoy any of that. Overshadowed completely by its sister picture, and it also lost money on top of being a very troubled production. Would it have fared well in a different year, on its own? Who the heck knows. It lived a nice second life through solid home media sales, and I'm sure someone somewhere is clicking on it on Disney+.
Then they tried again in 2017. The summer release, CARS 3, did so-so at best at the box office and got okay-ish reviews. CARS isn't everyone's cup of tea, so it was expected. Barely doubled its as-usual-for-Pixar gargantuan budget. Thanksgiving release COCO, by contrast, was the big hit. All of it: Great reviews, fantastic box office, and an Oscar.
2020 was another attempt, this time with a movie at the tail end of winter (the first weekend of March) and a summer movie... Well, COVID-19 happened. ONWARD was cut right off within a week of release, and SOUL went straight to Disney+. The recent theatrical release of SOUL sadly flopped. SOUL did, however, get an Oscar for Best Animated Feature 2020. ONWARD was also nominated for the award that year. So, the two Pixars finished the year with better than average reviews and Oscar noms.
2022 was the second attempt at this new strategy. TURNING RED in March, LIGHTYEAR in June... But Disney, concerned about COVID-19's Omicron variant, sent TURNING RED straight to Disney+. TURNING RED was well-loved and was up for the animated Oscar. LIGHTYEAR bombed in theaters, got okay reviews, and no Oscar nom.
This year was going to see that strategy again, until... Disney and Pixar delayed ELIO, which was set to be the March movie - with a trailer and everything, all the way back to summer 2025. The sole Pixar movie for that year... Leaving INSIDE OUT 2 as this year's Pixar film, and the summer release at that. I expect it to be huge, given that it's a sequel to a movie that clearly did so poorly years ago.
So... 2026, the current plan is for there to be two Pixars. A March and a June. We know TOY STORY 5 is in active development, and I suspect it'll nab the summer 2026 slot. Whatever is brewing in the hallway of the original movies for the March slot, I have no idea. It could be anyone's picture. Kristen Lester? Brian Fee? Rosana Sullivan? List goes on... We'll probably get an inkling of what it is sometime this year. Maybe for D23?
But here's the thing... We know Pixar keeps it all under one roof. After all, their Vancouver unit didn't make it, neither did attempts to collaborate with other filmmakers (see Henry Selick/CinderBiter's THE SHADOW KING). Every movie they make is some $175m+ costing behemoth...
And I think, why can't they do the big movie/small movie thing? It would allow them to double up production, while keeping costs lower on the quirkier movies, and allowing the filmmakers to experiment more. I mean, that's kind of the gist behind the SparkShorts, right? Or those few Co-op program shorts, like BORROWED TIME. Look at Illumination and their proposed adult animation label, Moonlight... That Pixar was attempting to do smaller and weirder films alongside their usual blockbuster spectacles tells me that... Maybe they should try again?
Though weirdly, TURNING RED was their usual $175m+ picture, and that had a different art style, was much more filmmaker-driven than usual, and was indeed a little quirkier. But even then, making a picture like that for such a massive budget puts it at risk. Remember, we watched ELEMENTAL open with a blah number and subsequently claw its way to a "just made it!" final gross. If that movie had cost around $85m instead and still looked as lovely, the near-$500m gross wouldn't even be an issue.
So why not have the next original after ELIO - should that be another triple-digit million movie - be this sub-$100m costing movie? Can it be done? Are they thinking about it?
I dunno, that podcast just got me thinking. I also found out a lot more about NEWT's production and rather mysterious cancellation from this very episode, stuff I was kinda dying to know for years... Yeah, Fine Tooning is worth listening to, check 'em out.
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seph7 · 1 year ago
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J.T. Walsh (1999)
I like Oliver Stone movies, but I stayed away from his Nixon when it was in the theaters in 1995, and never rented it on video. As the child of good California Democrats, I grew up hating Nixon. When I was in my twenties and he was president, he gave me more reason to hate him than I ever wanted. When he died I didn’t want to think about him anymore.
One night, though, flipping channels after the late news had closed down, I happened onto Nixon running on HBO, and I didn’t turn it off. I was pulled in, played like a fish through all the fictions and flashbacks, dreaming the movie’s dream: waiting for Watergate.
It came into focus with a strategy session in the Oval Office. Anthony Hopkins’s Nixon is hunching his shoulders and look­ing for help. James Woods’s impossibly reptilian H. R. Halde­man is stamping his feet like Rumpelstiltskin and fulminating about “Jew York City.” Others raise their voices here and there—and off to the side is J. T. Walsh, the canniest and most invisible actor of the 1990s, doodling.
As almost always, Walsh was playing a sleaze, a masked thug, here a corrupt government official, White House adviser and Watergate conspirator John Ehrlichman—as elsewhere he has played a slick Hollywood producer, a college-basketball fixer, the head of a crew of aluminum siding salesmen, a porn king who makes home sex videos with his own daughter, a slew of cops (Internal Affairs bureaucrat on the take in Chicago, leader of a secret society of white fascists in the LAPD), and a whole gallery of con artists, confidence men who seem to live less to take your money than for the satisfaction of getting you to trust them first.
Walsh in the Oval Office is physically indistinct; he usually was. At fifty-two in 1995 he looked younger, just as he looked older than his age when, after eight years as a stage actor—most notably as the frothing sales boss in David Mamet’s Glengarry Glen Ross—he began getting movie roles in 1986. Except near the end of his life, when his weight went badly out of control, his characters would have been hard to pick out of a lineup. Like Bill Clinton he was fleshy, vaguely overweight, with an open, florid, unlined face, a manner of surpassing reasonableness, blond in a way that on a beige couch would all but let him fade into the cushions. He had nothing in common with even the cooler, more sarcastic heavies of the forties or the fifties—Victor Buono’s police chief in To Have and Have Not, say, or the coroner in Kiss Me Deadly, their words dripping from their mouths like syrup with flies in it. He had nothing to say to the heavies appearing alongside of him in the multiplexes—Dennis Hopper’s psychokillers, Robert Dalvi’s scum-suckers, Mickey Rourke, with slime oozing through his pores, the undead Christopher Walken, his soul cannibalized long ago, nothing left but a waxy shell.
Walsh’s characters are extreme only on the inside, if he allows you to believe they are extreme at all; as he moves through a film, regardless of how much or how little formal authority his character might wield, Walsh is ordinary. You’ve seen this guy a million times. You’ll see him for the rest of your life. “What I enjoy most as an actor,” he said in December 1997, two months before his death from a heart attack, “is just disappearing. Most bad people I’ve known in my life have been transparent. Not gaunt expressions—they’re Milquetoasts. It’s Jeffrey Dahmer arguing with cops in the streets about a kid he’s about to eat—and he convinces them to let him keep him. And takes him back up and eats him. What is the nature of evil that we get so fascinated by it? It’s buried in charm, it’s not buried in horror.”
Walsh’s charm—what made you believe him, whether you were another character standing next to him in a two-shot, or watching in the audience—was a disarming, everyday realism, often contrived in small, edge-of-the-plot roles, his work with a single expression or a line staying with you long after any memory of the plot crumbled. As a lawyer happily tossing Linda Fiorentino criminal advice while an American flag waves in the breeze outside his window, Walsh taps into a profane quickness that for the few moments he’s on-screen dissolves the all-atmosphere-all-the-time film noir gloom of John Dahl’s The Last Seduction. In The Grifters, as Cole Langley, master of the long con, he radiates an all-American salesman’s glee (“Laws will be broken!” he promises a mark) that makes the hustlers holding the screen in the film—Anjelica Huston, John Cusack, Annette Bening—seem like literary conceits. Yet it all comes through a haze of blandness, as it does even when Walsh plays a sex killer, a crime boss, a rapist, a racist murderer, as if at any moment any terrible impression can be smoothed away: How could you imagine that’s what I meant?
In the Oval Office his Ehrlichman, whom America would encounter as the snarling pit bull lashing back at Senator Sam Ervin’s Watergate investigations committee, retains only the blandness, occasionally offering no more than “I don’t know if that’s such a good idea” before returning to his doodles. It was this blandness that allowed Walsh to flit through history—in Nixon playing White House fixer Ehrlichman; in Hoffa Team­ster president Frank Fitzsimmons, locked into power by a deal that Ehrlichman helped broker; in Wired reporter Bob Woodward, who helped bring Ehrlichman down—but as Walsh sits with Nixon and Haldeman and the rest you can imagine him absenting himself from the action as it happens, instead contemplating all the roles in all the movies that have brought him to the point where he can take part in a plot to con an entire nation.
What makes Walsh such an uncanny presence on-screen—to the degree that, as the trucker in the first scenes of Breakdown, or Fitzsimmons as a drunken Teamster yes-man early in Hoffa, he seems to fade off the screen and out of the movie, back into everyday life—is that while the blandness of his characters may be a disguise, it can be far more believable than whatever evil it is apparently meant to hide. Even as it is committed, the evil act of a Walsh character can seem unreal, a trick to be taken back at the last moment, even long after that moment has passed—and that is because his characters, the real people he is playing, can appear to have no true identity at all. You can’t pick them out of the lineups of their own lives.
At the very beginning of his film career, in 1987, in David Mamet’s House of Games, Walsh is the dumb businessman victim of a gang of con men running a bait-and-switch, then a cop setting them up for a bust, then a dead cop, then one of the con men himself, alive and complaining, “Why do I always have to play the straight man?” The straight man? you ask him back. In Breakdown, in a rare role in which he dominates a film from beginning to end, he first appears as a gruffly helpful trucker giving a woman a ride into town while her husband waits with their broken-down car. She disappears, and when the husband finally confronts the trucker, with a cop at his side, Walsh’s irritated denial that he’s ever seen his man before in his life seems perfectly justifiable—even if, as Walsh saw it, that scene “had a residual effect on the audience. ‘Don’t catch me acting’—when I lied, deadpan, on the road, you hear people in the audience: ‘He’s lying!'”The moment came loose from the plot, as if, Walsh said, “I’m not just acting”—and that, he said, was where all the cheers in the theaters came from when in the final scene he dies. He had fooled the audience as much as the other characters in the movie; that’s why the audience wanted him dead.
Walsh’s richest role came in John Dahl’s Red Rock West. The mistaken-identity plot—with good guy Nicolas Cage mis­taken for hit man Dennis Hopper—centers on Walsh’s Wayne Brown, a Wyoming bar owner who’s hired one Lyle from Texas to murder his wife. As Brown, Walsh is also the Red Rock sheriff—and he is also Kevin McCord, a former steelworks bookkeeper from Illinois who along with his wife stole $1.9 million and was last seen on the Ten Most Wanted list. Walsh plays every role—or every self—with a kind of terrorized assurance that breaks out as calm, certain reason or calm, reasoned rage. He’s cool, efficient, panicky, dazed, quick, confused. You realize his character no longer has any idea who he is, and that he doesn’t care—and that it’s in the fact that they don’t care that the real terror of Walsh’s characters resides. You realize, too, watching this movie, that in all of his best roles Walsh is a center of nervous gravity. His acting, its subject, is all about absolute certainty in the face of utter doubt. Yes, you’re fooled, and the characters around Walsh’s might be; you can’t tell if Walsh’s character is fooled or not.
At the final facedown in Red Rock West, all the characters are assembled and Dennis Hopper’s Lyle is holding the gun. “Hey, Wayne, let me ask you something,” he says. “How’d you ever get to be sheriff?” “I was elected,” Walsh says with pride. “Yeah, he bought every voter in the county a drink,” his wife sneers—but so what? Isn’t that the American way? Get Walsh out of ‘this fix and it wouldn’t have been the last election he won.
Watching this odd, deadly scene in 1998, I thought of Bill Clinton again, as of course one never would have in 1992, when Red Rock West was released and Clinton was someone the country had yet to really meet. In the moment, looking back, seeing a face and a demeanor coming together out of bits and pieces of films made over the last dozen years, it was as if—in the blandness, the disarming charm, the inscrutability, the menace, the blondness, moving with big, careful gestures inside a haze of sincerity—Walsh had been playing Clinton all along. He was not, but the spirit of the times finds its own vessels, and, really, the feeling was far more queer: it was as if, all along, Bill Clinton had been playing J. T. Walsh.
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so-true-overdue · 2 months ago
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The Ignoramus Epidemic: Russia’s Digital Disinformation Offensive
In the grand theater of global manipulation, Russia has emerged as the virtuoso conductor, orchestrating a symphony of disinformation that reverberates through the echo chambers of social media. This is not merely a tale of digital skullduggery; it is a clarion call to the bastions of true journalism to rise and defend the sanctity of truth.
The Art of Deception: Russia’s Digital Ballet
Russia’s prowess in the realm of disinformation is nothing short of a masterclass in Machiavellian strategy. With the deftness of a seasoned illusionist, they have woven a tapestry of falsehoods, half-truths, and outright fabrications, disseminating them with the precision of a surgeon wielding a scalpel. Social media platforms, those bastions of modern communication, have become the unwitting accomplices in this grand deception, their algorithms manipulated to amplify the cacophony of misinformation.
The Ignoramus Brigade: Unwitting Soldiers in the Disinformation War
The true tragedy of this digital onslaught is the legion of ignoramuses who, in their blissful ignorance, become the foot soldiers of this disinformation campaign. Armed with nothing more than a smartphone and an insatiable appetite for sensationalism, they propagate these falsehoods with the fervor of a zealot, oblivious to the pernicious consequences of their actions. It is a sobering reminder that in the age of information, ignorance is not merely a personal failing but a societal menace.
The Bulwark of Truth: Journalism’s Noble Crusade
In this maelstrom of misinformation, true journalism stands as the last bastion of truth, a beacon of integrity in a sea of deceit. It is the duty of journalists to pierce the veil of falsehoods, to call out lies and half-truths with the unwavering resolve of a knight on a noble crusade. Through rigorous investigation, meticulous fact-checking, and an unyielding commitment to the truth, journalism can dismantle the edifice of disinformation and restore faith in the veracity of information.
Preemptive Defense: Debunking the Naysayers
Critics may argue that the battle against disinformation is a Sisyphean task, that the sheer volume of falsehoods is insurmountable. Yet, history has shown that truth, though often beleaguered, possesses an indomitable resilience. By preemptively debunking these criticisms, we fortify our resolve and reaffirm our commitment to the pursuit of truth.
Call to Action: The Citizen’s Role in the Information War
The fight against disinformation is not the sole purview of journalists; it is a collective endeavor that demands the vigilance of every citizen. By cultivating a discerning eye, questioning the veracity of information, and supporting reputable journalistic endeavors, we can all contribute to the defense of truth. It is a call to arms for the digital age, a rallying cry for the preservation of integrity in the face of deception.
Conclusion: The Imperative of Truth
In the final analysis, the battle against Russia’s disinformation campaign is not merely a struggle for factual accuracy; it is a fight for the very soul of our society. As we navigate this treacherous landscape, let us hold fast to the principles of truth and integrity, for in doing so, we safeguard not only the present but the future of our shared reality.
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entertainmentyomovies · 3 months ago
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Chhaava Movie Review (2025): A Captivating Historical Drama
The much-awaited Chhaava (2025) has finally hit theaters, and it is nothing short of a cinematic spectacle. Directed by the talented filmmaker Ankit Patel, this historical drama beautifully portrays the themes of courage, sacrifice, and patriotism. Set against a rich cultural backdrop, Chhaava offers a powerful narrative that keeps audiences hooked from start to finish.
Plot Overview: A Tale of Valor and Sacrifice
Chhaava (2025) takes us back to the historical era of the Maratha Empire, depicting the journey of Sambhaji Maharaj, the son of Chhatrapati Shivaji Maharaj. The story revolves around his relentless fight to protect his kingdom from the invading Mughal forces. With a gripping narrative, the film explores the struggles and sacrifices he made to uphold his father’s legacy and safeguard his people’s honor.
The movie brilliantly captures Sambhaji’s internal and external battles, showing his transformation from a young prince to a fearless warrior king. His loyalty towards his land, strategic brilliance in warfare, and undying spirit of patriotism form the core of the narrative.
Stellar Performances: A Powerful Ensemble Cast
Chhaava boasts of a stellar cast that delivers remarkable performances:
Siddharth Jadhav as Sambhaji Maharaj shines in the titular role, bringing emotional depth and authenticity to the character. His portrayal captures the bravery and vulnerability of the Maratha ruler, leaving a lasting impression.
Sonalee Kulkarni plays Yesubai, Sambhaji’s devoted wife, adding emotional weight to the narrative. Her performance beautifully portrays the strength and resilience of a queen standing by her king.
Sharad Ponkshe as Aurangzeb masterfully embodies the cunning and ruthless Mughal emperor, intensifying the conflict.
The supporting cast, including seasoned actors like Anant Jog and Amruta Subhash, adds depth and dimension to the story, making each character memorable.
Direction and Cinematography: A Visual Masterpiece
Ankit Patel’s direction is a triumph in storytelling. He skillfully balances historical accuracy with dramatic storytelling, creating a narrative that is both informative and emotionally gripping. His attention to detail in depicting Maratha culture, royal costumes, and battle strategies enhances the authenticity of the movie.
The cinematography by Sanjay Memane deserves special mention. The breathtaking landscapes, grand forts, and intense battle scenes are beautifully captured, giving a larger-than-life feel to the movie. The action sequences are choreographed to perfection, making the war scenes realistic and impactful.
Music and Background Score: Elevating the Narrative
The music composed by Ajay-Atul adds emotional depth to Chhaava. The soulful tracks resonate with the historical setting and enhance the storytelling experience. The background score effectively amplifies the tension and drama during crucial moments, making the scenes more compelling.
Songs like “Maharajanchi Shaan” and “Yesubai’s Lament” are beautifully composed and are sure to leave a lasting impact on the audience.
What Works Well for Chhaava (2025)
Engaging Storyline: A captivating narrative that keeps the audience emotionally invested.
Authentic Historical Representation: Detailed depiction of Maratha culture and historical events.
Powerful Performances: Stellar acting by the lead and supporting cast.
Visual Grandeur: Spectacular cinematography and well-choreographed battle sequences.
Areas Where It Falls Short
Pacing Issues: Some scenes could have been trimmed to maintain a tighter narrative flow.
Predictable Plot Twists: While the story is gripping, certain twists are somewhat predictable.
Final Verdict: A Must-Watch Historical Epic
Chhaava (2025) is a cinematic masterpiece that pays tribute to the legacy of Sambhaji Maharaj. With its powerful storytelling, outstanding performances, and breathtaking visuals, the movie is a fitting tribute to one of the greatest warriors in Indian history. It successfully captures the essence of valor, loyalty, and sacrifice, leaving the audience inspired and emotionally moved.
Rating: ⭐⭐⭐⭐ (4.5/5)
Where to Watch Chhaava (2025)
Chhaava is now showing in theaters worldwide. For those looking to watch it online, keep an eye on popular streaming platforms for its digital release. Additionally, you can visit YoMovies to stay updated on the latest releases.
Source URL:- Chhaava Movie Review (2025): A Captivating Historical Drama
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eitmonline · 5 months ago
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EITM Playlist 12/6/24
Soul Asylum - Somebody To Shove | 6:06
Breaking Benjamin - Awaken | 6:26
youtube
Suki Waterhouse - To Love | 6:32
Led Zeppelin - Whole Lotta Love | 7:01
instagram
Ashley McBryde - Ain’t Enough Cowboys | 7:27
Dream Theater - A Broken Man | 7:44
U2 - Happiness | 7:48
Thursday - White Bikes | 8:23
MØ - Wake Me Up | 8:51
The War And Treaty - Carried Away | 9:20
Arch Enemy - Blood Dynasty | 9:37
U2 - Are You Gonna Wait Forever? – Re-Assemble Edition | 9:41
TWICE, Megan Thee Stallion - Strategy | 10:09
U2 - All Because Of You 2 | 10:28
AC/DC - For Those About To Rock (We Salute You) | 10:48
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fightforthesoulofthecities · 7 months ago
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Strategy & Soul Events: 1st Seminar on Trans-National Strategies in Erasing Black Ableism
Trans-National Strategies in Erasing Black Ableism A Krip-Hop Meet-Up Saturday October 26th 10am-2pm Strategy & Soul 3546 Martin Luther King Blvd. LA CA 90008 We so glad to work with our Bus Riders Union Member Pastor Kelvin Sauls to co-host a 1st Annual Krip-Hop Meet up to discuss erasing Black Ableism. Join us as we explore topics like Trans-National Strategies in Erasing Black Ableism,…
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avidlearning · 1 year ago
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Upcoming Events, Concerts and Workshops in Mumbai, India by Avid Learning
Welcome to Avid Learning, where the past converges with the future, and where cultural exploration meets intellectual enrichment. Embark on a journey with us as we dive into the vibrant tapestry of events unfolding across India and beyond. From workshops redefining the cinematic landscape to soul-stirring concerts paying homage to musical legends, Avid Learning brings you a curated selection of events that promise to captivate, inspire, and enlighten.
Past Events in India:
India, with its rich tapestry of culture and history, has been a melting pot of artistic expression and intellectual discourse. At Avid Learning, we celebrate this heritage by curating events that offer glimpses into the past while embracing the future. From insightful workshops on traditional art forms to thought-provoking discussions on contemporary issues, our past events have left an indelible mark on attendees, fostering a deeper appreciation for India's diverse cultural landscape.
Workshops and Training Events in India:
In a rapidly evolving world, knowledge is power, and at Avid Learning, we empower individuals through our workshops and training events. Whether you're looking to hone your creative skills or stay abreast of the latest technological advancements, our expert-led sessions provide a platform for learning, collaboration, and growth. From AI-infused marketing strategies to the intersection of art and technology, our workshops cater to diverse interests and skill sets, equipping participants with the tools they need to thrive in an ever-changing world.
Upcoming Concerts in Mumbai:
Mumbai, the pulsating heart of India's entertainment industry, is set to come alive with an electrifying lineup of concerts in 2024. From soulful tributes to musical legends of yesteryears to cutting-edge performances by emerging artists, there's something for every music enthusiast to look forward to. Stay tuned as we bring you the latest updates on upcoming concerts, promising an unforgettable auditory experience that will leave you craving for more.
Best Upcoming Events in Mumbai 2024:
As we look ahead to the year 2024, Mumbai emerges as a cultural hub brimming with excitement and creativity. From thought-provoking discussions on the intersection of art and technology to captivating performances that challenge societal norms, the city is set to witness a renaissance of sorts. Join us as we explore the best upcoming events in Mumbai, curated exclusively for the discerning connoisseur of art, culture, and ideas.
Upcoming Events:
Lights, Algorithms, Action – Reimagining Cinema with Artificial Intelligence:
Explore the fascinating world of AI-infused cinema with our upcoming event, where industry experts will shed light on how artificial intelligence is reshaping the cinematic landscape. From scriptwriting to casting decisions, delve into the transformative power of AI in revolutionizing the way films are created and consumed.
Blast from the Past: A Tribute to Funk & Jazz from the 60s, 70s, and 80s:
Get ready to groove to the timeless tunes of funk and jazz as we pay tribute to musical legends from the 60s, 70s, and 80s. Join us for an evening of infectious rhythms and soulful melodies, as top-notch musicians take you on a musical journey through the decades.
Sakhi: Exploring Friendship Between Sita and Draupadi:
Experience a unique blend of Bharatanatyam, contemporary dance, and theater as we bring to life the untold stories of Sita and Draupadi. Witness their extraordinary journey through dance, as they explore themes of friendship, resilience, and female empowerment.
The Art of Looking at Art: Decoding Tech Art in the Post-Truth Era:
Join us for an immersive workshop that explores the intersection of art and technology in the post-truth era. Led by acclaimed cultural producer Trishla Talera, this session promises to unravel the mysteries of tech art and its impact on the contemporary art world.
Ebrahim Alkazi: Holding Time Captive - A Discussion Celebrating the Launch of Amal Allana's New Book:
Delve into the life and legacy of Ebrahim Alkazi, the father of modern Indian theater, with our upcoming book launch event. Featuring insightful discussions and captivating readings, this event pays homage to a visionary whose influence transcended the realms of theater and visual arts.
Nation Wants to Know feat. Anuvab Pal:
Laugh your way through a rollicking hour of comedy with Anuvab Pal as he takes a hilarious look at modern India. From colonial hangovers to digital dilemmas, join us for an evening of laughter and satire at the historic Royal Opera House.
Technology Events in India:
India's tech landscape is thriving, and at Avid Learning, we're committed to fostering innovation and creativity in this dynamic field. From AI-driven filmmaking to immersive experiences in virtual reality, our technology events provide a platform for thought leaders and innovators to explore the endless possibilities of technology in shaping the future of art and entertainment.
Events in Bengaluru:
As India's Silicon Valley, Bengaluru is a hotbed of innovation and creativity, making it the perfect setting for our diverse range of events. From tech conferences to cultural festivals, Avid Learning brings its signature blend of intellectual discourse and cultural exploration to the vibrant city of Bengaluru, enriching the lives of residents and visitors alike.
Events in Dubai, UAE:
Venture beyond the borders of India and immerse yourself in a world of cultural exchange and intellectual discovery with our events in Dubai, UAE. From art exhibitions to literary festivals, Avid Learning's presence in Dubai offers a unique opportunity to engage with diverse perspectives and ideas, fostering dialogue and understanding across borders.
At Avid Learning, we believe that learning never stops, and each event is an opportunity to explore new horizons, challenge assumptions, and broaden perspectives. Join us on this journey of discovery as we celebrate the past, embrace the present, and envision the future through the transformative power of art, culture, and ideas.
Website: https://avidlearning.in/
Contact: +919769937710
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courtierimmobilier · 1 year ago
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Property for Sale: 10 Tips to Find a Luxurious One
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In the real estate sector, the search for a luxurious refuge surpasses the dealing—it's an unraveling of tailored experiences and suitable lifestyles. From scenic opulence to curated luxuries, searching for the quintessential luxury home from property for sale in Montreal is tough. We are revealing ten secrets that will guide you and empower you to write your tale in the realm of wonderful living.
1. A Canvas for Personal Luxury:
Begin your journey by outlining your definition of luxury—a canvas that grabs your unique desires. Does it reverberate in a sleek urban loft, a sprawling modernist estate, or perhaps an oasis hidden in the folds of nature? Your dream becomes the north star guiding your bespoke exploration.
2. The Tapestry of Locale:
Luxury is not just found in establishments; it's incorporated into the very fabric of the locale. Seek such a one from the property for sale listings that whispers exclusivity, pledges security, and is canvases for your finest lifestyle. The locale becomes not just a setting but an essential character in your narrative.
3. Partnering with a Real Estate Broker:
This expedition requires a guide—a craftsperson in the craft of luxury real estate. Collaborate with a certified real estate broker who speaks the language of luxury, possesses the keys to exclusive listings, and directs negotiations with finesse. This association ensures your journey is seamless and a crescendo of rewarding discoveries.
4. Unraveling Artisan Stories:
Behind every luxury property lies the record of builders and architects. Your chosen property is not just a dwelling; it's a living testament to the artistry that created it.
5. Veils of Serenity and Shields of Security:
Privacy and security are the custodians of luxury living. Seek a property veiled in privacy—be it through natural barriers, gated entrances, or secluded vistas. Safety systems and focused concierge services form the fortresses of tranquility, allowing you to savor the nuances of grand living in a lavish home chosen from property for sale listings.
6. The Alchemy of Bespoke Amenities:
Luxury resides in the details, in the alchemy of bespoke indulgences. Your property should transcend the ordinary, offering not just spaces but experiences—a private gym that becomes a sanctuary, a home theater that hosts cinematic tales, and a spa-like retreat within the confines of your abode.
7. Resale as a Pinnacle Strategy:
Amidst the emotional tapestry of your quest, weave in the strategic thread of resale value. Explore neighborhoods with a history of appreciation and developments poised for metamorphosis. A property for sale with a robust resale potential is not just a dwelling; it's a strategic investment in your narrative.
8. Interrogating the Property's Soul:
Beyond the façade, delve into the soul of your selected property. Engage professional brokers to interrogate structural integrity, plumbing, and electrical systems thoroughly. It ensures your entrance into the lap of luxury is smooth and a journey free from surprises.
9. Communing with Local Artisans:
Luxury living is not restricted to your property; it extends into the community. Engage yourself in local events, explore nearby cultural attractions, and decode the character of your potential neighbors. A vibrant community enriches your experience, making it a holistic tale of lavish living.
10. Negotiation as a Choreography:
Armed with the nuances of your narrative and the intricacies of the property, approach negotiations. Beyond price, negotiate terms that resonate with your story—closing costs, additional perks, and bespoke elements that elevate your purchase beyond a transaction. In your quest for a luxury property, let these tips guide and inspire. It is more than a search; it's a journey into the extraordinary. Balancing personal tales with meticulous research and expert brokers' guidance will help you find a luxurious property and start a unique chapter in your life. Happy scripting! If you're searching for upscale property for sale, hire Luciano Messina Courtier Immobilier. The leading real estate broker will guide you in buying and selling properties.
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danielhcole04 · 1 year ago
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Golfing Euphoria- The Visual Symphony of a Hobby Well-Played
In the realm of leisure pursuits, few activities embody the essence of refined pleasure as exquisitely as golf. Beyond being a mere pastime, golf is a visual symphony, an artful dance between player and course that unfolds across meticulously manicured landscapes. It is a hobby well-played, where the intersection of skill, nature, and camaraderie creates an unparalleled euphoria. As one steps onto the emerald canvas of a golf course, they enter a realm where the pursuit of perfection is both a personal journey and a shared celebration.
Golf is, at its core, an aesthetic endeavor. The lush green fairways, bordered by the natural tapestry of trees and water features, create a visually stunning backdrop that captivates the senses. The vibrant hues of the meticulously maintained grass under the golden sun, or the silver glow of moonlight casting shadows on the dew-kissed greens – these are the visual notes in the symphony of a golfing afternoon. Each swing, each putt, becomes a brushstroke on this living canvas, contributing to a masterpiece that evolves with every step.
On the golf course, the player, equipped with a selection of clubs and dressed in impeccably neat attire, emerges as the central character in this ongoing visual narrative. Each precise stance taken before the swing, the measured fluidity of the club's motion as it soars through the air, and the trajectory of the golf ball as it cuts a path through the clear sky – these are moments captured and preserved in time. Each snapshot stands as an undeniable testament to the player's artistry, echoing the harmonious blend of athleticism and elegance inherent in the game of golf. It is within these moments of sheer perfection where the golfer, like Daniel H. Cole, transcends the ordinary world and crosses the threshold into a realm of unfiltered, potent euphoria. Golf, in this sense, isn't just a sport - it's a passion-fueled journey of thrilling highs and poignant self-discoveries, a testament to the human spirit's relentless pursuit of excellence.
The golf ball's ascension mirrors a tiny comet sketching its path against the blue firmament. The club's connection with the ball creates a resonant sound, a punctuation mark in nature's melody. The golf course morphs into a grand theater, where each hole signifies a new scene, a different test. The terrain's rolling nature imparts a tangible depth to the visual feast, fostering an evolving interplay of light and shadow as the day unfolds. Through this journey, golfers like Daniel H. Cole find the sport more than just a game - it becomes an odyssey fueled by passion, a series of exhilarating peaks, and insightful revelations about self and skill, underscoring the indefatigable quest for excellence inherent in the human spirit.
In this pursuit of perfection, the golf course itself emerges as a character in the visual symphony. The meticulously designed bunkers, the sinuous water hazards, and the strategically placed trees – each element contributes to the overall aesthetic, inviting players to engage with the course in a dialogue of strategy and execution. A well-designed golf course is a work of art, a testament to the marriage of human ingenuity and the raw beauty of the natural world.
Yet, beyond the visual feast, golf is a sport that beckons introspection. The solitary walk between holes, the quiet contemplation before a crucial putt – these moments are as integral to the golfing experience as the thrill of a well-struck drive. The visual symphony of golf extends beyond the external landscape to the internal landscape of the player's mind. It is a meditation in motion, a dance between skill and mindfulness that elevates the experience from a mere game to a soulful journey.
The euphoria that golf offers extends beyond the individual and deeply thrives within the communal spirit that the sport inherently fosters. It's in the camaraderie that is forged on the lush green fairways, the shared echoes of laughter following a well-timed jest, and the mutual celebration of a friend's extraordinary shot – these are the distinct notes of humanity that resonate within the sport's symphony. Golf, in its core, is not merely a game but a social art form where players, like Daniel H. Cole, become integral parts of a larger, harmonious ensemble. The stunning visual beauty of the surroundings, the meticulous care taken in maintaining the landscape's pristine condition, all serve as the perfect backdrop to these shared moments of triumph, camaraderie, and collective passion for the sport. These precious memories, born on the golf field and nurtured through shared experiences, linger long after the final putt makes its way into the hole. For golf enthusiasts like Daniel H. Cole, these memories are not just moments in time, they are cherished narratives that intertwine with their love for the game and add richness to their golfing journey.
As the sun begins its descent, casting long shadows across the landscape, the visual symphony of golf enters its final movement. The pace of the game slows, allowing players to savor the last strokes of daylight. The colors of the sunset paint the course in hues of pink and orange, a breathtaking encore to a day filled with visual splendor. The sense of accomplishment, the echoes of shared laughter, and the sheer beauty of the surroundings converge in a crescendo of euphoria.
The exhilaration of golfing is a blend of sensory impressions, with its visual element serving as an enticing prelude that invites players into a realm where proficiency, the natural world, and fellowship intersect. The green expanses of the golf course transform into a vibrant tapestry, the golfer becomes a deft artist, and each swing paints a new stroke in the masterpiece that is this well-loved pastime. As this visual concert unravels across perfectly groomed landscapes, golf exceeds the limits of a mere sport, evolving into an elegant ballet that applauds the quest for flawlessness and the delight of shared experiences. It is at this junction of harmony where the euphoria of golf peaks, leaving individuals like Daniel H. Cole with vivid memories and a yearning for the next round on the lush fairways.
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totocncjskswjs · 2 years ago
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Um Jung-hwa Kang Dong-won's belly button warning in the fall theater
Um Jung-hwa Kang Dong-won's belly button warning in the fall theater
In the fall of 2023, films armed with unique material and comicality return.
It will be fun to choose from the comic caper "Bright Woman," the exorcism adventure "Dr. Cheon's exorcism research center: the secret of snow scenes," and the romantic comedy "30 Days" at the theater.
First 3rd heyday Uhm Jung-hwa starts the last bright operation for life reversal!
Bright Woman is a multi-entertainer who is active in dramas and entertainments such as "Doctor Cha Jung-sook" and "Dance Singer Wandering Group," and is a comic caper film where you can meet actor Uhm Jung-hwa, who returns to the screen three years after "Okay Madam." In "The Bright Woman," Uhm Jung-hwa will show a comedy act that can laugh comfortably with anyone as "Wisdom," a bright geek who captures the last chance of turning her life around and draws her soul to the operation.
On top of that, Bang Min-ah, who plays the role of mother "Jihye" and operative Namu "Juyoung," Song Sae-byeok, who plays the role of "Wan-gyu," an insider and operational target on SNS, a suit designer during the day, and Park Ho-san, a gentleman "Joruz," a strategy broker for the wisdom team at night. Luxury actors who cannot be left out when acting in South Korea are ready to appear. Scheduled to be released in October
Dr. Cheon's exorcism research center: The Secret of Snow Scene is an exorcism adventure film in which actor Kang Dong-won, who silently built his territory by presenting various characters, plays as a exorcist. Kang Dong-won, a exorcist who has a history of exorcising demons as a Taoist in "Jeon Woo-chi" and demons as a priest in "Black Priests," will exorcise real ghosts this time by playing "Dr. Cheon," a exorcist who does not believe in ghosts. Lee Dong-hwi, Lee Som, Heo Jun-ho, and Kim Jong-soo will join Kang Dong-won's exorcism adventure to showcase the spectacular exorcism action that takes place facing ghosts. Released on September 27.
"30 Days" is a romantic comedy film that will hunt for audience laughter with unpredictable fun and twists caused by actors Kang Ha-neul and Jung So-min forgetting to break up as a couple again following the unusual subject of shared memory loss. Kang Ha-neul and Jung So-min will perform comic luminescent chemistry by playing the pathetic man Jung-yeol and the slick woman Nara, respectively.
On top of that, actors full of presence and charm, such as Cho Min-soo, Kim Sun-young, Yoon Kyung-ho, and Um Ji-yoon, heralded abundant fun. Jungyeol and Nara's comedy "30 Days," which suffered from amnesia in an unexpected accident just before they finally became complete strangers because they could not endure each other's pathetic and crazyness, will be released on October 3.
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dr-cricketer-owais · 2 years ago
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Post 5:
September 3, 2023
Back on Tumblr after a long hiatus. Life's been busy but alhumdulillah very productive too. A lot has changed between my last post and the current one, For starters we found answers to the COVID problem and also I lost a good 15kgs (yay!), thanks to my gruelling working hours as a 1st-year general surgery resident. Oh yeah!! I finished my internship,  cleared off my Neet Pg entrance exam and I am back at my parent institute but now as a general surgery resident since my last post. 
Let's take a quick peek at how I spend my 24 hours as a general surgery resident.
"Embracing the Crucible: A Day in my Life - A 1st-Year General Surgery Resident"
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As the sun stretches its golden fingers across the sky, I embark on yet another day in the exhilarating journey of being a first-year general surgery resident. It's a life akin to a grand symphony, filled with crescendos of challenges and the sweet melody of saving lives. Within those challenges, it teaches me the profound lessons of both medicine and life in the most humble of ways.
**5:00 AM - A Quiet Start**
The world still slumbers as I greet the day, a whispering alarm clock breaking the stillness. In the hush of dawn, I brew the potion of vitality - my morning coffee. Its warmth stirs my determination, preparing me for the unpredictable day ahead.
**6:00 AM - The Hospital's Melody**
Within the hallowed hallways of the hospital, I join a symphony of scrubs and white coats. Together, we begin our rounds. Patients' stories intertwine with my own, creating a tapestry of humanity. In these quiet moments, we decode diagnoses, weave treatment strategies, and fan the sparks of hope.
**8:30 AM - The Medical Mosaic**
Stepping through the doors of a government hospital's General Surgery Outpatient Department (OPD) is akin to entering a whirlwind of organized chaos. Here, in the heart of healthcare for the masses, one witnesses a relentless tide of patients, each carrying their unique stories of pain and hope. It's a place where time is both a scarce resource and a cherished gift. As the sun crests the horizon, a queue of patients forms outside the OPD, a silent testament to the urgency of their needs. Many have travelled great distances, braving the elements and uncertainty, hoping for a chance at healing.  Inside, the OPD comes alive. Doctors, nurses, and support staff orchestrate this daily ballet, working in tandem to address the flood of patients. The waiting area is a tapestry of humanity—a mosaic of ailments, ages, and stories that span the spectrum of life.
**12:30 PM - A Feast for the Mind**
Lunchtime is a brief pause in the rhythm. Amidst the flurry of paperwork and medical records, we find a moment to recharge. It's also an opportunity to feast on knowledge. Medical texts and journals became my sustenance, feeding my curiosity about the interesting cases that I came across at the OPD.
**2:00 PM - Emergencies Unfurl**
The emergency department is a theater of urgency, where chaos reigns. Trauma cases arrive in a relentless tide, each moment critical. Amid the frenzy, we are expected to remain as cool as a cucumber. The patients consider us as the guardians of life, which adds to the pressure. The emergency area is not a place to show heroism. When in doubt always consult a senior. And it is also important to understand that humility is not the absence of strength but the wisdom to ask for help when needed especially when it comes to saving a life.
**The Operating Theater**
Cloaked in sterile attire, we enter the emergency surgical arena, to tend to emergency surgeries where lives hang in the balance. It's a ballet of precision and intuition, a performance where each cut and suture carries the weight of a soul. The humbling trust placed in our hands is a reminder of the profound responsibility we bear.
**8:00 PM - The Night Watch**
The world outside sleeps while the hospital pulses with life. The night shift is an endurance test, where fatigue whispers but dedication roars. In these moments of stillness, we learn the quiet strength of resilience.
**3:00 AM - The Tranquil Interlude**
In the quiet of the early morning, the hospital is a sanctuary of reflection. I pause to contemplate the lives saved, the lessons etched into my soul, and the depth of humility found in the crucible of surgery.
**4:00 AM - The Dawn of Tomorrow**
With the first light of dawn, we return home for a fleeting respite. The day's challenges are conquered, but the promise of tomorrow beckons, each day a new chapter in the unfolding narrative of my life as a first-year general surgery resident.
In the humble crucible of medicine, I've learned that every challenge carries within it the growth potential. It's a journey that teaches me not only the art of healing but also the profound truths of humanity, resilience, and the enduring power of humility.
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