End of year wrap-ups, 2023
It's presently June while I start to write this, and I thought if I wanted to put together a list of media consumed over 2023 I could at least get an early start, for as much my sake of mindfulness and talking about the things I loved/hated. If you're interested too, you can read more; first is video games, then music, then movies and tv, then books. If you feel like talking about anything in here don't hesitate! This is going to be a nightmare to tag though so, I probably won't lmao.
Nothing is necessarily ranked in order either btw, and just because I didn't write any thoughts with something doesn't mean I disliked it. Just no thoughts you know? I could have thoughts though. For the right price.
Viddy Games
For the games I haven't yet beaten but did spent some time playing, I made 12 hours of progress into Hollow Knight and am very keen to get back into it; I played Cyberpunk 2077 for about 47 hours, and am very keen to get back into it; Baldur's Gate 3 has ~9 hours at this moment, and I'm keen, etc; and Starfield has 32 hours in it and I am NOT keen to get back into it. I can get into that later though. 🏆 means I got the Platinum achievement trophy too :3
Last of Us Part 1 (x2)/Last of Us PS4 Remaster (x3)/Last of Us PS3 (x1) 🏆 - 5 stars
On top of regular playthroughs, this year also marked the dip into Grounded mode. I completed one Grounded round on the Part 1 PS5 remake, and 2 more on the PS4 remaster (for the achievements). It would be impossible to discuss the reasons why I love this game so much so I will spare yall, a mercy dedicated to anyone who's already had to/gotten to hear me go on about it. I also got two TLoU tattoos this year. Ask me about my theories still though.
One of my favorite moments from my 2nd Grounded run (Including one of the nearly-100 fuck ups leading up to that point):
Death Stranding - 5 stars
I'm coming in to write about this one retroactively, because I've spent all this time since beating the game thinking about it. Did I understand half of what was going on? Vaguely, but it was beautiful, and heartfelt, and the world was interesting, and it satisfied the need I had to go outside and run my errands. Loved Cliff's character, and his plight as a father, how he carried it with him to the afterlife, and his speech to Sam is on loop constantly as a goosebumps generator. All the webs this story weaved came together and fray in such intriguing ways.
Detroit: Become Human (x2) - 5 stars
These were my third and fourth playthroughs of this game and I find myself fonder for this little game each time I play. The perfect example of how a setting is so much deeper for the things it DOESN'T say than the things it does, once you think consider it. Under the cover of fun little robots, this world is so bleak, and I love the thought experiments. A very good example, imo, of what kind of tool cyberpunk really is as a setting.
Quantic Dream also slips in one unanswered aspect into each of their stories, and while it's true that the ambiguity can be frustrating, Quantic Dream accidentally does it in a way that I find so alluring. Ra9, in this case, examining the clues on my own, coming to my own conclusions. It lets the world live on after the games have ended. I don't care about having answers--the game focused on what it needed to. It was not a portal into the greater world, it was one into Kara, Connor, and Marcus. We can look at the world on our own.
Disco Elysium - 4 stars
Admittedly while this one took me a few months to finish, with a break spanning between November 2022 to March, and often found it VERY dense with information, I still really enjoyed myself. It's also the sort of narrative that is very self-aware, and as such pokes fun at itself, and as another such is sometimes lost under a few too many layers of irony and sarcasm. It's a bit hard sometimes to know what information to take seriously and what to disregard. As wonts these sorts of games the content is made entirely of dialog, very reading heavy, and puts me to sleep--I couldn't imagine playing this game without the stellar voice acting. Haunting and comedic sometimes even in the same line of dialog, I'm glad I found it after the Final Cut was released. Highly recommend, looking forward to another play-through.
The Legend of Zelda: Tears of the Kingdom - 4 stars
I loved BotW from the moment I got my Switch on launch day. Interestingly with TotK, I found my high opinion slipping the more I played, and too afterward. It seems more and more to me that Nintendo isn't exactly as keyed into what people are looking for with Zelda as they thought. TotK comes complete with shallow villains and anime tropes and a bastardization of a fair bit of the work done in BotW. It is not a story that is aware of it's own narrative, characters, or concepts. I don't say this as a person who demands to know which timeline and where exactly it takes place, only as someone invested in the universe and hopes to have somethings meaningfully extrapolated on. I'm hungry for subversion. Won't get much of that with this game sadly.
That said, where gameplay was concerned I still really enjoyed myself. Before release I was worried how they would fill a world I've already spent 300+ hours exploring, and it turned out the answers were 2 entirely new maps and a largely transformed overworld. Discovering the newness in a world I already knew so well was fantastical. The building mechanics were enchanting, the shrines legitimately challenging, and the world still fun to explore. Don't see myself replaying for quite a while though, if ever, which was also the case with BotW.
EDIT: having read and heard of all the nightmares about this games development since I've played it, just have to say 😬 yikes dude. Really recontextualizes the story for me. Idk though the gameplay was still super fun, so where an overall rating is concerned, I'm a bit conflicted. I'll leave it where it is I guess but let the record show it's still a Yikes from me about certain things.
Heavy Rain - 3.5 stars
So, in the driver's seat of this, I found myself not doing much else besides complaining. The controls on the PC port are horrible; the 'twist' was less that and more... dishonest; voice acting was rough; David Cage exists; etc. But idk dude!! Something about it was still as charming as the first time!!
It's been just about 10 years since I first played it at release, and the nostalgia was strong. It was a perfect distraction from real life at the time, and I've always looked back on the game fondly, though I've never replayed it. There ARE functional things I do dislike about the plot and writing and the awful ending, which discounts its score to the 3.5 star rating, but idk yall. I find Norman dorky and lovable, flawed yet well-intentioned; Ethan is a desperate dad trying to correct mistakes he still can't reconcile with; even Scott's motivations are understandable. I, like one key character, cannot deny that seeing a dad do whatever it takes to save his son? I'll have what he's having.
Oxenfree - 3 stars
One thing about me is I have a great hatred for time travel stories. They always inevitably fall short. Oxenfree however used what I believe are the true assets of the trope. The struggle of fate, predetermination, and how-could-anything-be-different. (I also believe a key function of time travel stories is the character's understanding that they aren't the first version of themselves caught in the loops but that's a different convo). Anyway the ambiguous ending was also a big win to me. All in all a fun little game. Give it a try if you want some low-stakes entertainment with a good story.
The Uncharted series - a mixed bag
So this doesn't include Uncharted 1, which I played damn near a decade ago when I first got my PS4 and the Nathan Drake collection. My thoughts on that are hazy but one I remember vividly--fuck the ship level.
Anyway I mark this as mixed bag because my feelings towards it are complicated. I still felt the essence of NaughtyDog throughout, their care for their characters and sympathetic storytelling. While not as morally gray as their TLoU stuff, and rated Teen, it was still compelling, and despite my intense grievances with the combat systems in 1-2-3, I never questioned whether I would continue with the next game.
However. Those grievances. Holy shit. Snap-to-cover is NEVER the answer, game devs. I know and forgive that games 1-3 are over a decade old, developers have better tools and understanding now. See an example of my jimmies being rustled here:
Take a shot each time a headshot doesn't hit. For gameplay reasons only I can't give the first 3 games any higher than 3 stars. And even though 3 has the best story of the 3, gameplay might even knock that one down to a 2.
Anywho, the whiplash in quality between 3 and 4 was insane. I played the PS5 port, and loved everything about 4. Loved Sam, loved baby Nate, loved the story. It was as if ND had kept a .txt file of every single issue up till that point and corrected each of them. Seeing the bones of TLoU2 was also nice. Phenomenal game, and I look forward to playing it again sometime soon.
Ratings for each game go:
Uncharted 2 and 3 - 3 stars
Uncharted 4 - 5 stars
Uncharted: Lost Legacy - 4 stars
Sadly I don't have the tools or plans to play the PSP game. PS Vita? Either way.
Last of Us Part 2 (x3) - 4 stars
This was probably my 3rd time playing TLoU2, and while I don't have many strong comments to make concerning the story, I feel like this was finally the first time I truly understood Ellie's character in this game. The truth of her grief and what it was really over. And Abby as well, how she wasn't just a foil for Ellie, but for Joel as well. That said, I do still feel I would love this game so much more if it was just told linearly. The pacing is DOGshit dude, wow. Love it though.
I've also completed a Grounded playthrough and got the Plat trophy this year as well, which I only mention for bragging rights 💅
Hellblade: Senua's Sacrifice 🏆 - 5 stars
I don't think I have much to say about this game besides general comments about how phenomenal the experience was. Never played anything like it. Fun exploration, environmental puzzles, great visuals. Combat was good, sound design was excellent. Story was good, acting was amazing. All around VERY thrilled I played.
Assassin’s Creed: Mirage 🏆 - 5 stars
I GOTTA SAY, This game surprised the hell out of me. I’m on a journey to play all the Assassin’s Creed games; so far I’ve finished 8 out of ~18. For how badly Valhalla sucked ass I was hesitant to play this one, since it acts as a sort of prequel to a particular character, but DAMN if this didn’t completely surprise me. The world was incredibly fun to explore, and even included environmental puzzles. You will legitimately feel like an assassin with the amount of player freedom this game gives you, and the story was just as good. Best Assassin’s Creed game? 👀 Hard to say till I’ve finished them all but so far it’s absolutely a contender. Basim I love youuuuuu
Unmentioned, in alphabetical order:
[Assassin's Creed 1 - 2.5 stars; Assassin's Creed 2 - 3.5 stars; Assassin's Creed: Chronicles: China - 3 stars; Assassin's Creed: Chronicles: India - 3.5; Assassin's Creed: Chronicles: Russia - 3.5 stars; Beyond: Two Souls - 3 stars; Ghost of Tsushima - 4 stars; Gone Home - 3 stars; Indigo Prophecy - 2 stars; It Takes Two - 3 stars; A Plague Tale: Innocence - 3.5 stars; The Quarry - 2.5 stars; SEASON - 3 stars; Spider-Man 2 (2023) 🏆 - 3 stars; Stray - 3.5 stars; Super Mario Wonder - 4 stars; Twin Mirror - 3 stars; Viewfinder - 3.5 stars; A Way Out - 3.5 stars; Where the Goats Are - 3 stars]
Starfield:
Putting this one down here at the bottom so I don't start this list out with complaining lol. Anyway the fact this game was nominated for Best RPG at the game awards tells me they don't play some of the games they nominate lol. I don't think I've ever had an experience like this game gave me. I somehow played 30 hours, and had a great time, before realizing it was bad. Nothing happened in the story to stop me, there wasn't suddenly a new gameplay mechanic that I didn't agree with. There was just something in the glamour of those 30 hours that got me. Maybe it was the father figure referring to me with neutral pronouns. But anyway I guess I just came to my senses. I took a break to play something different, came back, and it was an entirely different game.
The overworld is barren. They expect you to explore hundreds of plants that have nothing on them besides some minerals and animals you scan. These are laaaaarge swaths of time spent running back and forth in near silence, because not only is there next to nothing meaningful to interact with on these worlds, your companion repeats the same 5 quips the entire time. There are no tools to traversing the overworld more quickly, so you are running for thousands of kilometers so you can scan a useless monument and get 20XP. There is no incentive to exploring, there is no incentive to doing anything other than fast-traveling to your next destination--until the game stops you for not having the appropriate ship parts installed, and you realize it's going to be a 5 hour grind to upgrade that part. Looking back at those 30 hours I enjoyed, this was all still there, but idk man, idk. For this amount of content this should have only been a $30 game, MAX, and they sell it for $70. But I bought it for $70, so who is the real chump here.
I think the only thing I truly enjoyed (besides Sam Coe) was the mission 'Entangled', where you are unwillingly forced between two alternate universes, due to an experiment in a research facility. It sits right on the cusp of horror, between one universe where the research facility exploded and nature took it back, and another where the explosion never happened. There is drama, intrigue, decisions, exploration, everything. Nothing else in the game came close at all to touching that and I'm mad I spent so long before realizing it. Who wrote this mission, so I can thank you?
Music (and the lyrics that make it)
My complete 2023 favorites Spotify playlist
Favorite albums:
Preacher's Daughter by Ethel Cain
Slut Pop by Kim Petras
Guard Dog by Searows
I Let It in and It Took Everything by Loathe
Heavy Glow by Soulkeeper
Individual tracks and my favorite lyric:
Master & A Hound by Gregory Alan Isakov
'Where were you when I was still kind?'
Sun Bleached Flies by Ethel Cain
'If it's meant to be then it will be.'
Don't Keep Driving by The Paper Kites
'There's nothing wrong with a little space. But not right now; don't leave.'
Honey Dripping Sky by Georgia
'No matter how hard we try, I won't deny--it's for you.'
Coming Clean by Searows
'If I kill you would I have to forgive you still?'
Francesca by Hozier
'I’d tell them put me back in it. [Darling,] I would do it again.'
TV and Movies
I am severely illiterate when it comes to movies so the goal this year was to have watched at least one movie a week. Did I succeed,Future Me? [Yeah!]
Kingsman: Secret Service and :Golden Circle - 5 and 4 stars
The cinematography?? The choreography? Hello? Across both movies, they were all so incredible. While Secret Service was my favorite of the two, Golden Circle had my favorite fight (though the church scene is a clooooose second)(Pedro Pascal I love you):
Gentlemen Bronco - 2 stars
This movie was dull as shit BUT, it had one of my favorite scenes of the year.
Knock at the Cabin - 3.5 stars
Just wanna put this one here real quick to get the Worms out--what was the point? Narratively, what was the point? I have been rolling this movie around my head since I watched last night and I'm hoping to read the book soon for better context, but man. While I enjoyed this movie a lot I just do not follow the themes, more so considering the ending. Was it a fight against providence and predetermination, only to prove its own point? The needs of the many outweigh the needs of the few (Mr. Spock)? I can't tell exactly what this movie was asking me.
As a rule I generally don't enjoy stories where the psychos are proved right with no closer examination of the themes and circumstances. Like yeah the MCs being a gay couple framed the story differently but that is also just a side effect of having distinctive characters lmao. It also insulated some sacrificial-minority stuff? Weird. And asks no questions about fate or anything, which is a wild loop considering Andrew's previous history with Redmond (a red herring? However I feel if the intro of a red herring completely recontextualizes the larger possibilities of the world, then it's not a good red herring, it's lazy).
Ultimately I understand a theme is save your family or save humanity--it's on the DVD cover lol. But yeah man idk. All the other stuff, it made for a weird soup that I just cannot decipher. Anyway.
EDIT: I have since read the source novel and it was incredible. I will not be watching any more Shyamalan movies lmao
Pacific Rim - 5 stars
I also don't have anything much deeper to say about this than gotTDAMN dude, what a good fucking movie. I decided to watch because of all the Pacific Rim AUs that take place in fandom, and I decided I finally needed to know why and I DO know why now because good lord. What a good movie. That said the sequel was a hot pile.
The Arrival - 3 stars
The way this movie had my heart racing the entire time--and shat it all away at the immediate end. Pure whiplash. "You know what surprised me the most? It wasn't meeting them. It was meeting you." What kind of straight nonsense. What kind of anticlimactic. What kind of bullshit. I was immediately snapped to my senses, I'm not over exaggerating. Insanity.
Unmentioned, in alphabetical order:
[After Yang - 4 stars; Assassin's Creed (2016) - 2 stars; Asteroid City - 4 stars; Barbie - 4 stars; Begotten (1990) - 2 stars; Bullet Train - 4 stars; Come and See (1985) - 3 stars; Dead Poets Society - 3 stars; El Dorado - 3 stars; Grave Encounters - 3 stars; The Green Knight - 4 stars; The Hateful Eight - 5 Stars; IT and IT: Chapter 2 - 4 stars; Jennifer's Body - 3 stars; King of the Hill (all 13 seasons) - episode determinate; Knives Out - 5 stars; Knives Out: Glass Onion - 2 stars; Labyrinth - 2 stars; Lady Bird - 3 stars; Lake Mungo - 3 stars; The Lighthouse - 3 stars; Mad Max: Fury Road - 3 stars; The Magnificent Seven (1960) - 4 stars; The Magnificent Seven (2016) - 3.5 stars; Martyr (2008) - 3 stars; Matrix - 3 stars; Matrix Reloaded and Revolutions - 1 star; The Menu - 4 stars; Midnight Mass - 4 stars; My Own Private Idaho - 3 stars; NOPE - 4 stars; Once Upon a Time in the West - DNF; Possum - 3 stars; The Power of the Dog - 3 stars; RE: Damnation, Death Island, Degeneration, Infinite Darkness, and Vendetta - 3 stars; Saltburn - 3.5 stars; Seven Samurai (1954) - 3 stars; The Shape of Water - 4.5 stars; Skinamarink - 3 stars; Star Trek: The Motion Picture - 2.5 stars; ST: Search for Spock and ST: Voyage Home - 4 stars; ST: The Wrath of Khan - 4.5 stars; The Thing (1982) - 3 stars; The Thing From Another World (1951) - 3 stars; Tideland (2005) - 2 stars; Unforgiven - 4 stars; The VVitch - 3 stars]
Favorite Books
The Spear Cuts Through Water by Simon Jimenez - 5 stars
I have never EVER in my life read a book like this one, and I urge everyone to give it a try. Two men must escort a dying god across the country in order to stop the control of her tyrannical children. If you aren't digging the book, at least try and make it 100 pages in. The beginning, like every chunky fantasy, is a bit of a tough learning experience, and the uniqueness of the prose didn't exactly make it an easier task. However, it makes it extremely lyrical and poetic, and intriguing. The entire package is mind-blowingly unique. AND it ends happily, if that makes you feel better.
To Be Taught, If Fortunate by Becky Chambers - 5 stars
My thoughts on this little story aren't overly complex or anything, I just found the setting very nice, the B plot concerning Earth interesting, and the ambiguous ending intriguing. While the events might be a little harrowing it was the hopeful attitude of the prose and characters that made it very comforting nonetheless. I loved the experience while I was reading it, and think about the ending now, even all these months after reading.
The Sleeping Car Porter by Suzette Mayr - 4 stars
A black sleep car porter tries to keep his job and his sanity after their train is stopped by a mudslide. Before this I can say I'd never read anything in this setting before, and it was what drew me in initially, but it was the writing that really captivated me. The narrative has a very intimate feeling, nostalgic almost, as if you're hearing the story secondhand even as you read. It's also refreshing when a book just says 'cock', and no extra-curricular euphemisms. Where's that video of Taron Egerton saying cock over and over btw cause I can't find it
The Magpie Coffin by Wile E Young - 4 stars
The first in a collection of splatterpunk westerns?? It was so fun to read, and the cover is so badass. It knew what it was and it did so well.
In the Distance by Hernan Diaz - 4 stars
A young Swedish boy, separated from his brother, fends for himself in the early USA west. I was on hold for this through my library for nearly a month and a half, so by the time I got it in my grubby hands my exciting was pretty high. Though I found much of it slow, I was still somehow on the edge of my seat. It's a crime that this was the Pulitzer runner-up, and that Less by Andrew Greer won instead. It's been a very very long time since I've felt so strongly about the well-being and outcome of a character but Hakan if you're out there--I love you.
The Hunger Games by Suzanne Collins - 5 stars
Nothing to add to this decade long conversation other than this holds up :’) I was gasping like I was in high school again, reading it for the first time.
Honorable mentions, in alphabetical order by author last name:
[A Psalm for the Wild Built and A Prayer for the Crown Shy by Becky Chambers - 4 stars; How to Sell a Haunted House by Grady Hendrix - 4 stars; Texas Outlaw by Richard Jessup - 4 stars; Ancillary Justice by Ann Leckie - 4 stars; Song of Achilles by Madeline Miller - 4 stars; Helpmeet by Naben Ruthnum - 4 stars; The Power of the Dog by Thomas Savage - 4 stars; East of Eden by John Steinbeck - 5 stars; The Cabin at the End of the World by Paul Tremblay - 4.5 stars]
LEAST Favorite Books
I'm nothing if not a hater so I wanted to give some space to the books I most disliked.
Less by Andrew Sean Greer - DNF
SAUR upset that this won the Pulitzer prize of its year instead of In The Distance by Hernan Diaz. 100 pages into it and I could not find anything redeeming about the main character. Pretentious, bitter. Like maybe that was his arc? He would outgrow that maybe. But it was just not the book nor the characters for me, unfortunately, so I did not stick around long enough for that to happen.
Bath Haus by PJ Vernon - DNF
WHEW boy was the writing in this one bad. Like yall ever read a queer book and just know it was written for straight people? Let me find a picture I took of one paragraph.
Yikes and a half, dude. Anyway
Meat by Joseph D'Lacey - 1 star
This was just plain bad. Like 'Oh isn't it so crazy they're eating people?? They're treating people like cattle, that's so demented right??' No. Not really. There's cannibalism in the cannibalism genre? Get a grip. I live near Donner Pass, we got cannibalism in the water here. Although maybe I'm also partially to blame for expecting some deeper storytelling from splatterpunk.
The Troop by Nick Cutter - 2 stars
I don't know that I have anything really critical to say about this book other than I just didn't enjoy it. Writing was fine, prose was fine. It's told a bit out of order, think Carrie by Stephen King--snippets of interviews and articles detailing the aftermath of the events of the book. I do remember thinking that the facts were contradicting themselves a few times but was really not invested enough to care too deeply. The isolated, abandoned feeling we get from the island was nice, and the atmosphere good, I just don't believe Nick Cutter is a good writer. A bit too many slurs in here as well, methinks.
Books I DNF'd:
With 15 in total this was the year of DNFing for me; it's amazing was Prozac can do for a person. (Disclaimer: I've only listed 13 of them here. The other two had to go back to the library before I could finish them so I marked them as technical DNFs :( and it doesn't feel right to include them in this list for haters)
Bath Haus by PJ Vernon (explained above)
The Singularities by John Banville (nothing offensive, just didn't vibe. Books will often try way too hard on the opening paragraph and I'm not here for a philosophy lesson as I crack open a book you know what I mean)
Heartless by Marissa Meyer (I just don't think YA does it for me anymore)
There's Someone Inside Your House by Stephanie Perkins (" ")
If We Were Villains by ML Rio (I just don't like being lectured and this book was clearly written for someone who wasn't me lol)
Pretty Girls by Karin Slaughter (I find that a lot of times thrillers written by women employ stereotypes against men and their 'perverse' sexual tastes. The lines between pornography/fantasy and reality don't seem as nuanced in this genre, unfortunately. A man is not immediately a villain because he enjoys CNC or roleplay, and the pearl clutching is a little tired)
Campfire Cooking in Another World by Ren Eguchi (why is every light novel like this:
The Lies of Locke Lamore by Scott Lynch (this was too quippy for my tastes. It was a little too busy being clever and not busy enough being interesting.)
Less by Andrew Greer (Mean Gays, the next Tina Fay movie)
Upright Women Wanted by Sarah Gailey (just wasn't my cuppa)
Riders of the Purple Sage by Zane Grey (I read a review that counted how many times Zane Grey used 'sage' in this book. I don't remember the number but there was a lot of them. Too much mormanism going on, just wasn't my cuppa)
The Cold Dish by Craig Johnson (only alright, not bad but wasn't going anywhere fast. More of a character focused, soft bit of mystery, which was fine, I just didn't find myself enjoying the characters either)
Monstrous Regiment by Terry Pratchett (I just wasn’t vibing you know how it is)
2023 Reading Statistics
I also keep a track of the pages read and ratings, as well as genre, where I read the book and in what format, so I'll put that here too for posterity's sake. And If you'd like, I use GoodReads, and we can be friends!
62 books read
18,217 pages in total
3.25 average star rating
19 (30.6%) of the books read were owned; 43 (69.4%)(nice) were from the library
14 (75.8%) were physical books; 12 (19.4%) were ebooks; 3 (4.8%) were audiobooks
That's it! I don't make reading goals anymore, in terms of how many to read, but I do know I want to TRY and read the copy of Battle Royal I've had since my junior year of high school. And I'd like to try and finish the Tsubasa manga series, since I never made it past volume 15 I think. I can't think of anything other than that! It was a good year!
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Gamebryo engine flight sim
#GAMEBRYO ENGINE FLIGHT SIM UPGRADE#
#GAMEBRYO ENGINE FLIGHT SIM FULL#
#GAMEBRYO ENGINE FLIGHT SIM PC#
#GAMEBRYO ENGINE FLIGHT SIM PLUS#
#GAMEBRYO ENGINE FLIGHT SIM PLUS#
Asset quality, shading quality, promising indications of ray tracing, more realistic 'people rendering', plus a tantalising tease for the game worlds we'll be visiting. This looked to be a clean break as opposed to the iterative upgrades we've seen to the engine since it transitioned from Gamebryo to Creation Engine. What we saw looked like a proper generational leap for Bethesda Game Studios titles with Creation Engine 2 looking nothing like its predecessors. It started with the first 'in-game' reveal of Starfield, due for release at the end of next year, and it was a feast for the eyes, certainly from a technological perspective. What they did do - to varying levels of success - was to hammer home how shrewd of an acquisition Bethesda is. However, from a personal perspective, this was the event to deliver on the promise - to seal the deal - and Microsoft did not do that. As we discuss above though, there is the sense from the media that many of the issues people raised about last year's gameplay reveal have been addressed. This is fine (if not exactly ideal) for a game early in development, but for a tentpole title mere months away from release this is more than slightly concerning. or did we? As is the E3 tradition, much of what we saw was 'in-engine' - which is to say that we have no idea if this is running in real-time or whether it's pre-rendered and if it was real-time, what kind of hardware was running it. We also got to see more of Halo Infinite.
#GAMEBRYO ENGINE FLIGHT SIM UPGRADE#
47:09 Doom Eternal Next-Gen Upgrade with RT.
39:36 E3 Trailerfication/The 'Conveyor Belt of Games'.
#GAMEBRYO ENGINE FLIGHT SIM FULL#
Watch on YouTube DF Direct goes full 4K to discuss the Xbox/Bethesda E3 2021 showcase, with Rich Leadbetter, John Linneman and Alex Battaglia perpetrating this #content.įor those interested in specific segments, here are some time codes for you: We're impressed enough with this one to dissect it a little more closely and we'll be returning to that in future coverage. Car rendering is of the quality you'd expect, plus hardware-accelerated ray tracing is in - albeit just for the non-gameplay Forza Vista sections. There's a huge amount to digest in the content we were shown, but the headlines are clear enough - an unprecedented level of detail in Playground's latest open world, right down to the individual needles of each cactus, Crysis-level jungle density (complete with freshly minted volumetric lighting) and a sense of scale both at close and long range - there are some truly extraordinary vista shots here with phenomenal draw distance.
#GAMEBRYO ENGINE FLIGHT SIM PC#
We kick off our show by sharing our thoughts on Forza Horizon 5 from Playground Games - a game that's cross-gen in nature but still manages to fully exercise the latest in console and PC hardware. That's what we're discussing in the latest Digital Foundry Direct, where myself, John Linneman and Alex Battaglia pick out our highlights from the Xbox team's 90-minute showing and share some thoughts on how Microsoft chose to cram 30 games into what is a relatively short presentation and the extent to which it was successful. This one had it all - and perhaps it actually delivered too much, to the detriment of some of the games shown. And in the process, Xbox went one stage further in comprehensively taking down the argument that its first-party line-up is lacking, while at the same time addressing the cross-gen controversy that made it feel like Microsoft wasn't fully committed to the concept of delivering games tailored to the strengths of the new wave of console and PC hardware. The firm had already firmly established Game Pass as a service offering unbeatable value, but remarkably, the show did an impressive job of making the subscription seem almost indispensable. The stars were aligned for Microsoft to deliver a phenomenal E3 2021 showcase and it's fair to say that Xbox and Bethesda delivered.
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