#Stadtpalais Schwarzenberg

[theodoreangelos]

Rudolf von Alt, Mehlmarkt im Winter, 1832 Neuer Markt mit Donnerbrunnen und Stadtpalais Schwarzenberg Рудольф фон Альт, Мучной Рынок зимой, 1832 Новый рынок (Нойер-Маркт) на заднем плане Фонтан Доннера (или Фонтан Провиденции) и Городской дворец Шварценберг, Вена, Австрия Rudolf von Alt, Flour Market square in winter, 1832 New Market square with Donner Fountain (fountain Providentia) and Schwarzenberg Town Palace, Vienna, Austria Seen at the exhibition Jakob, Franz & Rudolf von Alt, Albertina, Vienna, Austria, 9 November 2022 – 29 January 2023

[steliosagapitos]

     Belvedere Palace

   The Belvedere is a historic building complex in Vienna, Austria, consisting of two Baroque palaces (the Upper and Lower Belvedere), the Orangery, and the Palace Stables. The buildings are set in a Baroque park landscape in the third district of the city, on the south-eastern edge of its centre. It houses the Belvedere museum. The grounds are set on a gentle gradient and include decorative tiered fountains and cascades, Baroque sculptures, and majestic wrought iron gates. The Baroque palace complex was built as a summer residence for Prince Eugene of Savoy.

The Belvedere was built during a period of extensive construction in Vienna, which at the time was both the imperial capital and home to the ruling Habsburg dynasty. This period of prosperity followed on from the commander-in-chief Prince Eugene of Savoy's successful conclusion of a series of wars against the Ottoman Empire.

On 30 November 1697, one year after commencing with the construction of the Stadtpalais, Prince Eugene purchased a sizable plot of land south of the Rennweg, the main road to Hungary. Plans for the Belvedere garden complex were drawn up immediately. The prince chose Johann Lukas von Hildebrandt as the chief architect for this project rather than Johann Bernhard Fischer von Erlach, the creator of his Stadtpalais. Hildebrandt (1668–1745), whom the general had met whilst engaged in a military campaign in Piedmont, had already built Ráckeve Palace for him in 1702 on Csepel, an island in the Danube south of Budapest. He later went on to build numerous other edifices in his service. The architect had studied civil engineering in Rome under Carlo Fontana and had gone into imperial service in 1695–96 in order to learn how to build fortifications. From 1696 onwards, records show that he was employed as a court architect in Vienna. As well as the Belvedere, Hildebrandt’s most outstanding achievements include the Schloss Hof Palace, which was also commissioned by Prince Eugene, the Schwarzenberg Palace (formerly known as the Mansfeld–Fondi Palace), the Kinsky Palace, as well as the entire Göttweig Monastery estate in the Wachau Valley.

   At the time that the prince was planning to buy the land on the outskirts of Vienna for his Belvedere project, the area was completely undeveloped – an ideal place to construct a landscaped garden and summer palace. However, a month before the prince made his acquisition, the imperial Grand Marshal Count Heinrich Franz Mansfeld, Prince of Fondi, purchased the neighboring plot and commissioned Hildebrandt to build a garden palace on the land. To buy the plot, Prince Eugene was forced to take out a large loan secured against his Stadtpalais, which was still in the process of being built. He bought additional neighboring areas of land in 1708, 1716, and again in 1717–18 to allow him to expand the garden in stages.

Records indicate that the construction of the Lower Belvedere had started by 1712, as Prince Eugene submitted the request for a building inspection on 5 July 1713. Work proceeded swiftly, and Marcantonio Chiarini from Bologna started painting the quadratura in the central hall in 1715. The ambassador from the Spanish Flanders visited the Lower Belvedere, as well as the Stadtpalais, in April 1716. Extensive work was carried out on the grounds at the same time as construction went ahead on the Lustschloss, as the Lower Belvedere was described on an early cityscape. Dominique Girard changed the plans for the garden significantly between January and May 1717, so that it could be completed by the following summer. Girard, who was employed as fontainier du roi, or the king’s water engineer, in Versailles from 1707–15, had started working as a garden inspector for the Bavarian elector Maximilian Emanuel from 1715 onwards. It was on the latter’s recommendation that he entered Prince Eugene’s employ. The statuary for the balustrade is the best known work of Giovanni Stanetti.

   The construction of the Upper Belvedere began as early as 1717, as testified by two letters that Prince Eugene sent from Belgrade to his servant Benedetti in summer 1718, describing the progress of work on the palace. Construction was so far advanced by 2 October 1719 that the prince was able to receive the Turkish ambassador Ibrahim Pasha there. The decoration of the interior started as early as 1718. In 1719 he commissioned the Italian painter Francesco Solimena to execute both the altarpiece for the Palace Chapel and the ceiling fresco in the Golden Room. In the same year Gaetano Fanti was commissioned to execute the illusionistic quadratura painting in the Marble Hall. In 1720 Carlo Carlone was entrusted with the task of painting the ceiling fresco in the Marble Hall, which he executed from 1721–23.

The building was completed in 1723. The Sala Terrena, however, was at risk of collapsing due to structural problems, and in the winter of 1732–33 Hildebrandt was forced to install a vaulted ceiling supported by four Atlas pillars, giving the room its current appearance. Salomon Kleiner, an engineer from the Mainz elector's court, produced a ten-part publication between 1731 and 1740 containing a total of ninety plates, entitled Wunder würdiges Kriegs- und Siegs-Lager deß Unvergleichlichen Heldens Unserer Zeiten Eugenii Francisci Hertzogen zu Savoyen und Piemont ("Wondrous war and victory encampment of the supreme hero of our age Eugene Francis Duke of Savoy and Piedmont"), which documented in precise detail the state of the Belvedere complex.

      Jean Luca von Hildebrandt

  Johann Lukas von Hildebrandt (14 November 1668 – 16 November 1745) was an Austrian baroque architect and military engineer who designed stately buildings and churches and whose work had a profound influence on the architecture of the Habsburg Empire in the eighteenth century. After studying in Rome under Carlo Fontana, he constructed fortresses for Prince Eugene of Savoy during his Italian campaigns, becoming his favorite architect. In 1700 he became court engineer in Vienna, and in 1711 was named head of the court department of building. He became court architect in 1723. His designs for palaces, estates, gardens, churches, chapels, and villas were widely imitated, and his architectural principles spread throughout central and southeast Europe. Among his more important works are Palais Schwarzenberg, St. Peter's Church, and Belvedere in Vienna, Savoy Castle in Ráckeve, Schönborn Palace in Göllersdorf, and Schloss Hof.

   Johann Lukas von Hildebrandt was born on 14 November 1668 in Genoa (Italy).

Hildebrandt was the son of an Italian mother and a German father. Hildebrandt studied under C. Fontana in Rome, and he studied civil and military engineering under Prince Eugene of Savoy also in Rome, and military engineering in Piedmont. Hildebrandt became the favorite architect of Prince Eugène.

In 1696, Hildebrandt established himself thereafter in the Austrian capital, Vienna, where he worked for such noble families as the Dauns, Harrachs, Schönborns, and Starhembergs, and also Prince Eugene himself.

    In 1700, Hildebrandt became Hofburg court engineer, in 1711, head of the Court dept. of building, and in 1723, Hildebrandt became Hofburg Court architect. At the Hofburg, however, Hildebrandt could not assert himself against the rivalry of the two Fischer von Erlachs (father Johann Bernhard and son Joseph Emanuel) and worked mainly for aristocrats. Unlike the monumental works of Johann Bernhard Fischer von Erlach, Hildebrandt's works seem more committed at a personal level and include more decorative elements. This helped his popularity spread to the middle class. Hildebrandt united Italian and French elements and shaped the development of the baroque style in south Germany and Austria.

Hildebrandt was also involved in many great projects which were developed by other architects (e.g. Würzburg, Göttweig Abbey, Pommersfelden, Palais Schwarzenberg).

From 1713 to 1716, he was employed by the wealthy and powerful Kinsky family of Austria, building their residence, the Palais Kinsky, in Vienna. From 1723 on, he was inspector-general of the imperial buildings. His two best known works, the Upper Belvedere (1721–1722) and the Lower Belvedere (1714–1716), were both commissioned by Prince Eugene of Savoy.

Hildebrandt also worked in Bavaria on the Pommersfelden castle known as Schloss Weißenstein.

Hildebrandt built numerous city palaces in Vienna (e.g. Daun-Kinsky, 1716), his religious buildings are also of great importance (St. Peter's Church and Maria Treu Piaristenchurch in Vienna, Teutonic Church in Linz, or Dominican Church in Gabel, Czech Republic).

Johann Lukas von Hildebrandt died on 16 November 1745 in Vienna.

   Even though known as the foil to Fischer von Erlach, Jean Luca von Hildebrant (1668-1745) was treat as a well and prestige architect. His career started a year later than Erlach's which is how Hildebrant was able to make his own idiom. Hildebrant could be described as genial, wordly, temperamental figure. Despite his training as a military engineer, he was a designer and a decorator. Many asked for his assistance on designs for already plans or existing buildings. He as also known for the ribbon-work ornament to Austria. The Schönborns, the Harrache, and Prince Eugene were a few who consulted Hildebrant for his opinion in the decor for their country and suburban houses.

Upper Belvedere, viewed as the center piece of a building composition suitable for a hero, began construction in the 18th century. The palace was a summer residence for the general Prince Eugene of Savoy. The palace is known to hold very valuable collectibles for example pieces of Franz Anton Maulbertsch, who was a Austrian painter. The building is well-known as one of the most impressive monuments of Baroque architecture. The Palace has different rooms which were decorated using Baroque and Rococo techniques.