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spine-buster · 4 years ago

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The President Wears Prada (William Nylander) | Chapter 4

September 28th 2019

Aberdeen Bloom was letting it all out.

Siena had called, cooped up in her room in the house she rented with two other girls, taking a break from studying for torts law or shorts law or whatever type of law it was that she had to study. It was these moments – moments when Siena caught up with her younger sister – that reminded her that she was slaving through law school because Aberdeen would probably need a lawyer one day after doing something colossally stupid. She’d usually start the conversations with “You can’t tell mom and dad…” and Siena would promise not to. And, well, she’d keep that promise. Because sisters never told. They only ever told on Camden.

Aberdeen told Siena about the night with William in June – she told her about a week later, after Siena was finally settled back into her place in Ottawa. They’d talked about it for a while and had come to terms with the fact that Aberdeen would never see William again because of the whole Sweden thing and because of the fact that Toronto was a city full of a few million people. They’d accepted it and moved on.

But then, of course, William showed up in the elevator on her first day of work and the floodgates opened.

“Wait…hold on a second,” Siena held her hand up. “You’re telling me you hooked up with a Toronto Maple Leaf.”

“Yes.”

“A hockey player. That guy was a hockey player.”

“Yes,” Aberdeen stressed.

“And now…” Siena paused. “You work for the president of the team that he plays for.”

“Precisely.”

Siena let out a long, loud sign, facepalming before rubbing her temples. “I don’t know how you get yourself into these situations, Aberdeen,” she shook her head. “I honestly don’t.”

“I don’t, either.”

“What are you going to do about it?”

Aberdeen looked at her sister weird. “There’s nothing I can do about it. It says right in the employee handbook that no employee and player are allowed to hook up. I can’t tell Brendan and William can’t tell the rest of the team. That’s that.”

“Are you scared he might?”

Aberdeen considered the question. “I really don’t know. On one side, I feel like if he really wanted to tell them he would have told them already, and Brendan Shanahan would have found out through the grapevine and I would have already lost my job. Like, I wouldn’t have even gone to Newfoundland. On the other hand, I feel like the comments he’s been saying to me just make it seem like this is a game to him and he’s waiting on the most opportune moment to tell.”

“Comments?” Siena asked.

Aberdeen sighed. “I went to dinner with a bunch of them in St. John’s because Jason invited me, and he asked me who my favourite Leaf was in this really flirty way,” she explained. “Then a few days later he found me alone and told me I should have said him. Or at least have said he was fucking awesome because that’s what I said that night after we hooked up.”

Siena facepalmed again. “Oh, Aberdeen…”

“I know, Siena.”

“Does Kasha know?” she asked.

“Of course Kasha knows.”

“Kasha won’t tell a soul. She’s good like that.”

“I know. My problem here is William.”

“Listen, Aberdeen…this is a fucked up situation but it’s…I mean, technically you didn’t hook up with him when you were employee. It was months before. You had no idea who he was. That’s what my lawyer brain is telling me right now.”

“I don’t know if that matters,” Aberdeen said. “I keep getting told that this is the dream job, that if I do well with Mr. Shanahan I can have my pick of any job in any field that I want in Toronto, including writing. That’s how well connected he is. I wouldn’t want to get on his bad side at all. I have to be on my best behaviour and I have to keep doing well.”

“Then keep being on your best behaviour. Keep doing your job,” Siena encouraged. “And keep William away.”

***

September 30th, 2019

With only two days until the start of the season, Brendan had a lot of meetings with a lot of people. There were meetings with hockey ops, meetings with the head scouts, meetings with player development, meetings with analytics. It was a much busier time than just three weeks ago. A lot more coffee runs. More ordering of catered lunches. More running around like a chicken with her head cut off, like Brendan said she would. And this wasn’t even the start of the season.

Brendan wanted her to sit it in on the meeting he had now with basically the entire senior management so they could go over upcoming events and initiatives they’d put on throughout the season. Kyle Dubas would be there. Brandon Pridham and Laurence Gilman, the assistant general managers would be there. Dave Morrison, the director of player personnel would be there. Brad Lynn, the director of team operations would be there. Stephen Hare, the director of finance would be there. Steve Keogh, the director of media relations would be there. Alison Rockwell, the director of business relations would be there. Leanne Hederson, the manager of hockey operations would be there.

Aberdeen was clearly studying the employee directory.

They had a list of things to talk about, and talked through them all. Aberdeen had her notebook and tried to take notes, but she felt like she was writing a foreign language and none of this would make sense when she went to read them again. There was talk about “You Can Play Night”, about galas, about charity golf tournaments, about community outreach programs, about the alumni events, about the MLSE Launchpad initiatives…

Then they started to talk about alternate jerseys. She thought there was only home and away jerseys, but no, there was apparently a third for a special night. A “St. Pats” jersey. It was green. A definite change from the blue, but they kept going on and on about it. Do we do this? What about this? How about this? It was incredibly pedantic. She felt like she was in science class again, doodling instead of taking notes since she had no clue what was being said or what was going on.

“Do you think we should go with the same one from last season, or should we choose a new design?” Dave Morrison asked.

“It’s hard to say. If we go with last year’s design, jersey sales may stagnate or decline if we compare it on a year-by-year basis, but a new design will boost that,” Stephen Hare said.

“Well, listen. It’s the 2019-2020 season. We can go with the design from 1919-1920,” Brandon Pridhan said, pulling up the mock-ups of the jersey. Aberdeen took into account the green and white, the lettering, everything. “Or should we balk the season number and go with this one, the 1926-1927 season design?” he held up the other mock-up. It was basically the exact same design, except the colours were inverted.

They were having an extremely serious and long discussion about this? Aberdeen snorted from the corner.

Suddenly, when she looked up, every eye in the room was on her. The smile immediately dropped from her face. Brendan was looking at her. “Something funny?”

Oh shit. Oh shit. Ohfuckohfuckohfuck. “No, no…” she began, trying to cover for herself. “It’s nothing – you know – it’s just that they look exactly the same to me. I…you know, I’m still learning about all this stuff.”

“This…stuff?” Brendan asked, repeating her words. The look that he gave her – she never wanted to be looked at like that again for the rest of her life. “Oh…okay. I see. You think this has nothing to do with you. You get hired by the Maple Leafs and you sit in on this meeting with, oh I don’t know, that iPad Pro which the company paid for, and you scoff because you think we’re taking this too seriously, and you don’t care about what jerseys fans put on their back. But what you don’t know is that this hockey sweater is not just blue and white, it’s not just green and white, it’s actually a symbol,” he paused, moving from his spot at the table, walking around it. “You’re also blindly unaware of the fact that in 1919 the Toronto Arenas were about to go under, only to be saved by a group of investors who renamed the team the Toronto St. Patricks, and who later made Conn Smythe their managing partner and their eventual owner. Conn Smythe ended up changing their name in 1927 to the Toronto Maple Leafs because that maple leaf was the national symbol of Canada and, as he said, a badge of courage and a reminder of home of when he was a Canadian Army officer during World War One,” he picked the design he liked most from Brandon and pinned it onto the board, taking another from the pile. Aberdeen’s heart stopped beating. “The blue and white, he said, represented the Canadian skies and Canadian snow. The name has changed, the investors have changed, and the logo has seen design changes, but that maple leaf is a symbol that represents the identity of Toronto, the history of this city, and the pride of the country. It represents millions of dollars and countless jobs, and so it’s sort of comical how you think that you ever made a choice that exempted you from caring about these jerseys when, in fact, this city’s identity and one of the most well-known national symbols were selected for you by the people in this room who ran this hockey club. All because of the influence of this stuff.”

He held onto a picture, holding it face up. She broke eye contact to look down at it, only to see it was the maple leaf that was currently on the jersey. The thirty-one points, meant to represent 1931 and the opening of Maple Leaf Gardens; the 17-vein detail, meant to represent when the franchise was founded in 1917; the 13 veins at the top, meant to represent the 13 Stanley Cup championships. She realized what this symbol meant to not only the people in this room, but to the city, to the fabric and identity of it, to its storied past and bright future. She realized the history behind it, the countless people who wore the sweater or jersey with pride for over a century now. She realized how wrong and careless she’d been.

When she looked back up, Brendan was staring at her. So was everyone else still seated at the board table, some of them with amused looks on their faces. “I’ll be outside if you need me,” she said, barely above a whisper because she was too embarrassed to even speak. She clutched her iPad Pro and took the picture, walking out of the room.

The second the door closed behind her, she burst out into tears. The tears streamed down her face as she escaped into the washroom, slamming the stall door behind her and locking it before breaking down in the bathroom stall. Brendan Shanahan had just embarrassed her in front of some of the hockey world’s most important people and she deserved it. She couldn’t believe she could be so fucking stupid and so dumb and callous and just such a…such an idiot. And now here she was, crying about it in a bathroom stall. She’d never be able to recover from this. Brendan would think she was an idiot until the day she died. He’d die before her and in heaven he’d still think her an idiot.

She stayed in the bathroom stall for a while, crying it all out and eventually stopping because she had no more energy to cry. She opened the stall door and looked at herself in the mirror, trying to wipe away the tears. Her eyes were red and of course, her cheeks were stained with tears, but she was thankful that she wore waterproof mascara that day. She tried to collect herself, even though she had just made a complete ass of herself. She still had a full day of work to do. She still had to make it until 5pm. Somehow.

When there was nothing more she could do to fix her appearance, she sighed and decided to head back to her desk, ready to face whatever punishment Brendan was going to give her when he got out of the meeting. There was nothing more she could say or do. She swung open the door to the washroom and stepped out into the hallway.

Although when she did, she crashed into a body. When she looked up, it was, of course, none other than William Nylander. Because her day couldn’t get any better from here. “Hey,” he said, smiling at her.

“What do you need?” she asked, not bothering to greet him.

He noticed the tone of her voice and the redness of her eyes and immediately changed his demeanour. “What’s wrong?”

She side-eyed him. As if he cared. “I just made a complete ass of myself in front of Brendan. No biggie,” she huffed.

“Did you get a coffee order wrong or something?”

Now she really side eyed him. She understood the stereotype of personal assistants, but this was not the time to start making jokes and devaluing her job. “What do you want? Why are you even in the offices?” she asked.

He shrugged his shoulders. “I wanted to see you.”

She scoffed. “Oh, get a life, William.”

“Excuse me?”

“I don’t know why you feel the need to keep taunting me when we’re on the job, but it needs to stop,” she said. “Don’t you have drills to go through? Don’t you like, I don’t know, need to tape a stick?”

It was his turn to give her a look. “Hey, don’t be mad at me just because you screwed up at your job today. I came up here to see you because I wanted to see you. I’m trying to be nice.”

“Taunting me at my job isn’t being nice,” she said. “If you can’t tell, I’m not having a good day. So I’d appreciate it if you just…wouldn’t.”

“Whatever you did can’t be worse than sleeping with a Maple Leaf and then working for his boss,” William retorted.

Okay, now she was angry. She grabbed his arm and dragged him towards the small kitchen – the one she’d retreated to when she walked in on them in their underwear – and shut the door behind them so they could have a private conversation. “Listen to me,” she began, her voice as steady and as intimidating as it could be. “I know I’m not saving the world or anything, but this job means a lot to me. This isn’t a fucking game to me like it is to you. This is my life. This is my livelihood. This is my career prospects in any industry in Toronto if I do a good job here. And you, William Nylander, are not going to take that away from me.”

“I’m not trying to take that away from you,” William declared. “Don’t you think that if I didn’t want you here, I would have told the guys or told Brendan already?”

Aberdeen thought back to the conversation she’d had with her sister, where she brought up the exact same point. She shook her head. “Then stop with the comments. Stop with the ‘coming to see me’, flirting in front of your teammates, and the flirting in general.”

“I can’t do that,” he responded.

“Why not?” she demanded.

“Because I want you.”

The words hung in the air for an uncomfortable amount of time as William and Aberdeen stared at each other, his blue eyes piercing her hazel ones. Her jaw dropped at his words, and she tried to respond but she couldn’t think of anything to say. There was nothing to say. He just dropped a bombshell and she had no way to recover. He wanted her. He wanted her. He…wanted her? “W…What?”

William didn’t respond. He only smiled. He didn’t say anything else as he left those words with her, opening the door and leaving the kitchen, leaving her completely dumbfounded.

***

Later on that night, as Aberdeen was walking back to her condo after the day’s work (and not seeing Brendan again – probably for the best, since she was going to write out and rehearse her apology she’d tell him tomorrow if she didn’t get a call that she’d been fired tonight), her phone buzzed in her pocket. She assumed that it would be Kasha, wanting to know what they were going to do for dinner. But when she looked at her screen, it was an unknown number that texted her.

i promise im not going to tell anybody. im not going to tell any of the guys, or kyle, or brendan, or anyone what happened in june. that stays between us.

im not that guy. i wouldn’t do that to you.

She stopped dead in her tracks. A pedestrian behind her almost crashed into her and yelled at her to watch where she was going. She collected herself and moved off to the side so people could pass by her and she could read the texts over and over and over again. She didn’t even want to know how he got her number. She didn’t want to know what covert operation he pulled.

She gulped.

***

October 1st, 2019

Aberdeen was impatient in the backseat of the town car as she and Lou waited for Brendan to appear. Her leg was bobbing up and down and she was pretty sure she would have chipped all her nail polish off by now if it wasn’t shellac. She had written out and rehearsed her apology to him and knew exactly how she was going to deliver it. She knew she had to makes things right.

“Miss Bloom,” Lou said from the driver’s seat, looking at her through the rear-view mirror like he often did. “Nervous energy.”

“I’m sorry Lou,” she apologized, trying not to bob her leg. “I just need to say something to Mr. Shanahan.”

“Something bad?”

“How many apologies have you heard in this car?” she asked.

Lou chuckled. “Many, Miss Bloom.”

“How does he react to them?”

Lou shrugged. “Depends.”

She gulped. As if on cue, Brendan emerged from his house. Lou got out of the car to open the door for him.

“Good morning, Aberdeen,” he said, his voice cheery as he got into the backseat. He already had a stack of newspapers with him. He was acting as if nothing was wrong. “How are you this morning?”

“I’m…good,” she replied, confused. She decided she should just get right into it. “Mr. Shanahan, can I speak to you about something?”

“Brendan,” he corrected her like he always did. He was focused on the newspaper in front of him. “And yes, Aberdeen, you may.”

“Can you look at me?”

That caught his attention. He lowered the newspaper and took off his glasses, waiting for her to begin. She took a deep breath. “I want to sincerely apologize for my comments yesterday in the meeting,” she began. “It was really insensitive of me to scoff, and then to make that comment – just really callous, and I want to apologize. I don’t want you thinking that this job means nothing to me, because it does. It means the world—”

“Aberdeen,” Brendan interrupted her, holding up his hand. She stopped talking, and could tell he was thinking of what to say. “First of all, thank you for your apology,” he began. “What I said to you in that room, in front of everybody – I just wanted to make sure you know the importance of the work we do here.”

“I do. I mean – I do now.”

“Hockey in Toronto is not just hockey,” he began. “It’s a living, breathing entity in and of itself. The sooner you realize that, the sooner you will see the importance of not just my work, or the work of anybody else that was in the room that day, but of your work too. You are part of the Toronto Maple Leafs now, Aberdeen, whether you like it or not. You have a role to play here in the success of the team just like anybody else. Just because you’re an executive assistant, it doesn’t mean you don’t.”

“Yes sir,” she nodded her head.

“I know you have a steep learning curve to go through. I knew that when I hired you. You’ll go through it. And you’ll make a hell of a lot of mistakes along the way. But you’ll go through it. And you’ll come out better. With more knowledge. Understood?”

“Yes sir. Absolutely,” she nodded her head. Brendan sent her a quick smile before putting his glasses back on and focusing on the newspaper again. “So…I guess this means I’m not fired?” she asked, just for reassurance.

That actually got a laugh out of Brendan. “No, Aberdeen. I could never fire an Etobicoke girl.”

***

October 2nd 2019

The season opener was just pure insanity. There was no other way Aberdeen could rephrase it besides that – just pure insanity. Brendan had meetings, she had to coordinate this, she had to run for coffees, she had to go get notes from someone, the phone was ringing off the hook…Lou even had to take her in the town car up to Yorkville, to Prada and to Gucci and to Hermes, so she could pick up ties for him to wear once all the media came rushing in. It was a complete shit show. She barely had time to eat, drink, or even think because she was so busy trying to get everything done.

But something happened to her once she and Brendan made their way up to the media gondola to sit in the President’s private box with Kyle Dubas and Brandon Pridham: she watched the game. From start to finish, she watched the Toronto Maple Leafs dominate the Ottawa Senators 5-3 to win the game. She saw Auston Matthews score two goals – and William assist beautifully on one of them. It was textbook perfect. She saw the comradery of the boys on the bench. She saw Brendan and Kyle seem excited.

She remembered back to how excited the people of Newfoundland were at just a practice and an exhibition game. She saw how excited the crowd was tonight at the way the team played and the outcome of the game.

She began to get it.

She followed Brendan out of the gondola so they could head down to the locker room about five minutes before the game was going to end. When the team began to come in, she wondered if she should clap – her questions were answered when she saw the equipment personnel fist-bump the boys. She held out her hand to show her support. Brendan laughed.

“Wooooo! Let’s go baby!” Auston screamed as he looked directly at her, fist-bumping her with his enormously large hockey glove. In that moment, she was sure one of them was going to knock her over one day.

“Good job boys!” she yelled out as they trickled in. John was next, giving her a fist-bump and a quick nod.

Morgan saw her and screamed at her. “Wooooo!”

“Wooooo!” she mimicked, smiling from ear to ear as she fist-bumped him. She held her hand out for Andreas, for Kasperi, and for Sandin. William filtered through, and when she caught his eye, a large smile appeared on his face. “Good job boys!” she yelled out again as they fist-pumped.

As they boys filtered into the locker room and began to take off their gear, Brendan walked in, motioning for Aberdeen to follow him. She stood behind him and Kyle Dubas as they watched Mike Babcock make his post-game speech and present the team with one of the Raptors’ game used balls from their championship run. One player would get it after every game won. Auston got it tonight for scoring two goals, and he did a few tricks.

Aberdeen helped usher Mike into a separate room so he could do post-game media before they went into the locker room. She watched as a horde of reporters stuck microphones into his face and asked him questions about the game. When Brendan called her back into the locker room, he told her he was free to go.

She looked up at one of the TV monitors that was broadcasting Mike’s interview from the other room live, wanting to hear what good things he had to say before she left. Out of the corner of her eye, she saw William approach her, the bottom half of his gear still on, chucking something into the garbage. He stood beside her, looking up at the monitor too to listen in.

“Can you speak to Matthews’s goals tonight? The assist from Nylander must have looked good on your end,” one of the reporters asked.

“Yeah, the goals were good. Looked really good. The assist looked better than the one’s from last season, that’s for sure – he’s clearly been practicing,” Mike began.

Aberdeen didn’t hear anything else he had to say as she furrowed her brows. She knew that she didn’t know anything about hockey, but she thought the team played fantastic tonight. They won, for heaven’s sake. If she was a casual viewer and thought they played well, and that William’s assist on Auston’s goal looked incredible, that had to speak for something, right? A person who wasn’t even a fan being impressed? She didn’t know. But when she looked over at William, she saw a defeated look on his face. He clearly took the comments to heart, and it killed her to see his excitement die down over a stupid comment.

“Does he always give you backhanded compliments?” she asked quietly, looking at him.

William noticed her looking, and gave her one of those tight-lipped smiles as he shrugged his shoulders. “Don’t worry about it. I’m used to it.”

Aberdeen didn’t like that answer.

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jmaddox542 · 4 years ago

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New Post has been published on Jacksonville FL Real Estate

Priced at $316,000 - 6014 PATRIOTS LANDING LN, JACKSONVILLE, FL 32244

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derekjohnsonexit-blog · 4 years ago

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UNDER CONTRACT! 37 Marshall St Leominster, MA 01453 | Home for Sale

Grab this chance to live in your own private sanctuary!

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inexpensiveprogress · 5 years ago

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My Pictures for Schools - Hertfordshire

In Hertfordshire the County Council’s collection of pictures for schools was started in 1949 as part of the School Loan Collection, a post-war initiative by Sir John Newsom, the Hertfordshire Chief Education Officer at the time. The aims of Pictures for Schools were to provide education for children, show children contemporary art rather than reproductions of masters and to liven up classrooms that in post-war Britain would have needed modernisation.

Many of the pieces were purchased from reputable dealers, artists and the ‘Pictures for Schools’ exhibitions which took place from the 1950s and 1960s. I thought I would show some of the pictures I now own and put the biographies of the artists.

Vera Cunningham - 'Stooks',

Born in Hertfordshire of Scottish parentage, Vera studied painting at the Central School of Arts and Crafts. She began exhibiting with the London Group in 1922. With Matthew Smith, she exhibited in Paris at the Amis de Montparnasse and the Salon des Indépendants in 1922. Her first one-man show was held at the Bloomsbury Gallery in 1929. She produced a number of theatre designs at the end of the 1930s, but returned to easel painting. During WWII she was involved in the Civil Defence Artists' shows at the Cooling Galleries. After the war her Paris dealer, Raymond Creuze, mounted three exhibitions in 1948, 1951 and 1954. She lived in London. The Barbican Art Gallery held a retrospective exhibition in 1985. Her work is held in the Manchester City Art Gallery; the Guildhall Gallery, London and at Palant House, Chichester.

Cuningham modeled for and had relationships with fellow artists Bernard Meninsky and Matthew Smith.

Vera Cunningham - 'Garden Scene',

Thomas William Ward - 'Charmouth Manor'

Thomas William Ward, was born at Sheffield. Studied part-time with Eric Jones (Harold Jones's twin brother) at Sheffield 1937-1939. After service during the Second World War, Bill continued his studies at the Royal College of Art 1946-1950, winning a silver medal in 1949. He married at Kensington, London in 1949, sculptor Joan Palmer Ward. He taught at Harrow College of High Education 1950-1980, finally as principal lecturer, retiring to Suffolk in 1980. Elected a member of the Royal Society of Painter Etchers in 1953 and the Royal Society of Painters in Watercolour in 1957. This painting was bought from Whitworth Art Gallery, Manchester in 1957.

Alistair Grant - 'The Weight-lifter'

Although best known as a printmaker, Alistair Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College of Art, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA.

The Weight-lifter was bought from the Whitechapel Art Gallery at their Pictures for Schools exhibition: 8 October – 29 October 1949. It is likely ‘Eva’s House’ came from a similar exhibition.

Alistair Grant - 'Eva's House', 1955

Vincent Lines - 'Old Hereford Wagon',

Vincent Lines was awarded a scholarship to the Royal College of Art in 1928. The principal, William Rothenstein described him as ‘one of the best students of the painting school’. While only in his twenties, he was appointed principal of Horsham School of Art and later became principal of Hasting School of Art. Lines was a prolific and talented topographical watercolourist, with an intimate knowledge of the countryside, which he recorded on the spot, in the open air.

He was chosen as an artist for the Recording Britain project, to which he contributed twenty watercolours. He was a close friend of Thomas Hennell and the pair often painted together in the countryside around Hennell’s home at Ridley, near Meopham in Kent.

Lines survived the war and went on to become Vice-president of the Royal Watercolour Society. He wrote the biography of Mark Fisher and Margaret Fisher Prout, illustrated Rex Waites ‘The English Windmill’

The war years brought deepened friendships in particular with Mildred Eldidge and Thomas Hennell, both fellow watercolourists of the R .W .S . Through contact with Hennell he became fascinated by country crafts and together they hunted out the potter and the cooper, wheelwright and blacksmith, hurdlemaker and charcoal burner.

During 1943-4 he painted a series of eight watercolours recording the avenues of elms in Windsor Park, before the trees were felled. The pictures are now in the Royal collection. A further commission for Vincent during these years was the contribution to Arnold Palmer’s four-volumed Recording Britain, published in association with the Pilgrim Trust.

Due to Thomas Hennell’s death in 1945 the illustration of Rex Wailes’s book The English Windmill, which would certainly have been done by him, passed instead to Vincent Lines. Wailes’s definitive survey presents English windmills in their history, construction and mode of working. Resurgence Magazine Issue 141, Jul 1990.

Molly Field - 'Farm Implements'

Molly Field was born in Keighley, Yorkshire. She originally worked under the name Molly Clapham but then married the artist Dick Field. Attended Leeds College of Art (1932-33) then the Royal College of Art (1934-38), with Ernest Tristram. Showed at the Royal Academy, Women’s International Art Club and the Wakefield. Also known under Mary Field.

M Murphy - 'Geranium'

This is a mystery as it is one of the best paintings in the collection but there is no detail in the archives about who it is by.

Berard Gay - 'Ivy Plant'

Bernard left school at the age of 14 and after various jobs, just before the Second World War joined the merchant navy. In 1947 that he returned to education, studying textile part-time at the Willesden School of Art (1947-52) and changed course to fine-art under Maurice de Sausmarez and Eric Taylor. He began drawing classes at St Martins School of Art and quickly established himself as a painter. It may have been in the Pictures for Schools exhibition 23 January – 14 February 1954.

David Koster - 'Cat and Lilies'

Koster studied at the Slade School of Art (1944-47). Taught drawing and print-making at Medway College of Design. One-man shows at Everyman Foyer Gallery (1958, 60, 62, 64, 66, 68, 70); Glasgow Citizen's Theatre (1965); Stable Theatre Gallery, Hastings (1967). Taken several illustration commissions including work for the RSPB and a front cover for their 'Birds' Magazine.

David Koster was born in London and attended the Slade School of Fine Art from 1944 to 1947. He was a founder Member of the Society of Wildlife Artists in 1964.

Raymond Croxon - 'View in the Lake District',

Raymond Coxon enrolled at the Leeds School of Art, and the Royal College of Art. While he was there, between 1919 and 1921, he not only met his future wife but also became friends with a fellow student, Henry Moore. In 1922 Moore and Coxon visited France and met a number of artists there, including Pierre Bonnard and Aristide Maillol. Coxon continued his studies in London at the Royal College of Art between 1921 and 1925 under Sir William Rothenstein. Coxon took a teaching post at the Richmond School of Art in 1925 and in 1926 he married Edna Ginesi, with Moore acting as his best-man. Coxon would later perform the same service for Moore when he married Irina Radetsky in July 1929. He became a member of the London Group in 1931 and of the Chiswick Group in 1938.

During the WW2 he became a war artist and was commissioned to produce some paintings of Army subjects in Britain. Then working for the Royal Navy as a war artist. The painting of this print is in the collection of Palant House. The lithograph made for the Contemporary Lithographs Ltd. Other artists in the series were Eric Ravilious, John Piper, Vanessa Bell, Barnett Freedman and so on.

Julia Ball - 'East Coast Storm'

Julia Ball is a Cambridge artist and this woodcut came up for sale with the Cambridge collection of Pictures for Schools but due to a cataloguing error on the auctioneers I didn’t win it as they had labeled it as a different lot. For years I smoldered about that. But when the Hertfordshire sale came up, I had to have it. Made in the 1960s this woodcut is of a storm over the east coast. Her painting are mostly abstract and works can be found in Kettles Yard and in the New Hall art collection. This picture was bought from the Royal Academy Diploma Galleries, 1967.

Joseph Winkelman - 'Winter Morning'

Joseph Winkelman has specialised in intaglio printmaking since 1975 after completing the Oxford University Certificate course in Fine Art at the Ruskin School of Drawing. As an active member of the Royal Society of Painter-Printmakers (RE), he served as President from 1989 to 1995 and was recently artist in residence at St John's College, Oxford.

John Sturgess - 'Black and White Leaf'

A student at the Royal College of Art in the 1950s. He would have been taught by Julian Trevelyan, Edwin La Dell, Edward Ardizzone and Edward Bawden. He worked with John Brunsdon as a printer, printing other artists work, rather than going into teaching. They set up a press in Digswell Art Centre and that is likely how his work ended up in the Hertfordshire Collection. This work of a leaf looks more like foil, it is rather beautiful and a lithograph on stone. Though I haven’t photographed it the frame is a John Jones frame made of aluminium and is as beautiful as the print.

John O'Conner - 'Boy and the Heron'

John O'Connor A.R.C.A. R.W.S, is today best known for his woodcuts, but during his lifetime he was also celebrated as a watercolourist. In 1930 he enrolled at Leicester College of Art before moving on to the Royal College of Art in 1933. His teachers at this time were Eric Ravilious, John Nash and Robert Austin. He graduated in 1937.

On a visit to Eric Ravilious��s home at Bank House, Castle Hedingham in Essex, O'Connor was captivated both by the directness of the wood-engraving technique, and by the simple domestic scene in which Ravilious engraved by a lamp in one corner of the room while his wife Tirzah played with their small son by the fire in another. It was due to Ravilious that O'Connor got his first commission of work aged 23, illustrating Here’s Flowers by Joan Rutter for the Golden Cockerel Press in 1937.

He taught at Birmingham and Bristol before serving in the Royal Air Force form 41-45. On being demobbed he illustrated two books for the Golden Cockerel Press and taught in Hastings for two years before moving to Colchester to become the head of the School of Art in 1948. He was affectionately known as ‘Joc’ to his students, using his initials. His colleagues included Richard Chopping, who designed dust jackets for the James Bond novels, his own former teacher John Nash, and Edward Bawden, one of the finest British printmakers.

He saw his favourite painting places in Suffolk - the ponds, willows, briars and honeysuckle - disappear beneath the bulldozer and combine harvester. In 1964 O'Connor retired from teaching full time at Colchester, to concentrate on painting and engraving. He wrote various 'How to’ books and taught part time at St Martin’s School of Art. In 1975 he and his wife, Jeannie, went to live by Loch Ken in Kirkcudbrightshire, where his love of light and water inspired his many watercolours and oil paintings. He took up a post teaching at Glasgow School of Art from 1977 to 1984.

In the 1950s and 60s, O'Connor exhibited at the Zwemmer Gallery, in London, and had many exhibitions throughout Britain. His work was purchased by the Arts Council, the Tate Gallery, the British Museum and the Contemporary Art Society, as well as by several local education authorities; it can also be found in the Oslo Museum, the Zurich Museum and at New York central library. He was elected to the Royal Society of Painter-Etchers and Engravers in 1947, and, in 1974, to the Royal Watercolour Society. He was an honorary member of the Society of Wood Engravers.

June Berry - 'High Meadow'

June Berry studied painting at the Slade School of Fine Art, London. She has had nineteen solo exhibitions including a retrospective at the Bankside Gallery, London in 2002. Her paintings have been exhibited frequently at the Royal Academy Summer Exhibition, London since 1952. Berry was Vice-President of the Royal Watercolour Society from 2001 to 2004.

Her work is included in the collections of HM the Queen, the British Government Art Collection, the Victoria & Albert Museum, London, the National Museum of Wales, the Royal West of England Permanent Collection, the Graphothek, Berlin, Germany and the All Union Society of Bibliophiles, Moscow, Russia. Her work has also been purchased by many private collectors in the UK, USA, Germany and Russia. She is a Member of the Royal Watercolour Society, the Royal Society of Painter-Printmakers, the New English Art Club and is a Royal West of England Academician.

Madeleine Holtom - 'Orchids'

Madeleine Elizabeth Anderson was born in Belvedere, Kent. She studied art at the Kingston School of Art where Reginald Brill was principal with other teaching from Anthony Betts, William Ware and John Platt. In 1932 she was awarded a scholarship to study at the Royal College of Art, there she won the painting prize in 1934. She painted in oils and watercolours under William Rothenstein and Gilbert Spencer.

Leaving the RCA she became a professional artist and also worked making advertisements. She married and divorced G. H. Holtom and they had two sons and two daughters, they moved to Northwood near Watford, North-West London. She also exhibited with the New English Art Club.

Her work is represented in the collections of: Friendship House, Moscow. Queen’s College, Oxford. The Cuming Museum. Cheltenham’s Art Gallery. The Government Art Collection, British High Commission, Accra, Ghana.

Frank Freeman - 'Flower Piece',

Frank Freeman is a bit of a mystery to me at the moment. I can find mention of him in a few places but sadly due to the blitz and poor archiving many are the lost. What is known is he was supported for a while by Lucy Carrington Wertheim and he was based in the Manchester area. One flower painting is mentioned in her book Adventure in Art.

Visitors who came to see me about this time. Among these were Frances Hodgkins, who stayed for months at a time at my flat, Henry Moore and his lovely Russian wife, John Skeaping, Barbara Hepworth, Cedric Morris, Lett Haines, John Alford, William Plomer, Leon Underwood, John Gould Fletcher, Pavel Tchelitchew, Komisarieysy, David Fincham and his wife Sybil, Jim Ede and Frank Freeman. Lucy Carrington Wertheim - Adventure in Art, 1947 p10-11

John Wynne-Morgan - 'Christmas Roses'

John Wynne-Morgan was born in Harrogate, Yorkshire and enrolled at the Heatherley School of Fine Art in London in 1945.

In a 1962 London catalogue foreword, Wynne-Morgan is described as ‘primarily a portrait painter’ (though the show contained scenes of Paris, Ibiza, Venice and London, and he also painted many Bonnard-ish nudes). His studio was in Hampstead and he was the author of three books for aspiring artists. In Oil Painting as a Pastime: A Complete Course for Beginners (Souvenir Press, London, 1959), he evokes how hard it is to embark on a portrait:

Edna Rodney - 'Parrot Tulips'

Of all the artists I bought Edna Rodney eludes me, I can not find her anywhere and it might be she was an art student who gave up art for a family or she might have been one of Hertfordshire’s pupils that ended up in the collection as sometimes happened. It is rare to find nothing however.

Chloë Cheese - 'Lucky Fish',

Chloëʼs childhood was spent in the Essex village of Great Bardfield observing the printmaking of her mother Sheila Robinson and she remembers in particular often visiting the studios of fellow printmakers Edward Bawden and Michael Rothenstein.

She has contributed to a recent book Bawden, Ravilious and the Artists of Great Bardfield published by the V&A. Chloë studied at Cambridge Art School from 1969 and the RCA from 1973 to 1976.

She has lived in South London since the 70s, investigating her home and surroundings first through drawing which is then used as a basis for the creation of monoprints, lithographs and etchings. Her engagement with still life subjects has widened to include figures against the palimpsest of an urban life.

Chloë has exhibited widely and her work is held in various public collections including The V and A Museum London and The Arts Council of Great Britain. Bio via St Judes.

Chloë Cheese - 'Pink Carnations',

Michael Rothenstein - 'Coronation Cockerel'

Born in Hampstead, London, on 19 March 1908, he was the youngest of four children born to the celebrated artist, Sir William Rothenstein and his wife Alice Knewstub. He studied at Chelsea Polytechnic and later at the Central School of Arts and Crafts. Affected by lingering depression, Rothenstein did little art making during the late 1920s and early 1930s. Despite this, he had his first one-man show at the Warren Gallery, London in 1931.

During the late 1930s the artist's output was mainly Neo-Romantic landscapes and in 1940, like Vincent Lines, he was commissioned to paint topographical watercolours of endangered sites for the Recording Britain project organised by the Pilgrim Trust. In the early 1940s he moved to Ethel House, in the north Essex village of Great Bardfield.

At Great Bardfield there was a small resident art community that included John Aldridge, Edward Bawden and Kenneth Rowntree. In the early 1950s several more artists (including George Chapman, Stanley Clifford-Smith, Audrey Cruddas and Marianne Straub) moved to the village making it one of the most artistically creative spots in Britain. Rothenstein took an important role in organising the Great Bardfield Artists exhibitions during the 1950s. Thanks to his contacts in the art world (his older brother, Sir John Rothenstein, was the current head of the Tate Gallery) these exhibitions became nationally known and attracted thousands of visitors.

From the mid-1950s Rothenstein almost abandoned painting in preference to printmaking which included linocut as well as etchings. Like his fellow Bardfield artists his work was figurative but became near abstract in the 1960s.

Although little known as a painter, Rothenstein became one of the most experimental printmakers in Britain during the 1950s and '60s.

Rothenstein was elected an Associate of the Royal Academy (ARA) in 1977 and a Royal Academician (RA) in 1984. Near the end of his life there was a retrospective of his work at the Stoke-on-Trent City Museum and Art Gallery (1989) and important shows followed at the Fry Art Gallery, Essex.

The print I have (The Cockerel) was made for the Festival of Britain series of prints in 1951 and is signed under the mount. Likely bought from Redfern Galleries.

My blog of some of my pictures from the Cambridgeshire Collection of Pictures from Schools is here.

For areas of research I am indebted to Catherine Davis and Natalie Bradbury.

#Michael Rothenstein #Chloe Cheese #Pictures for Schools #Vera Cunningham #Alistair Grant #Vincent Lines #Molly Field #Berard Gay #David Koster #Raymond Croxon #Julia Ball #John O'Conner #Madeleine Holtom #Frank Freeman #John Wynne-Morgan

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'Nosferatu,' La Doña turns 1, CBD sampling: 45 free things to do this weekend - City Pages

"Volta Photo" at the Weinstein Hammons Gallery Sanle Sory FRIDAY: Volta Photo In 1960, Sanlé Sory opened a photography studio in Bobo-Dioulasso, the trendy/artistic city in Burkina Faso. That same year, the nation had received full independence from France. As the country entered a new post-colonial era, Sory photographed the vibrant youth culture that emerged. Spanning 20-some years, his collection of portraits features lovers kissing, smiling friends with a boombox, and style so fly it could belong in a high-fashion magazine from any era. The artist, who still lives and works in the area, began touring exhibitions of his work in the late ’90s. This show at the Weinstein Hammons Gallery is a rare chance to see these still-youthful images in person. There will be an opening reception from 6 to 8 p.m. on Friday, October 18. Free. Weinstein Hammons Gallery, 908 W. 46th St., Minneapolis; 612-822-1722. –Jessica ArmbrusterAndy Ulseth With Brian Just Band and Picked to Click seventh place winner Prim Woes. 10 p.m. Oct. 18. Free. 331 Club, 331 13th Ave. NE, Minneapolis; 612-331-1746.Lungs (Album Release Show) With Hive, Witchden, and Nothingness. 9 p.m. Oct. 18. Free. Hexagon Bar, 2600 27th Ave. S., Minneapolis; 612-722-3454.The Jason Dixon Line 8:30 p.m. Oct. 18. Free. Schooner Tavern, 2901 27th Ave. S., Minneapolis; 612-729-4365.Versions With happy hour during musical performances. 9-11 p.m. Oct. 18. Free. Apoy, 4301 Nicollet Ave., Minneapolis; 612-824-4719.

"Creativity in Everyday Life" at Goldstein Museum of Design Creativity in Everyday Life Design is everywhere in our daily lives, including the cars we drive, the homes we live in, the utensils we use, and the clothes we wear. In this show, the Goldstein moves from big-picture design (design thinking as a mode of problem solving) to the granular (i.e. specific everyday objects). The exhibition is also participatory, with visitors invited to weigh in with their opinions the most innovation and creative aspects of the show. Opening reception 5:30-7:30 p.m. Fri., Oct. 18, featuring a silent auction to benefit GMD. Daily from Oct. 18-Jan. 5. Free. Goldstein Museum of Design, 1985 Buford Ave., 346 McNeal Hall, St. Paul; 612-624-7801. --Camille LeFevreWildflyer Coffee Launch Party Fundraiser for a new coffee shop, featuring live music from the Immaculate Beings, Lavender Daughter, Mpls Drew, and Audiyo Element. 6 p.m. Oct. 18. Free. 56 Brewing, 3055 NE Columbia Ave., Minneapolis; 612-404-0056.#MeToo in Minnesota History Exhibitions examining issues of sexual assault and violence through the stories of several Minnesota women, past and present. Oct. 15-April 5. Free. Minnesota History Center, 345 W. Kellogg Blvd., St. Paul; 651-259-3000.As, Not For: Dethroning Our Absolutes Group show curated by Jerome Harris. Oct. 18-Nov. 10. Free. MCAD Gallery, 2501 Stevens Ave., Minneapolis; 612-874-3700.

'Nosferatu' Nosferatu: A Symphony of Horror Released in 1922, Nosferatu is just a few years shy of its 100th anniversary, and somehow still manages to be creepy. Part of that effect may come from its on-location sets and beautifully framed shots, and Max Schreck’s performance as the titular monster certainly factors into its legacy. Yet another spooky aspect is the film’s soundtrack, which has been adapted and reimagined over the years. This Halloween, guests can head to the Music Box Theatre for a screening set to a live soundtrack from the Curse of the Vampire Orchestra, by Minneapolis composer Philip Shorey. The score features a local symphony and choral musicians mixed with modern electronica and industrial percussion. 7:30 p.m. Oct. 18-19; 3:30 p.m. Oct. 19. Free; RSVP required. Music Box Theatre, 1407 Nicollet Ave. S., Minneapolis; 612-871-1414. --Jessica ArmbrusterLeslie Jamison Author presents her new book, 'Make It Scream, Make it Burn: Essays.' 7 p.m. Oct. 18. Free. Next Chapter Booksellers, 38 S. Snelling Ave., St. Paul; 651-225-8989.R. Zamora Linmark Author presents his new book, 'The Importance of Being Wilde At Heart.' At the Asian Pacific Resource Center in Room 311. 12-1:30 p.m. Oct. 18. Free. Appleby Hall - University of Minnesota, 128 Pleasant St. SE, Minneapolis; 612-625-5000.Fall Flower Show Sunken garden in full bloom with hundreds of chrysanthemums of many different cultivars. 10 a.m.-4 p.m. daily from Oct. 5-Dec. 1. Free. Marjorie McNeely Conservatory at Como Park, 1225 Estabrook Drive, St. Paul; 651-487-8200.

Jimmy Reagan Jimmy Reagan Exhibit Expressionist paintings. Opening reception 7-10 p.m. Fri., Oct. 18, with a meet and greet with the artist, music, and drinks. Free; RSVP required for opening reception. Le Meridien Chambers Minneapolis, 901 Hennepin Ave., Minneapolis; 612-767-6900.Tappy Hour Group tap dance lessons. 4-6 p.m. every Fri. Free. Can Can Wonderland, 755 Prior Ave. N., Ste. 4, St. Paul; 651-925-2261.Can Can Wonderland Karaoke Hosted by Silly Miss Tilly. All ages. 5:30-8:30 p.m. every Fri. Free. Can Can Wonderland, 755 Prior Ave. N., Ste. 4, St. Paul; 651-925-2261.Erin Schwab and Jay Fuchs 8:30-11:30 p.m. every Fri. Free. Birch's Lowertown, 289 Fifth St. E., St. Paul; 651-432-4677.

La Dona Cerveceria Image courtesy event organizers SATURDAY: First Anniversary Party La Doña Cervecería is turning one this weekend. To celebrate, they’re busting out Ocelotl, a Mezcal barley wine that has been aging in barrels since January (and offers a whopping 10% ABV). Order it on tap and, if you like, take it home in bottle form. The party starts at noon, with the Indigo DJ Crew spinning tunes at 4 p.m., followed by salsa band K-Libre24 from 9 p.m. till close. Festivities will also include games, special merchandise, and food trucks Flagsmash and Que Tal. 12 p.m.-2 a.m. Oct. 19. Free. La Doña Cervecería, 241 Fremont Ave N, Minneapolis. –Loren GreenPiss On Your Dad With Sam Hell, Huff, and Psychic DNA. 9 p.m. Oct. 19. Free. Hexagon Bar, 2600 27th Ave. S., Minneapolis; 612-722-3454.First Annual Legacy CBD Cup Competition for the state's best hemp and cannabidiol products, with presentations, samples, and products for sale. 5-10 p.m. Oct. 19. Free. Warehouse Winery, 6415 Cambridge St., St. Louis Park; 763-232-3707.Ian Valor & The Vendettas (Album Release Show) With Little Man and Elour. 10 p.m. Oct. 19. Free. 331 Club, 331 13th Ave. NE, Minneapolis; 612-331-1746.MPLS LTD XX Afternoon at Eclipse Celebrating 20 years of the local record label, with performances by Birds of Virginia (reunion show), Pussytoes, the Starfolk, and John Roeser Avenue. All ages. 12-4 p.m. Oct. 19. Free. Eclipse Records, 381 Wabasha Street N., Saint Paul; 651-224-2500.Biggest in the World Party Celebration of Brit's being the pub selling the most Olde Speckled Hen in the world. Festivities include $4 Olde Speckled Hen 20 oz pints, the Beatles’ Abbey Road album performed in its entirety by the Summerbabies at 8 p.m., and glassware and other giveaways. Saturday, 6-11 p.m. Brit's Pub, 1110 Nicollet Mall, Minneapolis; 612-332-3908.

The Twisted Pumpkin and Valhalla Skulls October Gallery Night: The Twisted Pumpkin and Valhalla Skulls An evening celebrating the work of artists Mandy Koepp and Joelle Skjei, with treats by Atuvava and tarot readings by Sage Tarot. 5-8 p.m. Oct. 19. Free. Darling Amalgamated Retail Emporium, 4549 Bloomington Ave. S., Minneapolis; 612-454-5456.Tangletown Gardens Annual Pumpkin Fest Featuring a wide selection of pumpkins, with a photo booth, pumpkin painting, farmers market, and family activities. 10 a.m.-5 p.m. Oct. 19. Free. Tangletown Gardens, 5353 Nicollet Ave. S., Minneapolis; 612-822-4769.Powderhorn Culinary Arts Show Juried outdoor food and beverage competition for professional and junior culinary artists from across the country, with a beer garden, pumpkin patch pop-up, garden shop, and kitchen gadget pop-up. 12-5 p.m. Oct. 19. Free. Powderhorn Park, 3400 15th Ave. S., Minneapolis; 612-823-1141.

"Randomland" Vance Diamond, 'Tidal Wave,' 2019 Randomland Group show collaboratively curated by artists with disabilities and without, presented by Interact Center for the Visual and Performing Arts. Public reception 3-6 p.m. Sat., Oct. 19, featuring artist remarks and a Q&A. Free. The White Page, 3400 Cedar Ave., Minneapolis; 413-478-0455.Kater's 4th Annual Katerween Pop-up gallery show featuring new work for sale from the graffiti artist. 5-9 p.m. Oct. 19. Free. Maharaja's, 205 W. 7th St., St. Paul; 651-292-1623.Leaf Fest Featuring a giant leaf pile, fall treats, pumpkin hunt, art workshop, scavenger hunt, and a community art project. 12-4 p.m. Oct. 19. Free. Caponi Art Park, 1220 Diffley Road, Eagan; 651-454-9412. 'McDuff Moves In' Story Time with Gryphon Press and Underdog Rescue Family story time, with adoptable dogs from Underdog Rescue on hand. 3 p.m. Oct. 19. Free. Magers & Quinn Booksellers, 3038 Hennepin Ave. S., Minneapolis; 612-822-4611.Brunch Show at Mortimer's Featuring Trash Catties, Ringout, and Leslie. All ages. 12-3 p.m. Oct. 19. Free. Mortimer's, 2001 Lyndale Ave. S., Minneapolis; 612-871-5591.Halloween Viewing Party for 'The Loud House' Featuring screenings of Halloween-themed episodes of 'The Loud House,' hosted by the voices of Lucy and Rita Loud, hosted by Jessica DiCicco and Jill Talley, with character meet and greets, and storyboard animator appearances. 10:30 a.m.-6 p.m. Oct. 19. Free. Mall of America Best Buy Rotunda, 365 N. Garden, Bloomington; 952-883-8800.

"And When the Sun Rises" And When the Sun Rises: Mara Duvra / Today, we become: Prerna 6-9 p.m. Saturday. Soo Visual Arts Center, 2909 Bryant Ave. S., Minneapolis. New Editions 2019 A pop-up shop of chapbooks, zines, broadsides, artist books, and more. Saturday, 10 a.m. to 3 p.m. Minnesota Center for Book Arts, 1011 Washington Ave. S., Minneapolis. Have You Seen This Man?: The Castro Poems of Karl Tierney Celebration of the release of posthumously published selection of poems by Karl Tierney, edited by Jim Cory. 7 p.m. Oct. 19. Free. Next Chapter Booksellers, 38 S. Snelling Ave., St. Paul; 651-225-8989.Midtown Farmers Market Featuring farm products, prepared and cottage foods, and ready-to-eat local cuisine, local artwork, and live entertainment. More info at midtownfarmersmarket.org. 8 a.m.-1 p.m. every Sat. from May 18-Oct. 26; 3-7 p.m. every Tue. from May 18-Oct. 29. Free. Midtown Farmers Market, 3032 Minnehaha Ave. S., Minneapolis; 612-724-7457.Mill City Farmers Market Long running market in the shadow of Mill Ruins Park, featuring local, sustainable, and organic groceries and produce, with weekly cooking clinics and live entertainment. More info at www.millcityfarmersmarket.org. 8 a.m.-1 p.m. every Sat. from May 4-Oct. 26. Free. Mill City Museum, 704 S. 2nd St., Minneapolis; 612-341-7555.

Howl-O-Ween at Bent Brewstillery Getty Images SUNDAY: Howl-O-Ween Cap off your weekend by hanging out with dogs in costumes. This Sunday, Bent Brewstillery will be getting into the holiday spirit with a daylong Halloween party open to humans and pups. People are welcome to dress in costume, and doggos are especially encouraged to. Locally made pet items from crafters and artisans will be for sale, and games and prizes will be hosted by Sidewalk Dog. Have a glamour shot taken with your four-legged buddy, bob for treats, and carve a pumpkin. Be sure to wash it all down with a pint. All ages. 12-6 p.m. Oct. 20. Free. Bent Brewstillery, 1744 Terrace Drive, Roseville; 844-879-2368. –Jessica Armbruster Fall Makers Market Featuring over 20 local makers and curators both inside and out of the building. Sunday, 10 a.m. to 5 p.m. 3147 NE California St., Minneapolis. Atlas Obscura Trivia with Dylan Thuras and Magers & Quinn Featuring questions about travel and places all over the world, with prizes and copies of 'Atlas Obscura: 2nd Edition' available for purchase. 6 p.m. Oct. 20. Free. LynLake Brewery, 2934 Lyndale Ave. S., Minneapolis; 612-224-9682.Panel Discussion: Is Local News Dying? Featuring Jamie Stockwell, Richard Fausset, Rebecca Colden, and Suki Dardarian. 1 p.m. Oct. 20. Free. Walker Art Center, 725 Vineland Place, Minneapolis; 612-375-7600.

MN Toy Posse Image courtesy event organizers MN Toy Posse Halloween Bash 3 What happens when you combine 70 toy sellers from all over the Midwest, hundreds of toy fans of all ages, and thousands of rare and unique toys and collectables? You get one giant posse. This weekend, the Minnesota Toy Posse will host its third-annual Halloween Bash toy swap. Posse founder Mark Seekamp started the group a little over three years ago on Facebook as a way to help connect people looking to buy, sell, or trade their favorite toys. He hadn’t planned on just how many people would want to join his gang. “We have more than 2,200 members, and it’s a really active group,” he says. And it’s not just about toys, either. “We’ve become friends and talk about our lives. People will post pictures when they have a baby, or we’ll just use it to meet up and go see a movie. It’s about creating relationships beyond just looking for toys.” For Seekamp, the best part of the day is how toys can bring people together. “The coolest part is being able to see someone who is going to be really excited about a toy that you have that you’re ready to part with.” 9 a.m.-3 p.m. Oct. 20. Free. Knights Of Columbus Bloomington, 1114 W. 79th St., Bloomington; 952-888-1492. –Patrick StraitOpen Jam 8 p.m. every Sun. Free. Schooner Tavern, 2901 27th Ave. S., Minneapolis; 612-729-4365.Saint Paul Civic Symphony: Night and Day 1 p.m. Oct. 20. Free. Landmark Center, 75 W. 5th St., St. Paul; 651-292-3293. Read the full article

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coghive · 2 years ago

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Skillet Shares Pre-Release Track “Psycho In My Head”

17x platinum, GRAMMY-nominated rock band SKILLET has announced the February 17, 2023 release of their DOMINION: DAY OF DESTINY (DELUXE EDITION). With five new tracks, including upcoming Active Rock single “Psycho In My Head” (full track listing below), the project is the companion to DOMINION, one of the highest charting rock and metal albums of 2022. Pre-Saves and Pre-orders start today with “Psycho In My Head” included as the first instant-grat track, followed by “Finish Line,” featuring Adam Gontier (formerly of Three Days Grace, now Saint Asonia and touring with Skillet this winter) on February 3, 2023. Fans can preorder exclusive DOMINION: DAY OF DESTINY (DELUXE EDITION) Box Sets via: https://stores.kotisdesign.com/skillet/dominion-day-of-destiny-deluxe-box-sets. SKILLET and THEORY OF A DEADMAN have recently announced the co-headlining Rock Resurrection Tour, with support from Saint Asonia, which will kick off on February 17th in Gary, Indiana,running through March 26th in Los Angeles. The 25-date trek includes stops in Milwaukee, Detroit, Boston, Cleveland, St. Louis, Dallas, Denver, Phoenix, and more. Tickets are going fast and on sale now at www.skillet.com. https://youtu.be/5Ubu_0RvDws “We are so excited for our fans to hear “Psycho,” “Finish Line” and the other new tracks, and to be touring with our friends from Theory again!,” says Skillet’s John Cooper. “It’s been several years since our last tour together, and this time we are also joined by our friends in Saint Asonia. We are looking forward to kicking off 2023 the right way by joining forces for a super-charged rock show! Panheads get ready!” SKILLET is one of the best-selling rock bands of the 21st century. The two-time GRAMMY® Award-nominated, Pandora Billionaires Club members, and multi-platinum rockers have an undying spirit that has humbly asserted and affirmed them as one of this generation’s most successful rock acts. However, as all classic underdog stories do, it happened quietly under the radar. By 2019, they not only garnered a pair of GRAMMY® Award nods and sold over 17 million albums worldwide, but they also took home a Billboard Music Award for the double-platinum Awake. Its breakout single “Monster” is 5x platinum and remains “one of the most-streamed rock songs of all-time.” 2016’s Unleashed bowed at #3 on the Billboard Top 200. Hitting #1 on Rock Radio, the lead single “Feel Invincible” cracked 643 million global audio streams and went platinum. Meanwhile, the gold-certified Unleashed became their fourth consecutive album to receive either a gold, platinum, or double-platinum status. Their 2019 release Victorious included the top ten rock radio hit “Legendary,” which lived up to its name with over 108 million streams. To date, nine original tunes earned RIAA recognition in tandem with high-profile syncs by everyone from WWE and Marvel to ESPN and NFL. Between selling out arenas in 26 countries and four continents, the group performed on CONAN and graced the pages of USA Today and The New York Times, Skillet debuted their first graphic novel, EDEN: A Skillet Graphic Novel with Z2 Comics, which became the publisher’s best-selling book of all time, followed by EDEN II: The Aftermath. Skillet’s latest project, DOMINION, is one of the highest charting rock and metal albums of 2022 and available now. DAY OF DESTINY DELUXE EDITION Track Listing (*denotes new track): 1. Surviving the Game 2. Standing in the Storm 3. Dominion 4. Valley of Death 5. Beyond Incredible 6. Destiny 7. Refuge 8. Shout Your Freedom 9. Destroyer 10. Forever or the End 11. Ignite 12. White Horse 13. Crossfire* 14. Psycho In My Head* 15. Finish Line (with Adam Gontier)* 16. Unbreakable Soul* 17. The Defiant* SKILLET + THEORY OF A DEADMAN ON TOUR: - 2/17 — Gary, IN — Hard Rock Live - 2/18 — Green Bay, WI — EPIC Event Center - 2/19 — East Moline, IL — The Rust Belt - 2/21 — Milwaukee, WI — Eagles Ballroom Club Stage - 2/22 — Detroit, MI — The Fillmore - 2/24 — Reading, PA — Santander Arena – Theater - 2/25 — Boston, MA — Roadrunner - 2/26 — Bangor, ME — Cross Insurance Center - 3/1 — Rochester, NY — Main Street Armory - 3/3 — Cleveland, OH — Agora Theatre - 3/4 — Mt. Pleasant, MI — Soaring Eagle Casino – Theatre - 3/5 — Cincinnati, OH — AJB Music Center - 3/8 — Pikeville, KY —Appalachian Wireless Arena - 3/10 — St Louis, MO — The Factory - 3/11 — Springfield, MO — Shrine Mosque - 3/12 — Tulsa, OK — Tulsa Theater - 3/14 — Houston, TX — Bayou Music Center - 3/15 — Dallas, TX — The Factory - 3/17 — Kansas City, MO — Midland Theatre - 3/18 — Omaha, NE — Baxter Arena - 3/19 — Denver, CO — Mission Ballroom - 3/22 — Phoenix, AZ — First Arizona Federal Theater - 3/24 �� Reno, NV — Grand Sierra Resort – Grand Theatre - 3/25 — Wheatland, CA — Hard Rock Live - 3/26 — Los Angeles, CA — The Wiltern Read the full article

#Skillet

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mitchbeck · 3 years ago

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CANTLON: PLAYERS AND COACHES ARE ON THE MOVE

BY: Gerry Cantlon, Howlings HARTFORD, CT - It's the time of year that moving companies love when it comes to the hockey industry. Coaches and players are both moving all over the place. Ex-Hartford Wolf Pack/New York Ranger Sylvain Lefebvre. After being hired as an assistant coach for the NHL's Columbus Blue Jackets, he leaves the San Diego Gulls. Lefebvre is the second assistant coach to leave former Hartford Whalers' great, Kevin Dineen’s staff. Ex-Pack, David Urquhart, returned to Montreal to be the head coach at McGill University (OUAAA). Alex Tanguay, an Iowa Wild assistant coach signs with the Detroit Red Wings.

KRAKEN AND CHECKERS WORKING TOGETHER

The expansion Seattle Kraken announced they would have a dual affiliation arrangement with the Charlotte Checkers for their first season in 2021-22 while building a new facility in Palm Springs that's currently under construction. The irony is that current Seattle General Manager and Whaler great, Ron Francis, had a six-year relationship with Charlotte while he was with the Carolina Hurricanes. The Checkers were the Hurricane's AHL affiliates up until last season. They and are now in Chicago with the Wolves. The Kraken will likely send 8 players, but that number could climb to as many as 12 players to the Checkers. Francis has been operating at his North Carolina home since the COVID pandemic started. The team will supply the Checkers with an assistant coach who will likely become the first head coach of the Kraken's Palm Springs (CA) affiliate when they come on board in their brand new 10,000 seat arena in 2022-23. It will be the second straight year that the Florida Panthers will have a dual affiliation. Last season the defending Stanley Cup champions and current finalist, Tampa Bay Lightning, shared the Syracuse Crunch.

NHL DRAFT

The Seattle Expansion Draft is set for Wednesday, July 21 at 8 pm and broadcast on ESPN2 in Seattle. The entire NHL Draft is held and broadcast over two days, with the first round covered across the US by NBCSN. For the second year in a row, the draft will be done remotely. On Saturday, the NHL Network will broadcast rounds 2-7. NBCSN is going to be closing shop soon. The draft broadcast team will be composed of members of their staff and ESPN/Turner Sports, where hockey coverage is going to be moving forward, as well as TSN in Canada talent.

KARMANOS NO LONGER AN NHL OWNER

The NHL announced Carolina Hurricanes majority owner Tom Dundon completed his acquisition of the remaining minority ownership stake of Peter Karmanos. As a result, Dundon is now the sole owner of the team. The transaction formally ends Karmanos' relationship with the Carolina Hurricanes/Hartford Whalers that began in 1994.

AHL NEWS

The AHL Board Of Governors (BOG) approved and announced the sale of the Rockford IceHogs to the Chicago Blackhawks. Read more about that HERE. The AHL BOG then announced that the City of Abbotsford and the Vancouver Canucks had finalized the lease for the AHL team and that the Aquillini Investment Group (AIG) arena management portion of the deal. AIG is the parent company of the Vancouver Canucks. The Abbotsford Centre is a multi-purpose entertainment and sports facility. Aquilini Investment Group will manage staffing, event bookings, ticketing, and food and beverage management. More on that deal HERE. Revenue sharing is also included in the contract. The city benefits from enhanced financial gains by sharing profits if there are an average of 5,000 tickets sold per regular season game.

MOVEMENT

Ex-Pack Brian Gibbons (Salisbury Prep) leaves Lausanne HC (Switzerland-LNA) to play for Linköping HC (Sweden-SHL) next season. Adam Musil, the nephew of former Whaler and Ranger Bobby Holik, switches teams in the Czech Republic, going from HC Liberec to HC Dynamo Pardubice. Ex-Bridgeport Sound Tiger (now Islanders) goalie Kevin Poulin leaves IF Bjorkloven (Sweden-Allsvenskan) and signs a one-year AHL deal with the Laval Rocket. The UCONN Huskies will be getting defensive depth next season in Jarrod Gourley, a grad transfer defenseman from NCAA Divison-1 independent Arizona State University (ASU). He is the 51st NCAA grad transfer in the hectic college hockey off-season that has seen 108 players switch schools via school or grad transfers. Gourley is a left-handed shooter who hails from Calgary, Alberta, Canada. He will be in Storrs in a few months. The 22-year-old is undrafted, and his younger brother, Connor Gourley, is currently playing with Camrose (AJHL) and will be at ASU next year. Quinnipiac University (ECACHL) added veteran coach Mike Corbett as the new assistant coach for the Bobcats. Corbett coached Alabama-Huntsville (WCHA) for the last seven years.

GUITE AND OTHER MOVES

Ex-Sound Tiger Ben Guité, who has been with his alma mater an assistant and associate head coach with the Maine Black Bears (HE) for eight years, did not have his contract renewed. Guite was named the interim head coach in May after the sudden passing of one-time Yale assistant Dennis “Red” Gendron. UMASS assistant coach Bill Barr was hired in early June as the new head coach. Sadly, the WCHA Men's Hockey conference is shutting down after 70 years. They lost seven schools to the new CCHA and saw the University of Alabama-Huntsville and the University of Alaska-Anchorage went dark this year. The University of Alaska-Fairbanks will play as a Division-1 independent next season. It's possible that in the next couple of years that the WCHA will return as a true Western-based US college conference. The WCHA women’s conference will continue as is.

PLAYERS CALLING MOVING VANS

Nic Pierog (Canterbury Prep/Sound Tigers) leaves the Indy Fuel (ECHL) and signs with HKM Zloven (Slovakia-SLEL) for next season. Leaving HKM, the defending Slovak league champion is ex-Pack, Allan MacPherson who departs for HC Kosice (Slovakia). Ex-Sound Tiger, Jesse Graham, leaves KalPa Kuopio (Finland-FEL) and signs with Augsburger (Germany-DEL). On his new team and also switching clubs is Marek Bartunas. He is the cousin to Matej Baca, the nephew of former Whaler Jergus Baca. The younger Baca is returning to HK 32 Liptovsky (Slovakia-SLEL) after being traded last year in mid-season. Ex-Sound Tiger Tomas Malec, who nears the end of his career at age 39, drops down from the Czech Elite League HC Brno to HC Brno-B (Division-3). Former UCONN Husky, Spencer Naas, departs Tranås AIF (Sweden HockeyEttan Division-1) for HC Amiens (France-FREL).

US WORLD JUNIOR TEAM NEWS

The 44-player tryout camp for the United States World Junior Team is set to play July 24-31 in the World Junior Summer Showcase at the USA Hockey Arena in Plymouth, Michigan. Included on the roster for defense is Scott Morrow (Darien). He will head to the defending national champion, UMASS-Amherst (HE), in the fall. Morrow, has played for the Shattuck’s St. Mary’s program for the last three years. A WJC returnee from the Bronze medal-winning squad from last year is Jake Sanderson, the son of former Whaler great Geoff Sanderson. He skates for North Dakota (NCHC). Another returnee, but at forward, is Rangers draft pick Brett Berard of Providence College (HE). He is the son of former UCONN head coach David Berard, now the Director of Administration at PC. The elder Berard played as an undergrad, graduated from PC, and was an assistant coach for twelve years. He is no relation to former NHL’er Bryan Berard. There is also Matthew “Mackie” Samoskevitch (Newtown). He is heading to the University of Michigan (Big 10) in the fall and is NHL Draft eligible this year. Lastly, a sophomore from Quinnipiac University (ECACHL), Ty Smilanic, a draft pick of the Florida Panthers last year. The WJC tournament will run from December 26th through January 5th in Edmonton and Red Deer, Alberta, Canada. USA Hockey named its roster and coaches for 2021 Hlinka Cup in Breclav, Czech Republic, and Piestany, Slovakia. There is just one local name associated with the team, Assistant Coach Jared Walman, from Hamden, Connecticut.

CHL DRAFT NEWS

The 30th annual CHL (Canadian Hockey League) Import Draft that involves the three Canadian major junior leagues was held early this year. Normally it's held a week after the NHL Draft. 85 players were selected, including 52 forwards, 26 defensemen, and seven goalies were chosen by 57 teams compromised of the OHL, QMJHL, and the WHL. The top three countries to have players selected were Russia with 16, the Czech Republic with 15, and Belarus taking 11. Just two players had Connecticut connections. UCONN defenseman Yan Kuznetsov, who left school two years early after signing an entry-level deal with the Calgary Flames, played six games with the AHL Stockton Heat, who, because of Covid-19, played their games in Calgary last season. Kuznetsov was taken in the first round (22nd overall) by the QMJHL Saint John (NB) Sea Dogs. Kuznetsov is 6’4 and 225 lbs. He will not be turning 20-years-of-age until March 2022. He is still Russia WJC eligible, so he could wind up in the Q getting valuable playing minutes depending on the organizational depth in Stockton. 6' tall defenseman David Spacek is the other player selected with a connection to Connecticut. He was taken in the second round (67th overall), is a right-hander, and was selected by the QMJHL Sherbrooke Phoenix. Spacek 18, is the son of former Beast of New Haven defenseman Jaroslav Spacek. He played last year for HC Litomerice (Czech Republic Division-2). He is signed to play for HC Plzen (Pilsner) in the Czech U-20 league this year and is WJC eligible. His father is the national team assistant coach and is also an assistant with HC Plzen with the Czech Elite League (CEL) team. He could play in the Q get playing time like Kuznetsov, but the NHL Draft in three weeks will likely play a factor in where he goes if he is drafted. NATIONAL HOCKEY LEAGUE HOME Read the full article

#2011–12WestVirginiaMountaineersmen'sbasketballteam #2012BigTenConferenceMen'sBasketballTournament #2013CONCACAFGoldCup #2013NHLEntryDraft #2013StanleyCupplayoffs

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inexpensiveprogress · 6 years ago

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My Pictures for Schools

Chloe Cheese - Tea and Cake (In My Collection)

This is a post about the Cambridgeshire County Council Pictures For Schools Collection. It was a brave project founded in 1947, in part as a reaction to the brutalities of the war, but also to brighten up classrooms and schools with modern works of art and improve the minds of young children.

I am apt to using the word utopian a lot, but personally I believe projects like these were important in rebuilding Britain after the war. Not just bringing art into the home, but taking it to the public spaces; from the windows in Coventry Cathedral to the Festival of Britain, there was a manufacturing ‘brave new world’ of Britain and they used the artists as part of the team, maybe from champions of design like Robin Darwin at the Royal College of Art and exhibitions like Britain Can Make It in 1946.

The driving force behind the Pictures for Schools project was painter and educator Nan Youngman, art adviser to Cambridgeshire’s Director of Education, Henry Morris. Youngman was a student of painting at the Slade from 1924-1927, winning a prize at the Slade in 1926. She painted still, but focused on education for most of her life.

The ideas motivating Pictures for Schools were very much of their time. During and after the Second World War, as the rebuilding of Britain was debated in both the public and political spheres, educators called for art education to be given a central position in the new school system. This received support from the Ministry of Education, as part of a project to promote British culture, improve the public’s standards of taste and create a new generation of citizens and educated consumers who were capable of exercising judgement in aesthetic matters and making informed choices and purchases.

The Pictures for Schools project came out of and alongside many other famous ‘utopian’ projects like the Contemporary Lithographs (1937-38), AIA Everyman’s Prints (1940) and the School Prints series of lithographs where major artists would be paid to design a lithograph that would be printed in thousands and then sold to schools cheaply. Youngman was involved in the Everyman’s Prints series and it may have helped inspire the running of Pictures for Schools.

In the founding of the Pictures for Schools project, one of Youngman’s big successes was after she accompanied Morris to London in 1945 to buy a painting by L.S.Lowry from the Lefevre Gallery for 30gns for the Cambridge Schools Art Collection as part of Pictures for Schools. At the start of a recession in 2009 the Cambridge County Council sold it for £541,250 at Christie’s. The commission on that sale would have been around £125k.

L. S. Lowry - A Market Place, Berwick-upon-Tweed, 1935

The rest of the works were due to go up for sale with Christie’s too, some of the works I own still have catalogue assignment stickers from the auction house on the back, but with the economic climate the Cambridge Council pulled the collection from auction and in 2017 they would come up again for sale with another auction house.

Although Nan Youngman was the organiser and originator of Pictures for Schools, she had the support of long-running exhibition secretaries, who themselves had interesting backgrounds and careers.

Slade-trained painter and writer Sylvia Pollak was the first Organising Secretary. She had, like Youngman and many of their circle, links with the Artists’ International Association and the Women’s International Art Club.

She was succeeded by art historian, writer and lecturer Alison Kelly, who had a particular interest in furniture and pottery, from 1950-1957, when she resigned to spend more time lecturing... During the war, Kelly had been flown around the country working on camouflage schemes for possible bombing targets such as factories.

Katharine Baker, who had been treasurer for the Society for Education through Art, took over from 1958-1967. She had previously worked for the British Institute for Adult Education, which during the war organised good design exhibitions, put pictures in air raid shelters, armed services establishments and British Restaurants, and sent exhibitions to outlying districts. She received a New Year’s day MBE in 1948 for her work on the ‘Art for the People’ travelling exhibitions.

Finally, Joan Bartlett was Organising Secretary from 1967 until after the exhibitions’ close in 1969, when the exhibitions were held at the Royal Academy’s Diploma Galleries.

Stephen Bone - Yachts Racing at Loosdrecht, (In My Collection)

The Stephen Bone painting above was bought direct from the artist himself as on the back are various notes and bills on Bone’s headed paper.

Youngman donated some of her paintings and linocuts to the collection, other artists in the collection are like a who’s who of British Art. Gertrude Hermes, Richard Bawden, John Piper, Anthony Day, Patrick Hughes, Enid Marx, Michael Rothenstein, Malvina Cheek, Robert Tavener, Julia Ball, Peter Nuttall, Richard Beer, George Chapman, Alistair Grant, Edwin La Dell, Rosemary Ellis, Tirzah Garwood and Evelyn Dunbar are but a few.

Nick Lyons - Between You and Me, 1977 (In My Collection)

As the Pictures for Schools scheme ended in the 1960s, in Cambridge the project continued under the name ‘Original Works for Children in Cambridgeshire’.

Malvina Cheek - Cornstooks at Furlongs, 1962 (In My Collection)

The Malvina Cheek drawing above came with some provenance.

I was staying at Furlongs when I drew the Corn Stooks . It was then a magical place, a shepherds cottage set in the shadow of the Downs. A gap in the wall leads up to the Downs. There was no electricity, no gas, only oil lamps and wood fires; a telephone the only concession to modern life.

In the fields alongside the cottage were pyramids of corn. The exciting shapes of the corn stooks attracted me. There was only time to draw, my daughter was very young, so I made studies hoping to develop them later. I also drew Dick Freeman, the farmer from whom Peggy leased her part of the cottage; he used an adjacent room where he rested after tending his sheep. There was always a pleasant speaking voice, a fine hooked nose and large hands like those in a Permeke drawing. Later I would use both the drawings of corn stooks and of Dick the farmer, I was commissioned to illustrate Gulliver’s Travels

Cheek also worked as part of the Recording Britain project.

Bernard Cheese - The Lemon Seller (In My Collection)

Walter Hoyle the Great Bardfield artist took over the scheme in the 1970s. Hoyle donated a few pictures and convinced other artists to donate works to the project too. Hoyle came to be involved as he was working at the Cambridge School of Art, now part of the Anglia Ruskin University. He would teach printmaking in the St Barnabas Press, a premises that the art school rented and he would encourage his pupils to donate a print to the collection. It may also explain how a fellow Bardfield artist, Bernard Cheese gets into the collection. Hoyle retired from teaching in 1985, moving from Cambridge to Hastings and Dieppe.

Warwick Hutton - Adam and Eve, 1986 (In My Collection)

We know the Original Works for Children in Cambridgeshire continued until 1985 when the project was run by the council and in the mid 1990s, the Council wound down the project citing the expenses of transporting the art around, hanging and administration costs and the works were stored in a shed outside Huntington Library and in a community centre in Papworth for the next 15 years.

The works by Walter Hoyle and Warwick Hutton in the collection were given with expenses for framing to the artists. Warwick Hutton’s painting of ‘Adam and Eve’ followed with a book he published in 1987 under the same name by Hutton with Atheneum Books.

Poul Webb - Petersfield (In My Collection)

Many of the works that Hoyle encouraged his students to make were prints, Poul Webb remembered making the print above in various colourways to me when I contacted him and he now works mostly as a painter with a totally different style. The picture below by Glyn Thomas is unlike his style now too, he works in drawings and etchings but Hoyle must have been an interesting man to work under as many of the artworks have a bit of Rothenstein or Bawden in them, I guess due to the Bardfield connections.

Glyn Thomas - Corn Exchange, Cambridge, 1965 (In My Collection)

It wasn’t just Bernard Cheese and Walter Hoyle that had works in the collection from Great Bardfield. Tizah Garwood had a painting in the collection of two donkeys. Chloe Cheese also had two prints in the collection.

Tirzah Garwood - Nathaniel and Patsy

Chloe Cheese - Figs and Coffee, 1972 (In My Collection)

Norma Jameson - Black Cockerel (In My Collection)

Marion Crawford - Agriculture (In My Collection)

#great bardfield #chloe cheese #tirzah garwood #walter hoyle #poul webb #in my collection #Malvina Cheek #Warwick Hutton

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xeford2020 · 4 years ago

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“The Larkin Idea”

Trade Card for the Larkin Soap Company, 1900 / THF224516 As part of the William Davidson Foundation Initiative for Entrepreneurship, we had the opportunity to delve into the history of the Larkin Company. What began as a small soap manufacturing business in 1875 became one of the nation’s leading mail-order businesses by 1900. This post highlights the Larkin Company’s rise to popularity under the multi-faceted, ingenious marketing strategy known as “The Larkin Idea." While the Larkin Company sold its products throughout the country, the company had special appeal for rural customers, offering a broader range of product choices than stores in nearby villages and towns. The company would eventually develop a distribution system, contracting with local deliverymen to deliver Larkin products right to customers’ doorsteps – rather than customers having to pick them up in town. In the early 21st century, people today welcome this same opportunity for conveniently delivered goods!

Trade Card for “Boraxine” Soap, J.D. Larkin & Co., 1882 / THF296340 In 1875, having worked in the soap business for more than a decade, John D. Larkin created his own soap company in Buffalo, New York, called J.D. Larkin, Manufacturer of Plain and Fancy Soaps. This would later become known as the Larkin Company. The first product, made for laundry use, was a yellow bar known as Sweet Home Soap. Boraxine, a flaked laundry soap, quickly followed, and continued to be a signature item in product lists throughout the company’s history.

Boraxine Soap Powder, 1925-1940 / THF155045 The first salesman for the company was Larkin’s brother-in-law, Elbert Hubbard. Hubbard was a skilled promoter and successful salesman, devising advertising strategies and boosting sales. In 1878, Hubbard was made a partner in the business, resulting in the company’s name change to J.D. Larkin & Company. With this partnership, Larkin oversaw the manufacturing of the products and Hubbard was placed in charge of advertising and promotion. One of the first strategies Hubbard adopted was offering a chromolithograph (color print) as a premium, or free giveaway, in each box of Boraxine. By 1883 – after additional products were added to Larkin’s line – Hubbard began offering finer premiums, such as a Japanese silk handkerchief in each box of “Elite” Toilet Soap.

Back of a Trade Card for J.D. Larkin & Co.’s “Elite” Toilet Soap, 1882 / THF296327 After years of “slinging soap,” Hubbard noted that direct sales to housewives were more profitable than selling to local merchants. The company was doing quite well – having distributors in every state east of the Rocky Mountains in its first decade – but Larkin and Hubbard believed that the company had even greater potential. In order to maximize profits, the company decided to eliminate all middlemen (including the sales force), thus entering the mail-order industry. The mail-order business was not new – Montgomery Ward & Company had made this popular a decade earlier. But in 1885, Hubbard developed a plan, called “The Larkin Idea,” that offered giveaways with the purchase of particular items from the company’s mail-order catalogs.

Page advertising Rugs as Larkin Premiums, in Larkin Company Trade Catalog, “The Larkin Plan: Factory-to-Family,” Fall and Winter 1917-1918 / THF298153 “The Larkin Idea” was simple: In cutting out all middlemen and selling Larkin products directly to housewives, the money that would have gone to the payroll of the middlemen would instead be used to create desirable premiums that would be given to customers with the purchase of Larkin products. This idea was encapsulated by the slogan, “Factory-to-Family,” and the tagline of “The Larkin Idea” became, “Save All Cost Which Adds No Value.”

Larkin Company Trade Catalog, “The Larkin Factory-To-Family Plan,” Spring and Summer, 1915 / THF297907 The first iteration of “The Larkin Idea” came in 1886 with the introduction of a Combination Box. By this time, the company was offering nine different soap products. At first, the Combination Box sold for $6, but a few years later, a $10 option emerged, offering enough products to last a family the entire year. The $10 Combination Boxes quickly gained popularity as customers could receive 142 products – 100 of those being Sweet Home Soap – and a free premium worth $10. Larkin also introduced a 30-day policy in which customers had 30 days to try a product before paying for it. This gave peace of mind to customers who wanted to try a product, risk-free, and also developed trust between the company and consumer. The public embraced “The Larkin Idea” with enthusiasm, ordering nearly 91,000 Combination Boxes a year!

Advertisement for Larkin Premiums, “A Practical Plan of Saving: The Larkin Idea Factory-to-Family Dealing,” 1906. / THF298080 By 1892, the company changed its name once more, to Larkin Soap Manufacturing Company. As the popularity of the Combination Boxes grew, Larkin sought to expand its product and premium offerings. In 1897, Larkin offered 16 products – including 14 different soaps, a cold cream, and tooth powder – and that number increased every year. This led to the company eventually dropping “soap” from its name to become the Larkin Company in 1904.

Did You Know?After leaving the Larkin Company, Elbert Hubbard would go on to found the Roycroft community of East Aurora, New York, in the mid-1890s. At the Roycroft community, hundreds of artisans came to live and work as part of an Arts and Crafts utopian community. The Arts and Crafts movement encouraged quality craftsmanship of handcrafted works of simple form as a reaction to poorly made factory produced goods. With his marketing prowess and passion, Hubbard led the Roycrofters to become one of the most successful communities of the Arts and Crafts movement in America. Explore more on the Arts and Crafts movement on our blog and in this Expert Set.

With the success of the Combination Box and the increasing number of customers nationwide, the company introduced another facet of “The Larkin Idea,” which would prove to be invaluable: Larkin Clubs. Women across the country were encouraged to become Larkin Secretaries, and as such they would gather friends and family to purchase products together. A Club-of-Ten was encouraged to have all members buy $1 worth of products each month, and a different member of the club would receive a premium of their choice every month.

Advertisement for a Larkin Club-of-Ten in the Trade Catalog, “A Practical Plan of Saving: The Larkin Idea Factory-to-Family Dealing,” 1906. / THF298079

This Larkin Company infant swing/bed, was given to a woman by her sister, who sold Larkin products. (Gift of Ellen J. Adams) / THF174549 Women found a sense of pride in their participation in the clubs and enjoyed the social aspect of monthly meetings. At its peak, there were 90,000 Larkin Secretaries around the country. The Larkin Clubs were such a tremendous promotional force that the company stopped selling Combination Boxes in order to focus on its ever-increasing product and premium offerings. By 1905, the company began offering teas, spices, and additional foodstuffs among its products. Five years later, the company had added paints and varnishes, as well as rugs, clothing, and other textiles to its product line – along with 1,700 premiums to choose from, ranging from children’s toys to clothing to furniture. In 1915, the catalog featured 700 Larkin products spread over 33 pages, and offered 131 pages of premiums. One of the company’s advertising campaigns involved the idea that customers could furnish their entire house with Larkin products. This catalog for Larkin Wallpaper is an example of this idea in action.

Page showing a variety of Larkin products from the Trade Catalog, “The Larkin Home-Helper,” circa 1910 / THF297831

Larkin Premiums advertised in the publication, “My Larkin Clubs Earned These for Me,” circa 1912 / THF298076

Page from Larkin Company Trade Catalog, “The World’s Greatest Premium Values,” Fall and Winter 1930. The catalog from 1930 included one of the more unusual premiums Larkin offered - Hartz Mountain Canaries (guaranteed to sing) or a pair of mated Love Birds. Click here to view the 1930 catalog! / THF298067 As “The Larkin Idea” continued to gain popularity, the Larkin Company sought to bring those companies that produced the premiums under the Larkin umbrella. At its height, Larkin had over 30 subsidiary companies, and had furnished seed money to establish such businesses as the Barcolo Manufacturing Company, to produce furniture, and Buffalo Pottery to produce pottery and kitchenware. Since 1896, the company had begun expanding its manufacturing complex. This process continued through 1912, with 21 new structures built to accommodate the rapidly growing product and premiums list.

Deldare Candlestick, produced by Buffalo Pottery, 1911 / THF176916

Page from Larkin Trade Catalog, “Product and Premium List,” January 1908. The Larkin Administration Building, completed in 1906 in Buffalo, was designed by architect Frank Lloyd Wright. / THF297783 Beginning in 1905, the company established branches and warehouses – first in Cleveland, and then in Boston, Chicago, New York City, Peoria and Philadelphia. With this expansion, Larkin was able to better serve its customers across the country. Despite experiencing significant growth, by 1918 the company found it had a surplus of food products far exceeding demand. Unable to move the product fast enough through mail order or the Secretary system, Larkin created retail establishments called “Larkin Economy Stores” as a way to sell these products. By 1922, there were 103 stores in Buffalo and northwestern New York, as well as others near the additional branches.

Back cover from Larkin Company Trade Catalog, “Product and Premium List,” January 1908 / THF297811 “The Larkin Idea” had taken the company to significant heights. By the mid-1920s, however, the company was beginning to falter for a number of reasons. National chains like A&P grocery stores and Woolworth’s presented stiff competition. Automobiles made going shopping easier, causing mail-order businesses to become less popular. Perhaps the greatest influence in Larkin’s demise was World War I, which had brought many Larkin Secretaries out of their homes and into the workforce, weakening the Larkin sales structure. The crippling economy during the Great Depression also impacted the company. Between 1924 and 1926, all of the company’s top leadership either retired or passed away, including Larkin himself. Having failed to pass along knowledge and nurture younger leadership, the company was left with little expertise, leading to the company’s gradual closing.

Cover for Larkin Company Trade Catalog, “The Larkin Plan, Factory-To-Family,” Fall & Winter, 1917-1918 / THF298101 In 1939, the decision was made to stop manufacturing soap products, and two years later the manufacture of all products and premiums ceased as well. With an abundance of remaining inventory of both products and premiums, the Larkin Company was still able to fill orders until 1962. What had started as a small soap manufacturing company became prominent enough to hold its own despite the tremendous popularity of mass-marketers, like Sears, Roebuck and Company, and Montgomery Ward & Company. Through innovative marketing strategies and an entrepreneurial spirit, the Larkin Company experienced significant growth in a short period of time, finding its way into households across America. Samantha Johnson is Project Curator for the William Davidson Foundation Initiative for Entrepreneurship at The Henry Ford. Special thanks to Jeanine Head Miller, Curator of Domestic Life at The Henry Ford, for sharing her knowledge and for reviewing this content.

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go-redgirl · 4 years ago

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Biography of Madam C.J. Walker, American Entrepreneur and Beauty Mogul

By Mary Bellis

Updated April 28, 2020

Madam C.J. Walker (born Sarah Breedlove; December 23, 1867–May 25, 1919) was an African American entrepreneur, philanthropist, and social activist who revolutionized the hair care and cosmetics industry for African American women in the early 20th century. By leveraging her beauty and hair care products company, Madam Walker was one of the first American women to become a self-made millionaire, while offering African American women a source of income and pride.

Also known for her philanthropy and social activism, Madam Walker played a significant role in the Harlem Renaissance movement of the 1900s.

Fast Facts: Madam C.J. Walker

Known For: African American businesswoman and self-made millionaire in the cosmetics industry

Also Known As: Born Sarah Breedlove

Born: December 23, 1867 in Delta, Louisiana

Parents: Minerva Anderson and Owen Breedlove

Died: May 25, 1919 in Irvington, New York

Education: Three months of formal grade school education

Spouses: Moses McWilliams, John Davis, Charles J. Walker

Children: Lelia McWilliams (later known as A'Lelia Walker, born 1885)

Notable Quote: “I am not satisfied in making money for myself. I endeavor to provide employment to hundreds of women of my race.”

Early Life

Madam C.J. Walker was born Sarah Breedlove on December 23, 1867, to Owen Breedlove and Minerva Anderson in a one room cabin on the former plantation owned by Robert W. Burney in rural Louisiana, near the town of Delta. The Burney plantation had been the site of the Battle of Vicksburg on July 4, 1863, during the United States Civil War. While her parents and four older siblings were enslaved on the Burney plantation, Sarah was the first child of her family to be born into freedom after the signing of the Emancipation Proclamation on January 1, 1863.

Sarah’s mother Minerva died in 1873, possibly of cholera, and her father remarried and then died in 1875. Sarah worked as a domestic servant and her older sister Louvenia survived by working in the cotton fields of Delta and Vicksburg, Mississippi. “I had little or no opportunity when I started out in life, having been left an orphan and being without mother or father since I was seven years of age,” Madam Walker recalled. Though she attended Sunday school literacy lessons at her church during her earlier years, she recounted that she had only three months of formal education.

In 1884 at the age of 14, Sarah married laborer Moses McWilliams, in part to escape her abusive brother-in-law, Jesse Powell, and she gave birth to her only child, a daughter named Lelia (later A'Lelia), on June 6, 1885. After the death of her husband in 1884, she traveled to St. Louis to join her four brothers, who had established themselves as barbers. Working as a laundry woman earning just $1.50 a day, she managed to save enough money to educate her daughter A'Lelia and became involved in activities with the National Association of Colored Women. In 1894, she met and married fellow laundry worker John H. Davis.

Madam Walker Builds Her Cosmetics Empire

During the 1890s, Sarah began to suffer from a scalp ailment that caused her to lose some of her hair, a condition likely caused by the harshness of the available products and her profession as a laundry woman. Embarrassed by her appearance, she experimented with a variety of homemade remedies and products made by another Black entrepreneur named Annie Malone. Her marriage to John Davis ended in 1903, and in 1905, Sarah became a sales agent for Malone and moved to Denver, Colorado.

In 1906, Sarah married her third husband, newspaper advertising salesman Charles Joseph Walker. It was at this point that Sarah Breedlove changed her name to Madam C.J. Walker and began advertising herself as an independent hairdresser and retailer of cosmetic creams. She adopted the title “Madam” as an homage to women pioneers of the French beauty industry of the day.

Walker began selling her own hair product called Madam Walker's Wonderful Hair Grower, a scalp conditioning and healing formula. To promote her products, she embarked on an exhausting sales drive throughout the South and Southeast, going door to door, giving demonstrations and working on sales and marketing strategies. In 1908, she opened Lelia College in Pittsburgh to train her "hair culturists."

Eventually, her products formed the basis of a thriving national corporation that at one point employed over 3,000 people. Her expanded product line was called the Walker System, which offered a broad variety of cosmetics and pioneered new ways of marketing. She licensed Walker Agents and Walker Schools that offered meaningful training, employment, and personal growth to thousands of African American women. By 1917 the company claimed to have trained nearly 20,000 women.

Although she did open some traditional storefront beauty shops, most of the Walker Agents ran their shops from their homes or sold products door to door, dressed in their characteristic uniforms of white shirts and black skirts. Walker’s aggressive marketing strategy combined with her relentless ambition led to her becoming the first known female African American woman self-made millionaire, meaning she neither inherited her fortune nor married into it. At the time of her death, Walker’s estate was worth an estimated $600,000 (about $8 million in 2019). After her death in 1919, Madam Walker’s name became even more widely known as the market for her haircare and cosmetics products spread beyond the United States to Cuba, Jamaica, Haiti, Panama, and Costa Rica.

Constructed in 1916, for $250,000 (over $6 million today), Madam Walker’s mansion, Villa Lewaro, in Irvington, New York, was designed by Vertner Woodson Tandy, New York state’s first registered Black architect. Featuring 34 rooms in 20,000 square feet, with three terraces and a swimming pool, Villa Lewaro was as much Walker’s statement as it was her home.

Walker’s vision for Villa Lewaro was for the mansion to serve as a gathering place for community leaders that would prove to other Black Americans that they could achieve their dreams. Shortly after moving into the mansion in May 1918, Walker held an event honoring Emmett Jay Scott, then the Assistant Secretary for Negro Affairs of the U.S. Department of War.

In her 2001 biography “On Her Own Ground: The Life and Times of Madam C.J. Walker," A'Lelia Bundles recalls that her great-great-grandmother had built Villa Lewaro as “a Negro institution that only Negro money bought” to “convince members of [my] race of the wealth of business possibilities within the race to point to young Negroes what a lone woman accomplished and to inspire them to do big things.”

Inspiring Black Business Women

Perhaps above and beyond her fame as a self-made millionaire, Madam Walker is remembered as one of the first advocates for the financial independence of Black women. After establishing her own thriving cosmetics business, she threw herself into teaching Black women how to build, budget, and market their own businesses.

In 1917, Walker borrowed from the structure of the National Association of Colored Women to begin organizing state and local support clubs for her sales agents. These clubs evolved to become the Madam C. J. Walker Beauty Culturists Union of America. The union’s first annual conference, which convened in Philadelphia during the summer of 1917, hosted 200 attendees and was one of the first national gatherings of American women entrepreneurs.

In delivering the convention’s keynote speech, Madam Walker, after calling America “the greatest country under the sun,” demanded justice for the deaths of some 100 Black people during the recent St. Louis race riots. Moved by her remarks, the delegation sent a telegram to President Woodrow Wilson asking for legislation to avoid "a recurrence of such disgraceful affairs."

"With that gesture, the association had become what perhaps no other currently existing group could claim," wrote A'Lelia Bundles. "American women entrepreneurs organized to use their money and their numbers to assert their political will."

Philanthropy and Activism: The Harlem Years

After she and Charles Walker divorced in 1913, Madam Walker traveled throughout Latin America and the Caribbean promoting her business and recruiting others to teach her hair care methods. While her mother traveled, A'Lelia Walker helped facilitate the purchase of property in Harlem, New York, recognizing that the area would be an important base for their future business operations.

After returning to the United States in 1916, Walker moved into her new Harlem townhouse and quickly immersed herself in the social and political culture of the Harlem Renaissance. She founded philanthropies that included educational scholarships and donations to homes for the elderly, the National Association for the Advancement of Colored People, and the National Conference on Lynching, among other organizations focused on improving the lives of African Americans. In 1913, Walker also donated the largest amount of money by an African American toward the construction of a YMCA serving Indianapolis’ Black community. She was also a major contributor to the scholarship funds of the Tuskegee Institute, a historically Black university located in Tuskegee, Alabama, founded by early Black community leaders Lewis Adams and Booker T. Washington.

As her notoriety increased, Walker became vocal in expressing her social and political views. Speaking from the floor of the 1912 convention of the National Negro Business League, she famously declared, “I am a woman who came from the cotton fields of the South. From there I was promoted to the washtub. From there, I was promoted to the cook kitchen. And from there, I promoted myself into the business of manufacturing hair goods and preparations. I have built my own factory on my own ground."

Madam Walker appeared regularly at conventions sponsored by powerful Black institutions, delivering stirring lectures on political, economic, and social issues facing the African American community. As some of her closest friends and associates, Walker often consulted with prominent community organizers and activists Booker T. Washington, Mary McLeod Bethune, and W.E.B. Du Bois

Philanthropy and Activism: The Harlem Years

During World War I, Walker, as a leader of the Circle For Negro War Relief organized by Mary Mcleod Bethune, advocated for the establishment of a camp dedicated to the training of Black army officers. In 1917, she was appointed to the executive committee of the New York chapter of the National Association for the Advancement of Colored People (NAACP) founded by Mary White Ovington. The same year, she helped organize the NAACP Silent Protest Parade on New York City's Fifth Avenue, which drew some 10,000 people to protest a riot in East St. Louis in which at least 40 African Americans had been killed, several hundred injured, and thousands displaced from their homes.

As the profits from her business grew, so did Walker's contributions to political and philanthropic causes. In 1918, the National Association of Colored Women's Clubs honored her as the largest individual contributor to the preservation of the historic house of abolitionist, activist, and women’s rights advocate Frederick Douglass in Anacostia, Washington, D.C. Just months before her death in 1919, Walker donated $5,000 (nearly $73,000 in 2019) to the NAACP's anti-lynching fund—the largest amount ever donated to the NAACP by an individual at the time. In her will, she bequeathed nearly $100,000 to orphanages, institutions, and individuals, and specified that two-thirds of future net profits from her estate be donated to charity.

Death and Legacy

Madam C.J. Walker died at age 51 of kidney failure and complications of hypertension at her Villa Lewaro mansion in Irvington, New York, on May 25, 1919. After her funeral at Villa Lewaro, she was buried at the Woodlawn Cemetery in the Bronx, New York City, New York.

Considered the wealthiest African American woman in the country at the time of her death, Walker's obituary in The New York Times stated, “She said herself two years ago that she was not yet a millionaire, but hoped to be some time, not that she wanted the money for herself, but for the good she could do with it. She spent $10,000 every year for the education of young negro men and women in Southern colleges and sent six youths to Tuskegee Institute every year.”

Walker left one-third of her estate to her daughter, A'Lelia Walker, who along with becoming president of the Madam C. J. Walker Manufacturing Company, continued her mother’s role as a vital part of the Harlem Renaissance. The balance of her estate was bequeathed to various charities.

Madam Walker’s business provided access for generations of women to, in her words, “abandon the washtub for a more pleasant and profitable occupation.” In downtown Indianapolis, the Madam Walker Legacy Center—built in 1927 as the Walker Theatre—stands as a tribute to her determination and contributions. Listed on the National Register of Historic Places in 1980, Walker Theatre Center housed the company's offices and factory as well as a theater, beauty school, hair salon and barbershop, restaurant, drugstore, and a ballroom for the use of the community.

In 2013, Indianapolis-based skincare and haircare company Sundial Brands purchased Madam C.J. Walker Enterprises for the purpose of bringing Walker’s iconic products back to store shelves. On March 4, 2016, more than a century after her “Wonderful Hair Grower” made Madam C.J. Walker a self-made millionaire, Sundial collaborated with Sephora of Paris to begin selling “Madam C.J. Walker Beauty Culture,” a collection of all-natural gels, oils, cremes, shampoos, and conditioners for different types of hair.

Sources and Further Reference

Bundles, A'Lelia. “Madam C.J. Walker, 1867—1919.” Madame C. J. Walker, http://www.madamcjwalker.com/bios/madam-c-j-walker/.

Bundles, A'Lelia (2001). “On Her Own Ground.” Scribner; Reprint edition, May 25, 2001.\

Glazer, Jessica. “Madam C.J. Walker: America's First Female Self-Made Millionaire.” Catalyst by Convene, https://convene.com/catalyst/madam-c-j-walker-americas-first-female-self-made-millionaire/.

Racha Penrice, Ronda. “Madam C.J. Walker's legacy of empowering black women lives on 100 years after her death.” NBC News, March 31, 2019, https://www.nbcnews.com/news/nbcblk/madam-c-j-walker-s-legacy-empowering-black-women-lives-n988451.

Riquier, Andrea. “Madam Walker Went From Laundress To Millionairess.” Investor’s Business Daily, Feb. 24, 2015, https://www.investors.com/news/management/leaders-and-success/madam-walker-built-hair-care-empire-rose-from-washerwoman/.

Anthony, Cara. “A legacy reborn: Madam C.J. Walker hair products are back.” The Indianapolis Star/USA Today, 2016, https://www.usatoday.com/story/money/nation-now/2016/10/02/legacy-reborn-madam-cj-walker-hair-products-back/91433826

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OPINION: This history of someone very, very long ago that was a very successful Black American Women that made a difference in a time that would be very hard or difficult for those today to imagine.

The purpose of sharing this History is to educate those that just don’t realize how many Black Americans bet the odds at a that you would not have expected.

History is a wonderful thing so lets not destroy any history in our country good or bad because it teaches us life of the past that makes us so grateful of what we have accomplished as a country/nation.

In other words in destroy ‘statuses’ are ignorant and respects a ‘MOD’ mentality. Don’t allow the ‘mod’ to rule. Denounced them quickly before they destroy our history good or bad. If not, the bad will repeated its self.

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ashl3yruiz · 4 years ago

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City of La Grange Portfolio:

Featured in Fayette County Record “Best of 2020″ Magazine

Tues. 3/1

The Texas Heroes Museum is located inside the Old Fayette County Jail, which opened in 1883 and was in operation until 1985.

Today, the museum honors Texans who sacrificed everything to secure and defend freedom and liberty. The museum covers the time period of the Texas Revolution, through the present day.

When you take a tour you’ll be transported back to a time before, whether you’re listening to stories about the fight for Texas Independence, or recounting the Jail’s century of history.

There is no admission charge to tour the jail and the museum.

March 3rd (3pm)

The Bugle Boy is a nonprofit organization in its 16th musical season, and they are proud to present Butch Hancock and John Baumann this Friday and Saturday, respectively.

The Bugle Boy is home to one of the “finest listening rooms in the nation”, and can accommodate up to 80 people.

They regularly host live shows on Fridays and Saturdays, and you’ll always be hearing the crème de la crème directly.

For tickets visit https://thebugleboy.org/, or call (979)968-9944.

March 5th at 3

What a success!

Because of YOU we sold out of our Rescue ornaments and are now offering these ADORABLE Puppy Pickup ornaments to continue to raise funds for the Gardenia E. Janssen Animal Shelter.

As you may already know, the shelter’s mission is to provide care for homeless, and displaced animals. They rely on donations and grants to support their operations so this has been a wonderful opportunity to give back and support their efforts!

Let’s continue to give to this GREAT cause.

Fri 3/6 Noon

It’s Foodie Friday again!

This week we’re highlighting a La Grange staple… Lukas Bakery(tag)!

During World War II, Raymond Lukas joined the army to serve his country. After he was honorably discharged Lukas continued to serve by baking for those at Camp Swift in Bastrop.

Around this time, Lucille Kurio was attending a local wedding when she ate a cake so heavenly she proclaimed she NEEDED to marry the man who’d made it.

Remember Raymond? He happened to be the baker of said cake, and by happenstance he’d been standing behind Lucille when she’d made her proclamation. He became enamored with her and 4 short months later, they were engaged.

In 1947, the two opened Lukas Bakery, and it’s been family owned and operated since, baking everything from scratch, just like Raymond once did.

Today, they serve everything from loaves of bread and homemade noodles, to cookies, kolaches, and “the best pigs in Texas”.

Stop in, and check out their AMAZING pastry selection before browsing the rest of La Grange’s Downtown Square!

Just a word to the wise… Lukas Bakery only accepts cash and is open from 5:00 a.m to 1:00 p.m Monday through Saturday.

March 8

The La Grange Visitor Center is proud to announce our partnership with the Rotary Club of La Grange!

We will be selling Australia themed socks with proceeds benefiting the Australia Zoo Wildlife Warriors foundation established by Steve and Terri Irwin.

Together, we hope to bring relief to the people and animals in Australia.

The socks are $15, and available in the Historic Casino Hall Visitor Center’s Gift Shop.

March 9th

Want to get kids out of the house this spring break? Be sure to sign them up for one of Le Petite’s awesome, fun, and educational cooking classes!

Wish you yourself were more comfortable in the kitchen? Now you can be! Sign up for one of Le Petite’s many classes, improve your skills, and impress your friends and family!

Feel free to stop by Le Petite and see their plethora of different kitchen goodies for sale including: quality cookware, cutlery, tea, spices, coffees, health products, foods, cook books, and other gadgets!

You can even register gifts for weddings, birthdays, showers, anniversaries, and other special occasions!

Le Petite is located on the Square in downtown La Grange.

March

When it comes to the Round Top Antique Show, it’s pretty easy to get overwhelmed by all the awesome vendors!

We know how important it is to have a game-plan going in, which is why we invite you to stop by the Historic Casino Hall for your guide to the 2020 Round Top Spring Antiques Show!

Happy antiquing!

March 11

ALL ABOARD!

If you’re in La Grange this weekend, be sure to stop by the M-K-T Depot!

The Depot was completed in November 1897 by the M-K-T Railroad (specifically: the Taylor, Bastrop, and Houston Railroad). It replaced the earlier depot that was on this site from 1887 until it burned in March 1897.

It’s sure to be fun for the whole family as the depot now houses the La Grange Depot Museum, which has a lot of cool information about train history in the area! It is open to the public every Saturday (except some holidays) from 10 a.m. until 4 p.m.

Thursday March 12th

ON THIS DAY IN HISTORY…

Former President Theodore Roosevelt (pictured with the X over his head) spoke a few words to a large gathering of La Grange citizens at the current M-K-T Depot.

At the time, Roosevelt had friends in the area who were privy to the fact he’d be passing through.

Together, the town got to work and sent a telegraph to Judge Walther Burns saying, “The city council of La Grange has passed an ordinance strictly prohibiting any ex-president from passing through this city without making at least a five minute stop. You will please so instruct the Roosevelt committee and warn them against a violation of this ordinance.” Burns immediately passed the telegram to Roosevelt who responded, “By all means, let the train stop at La Grange. We are in a hurry, but are not taking such chances as to violate city ordinances.”

109 years ago today, March 12th of 1911, Roosevelt arrived, shook hands with the friends he knew, and then commenced his 5 minute speech. He was well received by the people of La Grange.

It’s unknown what all was said verbatim, however the clipping of the La Grange Journal from the week of the event stated that Roosevelt had lots of good praise for both Texans, and Texas.

Afterwards the crowd stayed behind to watch him depart and the train disappear.

March 13th at noon

It’s Foodie Friday again!

This week we’re showcasing Texas One Stop!

Located along the stretch between Houston and Austin, Texas One Stop is more than a convenience store.

Texas One Stop is family owned and operated, and EVERYTHING is homemade, from their amazing BBQ, to their flavorful soups, and delicious bakery treats!

Plus they offer catering, clothing, gifts/decor, some farm and ranch stuff, along with convenience items!

Texas One Stop, is really a one-stop shop! Stop by today to get your hands on something good!

City March 12

As the impact of the Coronavirus (COVID-19) evolves, the City of La Grange is working with state and federal officials to share the latest information. While the immediate risk to most residents remains low, we are taking steps to limit the spread of the virus, mitigate health and economic risk, and protect our community.

We have compiled resources to assist you, and educate the public with tips for controlling the spread of the Coronavirus. We will continue to update the linked page as new information develops.

Friday 3/13

UPDATE: We have 13 more Koala socks, and 4 Kangaroo socks at this time. Come get yours and help support this wonderful cause!

The La Grange Visitor Center is proud to announce our partnership with the Rotary Club of La Grange!

We will be selling Australia themed socks with proceeds benefiting the Australia Zoo Wildlife Warriors foundation established by Steve and Terri Irwin.

Together, we hope to bring relief to the people and animals in Australia.The socks are $15, and available in the Historic Casino Hall Visitor Center’s Gift Shop.

March 14

Do you have the luck of the Irish on your side?

Put your luck to the test with our St. Patrick’s day contest!

Winner will win the St. Patrick’s day decoration and the vase of mints!

Guess how many candy mints we have in our green vase, in the comments, or in person at the Historic Casino Hall 254 N Jefferson St. in La Grange, TX.

MONDAY March 16

It’s important that we continue to support small businesses during this time!

Which is why we must recommend you stop by Julie B’s downtown! They have everything from cute clothes for every occasion, to candles, decor, and jewelry! Not ready to shop yet? Grab a gift card for later!

Julie B also has the FRIENDLIEST staff. Head on in and find the next showstopping piece for your wardrobe!

March 17

SUPPORT OUR LOCAL BUSINESSES!

It’s amazing what you can create while quilting! The artists at The Quilt Museum create truly stunning designs.

Over 60,000 people from every state, and 58 different countries have visited the Museum in its lifetime (almost 10 years!).

This week the Quilt Museum will be presenting a new exhibit, and they change it out every 3 months so you’ll always see something new.

We encourage you to swing by, if you’ve never been or if you have before, you won’t be disappointed with their displays! Afterwards stop by their period garden which is adjacent to the Museum it shows what would be typical of “city gardens” in Fayette County and Central Texas around the time of our buildings, about 1890, through the 1930s, and is one of only a few.

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thecentralpost · 7 years ago

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Former Mayor Bill Stortz with Santa

As the year draws to a close and the news cycle continues to reset every day, let’s pause and look at some of images of Bristol from 2017.

Shamrock Road Race

471 North Main Street

Superintendent of Schools Ellen Solek

99 Main St. Bristol, CT 06010

Lynn M. Buthe

Central CT Chambers of Commerce

Photo (c) Imagekind

Professional Young Visionaries of Tomorrow

File photo

Photo (c) Historic Buildings of Connecticut

Former Bristol Mayor Bill Stortz talks with parents of Bristol Eastern High School

Submitted

New England Carousel Museum

Bristol City Hall

Mayor Ken Cockayne with Ben Carson

Submitted

Bristol Eastern High School Band and Choir

Bristol Republican Party headquarters at 425 North Main Street

Rt. 6 Farmington Ave. Eastbound

Jaymie Bianca

Santa Sunday, New England Carousel Museum

From left to right: Josh Medeiros, Vice President of the Memorial Boulevard Cultural Center, Chris Borucki, Project Sales Manager/Technician at Wesson Energy, Bristol Mayor Kenneth Cockayne, Raquel Kennedy, President of Victory Energy Solutions, and Violette Radomski of Eversource Energy.

Submitted

Photo (c) Bristol Economic Development

Veterans Strong Community Center Bristol CT.

Peter B. Kelley

2016 contest winners

Donna Ptak

Emily Bourassa (second from left) is shown with staff from the breast center including (from left): Clinical Coordinator and Breast Health Navigator Kathy Albano, RN, BSN, CN-BN, and Secretaries Jessica Rossomando and Cherie Granger.

Radio Shack Bristol located at Bristol Commons, 77 Farmington Avenue.

Anthony D’Amato

Brian’s Angels

Nutmeg State Financial Credit Union located in Walmart Market

Ken Cockayne

Eric Carlson

Connecticut House Republicans

Chelsea O’Donnell

Paint Nights Hosted by Freddy at the T-salon Cafe House. Art Instructors provided by The Studio.

File Photo

Harry C. Barnes Memorial Nature Center

Pictured from left to right: Captain Edward Spyros, Officer Michael Marino, Officer Andrew Boretsky and Mayor Kenneth Cockayne.

Bristol ARC Jerome Ave. Bristol CT.

Memorial Boulevard School

2014 Home and Business Expo

Photo (c) Bristol Fire Department

Representative student leaders from Guildford DAY and Guilford High School, from left Anthony Slate, Danielle Ott, Gabby Palumbo, and Eryk Derda, spoke against legalizing recreational marijuana at the StopPotCT press conference on March 7 at the State Capitol in Hartford.

“All Heart” Marketing Billboard. Photo (c) Bristol Development Authority

81 N Main St. Bristol

Latin Cravings 375 N Main St, Bristol, CT

David Mills City Council 3rd District Candidate. Dave Mills was a three-sport athlete at both Bristol High and Bristol Eastern High Schools, playing football, basketball and baseball. Photo (c) Bristol Sports Hall of Fame

Former Associated Market 15 Memorial Boulevard Bristol CT. 06010

Cumberland Farms Rt. 72 Bristol CT.

Eric Carlson candidate for City Council in the First District (R)

Bristol Police Complex

Photo (c) Bristol Police

Mecheal Hamilton

Bristol Boys & Girls Club

Main Street section of the former mall site Bristol Hospital purchased

The front view of Bristol Hospital’s proposed ambulatory center on the corner of Riverside Ave. Ext. and Main Street.

Former mall site

45th Annual Bristol Tramps Sports Reunion

Indian Rock Nature Preserve

Photo (c) Bristol Police

Walgreens isn’t saying which stores will close. Walgreens has 58 stores in Connecticut and Rite-Aid has 77 stores in the State.

Pictured from left to right: Joseph Vitale of Covanta. Lt. Richard Guerrera and Chief Brian Gould of the Bristol Police Department. Commissioner Elizabeth Phelan from the City of Bristol’s Water Commission. Kevin Rousseau and Mary Ruder of Covanta. Photo (c) Bristol Police Department

New Work ‘N Gear retail store in Bristol Plaza

Laura and Craig Minor helping out at For Goodness Sake Bristol

Josh Medeiros

A Look Inside: Imagine Nation Classroom

Julian Galindez 2016 Youth of the Year

Andrew Howe

Firefly Hollow Brewery 139 Center Street. Bristol, Connecticut

Rt. 6, at Farmington Ave and Stafford Ave. Bristol

Christina Baker Kline

Bristol GOP slate 2017

Photo (c) Historic Buildings of Connecticut

Photo (c) Ron Tessman 2017 Mum Festival Parade

ictured left to right: Connor Feeney Wallace, Trey Frechette, John Duncan, Jake Leone, Lead Advisor Officer George Franek, Ally McMahon, Justin Seamour, Isaiah Bernazal and Matt Faggaini.

Dr. Josh Medeiros City Council Candidate for District One (D)

Special Olympics Connecticut 2017

Bristol Senior Center

Bristol Police

Congressman John B. Larson

Brittany Barney and the Democratic slate for 2017

Bristol Police Department

New Cambridge Apartments

Walter Hushak of Southington

Photo (c) Blue Dragons 2016 Nutmeg State Games Weigh Lifting Competition

Richard Kriscenski

NNMA Domestic Violence Awareness Basketball Tournament 2017

The Wildcat wooden roller coaster at Lake Compounce

Coppermine Village

Bristol Police Department

St. Vincent DePaul Mission of Bristol, Inc.

Diane Waldron

Whit Betts

For Goodness Sake

Political yard sign in front of the former BCO on South Street

Photo (c) Historic Buildings of Connecticut

FOCUS Center for Autism in Canton

Photo (c) Bristol Police Department

Birge Pond Bristol CT.

72 Maple Street Bristol Connecticut

2 Divinity St, Bristol, CT.

Car Show

City Hall plague of current Mayor Ken Cockayne

Students at the Fresh Start School for adolescents affected by Autism sing the National Anthem at the June 21st ceremony held at the Canton Community Baptist Church honoring the first graduating class.

Palma’s Diner 100 Stafford Ave, Bristol, CT 06010 (860) 583-8131 palmasdinerct.com

Special Olympics Of Connecticut

Bristol Connecticut – Welcome to my House YouYube video

Richard Theriault Photo (c) Jayne Marra

NNMA Domestic Violence Awareness Basketball Tournament 2017

Southside School Bristol

99 Main St. Bristol, CT 06010

Bristol American Legion Post 2 Motorcycle Ride Raised Funds For Youth Week

Submitted

New England Carousel Museum

Photo (c) Heat For Heroes

1192 Burlington Avenue.

Fire Fly Brewing 139 Center Street Bristol, Connecticut 06010.

Detectives Robert Osborne, Ryan Kulig and Chief Brian Gould.

Former Marinellis Supper Club

A logo sign outside of the headquarters of ESPN in Bristol, Connecticut on November 21, 2015. Photo by Kristoffer Tripplaar *** Please Use Credit from Credit Field ***

457 Mason Jar 457 N Main St, Bristol, CT 06010

The honorary event co-chairs for the 2017 Bristol Hospital Ball are (from left): Margarita Reyes, MD, and Josephine Torno, MD.

Bristol Police Complex

Photo (c) Connecticut Lifestyles

Photo (c) Historic Buildings of Connecticut

St. Paul Catholic High School

Newly elect Mayor Ellen Zoppo-Sassu Photo (c) Calvin Brown

Cheryl Thibeault, Republican running for City Council in the Third District

99 Main St. Bristol, CT 06010

Walmart Bristol CT. Photo (c) Hive Mind

Jonmeshia White

Ellen Zoppo-Sassu

Student Robotics competition File photo

Jodi Zils Gagne Council member in the 2nd District.

Cortlandt Hull’s great aunt, actress Josephine Hull on the Warner Brothers set of “Arsenic & Old Lace” with Cary Grant, directed by Frank Capra.

Yearbook photo

2016 United Way’s “Day of Caring” at the Bristol Adult Resource Center BARC

Covanta Holdings Corp. owns trash-to-energy plant in Bristol

Fresh Worx

Photo (c) Seacoast Kids Calendar

The rear view of Bristol Hospital’s proposed ambulatory center on the corner of Riverside Ave. Ext. and Main Street.

Postcard displaying Main Street before redevelopment.

Mayor Ellen Zoppo-Sassu

Brian’s Angels

Chippanee Country Club

Doubletree Hotel Bristol CT.

Photos via ESPN Images

State Senator Henri Martin (R-31) and Representative William A. Petit, Jr. (R-22)

Pictured from left to right: Detective Michael Brasche, Explorers Kaitlyn Spann, Connor Fenney-Wallace and Officer Craig O’Connor.

Frankie’s of Bristol

Photo (c) Ron Tessman

New Firehouse Subs at Pier One Imports Plaza across the street from Bristol Plaza on Rt. 6.

he Church of the Eternal Light on Chippens Hill. Photo (c) Raymond Shaw

Barnes Nature Center

St. Philip House

Photo (c) Bristol Historical Society

Paul and Bond from Negative-G.com head to lake Compounce in Bristol Conneticut to experience the Boulder Dash Mountain Coaster. Photo (c) Paul B. Drabek

Bristol Roundup podcasting

61 East Main street Forestville CT. Photo (c)

United Way of West Central Connecticut

Federal Hill Green Bristol Connecticut

Danielle Benoit

Bristol CT. viral fight at Rockwell Park. Photo (c) New York Times

Courtesy photo submitted

Stakeholders gather to celebrate the installation of the emergency generator at the City of Bristol Pound. From L-R seated: Friends officers President Trish Ulin, Vice President Lindsey Rivers and Secretary Ellen Zoppo-Sassu. From L-R standing: Animal Control Officer Ray Zagorski, City of Bristol Facilities Director Dave Oakes, Animal Control Officer Brian Skinner, Alec Dill, O.J. Mann Electric Services, Bill Thomas, The Home Depot Store Manager in Bristol, Bryan Austin, City of Bristol custodial staff, and City Councilman David Preleski who serves on the Building Committee, along with Council members Dave Mills and Jodi Zils-Gagne who were unable to attend.

Former school on Chippens Hill

Kay Jewelers Rt. 6 Bristol CT.

New York Deli 257 Main St, Bristol, CT 06010

Photo (c) City of Bristol

David Preleski incumbent City Councilor for the Second District

2016 Award Recipients

Photos (c) Jordaan DiYulio & Cat Boyce

Mike Uchalid

Mark Halliday, Assisted Living Services/Assisted Living Technologies Community Liaison; veterans Bob Boucher and Roberto Gagliardi of Wallingford; Attorney Henry Weatherby, and veteran Bob Fortino of North Branford, at the Veteran’s Coffee House monthly gathering on August 29th at the Wallingford Senior Center.

Shown with the winning entry is (from left): Dr Sai Varanasi; Kathy Albano; Jayne Baczewski and Al Lamptey.

United Way of West Central CT

Bristol Soccer Club

Former New Departure Plant

Maria Brandriff

Todd Therrien

Mayor Cockayne

Photo (c) NPR

Simsbury Chamber of Commerce

Bristol Police Explorer Post 111, Chief Brian Gould and Mayor Ellen Zoppo- Sassu.

Photo (c) Bristol Police

Barnes Nature Center

Potential new leased City hall at 10 Main Street.

Bristol Police Department

Bristol Stomp bandstand early days

Professional Young Visionaries of Tomorrow

Miya Spinella (Left) Chelsea O’Donnell (right) Submitted photo

Mike Beattie

Photo (c) Carpenter Companies

Rep. Ben Ray Luján

Senator Henri Martin (R-31) touring South Park Inn

Shown from left to right are: President and CEO Kurt A. Barwis, FACHE; Professional Development Coordinators Valerie Varanelli, BSN, RN, and Kristin Waterman, MSN, RN; Nancy LaMonica, MSN, MHA, RN, PCCN, NEA-BC, director of clinical excellence, professional practice and Magnet; and Chris Ann Meaney, DNP, MHA, RN-BC, NE-BC, vice president of patient care services and chief nursing officer.

Bristol Fire Department

Pet Valu 594 Farmington Ave, Bristol, CT 06010

F. N. Manross Memorial Library

File photo

Walgreens isn’t saying which stores will close. Walgreens has 58 stores in Connecticut and Rite-Aid has 77 stores in state.

2015 Award Recipients

Pam Patterson Director of Marketing, For Goodness Sake, Inc.

Family Sunday Create-a-Cutout

New Cumberland Farms on Rt. 72 at Pine Street and Emmett Street Bristol

Bristol Police Department

Former Bristol Centre Mall site

New Town homes being built on Burlington Avenue

Photo (c) Bristol Police

465 North Main Street

Connecticut House Republicans

Pink’s Hot Dog located in Lake Compounce

St.Stanislaus Church in Bristol

Photo (c) FOCUS Center for Autism

Brian’s Angels Homeless Outreach

Morris “Rippy” Patton

Photo (c) NARAL Pro-Choice Connecticut PAC

Mark Thomas, Marketing and Public Relations Specialist

Ron Goralski

Heroin, Oxycodone and firearms found with

Forestville Center

Carousel Art Contest for Children

As the year draws to a close and the news cycle continues to reset every day, let's pause and look at some of images of Bristol from 2017. As the year draws to a close and the news cycle continues to reset every day, let's pause and look at some of images of Bristol from 2017.

#Bristol Roundup

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