#Spinner Rack
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1/12 Scale Spinner Rack Created With Balsa Wood, Coffee Stirrer Sticks, Paper, Lotion Cap, And Wire
Via mk ultra
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My wife found a cheap used magazine spinner rack, and we made and printed off some topper signs for a DIY comic display! This house is gradually morphing into a private comic shop.
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#dc#comics#superman#waldenbooks#1986#i used to buy comics off the spinner rack at waldenbooks all the time#fyi crisis on captive earth never came out#the story planned sounds like infinity gauntlet meets civil war tbh
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so hey remember that shawl I was designing
#I’m gonna have to dye yarn for that#🫠🫠🫠#it should be fine bc like…. it’s my project and so there’s no deadline#and so I can just set the yarn out to air dry#and if it’s dry I’d imagine that would make the rewinding process a lot easier/more tolerable#anyway#im thinking about making one of those spinner things out of like cardboard and fire roasting sticks#bc the blocking racks I’ve repurposed for that just don’t work lmao#they worked for what I needed#but not without its issues
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8 Benefits of Using a Spinner Rack Display in Your Retail Space
In the bustling world of retail, where maximizing every square inch of space is crucial, a spinner rack display offers a versatile and efficient way to showcase a diverse range of merchandise. Their dynamic design allows for 360-degree visibility, making it easy for customers to browse through products and discover new items effortlessly. Whether used for magazines, snacks, or small merchandise, these displays not only save space but also create an engaging visual experience for shoppers. By familiarizing yourself with the benefits outlined in this infographic, you can unlock the full potential of spinner rack displays in your retail space. To know more, read this infographic: https://marvolus.com/spinner-rack-display-retail-space/.
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Halloween • A Ranged Special
A woman dies of mysterious circumstances and you and your partner are called to a tiny Midwest town on Halloween.
Pairing: special agent!Steve Harrington x special agent!Reader
Wordcount: 3759
Warnings: This is a special based on this fic.*This blurb contains canon typical violence, including violence toward both main characters, mentions of suicide, all characters in peril, jump scares, zombies, etc. Please read at your own discretion.
This blog is 18+ only. I do not give permission for any of my fics to be duplicated, reposted, or put into AI. Thank you!
Navigation • Masterlist
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Moodboard • Episode 00: Prologue
A paper Dracula hung in the doorway, spinning on fishing line that was paper clipped into ceiling tiles. Crepe streamers dangled from its cape.
A friendly little bell chimed your entrance, and although you’d managed to duck beneath the streamers, Steve walked directly into it like a moonlit spider’s web, and with a grunt, he batted it from the ceiling and into the ficus pot nearby.
“Steve,” you scolded, trying to muffle your laughter between your molars at the look of disdain etched in his brow.
“I hate Halloween,” he punched the vampire’s face into the soil for good measure before following you through the vestibule and to the open lobby of the little 24-hour diner.
Cakes and pies with glistening tops rotated in a spinner to the left of the till. Bats and ghosts were hung from a coat rack and more ceiling tiles.
You waited near a hostess stand for a young woman to arrive, watching with baited breath as she gave your partner the ole up-down and lash-bat before ushering you off to your table.
He ordered two coffees and handed you an oversized vinyl menu, flicking a bat-shaped sequin from the tabletop.
“You’re such a Scrooge.” You chided, peering over stock-images of pancake stacks and sausage links.
“That’s Christmas and bah-humbug,” he crossed his arms over his chest and leaned back in his chair.
You glanced at him over your menu, hair perfectly coifed, bruise from last week’s scuffle yellowing at his jaw. “You not eating?”
He shrugged and glanced around the room.
You followed his gaze to a couple of truck drivers hunched over cups of coffee. Three old men shared a table in the back corner, laughing heartily with food in their beards. A mother was cutting up her pancakes for a little girl in face paint and cat ears. Your shoulders relaxed when Steve’s did. Safe.
The waitress returned with two steaming cups of coffee, staring directly into Steve’s eyes as she took your order, dark curls flowing from a hair tie at the back of her neck. “Are you really a secret agent, or is this a costume?”
Steve leaned forward in his chair, reaching into the inner pocket of his trench coat. “Wanna see my badge?”
You slid the menu between their line of sight, and Steve cocked a brow your direction, the slightest smirk playing at the corner of his mouth.
“The sheriff is supposed to be here any minute,” you informed him when she walked away, peeling the lid from a creamer container to stir into your cup. Anything to distract from the heat in your face and neck.
“Henderson says hi, by the way,” Steve said, coffee mug in both hands, pink lips bowing to blow the steam from the surface.
“Huh?” You began to shuffle off your trench coat.
“Dustin Henderson, the friend of mine you met a few months ago. I was with him when Owens called about this case. He wanted me to tell you hi.” Steve explained, taking soft sips of his coffee.
You smiled, remembering the young man with the curly hair and delightful penchant for spy-craft. “Tell him ‘hi’ back.”
“Boo!” A man appeared from around the corner, nearly startled the coffee from Steve’s mouth. You recognized the Sheriff’s uniform, but did find yourself a little unnerved by the hyper-realistic zombie makeup and gashes the man had tacky glued to his face. “Or should I say ‘braaaaains’?”
Steve’s hand went to the handle of his weapon under his jacket, and you pushed your chair back to stand and greet you brunch guest.
“You must be Sheriff Bouchart,” you introduced yourself and Steve with an extended hand.
“Oh please, call me Tim,” he cackled and ushered you back to your seat while he pulled up a chair from a nearby table and sat in it the wrong-way-around. “I just love Halloween. Don’t you just love Halloween?”
You bit back a smile as you watched Steve squirm in his seat and hummed your agreement. You’d helped Sadie decorate their front porch the night before, fresh carved jack-o-lanterns and corn stalks. Jeff was going to dress as a scarecrow and sit limply on a bench with a bowl of candy in his lap, waiting to scare passersby. You ached a little at the thought.
“So, what can I do you for, Agents?”
You looked from the Sheriff to Steve and back. “We’re here about the… murder.”
“Murder?” The Sheriff frowned.
You nodded and pulled a small notebook from your jacket pocket. “Cheryl Leahy?”
Tim shook his head, the bright smile falling from his bloodied face. “Oh that, tragic thing, really, but coroner agrees it was a suicide.”
“She made an emergency phone call about a monster with rows and rows of teeth,” Steve said, arms crossed and brow furrowed.
“She did,” Tim nodded.
“And you found her with several puncture wounds the size of small bite marks?” You tried to confirm.
Tim nodded. “So we thought, but upon further selection, we noticed it was glass. Poor woman threw herself out the front window of her home.”
Steve shot you a perturbed look, fingernails tapping the ceramic mug in front of him.
“Any sign of a break-in? Maybe she could have been pushed?” You asked.
“Nope. Doors were unlocked, but this is the Midwest, no one locks their doors. They weren’t any signs of a struggle either, other than the broken window,” Tim clarified, thanking the waitress with a hand on her arm as she dropped off another cup of coffee and your pancake stack. Then he reached across the table to pull out four sugar packets and unload them into his drink.
Steve looked like he might be sick.
“Listen, kids,” Tim picked up the spoon from your napkin and began to stir his drink. “Cheryl Leahy, God rest her soul, was a troubled woman. She’d gone a bit off the deep end in the last couple of months, and this wasn’t exactly a surprise.”
“What do you mean?” Steve pulled his coffee from the table, as though the sweetener might jump into his own cup.
“I mean, she left her husband, quit her job, became a hermit.”
“Does anyone know why?” You asked, taking a bite of delicious, buttery pancake.
Tim shrugged, leaned in to offer the next bit of information just above a whisper. “Rumor has it she was seeing a woman.”
“Have you looked into this woman?” Steve asked.
Tim shook his head. “We couldn’t find any proof of an affair or even of another woman. You know how the rumor mills work in these small towns. I think the ladies at the credit union just needed something to talk about at the water cooler.” He turned to offer you a wink.
You faked a smile.
Steve’s fist clenched on the tabletop. “Well, we’re going to need access to the crime scene.”
Tim sipped his coffee and smacked his lips, wiping his mouth with the back of his hand. “No can do, buddy. Crime scene’s cleared. New window’s being installed today. Like I said, it’s been ruled as a suicide. Nothing to see there.”
“We understand,” you said, mouthful of sticky sweet pancake to cut Steve off before he said anything rash. You swallowed. “Unfortunately, we have to report something to our boss. I’m sure you understand.”
“Sure, sure,” Tim nodded. “You’re more than welcome to canvas her neighbors. See if maybe they saw something? Other than the poor lady’s body in her driveway.”
—
Mist crawled from the lake’s surface and swirled at your feet. Lamplight cast you both in long silhouettes as you walked, heads disappearing into the fog.
You stifled a yawn with your hand.
“Knew I should’ve stopped you from eating those pancakes,” Steve tutted, kicking dead leaves from the toes of his shoes.
You’d spent the day canvasing. You left Steve at the stoop and walked door-to-door after the first homeowner nearly got decked in the face for wearing a Freddy Krueger mask and holding a candy bucket. Nobody knew anything about Cheryl Leahy, nor had they seen or heard anything unusual the night of her death.
“Why did Owens send us here?” You groaned, pawing at tired eyes. Your shoulders and feet felt heavy, each step a slog.
A blood-curdling scream was better than a cup of coffee.
Steve took off first, the clack of his soles against pavement before he was up a lawn, reaching into his trench coat. You were hot on his tail, heart pumping.
Your partner stopped short, and you nearly barreled into his broad back until you peered around him to see a bunch of kids cackling, pretending to stab one another with a plastic knife. They were dressed as various cartoon characters and carried empty pillow cases and pumpkin-shaped-buckets.
With a snort, you grabbed Steve’s shoulder and led him back down the hill and to the paved path.
“I hate Halloween,” he repeated his sentiment from earlier through gritted teeth.
“Why?” You smiled, kicking at the fog as you stepped.
“Because,” Steve said, that frown burrowing itself between his brows, “there are real monsters in this world they should be afraid of.”
“Have you ever had fun?” You asked behind a yawn, laughing when his eyes snapped to yours. “Even once in your life?”
“I have fun,” he argued.
“Shooting monsters in the face doesn’t count,” you countered.
“Believe me, that is not fun,” he sighed.
You tried not to let the sadness sink in, choosing instead to barrel forward, back around the cul-de-sac where you’d parked your rental. “Alright then, what do you and Dustin do when you hang out?”
“That isn’t fun either,” he rolled his eyes.
“Okay, your… other friends then,” you ventured, hating the way your stomach sank at the thought of him having other company. You thought of Michelle from that party months ago, and wondered if he’d ever reached out.
Sadie hadn’t mentioned anything. She just kept pestering you about whether or not you’d tied him down: figuratively and literally.
Steve’s face fell in a way you hadn’t anticipated but recognized as a shut down of your line of questioning. He shook his head and looked far up the path into the mist. Robin.
You swallowed. You knew better than to push further, but you ached to slip your hand into his and tell him it was okay, that he was safe with you.
You felt his elbow bump into yours. “We should get you something to eat.”
You smiled up at him. “Don’t think I didn’t hear your stomach two houses ago, Harrington.”
You swatted at him to push him away, but he grabbed your wrist and pulled you in tighter, his trench coat and chest all-encompassing as a stampede of children skipped past you both, chanting.
“Trick-or-Treat, smell my feet, give me something good to eat!”
His chest radiated warmth, and when you looked up, his throat and cheeks were pinched pink. You watched his mouth as his chest rose and fall beneath your palm, and his Adam’s apple bobbed in a swallow.
You felt his stomach growl before you heard it, and you bit back a smile as you patted his middle. “Let’s get you something good to eat.”
—
The same Dracula was restrung in the doorway, and the hostess’s sign had been flipped to have you seat yourself at the same table as that morning. Vinyl menus now displayed mashed potatoes and chicken club sandwiches. A car drove by, casting Steve in the headlights for a moment across the table, engrossed in his dinner selections.
You tried not to think of Sadie’s pesterings, or wonder what Steve would look like all face-painted up like a scarecrow, hair stuffed into a straw hat.
The same waitress from earlier approached with a tongue pressed to her top row of teeth. “You’re back.”
Steve flashed you a daring smile and leaned back in his seat. “You didn’t get Halloween off?”
“Jehovah’s Witness,” she explained, tapping her pen cap to the pad in her hand. “I’m off at midnight, though.”
“I’ll have a cheeseburger,” you cleared your throat, folding your menu over Steve’s. “Fries and a coke.”
“That sounds great. I’ll have the same,” Steve flashed her a thousand-watt smile, handing over the menus.
You hated the green monster that clawed at your insides.
“So what brings you to town, G-man?” The woman asked, idling with a nylon-covered knee a little too close to Steve’s.
“Did you ever spend anytime with Cheryl Leahy? Serve her here, maybe?” You asked, leaning across the table to catch her gaze.
Recognition flashed across the woman’s face, and she pursed her lips. “You mean the crazy lesbian lady from the credit union? Thought she killed herself.”
“She did,” Steve shot you a look. “Her family just wanted us to tick all the boxes.”
“Right,” the girl nodded slowly, glancing between the two of you before the smile slid back onto her lips. She tapped her pen cap twice to Steve’s knee and promised to be right back.
“They wouldn’t send us on a false lead, would they?” You asked when the waitress’s hips swung out of earshot.
Steve’s eyes widened, and he glanced around the empty diner before leaning into you. “Say that again.”
You swallowed, the ominous feeling you felt around house six settling back between your shoulders. “Well, it did sound like our thing, but it’s looking like maybe it’s not our thing, and I’m just wondering if this is,” you lowered your voice, “some sort of distraction.”
“Distraction from what?”
You shrugged, played with the sticky wrapper holding your silverware inside your napkin. “Les Joplin, George Humbolt, the Garcias.”
When you looked up, Steve’s face was inches from yours, eyes carefully watching every change in your expression. You hoped you could convey your worry, that you’d been thinking about this for the last few months, through every small town and every patch of rotting Earth.
“Two cokes,” your waitress interrupted, placing sticky sweet soda between you. The bubbles fizzed against their straw.
You thanked her and ignored the ripple of butterflies at the smile Steve gave her.
“The last three people we saved are still alive,” he said through his teeth, glancing back up at the waitress as she sauntered away.
You swallowed and nodded, stirring your drink before taking a sip. The bubbles tickled at your nostrils and it went down ice-cold.
“Think they’re onto us being onto them?”
You shrugged. “Could be.”
“Do you think I put Henderson in danger?”
You watched the panic fill his eyes. “Steve.”
The bell chimed and a gust of wind rolled in, sweeping leaves into the lobby. Pies and cakes continued to spin in your periphery.
Your shoulders felt heavy with burden, with the weight of the world, and your eyelids too. You reached a hand across to Steve, and he spoke your name like sound waves through a soupy atmosphere.
“Who sent you?” The waitress appeared, large bottle in her hand, although even she was sideways, off-kilter. “Was it Brenner?”
You fell from your seat, heavier than gravity would allow, and you watched as the bats and Draculas began to spin, crepe paper circles blurring your vision until everything went black.
—
Your brain felt fuzzy inside your skull, your mouth was bone dry, and the light was too bright behind your eyelids. You scrambled to remember your whereabouts, squinting against the harsh glow, and as you slipped back into consciousness, you became painfully aware of the rope around your wrists and ankles.
You strained against them and pulled yourself from laying to seated to find yourself in the auditorium of an old theater. Paint peeled from decorative lighting around the expanse and down from this balcony to the lower level.
On the stage, a huge white projector screen showed the mist of a classic monster movie.
You called out for Steve, but your mouth had been tied too, cloth between your teeth in a gag.
You tugged on your restraints for just a moment of more panic before remembering your training. Deep breaths in and out.
You observed your surroundings, looked for exits, on either side of the floor level, and then one across the mezzanine from where you sat. You laid back down to peer under the seats for any sign of your partner.
A few chairs creaked near the exit, almost imperceptible, and you froze, closing your eyes, stilling your breathing like you might pass for being asleep. Then footsteps, the clack of soles against the steps.
You risked a peak to find Steve, who crouched across the aisle from you, finger to his lips.
You nodded and waited with bated breath until a familiar voice startled you. “Oh good. You’re awake. You think now you’re willing to talk?”
You stared at Steve, and he maintained his posture, reassuring you he had it covered if you just played along.
You looked back up at the waitress and nodded fervently.
The waitress barked a cold laugh and approached from the row behind Steve, uniform discarded for something less conspicuous. Her long curls had been released and now fell at her shoulders. “Or maybe I ought to play with you a little bit more.”
She snapped her fingers and Steve stood from his crouch.
You cursed under your breath. Of course she was enhanced.
Feeling the ground around you for a loose screw, you used your thumbnail to loosen it from its hold to use to begin to cut the ropes at your wrist.
Steve wrapped his arms around her waist and pulled her in close, bending to press his lips against hers. She moaned, tangling her fingers in his thick hair.
You tried your damndest to focus on the screw until they began to move, slowly backing him to the balcony’s edge.
You cried out for him, but it was too late.
With one powerful shove, you watched your partner plummet to the auditorium floor. Scrambling to your knees to peer over the side, you saw his mangled remains, blood seeping down the incline toward the orchestra pit.
You screamed and ripped your wrists from their restraints.
Standing, you managed to swing your arms at her with the intention to push her over the side with him. Only, she wasn’t there, not really. You wafted through the air until you lost your balance, and you felt gravity cascading you up and over to meet your partner’s fate.
With a sharp tug, your arm was ripped from it’s socket.
“I’ve got you,” Steve said, gripping your wrist, teeth grit.
You glanced to the floor to find it empty, nothing but air beneath your dangling feet.
On the giant screen behind you, a monster’s silhouette was framed in shadow, tens of feet high.
“Give me your hand,” Steve yelled.
With a cry of agony, you swung your other hand to grasp his and allow him to hoist you upward.
Safely back on the mezzanine, Steve made to quickly untie your bonds, large hand replacing the gag on your cheek. “Are you alright?”
His voice was hoarse, blood caked the side of his temple.
You swallowed, nodded. “Are you?”
He shrugged and looked around for any sign of her. “I think she’s enhanced.”
“She can make you see things,” you confirmed.
“Great,” he sighed, hand brushing your hair from your cheek, warm and comforting. You knew she couldn’t manufacture this, not the care or the devotion. “Can you walk?”
“My legs are fine,” you stated, gritting your teeth through the sting in your shoulder.
Steve shook his head. “I’ll put it back in the car. Stay close to me.” He grabbed your hand to assist you in standing, and didn’t release it as you made your way up the balcony aisle and through the exit doors.
—
Flashes illuminating the mist and trees surrounding the little theater. Blood that spilled from her wounds. She coughed and sputtered, face covered in shards of glass.
Tim Bouchart handed you the handcuffs from his belt, and you clipped them around her wrists to restrain her to the gurney, flesh and blood and bone.
“You sure you’re okay there, Agent?” Tim asked, face quite mundane without the zombie makeup.
“I’m fine,” you breathed through the ache. The emergency response team insisted on a hospital visit, but you’d rather not spend your Halloween night watching droves of other people in skeleton costumes puke up their dinner.
Steve finished giving the ambulance drivers their specific directions and shook Tim’s hand. “Sheriff, thank you for all your help. We’ll be in touch.”
“I’m sure you will,” Tim managed an exhausted smile before stumbling back into his cruiser. “Happy Halloween.”
You stifled a yawn behind your hand.
Steve scoffed beside you, cut on his head covered with a butterfly bandage.
You nodded. “I think I hate Halloween.”
—
“Yes, sir. Thank you, sir.”
“Dismissed,” Owens smiled, blue eyes sparkling. He clapped his hands together and held his office door open for you and Steve to exit.
In silence, you exited through his receptionist’s office and into the hallway, glancing both directions before making your way into the elevator. Steve whistled as he pressed the button for the lobby.
“Have any fun weekend plans?” He asked, ceasing his whistle.
You frowned back at him, small-talk so not his forte. “Going to Sadie’s to help with Thanksgiving plans,” you said. “You’re invited, by the way.”
He bristled at that, didn’t respond.
The elevator dinged, doors sliding open to reveal a large group of people waiting. The two of you shuffled around them and to the revolving glass door.
Crisp autumn air hit your face, and you sighed, watching leaves tumble down the sidewalk.
“So listen,” Steve stopped you with a hand to your forearm. “Henderson’s coming over tonight to watch movies. He wanted me to invite you.”
You pushed down anything that kicked in your stomach, tilted your face to catch the sunlight just over his head. “Do you want me there?”
He pursed his lips to avoid the smirk toying at the corner of them. “Not really. I know it’ll just be the two of you talking over the whole thing.”
You hummed. “Is that what you like to do for fun? Watch movies?”
He eyed you for a moment longer, weighing whether or not to tell you the truth, before he nodded.
This time it was you disguising your smirk. “What movies are you watching tonight?”
“Halloween,” he said. This time, his lips split into a knee-weakening grin.
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[A/N: In my mind, this entire chapter is in B&W. Like my two favorite episodes of Supernatural and X-Files. I missed you guys. Happy Halloween! xoxo]
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Esteban Murato
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2:48pm - satoru gojo
contents: fluff, established relationship, fem!reader, teen!gojo or adult!gojo u can imagine whichever, found family trope, megumi & tsumiki are some vv young lads here (they’re like 8 & 9 years old), this is a kinda unserious ngl
a/n: the found family trope will always hold a special place in my heart
“what the hell are you doing?!”
the sight in front of you was absolutely distasteful, nothing could’ve prepared you for the horrors that displayed in the comfort of your own home. not even a trip to the ninth circle of hell could mentally equip you with strength to deal with this troublesome…mess.
satoru’s elongated body currently rests in a downward dog postion as his hands are occupied with his left being on a red circle and the right on a blue circle.
you would think the children that you left in his care would be participating in the child’s game of twister, but that was far from the truth as satoru’s hostages —megumi and tsumiki— sat criss-crossed off the game mat as they shared the same puzzled look with you.
“oh hey baby! we missed you- megs gimme a hand here and spin the wheel for me.” your mouth comically drops so fast you’d think you were in an episode of a cartoon.
with a deep scowl present on his face, the young megumi reluctantly shifts closer to the spinner giving it a weak twirl that eventually lands on ‘right foot, green.’ miraculously, satoru is able to cross his foot over on a green circle in a way that shouldn’t be considered humanly possible.
your boyfriend is gonna break a bone or two if you don’t stop this tomfoolery.
you crouch down to be face to face with him. “you do realize you’re supposed to be looking after the kids while i was gone…not traumatizing them, right?” he raises his head to look at you, “traumatizing them? nonsense! a good game of twister always builds character.”
“a good game of them watching you play alone will build character for them how exactly?”
“well obviously i couldn’t let them play. i wouldn’t want to risk toppling them over and letting them lose in a game that requires skill.”
with that, tsumiki and megumi gets up from their spots on the floor and make their way to the entryway to pick up the snacks you dropped in disarray upon arrival. “but you lost to both me and megumi before…i don’t know why he’s lying.”
ego bruised, he dramatically collapses on the twister mat, “you weren’t suppose to tell her that!” a genuine belly laugh escapes from your mouth, heading towards the couch to high-five the kids who just finished putting away the groceries and had two family sized potato chip bags in their laps.
“good job guys! next time record it on his phone for me.” they both nodded with enthusiasm.
satoru dramatically whines while planting his face in the palm of his hands while striding over to your dvd rack to choose a movie for the night. “cut me some slack, did you really expect me ruin the game for the kids?”
you quizzically contemplate your answer with a finger on your chin and satoru could practically see the sfx question mark above your head. “oh come onnnn!”
you then walk over to the now sulking white haired boy to delicately place both of your hands on his smooth face earning a groan from megumi combined with fake gagging sounds from tsumiki.
“if it makes you feel any better i think they secretly enjoy your antics. tsumiki told me about the tea party you guys had; with tiaras and everything yeah?” he slowly nodded unsure of what you’re trying to get at.
“and you bought megumi that nintendo ds he was subtly hinting for…my point is that they appreciate you so much even if they act like they don’t; i appreciate you.”
satoru’s whole demeanour does a turnaround. smiling gleefully at you as his dimples showcase in all of it’s glory. “i mean, yeah, they don’t wanna admit it to your face in case it’ll hurt your feelings…” his hand inches towards to your neck lightly ghosting above your velvety skin whilst slowly leaning in as his eyes flicker to your lips. “…but i think i’m their favourite parent.”
before his soft lips could capture yours two potato chips come flying in your direction as a sour expression sits upon tsumiki and megumi’s face. “ewww guys! remember we still need to pick something to watch.”
megumi huffs, “and can we not watch ice age for the millionth time i don’t care how much gojo likes that movie.”
reblogs & feedback is appreciated!! <3
#gojo satoru#gojo x reader#gojo x y/n#jjk gojo#jujutsu kiasen#jjk scenarios#jujustsu kaisen fluff#satoru smut#jujustsu kaisen x reader#jjk#satoru x y/n#satoru x you#satoru x reader#gojo x you#gojo fluff#gojo smut#geto fluff#geto smut#x reader#jjk fluff#jjk smut#jjk satoru#megumi x you#jujutsu geto#jujutsu kaisen#megumi fluff#megumi fushiguro#gojou satoru x reader#gojo#gojo x yn
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not to be old but you used to be able to play a game when you got home from the store. sometimes you could even play it on the way home if you were shopping at the spinner rack full of discounted gameboy cartridges and also 9. now i have to spend 60 dollars AND wait 2 hours????? we need to invent time travel Now. someone has to fix this
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Hello, first i would like to say that i love your art, and second, what font do you use in your comics?
thank you! 💚💚💚
for the last two years-ish I've been using Spinner Rack Pro, which was my holiday present to myself. :') before that I used the similar-looking but free for comics use Back Issues! both are from Blambot, which is a great resource for free comic fonts in general, if you're looking for more!
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"You loved me then what right had you to leave me?" - the parallels between Jaime/Cersei and Wuthering Heights
"There's a dialogue that goes on through the years and over the centuries where you read someone else's work and you're inspired by it, sometimes infuriated by it, and you say 'No, that's not quite right, here's the way it would be' and then you write your own twist on it, your own answer to it! There is this conscious playing with tropes, replying to other authors and making a reference or an homage in some cases… but there's also unconsciousness. Those are are rife, sometimes you read a book and you haven't looked at it for twenty years, but it's still there buried inside and suddenly someone points out 'this seems just like this' and you go 'Oh my god! It's right, I forgot about that!'. So it works both ways." - George R.R. Martin, Trinity College Dublin
“The first books I read besides comic books were cheap paperbacks which cost 35 cents back then. There were no bookstores in Bayonne so I got my paperbacks from a spinner rack and all the books in that were mixed up. There were science fiction books and fantasy books, which I liked, but there were also mystery novels, romance novels, nurse novels, gothics, spy novels and, of course, there were classics of literature mixed in with that: Shakespeare, Dostoiévski, the Brontë sisters, Jane Austen, etc.” – George R.R. Martin, Gamer’s Haven Podcast
As pointed out above, George has (whether conscious or unconsciously) taken inspiration from other works to create his own characters, and with this post I’d like to explain as to why I believe A Song Of Ice And Fire specifically plays with Heathcliff and Catherine’s relationship from Emily Brontë’s Wuthering Heights through Jaime and Cersei’s dynamic.
To briefly explain it to those who have not read it, Wuthering Heights is essentially the story of Heathcliff’s revenge on the Earnshaws and the Lintons for the discrimination suffered at their hands and their involvement in his estrangement from his friend and lover Catherine Earnshaw (aka Cathy) and, at it’s core, it is a novel about intergenerational abuse and family dysfunction.
Shaped by these circumstances, we have at the forefront of the book the toxic romance between the foster siblings Heathcliff and Catherine who, like Jaime and Cersei, develop a very intimate bond early on in their childhood:
She was much too fond of Heathcliff. The greatest punishment we could invent for her was to keep her separate from him. – Nelly, Chapter V He could never bear to be long apart from his twin. – Jaime, ASOS
‘I was a child; my father was just buried, and my misery arose from the separation that Hindley had ordered between me and Heathcliff. I was laid alone, for the first time; and, rousing from a dismal doze after a night of weeping, I lifted my hand to push the panels aside: it struck the tabletop!’ – Catherine, Chapter XII Though Cersei often slept alone, she had never liked it. Her oldest memories were of sharing a bed with Jaime, when they had still been so young that no one could tell the two of them apart. Later, after they were separated, she'd had a string of bedmaids and companions, most of them girls of an age with her, the daughters of her father's household knights and bannermen. – Cersei, AFFC
We made ourselves as snug as our means allowed in the arch of the dresser. I had just fastened our pinafores together, and hung them up for a curtain, when in comes Joseph, on an errand from the stables. He tears down my handiwork, boxes my ears, and croaks. – Catherine, Chapter III "Sometimes as a lark we would dress in each other's clothes and spend a whole day each as the other." – Cersei, ACOK
I took my dingy volume by the scroop, and hurled it into the dogkennel, vowing I hated a good book. Heathcliff kicked his to the same place. – Catherine, Chapter III The dank and dismal fortnight Cersei spent at Greenstone, the seat of House Estermont, was the longest of her young life. Jaime dubbed the castle "Greenshit" at first sight, and soon had Cersei doing it too. – Cersei, AFFC
Miss Cathy had been sick, and that made her still; she leant against her father’s knee, and Heathcliff was lying on the floor with his head in her lap. – Nelly, Chapter V "Care for a bath, Brienne?" He laughed. "You're a maiden and there's the pool. I'll wash your back." He used to scrub Cersei's back, when they were children together at Casterly Rock. – Jaime, ASOS
Additionally, in both cases, the female characters have, from early on, a clear influence over their male counterparts:
His peevish reproofs wakened in her a naughty delight to provoke him: she was never so happy as when we were all scolding her at once, and she defying us with her bold, saucy look, and her ready words; turning Joseph’s religious curses into ridicule, baiting me, and doing just what her father hated most showing how her pretended insolence, which he thought real, had more power over Heathcliff than his kindness: how the boy would do her bidding in anything, and his only when it suited his own inclination. – Nelly, Chapter V “Father will never consent,” Jaime objected. […] “Is it a rock you want? Or me?” He remembered that night as if it were yesterday. […] By morning Casterly Rock seemed a small price to pay to be near her always. He gave his consent, and Cersei promised to do the rest. – Jaime, ASOS
‘He’s considering he’d rather I’d come to him! Find a way, then! not through that kirkyard. You are slow! Be content, you always followed me!’ – Catherine, Chapter XII She rose, her eyes brimming with tears. “Is it truly you?” She did not come to him, however. She has never come to me, he thought. She has always waited, letting me come to her. – Jaime, ASOS
And there’s an element of adoration as well. In Wuthering Heights, at the end of Heathcliff’s life, Nelly refers to Catherine as his “departed idol” and Heathcliff describes Cathy as “so immeasurably superior to everybody on earth”. On the other hand, in A Song Of Ice And Fire, Jaime puts Cersei on a pedestal as the figure of “The Maiden” and describes Cersei’s flame in his weirwood dream as “the only light in the world”. Furthermore, the two claim to have suffered through hardships solely for the sake of these women and that their love is the ultimate factor that drives them:
‘I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!’ – Heathcliff, Chapter X When morning came, he made himself eat. They fed him a mush of oats, horse food, but he forced down every spoon. He ate again at evenfall, and the next day. Live, he told himself harshly, live for Cersei. – Jaime, ASOS
‘Be with me always - take any form - drive me mad! Only do not leave me in this abyss, where I cannot find you!’ – Heathcliff, Chapter XVI Beside Lord Tywin stood his sister, pale and beautiful, a torch burning in her hand. Her torch was the only light in the cavern. She turned to go. “Stay with me,” Jaime pleaded. “Don't leave me here alone. Don't leave me in the dark!” – Jaime, ASOS
However, the most striking similarities arise from the way that Catherine and Cersei perceive their relationships with Heathcliff and Jaime respectively. Catherine, though far from being the worst person out of the cast of characters present in the novel (certainly Hindley and Joseph and even Heathcliff himself are more morally reprehensible), is the one that possesses the most traits stereotypically ascribed to narcissism: she’s very duplicitous and self-absorbed, she has a completely delusional opinion of herself and consistently projects her own flaws onto others, she’s often contemptuous of the weaknesses of those around her, she has a very explosive temper and reacts with aggression when crossed, she flips situations on their head to make herself look like the victim and she certainly sees her relationships as transactional, including her relationship with Heathcliff:
‘And should I always be sitting with you? What good do I get? What do you talk about? You might be dumb, or a baby, for anything you say to amuse me, or for anything you do, either!’ – Catherine, Chapter VIII
It is also frequently mentioned that Catherine enjoys being in control and does not take well to being contradicted:
It was nothing less than murder in her eyes for anyone to presume to stand up and contradict her. – Nelly, Chapter IX Cersei is as gentle as King Maegor, as selfless as Aegon the Unworthy, as wise as Mad Aerys. She never forgets a slight, real or imagined. She takes caution for cowardice and dissent for defiance. – Tyrion, ADWD
I observed that Mr. Edgar had a deep-rooted fear of ruffling her humour. He concealed it from her; but if ever he heard me answer sharply, or saw any other servant grow cloudy at some imperious order of hers, he would show his trouble by a frown of displeasure that never darkened on his own account. He many a time spoke sternly to me about my pertness; and averred that the stab of a knife could not inflict a worse pang than he suffered at seeing his lady vexed. Not to grieve a kind master, I learned to be less touchy; and, for the space of half a year, the gunpowder lay as harmless as sand, because no fire came near to explode it. – Nelly, Chapter X His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cersei was all wildfire, especially when thwarted. – Jaime, AFFC
And this leads to a point of contention when Heathcliff returns a changed man from his time away:
‘Don’t vex me. Why have you disregarded my request?’ – Catherine, Chapter XI Why does he insist on vexing me? – Cersei, AFFC
‘Oh, you see, Nelly, he would not relent a moment to keep me out of the grave. That is how I’m loved!’ – Catherine, Chapter XV “You swore that you would always love me. It is not loving to make me beg.” – Cersei, AFFC
All of this, combined with the particular way in which Catherine describes her feelings for Heathcliff, led critics of the book to accuse Catherine of perceiving and thus loving Heathcliff as an extension of herself. And, surely, most of these things she privately confesses to Nelly could have easily come out of Cersei’s mouth, who has been confirmed by the author to being written as highly narcissistic.
In chapter IX, Catherine says that her love for Heathcliff is a necessity and throughout the series Cersei’s sentiments for Jaime are frequently displayed through that same lens:
The wench had the right of it. He could not die. Cersei was waiting for him. She would have need of him. – Jaime, ASOS They rode hard the next day, at Jaime's insistence. His son was dead, and his sister needed him. – Jaime, ASOS “Jaime, you're my shining knight. You cannot abandon me when I need you most!” – Cersei, ASOS “I need you with me. In me. Please, Jaime. Please.” – Cersei, AFFC “Why would Cersei need the Warrior? She has me.” – Jaime, AFFC She licked her lips, shivering. “Come at once. Help me. Save me. I need you now as I have never needed you before. I love you. I love you. I love you. Come at once.” – Cersei, AFFC Jaime, I need Jaime. – Cersei, ADWD
Of course, in Cersei’s case, she “needs” Jaime because he is, in her mind, the brawn to her brain (“He was meant to be my sword and shield, my strong right arm.”), her protector, her agency in a patriarchal society… but she also needs him because she does not feel like a self-realized autonomous human being without him as she believes her own personhood has been split into two entities. And the same goes for Catherine:
‘I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here?’ – Catherine, Chapter IX “Jaime and I are more than brother and sister. We are one person in two bodies.” – Cersei, AGOT
‘Supposing at twelve years old I had been wrenched from the Heights, and every early association, and my all in all, as Heathcliff was at that time, and been converted at a stroke into Mrs. Linton, the lady of Thrushcross Grange, and the wife of a stranger: an exile, and outcast, thenceforth, from what had been my world. You may fancy a glimpse of the abyss where I grovelled!’ – Catherine, Chapter XII “I was lost without you, Jaime. I was afraid the Starks would send me your head. I could not have borne that. I am not whole without you.” – Cersei, ASOS
In fact, both women go as far as claiming their partners’ identities as their own:
‘Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.’ – Catherine, Chapter IX “You are me, I am you.” – Cersei, AFFC ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am.’ – Catherine, Chapter IX
And from this idea of a shared existence and a lack of purpose when apart comes the desire for union in death and the mythologizing of these relationships:
‘If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.’ – Catherine, Chapter IX “If he were dead, I would know it. We came into this world together, Uncle. He would not go without me.” – Cersei, ADWD ‘She’s dead! I’ve not waited for you to learn that’. – Heathcliff, Chapter XVI
‘We’ve braved its ghosts often together, and dared each other to stand among the graves and ask them to come. But, Heathcliff, if I dare you now, will you venture? If you do, I’ll keep you. I’ll not lie there by myself: they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!’ – Catherine, Chapter XII I cannot die while Cersei lives, he told himself. We will die together as we were born together. – Jaime, ASOS ‘I wish they may shovel in the earth over us both!’ – Heathcliff, Chapter XXIX
What’s interesting about Wuthering Heights, though, is that, other than codependency, there is an inherent selfishness and possessiveness to this. In chapter XV, when Catherine is effectively dying, it is clear that she does not want Heathcliff to outlive her and she’s terrified by the idea of him moving on and finding happiness elsewhere:
‘How strong you are! How many years do you mean to live after I am gone?’ – Catherine, Chapter XV “Will you forget me? Will you be happy when I am in the earth? Will you say twenty years hence, ‘That’s the grave of Catherine Earnshaw? I loved her long ago, and was wretched to lose her; but it is past. I’ve loved many others since: my children are dearer to me than she was; and, at death, I shall not rejoice that I are going to her: I shall be sorry that I must leave them!’ Will you say so, Heathcliff?” – Catherine, Chapter XV
Indeed, Catherine goes as far as telling Heathcliff that she wishes he would just die (and suffer) alongside her:
‘I wish I could hold you till we were both dead! I shouldn’t care what you suffered. I care nothing for your sufferings. Why shouldn’t you suffer? I do!’ – Catherine, Chapter XV ‘I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted.’ – Catherine, Chapter XV
And Cersei does something comparable when she (in her delusion) asks Jaime to be her champion in a mortal combat knowing he is likely to lose for his handicap:
“My queen,” said Qyburn, “have you . . . forgotten? Ser Jaime has no sword hand. If he should champion you and lose . . .” We will leave this world together, as we once came into it. “He will not lose. Not Jaime. Not with my life at stake.” – Cersei, AFFC
Heathcliff and Catherine don’t die together, however, and, despite what happened in Game Of Thrones, I’m still highly sceptical that Jaime and Cersei will die together in the books either. Yet the impression that Wuthering Heights leaves is that the unhealthy nature of Heathcliff and Catherine’s bond is at the root of their own self-destruction and tragic end:
Ere long, I heard the click of the latch, and Catherine flew up-stairs, breathless and wild; too excited to show gladness: indeed, by her face, you would rather have surmised an awful calamity. – Nelly, Chapter X ‘Mrs. Linton is now just recovering,’ I said; ‘she’ll never be like she was, but her life is spared; and if you really have a regard for her, you’ll shun crossing her way again. […] Another encounter between you and the master would kill her altogether.’ – Nelly, Chapter XIV ‘You have killed me and thriven on it, I think.’ - Catherine, Chapter XV “’Nay, it’s enough that he has murdered one of you,’ I observed aloud. ‘At the Grange, everyone knows your sister would have been living now had it not been for Mr. Heathcliff. After all, it is preferable to be hated than loved by him. When I recollect how happy we were, how happy Catherine was before he came, I’m fit to curse the day.’ Most likely, Heathcliff noticed more the truth of what was said, than the spirit of the person who said it. His attention was roused, I saw, for his eyes rained down tears among the ashes, and he drew his breath in suffocating sighs.” – Isabella, Chapter XVII ‘She might have been living yet, if it had not been for him!’ was his constant bitter reflection; and, in his eyes, Heathcliff seemed a murderer. – Nelly, Chapter XXI
‘I forgive what you have done to me. I love my murderer but yours! How can I?’ – Heathcliff, Chapter XV ‘It was a strange way of killing: not by inches, but by fractions of hairbreadths, to beguile me with the spectre of a hope through eighteen years!’ – Heathcliff, Chapter XXIX
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, ‘Let me in let me in!’ ‘Who are you?’ I asked, struggling, meanwhile, to disengage myself. ‘Catherine Linton,’ it replied, shiveringly (why did I think of Linton? I had read Earnshaw twenty times for Linton) ‘I’m come home: I’d lost my way on the moor!’ As it spoke, I discerned, obscurely, a child’s face looking through the window. - Mr. Lockwood, Chapter III The following evening was very wet: indeed, it poured down till day-dawn; and, as I took my morning walk round the house, I observed the master’s window swinging open, and the rain driving straight in. […] I peeped in. Mr. Heathcliff was there laid on his back. His eyes met mine so keen and fierce, I started; and then he seemed to smile. I could not think him dead: but his face and throat were washed with rain; the bed-clothes dripped, and he was perfectly still. The lattice, flapping to and fro, had grazed one hand that rested on the sill; no blood trickled from the broken skin, and when I put my fingers to it, I could doubt no more: he was dead and stark! – Nelly, Chapter XXXVI
And I wouldn’t be surprised if A Song Of Ice And Fire were to go in the same direction:
It is raining again, he thought when he saw how wet she was. The water was trickling down her cloak to puddle round her feet. How did she get here? I never heard her enter. She was dressed like a tavern wench in a heavy roughspun cloak, badly dyed in mottled browns and fraying at the hem. A hood concealed her face, but he could see the candles dancing in the green pools of her eyes, and when she moved he knew her. – Jaime, AFFC I thought that I was the Warrior and Cersei was the Maid, but all the time she was the Stranger, hiding her true face from my gaze. – Jaime, AFFC The Stranger represents death and the unknown, and leads the dead to the other world. Whilst referred to as male, he is neither male nor female. The Stranger's face has been described as half-human, concealed beneath a hooded mantle. – A Wiki Of Ice And Fire
“Gold shall be their crowns and gold their shrouds. And when your tears have drowned you, the valonqar shall wrap his hands about your pale white throat and choke the life from you.” – Maggy The Frog, AFFC “Tyrion is the valonqar. Do you use that word in Myr? It's High Valyrian, it means little brother.” - Cersei, AFFC “He came into this world holding my foot, our old maester said”. – Cersei, AGOT “The Imp is no longer my brother, if he ever was.” – Cersei, AFFC A man stepped into the lantern light, and she saw his cloak was white. “Jaime?” I dreamt of one brother, but the other has come to wake me. – Cersei, AFFC
So, in conclusion, I find it plausible that George might have simply taken the narcissism, the violence and the “twin soul”/“other half” connection present in Wuthering Heights to it’s even more extreme by creating the chaotic mess that is the incestuous relationship between twins who are mirror images of each other... And there's a decent number of parallels to at least make a case for it!
Tag: @faintingheroine
#this is huge :o#but honestly I cut so much other stuff that I wanted to talk about#jaime lannister#cersei lannister#heathcliff#catherine earnshaw#parallels#meta#valyrianscrolls#asoiaf#wuthering heights
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i want to get into xmen but idk hwo :(
Great! There are a few ways to start reading X-Men, so I'm gonna go through a bunch of them.
Start with Giant-sized X-Men #1. X-Men had a run in the 60s that was canceled, and Giant-sized is the beginning of the 70s relaunch. Most of what you'd know from popular osmosis of the X-Men is going to come from this era from '75-'90, and it's mostly written by one writer, Chris Claremont. It's a great era, if sometimes of-it's-time. You can see it transition from a fun villain-of-the-week comic to one of the most iconic comics of all time.
After Dark Phoenix Saga. DPS was a really big event that brought in a bunch of people, so immediately after there was a comic that basically summarized everything prior to that. This is still in the Claremont era, but Dark Phoenix is really the turning point where it becomes the iconic 80s X-Men that people think of. Good place to start mid-Claremont-run.
Grab any classic collection from your library. Your local library will probably have collections of either events or just large chunks of the run. In the 80s, comics were sold at newsstands/spinner racks, so every comic was assumed to be someone's first, and any information you needed to know was pretty clearly exposited. The big events include Dark Phoenix Saga, Days of Future Past, Mutant Massacre, and Fall of the Mutants. Inferno and X-Tinction Agenda are really good too, but require a little more context.
Choose a student team. Every once and a while, X-Men will introduce a new crop of students. The books tend to be self-contained and focused on just that group. The big generations are New Mutants ('80s), Generation X ('90s), and Academy X (2000s). The first two are in books of the same name, but Academy X goes across two books--New Mutants Vol 2 and New X-Men Volume 2: Academy X. New Mutants is my personal favorite, followed by Generation X.
New X-Men. New X-Men was launched right after the movies brought in a lot of new fans, so it's friendly to new readers. At the same time, it's written by Grant Morrison, so it's some weird mystic wizard shit. The only thing you need to know is that Magneto took over a country called Genosha and Cyclops is traumatized through recent comic events (the details don't matter).
Krakoa era. Five years ago X-Men had a soft relaunch where mutants establish a nation on the living island of Krakoa. There are a bunch of books in this era, and are fairly cohesive, with lots of crossover between them. Luckily, the first era of books are collected in trade paperback as "Dawn of X." It's recent enough that your local library will probably have it. The reading order is House of X/Powers of X, Dawn of X 1-15, and X of Swords and then you can find the reading order going forward online. There are a lot of really good comics in this era.
Now! The Krakoa era just ended, and the new era going forward is less cohesive, so you can pick a comic you like and read just that! A bunch of new books just launched, so find a book with some characters you like. Gail Simone's Uncanny X-Men has a lot of fan favorites--Nightcrawler, Rogue, Gambit, Jubilee, and Wolverine. Just pick any that look good!
In general a good rule for getting into comics for the first time is that there will always be something that it's referencing that you might not have read, and that's fine. Most comics will explain what you need to know, and you should just roll with the rest.
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BHOC: INCREDIBLE HULK #234
Another issue featuring Marvel’s TV sensation THE INCREDIBLE HULK dropped on my local 7-11’s spinner rack, and I bought it dutifully, even though my interest in the title was only middling. But I had signed on aboard the series at some point previously, and through this era, that tended to keep me steadily buying the books that I was buying until there was either some financial need to let…
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hi! youve probably gotten this question before (but i cant find it if you have so i wna ask just in case) but what program + brushes do you use? and what r the main fonts u use for ur comics? i want to get into drawing comics myself and love ur style a lot <3
hiya!!! i use clip studio paint on an ipad and these are the brushes that i use (plus the sol brush) ^_^
for fonts i use a mix of cc wild words, augie, spinner rack bb (all for text) and mangamaster bb (for sfx) for all my comics. hope this helps <3
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Here’s another special issue from the omniversal spinner rack. Back during Secret Crisis of the Infinity Hour, Spider-Boy’s symbiote t-shirt made its first appearance!
Prints now available!
Pencils & colors: me, inks: Diego Moreno. #amalgam
#amalgam#amalgaverse#comics#homage#spider boy#mike zeck#parody#symbiote#superboy#Spider-Man#dark claw#dc#marvel#secret wars#crisis on infinite earths#super soldier#first appearance#comic book#Mayday trippe#fan art#superheroes#costum design
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OK hear me out? The league of villains with a quirkless reader who is a bad ass fighter just like Rick, Daryl and Negan combined and only one of them started falling in love with her (Spinner)
A/N: I have no clue who any of those people are, so I can’t really base this on any of them, but oh well. I have a lot of WIPs that I need to work on, because I have a couple of requests from like back in May, and I just haven’t gotten around to those. I hope I can get them done in the coming week, but we’ll see
•The league was looking for strong fighters for their cause, and you were a customer/acquaintance of Giran’s so he recommended you
•This was after a lot of the League’s vanguard action squad got caught at the training camp
•Spinner doesn’t really consider his quirk to be anything special, sometimes he even wishes he didn’t have it, because it has caused him a lot of grief in the past
•The fact that you’re quirkless doesn’t particularly bother him, but he doesn’t really care either
•He was a bit worried if you were going to be any good in a fight, but that worry was dispelled quickly after the first time he saw you fight
•All the League and Shigaraki cared about was that you were a good, ruthless fighter, who didn’t have any misgivings about what the League was doing
•So as long as Shigaraki was fine with you joining, Spinner didn’t have any complaints
•You were a bit of a loner just like Spinner, but you and him kind of bonded over video games
•You hadn’t really played much in recent years before you joined the League, while that’s basically all Spinner had been doing before he joined
•Spinner never really had any friends before he joined the League and he was pretty much a shut in NEET
•Your own situation hadn’t been much different, but you had become an active villain a couple of years before joining the League already
•Spinner and you use similar weapons such as swords and knives, but you also have a modified metal bat with spikes
•You both take care of your weapons, sharpening them and cleaning them after each fight
•During those times, the two of you got to talking and you realized you were kinda similar in the way you thought about hero society and your admiration for Stain
•You’d never had to worry about how people perceived you based on your appearance, unlike Spinner
•People with the mutant type quirks are often treated unfairly and straight up like shit, especially if they have bigger mutations such as Spinner’s
•You never treated him differently though, no one in the League really did, which he appreciated a lot
•Spinner ended up developing feelings for you during your time together with the League and you became close
•You were sort of oblivious to how he felt about you until he just told you
•You didn’t really know what to say to him for a long time, so you just stopped talking to him until you figured out what you wanted to say
•You eventually accepted his feelings, but the week between his confession and that happening was nerve-racking for him
#bnha#mha#my hero academia#boku no hero academia#shuichi iguchi#spinner#bnha headcanons#mha headcanons#bnha x reader#mha x reader#mha fanfiction#bnha fanfiction
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