Museum Owner: This is the original Voyager golden record from 1977.
Me: wait, that's the exact record?
Museum Owner: Yep, this thing was originally launched back in 1977, and has traveled over 13 billion miles. This baby's been around.
Me: whoa
NASA Scientist in the back: wait...SHIT *panickedly runs out of the building*
💥✅ Sweet Space Museum Madrid 2023: Este emocionante museo interactivo se encuentra en el Centro Comercial ABC Serrano en Madrid, y ofrece a sus visitantes un viaje fascinante a través de 11 instalaciones temáticas interactivas repartidas en dos plantas 🎫✔
To magic people it looks like danny is haunted by an extremely possessive spirit
So danny has a problem for some reason whenever he leaves amity someone will stop and stare at him as if they saw a ghost (hehehe) and start walking determinedly towards him
He always loses them but dear ancients is it annoying he just wants to go see museums and observatories why are they following him
Meanwhile the justice league dark members keep spotting some kid whos apparently haunted by a powerful ancient spirit and whenever they try to go talk to the kid he spots them and flees even under invisibility he still runs
It's clear the spirit knows whats happening and is controlling this kid they've got to put a stop to this
I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.
Then it hits me. And I check the publishing date.
This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.
Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.
Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.
When the Hayden Planetarium opened in October 1935, it was only the fourth planetarium in the United States. Nearly a century later, the Museum is still bringing audiences the latest science about our cosmos. Visit the Hayden Planetarium and the Rose Center for Earth and Space to learn about the 13-billion-year history of the universe!
Berlin, City Smell Research. Sissel Tolaas (Norwegian, born 1962) 2004.
Glass and smell simulation
Each bottle: 5 7/8 x 7 1/16 x 2 3/8" (15 x 18 x 6 cm)
“Smell immediately locates you in a space,” says artist, designer, chemist, and odor theorist Sissel Tolaas. “It gives you new tools to perceive your surroundings.” Throughout her career Tolaas has worked provocatively with smell, applying headspace technology—used in the perfume industry to capture and synthesize natural scents—to render essences ranging from the objectionable (sweat, rotten fish, dog feces) to the everyday (fresh laundry, kebabs, shoe shop) and put them into an archive of more than seven thousand scents. From this archive she has created fragrances that do not adhere to the usual definitions of what smells good or desirable; instead, her aim is to stimulate emotional responses, evoke memories, and recreate places in all their chaos and specificity. While conducting her City Smell Research, which was presented at the Berlin Biennale in 2004, Tolaasworked in various Berlin districts to distill an essential scent for each one, creating an olfactory map of the city. The scents are contained in bottles that physically recall the city map and compass points. This work is not simply the charting of a landscape of smell; it also explores the potential of smell as information that enhances and subverts the physical and symbolic boundaries of the urban ecosystem.
A while ago, I posted a petition, to stop the closing of a much loved museum, Syndeys Powerhouse museum, a place that's been under threat for years.
I need your help with this once again, (especially if you are an Aussie)
After years of threatening to close down and demolish our only science, tech and applied arts museum, and one attempt to turn it into an events center, they've come back with another plan, which basically amounts to "we're going to clear out the museum and demolish most of the structures inside. We definitely have a plan to put some cool stuff back, but we can't tell you it, but it's definitely gonna be great. Don't mind that a bunch of purpose built structures to display delicate objects are set to be demolished."
(That's an F1 Apollo rocket engine, very rare outside the USA. Almost 60 years old, now delicate, but it's going.)
"We've garunteed 3 of the most iconic items (not their accompanying collections) will come back. Pay no mind that we haven't allowed for where they're gonna go, or that the one object we can't move (rare, 250 year old working Boulton and Watts steam engine) is set to end up inside a corridor)
(There used to be room, elevated planforms even)
"Oh, also, you know that museum storage hall, so close by and practical, with a loading dock and workshops, that's also sitting on prime real estate? We're building a second loading dock and workshops in the main museum! Right where the all classrooms where!"
It's supposedly a heritage restoration, but in truth, it's based of a skewed heritage report which has been heavily criticised as I'll informed, and rigged to allow the place's removal.
Almost every detail goes against the spirit of the original musuem. The orginal museum was a fun, post modern place with a sciencey vibe,
Which transitioned fluidly into historic halls, with historic products and technology to match
The Musuem has an upper entrance designed to be welcoming, full of natural light, and evoke the feel of an old grand train station. This is to be bricked up.
Rather than restore the older galleries, theyre taking several of them out reducing display space from about 15,000m²ish to about 6000m² ish.
The historic halls included restored generator room filler with steam engines. This really put the museum on the map.
But that's going.
All that is going, in favour of
This kind of thing.
The plan to do this is on display untill end of may May 30th, Aussie time. It would help a lot if you (might be only Australians) log on and make a short comment opposing the project:
A lot more commentary on the project can be found at:
@protecpowerhous on Twitter
Or if you cant make a submission, and still haven't, please sign that petition:
The people reporting to government planning will be see it, and attention helps.