#Sonia Rykiel Designer

[jacquesdemys]

Sonia Rykiel, c. mid-1970s

[featherstonevintage]

Sonia Rykiel Jewelry: Jean-Paul Gaultier

Marie Claire, April 1991

Photographed by Elfie Semotan

[fashionbooksmilano]

Fashion Knitwear

Jenny Udale

Laurence King Publ., London 2014, 256 pages, 21,5 x 25 cm, ISBN 978-1780673431

euro 27,00

email if you want to buy booksinprogressmilano@yahoo.it

Knitwear is one of the most exciting areas in fashion today, where craft and digital processes collide to create desirable, innovative clothing. Fashion Knitwear showcases 40 designers around the world, including Missoni, Sibling, and Sonia Rykiel, who use hand and machine knitting, crochet, and macramé, as well as knit fabrics such as jersey, to produce fashion garments. Each profile delves into the designer's practice, inspiration and career path and includes inspiring images of their work. Interviews explore approaches to knitwear and how different knit stitches, techniques, and yarns are used to create color, pattern, and texture.

Fashion Knitwear is an ispirational and current overview of the knitwear scene. This book will appeal to anyone interested in knitwear, from hobby knitters looking for inspiration to students and fashion designers wanting a current overview of the scene.

14/07/23

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[styleofdiamandis]

PHOTOSHOOT: INSTYLE MAGAZINE

Back in 2010, Marina graced the pages of InStyle Magazine. The editorial, which showcased some of the best Fall/Winter 2010 collections, was lensed by Christophe Rihet.

Styling by Amanda Bellan and Frankie Read, hair by Paul Percival, makeup by Cassie Jones and nails by Julie Luong.

We're starting off strong with Marina dressed in a Dior chunky ivory wool knit cardigan with baby-blue silk ribbons and white fur trimming (£1,650.00) which she teamed up with Dolce & Gabbana burgundy velvet wrap bustier dress with draping and jewel brooches (£1,300.00).

Her jewelry here includes a Topshop metal chain necklace with a Pebble London 22ct gold, blue aventurine and silk necklace (£240.00 - similar pictured).

On her hands, she wore a Dorothy Perkins black leather ring (£12,50) and a Sarah Ho London 18ct gold, quartz and tsavorite ring (£2,150.00).

Look n. 2 displays Marina wearing her favorite designer, Vivienne Westwood! She chose one of the final numbers from the Gold Label's F/W10 runway - a lilac silk taffeta dress with exploding black organza skirt.

As in accessories, she wore two studded leather cuffs by Felder Felder (£200.00 each), a feather and 18ct gold headdress by English jewellers Wright & Teague...

...which she then swapped for a Sonia Rykiel beige ostrich feather pom-pom headband (£350.00).

One element I've noticed about this shoot: there's just never enough when it comes to jewelry! Layering chunky necklaces is such an early 2010s thing and this shoot definitely showed how to do it back then.

Marina combined a Djurdja Watson black jet necklace with Swarovski crystals (£476.00) with a Topshop metal multi-strand watch necklace in silver (£50.00)

M further accessorized her look with a Chanel metal open-work, enamel, resin and gripoix cuff (£1,724.00)...

...and Pebble London mother-of-pearl oval bezel ring (£165.00 - similar pictured) and gold-plated & pink aventurine ring (£145.00).

The HOT Steampunk-inspired metallic gold and black patent leather sandals (£635.00) are signed by Rupert Sanderson.

For the third look of this editorial, the singer wore a white tulle dress with fraying and ruffles from Chanel's collection, which was inspired by Winter wonderland.

Marina's jewelry here included a Tom Binns Design Punk Chic metal necklace (£895.00), a Djurdja Watson gold-plated silver and brass necklace with Swarovski crystals (£389.00), and a Hoss Intropia silk and crystal cuff (£79.50).

Next, she accentuated the waist of her dress by rocking a Hollywood Trading Company studded black leather belt (£205.00).

The look was completed with these black eel skin peep-toe platform pumps (£585.00) from Rupert Sanderson.

Here, Marina wore the Lolita bodysuit (£439.00) from Bebaroque's "Matador" collection with embroidery inspired by Spanish traditional matador costumes and historical embroidery.

She layered a L'Agence cotton skirt (£170.00) with a Topshop tulle and diamanté maxi skirt (£70.00).

Her jewelry starts off with this beautiful Chanel Pre-Fall 2010 "Paris-Shanghai" collection gold metal, enamel and silk tassel necklace (£2,285.00).

She also wore Tom Binns Design crystal earrings (£120.00), the Felder Felder studded leather cuffs (£200.00 each), Pebble London gold-plated, onyx and coral ring (£165.00) and Sarah Ho London 18ct white-gold, topaz and diamond ring (£4,760.00).

Lastly, her black leather biker boots (£160.00) are Hudson London.

For the penultimate look, Marina sports this intricate folded black lambskin leather sleeveless coat (£2,795.00) by John Rocha!

Last but definitely not least, Marina poses in this Emilio Pucci Fall/Winter 2010 mustard-yellow ostrich feather jacket (£4,865.00), which I promise, would go missing if it was near me.

[visualmemoryunit]

uh.... thanks?

[supersick]

fav looks from sonia rykiel SS2000 RTW show

[lamarchesacasati]

Giovanni Boldini, La Marchesa Luisa Casati con penne di pavone (Portrait of the Marquise). 1911-1913

Galleria Nazionale d'Arte Moderna e Contemporanea.

"The Marquise Casati had diamond shoes, dyed her hair green, frequented the greatest artists, took every drug possible, organized spectacular balls, loved a boa constrictor, made headlines and lived at the Ritz... An original Italian of the early twentieth century, Luisa Casati squandered her fortune on villas and munificent castles (such as the Palais Rose at Le Vésinet near Paris), eccentric outfits, and portraits. Becoming the woman most represented by the artists of her time: from Van Dongen to Man Ray via Picasso who designed her a ball gown... Dead ruined, she remains a style icon with her iconic red mane inspiring Sonia Rykiel, the Chanel Cruise 2010 or Dior 1998 collections... The young novelist Camille de Peretti is now following in the footsteps of this eccentric and patron of the arts. Comparing in a funny mise en abime the life of the expensive marquise friend of artists and her own experience as a painter's ex-wife without the money. Through seven of his portraits, Camille de Peretti recounts the encounter between the Casati and the artists of his time. (x)

[mikhaelasworld]

Supermodel | Nicole Trunfio

Nicole, was the winner of the third installment of the Australian television series Supermodel of Australia in 2002 and came second in the international version, Supermodel of the World.

She has modelled for various Australian as well as international designers including Chanel, Dolce & Gabbana, Versace, Christian Dior, Gucci, Fendi, Missoni, Roberto Cavalli, Vivienne Westwood, Valentino, Victoria's Secret, Sweetface, and Neiman Marcus. She has appeared in campaigns for Karl Lagerfeld, D&G, Sonia Rykiel, Lacoste, Sisley, Anne Taylor, BCBG Max Azria, Chadwick's and Guess. Trunfio has worked with photographers such as Richard Avedon for Kenneth Cole campaign, Patrick Demarchelier for Harpers Bazaar, Steven Klein for D&G campaign, Peter Lindbergh for Italian Vogue, Terry Richardson for British Vogue, Greg Kadel, Melvin Sokosky, Russell James, and is the current face of Ulta.

In 2006, Trunfio began several years of studying acting in New York City at Stella Adler Studio. She attended NIDA, and was featured in the Australian movie Two Fists, One Heart playing the role of Italian temptress Jessica.

She served as a mentor for the female models in the second season of the American version of Make Me a Supermodel. She was also a mentor for one of the three teams on the first season of The Face Australia. Nicole replaced Miranda Kerr as the face of David Jones' winter 2011 launch.

Trunfio is represented by IMG Models in New York City, Iconic Management in Berlin and Viviens Model Management in Australia.

She has worked with and walked for high-fashion Australian and international designers including, 

Chanel, Versace, Christian Dior, Gucci, Fendi, Missoni, Valentino and Dolce & Gabbana.

In 2014, She starred in the first season of the Australian reality television modelling competition series, The Face Australia. She was a mentor for one of the three teams, alongside mentors Cheyenne Tozzi and Naomi Campbell.

In 2008, Nicole played the role of Italian temptress, Jessica, in the Australian film, Two Fists, One Heart.

She played the role of, Sappho, in the 2008 drama, The Last International Playboy.

She also made a cameo as a "brunette bikini babe" in Sofia Coppola's 2010 film, Somewhere.

In 2010, Nicole, had a lead role in the dramatic short film, My First Time, playing a mysterious girl named, Jasmine.

In 2014, She starred as Cindy in the Australian children's film, Paper Planes, alongside Australian actor, Sam Worthington.

[mystockprediction]

Hailey Baldwin - Wiki, Bio, Facts, Age, Height, Husband, Ideal Type

Hailey Baldwin is an American model, host, TikTok star and YouTube star. She rose to fame after debuting as a runway model Topshop. Career Hailey Baldwin began her career in modeling by joining the New York agency, Ford Models. She then worked for Tatler, LOVE, V and iD magazines. Her catwalk debut began in 2014 for womenswear retailers Topshop and designer Sonia Rykiel. Since then, her career…

[whodiedvintage]

Check out this listing I just added to my Poshmark closet: Sonia Rykiel Pink Beret 🎈.

[silviascorcella]

Quoï Alexander a/i 2018-19: la mente esplora, le mani sperimentano

La sua parola chiave è: “indefinibile”. 

Il suo nome è Quoï Alexander: e non è solo un fashion designer, non è solo un creativo multidisciplinare, non è solo un giovane talento che ha nel curriculum anche la blasonata scuola londinese forgia-talenti Central Saint Martins, non è solo uno stilista esordiente che ha plasmato la sua abilità presso alcune tra le maison di moda che nel dna dei propri fondatori avevano l’aspirazione a far la differenza, ovvero Alexander McQueen, Sonia Rykiel e Chanel. 

Visto? Si potrebbe proseguire pressoché all’infinito! Ma è di certo più intrigante cercar di conoscere quel che questo talento, che sta accalappiando il gusto e il plauso del fashion world sin da quando le sue primissime creazioni hanno solcato il palco del saggio finale alla Central Saint Martins, è. 

Ebbene, una cosa è certa: Quoï Alexander è un esploratore. 

Nel senso più vasto, curioso, brillante e sorprendente del termine: per la giovane età, naturalmente, ma anche per la sconfinatezza della sua impresa concettuale e manuale allacciata alla moda. 

Quoï Alexander, infatti, è un esploratore delle alternative alle realtà di moda e stile già conosciute, spesso racchiuse in regole che gli vanno fin troppo strette, alle quali preferisce sfuggire con consapevolezza e curiosità. Una fra tutte: nel suo lavoro niente è cucito.

Uh sì, avete capito benissimo: niente cuciture, né a macchina, né a mano. Perché? Provate a pensarci: non è affascinante scoprire il modo in cui gli abiti si sarebbero sviluppati se la civiltà non avesse mai adottato la prassi della cucitura? E, di conseguenza: come sarebbe stata l’apparenza di ogni capo d’abbigliamento e la nostra con questi indosso? Insomma, il principio suona un po’ come: tornare indietro nel tempo per compiere nuovi passi avanti. Surreale? Per niente affatto! 

La collezione a/i 2018-19 ne è la dimostrazione: una nuova spinta all’innovazione verso cui la ricerca condotta da Quoï Alexander fa rotta, come fosse davvero un percorso di navigazione dai confini ancora da conoscere. E come equipaggiamento: la mente sempre aperta e le mani sempre operose, pronte ad eseguire lavori d’intreccio e d’incastro, di nodi e lacci, di composizioni di materiali eterogenei e di esecuzione di metodi inaspettati, come quella volta che ha usato una pistola che spara pezzetti di plastica dentro il tessuto per unirlo ad un altro. 

Frammenti di visioni estetiche: di come sarebbe il linguaggio della moda se la mitologia dell’abito perfettamente cucito scomparisse, se quel gesto fosse ignorato e si andasse alla ricerca di nuovi codici, nuovi linguaggi, ancora con un significato da definire. Frammenti: per questo in collezione appaiono pantaloni ad una sola gamba o giacche dimezzate, fascette che rendono vivo il profilo dei capispalla, stringhe che connettono ogni pezzo a vista.

Pay attention, please, non consideratelo un mero esercizio di stile. Quello di Quoï Alexander è invero un gesto di ambiguità generosa: così che chi osserva gli abiti o li indossa possa scegliere liberamente cosa vederci dentro, quale ispirazione immaginarci all’origine, quanta personalità propria metterci dentro. 

E non fa nulla se si è maschio o femmina: il gender non è contemplato in tanta meditazione condotta tra mente, mani e cuore d’artista.

Silvia Scorcella

{ pubblicato su Webelieveinstyle }

[visualmemoryunit]

i exclusively brag about designer clothing when its my sonia rykiel shit and yes. yes i am annoying

[supersick]

looks from sonia rykiel Fall 2002 rtw runway

[radikalrags]

Check out this listing I just added to my Poshmark closet: Sonia Rykiel blazer Size 42.

[decordreamscom]

French couturier and founder of her own fashion house Sonia Rykiel. Sonya Rykiel was born on the outskirts of Paris on May 25, 1930 in the family of a Romanian watchmaker and his Russian wife. Sonya's first husband, Sam Rykiel, was the owner of a knitwear store: she created her first knitted dresses, replenishing the range of the family store. In 1962, a sweater model appeared in a horizontal white-black-red-pink stripe — it had long sleeves and a short, tapered hem. A year later, Poor Boy Sweater ("Poor Boy's Sweater") hit the cover of Elle magazine (the aspiring singer Francoise Hardy posed in it) and popularity came to Rykiel. Brigitte Bardot, Catherine Deneuve and Audrey Hepburn appeared among Sonia Rykiel's loyal clients, and after some time she divorced and, on the advice of her ex-husband, founded her own fashion house Sonia Rykiel in 1968. Rikel' s business was very successful, and she was not afraid to take on new projects She was called the “queen of knitwear,” but Ms. Rykiel also designed interiors for the Crillion Hotel in Paris (1972), a collection for a mail order catalogue, children's clothes, accessories and perfume. In 2010, the fashion house Sonia Rykiel announced the creation of a collection of interior fabrics, in the same year an exhibition of Rykiel's drawings was held in Paris. Mah Jong sofa model, designed by Hans Hopfer. Roche Bobois. Upholstery and carpet by Sonia Rykiel Maison. Chic home textiles are produced in collaboration with the famous French publisher Lelievre: in the collections of upholstery fabrics of bed linen, towels, pillows and blankets with the SR monogram, there are always bright saturated colors, a clear print and an original ornament. Sonia Rykiel 2015 advertising campaign. Underwear advertisement for H&M brand. H&amp lingerie advertisement ;M. In 2009, Rykiel was awarded the Legion of Honor for her contribution to the French fashion industry. In the same year, the brand launched a lingerie collection with the H&M brand. In 2010, Sonia Rykiel announced the creation of a line of interior fabrics, and in La Gallerie Catherine Houard hosted an exhibition of Rykiel In 1995, having begun to suffer from Parkinson's disease, she appointed her daughter Natalie to the post of General and Artistic Director of Sonia Rykiel. Fashion house Sonia Rykiel has been owned by First Heritage Brands, an investment fund of the Chinese Fung group, since 2012. Natalie Rykiel remains a consultant to the company. A year ago, Natalie Rykiel published a book describing her relationship with her sick mother and "the day your mother becomes your child." “I dedicated my life to building the image of my mother, — Natalie writes. — I know it's now a myth and a fashion icon. Her incredible fate is part of history. Sonia Rykiel Spring-Summer 2014 advertising campaign. Photographer Craig McDean. "She built her universe from the very beginning, with her own attitude to detail and sewing skills, — says Jean-Charles de Castelbajac. — She had her own view of woman and femininity, which did not separate a woman from society. Sonya Rykiel has always welcomed the initiatives of young designers. She and I have always believed that clothes are not only decoration, but also a manifesto. Her design — it's a bridge between fashion, literature, and activism."