#Songs Composed by Madan Mohan

[bollywoodirect]

Tribute to Saraswati Devi, the first woman music director in Hindi films, on her 44th death anniversary (09/08/1980).

Born in a Parsi family in 1912, Saraswati Devi was a trained classical singer and rose to become India’s first woman music director of Bollywood.

A musical rage in the 30s and early 40s, Saraswati Devi's musical career was mostly confined to films produced by Bombay Talkies. Starting with 'Jawani Ki Hawa' in 1935, she went on to compose highly popular music for hit films like Achhut Kanya, Kangan, Bandhan and jhoola.

She was born as Khursheed Manchersher Minocher – Homji.

She changed her name to escape the wrath of the conservative elements of her community as they could never stand that a lady from their clan would enter the film world.

Once when at a gathering the Bombay Talkies owner Himanshu Rai heard her, he instantly invited her to join his concern as a music director. She was reluctant at first, not knowing how she would adjust herself to the needs of the film industry. But finally she accepted the offer.

She was the first woman music director no doubt. But the biggest challenge she faced was to groom non-singers into singers. That was a very, very big challenge in view of the competition from New Theatres as she didn’t have a Saigal or a Kanan to sing her compositions. That is why one should say that she had a formidable task to perform unlike her counterparts like R.C.Boral, Tamir Baran and others in Calcutta.

The biggest contribution by Saraswati Devi, therefore, was to produce hit songs through the lips of non-singers like Ashok Kumar, Devika Rani and Leela Chitnis.. Right from Achchut Kanya till Jhoola, Saraswati Devi went on rampage, so to speak, producing one hit after another. Leela Chitnis could sing hit songs like, ‘Meera ke jeevan ki sooni parri re sitar’ (Kangan), ‘Man bhavan lo sawan aya re’(Bandhan) and ‘Jhoole ke sang jhoolo jhoolo mere man’.(Jhoola) Imagine Saraswati Devi producing a golden jubilee hit in the voices of Ashok Kumar and Devika Rani in film ‘Achhut Kanya’ (a film that Nehru saw and appreciated)-‘Main ban ki chirriya ban ke ban ban bolun re’. The biggest hit by her was the marching song of Bandhan, ‘Chal chal re nau jawan’ sung in solo by Ashok Kumar, sung in chorus by Ashok Kumar and sung as a duet by him with Leela Chitnis. She used a non-singer like Sneh Prabha to sing the Puner Milan song, ‘Nacho nacho pyare man ke mor’. The male singer she had was Arun Kumar, who sung for Kishore Sahu in Punermilan, for Mumtaz Ali in ‘Jhoola’ (Main to Dilli se dulhan laya re he babuji) and others. Incidentally, it was she who gave break to Kavi Pradeep as a singer though he was writing lyrics for the concern since 1939 from film ‘Kangan’. She first used him in that immortal song of ‘Bandhan’ which is played in the back ground: ‘Piyu piyu bol praan papeehe piyu piyu bol’ Pradeep did sing subsequently some big hits after leaving Bombay Talkies. But in ‘Jhoola’ he has left behind a memorable song too tuned by Saraswati Devi: ‘Mere bichade hue saathi teri yaad sataye, baar baar teri chavi aye birha agan jaraae’

After she left Bombay Talkies, she shot into limelight again in the early fifties when she tuned two non-film ghazals for Habib Wali Mohammad. These were: ‘Lagta nahin hai dil mera ujjarre dayar mein’ and ‘Yeh na thi hamari kismet ke visaal-e-yaar hota’. When you listen to her compositions, specially the indigenously-flavored background music, you are transported into the environment of the India of the early 20th century.

During the later years of her life, the bad and selfish film world turned apathetic towards the doyenne. Not even a single person visited her when she fractured her hip bone after falling from a private bus. The legendary singer and India’s first female music director left for a better world in 1980 with no one to mourn her death. Even the media did not find her worthy of an obituary. Image: Saraswati Devi, Lata Mangeshkar, Madan Mohan, Jaikishan, Anil Biswas and Naushad

[good-realtor-bad-realtor-dynamic]

First time getting tagged in a game chain thingy! A few days ago, I got tagged to share the top 5 songs I'm actively listening to by @malewifemanhunter in this post. Cheers, this is exciting <3

"Planet Schmanet Janet" by Tim Curry and Richard O'Brien from the film adaptation The Rocky Horror Picture Show (1975)

"Knee Play 2" by Philip Glass and performed by Michael Riesman and The Philip Glass Ensemble (opera: Einstein on the Beach)

"Lady Fantasy - Medley" by Camel (album: Mirage)

"Tudo O Que Você Podia Ser" by Milton Nascimento and Lô Borges (album: Clube Da Esquina)

"Spring Break Anthem" by The Lonely Island

I tend to listen by album, not songs or playlists, and I'm not loyal to one single platform like Spotify, so this was a whole memory exercise for me to recall what I've been listening to. It's no fun having 5 songs from the same album here, so I went through my history and tried to spread this out as best I could.

Must list honourable mentions because I physically can't do Top 5s:

"Marquee Moon" by Television (album: Marquee Moon)

"Rang Aur Noor Ki Baraat Kise Pesh Karoon" performed by Mohammed Rafi, written by Sahir Ludhianvi and composed by Madan Mohan from the film Gazal (1963)

"Sonnet" by The Verve (album: Urban Hymns)

"Shiki no Uta" by MINMI and Nujabes from the Samurai Champloo soundtrack (album: Departure)

"Vamos" by Pixies (album: Surfer Rosa)

Tagging @leather-locklear @mcelhenneyarms @literatigeek @charmac @misterblik, sorry if you've already done this! I don't remember who has and who hasn't, and I'm not bothering to check.

[common-man]

Tribute 846.

Tribute to Lyricist, Director Gulzar.846. Gulzar began his illustrious career as a lyricist, working on numerous Hindi films as well as Punjabi movies. His poetic and soulful lyrics became an integral part of many memorable songs. His association with music legends like R.D. Burman, Salil Chowdhury, A.R. Rahman, and Vishal Bhardwaj is worth mentioning, as he created timeless pieces with them. As a director, Gulzar’s film Mausam stands out as a masterpiece. His work has transcended generations, and his ability to touch hearts with both his lyrics and direction is unparalleled. He has also written lyrics for classic music directors like Madan Mohan and the trio Shankar-Ehsaan-Loy. Over the years, Gulzar has received numerous accolades, including National Awards for his screenplays and lyrics. He has also been honored with the prestigious Sahitya Akademi Award. His creative genius is not limited to films alone; many of today's top actors have had the privilege of working with him on dialogue writing. Gulzar’s personal life is also a fascinating aspect. He was married to actress Raakhee, and their daughter, Meghna Gulzar, is a successful director in her own right. Known for his patriotic songs, Gulzar penned the iconic "Jai Ho" for the film Slumdog Millionaire, composed by A.R. Rahman, which went on to win international acclaim. Gulzar is a man of grace—smiling, simple, and soft-spoken. He is loved and respected by everyone in the film industry. Today, I am delighted to pay my tribute to this . It captures Gulzar’s journey and immense contributions to cinema and music beautifully. K.Ragavan 2-12-24 Until We Meet Again Next Week,

[delivermytuneo6]

The Evolution of Indian Music Through Legends

The Indian music industry is a rich tapestry of melodies and rhythms that have evolved over centuries, shaped by the genius of legendary artists. From the haunting strains of classical ragas to the pulsating beats of contemporary hits, the journey of Indian music is a story of transformation and innovation. Legends such as A.R. Rahman, Ilaiyaraaja, Bhimsen Joshi, and others have played pivotal roles in bridging the gap between tradition and modernity, leaving an indelible mark on the cultural landscape.

The Roots: Classical Foundations

Indian music has its roots deeply embedded in classical traditions that date back thousands of years. The structured framework of Hindustani and Carnatic music laid the foundation for all subsequent genres. Legends like Pandit Ravi Shankar, who took the sitar to global audiences, and M.S. Subbulakshmi, whose devotional renditions captivated millions, are pivotal figures in this era. Their mastery of classical techniques combined with their innovative approaches set a high standard for musicians across generations.

The Golden Era of Film Music

The mid-20th century marked a turning point for Indian music with the rise of film music as a dominant force. Bollywood became a melting pot where classical influences merged with folk and Western styles to create a unique soundscape. Legendary composers like R.D. Burman, Naushad, and Madan Mohan redefined music with their memorable scores.

The playback singing legends of this era, such as Lata Mangeshkar and Kishore Kumar, became household names. Their ability to convey emotion through their voices brought depth to cinematic storytelling. Lata's ethereal voice captured love, loss, and longing, while Kishore's versatility ranged from soulful ballads to peppy numbers.

Folk Meets Modernity

India's diverse cultural fabric is reflected in its folk music, which has been a source of inspiration for many legendary artists. Bhupen Hazarika, known as the "Bard of Brahmaputra," blended Assamese folk music with global influences, creating timeless compositions. Similarly, Gurdas Maan's Punjabi folk songs carry the essence of rural life while addressing contemporary issues.

The integration of folk elements into mainstream music became a hallmark of legendary composers like Ilaiyaraaja, whose work seamlessly wove Tamil folk traditions with orchestral arrangements. This synthesis not only preserved India's rich heritage but also brought it to the forefront of popular music.

The Global Ambassadors

The 20th century also saw Indian musicians making their mark on the international stage. Pandit Ravi Shankar’s collaborations with The Beatles introduced Indian classical music to the West, sparking a wave of global interest. Zakir Hussain, with his unparalleled tabla skills, furthered this legacy by collaborating with artists across genres, from jazz to world music.

A.R. Rahman emerged as a modern-day global ambassador for Indian music. With his Oscar-winning compositions for Slumdog Millionaire and a string of successful collaborations, Rahman brought Indian music to international acclaim. His ability to blend classical ragas with electronic music, rock, and global influences has redefined the industry.

The Regional Powerhouses

While Bollywood often dominates discussions, regional music industries across India have produced legends who have significantly contributed to the evolution of Indian music. Ilaiyaraaja, often referred to as the "Mozart of Madras," revolutionized Tamil cinema music with his intricate compositions and pioneering use of technology. His music transcends language barriers, resonating with audiences worldwide.

In the realm of Kannada music, Dr. Rajkumar's contributions as a singer and actor are legendary. Similarly, Manna Dey's Bengali compositions and Yesudas's work in Malayalam and other South Indian languages showcase the richness of regional music traditions.

Contemporary Innovators

As the digital age dawned, Indian music underwent another transformation. New legends emerged, embracing technology and global trends while staying rooted in their heritage. Shreya Ghoshal and Arijit Singh are two such icons, whose versatility and emotive singing have made them the voices of a new generation.

Amit Trivedi, known for his innovative approach to film scores, has carved a niche by blending Indian and Western styles. His work in films like Dev.D and Queen demonstrates how modern legends are pushing boundaries, keeping Indian music fresh and relevant.

Bridging Generations

One of the hallmarks of Indian music legends is their ability to bridge generations. Artists like A.R. Rahman and Lata Mangeshkar have collaborated with younger musicians, fostering an exchange of ideas and ensuring the continuity of their legacies. Platforms like Coke Studio India and MTV Unplugged have also played a crucial role in this evolution, providing a stage for traditional and contemporary musicians to collaborate.

The Impact of Technology

The advent of streaming platforms and digital technology has significantly influenced the music industry. Legends of the past are now accessible to a global audience, and their timeless works continue to inspire budding musicians. The digitization of archives ensures that the contributions of legends like Bhimsen Joshi, R.D. Burman, and others remain relevant for future generations.

Conclusion: A Legacy of Innovation

The evolution of Indian music is a testament to the vision and creativity of its legends. From the soulful strains of Bhimsen Joshi’s classical renditions to the groundbreaking compositions of A.R. Rahman, these artists have not only preserved India's musical heritage but also propelled it into the future. As the industry continues to evolve, the influence of these legends serves as a guiding light, ensuring that Indian music remains a vibrant and dynamic force on the global stage.

Their legacy reminds us that innovation and tradition are not mutually exclusive but rather complementary forces that drive artistic excellence. With each generation building on the foundations laid by these legends, the journey of Indian music promises to be as inspiring and transformative as its storied past.

[bhaskarlive]

Enduring power of love: Akshay, Radhikka Madan star in soulful qawwali ‘Khudaya’ from ‘Sarfira’

The makers of the Akshay Kumar and Radhikka Madan-starrer ‘Sarfira’ unveiled an evocative qawwali titled ‘Khudaya’ on Thursday, delving into the struggles of love and relationships.

The three-minute, five-second soulful track is set to touch hearts with its beautiful melody and poignant lyrics.

Sung by Suhit Abhyankar, Sagar Bhatia, and Neeti Mohan, and composed by Suhit Abhyankar, ‘Khudaya’ marks a refreshing return of qawwali to the movies.

The song’s heartfelt message underscores the enduring power of love, reminding listeners that true love withstands all trials and tribulations.

Source: bhaskarlive.in

[starfriday]

Dive into the Melodious World of Sarfira’s Soulful New Track ‘Khudaya’ Featuring Akshay Kumar & Radhikka Madan!*

As anticipation builds for the upcoming film "Sarfira," Junglee Music and the producers - Cape of Good Films, Abundantia Entertainment and 2D Entertainment are excited to take things a notch higher with "Khudaya”, an evocative qawwali that delves into the struggles of love and relationships. Featuring Akshay Kumar and Radhikka Madan, this soulful track is set to touch hearts with its beautiful melody and poignant lyrics. "Khudaya" will be available for streaming on all major platforms and YouTube on 27th June.

Sung by the incredible trio Suhit Abhyankar, Sagar Bhatia, and Neeti Mohan, and composed by Suhit Abhyankar, "Khudaya" marks a refreshing return of qawwali to the movies. The song's heartfelt message underscores the enduring power of love, reminding listeners that true love withstands all trials and tribulations. Their harmonious blend creates a musical experience that transcends the ordinary, making it the standout track of the album. “Khudaya” is a glimpse into the emotional depth and narrative richness that "Sarfira" encapsulates. The enchanting visuals featuring Akshay Kumar and Radhikka Madan further elevate the song, adding layers of storytelling.

Neeti Mohan shares her thoughts on the song, "Singing 'Khudaya' has been an incredibly moving experience for me. The song's poignant lyrics and beautiful melody truly capture the essence of enduring love. I'm excited for everyone to feel the emotions we've poured into this qawwali."

Suhit Abhyankar reflects on the creative process, "Composing and singing 'Khudaya' has been a journey of deep emotional exploration. This qawwali holds a special place in my heart, and I hope it resonates with listeners as much as it did with us while creating it."

Directed by National Award-winning director Sudha Kongara, written by Sudha and Shalini Ushadevi, with dialogues by Pooja Tolani, and a G.V. Prakash Kumar musical, Sarfira is produced by Aruna Bhatia (Cape of Good Films), South superstars Suriya and Jyotika (2D Entertainment) and Vikram Malhotra (Abundantia Entertainment). Mark your calendars for July 12th as 'Sarfira' takes you on an exhilarating journey of ambition, determination, and the relentless pursuit of dreams.

[blogtozone]

Aye Dil Mujhe Bata De Piano Notes | Bhai Bhai

Aye Dil Mujhe Bata De Piano Notes

Notes :-  Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Music A3 F4# E4 D4, A3 F4# E4 D4, A3 F4# E4 D4 E4 A3 E4 D4 C4#, A3 E4 D4 C4#, A3 E4 D4 C4# D4 F4# G4 A4 G4 A4, B4 A4 G4 B4 A4 B4, C5# B4 A4 C5# B4 C5#, E5 D5 C5# D5 Masti bhara tarana, Kyun raat ga rahi hai A4 D5 D5 D5 D5 E5 C5#, A4 C5# C5# C5# C5# D5 B4 Aankhon mein neend aakar, Kyun door ja rahi hai G4 B4 B4 B4 B4 C5# B4 A4 G4, G4 A4 B4 B4 A4 G4 A4 Music A4 D5 C5#, B4 A4 C5# B4, A4 G4 B4 A4 B4 C5# D5 Masti bhara tarana, Kyun raat ga rahi hai A4 D5 D5 D5 D5 E5 C5#, A4 C5# C5# C5# C5# D5 B4 Aankhon mein neend aakar, Kyun door ja rahi hai G4 B4 B4 B4 B4 C5# B4 A4 G4, G4 A4 B4 B4 A4 G4 A4 Dil mein koyi sitamgar, Armaan jaga gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4

About Song :-

"Aye Dil Mujhe Bata De" is a classic Hindi song from the 1956 Bollywood film "Bhai Bhai." The film was directed by M.V. Raman and starred Ashok Kumar, Kishore Kumar, and Nimmi in lead roles. The song is known for its melodious and romantic composition. Here is some information about the song "Aye Dil Mujhe Bata De" from "Bhai Bhai": Singer: Geeta Dutt Music: Madan Mohan Lyrics: Rajendra Krishan Summary of the Song: "Aye Dil Mujhe Bata De" is a melodious and romantic song that expresses the feelings of love and longing. The lyrics convey the desire of the heart to confess its love to the beloved. Geeta Dutt's soulful rendition adds depth and emotion to the song. The music, composed by Madan Mohan, is characterized by its gentle and melodious tune. Significance: The song "Aye Dil Mujhe Bata De" is considered a classic of its time and is remembered for its timeless melody. It contributed to the film's appeal and is often associated with the era of classic Hindi cinema. Music Video: The music video of "Aye Dil Mujhe Bata De" features Nimmi and Ashok Kumar and beautifully captures the romantic mood of the song. It showcases their on-screen chemistry and the emotions of love. "Aye Dil Mujhe Bata De" remains a cherished song among fans of vintage Bollywood music and is often included in compilations of classic Hindi film songs. It continues to be celebrated for its melodious composition and heartfelt lyrics. Read the full article

[keepalivebollywood]

10 Timeless Bollywood Classics By The Legendary Lata Mangeshkar You Should Listen Today

For more than seven decades, Lata Mangeshkar has been an iconic voice of Indian film music. As the most recorded artist in history, she’s had a hand in making some of Bollywood’s most beloved classics. Today, we’re taking a look at 10 of her timeless tracks that have stood the test of time and still inspire listeners.

Introduction to Lata Mangeshkar

Lata Mangeshkar is a legendary Indian playback singer. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages. She is one of the best-known and most respected playback singers in India.

Mangeshkar was born on September 28,1929 in Indore, Madhya Pradesh, into a Marathi family. Her father, Pandit Deenanath Mangeshkar, was a classical singer and her mother, Shevanti, was a homemaker. Mangeshkar’s elder sister, Meena Khadikar, was also a playback singer.

Mangeshkar started singing at an early age and made her film debut when she was just thirteen years old. She has recorded songs for films in various Indian languages, including Hindi, Marathi, Bengali, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. 

Mangeshkar has won several awards for her contributions to Indian cinema, including the Padma Bhushan (1969), the Padma Vibhushan (1999) and the Bharat Ratna (2001). She has also been awarded the National Film Award for Best Female Playback Singer five times.

Mangeshkar’s career spans more than seven decades. She has sung songs for some of the biggest names in B

List of the top ten Lata Mangeshkar songs that have stood the test of time 

Lata Mangeshkar is a legendary playback singer in India who has sung thousands of songs in her career spanning over seven decades. Her voice has been heard in some of the most iconic Hindi film songs of all time. Here is a list of the top 10 songs by Lata Mangeshkar that have stood the test of time:

1. Aye Mere Watan Ke Logo: This patriotic song was composed by C. Ramchandra and written by Kavi Pradeep. The song commemorates Indian soldiers who died during the Sino-Indian War in 1962. The song is still remembered today as one of the most emotional and patriotic songs ever sung.

2. Lag Jaa Gale: This romantic ballad was composed by Madan Mohan and written by Raja Mehdi Ali Khan. It was picturized on  Manoj Kumar, Sadhana and released in 1964. The song is still popular today for its soulful melody and lyrics.

3. Chhup Gaye Sare Nazare: The song is a romantic ballad and is one of the most memorable songs sung by Lata Mangeshkar. Her voice is so beautiful and expressive that it perfectly conveys the emotions of the characters in the song.

4. Tere Bina Zindagi Se Koi: This evergreen love song was composed  by R.D. Burman and written by Gulzar. It was picturized on Sanjeev Kumar and Suchitra Sen from the film “Khamoshi” and released in 1975. The song is still popular today for its soulful composition and meaningful lyrics.

5. Bahon Mein Chale Aao: The lyrics of the song are very heartwarming and describe the feeling of being in love. The song is from the movie Anamika. Bahon Mein Chale Aao is one of those songs that will stay with you long after you’ve heard it.

6. Yeh Galiyan Yeh Chaubara:  This melodious song is from the movie Prem Rog. The song is sung by Lata Mangeshkar, and the music is composed by Laxmikant Pyarelal. 

7. Ek Pyar Ka Nagma Hai: This song is one of the most popular songs sung by Lata Mangeshkar and Mukesh from the movie Shor and was released in 1972. The lyrics of the song are penned by Santosh Anand and the music is composed by Laxmikant-Pyarelal. It is a perfect track to listen to when you’re feeling romantic or missing your loved one.

8. Kora Kagaz Tha Yeh Man Mera: The song  was sung by Lata Mangeshkar and Kishore Kumar, and picturised on Sharmila Tagore and Rajesh Khanna. The song starts off with a simple melody that gradually builds up into a crescendo. The lyrics are written in a simple yet emotive style, which perfectly captures the feelings of love and longing. The two singers have done a phenomenal job of conveying these emotions through their voices. The music is also very catchy and will stay with you long after you’ve heard it.

9.  Yeh Kahan Aa Gaye Hum: This is a classic Bollywood song that has been sung by Amitabh Bachhan and Lata Mangeshkar. The song is from the movie Silsila and is one of the most popular songs of all time. The lyrics of the song are very meaningful and the tune is very catchy. The song has a very strong emotional impact on the listeners.

10.  Tujhse Naraz Nahi Zindagi: This song from the movie Masoom is sung by Lata Mangeshkar.  The song is a beautiful ballad that has a message of hope and resilience. It is a perfect song for someone who is going through a tough time in their life. The lyrics are very relatable and the melody is very soothing. This is one of those songs that you can listen to over and over again and never get tired of it.

Describe what makes Lata Mangeshkar’s voice so unique and special

Lata Mangeshkar is often referred to as the Nightingale of India and is one of the most celebrated playback singers in Bollywood history. Her unique voice has been described as “honey-coated” and “clear as a bell”, with a wide range and perfect pitch. Lata Mangeshkar began singing at a young age and made her film debut in “Paa laagu kar jori re” from “Aapki Sewa mein” (1947). She went on to record songs for hundreds of Hindi films and has sung in over 20 languages. Mangeshkar’s voice is truly one of a kind and her contributions to the world of Bollywood music are immeasurable.

How Her Songs Are Still Relevant Today

Lata Mangeshkar is often referred to as the Nightingale of India and has been praised for her exceptional vocal abilities. She has recorded songs in over a thousand Hindi films and has sung in multiple languages .

One of the things that makes Lata Mangeshkar’s music timeless is her ability to connect with her listeners. Her songs are full of emotion and resonate with people even today. In a world where Bollywood movies are increasingly becoming more formulaic, her songs offer a much needed respite. They are a reminder of a simpler time when movie songs were truly reflective of the human experience.

Some of Lata Mangeshkar’s most popular songs include “Bhigi Bhigi Rato Me”, “Tum Aa Gaye Ho Noor Aa Gaya”, “Zindagi Pyar ka Geet Hai”, “Gum Hai Kisike Pyar Me” and “Dil To Hai Dil”. These songs are still relevant today because they deal with universal themes such as patriotism, love, heartbreak and longing. No matter what language you speak or where you’re from, these songs will speak to you on a deep level.

The continued influence of her music and how it has impacted subsequent artists

Lata Mangeshkar is one of the most prolific and respected playback singers in India. She has sung hundreds of songs in Hindi and other Indian languages over her career, which spans more than seven decades. Her music has been influential to subsequent generations of Indian artists, both in terms of her vocal style and the choice of songs she has recorded.

Mangeshkar’s influence can be heard in the work of many contemporary Indian singers. For example, Sunidhi Chauhan has cited Mangeshkar as an inspiration, saying “I grew up listening to Lataji’s songs and try to emulate her style in my own singing.” Similarly, Shreya Ghoshal has said that “Lataji is my biggest inspiration… There is no one who can match her versatility or expressiveness.”

Lata Mangeshkar’s work has also been referenced by a number of international artists. In a 2013 interview, Beyoncé said that she was influenced by Mangeshkar when she was growing up: “My mom used to play a lot of Hindi movie music around the house… I definitely remember being fascinated by the sound of Mangeshkar’s voice.” .

Conclusion

Lata Mangeshkar has been an iconic figure in the Indian music industry for over 70 years, and her influence on popular culture will no doubt continue for generations to come. Her timeless songs have touched the hearts of millions, transcending boundaries of language and geography. There is no denying that Lata Mangeshkar was a pioneer when it came to Bollywood music, and she deserves all the respect and admiration that has been bestowed upon her by fans around the world.

[bollywoodproduct]

Lyrics Tere Kooche Me Tera Deewana

Lyrics Tere Kooche Me Tera Deewana

Lyrics in English | Tere Kooche Me Tera Deewana | Heer Ranjha (1970) | Mohammed Rafi O (2)Ho (2)Tere Kooche Me Tera DeewanaAaj Dil Kho Baitha (2)Tere Kooche Me Tera DeewanaAaj Dil Kho Baitha (3)Kho Baitha (2)Aaj Dil Kho Baitha ………. Tera Deewana Hoon Inkaar NahiKaise Kah Doon Ke Mujhe Pyar NahiTera Deewana Hoon Inkaar NahiKaise Kah Doon Ke Mujhe Pyar NahiKuchh SharaaratTeri Aankhon Ki Bhi…

[bollywoodirect]

Tributes to the great Hindi film music director C Ramchandra on his birth anniversary (12/01). Roshan, Jaikishan, Anil Biswas, Hemant Kumar, C Ramchandra, Mohammed Shafi (Sitarist, composer, arranger), Naushad and Madan Mohan. What are your favourite C Ramchandra songs?

[postoastblog]

21 Bollywood Old Songs That Will Remain Evergreen Till Eternity

Our Bollywood film industry is known for its amazing songs and dance moves. Indian cinema has a long history of music in films. The legendary singers like Kishore Kumar, Lata Mangeshkar, etc have sung some of the evergreen old songs whose lyrics are so beautiful they’ll instantly make you love the song. Maybe that’s the reason your grandfather or dad keeps playing the old classic songs and gets lost in their melody.

Here we have a list of some best old Bollywood songs that tend to stay close to you forever.

Zindagi Ek Safar Hai Suhana: This song was sung by the legendary Kishore Kumar for the movie Andaz in 1971. The song also received the Filmfare for the Best Lyricist. It was written by Hasrat Jaipuri.

Tere Bina Jiya Jaye Na Jaye Na: This iconic old song was sung by Lata Mangeshkar, written by Gulzar for the 1978 film Ghar featuring and stars Rekha and Vinod Mehra. The music direction of Tere Bina Jiya Jaye Na was done by R.D. Burman.

Hamen Tumse Pyar Kitna: This song was sung by Kishore Kumar for the 1981 film Kudrat. Written by Majrooh Sultanpuri, and the Music Director of Kudrat was R.D. Burman. The song was also nominated for the Filmfare.

Abhi Na Jao Chod Kar: This iconic song was sung by Mohammed Rafi and Asha Bhosle for the 1961 film Hum Dono starring Dev Anand and Sadhna. Jaidev was the Music Director and the lyricist was Sahir Ludhianvi.

Roop Tera Mastana: The song was sung by legend Kishore Kumar and he won the Filmfare for the Best Male Playback Singer for this song. The song was sung for the 1969 film Aradhana that featured Sharmila Tagore and Rajesh Khanna. The lyrics were written by Anand Bakshi and the music was composed by S.D. Burman.

Pyar Hua Ikrar Hua: This amazing song was sung by Lata Mangeshkar, Manna Dey. This song was featured in the movie Shree 420 starring Raj Kapoor and Nargis.

Ek Ajnabee Haseena Se: The song was sung by Kishore Da and was featured in the 1974 film Ajanabee starring Rajesh Khanna and Zeenat Aman. The on-screen chemistry of the actors together made this song magical. R.D. Burman was The Music Director of this song.

Kuch Toh Log Kahenge Logon Ka Kaam Hai Kahana: This superhit classic old Hindi song was sung by Kishore Kumar from the blockbuster Hindi movie of Amar Prem (1972) starring Rajesh Khanna and Sharmila Tagore. The music was composed by R.D.Burman and lyrics were penned by Anand Bakshi.

Mere Sapno ki Rani Kab Ayegi Tu: This iconic Hindi classic romantic song was sung by Kishore Kumar and was featured in the 1969 film Aradhana that featuring Rajesh Khanna and Sharmila Tagore. The lyricist of the song is Anand Bakshi.

Lag Ja Gale: Sung by Lata Mangeshkar, this evergreen song features in Who Kaun Thi?. Written by Raja Mehdi Ali Khan, the iconic song was released in the year 1964. It stars Manoj Kumar alongside Sadhna. Madan Mohan Kohli is the music director.

Likhe Jo Khat Tujhe: Sung by Mohammed Rafi, this old Bollywood song was one of the most heartwarming songs of the movie Kanyadan. The film featured legends like Shashi Kapoor and Asha Parekh. The lyrics were written by Neeraj.

Kya Hua Tera Wada: The song was composed by R. D. Burman. Sung by Mohammed Rafi and Sushma Shrestha, the song won both Filmfare best male playback singer and National film award.

Humein Tumse Pyar Kitna: This beautiful Hindi song was sung by the legend Kishore Kumar and was composed by R. D. Burman. The song was featured in the 1981 Indian Hindi drama film, Kudrat. The movie starred Rajesh Khanna and Hema Malini. The song is heard twice in the movie, the first time by Parveen Sultana and the second time by Kishore Kumar.

Kabhi Kabhie Mere Dil Mein: It is an old Hindi song from the movie Kabhi Kabhie released in the year 1976 featuring Amitabh Bachchan and Raakhee. The lyricist of this amazing song is Sahir Ludhianvi. The original song is in literary Urdu and was in fact a poem from his collection Talkhiyan.

Yeh Dosti Hum Nahi Todenge: This is one of the most epic Bollywood songs on friendship. The song was sung by Kishore Kumar and Manna Dey for the popular movie Sholay featuring Amitabh Bachchan and Dharmendra. R. D. Burman composed the music, and the lyrics were written by Anand Bakshi.

Mera Joota Hai Japani: This song is one of the most popular old songs from Raj Kapoor’s film Shree 420 that was released in 1955. The song was sung by Mukesh and Shailendra was the lyricist.

Tera Mujhse Hai Pehle Ka Naata Koi: This song is from Shashi Kapoor and Sharmila Tagore starrer movie Aa Gale Lag Jaa. Kishore Kumar sang the song and the music was given by R. D. Burman. The lyrics are penned by Sahir Ludhianvi.

Ek Radha Ek Meera: Sung by Lata Mangeshkar, this song featured in the 1985 romantic drama movie Ram Teri Ganga Maili that starred stars Mandakini and Rajiv Kapoor. Ravindra Jain was the music director of the film and he received a Filmfare Award for this movie.

Yeh Raaten Yeh Mausam: Sung by legends like Kishore Kumar and Asha Bhosle, this song featured in the film Dilli Ka Thug. The music was by Ravi and the lyrics were penned by Shailendra.

Tum Ko Dekha Toh Ye Khayal: This evergreen ghazal was sung by Jagjit Singh and Chitra Singh for the 1982 film Saath Saath featuring Farooque Shaikh and Deepti Naval in the lead roles.

Tujhse Naraz Nahin Zindagi: The song has a female and a male version that was sung by Lata Mangeshkar and Anup Ghoshal respectively for the 1983 film, Masoom. The song was composed by R. D. Burman and the lyrics of the song were written by Gulzar. He also won a Filmfare Award for Best Lyricist for this song.

[mylyricsdost]

Bairan Neend Na Aaye Lyrics

SONG CREDITS Movie -  Chacha Zindabad (1959) Singer - Lata Mangeshkar Composer - Madan mohan Lyricist - Rajendra Krishan

Bairan Neend Na Aaye Lyrics

Bairan nind na aye, mohe bairan nind na aye Mora jiya ghabaraaye … Suni padi meri palakon ki galiyaan Kaun khilaaye nindiya ki kaliyaan Apane bhi hain paraaye … Laakh jatan karun, ankh na laage So gayi khushiyaan aur gm jaage Ghaayal man kit jaaye … Yaad aye jab pyaar ki baaten Aur bhi lnbi ho jaaye raaten Bhor najr nahi aye … In addition, to the lyrics, you can also watch the music video of Bairan Neend Na Aaye. Bairan Neend Na Aaye Lyrics Youtube Video https://www.youtube.com/watch?v=AWuA5EgfdLo I hope you enjoyed the song Bairan Neend Na Aaye Lyrics. Please share your valuable comments within the comment box. If you don’t discover your favored song lyrics, then you can request us to feature the tune in our library here. Thank You for visiting us! Read the full article

[werindialive]

Singer Composer Bhupendra Singh passes away at the age of 82

Singer-composer Bhupinder Singh who would stir emotions in even a heartless soul passed away in a Mumbai hospital on Monday. He was known for his melodious voice and hundreds and thousands of ghazals and songs that he composed and sang during his years in the industry. Bhupendra was 82.

Bhupendra’s Bangladesh-born wife and fellow ghazal singer Mitali Mukherjee (Singh) told PTI that "He was suffering from colon cancer and diagnosed with Covid just a week ago."

Bhupendra was born and brought up in Amritsar and had a knack for ghazals which made him a superstar among the fan base. His voice and Gulzar’s poetry were a concoction that would make anybody fell in love with music. 'Dil dhoondta hai phir wohi' (Mausam), 'Ek akela iss sheher mein' (Gharaonda) and Karoge Yaad Toh were some of his finest gems. He worked with Madan Mohan, Jaidev, Khayyam and RD Burman and gave some amazing songs and ghazals to the world.

"He was a singer with an original, smoky voice. He was the favorite singer of RD Burman and Gulzar," ghazal singer Anoop Jalota said.

He grew up in Delhi and was discovered by Madan Mohan who took him to Bombay with him. He was born to a music teacher and had worked with singing legends like Mohd Rafi, Manna Dey, Talat Mahmood.

Initially, after singing a lot of superhit songs for Bollywood, Bhupendra took venture in Ghazal singing with wife Mitali Singh and the two were instant hit rest being the history.

For more Bollywood news and gossips, subscribe to our newsletter.

[odishaphotos]

Prahlad drama

Prahlad drama

A folk drama based in Ganjam district

Rahlad Natak or Prahallad Natak (also known as Raja Nat, Raja Natak) [1] is a traditional play performed in Ganjam district. It contains both classical and secular parts. In this play, Narasimha's story is conveyed through songwriting. Its main text is named after King Ramakrishna Chhotarai. Although the lyrics of Prahlad's play are based on the name of Ramakrishna, it has been accepted by researchers to be the poet Gaurahari Parichha. Later, other kings of Ganjam, such as Surangi Raja Kishore Chandra Harichandan Jagaddev Rai, Tarla Raja Ramchandra Shurdeo, Dharakot Raja Madan Mohan Singhdev and Padmanabh Narayan Dev of Paralakhemundi, wrote Prahladnatak.

The play features twenty male characters and five female characters. One of them, a character named Gahak, enters the stage and explains the event. This character is consistent with the formula found in Sanskrit and Greek dramas. Among the characters are Prahlad, Hiranyakashipu, Lilavati, Shukracharya, Mantri, Gahak, Chandmark, Ganesha, Saraswati, Brahma, Indra, Dwari, Charagan, Asuragan, Balakan, Narad, Gajakarna, Sapua, Mahuntas, etc.

Presentation--

Stage

It is well known for its special stage productions used in Prahlad's play. No theater is required for acting. The play is usually performed on the outskirts of the village or in an open area. A staircase with a staircase in front is installed. It has about 4 steps. In rural languages, the stage with this step is called the stage. The floor in front of the stage is used for dancing and acting. It is said that the seven saints of Hiranyakashipur are represented by the seven steps of the Adhipatya Manchar. The stage is mainly thought of as the court of Hiranyakashipur. The pottery minister, the queen, etc., sit on the top of the stage on either side of Hiranyakashipur. Musicians and drummers sit on either side of the stage.

Musical instrument--

The main instrument in Prahlad's play is the harp. It is a kind of air-conditioned musical instrument. The introductory song gives an early start to the song. At the same time, harmonies, guinea pigs, and harmonies are used today. There are usually two percussionists and some guinea and jazz musicians. The lead singer performs most of the songs, playing the harmonium, and the pianists assist him in the singing.

Music-- Many of the songs are composed in the Prahlad play written by King Ramakrishna Chhotarai. The rhythm and rhythm of each song are directed. The music method is entirely scriptural based on Utkaliya or Odissi music. Not all of Prahlad's plays are in the folk music category. The best proof of the classicality of Odissi music is the song of this Prahlad play. The ragas used are - Bhairavi, Sri, Kalyani, Saberi, Khamach, Jhinjoti, Anandbhairavi, Purikalyani, Marua, Shankaravaran, Nadaramakriya, Sehana, Nata, Pantavaradi, Todi, Ghantarab, Kamodi, Sroha, Arupu, Sreepha, Sreepta, Regu, Yamunakalyani, Kedargauda, ​​Desi Khamach, Mukhari, Desh, Nabaroj, Todi Punnag etc. The ropes used were - eight, one, etc. and figurines. Many of these rages and rhythms are not available in other forms than Odissi music.

Dance-- Prahlad's dance demeanor is mainly violent. Lasya dance is short. The dance back and forth on the Hiranyakashipur stage is especially popular. Prahlad also dances in the play with a quick footsteps, showing a cycle of zeroes. Prahladnatak's eminent researcher Vishwabihari Khadanga divides the violent dance into six parts and shows that it is mentioned in various plays. Folk dance styles such as Chandmark and Shabar Shabaruni are also part of it. Artist-- One of the oldest gurus is the Durga Das dynasty of Ichchapuram. He is followed by Laxman Shatapathi, Bankini Shatapathi, Raghunath Shatapathi, Trinath Pradhan, Ganga Dora, Simanchal Patra, Kalia Kamp, Krishna Kansari and Ram Badatya. Khali Behera and Simanchal Patra are known for their role in Hiranyakashipu. In the next generation, Vrindavan Jena, Rajendra Patra, Gokulananda Pradhan, Santosh Rana and others are famous. In Ganjam's Kukudakhandi, Kulad, Kabisuryanagar, Bhanjanagar, Padmanabhapur and other areas, there are still about 40 Rajanatak teams or capital.

Change-- During the performance of Prahlad's play, Nrsingh's body is worshiped with a venerated face, while Nrsingh's body is sometimes blackened. When it comes down to it, the actor's body radiates incredible energy, and it takes between ten and twenty people to maintain it. Failure to do so, he becomes an angry destroyer like Narsingh. It is alleged that the ambassador provided the information to the complainant. Iron or brass nails are no longer used in Prahlad's play since the incident. Previously, most of Prahlad's sixteen sentences were actually held. Prahlad's character was adept at all these arts and performed them. Snake bites, for example, were used to poison real snakes. In modern times that practice has been discontinued.

[bollywoodproduct]

Lyrics Milo Na Tum To Hum Ghabraayen

Lyrics Milo Na Tum To Hum Ghabraayen

Lyrics in English | Milo Na Tum To Hum Ghabraayen | Heer Ranjha (1970) | Lata Mangeshkaar Milo Na Tum To Ham GhabraayenMilo To Aankh ChuraayeHamen Kya Ho Gaya Hai (2)Milo Na Tum To Ham GhabraayenMilo To Aankh ChuraayeHamen Kya Ho Gaya Hai (2)Tumhi Ko Dil Ka Raaz BataayenTumhi Se Raaz ChhupaayenHamen Kya Ho Gaya Hai (2)………… Antakshari Songs from “M” O Bhole SaathiyanDekhi Jo Shokhi Tere Pyar…

[bollywoodirect]

Birthday greetings to the living music legend of the Hindi film industry, Sri #Pyarelal Ramprasad Sharma (03/09).

The iconic music director duo #LaxmikantPyarelal is synonymous with Hindi film music, particularly its popular hits. Born on September 3, 1940, Pyarelal Ramprasad Sharma is the son of the renowned trumpeter, Pandit Ramprasad Sharma, also known as Babaji. Under his father's guidance, Pyarelal started learning the violin at just 8 years old, dedicating 8 to 12 hours daily to practice. He further refined his violin skills under Goan musician Anthony Gonsalves. The song "My Name Is Anthony Gonsalves" from the film Amar Akbar Anthony is a tribute to Gonsalves, featuring music by the Laxmikant–Pyarelal duo.

At 12, Pyarelal began playing the violin in various studios, including Ranjit Studios, to support his family financially. His brother, Gorakh Sharma, also contributed by playing guitar for songs composed by Laxmikant-Pyarelal.

The duo first gained widespread recognition with their music for the 1964 film Dosti, produced by Rajshri Productions. Despite relatively unknown lead actors, the film's memorable songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" made it a hit. Many initially thought Laxmikant–Pyarelal was a single person. They won their first Filmfare Award for Best Music Director for Dosti, beating industry giants like Shankar–Jaikishan and Madan Mohan. Their subsequent work in films like Lootera, which featured famous Lata Mangeshkar songs, also gained fame.

By 1966, Laxmikant–Pyarelal had firmly established themselves in Bollywood. They continued to earn acclaim for their music in films like Aaye Din Bahar Ke and Pyar Kiye Jaa. In 1967, they had a series of hits, including the Golden Jubilee musical hit Farz, and other big-star films like Anita and Shagird. They won their second Filmfare Award for the film Milan.

Laxmikant–Pyarelal, along with contemporaries like Rahul Dev Burman and Kalyanji-Anandji, represented a new era in Bollywood music, overshadowing earlier composers. They were frequently chosen by major film producers and consistently delivered exceptional music.

Their significant collaboration with lyricist Anand Bakshi led to some of Bollywood’s most iconic songs, appearing in over 250 films. Anand Bakshi wrote the lyrics for all the films that earned Laxmikant–Pyarelal Filmfare Awards, except for their first. #RajeshKhanna also had a long-standing professional relationship with the duo, choosing them as the music directors for 26 of his films.

Another fruitful partnership was with singer Asha Bhonsle, who voiced numerous hits composed by Laxmikant–Pyarelal, including chart-toppers like "Dhal Gaya Din" and "Hungama Ho Gaya." The latter song was re-recorded for the 2014 film Queen and became a massive hit again. Between 1980 and 1986, Asha Bhonsle was often the lead vocalist for their compositions. Laxmikant–Pyarelal also scored music for the Telugu film Majnu in 1987, which was well-received for its musical numbers.