#Sondra Currie

[mudwerks]

(via Pulp International - Vintage poster for Mamas Dirty Girls with Gloria Grahame)

[green-light-kid]

“Time is our oyster!”

VOYAGERS! “Pilot”

[badmovieihave]

Bad movie I have Big Screen Bombshells it has Chain Gang Women 1971, Cindy and Donna 1970, Galaxina 1980, Hustler Squad 1976, Las Vegas Lady 1975, Lena’s Holiday  1991, Pick-Up 1975, Policewomen 1974, Single Room Furnished 1966, The Sister-in-Law 1974, The Stepmother 1972, and Superchick 1973

[oncegreatness]

— character info sheet.

(repost, don’t reblog)

name: Basil Karlo.

name meaning: Literally named after Boris Karloff and Basil Rathbone. Basil is a plant, also.

alias/es: Clayface, or Clayface I.

ethnicity: Mostly German and Indian-American [as a nod to Boris Karloff]. Other than that, we don't know specifics.

one picture / icon you like best of your character:

three h/cs you never told anyone:

I've said it on Discord forever ago so technically not cheating, but he is wholly immune to prion diseases. He simply out-mutates the prions.

Other voiceclaims I'd considered for him were Tony Jay and Tim Curry. Eventually I decided the vocal dissonance of having him be mainly voiced by Vincent Price was too good to pass up.

I've implied it, but he suffers from pretty bad Wernicke-Korsakoff syndrome, or wet brain disease, due to a lifetime of alcoholism. More on that here. It's bad, yes, but he has been convinced to try and get help.

three things your character likes doing in their free time:

Drinking. Dear god, drinking. It started off as a way to numb the pain of his nerve endings being on fire, but of course the 1900's just spurred on social drinking as a movement overall.

Providing snarky commentary on any situation ever. He revels in being a catty gay.

Just vibing NGL. Gotham is a very hectic place, and Basil is old as shit despite the powers offering a physical boost. Boy needs a break sometimes!

eight people your character likes / loves:

[main AU and in any AUs where I happen to write them both] Viktor Albrektsson Fries/Mr. Freeze. They're in an awkward polycule with Nora. Literal ride or die.

Sondra Fuller. The only child he doesn't view as a parasite, for whatever reason. Honestly, even I don't really know why he immediately latched onto Sondra. Perhaps it's because she reminds him of himself.

@enignoema he's quite fond of Riddler. Quite. It's genuinely rare people get beneath that exterior and tragically Eddie has captivated him.

Mary! @babydxhl :) best buds forever

Film Freak as a broad general. Fuck yeah, a loser who only speaks in movie references.

[NPC] Thierry Baudin. Arguably the first person he ever truly loved and wasn't just using as a means to an end. Baudin had a dark side to him, one he tried to only express in his camerawork.

@ people: yeah IDK interact with me more?? Shrug. My characters don't know a whole lot of people on the Tumblr side of things.

two things your character regrets:

Not killing his father.

At his lowest moments, the fact he wasn't the one who died. He managed to hide his having AIDS, as he was somewhat sickly to begin with.

one phobia your character has:

Being alone. He'll never cop to it, though. Who is he when he isn't performing? I don't think he knows; maybe he never knew.

Tagged by: I stole this lmfaooo

Tagging: @enignoema , @babydxhl ; whoever else wants, I'm going to bed in a bit and I have a literal single digit number of followers on this blog

[leaarongmail-blog]

POLICEWOMEN (1974) Opening Credits - Sondra Currie

[dear-indies]

Hello lovely! I hope this asks finds you well! I was wondering if you had any suggestions on an older female fc of Kennedy McMann? Red hair is preferred but not necessary! Age range doesn’t matter either, thank you so much sweetheart I hope you have a wonderful day/night! You are valued and loved xoxoxo !!

Sondra Currie (1947)

Julianne Moore (1960)

Marcia Cross (1962)

Kate Walsh (1967)

Connie Britton (1967)

Amy Adams (1974)

Emily Deschanel (1976)

Kelly Reilly (1977)

Cassidy Freeman (1982)

Bridget Regan (1982)

Alexandra Breckenridge (1982)

You're so sweet, thank you so much! All of these have or have had roles with red hair!

[diabolikdiabolik]

Policewomen (1974)

[goldengirlsobsession]

[writemarcus]

Savion Glover, Jason Robert Brown, Priscilla Lopez, More Join NYPL I'm Still Here Benefit

BY ANDREW GANS

JUN 16, 2021

The upcoming benefit, celebrating the New York Public Library's Billy Rose Theatre Division, honors George C. Wolfe and the late Harold Prince.

Additional artists have joined the upcoming I'm Still Here benefit, celebrating the 90th anniversary of The New York Public Library for the Performing Arts’ Billy Rose Theatre Division and the 50th anniversary of its Theatre on Film and Tape Archive.

Honoring Tony-winning directors George C. Wolfe and the late Harold Prince, I’m Still Here will stream on Broadway on Demand June 23 at 8 PM ET.

Jason Robert Brown, Savion Glover, Priscilla Lopez, Susan Stroman, Marisha Wallace, and Christopher Wheeldon have joined the starry roster of participants. The evening, as previously announced, will also feature archival content of several Broadway productions preserved in the archive, including the newly announced Angela Bassett and Samuel L. Jackson in The Mountaintop; Bette Midler in I'll Eat You Last; Brian Stokes Mitchell in Ragtime; Kelli O'Hara and Paulo Szot in South Pacific; Christian Borle and Tim Curry in Spamalot; and Craig Bierko and Rebecca Luker in The Music Man.

Viewers can expect to see Glover, Jimmy Tate, Choclattjared, and Raymond King in Bring in 'da Noise, Bring in 'da Funk; Meryl Streep, Marcia Gay Harden, and Larry Pine in The Seagull; Lin-Manuel Miranda, Robin de Jesús, Christopher Jackson, Karen Olivo, Andréa Burns, Janet Dacal, Eliseo Román, and Seth Stewart in In the Heights; and Glenn Close in Sunset Boulevard.

Watch Stephanie J. Block Belt Out She Loves Me's 'A Trip to the Library' for NYPL I'm Still Here Benefit

Also taking part: Annaleigh Ashford (Sunday in the Park with George), Alexander Bello (Caroline, or Change), Laura Benanti (She Loves Me), Malik Bilbrew, Alexandra Billings (Wicked), Susan Birkenhead (Jelly’s Last Jam), Shay Bland, Alex Brightman (Beetlejuice), Matthew Broderick (Plaza Suite), Krystal Joy Brown (Hamilton), David Burtka (Gypsy), Sammi Cannold (Endlings), Ayodele Casel (Chasing Magic), Victoria Clark (The Light in the Piazza), Max Clayton (Moulin Rouge!), Calvin L. Cooper (Mrs. Doubtfire), DeMarius Copes (Mean Girls), Trip Cullman (Choir Boy), Taeler Elyse Cyrus (Hello, Dolly!), Quentin Earl Darrington (Once on This Island), Robin de Jesús (In the Heights), André De Shields (Hadestown), Frank DiLella (NY1), Derek Ege, Amina Faye, Harvey Fierstein (La Cage aux Folles), Leslie Donna Flesner (Tootsie), Chelsea P. Freeman, Joel Grey (Cabaret), Ryan J. Haddad (The Politician), Sheldon Harnick (Fiddler on the Roof), James Harkness (Ain’t Too Proud), Marcy Harriell (Company), Neil Patrick Harris (Hedwig and the Angry Inch), Mark Harris (Mike Nichols: A Life), David Henry Hwang (M. Butterfly), Cassondra James (Once on This Island), Marcus Paul James (Rent), Taylor Iman Jones (Hamilton), Maya Kazzaz, Tom Kirdahy (The Inheritance), Hilary Knight, Michael John LaChiusa (The Wild Party), Norman Lear (Good Times), Baayork Lee (A Chorus Line), Sondra Lee (Hello, Dolly!), Telly Leung (Aladdin), Ashley Loren (Moulin Rouge!), Allen René Louis, Brittney Mack (Six), Taylor Mac (Gary: A Sequel to Titus Andronicus), Morgan Marcell, Aaron Marcellus, Joan Marcus, Michael Mayer (Spring Awakening), Sarah Meahl, Joanna Merlin (Fiddler on the Roof), Ruthie Ann Miles (Sunday in the Park with George), Bonnie Milligan (Head Over Heels), Rita Moreno (West Side Story), Leilani Patao (Garden Girl), Nova Payton (Dreamgirls), Joel Perez (Kiss My Aztec), Bernadette Peters (Into the Woods), Tonya Pinkins (Jelly’s Last Jam), Jacoby Pruitt, Sam Quinn, Phylicia Rashad (A Raisin in the Sun), Jelani Remy (Ain’t Too Proud), Leslie Rodriguez Kritzer (Beetlejuice), George Salazar (Be More Chill), Marilyn Saunders (Company), Marcus Scott (Fidelio), Rashidra Scott (Company), Rona Siddiqui (Tales of a Halfghan), Ahmad Simmons, Rebecca Taichman (Indecent), Jeanine Tesori (Fun Home), Bobby Conte Thornton (Company), Sergio Trujillo (On Your Feet), Kei Tsuruharatani (Jagged Little Pill), Ben Vereen (Pippin), Jack Viertel, Christopher Vo, Paula Vogel (Indecent), Nik Walker (Ain’t Too Proud), Shannon Fiona Weir, Helen Marla White (Ain’t Misbehavin’), Natasha Yvette Williams (Orange Is the New Black), and Ricardo Zayas (Hamilton).

The program will also feature interviews with Broadway artists plus the re-conception of classic musical theatre songs, including "A Trip to the Library," “Wheels of a Dream,” “Another Hundred People,” “Love Will Find a Way,” and, fittingly, “I’m Still Here.”

READ: The Woman Who Fought to Record and Preserve Broadway Shows

The virtual benefit is produced and conceived by Boardman and Doran and features direction by Steve Broadnax, Sammi Cannold, Nick Corley, Ty Defoe, Lorin Latarro, Mia Walker, and Jason Michael Webb, choreography by Ayodele Casel, Latarro, and Ray Mercer, with new music arranged by Rachel Dean and Annastasia Victory, arrangements and orchestrations by Brian Usifer, and casting by Peter Van Dam at Tara Rubin Casting.

Tickets are donate-what-you-can, with a recommendation of at least $19.31 in honor of the year the division was founded. Visit StillHereat90.com.

[rachelkaser]

Stay Golden Sunday: Big Daddy’s Little Lady

Blanche’s father returns with a new fiancée who’s younger than his daughter. Dorothy and Rose write the world’s greatest song about Miami.

Picture It...

Sophia is skimming the obituaries for recent deaths to see if there are any widowers she can pick up for a date, to Dorothy’s disapproval. Rose enters, excited about a songwriting contest. It’s for a song about Miami, and there’s a $10,000 prize pool for the winner. Rose wants to enter, saying she’s written songs before, but Dorothy swiftly realizes her lyric-writing abilities are lacking. She offers her own experience poetry-writing and they agree to write up the song together. Blanche enters the kitchen just in time to get a phone call from her father. He’s apparently got a surprise for Blanche and is coming that weekend to reveal it.

DOROTHY: We could be the next Rodgers and Hammerstein! The next Simon and Garfunkel! The next-- ROSE: Shari Lewis and Lamb Chop! DOROTHY: ...I don’t think i could get my hand that far up your dress. But I’ll tell you, for $10,000 I’d be willing to give it a shot.

Rose and Dorothy are working at a piano in the living room (how they got a piano isn’t really explained), testing to see how Dorothy’s lyrics and Rose’s tune go together. The music is good, but requires messing with the lyrics. The two quickly get into a dispute over the word “thrice” and are forced to take a break. Dorothy says there are some words, such as “intrauterine” that don’t belong in a song (not that it stops Rose from trying). Blanche enters, as her father is about to arrive.

Mr. Hollingsworth arrives and delivers yet more compliments to both his daughter and to Sophia. (Sophia: “Get out the boots. He’s back.”) He tells Blanche that he’s met a widow named Margaret Spencer and they’ve been seeing each other for some time. Blanche wants to meet her, and Big Daddy reveals his surprise: He and Margaret are getting married. Blanche shrieks in glee and offers to throw the wedding herself, to which Big Daddy agrees.

Rose and Dorothy are trying out their latest composition before Blanche, and it’s going well until Blanche points out that the lyrics “M-I-A-M-I spells Miami Beach” aren’t accurate. Rose and Dorothy bicker about it, with Dorothy challenging Rose to come up with a rhyme for “Miami,” and Rose coming up with salami, pronounced “sah-lammy.” Blanche leaves the room to go prepare for the wedding caterer to arrive. There’s a ring at the bell, and Dorothy answers to admit a beautiful redhead, in her 40s at the oldest, who introduces herself as Margaret Spencer.

Rose, Dorothy, and Blanche, who enters at that moment, are surprised that Big Daddy’s squeeze is so young and attractive. Margaret attempts to make polite conversation with Blanche, who starts making barbed remarks about how young Margaret is. Coincidentally Big Daddy arrives and Dorothy and Rose quickly usher Margaret out to the lanai before the fireworks start. Blanche tells Big Daddy that she thinks Margaret is a “gold-digging hussy” and he’s making a fool of himself. Offended, Big Daddy takes Margaret and leaves, saying he’ll cut Blanche off if she can’t respect his decisions.

ROSE: Sometimes two people who seem to have the least in common turn out to be the most in love. That was certainly the case with Ollie Nofstetlermeyer and Molly Jane Doe. BLANCHE: “Ollie and Molly?” Must we take yet another trip to Petticoat Junction?

Later that night, Dorothy and Rose are having songwriter’s block and meet with Sophia in the kitchen for cheesecake. Blanche, still stressed about the situation with her father, enters and asks for a piece. They try to tell her that it’s not that bad, and older men frequently date younger women. Rose tells a St. Olaf story to prove her point about how love has no boundaries -- and it’s not anyone’s business. Blanche protests that it’s her business and decides to go confront them at their hotel. As she leaves, she drops a line that gets Dorothy and Rose’s creative juices flowing.

Blanche arrives at the hotel and asks to talk to her father. She tells him that she understands how being older and being a widower, he must be lonely, but doesn’t understand why he wants to marry such a younger woman. Big Daddy responds that it’s very difficult to watch the person you love die, and to find love again. Blanche thinks he means her mother, but he was actually referring to Margaret, whose first husband died years earlier after a long illness.

BLANCHE: Sophia, you know people in their 70s and 80s can have great sex. SOPHIA: Yeah, with people in their 70s and 80s. Put me in a bedroom with Tom Cruise, and you’d be peeling me off the ceiling. 

Blanche, stunned at this news, apologizes for being so protective of her father. He says he and Margaret still want her blessing, and Margaret returns just then. Blanche tells Margaret that she’s glad they both want the best for Big Daddy and welcomes the other woman into her family. They hug as Big Daddy looks on with a smile. Sometime later, Blanche shows Sophia a postcard from the honeymoon, and Sophia congratulates her on handling it well.

Rose and Dorothy return from the songwriting contest looking glum. Blanche asks how they did, and they say they came in second place. But they don’t have anything to show for it, and they were treated rudely while at the contest. Blanche asks to hear their song, and they put up a token resistance before running over to the keyboard. We close out the episode with the best musical moment of the entire series.

“Rose, play or die.”

Big Daddy returns just a few episodes after he made his first appearance, played by David Wayne following the death of Murray Hamilton. His decisions continue to be a bit questionable, but his decision to marry a gorgeous redhead half his age is a bit more understandable than his decision to try and hack it as a singer. However, his story is completely eclipsed by the songwriting part of the episode. But more on that in a moment.

ROSE: [telling a St. Olaf story] A lot people don’t know this, but the family drama Hey, That’s My Tractor got its start right there. DOROTHY: Wasn’t the musical version called Hey Hey, That’s My Tractor?

Blanche learns the same lesson this episode that she did in the previous episode Big Daddy was in (and that Rose learned when her mother was visiting), which is basically, “Don’t treat your parent like a child who needs correcting just because they make choices with which you don’t agree.” It’s getting a little repetitive, but to give her the benefit of the doubt, I do think Big Daddy's behavior is a little more worrying than Alma Lindstrom’s was.

Big Daddy’s been very blithe about his lifestyle choices in both episodes, and I don’t know if it’s just the inherent privilege of being a rich, older man that he doesn’t seem to realize how unusual his actions are. Starting a country-western singing career in your 80s and selling all your property to do it is worrying no matter which way you slice it. And while marrying a beautiful younger woman isn’t as bad, the fact that he says he didn’t tell Blanche because, “I didn’t think age mattered to you,” is either extremely naïve or nakedly manipulative, with his previous behavior making me lean towards the former.

BLANCHE: Rose, Dorothy, smell me! DOROTHY: I only do that with the milk, Blanche, you know the rules.

I’m all in favor of loving whoever makes you happy, but let’s be honest: Marrying a woman younger than your adult daughter, no matter how much you might genuinely love her (the wife, I mean), is unusual and not always indicative of a healthy partnership. Not telling your daughter about it and then acting shocked when she finds out and assumes the younger woman is taking advantage is the epitome of head-in-sandedness (I used to call this “ostriching,” but fun fact: Burying their heads is not a thing ostriches actually do).

I’ve learned via my usual sources that this episode originally featured much more dialogue from Margaret Spencer. Lots of Big Daddy’s dialogue was originally hers, or at least so actress Sondra Currie tells it (her friends said the finished episode features so much of the back of her head she might as well be auditioning for a shampoo commercial). I wonder if some of the lines, such as Margaret’s backstory about her late husband or the assertion that age doesn’t matter to her and Big Daddy, would have sounded better coming from her. I suppose we’ll never know.

Unfortunately for Big Daddy, we’re now 2-for-2 on episodes featuring him where the B-plot is significantly more interesting than the A-plot in which he features. Dorothy and Rose writing a song together and performing several iterations of it throughout the episode is just the best thing. The fact that this part of the episode is so memorable is why I feel comfortable giving it five slices even when I’m not crazy about the Big Daddy storyline.

Watching Dorothy and Rose clash over the piano is just perfect writing, and even their “bad” songs are better than a lot of other songs I’ve heard. I honestly can’t come up with anything else to say about it -- if you’ve seen the episode you know why every single part of the episode as it relates to their songwriting is solid gold and needs no introduction. Everything from “intrauterine” to “salamee” is worth a laugh, and the final song is a banger and I will fight anyone who says differently.

DOROTHY: You know, Rose, I have to confess I dabbled a little in poetry-writing in high school. ROSE: Oh, that’s nothing to be ashamed of. A lot of tall girls who couldn’t get dates wrote poetry in high school. [...] ROSE: Blanche, Dorothy and I have decided to enter a songwriting contest together! BLANCHE: Oh, now that sounds like fun! You know, I always wanted to write a song, but it’s kinda like writing poetry, which I was never any good at. Only the tall girls who couldn’t get dates ever seemed to be good at poetry.

Though they should have won the contest, I’m glad they didn’t win, because apparently part of the prize was having your picture taken with Anita Bryant -- who is infamously against gay rights and has campaigned to have them either revoked or not put in place at all, so fuck her. She also berated her granddaughter, Sarah Green, when she came out as gay, saying that homosexuality is a “delusion invented by the devil.” So again, fuck her. Fuck her in particular.

I’m a little disappointed Sophia didn’t have much to do this episode. It’s always a shame when the episode doesn’t give a lot of screentime. She’s only got two minor scenes related to trying to pick up dates from recently widowed men, which is fairly banal as far as humor goes, even if it does provide a counterpoint to Big Daddy dating a much-younger widow. Kind of makes me wonder why Big Daddy didn’t try dating Sophia since he always seems so impressed with her, though Sophia’s complete lack of patience with all things Southern would have quickly put an end to that.

Episode rating: 🍰🍰🍰🍰🍰 (five cheesecake slices out of five)

Favorite part of the episode:

Once more, for the road:

[bswagins]

Sudden Impact 1983 ElaSSaL

Director: Clint Eastwood Writers: Harry Julian Fink, Rita M. Fink

Stars: Clint Eastwood, Sondra Locke, Pat Hingle, Bradford Dillman, Paul Drake, Audrie Neenan, Jack Thibeau, Michael Currie, Albert Popwell, Mark Keyloun, Kevyn Major Howard, Bette Ford, Nancy Parsons, Joe Bellan, Wendell Wellman,

Storyline A vicious serial-killer is on the loose in San Francisco and the police trace a link to the small town of San Paulo, which is further down the coast. When Harry Callahan (Clint Eastwood) upsets the press and the Mayor in his usual style, he's shipped out of town to investigate while the heat is on. With the help of his new .44 Magnum handgun, Harry goes on the trail leaving behind the usual trail of dead criminals along the way.

Genres: Action | Crime | Thriller

[rockaramarocks]

Assistidos e Reassistidos: Policewomen (1974)

O cinema exploitation era simplesmente delicioso. Como me divirto vendo esses filmes despretenciosos, cheios de ação, canastrice, mulheres bonitas e frases de efeito. Sondra… - https://goo.gl/bcuXme

[sondracurrie]

"Sing like no one's listening, love like you've never been hurt, dance like nobody's watching, and live like its heaven on earth." #MarkTwain

View more Sondra Currie on WhoSay

[leaarongmail-blog]

Jessi's Girls (1975) | Full Movie | Sondra Curri | Geoffrey Land | Ben F...

[dear-indies]

Weird request, but do you have any faceclaims that are gingers? It's so hard to find ginger faceclaims of different ethnicities, body types, etc.

Hey anon! I’m not sure if you only wanted diverse faceclaims only but below are 200+ ginger faceclaims and I have noted the diverse suggestions. Please let me know if you’d like more specific suggestions for example from a certain age range.

Big thanks to @katherine-mcnamara! 

Non-binary:

Nicky Endres (1982) Korean - non-binary, transfeminine, genderqueer and queer - they/she.

Olly Alexander (1990) - non-binary and gay - he/him.

Kaitlyn Alexander (1992) - non-binary - they/them.

Maggie McGill (?) - is non-binary, queer and fat/plus size- she/they,

Women:

Joy Behar (1942)

Sondra Currie (1947) 

Becky Ann Baker (1953)

Kay Adshead (1954)

Julianne Moore (1960)

Carol Alt (1960)

Andrea Arnold (1961)

Marcia Cross (1962)

Cheryl Hawker (1962) - is fat/plus size.

Amy Yasbeck (1962) Lebanese / Irish.

Kate Walsh (1967) 

Molly Ringwald (1968)

Debra Messing (1968)

Catherine Tate (1969)

Stephanie Belding (1971)

Brigid Brannagh (1972)

Nathalie Boltt (1973)

Alyson Hannigan (1974) Ashkenazi Jewish / Irish.

Amy Adams (1974)

Tina Campbell (1974) African-American.

Alicia Witt (1975)

Jen Richards (1976) - is trans and bisexual.

Isla Fisher (1976)

Lauren Ambrose (1978)

Natasha Lyonne (1978) Ashkenazi Jewish.

Itziar Castro (1977) - is a lesbian.

Jaime Ray Newman (1978) Ashkenazi Jewish.

Rachelle Lefevre (1979)

Ruth Connell (1979)

Nur Fettahoğlu (1980) Turkish.

Sarah Drew (1980) 

Bridget Regan (1982)

Bronagh Waugh (1982)

Lotte Verbeek (1982)

Alexandra Breckenridge (1982)

Kate Mara (1983)

Tuğçe Kumral (1983) Turkish.

Lynsey Bartilson (1983) Ashkenazi Jewish / Norwegian, Dutch, mix of English, Irish, and French.

Magda Apanowicz (1985)

Emily Beecham (1985)

Deborah Ann Woll (1985)

Natalya Rudakova (1985)

Sarah Power (1985)

Our Lady J (1985) - is trans. 

Mary Wiseman (1985) - is queer.

Sepideh Moafi (1985) Iranian.

Elçin Sangu (1985) Turkish.

Issa Rae (1985) Senegalese / African-American, Creole [African, French, distant Spanish], distant French-Haitian.

Katie Leclerc (1986) - has Ménière’s Disease.

Florence Welch (1986)

Laura Spencer (1986)

Gillian Alexy (1986)

Crystal Kay (1986) Korean / African-American,

Valorie Curry (1986)

Jessica Keenan Wynn (1986)

Sarah Snook (1987) 

Evan Rachel Wood (1987) - is bisexual. 

Genevieve Angelson (1987)

Nicola Coughlan (1987) - is fat/plus size.

Elena Satine (1987)

Sarah Hay (1987)

Stacey Farber (1987)

Christiane Seidel (1988)

Maggie Geha (1988) 

Amber Skye Noyes (1988)

Sabina Karlsson (1988) Gambian / Swedish.

Renee Olstead (1989)

Jessica Kellgren-Fozard (1989) - has Ehlers-Danlos syndrome with Marfanoid phenotype causing blindness in one eye and deafness - is a lesbian.

Clémentine Desseaux (1988) - is fat/plus size.

Jane Levy (1989) Ashkenazi Jewish / English, some Irish and Scottish.

Jessie Buckley (1989)

Renee Olstead (1989)

Jenna Thiam (1990) Armenian, Belgian / Senegalese, English, French.

Lee Sung Kyung (1990) Korean.

Galadriel Stineman (1990)

Başak Gümülcinelioğlu (1991) Turkish.

Coral Kwayie (1991) Ghanaian / British.

Carmen Solomons (1991) Mixed South African.

Su Kutlu (1991) Turkish.

Charlotte Spencer (1991) 

Colby Minifie (1992)

Alina Kovalenko (1992)

Eleanor Tomlinson (1992) 

Haley Ramm (1992)

Alexis Jordan (1992) African-American / Puerto Rican.

Anna Shaffer (1992) Black and White South African / South African Jewish.

Louisa Connolly-Burnham (1992)

Jennifer Stone (1993)

Mayra Tercero (1993) Honduran.

Olivia Cooke (1993)

Molly Quinn (1993)

Freya Mavor (1993)

Sharon Belle (1993)

Molly C. Quinn (1993)

Thiều Bảo Trâm (1994) Vietnamese. 

Janet Devlin (1994) - is bisexual. 

Ahsen Eroğlu (1994) Turkish. 

Madelaine Petsch (1994)

Jacqueline Emerson (1994)

Bronwyn James (1994) - is gay and fat/plus size. 

Khadijha Red Thunder (1994) Chippewa Cree, African-American, Spanish - is pansexual. 

Marina Ruy Barbosa (1995) Brazilian.

Aleece Wilson (1995) Metis, Afro-Canadian, Irish and Italian.

Ciara Baxendale (1995)

Phoebe Dynevor (1995)

Bree Kish (1996) 1/4 African-American 3/4 Spanish, Irish, Dutch - is fat/plus size.

Thanaerng Kanyawee Songmuang (1996) Thai.

Luca Hollestelle (1996)

Sue Ramirez / Sue Dodd (1996) Filipino / White. 

Katherine McNamara (1996)

Thanaerng Kanyawee Songmuan (1996) Thai-Chinese. 

Sierra McCormick (1997)

Toto Bruin (1997)

Ellie Bamber (1997)

Sydney Sierota (1997)

Bo Barah (1997)

Maddison Brown (1997)

Melis Sezen (1997) Turkish.

Kiera Allen (1997) - is paraplegic.

Jordana Beatty (1998)

Annalise Basso (1998)

Erica Gluck (1998) African-American, possibly other.

Sonny Turner (1998) Black British.

Mathilda Mai (1998)

Duda Brandão (1998) Brazilian.

Cheng Xiao (1998) Chinese.

Fujita Nicole (1998) Japanese / Polish, Russian.

Erin Kellyman (1998) Afro-Jamaican / Irish - is a lesbian. 

Emma Kenney (1999)

Juliette Angelo (1999)

Ellie Darcey-Alden (1999)

Julia Lester (2000) Jewish.

Kennedy Walsh (2000) 

Mina Sundwall (2001)

Talia Jackson (2001) African-American / White.

Alana Pancyr (?) 

Lynley Eilers (?) - is fat/plus size. 

Men:

William Atherton (1947)

David Caruso (1956)

Boris Becker (1967)

Tom Goodman-Hill (1968)

Morgan Alling (1968)

Toby Stephens (1969)

Tony Curran (1969)

Eric Johnson (1970)

Brendan Beiser (1970)

Zack Ward (1970) 

Michael Rapaport (1970) Ashkenazi Jewish.

Alan Tudyk (1971)

Anthony Rapp (1971)

Damian Lewis (1971) Welsh, English, Scottish, and 1/16th Jewish [Sephardi and Ashkenazi].

Scott Grimes (1971)

Michael C. Hall (1971) - has stated he’s “not all the way heterosexual.”

Brett Tucker (1972)

Ewen Bremner (1972)

Kevin McKidd (1973)

Mackenzie Astin (1973)

Kris Holden-Ried (1973)

Dash Mihok (1974) - has Tourette Syndrome. 

Michael Shannon (1974)

Seth Green (1974) Ashkenazi Jewish.

Jesse Tyler Ferguson (1975) - is gay.

Marc Menchaca (1975) 

David Lewis (1976)

Krondon (1976) African-American - has albinism.

Kristofer Hivju (1978)

Diego Klattenhoff (1979)

Ethan Cohn (1979) 

Ben Foster (1980) Ashkenazi Jewish / English, French, Irish, distant Welsh and Scottish (mother; who may have converted to Judaism).

Sam Heughan (1980)

Rolf Kristian Larsen (1983)

Jidenna (1985) Igbo Nigerian / English, German, Dutch.

Alex Saxon (1987)

Kerem Bürsin (1987) Turkish.

Rupert Grint (1988)

Chris Bylsma (1988)

Luke Newberry (1990)

Alan Ashby (1991)

Calum Worthy (1991)

Elijah Baker (1991) Black British and White.

Stephen Joffe (1991) 

Sean Berdy (1993) - is deaf and has bipolar disorder.

Cameron Monaghan (1993)

Niall Cunningham (1994)

Jack Kilmer (1995)

Elliott Jay Brown (1996) Black British.

Ralph Souffrant (1996) Afro-Haitian.

Iwahashi Genki (1996) Japanese.

Leon Seidel (1996)

Yoshino Hokuto (1997) Japanese.

Garet Allen (1997)

Kai Alexander (1997)

Jake Austin Walker (1997)

Louis Hofmann (1997)

Tashi-Jay Kwayie (1998) Black British.

Justin Tinucci (1999)

Gytis Gedvilas (1999)

Tucker Albrizzi (2000) - is fat/plus size.

Pierre Sekongo (2000) Ivorian / French.

Thomas Barbusca (2003)

Stacey Edward (?) African-American.

[blairemclaren]

Marie Harmon Death - Obituary | Marie Harmon Dead - Passed Away

Marie Harmon Death - Dead,  Obituary, Funeral, Cause Of Death, Passed Away: On January 30, 2020, InsideEko Media learned about the death of Marie Harmon through social media publications made on Twitter. Click to read and leave tributes

Marie Harmon Death – Dead,  Obituary, Funeral, Cause Of Death, Passed Away: The Learned Kindred of Currie extends deepest condolences to Sondra, Cherie and Marie Currie on the passing of their mother Marie Harmon. RIP. InsideEko Media learned about the death of Marie Harmon through social media publications made on Twitter. On January 30, 2020. InsideEko is yet to confirm Marie Harmon’s cause of…