#Social message Bollywood movies

[jymico]

Vedaa (2024) Bollywood Movie Review and Download

Director: Nikkhil Advani

Writer: Aseem Arrora

Stars: John AbrahamSharvariAbhishek Banerjee

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Review of "Vedaa": A High-Octane Drama That Packs a Punch Against Injustice

Vedaa is a gripping tale of resilience, empowerment, and the fight against caste oppression, brought to life by director Nikkhil Advani. The film masterfully combines a strong social message with action-packed sequences, making it a compelling watch.

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The story follows Vedaa (Sharvari), a young Dalit girl from Barmer with dreams of becoming a boxer. Her aspirations, however, threaten the rigid caste-based norms upheld by the village pradhan, Jitin Pratap Singh (Abhishek Banerjee), and his ruthless brother, Suyog (Kshitij Chauhan). Despite their oppressive grip on the village, Vedaa remains undeterred.

The arrival of court-martialed Army Major Abhimanyu (John Abraham) marks a turning point in her life. With his mentorship, Vedaa hones her skills and finds the strength to fight back—not just in the ring, but also against the injustices plaguing her family and community. Together, they form an indomitable team, delivering a strong message about resilience and resistance.

Inspired by real-life stories, Vedaa fearlessly highlights caste-based discrimination and systemic violence. The screenplay by Aseem Arora evokes the nostalgic charm of 90s Hindi cinema, blending intense drama, raw action, and emotionally charged moments.

Performances: John Abraham shines as the stoic and action-driven Abhimanyu. His silent demeanor is balanced by powerful stunt sequences that are among the film’s highlights. Sharvari, in her breakout role as Vedaa, delivers a raw and compelling performance. She effortlessly captures the determination of a young woman standing tall against adversity. Abhishek Banerjee is convincing as the menacing antagonist, skillfully embodying a character driven by regressive ideologies.

Strengths: The film’s gritty tone, impactful action choreography, and evocative scenes leave a lasting impression. Songs like "Zaroorat Se Zyada" enhance the narrative, blending seamlessly with the mood. The second-half action sequences, in particular, are adrenaline-pumping and well-executed.

Weaknesses: However, Vedaa falters in parts. The climax feels stretched and unnecessarily convoluted, while a couple of songs disrupt the film’s pacing. Some moments come across as formulaic and predictable, which detracts from the otherwise engaging narrative.

Verdict: Despite its minor flaws, Vedaa delivers a powerful punch with its action-packed sequences and heartfelt message. Nikkhil Advani has crafted a masala entertainer that balances drama, social commentary, and high-octane action. It’s a film that not only entertains but also inspires, leaving audiences with plenty to cheer for.

Vedaa - Official Trailer | John Abraham | Sharvari | Abhishek B ...

[votermood]

सिनेमा, समाज और राजनीति का एक अनकहा गठबंधन राजनीतिक लाभ को छुपाकर राष्ट्रीय हित को दर्शाने वाली कहानी क्या समाज के लिए इतनी ज़रूरी है? राज्य कुछ फ़िल्मों को कर से छूट क्यों देते हैं?

परदे पर चलने वाली कहानियों को समाज हित में टैक्स-फ्री करने के पीछे विवादित कहानियाँ पर एक तर्क।

[dweemeister]

2024 Movie Odyssey Award for Best Original Song (MOABOS XII) final results

TAGGING (observers, participants, and non-participants): @addaellis, @birdsongvelvet, @cinemaocd, @cokwong, @demenshah, @doglvr, @dog-of-ulthar, @emilylime5, @halfwaythruthedark, @idontknowmuchaboutmovies, @machpowervisions, @maximiliani, @memetoilet, @metamatar, @monkeysmadeofcheese, @myluckyerror, @phendranaedge, @plus-low-overthrow, @rawberry101, @shootingstarvenator, @stephdgray, @theybecomestories, @umgeschrieben, and @yellanimal!

Hello all,

I am only a few steps now from finally closing the book on the 2024 Movie Odyssey. The next step: revealing the results for the 2024 Movie Odyssey Award for Best Original Song (MOABOS XII) Final. The Movie Odyssey Awards for 2024 will follow shortly. To remind everyone, I refer to the whole collection of films I saw for the first time in their entirety over a calendar year as "My Movie Odyssey". The Movie Odyssey is the raison d'être of my classic film blog on tumblr, which has been featuring the Movie Odyssey Awards (of which MOABOS is one category out of 26 total). The centerpiece to the blog remains my film write-ups, tagged "My Movie Odyssey" (813 write-ups since August 2012, but the count has slowed considerably in recent years).

INTRODUCTION AND A RE-STATEMENT OF PURPOSE

Whether or not you participated in 2024's Movie Odyssey Award for Best Original Song (MOABOS XII), I wanted to again extend my thanks to you for your consideration, your time, and your willingness to take a blind (for most of you) chance on the films and the movie music I was happy to experience this year. This twelfth edition of MOABOS was the eleventh with outside involvement from family, friends, and tumblr followers.

In the final minutes of MOABOS XII on Saturday night, a good friend of mine submitted their rankings and, in the comments, told me a personal story about their #1 pick, and how it revived a half-forgotten memory about drives in the car with their father when they were younger. The story is not mine to tell, so I'll leave it there. The song is from a film that might be considered obscure to many of you, in part due to its lack of (legal) distribution in the United States.

I thought my friend's comment was emblematic of what MOABOS – and, more crucially, what I deem my "Movie Odyssey" – seeks to achieve. Yes, those 800+ write-ups have slowed down in recent years, and they're an expression of my thoughts on movies (which you may agree or disagree with) and the strangest form of indirect memoir you can find. Together, those write-ups, MOABOS, talking about movies with many of you, and seeing movies with some of you, I hope I've been able to paint a portrait of an extremely young artform that already has a rich history. It's a history where the past is not so far away as some of you may think, where the juxtaposition between the famous works and the lesser-known is stark and worth exploring.

The films that come my way as Artistic Director of Viet Film Fest (VFF) get to be in conversation in a space that also includes Frances Langford and Eleanor Powell. A French cyberpunk movie made for a relatively small budget contributes to the same body of history that an Inside Out 2 does. Classic Bollywood of the late '40s to early '60s took Old Hollywood's glamor and social messaging, and shaped both to fit Bollywood audiences. Wicked: Part I was made by a director whose musical North Star is Meet Me in St. Louis (1944) – even if I'd argue he doesn't apply the best practices of that classic rather well.

The past is with us always, and it's worth contending with and acknowledging.

For the last twelve years, however long you've been doing this (from those who were there from MOABOS II to our first-timers) cinematic/musical journey, it's been a pleasure to be your guide.

RESULTS

Remember: the MOABOS final is not like the prelim. It isn't primarily decided on the points system used in the final. It, since 2018, is decided on single transferable vote.

I will first reveal the standings on points. MOABOS XII is the third straight year with fewer people participating in the final round than the prelim. However, we still managed 37 rankings submitted (for 38 people, as one couple decided to file a joint ballot). This total is down four rankings from last year's record of 41, despite me inviting more people than ever. Folks traveling, my increasing reluctance to remind people between Christmas and New Year's, and other factors played into that.

STANDINGS ON POINTS (USED ONLY AS THE FIRST TIEBREAKER... the actual final result is the list below this one). Using the method used in the preliminary round, the count would’ve looked like this (“Song”, Film title (points) / #1 votes).:

"Belleville Rendez-vous", The Triplets of Belleville (222.5) / 5.5

"That's Amore", The Caddy (221) / 7

"Même plus l'amour (Not Even Love)", Mars Express (174) / 2

"On Earth as It Is in Heaven", The MIssion (164.5) / 4.5

"Awaara Hoon (I'm a Tramp)", Awaara (159) / 3

"Giấc Mơ (Dream)", Before Sex (155) / 5

"Something's Gotta Give", Daddy Long Legs (134) / 1

"Tammy", Tammy and the Bachelor (105) / 1

"Amor de Gitano (The Love of a Gypsy)", The Loves of Carmen (96.5) / 0

"I've Been Kissed Before", Affair in Trinidad (96.5) / 0

"Aren't You Glad You're You?", The Bells of St. Mary's (95) / 3

"You Are My Lucky Star", Broadway Melody of 1936 (89) / 2

"A Million Miles Away", Mars Express (88) / 2

"Tere Bina Aag Ye Chandni (Without You, Even Moonlight is a Scorching Fire)”, Awaara (88) / 1

"Goodbye Girl", The Goodbye Girl (75) / 0

"Game of Death" (Cantonese original), Game of Death (68) / 0

Using the points system tiebreaker alone, the 1.5-point margin between "Belleville Rendez-vous" and "That's Amore" is even CLOSER than last year's 2-point margin between "Miss Celie's Blues (Sister)" and "Suzume" from the original Color Purple and Suzume, respectively. This is the closest margin at the top on the points tiebreaker in MOABOS Final history. However, this is only the first tiebreaker...

THE OFFICIAL TABULATION FOLLOWS AND DETAILS CAN BE FOUND UNDER THE "READ MORE". We used a single transferable vote (which is explained visually here). With 37 respondents, a song needed 50% + 1 vote of all #1 and transferred votes to be declared a winner. Thus, a song needed 19 votes to win. The top ten songs became nominees; the bottom five are considered honorable mentions:

2024 Movie Odyssey Award for Best Original Song (FINAL STANDINGS) (playlist)

“That's Amore”, The Caddy (1953)

“Belleville Rendez-vous”, The Triplets of Belleville (2003, France/Belgium/Canada/United Kingdom)

“On Earth as It Is in Heaven”, The Mission (1986)

“Giấc Mơ (Dream)”, Before Sex (2024, Vietnam)

“Awaara Hoon (I'm a Tramp)”, Awaara (1951, India)

“Même plus l'amour (Not Even Love)”, Mars Express (2023, France)

“Aren't You Glad You're You?”, The Bells of St. Mary's (1945)

“Something's Gotta Give”, Daddy Long Legs (1955)

“You Are My Lucky Star”, Broadway Melody of 1936 (1935)

“A Million Miles Away”, Mars Express (2023, France)

“Tammy”, Tammy and the Bachelor (1957)

“Tere Bina Aag Ye Chandni (Without You, Even Moonlight is a Scorching Fire)  ”,  Awaara (1951, India)

“I've Been Kissed Before”, Affair in Trinidad (1952)

“Amor de Gitano (The Love of a Gypsy)”, The Loves of Carmen (1955)

“Goodbye Girl”, The Goodbye Girl (1977)

“Game of Death” (Cantonese original), Game of Death (1978, Hong Kong)

The bottom six all received honorable mentions. The top ten received nominations.

Congratulations to my friends from VFF, Alan and Minh, for their first MOABOS "win"! Additional congratulations to Cameron, Sophie N., and Ysa for joining the multiple win club! And a hearty congratulations to Michelle for joining the rarefied distinction of a trifecta of "wins"!

And I hesitate to say this – because I know what's about to head my way – I was the seventh person to rank "That's Amore" as my #1. This is the third time my #1 choice has won after "Rainbow Connection" for 1979's The Muppet Movie (MOABOS II in 2014) and "Stayin' Alive" from 1977's Saturday Night Fever (MOABOS IV in 2016). So, bring on the accusation of this being a rigged MOABOS?

MOABOS FINAL SUMMARY

Despite trailing by 1.5 points, "That's Amore" secures a tight win on the single transferable vote. On the eleventh and final round of counting, "That's Amore" defeated "Belleville Rendez-vous", 20-17 (the clinching number was 19). In simpler terms, 20 MOABOS participants had "That's Amore" higher on their ballot than "Belleville Rendez-vous", and vice versa.

"That's Amore" is very much a cultural touchstone in the United States, and I'm sure many of you were shocked to see it in the MOABOS Final (I received more than a few comments exclaiming something like: "This is from a movie???"). If you think that's bizarre for a massive musical hit, wait until a certain '60s song that might appear in MOABOS XIII! Having had a mixed opinion of the few Jerry Lewis films I had seen prior to The Caddy, the easygoing nature of Martin and Lewis – even though their professional relationship was fraying at the time – was a delight to watch. I can't wait to see more from both.

The win for "That's Amore" means that the 1950s have won three editions of MOABOS – giving the decade an outright lead, lifting it above the 1980s and 2010s. "Love Is a Many-Splendored Thing" from the 1955 film of the same name (MOABOS VI in 2018) and "Lullaby in Ragtime" from 1959's The Five Pennies (MOABOS IX in 2021) are the other winners from the '50s. In addition, composer Harry Warren became the first individual to have won MOABOS twice. His previous win came in MOABOS I in 2013, for "The Gold Diggers' Song (We're in the Money)" from Gold Diggers of 1933.

"Belleville Rendez-vous" becomes the best-performing French-language song in MOABOS history, surpassing last year's 3rd place finisher "Qu'est-ce qu'on fait de l'amour? (What Do We Do with Love?)" from 2022's Ernest & Celestine: A Trip to Gibberitia. I really adore Sylvain Chomet's animated films, and I think this is a great start to a year before his latest film, The Magnificent Life of Marcel Pagnol, comes out hopefully later this year.

Hey, I really adore Ennio Morricone's work, too. And I think there's more than a few of his fans out there that might be upset with the result... but you know there are other categories involved in the Movie Odyssey Awards, right? Stay tuned (I personally thought that "On Earth as It Is in Heaven" blurs the boundary between Original Song and Original Score Cue, the latter of which is a category in the Movie Odyssey Awards)!

Many of VFF's staff (who weren't in Group B) and attendees powered “Giấc Mơ (Dream)” to a 4th place finish. But the song was easily among the most divisive in the entire competition. The lack of broad support, despite the third-most #1 votes, meant it paid dearly in the latter stages of counting.

The always-catchy "Awaara Hoon" is the second-highest finishing Bollywood song in MOABOS history, behind the bookending "Dekhi Zamane Ki Yaari / Bichhde Sabhi Baari Barri" from Guru Dutt's exquisite Kaagaz Ke Phool (1959, India; 2020's MOABOS VIII).

Mars Express is the only film to get multiple nominations out of MOABOS this year, with its song finishing 6th and 10th. Awaara had the chance, but it'll settle for 5th and 12th.

In the era in which we have had two preliminary groups (2017's MOABOS V to the present), "Tammy" becomes the first of only a handful of songs that advanced directly to the final, but didn't secure a nomination. Most recently, in MOABOS VII (2019), "Suite: Judy Blue Eyes" from 1970's Woodstock finished 12th in the final. 

Two Old Hollywood stalwarts – Bing Crosby and Fred Astaire – finally land songs with a MOABOS nomination after several years of futility for both.

Go find some of these films that were a part of MOABOS, folks. You know who to ask if you have questions or need more context!

CONCLUSION

Your winners now look like this!

2012 (Special): To be contested

2013 (I): “The Gold Diggers’ Song (We’re In the Money)”, Gold Diggers of 1933 (1933)

2014 (II): “Rainbow Connection”, The Muppet Movie (1979)

2015 (III): “Amhrán Na Farraige (Song of the Sea)”, Song of the Sea (2014)

2016 (IV): “Stayin’ Alive”, Saturday Night Fever (1977)

2017 (V): “Remember Me (Recuérdame)”, Coco (2017)

2018 (VI): “Love Is a Many-Splendored Thing”, Love Is a Many-Splendored Thing (1955)

2019 (VII): “I Wish I Didn't Love You So”, The Perils of Pauline (1947)

2020 (VIII): “Can't Help Falling in Love” , Blue Hawaii (1961)

2021 (IX): “Lullaby in Ragtime”, The Five Pennies (1959)

2022 (X):“9 to 5”, Nine to Five (1980)

2023 (XI): “Miss Celie's Blues (Sister)”, The Color Purple (1988)

2024 (XII): “That's Amore”, The Caddy (1953)

2025 (XIII): ?

2013 final

2014 final (input from family and friends began this year)

2015 final

2016 prelim / final

2017 prelim / final

2018 prelim / final

2019 prelim / final

2020 prelim / final

2021 prelim / final

2022 prelim / final

2023 prelim / final

2024 prelim

Every year as I write this sentence, it is uncertain whether MOABOS will happen again in this very new year. I don't know what movies I will happen upon during the calendar year (and which ones have original songs eligible for MOABOS). If we reconvene for what would be the thirteenth edition, I hope to see you here again, for this annual movie and music thank-you for all the care and support. For one final time this MOABOS XII, thank you for your help and your participation!

(Exit music): At the end of the prelim round's results email, I penned a small tribute to the late Quincy Jones. This time, a tribute to another major fixture in MOABOS's past. Last May, songwriter Richard M. Sherman passed away at 95. He, along with his brother Robert B. Sherman, were part of the Sherman Brothers – a musical partnership that many Disney fans know well. This was the first MOABOS without either Sherman brother still around. Including their non-Disney work, their credits included The Parent Trap (1961), Mary Poppins (1964), many of the original Winnie the Pooh shorts, Chitty Chitty Bang Bang (1968), Tom Sawyer (1973), and The Slipper and the Rose (1976).

The exit music for MOABOS XII finished 3rd five years ago. It's also a personal favorite from a movie of questionable quality. From the final live-action film that Walt Disney oversaw, here are John Davidson and Lesley Ann Warren singing the Sherman Brothers' "Are We Dancing?" from 1967's The Happiest Millionaire.

37 ballots were submitted; nineteen #1 votes and transferred votes needed to win (Justine refers to my sister)

"That's Amore" won on the 12th and final count. 20 ballots to 17 for "Belleville Rendez-vous".

[your-villainous-neighbour]

What'd Ayushmann do? Just curious since you used to love him

omg where to begin anon

I have immense personal beef with him alongside the actual fucked up things he's done, but perhaps that's for another day.

For now, let's talk about dream girl 2 which BLATANTLY boasts the ever-problematic man-in-a-dress trope-

I mean, sure, one can argue that's the whole point of the movie, but one look at the trailer will tell you it's so horribly and insensitively written this time around.

Dream girl 1 was about loneliness- specifically, male loneliness, and how all anyone ever wants is to be heard. And about how people would probably understand you if they're just given a chance. And contains the lines "nobody in this world is right. Some are just less wrong than others."

Dream girl 2 is quite literally about a man who dresses up as a woman to prostitute himself for money. No joke.

Oh, and it gets worse. None of the men actually know he's a guy. So it's pushing the message that he's "tricking them." It's not even subtext like that's literally the entire premise. A man dresses up as a woman to trick innocent men. For money.

It's transphobic, it's severely misogynistic, and it's somehow also fetishistic in the worst way possible. I mean the entire promo was based on sexual marketing. I hope it was all for nothing and the movie fucking bombs.

Also, Ayushmann Khurrana, who is literally geriatric at almost 40, romances a 24 year old Ananya Pandey.

And, yes, this is typical for Bollywood. But for a chucklefuck who once prided himself on being "offbeat" and "brave" and "non-mainstream" and "feminist" this is a very chucklefuck thing to do.

Keep in mind that all of this comes after Chandigarh Kare Aashiqui (which does have its flaws, but the heart and intent was definitely there), a movie that celebrated trans women and literally was created to beat the stereotypes surrounding them. For which he pretended to be a trans ally for a whole YEAR AND A HALF as part of promotions.

So the sudden switch up with dg2 is... Appalling. To say the least.

Apart from this, he also used to post regularly about social/civic issues and problems in our country, which he entirely stopped doing once his movies bombed. And, yes, nobody should be expected to do that. But keep in mind, once again, this man's entire career was built off marginalised communities. Especially the queer community. Shubh Mangal Zyada Saavdhan caused like a 40% jump in his ig followers. I would know, because I was there.

Which led him to receive more roles in this little niche he loved so much.

The man was cocky enough to think a couple movies would change the world, let the arrogance get to his thick fucking skull, and decided tackling controversial topics won't come at a cost. (Well, newsflash, asshole! Oppression doesn't exist because marginalised people aren't trying hard enough to get their words out. It exists because it fucking exists. No amount of your mug on the big screen would have ever changed that).

He essentially went into this niche with all the wrong intentions. Not to speak up FOR queer people, women, scheduled castes, etc, but with the arrogance that he'll actually change the mind of the masses. God complex, more or less. Or saviour complex. Or both.

A few years ago, he'd made it clear that he's an actor, not an activist.

Mf forgot that himself somewhere along the way.

So, what did he do when his offbeat movies started failing back to back?

Packed up and turned his back on the very people he hollered about and celebrated himself for representing.

Went right into the cushy arms of mainstream, problematic, cringe, crass, insensitive side of Bollywood. For money.

Fucking hypocrite.

Hope all that cowardice was worth the bag.

[playermagic23]

Ayesha Takia hits back at trolls over her looks; says, “I’m sending back all ur shitty energy”

Ayesha Takia responds to online criticism with a powerful message.

Bollywood actress Ayesha Takia, known for her roles in films like Taarzan: The Wonder Car, Wanted, and others, recently found herself at the centre of social media attention after making a rare public appearance at the airport. However, what should have been a routine sighting turned into a storm of online criticism and trolling regarding her alleged plastic surgery and appearance.

In response to the unwarranted scrutiny, Ayesha Takia took to her Instagram handle to address the situation. She shared a message expressing her frustration and disappointment with the negativity surrounding her recent appearance. Ayesha wrote, “Need to say this,

Rushed to goa two days ago..had a medical emergency in my family...my sister has literally been in hospital. Amidst all this, I remember being stopped by paps and posing for them for basically a few seconds before flying off. Tuns out there are no other important issues in the country except dissecting my looks...been bombarded by viral ridiculous opinions of how ppl think I should have looked and don't. Literally get over me yaar, I have zero interest in doing any films or any comeback like ppl are saying.”

She further added, “I'm living my life happily, never want to be in the limelight, not interested in any fame, don't wanna be in any film...so chill..Pls feel free to not care about me at all...Expecting a girl whose mostly been seen in her teens to look identical even after 15 years...how unrealistic and ridiculous are these ppl...lol.”

On the work front Ayesha Takia's last on-screen appearance was in the Hindi-language romantic drama film titled Mod. Directed by the acclaimed filmmaker Nagesh Kukunoor, the movie boasted a talented ensemble cast including Rannvijay Singh, Raghubir Yadav, Tanvi Azmi, and Anant Mahadevan, alongside Ayesha Takia herself. Mod graced the silver screens on October 14, 2011.

[rajeshsingh]

PK (2014): A Satirical Masterpiece That Questions Beliefs and Humanity

Introduction

Bollywood has produced its fair share of thought-provoking films, but "PK," directed by Rajkumar Hirani, stands out as a truly exceptional piece of cinema. Released in 2014, this satirical comedy-drama took the Indian film industry by storm and sparked discussions on religion, superstition, and the essence of humanity. In this blog post, we delve into the world of "PK" and explore what makes it a cinematic masterpiece.

watch the latest updates about the Salaar film

Plot Synopsis

"PK" tells the story of an innocent and curious alien named PK, played by Aamir Khan, who arrives on Earth but loses his communication device (resembling a remote control) that he needs to return home. In his quest to retrieve it, PK finds himself in the midst of human society, navigating cultural diversity, religious beliefs, and societal norms.

Satire with a Heart

At its core, "PK" is a satirical take on the complexities of religion and belief systems. PK's childlike innocence and inquisitiveness lead him to ask profound and often uncomfortable questions about the practices of various religions, exposing the absurdity of some rituals and customs. The film doesn't aim to mock but rather to encourage introspection and critical thinking.

Aamir Khan's Stellar Performance

Aamir Khan's portrayal of PK is nothing short of remarkable. His physicality, expressions, and mannerisms capture the essence of an otherworldly being trying to comprehend human behavior. His performance is a masterclass in subtlety and nuance, making PK a character that is both endearing and thought-provoking.

Pushpa 2 update - check now

Anushka Sharma's Jagat Janani

Anushka Sharma plays Jagat Janani, a young journalist who befriends PK and helps him navigate the complexities of human society. Her character adds depth to the narrative, and her chemistry with Aamir Khan is a highlight of the film.

Supporting Cast and Music

The film boasts a talented supporting cast, including Sushant Singh Rajput, Boman Irani, and Sanjay Dutt, who contribute to the film's overall charm. The music, composed by Shantanu Moitra and Ajay-Atul, complements the story beautifully, with songs like "Chaar Kadam" and "Love Is a Waste of Time" leaving a lasting impact.

Impact and Legacy

"PK" was not just a box office hit; it was a cultural phenomenon. Its thought-provoking narrative sparked conversations about religion, secularism, and humanity across India. Some of the film's iconic scenes, like PK standing outside a church, mosque, and temple with a transistor, became emblematic of its message.

Check Vijay Thalapathy movies

Conclusion

"PK" is a cinematic gem that blends satire, social commentary, and heartfelt storytelling. It challenges us to question our beliefs, transcend religious divides, and rediscover the essence of humanity beneath the trappings of organized religion. Aamir Khan's brilliant performance, coupled with Rajkumar Hirani's direction, makes "PK" a must-watch film that continues to resonate with audiences, reminding us to keep asking questions and seeking answers. It's not just a movie; it's a journey of self-discovery and enlightenment.

[aliakalakar]

Latest Tollywood News: From Dragon to Vishwambhara — Telugu Cinema’s Chapter 2025

The Telugu film industry continues to push boundaries and inspire audiences with its innovative storytelling and star-powered productions. And the latest Tollywood news is full of that. From period dramas to family entertainers, the upcoming slate of releases promises something for every movie enthusiast. Let’s dive into the most exciting developments that have been making waves in Tollywood.

Jr NTR’s Global Vision with ‘Dragon’

Among the most exciting latest Tollywood news, the announcement of Jr. NTR’s ‘Dragon’ on August 9, 2024, has sparked immense interest among cinema lovers. This periodic drama tackles the crucial issue of immigration, with Jr. NTR portraying a character who becomes a beacon of hope for Telugu people facing challenges abroad. The latest Tollywood news coverage of the film’s unique premise has already generated substantial buzz, with movie enthusiasts actively discussing theories and expectations on platforms like Fanizm, where dedicated quizzes about Jr. NTR’s filmography have been drawing massive participation.

Chiranjeevi’s Magical Return in ‘Vishwambhara’

The latest Tollywood news highlights the recently released teaser of ‘Vishwambhara’ has taken the internet by storm, showcasing Chiranjeevi in a never-seen-before avatar. This fantasy adventure creates a mesmerizing mythical realm filled with extraordinary creatures while delivering a powerful message about nature conservation and unity. According to the latest Tollywood news updates, the stunning visuals and innovative concept have already positioned it as one of the most anticipated releases of the year.

‘Game Changer’: Ram Charan’s Fight Against Corruption

Breaking the latest Tollywood news reveals that ‘Game Changer’ is set to hit theatres on January 10, 2025, marking Ram Charan’s return to the political drama genre. The film, which also features Bollywood star Kiara Advani in a significant role, promises to be a powerful commentary on corruption and social justice. The latest Tollywood news suggests that Kiara’s character is designed to break stereotypes and promote stronger female representation in Telugu cinema. Fans eagerly awaiting this release can test their knowledge about Ram Charan’s previous political dramas through engaging quizzes on Fanizm.com, where fans are already competing for exciting prizes.

Family Entertainment Galore

The latest Tollywood news circuit is abuzz with updates about the festive season of 2025, which is set to begin with Venkatesh’s ‘Sankranthiki Vasthunnam’ arriving on January 14. Directed by the acclaimed Anil Ravipudi, this family entertainer aims to celebrate the spirit of togetherness during festive seasons. The film joins a strong lineup of family-oriented content, including Ravi Teja’s ‘RT 75’, which is scheduled for release on the same day.

Historical Epic in the Making

The latest Tollywood news indicates that Pawan Kalyan’s much-awaited ‘Hari Hara Veera Mallu’ is generating significant excitement with its grand period setting and themes of valour. Scheduled for release on March 28, 2025, this historical drama promises to transport audiences to a bygone era while delivering powerful messages about courage and patriotism.

New Year Beginnings with Anasuya Bharadwaj

Television host-turned-actress Anasuya Bharadwaj started 2025 on an inspiring note with her heartfelt New Year messages. Her reflections on positivity and fresh beginnings resonated deeply with fans, showcasing how public figures can influence and inspire their audience beyond the silver screen.

Action and Redemption with Balakrishna

In other latest Tollywood news, ‘Daaku Maharaaj’, featuring the charismatic Balakrishna, is set to release on January 12, 2025. The film promises to blend high-octane action sequences with a meaningful narrative about justice and redemption, continuing Balakrishna’s tradition of delivering powerful social messages through entertainment. Speaking of highly anticipated action and redemption movies, the latest Tollywood news also covers fans continuing to buzz about ‘Pushpa 2’, with Fanizm’s movie quizzes keeping the excitement alive through engaging trivia challenges about the franchise.

Horror Meets Comedy in ‘The Raja Saab’

Prabhas fans have a treat in the latest Tollywood news with ‘The Raja Saab.’ Releasing on April 10, 2025. This horror comedy aims to provide a perfect blend of thrills and laughs, showing Prabhas in a refreshingly different avatar. The film’s unique genre combination has already sparked considerable interest among audiences, similar to the buzz surrounding ‘Lucky Bhaskar’, another upcoming release that has been generating excitement through fan discussions and quiz competitions on various platforms.

The Evolution of Telugu Cinema

These recent developments in the latest Tollywood news showcase the industry’s commitment to diverse storytelling and social responsibility. From Jr NTR addressing global issues in ‘Dragon’ to Chiranjeevi promoting environmental consciousness in ‘Vishwambhara’, the films reflect a mature approach to entertainment that goes beyond mere commercial success.

The industry’s focus on family values, evident in releases like ‘Sankranthiki Vasthunnam’ and ‘RT 75’, demonstrates its understanding of core audience preferences while introducing fresh narrative elements. The latest Tollywood news consistently emphasizes the progressive shift in storytelling approaches, particularly with strong female characters like Kiara Advani’s role in ‘Game Changer’.

Looking Ahead

As Tollywood continues to evolve and expand its horizons, the upcoming months promise an exciting mix of entertainment and meaningful cinema.

From big-budget spectacles to thought-provoking dramas, the latest Tollywood news indicates a golden period of creativity and innovation. As these films make their way to theatres in the coming months, they are set to not just entertain but also inspire and influence audiences in meaningful ways. The industry’s commitment to quality content, combined with its willingness to tackle important social issues, suggests that Telugu cinema will continue to play a crucial role in shaping cultural narratives while providing world-class entertainment.

[lyricsolution-com]

Happy Birthday Rajesh Khanna: Saba Pataudi Recalls Fond Memories Of Him And Sharmila Tagore | People News

Mumbai: Saba Pataudi recently took to social media to share cherished memories of actors Rajesh Khanna and Sharmila Tagore, on the occasion of the former’s birthday anniversary. On Sunday, Saba, the sister of Bollywood actor Saif Ali Khan, took to her Instagram to pen a heartfelt message for the Anand actor. For the caption, she wrote, “Happy birthday to Rajesh ji. A movie name to the first pict…

[news365timesindia]

[ad_1] Blake Lively vs Justin Baldoni: It Ends With Us co-stars are currently at legal war after Lively sued actor-director Baldoni for sexual harassment and a smear campaign to destroy her reputation. In the latest development, the actress has received support from the production company Sony, itself. According to a report in Variety, Sony has shared a statement extending support to Blake Lively stating "any such attacks have no place in our business".We fully and firmly reiterate that support today: SonyAccording to the report, a Sony Pictures Entertainment spokesperson said, "We have previously expressed our support for Blake in connection with her work on and for the film. We fully and firmly reiterate that support today. Further, we strongly condemn any reputational attacks on her. Any such attacks have no place in our business or in a civil society.”(A still from the movie | Image: IMDb)Apart from Sony, Lively's The Sisterhood of the Travelling Pants co-stars America Ferrera, Amber Tamblyn, and Alexis Bledel have also extended support to the actress by issuing a joint statement. "As Blake's friends and sisters for over twenty years, we stand with her in solidarity as she fights back against the reported campaign waged to destroy her reputation," an excerpt read.Kangana Ranaut reacts to Blake Lively's sexual harassment lawsuit against Justin BaldoniOn December 23, Kangana Ranaut took to her Instagram account to re-share a post from a foreign media publication. The actress shared a post by Blake Lively's brother urging netizens to read articles detailing the ‘ruthless and nefarious smear campaign’ aimed against his sister. Along with the post, she penned a note expressing dismay over the entire situation."Even in Hollywood women who refuse to compromise, they are maligned and their careers are destroyed its not just Bollywood similar report called Hema Committee had come out about the Malayalam film industry, it is worrying and shameful," read the post.In the complaint, Lively accuses Baldoni and the studio of embarking on a “multi-tiered plan” to damage her reputation following a meeting in which she and her husband Ryan Reynolds addressed “repeated sexual harassment and other disturbing behaviour” by Baldoni and a producer on the movie. The plan, the complaint said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively. [ad_2] Source link

[news365times]

[ad_1] Blake Lively vs Justin Baldoni: It Ends With Us co-stars are currently at legal war after Lively sued actor-director Baldoni for sexual harassment and a smear campaign to destroy her reputation. In the latest development, the actress has received support from the production company Sony, itself. According to a report in Variety, Sony has shared a statement extending support to Blake Lively stating "any such attacks have no place in our business".We fully and firmly reiterate that support today: SonyAccording to the report, a Sony Pictures Entertainment spokesperson said, "We have previously expressed our support for Blake in connection with her work on and for the film. We fully and firmly reiterate that support today. Further, we strongly condemn any reputational attacks on her. Any such attacks have no place in our business or in a civil society.”(A still from the movie | Image: IMDb)Apart from Sony, Lively's The Sisterhood of the Travelling Pants co-stars America Ferrera, Amber Tamblyn, and Alexis Bledel have also extended support to the actress by issuing a joint statement. "As Blake's friends and sisters for over twenty years, we stand with her in solidarity as she fights back against the reported campaign waged to destroy her reputation," an excerpt read.Kangana Ranaut reacts to Blake Lively's sexual harassment lawsuit against Justin BaldoniOn December 23, Kangana Ranaut took to her Instagram account to re-share a post from a foreign media publication. The actress shared a post by Blake Lively's brother urging netizens to read articles detailing the ‘ruthless and nefarious smear campaign’ aimed against his sister. Along with the post, she penned a note expressing dismay over the entire situation."Even in Hollywood women who refuse to compromise, they are maligned and their careers are destroyed its not just Bollywood similar report called Hema Committee had come out about the Malayalam film industry, it is worrying and shameful," read the post.In the complaint, Lively accuses Baldoni and the studio of embarking on a “multi-tiered plan” to damage her reputation following a meeting in which she and her husband Ryan Reynolds addressed “repeated sexual harassment and other disturbing behaviour” by Baldoni and a producer on the movie. The plan, the complaint said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively. [ad_2] Source link

[inspobyradhika]

review of bhool bhulaiya 3

The third installment of the Bhool Bhulaiyaa franchise, directed by Anees Bazmee, blends horror, comedy, and social commentary, continuing its legacy with some fresh twists and familiar thrills. Here’s an in-depth look at the movie:

Plot and Themes

The story revisits Rooh Baba (Kartik Aaryan) as he faces a new supernatural challenge intertwined with themes of reincarnation and family betrayal. The narrative introduces Prince Debendranath, a tragic figure from Rooh Baba's past life, whose untimely demise fuels the plot's tension. The film layers its horror-comedy with a social message about superstitions and blind faith, cleverly tackling issues while delivering entertainment​.

The climax is particularly notable for its unpredictability, leaving audiences both shocked and satisfied. However, some plot points, like a forced romantic subplot and certain songs, feel reluctant.

Performances

Kartik Aaryan shines in his portrayal of Rooh Baba, balancing comedy and intensity. His dance sequences and emotional range are highlights.

Vidya Balan returns as Manjulika, delivering a powerful performance that keeps her character enigmatic.

Madhuri Dixit joins as Anjulika, stealing scenes with her elegance and commanding screen presence, especially in her late entry.

Supporting cast members like Rajpal Yadav and Vijay Raaz provide comic relief, while Triptii Dimri adds depth to the story despite limited screen time​.

Technical Aspects

The cinematography by Manu Anand is a standout, capturing Ladakh's landscapes and eerie interiors with stunning visuals. The production design and VFX by Red Chillies match global standards, elevating the film's overall impact. The background score enhances the tension, but the title track feels repetitive compared to its predecessors. Songs like "Ami Je Tomar 3.0" resonate well, becoming a soulful highlight​.

Strengths

Engaging blend of horror and comedy.

Strong performances, especially by the lead actors.

High production values with impressive visuals and sound design.

A thought-provoking social message embedded within the narrative​.

Weaknesses

Certain subplots and songs feel unnecessary.

A slower first half compared to the thrilling climax.

Dialogues occasionally lack the sharpness expected in a horror-comedy​.

Verdict

Bhool Bhulaiyaa 3 successfully delivers on its promise of horror-comedy while experimenting with social commentary and complex narratives. Though it has minor flaws, its entertaining performances and compelling climax make it a worthy addition to the franchise. Fans of the series and Bollywood masala films will enjoy this ride.

Rating: 3.5/5 for its entertainment value, strong performances, and technical brilliance​

[snehayadavx]

Bollywood Movies and Their Impact on Society

Bollywood, the world’s largest film industry, has long been a significant cultural force, not just in India but globally. Known for its larger-than-life spectacles, vibrant storytelling, and unforgettable music, Bollywood films have shaped and reflected societal values, attitudes, and aspirations for decades. From romantic dramas to action-packed thrillers, these films are a mirror to the social fabric of Indian society. However, Bollywood's influence extends beyond mere entertainment—it plays a crucial role in shaping perceptions, challenging norms, and even driving social change.

1. Bollywood as a Reflection of Society

One of the most evident ways Bollywood affects society is by reflecting the cultural, social, and political landscape of India. For instance, films like Sholay (1975) captured the post-independence rural backdrop, while films like Dilwale Dulhania Le Jayenge (1995) showed a shift in the urban mindset toward more liberal values regarding romance, love, and family dynamics. More recently, movies like Article 15 (2019) and Padman (2018) have addressed pressing social issues such as caste discrimination, women’s health, and gender equality.

Bollywood often adapts real-life issues, amplifying them to reach millions. Whether it's tackling issues like corruption, poverty, or the gender divide, films become a means through which society can engage in important discussions. These stories not only entertain but also encourage social change by shedding light on existing problems, thus inspiring action both on the personal and collective level.

2. Shaping Social Norms and Values

Bollywood movies play a crucial role in shaping societal norms and values. The portrayal of idealistic characters often sets a standard for behavior, while the depiction of romance, family life, and friendship helps define what is considered "normal" in society. A generation ago, films like Mughal-e-Azam (1960) and Kabhi Kabhie (1976) presented idealized images of love and family that influenced the way people perceived relationships.

More recently, Bollywood has begun to break down old stereotypes and reimagine societal roles. In films such as Queen (2013) and Piku (2015), women were shown as strong, independent, and capable of living on their own terms, challenging traditional ideas about marriage and gender roles. Similarly, films like My Name Is Khan (2010) address issues of religious intolerance and promote messages of unity, tolerance, and understanding, highlighting Bollywood’s role in social progress.

3. Bollywood's Influence on Fashion and Lifestyle

Bollywood stars are often seen as trendsetters. The clothes they wear, the cars they drive, and the lifestyles they lead are emulated by millions of fans across the globe. Bollywood films can make or break trends. For example, the iconic saree worn by Sridevi in Chandni (1989) or the fashion-forward outfits seen in movies like Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011) have not only influenced fashion choices but also redefined modern concepts of beauty and style.

As the industry has gone global, Bollywood has increasingly played a part in defining India’s image on the world stage. Bollywood celebrities are seen as global influencers, and their brand endorsements and fashion choices affect consumer behavior in a significant way.

4. Bollywood and Gender Representation

Historically, Bollywood has faced criticism for its portrayal of women, often relegating them to roles that are passive, submissive, or merely decorative. However, recent trends in Indian cinema reflect a shift towards more nuanced and empowered female characters. Films like Dangal (2016), Tumhari Sulu (2017), and Raazi (2018) showcase women as central protagonists with their own ambitions, strengths, and vulnerabilities.

This shift is not only empowering women but also influencing societal perceptions of gender roles. Audiences are more likely to accept and appreciate strong, independent female characters, which in turn helps challenge traditional patriarchal structures. Moreover, Bollywood has begun to explore non-heteronormative stories as well, such as Kapoor & Sons (2016) and Shubh Mangal Zyada Saavdhan (2020), encouraging more acceptance of LGBTQ+ relationships.

5. Bollywood and Mental Health Awareness

Bollywood has also become an important vehicle for spreading awareness about mental health issues. Films like Dear Zindagi (2016), Chhichhore (2019), and Taare Zameen Par (2007) address subjects such as depression, anxiety, and learning disabilities, which have long been stigmatized in Indian society. By bringing these topics into mainstream discourse, Bollywood films have contributed to reducing the stigma surrounding mental health and have encouraged people to seek help and speak openly about their struggles.

These films often depict characters who are flawed, vulnerable, and dealing with real-life challenges, allowing audiences to see that they are not alone in their struggles. This portrayal has made a significant difference in how mental health is perceived in India, contributing to a larger cultural shift toward greater acceptance and understanding of emotional well-being.

6. Bollywood's Global Reach

Bollywood's influence extends beyond Indian borders, with a significant diaspora of fans in the Middle East, Southeast Asia, Africa, and even the Western world. The global reach of Bollywood films has helped in spreading Indian culture, music, and even political ideologies. Bollywood songs, dances, and catchphrases have become synonymous with Indian identity, making Indian culture more accessible and relatable to people around the world.

Through its global success, Bollywood has also created a platform for cultural exchange, where stories from different parts of the world, such as films from the Indian diaspora, are shared, discussed, and celebrated. This international appeal has bridged cultural divides and made Bollywood a symbol of India's soft power on the world stage.

Conclusion

Bollywood, while primarily an entertainment industry, has become a driving force for cultural change in India and around the world. Its impact on society is vast and multi-dimensional, influencing everything from social norms and gender roles to fashion trends and mental health awareness. As the industry continues to evolve, its role in shaping perceptions and challenging societal norms will only grow, ensuring that Bollywood remains a powerful tool for both reflection and transformation in the years to come.

[bollywoodinfo1to1]

Top 5 Bollywood Social Impact Movies You Must Watch

Bollywood is known for its rich and diverse storytelling. Here are five must-watch films that stand out for their unique themes and exceptional performances.

To watch the complete video of Top 5 Bollywood Movies, subscribe to our channel Bollywood Ki Pathshala.

Lapata Ladies A charming blend of humor and drama, Lapata Ladies tells the story of two women who get lost during a train journey. Set in a small village, it offers a light-hearted take on social issues while keeping the audience entertained with its quirky characters.

Toilet: Ek Prem Katha Combining comedy with a socially relevant message, Toilet: Ek Prem Katha addresses the critical issue of sanitation in rural India. The film’s unique narrative of a newlywed couple fighting for a toilet brings awareness while providing a heartfelt and humorous storyline.

Mimi Mimi explores the journey of a woman who becomes a surrogate mother, touching on themes of motherhood, relationships, and societal judgment. Kriti Sanon delivers a standout performance in this emotional and inspiring film that blends humor with serious social commentary.

Gangubai Kathiawadi Based on a true story, Gangubai Kathiawadi follows the journey of a young woman who rises from hardship to become a powerful figure in Mumbai’s red-light district. Alia Bhatt’s powerful performance and the film’s compelling story make it a must-watch for fans of dramatic and impactful cinema.

A Wednesday A Wednesday is a gripping thriller that tackles the issue of terrorism in a bold, unique way. Set in a single day, the film follows an ordinary man who takes matters into his own hands, delivering a suspenseful and thought-provoking story that keeps you hooked till the end.

These films offer a variety of genres, from heartwarming dramas to intense thrillers, giving you a glimpse into the creativity and diversity of Bollywood.

[starbiopic]

Khesari Lal Yadav and Arshi Khan’s Film 'Andaz' Trailer Brings Bhojpuri Twist to a Classic Story

Bhojpuri superstar Khesari Lal Yadav is back with his latest film Andaz, and this time he is romancing Arshi Khan. The trailer, which was recently released, has already garnered attention for its interesting blend of drama, romance, and social messages. The movie is being described as the Bhojpuri remake of the Bollywood film Andaz, starring Akshay Kumar, Lara Dutta, and Priyanka Chopra. However,…

[thoughtsofakash]

Influencer Marketing in India: Collaborating with Bollywood's Biggest Stars

Movie marketing strategies in India have evolved significantly over the years, and one of the most effective tactics has been to leverage the immense popularity of Bollywood celebrities. Influencer marketing, especially when it involves collaborating with Bollywood's biggest stars, has become a crucial component of a successful movie campaign.

The Power of Bollywood Stars

Bollywood celebrities have a massive following in India, and their endorsement can significantly impact a movie's box office performance. Fans are often eager to watch films featuring their favorite actors and actresses. By collaborating with these stars, filmmakers can tap into their existing fan base and generate buzz around their movies.

Effective Influencer Marketing Strategies

Here are some effective ways to utilize Bollywood stars for influencer marketing:

Product Placements: Integrating the movie into the celebrity's lifestyle can be a powerful way to promote it. For instance, a star could be shown using the movie's products, wearing its merchandise, or discussing the film in their social media posts.

Social Media Campaigns: Bollywood celebrities can create social media campaigns to promote the movie, sharing behind-the-scenes footage, teasers, and trailers. They can also engage with fans through Q&A sessions, live streams, and contests.

Public Appearances: Joint appearances by the movie's cast and Bollywood stars at events, premieres, and award shows can generate significant media attention and create a buzz around the film.

Celebrity Endorsements: A formal endorsement from a popular Bollywood star can add credibility to the movie and increase its appeal to a wider audience.

Case Studies

Several successful Bollywood movies have leveraged influencer marketing to achieve box office success. For example, the film "Dangal" featured Aamir Khan, one of India's most popular actors. His involvement helped to generate immense buzz around the movie, contributing to its massive commercial success.

Challenges and Considerations

While influencer marketing with Bollywood stars can be highly effective, it's important to consider the following challenges:

Cost: Collaborating with top Bollywood stars can be expensive. Filmmakers need to carefully evaluate the potential return on investment before making such decisions.

Authenticity: The collaboration should feel natural and authentic to avoid alienating fans. Forced or inauthentic endorsements can backfire.

Brand Alignment: It's essential to ensure that the celebrity's brand aligns with the movie's message and values. A mismatch can create confusion and damage the film's reputation.

In conclusion, influencer marketing with Bollywood's biggest stars is a powerful tool for promoting movies in India. By effectively leveraging the immense popularity of these celebrities, filmmakers can generate buzz, reach a wider audience, and increase the chances of box office success.