#So here we are. Improving by embracing the fantasy XD

[goldenteaset]

(I know I've posted this official art before but I don't care, it fits the occasion)

It's my 1 year yume-versary with Belial today! I felt like being a hopeless romantic (especially after seeing this art again), so I wound up thinking about the process of how this happened. And while it's 99% coincidences that make me happy, when put together like this they do form a love story...

While I got into GBF because of him, the actual act of falling for him "as myself" (for lack of a better way to put it) was a lot longer. Four years, in fact! It was half "I just like him with Djeeta and Lyria better" and half "Nah, he wouldn't like *me*, I'd be too shy".

Cue 2022. XD;

By which I mean, I'm not sure when in summer it started, but all of a sudden he kept showing up in my dreams (as Oribe, his semi-canon school AU self). "Oh cool, that hasn't happened before", I thought, thinking nothing of it. It seemed a good reason to write him and Djeeta in a similar setting; I'd take it.

And then I started noticing that Djeeta wasn't involved. "Well, maybe she's there but I'm seeing things from her POV this time"... ^^;

Months before the Oribe dreams, I kept dreaming about Summer Belial months before we got the Summon, which is funny anyway, but those were still focused on Djeeta. My subconscious really wanted me to have fun with Oribe/Belial, and it was going to bludgeon me until I did. At the same time, two things happened:

A particularly powerful dream about Oribe!Belial where he really wanted to take a selfie with me and kept insisting "I want to see your face, don't hide~"

The "Belial advice column for GBFest" appeared

The former was A Lot, but the latter was easily compartmentalized: "Just write the letter as if you're part of GBF's world". It took a few tries, because I had to remember kafabe (i.e. these letters were being sent to "Belial", not the devs), but I did it!

I burbled about how he'd always gotten me out of writer's block, because of course, and made absolutely sure not to overthink my heart racing while imagining sending it in canon. It was in English, down to the pen name "Shy Writer", and knew it probably wouldn't get picked for the GBFest segment.

"Just the fantasy is enough," I thought, forgetting what "yume" meant.

Fast forward to Jan 2023!

GBFest is here, it's fun whether you're there in person or not...and I'm catching up on Day 1's stream after falling asleep. ^^; I found the "Belial answers fanmail" segment and was just enjoying the spectacle. Here's a video of it separate from the massive stream one:

Someone had sent in something about being shy/nervous about who they liked, very likely him. (Also they called him "Beli-chan", which is adorable.) Belial read it normally, but his response (at 4:13, yes I've kept track of it)...well...

He let out probably the deepest, sultriest chuckle we've heard from him yet, which is saying a lot, and then added "'Shy'? How cute (kawaii ne)~."

Again: it's all coincidence, of course. Just a lot of convenient circumstances that eventually lined up into a fantasy narrative that makes me happy.

But boy did it not matter in that moment, when I felt like a tsundere who'd been found out after a whole season of UST. XD

It felt like there wasn't any need to deny it anymore. Nor to make excuses that were never going to hold up, as long as I kept denying that sense of fun to my own detriment. Or, to be extra sappy about it--it was as if Belial had been seducing me throughout '22 to the beginning of '23 and had now finally gotten the point across to my very dense self-insert/OC.

I've been enjoying myself a lot since then--going out more, trying new hobbies, just being happier in general. Could that have happened without this as a push? Maybe. But it didn't happen until I "had food at home", so to speak, which feels telling.

I think we as a species need space in our heads for imagination and play, and that varies from person to person. Along with writing, mine just happens to be (day)dreaming about the Primarch of Cunning acting like a bird of paradise and/or seducing me and my self-insert OC into semi-reasonable sleep schedules.

So, yeah. Happy anniversary, Belial. May there be many more!

[ryttu3k]

Finishing up SoNY, ‘bad’ end and final thoughts!

But first, the early game over.

Wow, she just gets shot. Not even slurped? That’s rude as hell XD;;

And on to the ‘bad’ end!

Beginning is much the same, ofc.

“You’re too in love with weaving a good story and establishing a seductive narrative to let facts get in the way.” Foreshadowing for the ‘good’ end, maybe?

God that Embrace scene gives me literal goosebumps.

Alright! Last time I did Danse Macabre and Retributive Justice, let’s try The Risks of Swiping Right!

lmao god I’d eat this guy too. Back to the ghost club! That legitimately is a really neat scene. ...Ooh yes so that’s where the girl was from.

Panhard just lowkey dying at the mental image of Katherine Weise in a fast food restaurant is so good.

The sweet scene between Julia and Dakota hits a bit different after the ‘good’ end XD;;

Went to the park, reminisced, and helped out the guy. That was sweet ;_; High-humanity Julia, this time!

‘Fairy God Mother?’ is great but ‘Vin Diesel?’ is objectively the funnier response.

“Shining even more brightly than usual, Aisling.” Samira got a cru-ush~

Poor Julie. It’s probably been tough without Sophie around :(

Huh. Interestingly, refusing to lie to Mia results in Julia actually feeling genuine loyalty to the Cammies (for now, at least).

Believing Agathon is still alive = more optimistic = different dialogue! See, this is how you make choices have consequences, game!

Oooh boy time to meet Adelaide XD;;

“She uncrosses her legs in a strangely seductive motion. In her mind’s eye, it probably looked like Sharon Stone in Basic Instinct, but in reality, it had all the grace of a tracksuit Slav squatting.” *snickering*

Fight me, Adelaide >:(

‘sup Nastya. Went with the slightly less disruptive routine here XD Huh, she’s an aspiring DJ! Julia is deeply confused as to how being a DJ and being head of security works together.

lmao Julia referring to Hope as a girlboss. That phrase has lost all meaning to me...

The conversation between Julia and Father Leonard is still really interesting. Man, you know who I want Julia to talk to? Anatole. Interesting insights into balancing being queer Catholic vampires there for sure.

lmao oh my god I want to fight this street reporter.

‘I can almost feel my brain losing its wrinkles.’ *snort*

Yeaghhhh the Abyss bit is still so creepy...

Oops. Being honest regarding Tamika and Torque’s relationships gets a fail :(

Oh, or not XD That works! Also, uh, apparently the giant albino ghoul alligator is real, according to New York by Night. He’s Calebros’ pet.

“Because I think I have a pretty good nose for people’s auras. And when I take a good look at you... ...somehow, I have a feeling you’re a surprisingly decent person. Whatever way of unlife you choose, I hope you don’t change it. And that you remember my advice.” :)

“I know.” Oof.

“Hi.” “WAAAH!” lmao sorry Princess XD;; Just trying to imagine Qadir’s face as he tells Julia to find a 1990 glass statue of Scrooge McDuck... dying...

Oh she’s so a Toreador XD Low art options are a fantasy book, an anime DVD, or a video game... those can all be arty, though! And went with the anime DVD called ‘Ririsu no Daibouken’... that translates to ‘Adventures of Lilith’. How on the nose XD “The cover says ‘Lilith’s Carnal Carnival’.” Oh. Yeah, that’d do it XD

“This 90s original video anime presents us with a tale of five big-bosomed samurai warriors travelling through America in search of General Hastavista, The Incubus King. Don’t let all the titillation misguide you: the main draws here are peerless direction, a nearly avant-garde editing rhythm and dialogue that coyly comments on traditional gender roles in anime. Once you see the animation in the final battle, you’ll understand why it never fails to set a sakuga fan’s heart ablaze!”

She’s my new favourite.

“So can I know your name now?”

“Hmmm... Let me think...

No. <3″

I need to stress that the heart appears in the dialogue box. Like. The actual less-than-three heart.

Didn’t investigate the rat this time, so Qadir did and I die. “Glad you’re alright, little guy.” Qadir...

Still not over the drunk blood doll rats.

Kaiser’s still a goddamn creep and this time Julia is not going too far. She still has her humanity, dammit. Final set of traits:

Loyal to the end

Glass half-full

Not into a bad cop schtick

Honesty is the best policy

No more human, still humane

Onwards to the ‘bad’ end! Oops, and Dakota still did the Single White Female thing XD;;

Man I’m still really curious who the ‘good friend’ is!!

Okay! Time for end game!!

So that’s the good friend, huh? “Let me phrase it differently, then. You’re not Ecaterina the Wise, the Agitator of Prague, a Brujah elder causing turbulences all over the world... are you?”

Mention of Christof! Mention of Christof doing shady shit :| Poor Hana.

“An immigrant from Eastern Europe comes to New York City, takes the position she always expected to find herself in, is molded into someone who is no longer herself.”

Julia and Dakota representing Carthage is kind of neat.

I want to say the mention of St Jude is a reference, but I’m not sure what to XD;; Is that from Redemption? Christof could have been the one to tell Hana that.

“Like a two-person human centipede loop or something. An Ouroburos? Or an, uhh, Mobius strip?” No, that’s the other traditionally Sabbat clan XD

That‘s. That’s a hell of a reconciliation XD “Yeah, let’s give it a try. By the way I’m on the run for my unlife, want to go to California and try to find utopia?”

Julia, wear a fucking mask XD

“Hey.”

“Yeah?“

“Do you love me?”

“... Of course I do. For now, at least.”

I still don’t know if I love her. Or even if I can love anyone, for that matter. I’m a fucking monster, after all. I don’t even know if we’ll exist next month. The prospects are not looking good. But although I can’t see myself in the rearview mirror right now...

...I will remember this image of us leaving the city, somewhat melancholic, and somewhat hopeful, forever. And maybe the meaning of this image will be clarified with time. Or maybe I will just force a more positive description on it, and that is what I’ll believe.

No matter what happens... even if oceans of blood lie before us, I will make this a cherished memory.

Whatever possible salvation still remains for me... ...it probably lies in the eyes of another.

Oh dang I have chills.

So the ‘bad’ ending is about the subverted compromise. Julia resigns herself to letting the compromise about the truth of Callihan’s death go ahead. ‘Catherine’ is a walking compromise to hide the Ecaterina’s real deeds. But while Hana is still stuck in her role for now, Julia refuses to accept the compromise she’s made, both the one relating to the investigation and the compromise she made of her own views and morals. It might blow up in her face, yeah. But damn, she’s going to try.

So, final thoughts! For the sake of completion, this is what I said about Coteries:

And of course this is the part where the game all falls apart :-\

Just… god. This is probably the biggest problem with CoNY, and the reason I didn’t bother getting it until it was like… 60% off. The bulk of the game is great - the writing is intriguing, the design is stunning. But the choices themselves are so limited it’s barely worth even getting it at 60% off!

You have three choices of characters, with their own opening chapters and own individual scenes with their touchstones. You have four choices of coterie members, and three sidequests. You can probably get in at least three full story arcs and a sidequest or two, but you’re only ever limited to two of your coterie members showing up at the not-yet-endgame.

So let’s say you decide to play all three protags, which, indeed, is encouraged (there’s an achievement for it). You are going to repeat coterie arcs and side quests, because there simply aren’t enough for three unique playthroughs.

And then you get to the end and literally everything is scripted. You get attacked by the SI. You get rescued by your two coterie members (and then never see them again, despite the game being called Coteries of New York). You meet Torque, you escape the SI, Sophie reveals her plan to Torque, you go to Ellis Island, Adelaide kills Sophie (and despite the fact that you’re given multiple options there, none of them work), Arturo does his spiel, end of game. You don’t even get to choose between ending up blood bound or going “no fuck you” and at least dying with a bit of dignity!

I just. I really want to like it, and there genuinely is a lot there to like! But uuuugh the ending. Like damn at least give the poor protag the option to choose what happens to them!

Anyway. Not sure what’s next. To get all the achievements, you have to finish with all three protags, so that’s three full runs and a lot of repetitiveness (compare to, say, Bloodlines or Night Road. I have eighty-five hours on Night Road and there’s still stuff I haven’t seen!), so I can’t even just… rush it through up to the meeting with the touchstones on the third play. Nope. Gotta finish it :-\

Final rating: 6/10

8/10 characters, 9/10 atmosphere, 8/10 story aside from ending, 3/10 story ending, 2/10 replayability. Final consensus: get it on major sale if you can, otherwise, you might as well just watch an LP. I might do that instead of doing a third run, although I at least want to do a second.

I ended up revising that 6/10 to 5.5/10 after finishing all runs and getting the achievements just out of how goddamn repetitive it was. So, how does Shadows measure up?

Absolutely continued with all the things I enjoyed about CoNY (characters, atmosphere, and writing), and of the bits I hated (cookie cutter protagonists, lack of real choice, repetitiveness, the godawful ending), every single part has been completely improved.

Instead of three fledglings so similar they even have the same internal thoughts, we have Julia, who’s got such a distinct voice that she becomes the most memorable game protag I’ve seen in years, and I’m including non-VtM games in this. This is absolutely her game, and it’s just... absolutely fascinating to read and watch.

Related - actual real choices. There are five key choices that determine the ending, and every single one has actual consequence in-game. You get different dialogue. Different introspection. Different philosophies. And this carries across - if Julia believes Agathon is alive, she’s more optimistic about her relationship with Dakota, too. And of course, both endings are completely distinct and incredibly written - the ‘good’ ending where Julia gives in to her most Lasombra instincts, plays the game, wins it, gets power and respect at the expense of her humanity and avoiding all those wraiths... or the ‘bad’ ending when she listens to her morals, reconciles with Dakota, and leaves for California, uncertain, but hopeful.

Not a lot of repetitiveness. Yes, by design, you’ll probably do two playthroughs. The main plot is much the same, but there are enough options there to get multiple dialogue options and stuff. And for the little sidequests, you can actually get all in with just the two playthroughs, only repeating like... two, I think. Still, I wasn’t feeling actively bored like I was midway through my second run of CoNY!

Loved seeing more in-depth backstory and development for the coterie members. Agathon’s section was particularly fascinating, literally getting into his head.

And just. Atmosphere and music is so, so good.

Final rating: 9/10. Thank you, Draw Distance, you hit it out of the park.