#Sir Lawrence Alma Tadema

[sir-lawrence-alma-tadema-art]

-Spring-

[artthatgivesmefeelings]

Sir Lawrence Alma-Tadema (Dutch-British, 1836-1912) Reclining nude

[classicalcanvas]

Chiesa San Clemente (1863) by Sir Lawrence Alma-Tadema

[womblegrinch]

Sir Lawrence Alma-Tadema (1836-1912) - An apodyterium

Oil on panel. Painted in 1886.

17.9 x 24 inches, 45.3 x 61 cm. Estimate: US$300,000-500,000.

Sold Christie's, New York, 11 Nov 2023 for US$428,400 incl B.P.

The apodyterium was the entrance and changing room for a public bath in the Roman period.

[artesie]

Sir Lawrence Alma-Tadema. Courtship detail.

[romanticism-art-history]

A Roman Art Lover painted by Sir Lawrence Alma-Tadema (1836 - 1912)

[septembergold]

Lawrence Alma-Tadema "An Oleander" 1882

Plum leaves auf 

flickr

(cc)

[spiritsdancinginthenight]

Sappho and Alcaeus (detail), Sir Lawrence Alma-Tadema, 1881.

[eads]

[visceral--feeling]

Spring - Sir Lawrence Alma Tadema // Catch Fire - 5 Seconds of Summer

[puer-luna]

“the roses of heliogabalus” by lawrence alma-tadema.

[sir-lawrence-alma-tadema-art]

-A Picture Gallery-

[artthatgivesmefeelings]

Mato Celestin Medović (Croatian, 1857-1920) Bacchanal, 1893 National Museum of Modern Art, Zagreb

[classicalcanvas]

The Death of Hippolytus (1860) by Sir Lawrence Alma-Tadema

[womblegrinch]

Sir Lawrence Alma-Tadema (1836-1912) - The frigidarium

Oil on panel. Painted in 1890.

17.75 x 23.5 inches, 45 x 59.7 cm. Estimate: £500,000-700,000.

Sold Sotheby's, London, 7 Dec 2023 for £635,000 incl B.P.

The frigidarium was the cold water pool in the public baths in the Roman period.

[chrysocomae]

In a Rose Garden by Sir Lawrence Alma-Tadema, O.M., R.A. (1836-1912)

"F.G. Stephens, the former Pre-Raphaelite Brother who had already been art critic on the Athenaeum for nearly thirty years and still had another eleven to go, was perhaps the most enthusiastic of all,arguing that the two pictures, 'although small in scale and comprising only two figures each', represented 'the most beautiful, if not the most ambitious, phase' of Alma-Tadema's art. Having given a long description of In a Rose Garden, he concluded: 'The beauty of the faces of the damsels, their spirited and spontaneous expressions, the vivacity of their attitudes, not less than the charms of the colouration and illumination of this picture, which are singularly brilliant and vivid, make [this] even more attractive than most Tademas'." - source