#Silvia Lienas
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Hatchet for the Honeymoon (1970)
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mariocki · 3 years ago
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Il rosso segno della follia (Hatchet for the Honeymoon, 1970)
"My name is John Harrington. I'm thirty years old. I am a paranoiac. Paranoiac... an enchanting word. So civilised and full of possibilities. The fact is, I am completely mad - the realisation of which annoyed me at first, but is now amusing to me. Quite amusing. Nobody suspects that I am a madman; a dangerous murderer."
#Il rosso segno della follia#Hatchet for the Honeymoon#italian cinema#giallo#1970#mario bava#Santiago Moncada#Stephen Forsyth#dagmar lassander#laura betti#Jesús Puente#femi benussi#Antonia Mas#Luciano Pigozzi#Gérard Tichy#Verónica Llimerá#Ignasi Abadal#Silvia Lienas#Sante Maria Romitelli#not‚ alas‚ one of the maestro's best. Hatchet suffered from a disastrous shoot: Betti inserted herself into the film (with Bava's blessings#to be clear) after the script had been written‚ necessitating drastic rewrites to increase her role and a slightly cruel stripping down#of Lassander's role (she'd been the nominal lead but her role in the finished film is patchy and kind of nonsensical). there was also#difficulty in the location work (the impressive spanish villa at the centre of the film was a former home of Franco and carried with it all#the baggage and security that implies). Not a total failure: there are interesting ideas at play here‚ not least the idea that this is a#kind of inverted giallo (we know the 'who' immediately‚ it's the 'why' we have to wait for). Bava's eye for a stunning visual isn't in full#swing but there are moments: a beautiful aerial shot of a trio conversing as blood drips from a hidden murder victim above (mwah)#and the cast are good despite some weaknesses in script and overall execution. the final twist is insultingly obvious if you have even a#passing familiarity with this kind of film‚ but for all my grumbles this is still Bava and even at his weakest he's impressively original#and deliciously playful with both the medium and his audience (a crucial scene involves protagonist watching a previous Bava film on tv)#plus you just can't beat the man's colour palette
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