#Shirley dieu

[elvisbooty76]

[doll-elvis]

The story behind the pictures

“But here Elvis was asking Joe to take pictures of me and him. I was totally surprised as Elvis reached up to me, and then motioned for me to sit down next to him. So I did, and then Elvis wrapped his arm around me. I had asked him a few weeks back if he would record one of my favorite songs, “In the Misty Moonlight.” Elvis had told me that he would record it and, I guess as a reminder, he began to sing it softly in my ear, “In the misty moonlight, by the sparkling firelight.” I giggled, and then he jokingly stuck his tongue in my ear. I giggled more and then he continued until I couldn’t stop laughing”

(excerpt from Memphis Mafia Princess by Shirley Dieu)

[presleygarden]

Shirley Dieu speaks on Elvis & Ginger ☁️

“Elvis and Ginger showed up in Joe’s and my bedroom once more.

Elvis said, “Hey, let’s meditate.”

Then Joe said, “You guys go ahead, I have to take care of some calls in the living room.”

I can’t even imagine Joe of all people wanting to meditate.

So Joe slipped out of the bedroom leaving Elvis, me and Ginger on the bed.

Elvis had Ginger and me sit in a circle with him and we held hands in silence as he hummed.

After a short time, Elvis started to share his knowledge of meditation, then we were abruptly interrupted by the phone ringing. I answered it. It was Joe wanting to know if Elvis was through meditating. I told him yes and, as I hung up the phone, I could see out of the corner of my eye Elvis taking Ginger’s hand and quickly placing it on his left shoulder, then patting it as if to let her know to keep it there.

Then I turned around and in a sad, “little boy” type of way, Elvis said, “See Shirley, Ginger loves me. Just like you love Joe.”

This broke my heart.

Ginger’s hand sat there like a wet noodle on Elvis’s shoulder.

Then, once again, Elvis reached up and placed his hand on Ginger’s and began to stroke and pat her hand ever so gently as if to say, “See? See, Shirley?”

Ginger never smiled, and her eyes never met his.

She just sat there like a mannequin.

I felt so sorry for Elvis.

I only wished that I could have done or said something to make him feel loved.

I don’t believe that it was necessarily Ginger that Elvis wanted; he just wanted love.

He had obviously seen firsthand what Joe and I had together and had commented on our relationship several times before.

Elvis was no different, and like anyone else, he wanted the fairy tale as well as the magic.”

•excerpt from Memphis Mafia Princess by Shirley

🌀🫀

Side note: I think this story is really important to share because you do get a glimpse of the desperation that pulsated through Elvis.

His desperate need to be loved & comforted + seen.

The man longed for companionship & understanding. It seems that he wasn’t yet willing to make the major changes needed to conquer the things he most wanted.

[epletsplayhouse]

Extract from: Memphis Mafia Princess: Living in the Elvis world- Shirley Dieu

If I found Elvis in the dark trying to do that, I would be done for honestly 😩

[heart-of-ep]

• Elvis in Hawaii - March 1977 •

I feel inclined to share some fun tidbits and photos of Elvis from his last vacation to Hawaii in 1977 cause he's an absolute baby in these pictures, and I just want to squish him. 🥺❤️

Elvis lounging on the beach, March 4th, 1977 in Honolulu, HI with his fiancé Ginger Alden.

After finishing up his recent tour on February 21st, Elvis would plan a two week vacation to Hawaii for himself and Ginger, which would very quickly expand to include a group of 30 people and amount to a cost of $100,000. They would fly out from Memphis to Honolulu, HI, on the evening of March 3rd.

Alongside Ginger, her sisters Rosemary and Terry would also join the trip. As for Elvis' friends and family, Larry Geller, Dr Nick, Joe Esposito, Shirley Dieu, Billy and Jo Smith, and several others would be among the large group who accompanied him to Hawaii. They would spend the first couple of days at the Hilton Rainbow Tower (now the Hilton Hawaiian Village) before moving to a beach house on the east side of the island in Kailua while the rest stayed at the hotel.

Despite his physical health not being the greatest at this point in time, everyone agreed that Elvis seemed relaxed for the majority of the trip and Larry Geller in particular hoped that Elvis would be able to take full advantage of the new surroundings and take the opportunity to get outdoors, exercise and eat better.

"Health and nurturing are everywhere. The air is clean and aromatic, and the Hawaiian fragrance of pineapples and tropical flowers in the atmosphere has already enveloped all of us. It's so seductive."

If I Can Dream: Elvis' Own Story (by Larry Geller)

While this vacation was a much needed break for Elvis and his friends and family, it was also his first real vacation with his now fiancé Ginger Alden, whom he had proposed to about a month before on January 26th, 1977. He spent much of the trip either lounging with Ginger and her sisters, or he would stay in at their beach house relaxing and reading books during his downtime.

On one occasion at the beach with Ginger and the others in their group, she would have to cut off the sleeves to Elvis' jumpsuit as he was getting overheated in the sun and hadn't packed any short sleeve tops.

"Before long, the rest of the group arrived at the house and Elvis decided he wanted to go to the beach. It was so warm out, we found some scissors and cut off the long sleeves to the jacket of his jogging suit."

Elvis and Ginger (by Ginger Alden)

Both Ginger and Larry noted how Elvis refused to change into shorts or remove his shirt, even when he was on the beach. Ginger suspected it was because of the marks on his back that the rhinestones from his jumpsuit would leave, leaving him a bit self consious, but neither of them were entirely sure the exact reason.

The "customized" jumpsuit that Ginger helped alter for Elvis while on the beach in Kailua.

Throughout her book, Ginger recounts the good times she had with Elvis during this trip and noted how special it was to her. Not only was it a dream vacation for her, but it was also a chance for Elvis to get some much needed rest.

She recalls several instances of Elvis having fun and goofing off with her and her sisters, most of which seemed to be with Rosemary, who shared his similar sense of humor. They would cut up, making jokes about rats and cheese, and Rosemary even challenged him to show off his karate skills, which Elvis did expertly. Ginger would also convince Elvis to play ping-pong with her despite finding the whole game rather silly.

One of my favorite stories from her book is the one that explains this infamous photo of Elvis. For the longest time, I had no idea who he was laying on top of, but Ginger explains:

"Suddenly, I noticed Elvis cut his eyes over at her. Rosemary looked back at him, smiled, then turned her attention elsewhere.

A big grin spread across his face as he continued to watch her. Shortly, he stood up and, as he walked past her, he suddenly turned and pounced. Rosemary fell backward with Elvis on top of her.

Someone snapped a picture of their spontaneous tussle while we all laughed. Then Elvis stood up and helped Rosemary to her feet."

Elvis and Ginger (by Ginger Alden)

I think this story shows just how much of a big kid Elvis is at heart and how he enjoyed just goofing off and playing around with his friends. Something that Ginger found as one of his most endearing qualities.

While the trip was overall a great experience, it did have its ups and downs. Elvis and Ginger would have a pretty heated argument after his temper flared, and though they would talk through it, Ginger was becoming more apparent of his sudden mood swings and was becoming increasingly concerned with his use of sleeping pills.

The trip would come to an end on March 13th after Elvis had gotten sand in his eye while messing around outside, and Dr Nick advised that they return home to Memphis to recooperate as he feared that Elvis may have scratched his cornea.

This would be Elvis' final vacation, and while no one really felt that any significant change had been made toward improving his overall health and outlook, it was definitely a much needed break for him and a good change of scenery before he would return home for yet another tour that would kick off in Phoneix, AZ on March 23rd, 1977.

•

I love looking at photos from this trip cause Elvis really does seem relaxed and at peace. Hawaii was one of his favorite places to go, and I think this vacation was a much needed break for him. Of course, it didn't last very long and almost as soon as he returned, he was back to touring despite his very obviously declining health.

A vacation couldn't save him in the end, but I think it at least gave him a good distraction from his daily struggles at the time. ❤️

Here's some more photos that I really love! ⚡️

(Small disclaimer: Online, the photos of him in the blue jumpsuit and terry cloth hat are dated as March 4th, 1977 but after reading both Ginger and Larry's recounting of the vacation, I believe this was actually on March 7th as these photos were taken in Kailua once they moved into a private beach house. According to Ginger, when they were staying at Hilton Rainbow Tower, Elvis didn't go down to the beach as he wouldn't have much privacy from fans. This is speculation, however, so I'll keep the date as March 4th, 1977 as I can't be 100% sure.)

[ashtag6887]

Shirley Dieu gets it.

[eptodaytommorowforever]

Elvis Presley Unwinding On Vacation In 1977

Elvis Presley’s Very Sadly 😔Last Vacation In Hawaii March 1977 Having Fun With Joe Esposito’s Girl Friend Shirley Dieu And Ginger Alden’s Sister Rosemary Alden It’s A True Fact He Was Going To Either Buy A House Or Rent One There In Hawaii Before He Sadly Passed Away He Confided In Close Friends Family Members He Loved Hawaii A Place He Could Unwind And Escape Fame Be Himself Elvis Presley Not Just The Image But The Man It Can’t Of Been Easy Being Elvis Presley? As Hawaii Was Is Second Favourite Place Apart From Graceland is Mansion in Memphis Tennessee.

[noahsbookhoard]

All the books I read in 2024 (in reverse chronological order)

Vacation by Deb Olin Unferth

A Local Hbitatation (October Daye #2) by Seanan McGuire

Summer Sons by Lee Mandelo

The Stardust Grail by Yume Kitasei

Winter Spirits short story collection

The Agatha Christie Book Club #1 by C A Larmer

The Haunting of Hill House by Shirley Jackson

Retour à St Mary (Cosy Christmas Mystery #1) by Carine Pitocchi

Le Père Porcher (Chroniques du Disque-Monde #20) by Terry Pratchett

Soie by Alessandro Baricco

Prince Caspian (The Chronicles of Narnia #2) by C S Lewis

A Day of Fallen Night (Root of Chaos #0) by Samantha Shannon

Alias Grace by Margaret Atwood

When Among Crows by Veronica Roth

My Roommate is a Vampire by Jenna Levine

Somewhere Beyond the Sea (Cerulean #2) T J Klune

The Sword Catcher (Chronicles of Castelane #1) by Cassandra Clare

La Dame du manoir de Wildfell Hall (The Tenant of Wildfell Hall) by Anne Brontë

L'amant by Marguerite Duras

The Restaurang at the End of the Universe (Hitchhiker's Guide to the Galaxy #2) by Douglas Adams

Une belle vie by Virginie Grimaldi

Dracula by Bram Stoker

Wintersmith (Discworld #34) by Terry Pratchett

Everyone In My Family Has Killed Someone (Ernest Cunningham #1) by Benjamin Stevenson

What Feast at Night (Sworn Soldier #2) by T Kingfisher

Le Bastion des Larmes by Abdellah Taïa

If We Were Villains by M L Rio

War and Peace by Leon Tolstoi

The Kaiju Preservation Society by John Scalzi

Rule of Two (Darth Bane Trilogy #2) by Drew Karpyshyn

Les Dragons by Jérôme Colin

Hotel Magnifique by Emily J Taylor

Le dieu d'automne et d'hiver by Pauline Sidre

Les Possibles by Virginie Grimaldi

A Close and Common Orbit (Wayfarer #2) by Becky Chambers

The Outsider by Stephen King

Once and Future Witches by Alix E Harrow

Tous les silence ne font pas le même bruit by Baptiste Beaulieu

Trois battements un silence by Anne Fakhouri

Kiss Kiss by Roal Dahl

Assassin's Apprentice (Realm of the Elderlings #1) by Robin Hobb

Halloween Party by Agatha Christie

Artificial Condition (Murderbot Diary #2) by Martha Wells

The Light Throught the Leaves by Glendy Vanderah

Et que ne durent que les moments doux by Virginie Grimaldi

The Eyes are the Best Part by Monika Kim

Ring Shout by P Djeli Clark

The Rest of the Robots (Robots #2) by Isaac Asimov

Wuthering Heights by Emily Brontë

On the Way to the Wedding (Bridgerton #8) by Julia Quinn

Our Missing Heart by Celeste Ng

Book of Blood I by Clive Barker

Ilos by Marion Brunet

Babel by R F Kuang

Rosemary and Rue (October Daye #1) by Seanan McGuire

Thud! (Discworld #34) by Terry Pratchett

Sea of Tranquility by Emily St John Mandel

Les aventures de Billy et du Pyrobarbare : la forteresse du chaudron noir by Bob Lennon

Space Opera by Catherynne M Valente

Magie et Sentiments : les secrets de Longdawn by Ariel Holzl

A Confederacy of Dunces by John Kennedy Toole

It's in His Kiss (Brigerton #7) by Julia Quinn

Les Cinq by Matthieu RochelleDid You Hear About Kitty Karr by Crystal Paul Smith

The Lion the Witch and the Wardrobe (The Chronicles of Narnia #1) by C S Lewis

How to Raise a Kraken in Your Bathtub by P Djeli Clark

An Appointment with Death by Agatha Christie

The Oleander Sword (The Burning Kingdoms #2) by Tasha Suri

Time to Orbit : Unknown by Derin Edala

It's Kind of a Funny Story by Ned Vizzini

4.48 Psychosis by Sarah Kane

Under the Whispering Door by T J Klune

The Moth Keeper by Kay O'Neill

Cain's Jawbone by E Powys Mathers

Darth Bane : Path of Destruction (Darth Bane #1) by Drew Karpyshyn

Du thé pour les fantômes by Chris Vuklisevic

Labyrinthes (Caleb Tracksman #3) by Franck Thiliez

The Long Way to a Small Angry Planet (Wayfarers #1) by Becky Chambers

Le dernier des siens by Sibylle Grimbert

Five Little Pigs by Agatha Christie

Going Postal (Discworld #33) by Terry Pratchett

House of Hollow by Krystal Sutherland

Blanche-Neige et les lances-missiles (Du temps où les dieux buvaient #1) by Catherine Dufour

When He Was Wicked (Bridgerton #6) by Julia Quinn

The Lord of the Flies by William Golding

Celle qu'il attendait by Baptiste Beaulieu

Jusqu'à ce que mort s'ensuive by Olivier Rolin

American Gods by Neil Gaiman

The Song of Achilles by Madeline Miller

The Umbrella Academy Vol 1-3 by Gerard Way and Gabriel Bà

Il était deux fois (Caleb Tracksman #2) by Franck Thilliez

Camp Damascus by Chuck Tingle

To Sir Phillip With Love (Bridgerton #5) by Julia Quinn

Le papillon des étoiles by Bernard Werber

Beren and Luthien by J R R Tolkien

A Hat Full of Sky (Discworld #32) by Terry Pratchett

Le manuscrit inachevé (Caleb Tracksman #1) by Franck Thiliez

The Murder of Roger Ackroyd by Agatha Christie

Akata Witch (Akata Witch #1) by Nnedi Okorafor

Romancing Mr Bridgerton (Bridgerton #4) by Julia Quinn

The Devil and the Dark Water by Stuart Turton

An Offer from a Gentleman (Bridgerton #3) by Julia Quinn

Delicious in Dungeon vol 1-14 by Ryoko Kui

Doctor Who : the Star Beast by Gary Russell

La promesse de l'aube by Romain Gary

The Jasmine Throne (The Burning Kingdoms #1) by Tasha Suri

The Hitchhiker's Guide to the Galaxy by Douglas Adam

The Illiad by Homer (trad Emily Wilson)

The Viscount Who Loved Me (Bridgerton #2) by Julia Quinn

The Me You Love in the Dark by Scotty Young

The Duke and I (Bridgerton #1) by Julia Quinn

Murder at the Vicarage by Agatha Christie

Nona the Ninth (Locked Tomb #3) by Tamsyn Muir

The Catcher in the Rye by J D Salinger

House of Leaves by Mark Z Danielewski

The House in the Cerulean Sea by T J Klune

I, Robot (Robot #1) by Isaac Asimov

Monstrous Regiment (Discworld #31) by Terry Pratchett

The Faceless Old Woman Who Secretly Lives in your Home by Jeffrey Cranor and Joseph Fink

Fullmetal Alchemist Vol 1-27 by Hiromu Arakawa

The Remarkable Retirement of Edna Fischer by E M Anderson

All System Red (Murderbot Diaries #1) by Martha Wells

Veiller sur elle by Jean-Baptiste Andrea

Julius Caesar by William Shakespeare

Segurant le chevalier au dragon by Emanuele Arioli

Chanson Douce by Leila Sleimane

The Picture of Dorian Gray by Oscar Wilde

He Who Drowned The World (The Radiant Emperor #2) by Shelley Parker Chan

Et à la fin ils meurent by Lou Lubie

Flowers for Algernon by Daniel Keyes

Coraline by Neil Gaiman

The Wee Free Men (Discworld #30) by Terry Pratchett

Fourth Wing by Rebecca Yarros

Harrow the Ninth (Locked Tomb #2) by Tamsyn Muir

Histoire de coming out by Baptiste Beaulieu and Sophie Nanteuil

Heartstopper Vol 1-4 by Alice Oseman

The Old Guard by Greg Rucka

The Seven Deaths of Evelyn Hardcastle by Stuart Turton

Le Comte de Monte-Cristo by Alexandre Dumas

La Cicatrice by Bruce Lowrey

Farenheit 451 by Ray Bradbury

Us by Sara Soler

Gideon the Ninth (Locked Tomb #1) by Tamsyn Muir

[zoomyouchasedthedayaway-blog]

Priscilla and Lisa Marie Presley with Shirley Dieu at Elvis's funeral, August 18, 1977. Graceland, Memphis, TN.

[stainedglassgardens]

Favourite films watched in 2020

In no particular order:

Katalin Varga (Peter Strickland, 2009) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Post Tenebras Lux (Carlos Reygadas, 2012) The Return (Возвращение, Andrey Zvyaginstev, 2003) The Grand Bizarre (Jodie Mack, 2018) Transnistra (Anna Eborn, 2019) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) The Petrified Forest (Archie Mayo, 1936) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967)

Complete list of all 323 films watched in 2020 under the cut!

January

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Blade (Steven Norrington, 1998) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Disctrict 9 (Neill Blomkamp, 2009) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Sister (妹妹, Siqi Song, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) The Ghosts of Sugar Land (Bassam Tariq, 2019) Amazonia (Dominic Hicks, 2018) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Headcleaner (Nick Scott, 2019) Rattlesnake (Zak Hilditch, 2019) The Neon Demon (Nicolas Winding Refn, 2016) Skin (Audrey Rosenberg, 2018) The Banishment (Изгнание, Andrey Zvyagintsev, 2007) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Road House (Rowdy Herrington, 1989) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Ghost Train (Lee Cronin, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

February

Sitting Next to Zoe (Ivana Lalović, 2013) Dark Places (Gilles Paquet-Brenner, 2015) Nocturnal Animals (Tom Ford, 2016) The Limey (Steven Soderbergh, 1999) Side Effects (Steven Soderbergh, 2013) Good Sam (Kate Melville, 2019) Anima (Paul Thomas Anderson, 2019) What Did Jack Do? (David Lynch, 2017) Fleur de tonnerre (Stéphanie Pillonca, 2016) Parasite (Bong Joon-ho, 2019) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) Devil (John Eric Dowdle, 2010) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Grave of the Fireflies (火垂るの墓, Hotaru no Haka, Isao Takahata, 1988) Elena (Елена, Andrey Zvyagintsev, 2011) The Lighthouse (Robert Eggers, 2019) Baskin (Can Evrenol, 2015) In Fabric (Peter Strickland, 2018) Leviathan (Левиафан, Andrey Zvyagintsev, 2014) Suffragette (Sarah Gavron, 2015)

March

The East (Zal Batmanglij, 2013) Solaris (Солярис, Andrei Tarkovsky, 1972) Mamma Mia! (Phyllida Lloyd, 2008) There Will Be Blood (Paul Thomas Anderson, 2007) Io (Jonathan Helpert, 2019) The Death and Life of Marsha P. Johnson (David France, 2017) A Bump Along the Way (Shelly Love, 2019) Color Out of Space (Richard Stanley, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Mirror (Зеркало, Andrei Tarkovsky, 1975) Zama (Lucrecia Martel, 2017) Swallow (Carlo Mirabella-Davis, 2019) Joy (Sudabeh Mortezai, 2018) Good Time (Josh and Benny Safdie, 2017) Quarantine (John Eric Dowdle, 2008) The Reflecting Skin (Philip Ridley, 1990) Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017) Leto (Лето,  Kirill Serebrennikov, 2018) The 39 Steps (Alfred Hitchcock, 1935)

April

Queen of Earth (Alex Ross Perry, 2015) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) Les Misérables (Ladj Ly, 2019) The Evil Dead (Sam Raimi, 1981) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Fallen Idol (Carol Reed, 1948) The Wailing (곡성, Gokseong, Na Hong-jin, 2016) Inherent Vice (Paul Thomas Anderson, 2014) Sorrowful Shadow (Guy Maddin, 2004) Mistery Lonely (Harmony Korine, 2007) The Grand Bizarre (Jodie Mack, 2018) Zombieland: Double Tap (Ruben Fleischer, 2019) Waves '98 (Ely Dagher, 2015) Uncut Gems (Josh and Benny Safdie, 2019) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Room (Lenny Abrahamson, 2015) Queen & Slim (Melina Matsoukas, 2019) The Holy Mountain (La montaña sagrada, Alejandro Jodorowsky, 1973) The Chaser ( 추격자, Chugyeokja, Na Hong-jin, 2008) Made in Dagenham (Nigel Cole, 2010) The Color of Pomegranates (Նռան գույնը, Nřan guynə, Sergei Parajanov, 1969) Lost Girls (Liz Garbus, 2020) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) And Then There Were None (René Clair, 1945) Doctor Sleep (Mike Flanagan, 2019) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Catfish (Henry Joost and Ariel Schulman, 2010) Wildling (Fritz Böhm, 2018) Delphine (Chloé Robichaud, 2019) The Strange Love of Martha Ivers (Lewis Milestone, 1946) The Red Balloon (Le Ballon rouge, Albert Lamorisse, 1956) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) Invisible Man (Leigh Whannell, 2020) Sans Soleil (Chris Marker, 1983)

May

A Russian Youth (Мальчик русский, Alexander Zolotukhin, 2019) Sicario (Denis Villeneuve, 2015) Fedora (Billy Wilder, 1978) LoveTrue (Alma Har'el, 2016) The Platform (Galder Gaztelu-Urrutia, 2019) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) The Last Man on Earth (Ubaldo Ragona and Sidney Salkow, 1964) Beanpole (Дылда, Kantemir Balagov, 2019) Mommy (Xavier Dolan, 2014) The Fall (Jonathan Glazer, 2020) Girlhood (Bande de filles, Céline Sciamma, 2014) Carnival of Souls (Herk Harvey, 1962) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) Eraserhhead (David Lynch, 1977) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Free Radicals (Len Lye, 1958) Aniara (Pella Kågerman and Hugo Lilja, 2018) Vivarium (Lorcan Finnegan, 2019) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) GUO4 (Peter Strickland, 2019) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Živan Makes a Punk Festival (Živan pravi pank festival, Ognjen Glavonić, 2014) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) The Octopus (La Pieuvre, Jean Painlevé, 1928) Hyas and Stenorhynchus (Hyas et sténorinques, crustacés marins, Jean Painlevé, 1929) Sea Urchins (Les Oursins, Jean Painlevé, 1929) Bernard-L'Hermite (Bernard-l'Ermite, Jean Painlevé, 1930) The Sea Horse (L'Hippocampe ou "cheval marin", Jean Painlevé, 1934) Voyage to the Sky (Voyage dans le ciel, Jean Painlevé, 1937) Le Vampire (Jean Painlevé, 1945) Freshwater Assassins (Assassins d'eau douce, Jean Painlevé, 1947) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Pigeons of the Square (Les Pigeons du square, Jean Painlevé, 1982) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) The Cranes Are Flying (Летят журавли, Mikhail Kalatozov, 1957) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007)

June

Funny Games (Michael Haneke, 1997) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Wodaabe: Herdsmen of the Sun (Werner Herzog, 1989) Bells from the Deep: Faith and Superstition in Russia (Glocken aus der Tiefe - Glaube und Aberglaube in Russland, Werner Herzog, 1993) We Are the Best! (Vi är bäst!, Lukas Moodysson, 2013) Olla (Ariane Labed, 2019) Return to Reason (Le Retour à la raison, Man Ray, 1923) Ghosts Before Breakfast (Vormittagsspuk, Hans Richter, 1928) Sissy Boy Slap Party (Guy Maddin, 2004) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Sullivan's Banks (Sullivans Banken, Heinz Emigholz, 2000) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Fall (Tarsem Singh, 2006) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Curling (Denis Côté, 2010) Trouble Every Day (Claire Denis, 2001) The Return (Возвращение, Andrey Zvyaginstev, 2003) Maillart's Bridges (Maillarts Brücken, Heinz Emigholz, 2000) Two Years at Sea (Ben Rivers, 2011) The Creeping Garden (Tim Grabham and Jasper Sharp, 2014) Homo Sapiens (Nikolaus Geyrhalter, 2016) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Disclosure (Sam Feder, 2020) Baghead (Mark Duplass and Jay Duplass, 2008) Lahemaa (Leslie Lagier, 2010) Closeness (Теснота, Kantemir Balagov, 2017) Touki Bouki (Djibril Diop Mambéty, 1973) Daughter (Dcera, Daria Kashcheeva, 2019) Human Nature (Sverre Fredriksen, 2019) 1 Dimension (一维, Lü Yue, 2013)

July

Post Tenebras Lux (Carlos Reygadas, 2012) Something to Remember (Något Att Minnas, Niki Lindroth Von Bahr, 2019) Gegenüber (Ewa Wikiel, 2019) The Claudia Kishi Club (Sue Ding, 2020) Villa Empain (Katharina Kastner, 2019) Fata Morgana (Werner Herzog, 1971) Some Like It Hot (Billy Wilder,1959) Breakwater (Quebramar, Cris Lyra, 2019) Y a-t-il une vierge encore vivante? (Bertrand Mandico, 2015) Virus Tropical (Santiago Caicedo, 2017) The Tribe (Племя, Miroslav Slaboshpitsky, 2014) Integration Report 1 (Madeline Anderson, 1960) Tribute to Malcolm X (Madeline Anderson, 1967)

August

The Stopover (Voir du pays, Delphine and Muriel Coulin, 2016) Our Time (Nuestro Tiempo, Carlos Reygadas, 2018) Never Rarely Sometimes Always (Eliza Hittman, 2020) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Continental, a Film Without Guns (Continental, un film sans fusil, Stéphane Lafleur, 2007) Spaceship Earth (Matt Wolf, 2020) The Go-Go's (Alison Ellwood, 2020) First Cow (Kelly Reichardt, 2019) Light of My Life (Casey Affleck, 2019) Wadjda (Haifaa al-Mansour, 2012) Spinster (Andrea Dorfman, 2020) Love and Anarchy (Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..., Lina Wertmüller, 1973) Shapito Show (Шапито шоу, Sergey Loban, 2011) Charade (Stanley Donen, 1693) Cat People (Jacques Tourneur, 1942) Radioactive (Marjane Satrapi, 2019) Tabloid (Errol Morris, 2010) The Mourning Forest ( 殯の森, Mogari No Mori, Naomi Kawase, 2007) Lilya 4-ever (Lilja 4-ever, Lukas Moodysson, 2002)

September

The Nightingale (Jennifer Kent, 2018) Babyteeth (Shannon Murphy, 2019) Let the Corpses Tan (Laissez bronzer les cadavres, Hélène Cattet & Bruno Forzani, 2017) Wings of Desire (Der Himmel über Berlin, Wim Wenders, 1987) In My Room (Mati Diop, 2020) Katalin Varga (Peter Strickland, 2009) Les 3 Boutons (Agnès Varda, 2015) Somebody (Miranda July, 2014) Öndög (Wang Quan'an, 2019) Strasbourg 1518 (Jonathan Glazer, 2020) Mermaid (Русалка, Anna Melikyan, 2007) The Lighthouse (Маяк, Maria Saakyan, 2006) Phenomena (Dario Argento, 1985) That One Day (Crystal Moselle, 2016) Brigitte (Lynne Ramsay, 2019) The Wedding Singer's Daughter (Haifaa al-Mansour, 2018) Shako Mako (Hailey Gates, 2019) Carmen (Chloë Sevigny, 2017) The Summer of Sangailė (Sangailės Vasara, Alanté Kavaïté, 2015) Hello Apartment (Dakota Fanning, 2018) Seed (Naomi Kawase, 2016) Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019) Matthias & Maxime (Xavier Dolan, 2019) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000)

October

American Murder (Jenny Popplewell, 2020) Hereditary (Ari Aster, 2018) Ghostland (Pascal Laugier, 2018) Triangle (Christopher Smith, 2009) The Amityville Horror (Stuart Rosenberg, 1979) The Visit (M. Night Shyamalan, 2015) The House of the Devil (Ti West, 2009) Misery (Rob Reiner, 1990) The Exorcist (William Friedkin, 1973) Coherence (James Ward Byrkit, 2013) Metamorphosis (변신, Kim Hong-sun, 2019) Errementari (Paul Urkijo Alijo, 2017) I Am a Ghost (H.P. Mendoza,2012) The Changeling (Peter Medak, 1980) Witching and Bitching (Las Brujas de Zugarramurdi, Álex de la Iglesia, 2013) Thirst (박쥐, Park Chan-wook, 2009) V/H/S ( Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, 2012) The Autopsy of Jane Doe (Andr�� Øvredal, 2016) Overlord (Julius Avery, 2018) Häxan (Benjamin Christensen, 1922) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967) Amulet (Romola Garai, 2020) A Bucket of Blood (Roger Corman, 1959) The Wasp Woman (Roger Corman, 1959) Mother! (Darren Aronofsky, 2017) Suspiria (Dario Argento, 1977) The Open House (Matt Angel, Suzanne Coote, 2018)

November

The Damned Don't Cry (Vincent Sherman, 1950) Notorious (Alfred Hitchcock, 1946) While the City Sleeps (Fritz Lang, 1956) The Man Who Wasn't There (Joel Coen, 2001) The Naked City (Jules Dassin, 1948) The Petrified Forest (Archie Mayo, 1936) Croupier (Mike Hodges, 1998) In a Lonely Place (Nicholas Ray, 1950) Elevator to the Gallows (Ascenseur pour l'échafaud, Louis Malle, 1958) Key Largo (John Huston, 1948) Dial M for Murder (Alfred Hitchcock, 1954) The Long Farewell (Долгие проводы, Kira Muratova, 1971) The Killers (Robert Siodmak, 1946) Gun Crazy (Joseph H. Lewis, 1950) Alphaville (Jean-Luc Godard, 1965) Laura (Otto Preminger, 1944) The Third Man (Carol Reed, 1949) Dark City (Alex Proyas, 1998) Night and the City (Jules Dassin, 1950) Ace in the Hole (Billy Wilder, 1951)

December

Nimic (Yorgos Lanthimos, 2020) Elsa la rose (Agnès Varda, 1966) Le Bonheur (Agnès Varda, 1965) Little Girl (Petite Fille, Sébastien Lifshitz, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald ou (Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013) Zootopia (Byron Howard, Rich Moore, 2016) It's a Wonderful Life (Frank Capra, 1946) Paddington (Paul King, 2014) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018) Paddington 2 (Paul King, 2017)

[elvisbooty76]

[doll-elvis]

“while Linda mothered Elvis, Elvis played with Sheila; while Elvis played with Sheila, Priscilla raised their child. As you could see, each would give Elvis something different. I believe that Elvis still saw Priscilla as a wife, Linda as a mom, and Sheila as a childlike playmate. He wanted it all, and he got it”

(excerpt from “Memphis Mafia Princess” by Shirley Dieu)

I thought this was some really interesting insight to elvis and his relationships. I think the reason elvis struggled with fidelity was because of what he required out of the women he was with. what woman could fulfill the role of his wife, mother to his child, mother to him and the “childlike” playmate that he could regress with? he’s a complicated fella, but what do y’all think? 👀

[orleans-jester]

Be a Baddy; Maddy

Listen here, my granddaughter, the only good experience That I currently have from a woman who from now hence Forth will be known as not worthy of the bestowment Of the other kids that I have at this very moment And that includes you’re husband, he had no choice but to join Yer parents were ground beef while he’s top sirloin Lemme get around to the point, I won’t go longer without You need to change some things, but you can - I don’t doubt. It’s nothing too crazy, nothing all that insanely drastic Just don’t be like your mother and inject yourself with plastic Come on, little Maddy, in case it hasn’t dawned You don’t need to impress the world and make everyone fond There’s redheads and blondes and brunette fan clubs that host People who’ll look right through you like you’re a boring ghost You’ve got a great smile, but here is the thing You’ll always have critics who would rather watch you swing From a hangman’s noose or stand at the end of a gun What I’m saying is that you cannot please everyone. Don’t waste your time on fancy hair or expensive clothes I swear, Mon Dieu, those things make a real person doze And don’t be like your father with his endless knightly quests Or open your home to the most ungrateful guests Who when asked about you, their only response Will be a roll of their eyes and an act of nonchalance You’re going to get these people, these scamps and these tramps Who are never going to realize you shine brighter than lamps So fuck em, why try, just check out of their lives early Return home, curl up with Bas, watch some Laverne and Shirley Worrying about people’s opinions will make your life shorter So live it up, party on, make love in the French Quarter Cause the world is full of people with opinions and sharp teeth They’ll speak on your skin enough, don’t let them underneath.

;

To which Maddy will be absolutely delighted to get one of Clopin’s famous poems, and would nearly squeal with delight at the mention of Laverne and Shirley. How does he always know?

[epletsplayhouse]

Oh God Elvis 😂

I just can picture that image right know and I can’t stop laughing.

Excerpt from Memphis Mafia Princess: Living in the Elvis world. Shirley Dieu

[motschoisis]

“I have lived all my life on the theory that I am working and doing something in order to be allowed to die, that God will not let me die, or I will not be able to die until I have contributed something to the world.”

— Shirley Clarke, in Rome brûle, Noël Burch et André S. Labarthe, 1970. (”J’ai toujours vécu selon la théorie que je travaille pour qu’il me soit permis de mourir, que Dieu ne me laissera pas mourir, que je ne pourrai pas mourir avant d’avoir apporté ma pierre à ce monde.”)

[dichvukiemtoanuytinvc]

Kỹ năng viết email trong kinh doanh mà bạn cần biết

Kỹ năng viết email trong kinh doanh mà bạn cần biết

Ngoài các phương thức giao tiếp bên ngoài nhằm mang đến việc tạo thiện cảm cho đối tác khách hàng, hoặc đồng nghiệp… thì kỹ năng viết email cũng trở thành một việc vô cùng quan trọng mà chúng ta cần thực hiện và hầu như hàng ngày đều dùng đến. Cho dù bạn đang viết một lá thư cảm ơn, biên bản cuộc họp, một hợp đồng hay bài giới thiệu bán hàng thì những gì bạn viết đều ảnh hưởng đến cách mà người khác nghĩ về bạn, cũng như ảnh hưởng đến hình ảnh tổ chức của bạn. Bài viết dưới đây CAF muốn chia sẽ đến bạn chính là kỹ năng viết email trong kinh doanh mà bạn cần biết.

Viết e-mail là một kỹ năng thường hay bị bỏ qua hoặc nhiều người cho rằng không cần thiết. Nhưng bây giờ đã là thời đại của e-mail, muốn trở thành một người làm việc chuyên nghiệp và hiệu quả, việc viết mail cũng sẽ nói lên phần nào năng lực của bạn.

 Kỹ năng viết email trong kinh doanh mà bạn cần biết

Kỹ năng viết email trong kinh doanh mà bạn cần biết

 Kỹ năng viết email trong kinh doanh mà bạn cần biết

Bài viết này được tham khảo dựa trên 5 nguyên tấc tối ưu hóa việc viết E-mail của tác giả Shirley Taylor trong cuốn Văn hóa E-mail.

 Kỹ năng 1: Hãy nhớ rằng bạn đang giao tiếp với người đối diện

Một vấn đề mà bạn cần lưu ý đó là không thể sử dụng biểu cảm khuôn mặt, cử chỉ hay giọng điệu để truyền đạt thông tin nên rất dễ xảy ra việc người khác hiểu lầm ý của bạn và ngược lại.

 Ngôn từ là tất cả những gì mà bạn có, vì thế hãy tận dụng chúng thật thông minh. Hãy đặt mình vào vị trí người khác và hình dung xem bạn sẽ cảm thấy thế nào khi nhận được thông điệp như vậy.

 Dù việc bảo vệ quan điểm của bản thân là không sai nhưng cần có chừng mực, đừng vì bảo thủ mà làm tổn thương cảm xúc của người khác.

 Điểm mấu chốt ở đây là hãy suy nghĩ kỹ trước khi gửi đi và nên kiểm tra lại trước khi gửi. Tự hỏi bản thân xem “Liệu tôi có nên trao đổi chuyện này trực tiếp không?”. Nếu thấy nội dung e-mail chưa ổn, bạn cần chỉnh sửa, hoặc viết lại và đọc lại lần nữa. Chỉ nên nhấn nút “Gửi” khi bạn chắc rằng chính bạn, khi đọc thư do mình viết, cũng cảm thấy dễ chịu như đang trò chuyện trực tiếp với người khác.

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https://dichvukiemtoancaf.com/truong-hop-bi-huy-tu-cach-cong-ty-dai-chung.html

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