#Shelly O’Neill

[sammaggs]

2x03 Witness | Fine

For reasons passing understanding (we must assume notes from the U.S. network) due South decides that the move in season 2 is to give each of our male leads a domineering and low-key terrifying female love interest in a position of power over them.

Seems like just another badly-aged example of

I fear!!

[piperslovebot]

Replacments for Red, Kitty, Jackie, Kelso, Fez, and Hyde

Hyde - Logic

Red - Ed O’Neil

Kitty - Shelly Long

Jackie - Sarah Hyland

Kelso - Michael Kutcher (I couldn’t think of anyone else, don’t @ me)

Fez - Jamie Camil

[ufonaut]

re my tags on the prev post i think it’s always so fascinating to think of shelly mayer & julie schwartz as the architects of the golden & silver ages respectively and how much their approach differed by circumstances alone. and like the easiest way to understand that is by looking at the justice society of america vs the justice league (of america, in its original incarnation).

and how genuinely few people nowadays are aware that the jsa used to be genuinely bizarre, sometimes awful, sometimes angry, all too human young men with very distinct & complex personalities... because shelly himself was a weird twenty-two year old who challenged people to sword fights in his office and randomly burst out singing and was known as the mad boy genius of the comic world who made it all up as he went along. whereas the justice league arrived fully formed with sort of indefinite personalities, more perfect soldiers and helpful coworkers than anything resembling friends (and remained that indistinct mass of textbook superheroics until the denny o’neil and len wein days) because they’d been put together by a grown man with a very clear understanding of the business because in julie’s own words society sounded sort of like a fan club and a league was the real deal.

and like!!! i’m the biggest julie schwartz fan you’ll find around these parts but it’s so crazy to me how they got the jsa so right in the 1940s and the phenomenon of it could never be replicated ever again

[graphicpolicy]

Preview: Full Bleed Comics & Culture Quarterly Vol. 4 The End

Full Bleed Comics & Culture Quarterly Vol. 4 The End preview. FULL BLEED is coming to a close with its final volume, THE END. #Comics #ComicBooks

Full Bleed Comics & Culture Quarterly Vol. 4 The End Shelly Bond, Conor McCreery, Josh O’Neill, George Gene Gustines, Ron Marz, Gavin Edwards, VARIOUS (A) Gideon Kendall, Jibola Fagbamiye, Craig Yoe, Various (CA) Tony MillionaireIn Shops: Apr 28, 2021SRP: $25.00 They say all good things must come to an end. Alas, this is also true with the World’s ONLY 200 page print-only hardcover magazine –…

[giveamadeuschohisownmovie]

Phoenix Wright: Ace Attorney - Justice for All, live-action TV miniseries fancast (Japanifornia edition)

(this is a part 2 from my post from yesterday. Click here to see it)

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1) Joe Keery as Phoenix Wright

2) Lyrica Okano as Maya Fey

3) Kiernan Shipka as Franziska von Karma

4) Alison Brie as Maggey Byrde 

5) Clark Gregg as Winston Payne

6) Paul Rudd as Dick Gumshoe

7) Andy Mientus as Richard Wellington

8) Matthew Modine as Dr. Turner Grey

9) I have no one in mind for Pearl Fey. So, enjoy a gif of her. If you have any actress suggestions, let me know.

10) Tamlyn Tomita as Morgan Fey

11) Maya Hawke as Lotta Hart

12) Kaitlyn Dever as Ini Miney (actually, Mimi Miney)

13) Karen Fukuhara as Mia Fey 

14) Ed O’Neill as Director Hotti 

15) Nicholas Hoult as Benjamin Woodman / Trilo Quist 

16) Amybeth McNulty as Regina Berry

17) Tyler Posey as Max Galactica 

18) Ed Helms as Moe the Clown 

19) Martin Sensmeier as Acro 

20) Taron Egerton as Miles Edgeworth

21) Zac Efron as Matt Engarde

22) Virginia Gardner as Adrian Andrews

23) Katey Sagal as Wendy Oldbag

24) Roman Reigns as Will Powers

25) Jeremy Irons as Shelly de Killer

26) Bill Murray as the Judge 

[smashpages]

Winners announced for the 2019 Eisner Awards

The winners were announced last night for the 2019 Will Eisner Comic Industry Awards.

Tom King and Mitch Gerads, partners on the Mister Miracle series from DC, took home five awards between them. John Allison’s Giant Days and The Prince and the Dressmaker by Jen Wang also took home multiple awards.

The Eisner Awards also inducted 10 people into the Hall of Fame last night: the judges chose Jim Aparo, June Tarpé Mills, Dave Stevens and Morrie Turner, while voters chose José Luis García-López, Jenette Kahn, Paul Levitz, Wendy and Richard Pini, and Bill Sienkiewicz to join the class of 2019.

Other awards given out last night included the The Bill Finger Excellence In Comic Book Writing Award, which was presented to Mike Friedrich and the late E. Nelson Bridwell, and the Russ Manning Most Promising Newcomer Award, which went to Lorena Alvarez.

The 2019 recipients of the Bob Clampett Humanitarian Award were Edgardo Miranda-Rodriguez, for his work on Ricanstruction: Reminiscing & Rebuilding Puerto Rico, and comic artist Tula Lotay, AKA Lisa Wood, for creating the UK-based Thought Bubble Festival. And La Revisteria Comics in Argentina won the Will Eisner Spirit of Comics Retailer Award.

You can see all the Eisner winners below, in bold.

Best Short Story

“Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)

“The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)

“Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)

“Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times

“Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)

“The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)

Best Single Issue/One-Shot

Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)

Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)

No Better Words, by Carolyn Nowak (Silver Sprocket)

Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)

The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)

Best Continuing Series

Batman, by Tom King et al. (DC)

Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)

Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)

Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)

The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)

Runaways, by Rainbow Rowell and Kris Anka (Marvel)

Best Limited Series

Batman: White Knight, by Sean Murphy (DC)

Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)

Best New Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)

Isola, by Brenden Fletcher and Karl Kerschl (Image)

Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)

Skyward, by Joe Henderson and Lee Garbett (Image)

Best Publication for Early Readers (up to age 8)

Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)

Petals, by Gustavo Borges (KaBOOM!)

Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)

This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)

Tiger Vs. Nightmare, by Emily Tetri (First Second)

Best Publication for Kids (ages 9–12)

Aquicorn Cove, by Katie O’Neill (Oni)

Be Prepared, by Vera Brosgol (First Second)

The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)

Crush, by Svetlana Chmakova (JY/Yen Press)

The Divided Earth, by Faith Erin Hicks (First Second)

Best Publication for Teens (ages 13–17)

All Summer Long, by Hope Larson (Farrar Straus Giroux)

Gumballs, by Erin Nations (Top Shelf/IDW)

Middlewest, by Skottie Young and Jorge Corona (Image)

Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)

The Prince and the Dressmaker, by Jen Wang (First Second)

Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)

Best Humor Publication

Get Naked, by Steven T. Seagle et al. (Image)

Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)

MAD magazine, edited by Bill Morrison (DC)

A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)

Woman World, by Aminder Dhaliwal (Drawn & Quarterly)

Best Anthology

Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)

Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)

Twisted Romance, edited by Alex de Campi (Image)

Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)

Best Reality-Based Work

All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)

All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)

Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)

Monk! by Youssef Daoudi (First Second)

One Dirty Tree, by Noah Van Sciver (Uncivilized Books)

Best Graphic Album—New

Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)

Come Again, by Nate Powell (Top Shelf/IDW)

Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)

Homunculus, by Joe Sparrow (ShortBox)

My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)

Sabrina, by Nick Drnaso (Drawn & Quarterly)

Best Graphic Album—Reprint

Berlin, by Jason Lutes (Drawn & Quarterly)

Girl Town, by Carolyn Nowak (Top Shelf/IDW)

Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)

The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)

Young Frances, by Hartley Lin (AdHouse Books)

Best Adaptation from Another Medium

Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)

“Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)

Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)

Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)

To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)

Best U.S. Edition of International Material

About Betty’s Boob, by Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)

Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)

Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)

Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)

A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)

Best U.S. Edition of International Material—Asia

Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)

Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)

Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)

My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)

Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)

Best Archival Collection/Project—Strips

Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)

Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)

The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books

Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books

Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)

Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)

Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)

Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)

Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)

Best Writer

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)

Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)

Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)

Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)

Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)

Best Writer/Artist

Sophie Campbell, Wet Moon (Oni)

Nick Drnaso, Sabrina (Drawn & Quarterly)

David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)

Nate Powell, Come Again (Top Shelf/IDW)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Jen Wang, The Prince and the Dressmaker (First Second)

Best Penciller/Inker or Penciller/Inker Team

Matías Bergara, Coda (BOOM!)

Mitch Gerads, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Sonny Liew, Eternity Girl (Vertigo/DC)

Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)

Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)

Best Painter/Multimedia Artist (interior art)

Lee Bermejo, Batman: Damned (DC)

Carita Lupatelli, Izuna Book 2 (Humanoids)

Dustin Nguyen, Descender (Image)

Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Best Cover Artist (for multiple covers)

Jen Bartel, Blackbird (Image); Submerged (Vault)

Nick Derington, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Joshua Middleton, Batgirl and Aquaman variants (DC)

Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)

Best Coloring

Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)

Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)

Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)

Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)

Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)

Best Lettering

David Aja, Seeds (Berger Books/Dark Horse)

Jim Campbell, Breathless, Calexit, Gravetrancers, Snap Flash Hustle, Survival Fetish, The Wilds (Black Mask); Abbott, Alice: Dream to Dream, Black Badge, Clueless, Coda, Fence, Firefly, Giant Days, Grass Kings, Lumberjanes: The Infernal Compass, Low Road West, Sparrowhawk (BOOM); Angelic (Image); Wasted Space (Vault)

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)

Todd Klein— Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse); Batman: White Night (DC); Eternity Girl, Books of Magic (Vertigo/DC); The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW)

Best Comics-Related Periodical/ Journalism

Note: There was a tie in this category

Back Issue, edited by Michael Eury (TwoMorrows)

The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com

Comicosity, edited by Aaron Long and Matt Santori,  www.comicosity.com

LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)

PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)

Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)

The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)

Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)

Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)

Best Academic/Scholarly Work

Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)

Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)

The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)

Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)

Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)

Best Publication Design

A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)

The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)

The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)

Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Aztec Empire, by Paul Guinan, Anina Bennett, and David Hahn, www.bigredhair.com/books/Aztec-empire/

The Führer and the Tramp, by Sean McArdle, Jon Judy, and Dexter Wee, http://thefuhrerandthetramp.com/

The Journey, by Pablo Leon (Rewire), https://rewire.news/article/2018/01/08/rewire-exclusive-comic-journey/

The Stone King, by Kel McDonald and Tyler Crook (comiXology Originals)  https://cmxl.gy/Stone-King

Umami, by Ken Niimura (Panel Syndicate), http://panelsyndicate.com/comics/umami

Best Webcomic

The Contradictions, by Sophie Yanow, www.thecontradictions.com

Lavender Jack, by Dan Schkade (WEBTOON), https://www.webtoons.com/en/thriller/lavender-jack/list?title_no=1410&page=1

Let’s Play, by Mongie (WEBTOON), https://www.webtoons.com/en/romance/letsplay/list?title_no=1218&page=1

Lore Olympus, by Rachel Smythe, (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=1

Tiger, Tiger, by Petra Erika Nordlund, (Hiveworks) http://www.tigertigercomic.com/

[askauradonprep]

Wrestling Inspiration

As part of the wrestling AU, @scream-qween and I were talking about the different kids and wrestlers who could have served as inspiration for them. Let’s pretend for a second the WWE exists in this universe. Other wrestler suggestions are welcome, I’m just picking ones I’m familiar with (and I’m relatively new to wrestling - I’ve only watched for two years and only watched WWE).

Note: I am referring to the wrestlers as in their kayfabe personas. Any mention of them here should not be read as an endorsement of anything they may have said or done elsewhere. 

Mal = Paige, Sonya Deville, Mandy Rose, Undertaker, Kane, Ruby Riott, Sarah Logan, Liv Morgan, Jody Threat, Molly McCoy, Maria Manic, Tamina and Nia Jax (as a heel). 

Uma = Kairi Sane, Io Shirai, Becky Lynch, Roman Reigns, Drew McIntyre, Sasha Banks, Creatures of the Deep, Trish Stratus, Jordynne Grace, The Sea Stars, Chyna, Rhea Ripley, Shotzi Blackheart, Lita, Allie, Kofi Kingston, Nia Jax, Beth Phoenix, Randy Orton, Seth Rollins, Bianca Belair, and Ronda Rousey.

Freddie = Undertaker, Kane, Cameron, Carmella, Damian Priestly, Bray Wyatt, Ember Moon, AJ Lee, Paige, New Age Outlaws, Hawlee Cromwell, Elias, Sanity, Su Yung, Nikki Roxx, Aliyah, and Ruby Riott.

Celia = Undertaker, Bray Wyatt, New Age Outlaws, Ember Moon, Tamina, Aleister Black, Sting, Solo Darling, Nikki Roxx, Willow Nightingale, and Vivian St. John

Jay = Baron Corbin, Stone Cold Steve Austin, The Miz, Natalya, Seth Rollins, Becky Lynch, Dean Ambrose, Imperium, British Strong Style, Pete Dunne, Goldberg, Ember Moon, Big Show, Jericho, Bret Hart, Bullet Club, Kurt Angle, Rey Mysterio, Alex Zayne, Roman Reigns, Warhorse, The Rock, and the Undertaker

Evie = Nikki Bella, Brie Bella, Alexa Bliss, Sasha Banks, Cameron, Mandy Rose, Naomi (especially as a face), Scarlette Bordeaux, Velveteen Dream, Laynie Luck, Breezango, Kylie Rae, and Bayley (especially at the height of her ‘hugger’ days), Charlotte Flair and Ric Flair.

Carlos = Carmella, R-Truth, the Usos, New Day, Shield (as faces), Mark Henry, Big Show, Heath Slater, Undisputed Era, Jordynne Grace, Alex Ohlson, IFHY, Lana, Marko and Logan Stunt, No Way Jose, Lucha House Party, Xyberhawx 2000, and Naomi.

Harry = Nikki Cross, Drew McIntyre, Aleister Black, AJ Lee, Bray Wyatt, Kane, Kairi Sane, Shayna Baszler, Space Pirates, Becky Lynch, Jon Moxley, Jordynne Grace, The Sea Stars, Creatures of the Deep, Damian Priestly, Ember Moon, Randy Orton, Shawn Michaels, Mick Moretti, The Carnies, Undertaker, and Finn Balor (as the demon).

Gil = Brock Lesnar, Braun Strowman, Bobby Lashley, Randy Orton, Drew McIntyre, New Day, Heavy Machinery, Space Pirates, the Viking Raiders, Oleg the Usurper, Creatures of the Deep, Warhorse, Mark Henry, Kane, Big Show, and Kairi Sane.

Ben = John Cena, Kurt Angle, Bruno Sanmartino, Bret Hart, Finn Balor, Diamond Dallas Page, Bayley, Naomi, Natalya, Boomer Hatfield, Levi Everett, Dynamite Dino Dude, and Roman Reigns (especially after he came back from leukaemia).

Chad = Baron Corbin, Randy Orton, Carmella (as a heel), the Miz (as a heel), the Shield (as heels), Kane, Sasha Banks (as a heel), Shane McMahon, Stephanie McMahon, Triple H, Shawn Michaels, Vince McMahon, Darin Corbin, GPA, Breezango, and the Usos. 

Lonnie = Asuka’s NXT heel run, Xia Li, Becky Lynch (especially as ‘the Man’), Sonya Deville, Gail Kim, Bianca Belair, Minerva, Velveteen Dream, Johnny Gargano, Jason Jordan, The Bar, Titus O’Neil Rhea Ripley, Shayna Baszler, Tamina, Lacey Lane, Mia Yim, and Natalya. 

Jane = Bayley, Asuka (as a face), Candice LeRae, Dakota Kai, Bobby Roode, Sara Del Ray, Summer Rae, Willow Nightingale, Solo Darling, Jordynne Grace, and Charlotte Flair

Audrey = SASHA BANKS, Charlotte Flair, Bianca Belair, the Rock, AJ Lee (as a heel), Alexa Bliss, Nikki Bella, Brie Bella, Mercedes Martinez, Velveteen Dream, Renee Michelle, Roman Reigns, Princess Kimberlee, Mickie James, Lacey Evans and Tamina.

Jordan = Sasha Banks, Carmella, R-Truth, Cameron, Miz, Maryse, Nikki Bella, Nia Jax, Becky Lynch, Natalya, CM Punk, Roddy Piper, Tegan Nox, Santana Garrett, Kacy Catanzaro, D-Generation-X, Molly Holly, LuFisto, Lacey Lane, Ronda Rousey.

Ally = Harley Wonderland, Nikki Cross, Allison Wonderland, Alexa Bliss, Maria Kanellis, Rhea Ripley, Lita, Elias, Heavy Machinery, EFFY, AJ Lee, Bayley, and Lacey Evans, Nina Samuels, Jinny.

CJ = Kairi Sane and Io Shirai are all she cares about.

Aziz = Ricochet, Ali, AJ Styles (as a face), B-Team, Bayley, Dolph Ziggler, Jinder Mahal, Finn Balor, Kurt Angle, Dana Brooke, the New Day, Jordan Devlin, Sonny Daze, Goldust.

Herkie = Shinsuke Nakamura, Rusev, Kevin Owens, Brock Lesnar, Mark Henry, Samoa Joe, Bobby Lashley, Becky Lynch, Titus O’Neil, Shelton Benjamin, Kurt Angle, Mandy Rose, and Punishment Martinez.

Maddy = AJ Lee, Aksana, Ember Moon, CM Punk, Paige, Emma, Lita, Charlotte Flair, Rosa Mendes, Victoria, The Beautiful People, Ric Flair, The Ascension, Laycool, and Alexa Bliss, Jinny, Reina Gonzalez.

Ginny = Alexa Bliss, Alicia Fox, Candice LeRae, Mandy Rose, Charlotte Flair, Maryse, Zelina Vega, Lana, Randy Savage, Maria Kanellis, Dolph Ziggler, Laycool, The Iiconics, Candy Floss, Carmella.

Harriet = Kairi Sane, Io Shirai, Mia Yim, Shane Saber, Shelly Martinez, Shayna Baszler, Paul and Katie Lea Burchill, Rhea Ripley, Batista, Kay Lee Ray, Jazzy Gabert, Natalya, Becky Lynch, and Toni Storm.

Ruby = Bayley, Bobby Roode, Dolph Ziggler, Naomi, New Day, Candice LeRae, Dakota Kai, Lucha House Party, Rey Mysterio, Bianca Belair, Jericho, No Way Jose, Dana Brooke, Xia Brookside, Carmella and R-Truth, Humberto Carrillo, Jurassic Express, Cain Velasquez, Andrade, Sin Cara, Zelina Vega, Sarah Stock, Catalina Garcia.

Anxelin = Baron Corbin, Alexa Bliss, Carmella, Charlotte Flair, Ember Moon, Sasha Banks, Paige, Eddie Guerrero, Apollo Crews, Cedric Alexander, Dana Brooke, Titus O’Neil, Shelton Benjamin.

Yi-Min = She’s mostly seen Chinese wrestling promotions, so Black Mamba, Ho Ho Lun, King of Man, Ash Silva, Slam, Hangwan, Voodoo, Candy Brother, Dalton Bragg, and Jason New are her inspirations from those promotions. She’s got a few wrestlers whose careers she follows in English though - Xia Li, Karen Q, Lin Byron, Kenny Li, Rocky, and Big Boa.

Arabella = Daniel Bryan, Rowan, Brie Bella, Asuka, Rusev, Lana, Natalya, Alexa Bliss, Braun Strowman, Becky Lynch, Sami Zayn, Sasha Banks, Finn Balor, Apollo Crews, The Miz, Mandy Rose, Goldust, Elias, Bayley, Bobby Roode, Charlotte Flair, Jimmy Uso, Naomi, Shinsuke Nakamura, Big E, Carmella, Ember Moon, Mickie James, Bobby Lashley, Jinder Mahal, Alicia Fox, Kevin Owens, AJ Styles, Jeff Hardy, R-Truth, and Nia Jax.

Jade = Aliyah, Jayme Hachey, Bianca Belair, Vanessa Borne, Abbey Laith, Ayesha Raymond, Candice LeRae, Dakota Kai, Jazzy Gabert, Kairi Sane, Kavita Devi, Kay Lee Ray, Lacey Evans, Marti Belle, Mercedes Martinez, Mia Yim, Miranda Salinas, Nicole Savoy, Piper Niven, Princesa Sugehit, Rachel Evers, Reina Gonzalez, Renee Michelle, Rhea Ripley, Sage Beckett, Santana Garrett, Sarah Logan, Serena Deeb, Shayna Baszler, Taynara Conti, Tessa Blanchard, Toni Storm, Xia Li, Zeda, Tegan Nox, Barbi Hayden, Deonna Purrazzo, Jessica James, Lei’D Tapa, Nicole Matthews, Alundra Blayze, Lita, Triple H, Corey Graves, Aerial Monroe, Allysin Kay, Ashley Rayne, Hiroyo Matsumoto, Io Shirai, Isla Dawn, Jessica Elaban, Jinny, Kacy Catanzaro, Kaitlyn, Karen Q, Killer Kelly, Lacey Lane, Meiko Satomura, MJ Jenkins, Priscilla Kelly, Vanessa Kraven, Xia Brookside, Zatara, Zeuxis, Beth Pheonix

Zevon = Steve Austin, Triple H, Brock Lesnar, Batista, Rey Mysterio, Undertaker, John Cena, Randy Orton, Edge, Sheamus, Roman Reigns, Shinsuke Nakamura, Asuka, Becky Lynch, Seth Rollins, Drew McIntyre, Charlotte Flair,  Booker T, William Regal, Bad News Barrett, Baron Corbin, Christian, The Miz, Daniel Bryan, CM Punk, MVP

Anthony = Steve Austin, Triple H, Kurt Angle, Rob Van Dam, Brock Lesnar, Batista, John Cena, Randy Orton, AJ Styles, The Miz, CM Punk, Daniel Bryan, Seth Rollins, Roman Reigns, Kazuchika Okada, Kenny Omega, Ted DiBiase, Ric Flair, The Rock, William Regal, Prince Devitt, Charlotte Flair, Sasha Banks, Mustafa Ali, Prince Nana, Prince Puma, Awesome Kong, Mickie James, Michelle McCool, Madison Eagles, Gail Kim, Cheerleader Melissa, Paige, Nikki Bella, Asuka, Ronda Rousey, Becky Lynch, Natalya, Jimmy Jacobs, Aliyah, Alexa Bliss, The Authority, Kairi Sane, Carmella, Toni Storm, Chrissy Rivera, Chelsea Green

Claudine = Michelle McCool, Kurt Angle, Roman Reigns, Rey Mysterio, AJ Styles, Quinn Ojinnaka, Eddie Guerrero, Pat Patterson, Shawn Michaels, Naomi, Nor Diana, Goldberg, Mustafa Ali, Kacy Catanzaro, Ricochet, Candice LeRae, Mandy Rose, Lacey Evans (as a face), Bayley (as a face), Becky Lynch (as The Lasskicker), Dana Brooke, Sami Zayn (as a face).

Diego = Elias, Street Profits, R-Truth, Carmella, Sasha Banks, Bayley, Shawn Michaels, Jericho, Cameron, Naomi, Marty Jannetty, Shayna Baszler, Drake Maverick, The Rockstar, John Cena, Lita, Mickie James, Jeff Jarrett, Jeff Hardy, Matt Hardy, Samoa Joe, Lio Rush, Braun Strowman, Rusev, The Rock, Aiden English, Bobby Roode, Hulk Hogan, Lana

Opal = Ricochet, Kota Ibushi, Rey Mysterio, Io Shirai, AJ Styles, Jeff Hardy, Evan Bourne, Owen Hart, Jushin Thunder Liger, Kane, Randy Savage, Scott Steiner, Lita, Christian, Jamie Noble, Matt Hardy, Gail Kim, Daniel Bryan, Xavier Woods, Kofi Kingston, Tajiri, Zelina Vega, Ayako Hamada, Aliyah, Naomi, Mio Shirai

Ariana = Lady Apache, La Amapola, Marcela, Lioness Asuka, Dynamite Kansai, Chigusa Nagayo, Dump Matsumoto, Mae Young, Luna Vachon, Leilani Kai, Sarah Stock, Natalya, Cheerleader Melissa, Ayako Hamada, Beth Phoenix, Mariko Yoshida, Gail Kim, Mickie James, Sara Del Rey, Akira Hokuto, Alundra Blayze, Judy Grable, Wendi Richter, Bull Nakano, June Byers, Jaguar Yokota, Chyna, Sherri Martel, Awesome Kong, Lita, Mildred Burke, Aja Kong, Trish Stratus, Manami Toyota, Becky Lynch, Charlotte Flair, Paige, AJ Lee, Marie LaVerne, Joyce Grable, Ann Casey, Sue Green, Rachel Dubois, Debra, Stephanie McMahon, Victoria, Candice Michelle, MsChif, Sasha Banks, Asuka, Michelle McCool, Madison Eagles, Jazz, Jacqueline, Nikki Bella, Alicia Fox, Ivory, Roman Reigns, and Seth Rollins

Lil’ Shang = Edge, Christian, Rey Mysterio, Triple H, Shawn Michaels, Brett Hart, Jim Neidhart, Undertaker, Kane, Finn Balor, Ho Ho Lun, Big Boa, Rocky, The Rock, Rikishi, Mick Foley, Kurt Angle, Chris Jericho, Daniel Bryan, Jinder Mahal, Booker T, Fit Finlay, R-Truth, Trish Stratus, Lita, Victoria, Jazz, Molly Holly, Beth Phoenix, LuFisto, Lance Storm, Road Dogg, Umaga, The New Day, Bianca Belair, Street Profits

Artie = Tyler Bate, Trent Seven, Pete Dunne, Jordan Devlin, Kenny Williams, Ligero, Nick Aldis, Drew McIntyre, Finn Balor, Sheamus, Becky Lynch, Nikki Cross, Paige, James Drake, Bea Priestley, Ayesha Raymond, Zoe Lucas, Tegan Nox, Layla, Lana Austin, Bad News Barrett, Drake Maverick, Isla Dawn, Priscilla Kelly, Joe and Mark Coffey, Finlay, Nadia Sapphire, Eddie Dennis, Mark Andrews, Morgan Webster

Carina = Andre the Giant, Tamina, Lana, Maryse, Taynara Conti, Gisele Shaw, Becky Lynch, Charlotte Flair, Sasha Banks, Trish Stratus, Rhea Ripley, Indi Hartwell, Alexa Bliss, Bayley, Liv Morgan, Natalya, Toni Storm, Kay Lee Ray, Nia Jax, Mortar, Tegan Nox, Chyna, Lita, Asuka, Kairi Sane, Io Shirai, Kagetsu, Melanie Cruise, Shotzi Blackheart, Dakota Kai, Mia Yim, Candice LeRae, Riho, Sarah Logan, Hikaru Shida, Aja Kong, Bull Nakano

Doug is a manager. As a manager, his inspirations are Paul Heyman, Zelina Vega, Lana, and Bobby Heenan. Smee kids and Elle are commentators. The boys tend to like Michael Cole, Beth Phoenix and Byron Saxton. Elle tends towards JR, Corey Graves and Renee Young. Dizzy is a reporter back stage, but her favourite wrestlers to watch are Bayley, Kylie Rae, Breezango, and Princess Kimberly as a face. She gets her professional inspiration from Renee Young, Gene Okerlund, Charly Caruso and Cathy Kelley.

[thecomicsnexus]

TOP 10 WRITERS OF 2019′s REVIEWS

It is very hard to pick the best artists of the year, especially when you know in advance, they will not match anyone else’s list. And I say this because this list is based in all the reviews that scored a perfect 10 during 2019. And these reviews go from 1935 to 2020, so it is definitely not going to match anyone else’s.

There were other writers I would have loved to include in this list but they weren’t as prominent in my reviews as the one here. Those writers that are worth mentioning are: Bub Burden, Carl Potts, Denny O’Neil, Grant Morrison, Harlan Ellison, Jim Lawson, Jim Starlin, John Ostrander, Paul Dini, Peter Laird, Sam Humphries, Stan Sakai, Steve Darnall, Steve Murphy and Tom Taylor. To all of them, thank you for your work!

NUMBER TEN JAMES ROBINSON / JAMES TYNION IV

James Robinson (1963 - present) has been writing for three decades, with an early comics work, "Grendel: The Devil's Whisper", appearing in the 1989 series of the British anthology A1. The series for which he is arguably most renowned is the DC Comics series Starman, where he took the aging Golden Age character of the same name and revitalized both the character and all those who had used the name over the decades, weaving them into an interconnected whole. In 1997, Robinson's work on the title garnered him an Eisner Award for "Best Serialized Story".

He is also known for his The Golden Age limited series, which, despite being an Elseworlds story, established much of the backstory he would later use in Starman. He has written the Batman: Legends of the Dark Knight series, and served as a consultant and co-writer in the first year of JSA and its subsequent spin-off Hawkman. 

James Tynion IV was born December 14, 1987, and grew up in Milwaukee, Wisconsin, where he attended Marquette University High School. While studying creative writing at Sarah Lawrence College, Tynion met and began studying under Scott Snyder, in the nascent years of his comic book writing career. Following school, he became an intern for the Vertigo imprint of DC Comics, working under Editor Shelly Bond, among others.

After a few years working in advertising, Scott Snyder asked Tynion to co-write the back-up features for the New 52 relaunch of Batman, in the midst of the acclaimed "Night of the Owls" comic book storyline, starting with Batman #8. In this comic, he tied the Court of Owls mythology to Alfred Pennyworth's father, Jarvis Pennyworth, working with noted American Vampire artist, Rafael Albuquerque. 

James Tynion IV is openly bisexual.

These two writers are sharing the number ten spot because they have pretty much the same “rank” in the list of the year. Robinson made it in the list because of his work in “Starman”, and Tynion IV made it because of his work with the “Witching Hour” crossover.

NUMBER NINE SEAN MURPHY (1980 - PRESENT)

Sean Gordon Murphy is an American comic book creator known for work on books such as Joe the Barbarian with Grant Morrison, Chrononauts with Mark Millar, American Vampire: Survival of the Fittest and The Wake with Scott Snyder, and Tokyo Ghost with Rick Remender. He has also written and drawn the miniseries Punk Rock Jesus, as well as Batman: White Knight and its sequel Curse of the White Knight.

Sean Gordon Murphy was born in Nashua, New Hampshire in 1980. He showed an interest in comics during grade school. In Salem he apprenticed to local painter and cartoonist, Leslie Swank. He graduated from Pinkerton Academy high school in 1999, and attended Massachusetts College of Art in Boston, and then Savannah College of Art and Design.

Murphy lives in Portland, Maine with his wife Colleen, having moved there from Brooklyn in 2016. Murphy was raised a Catholic, but is now an atheist.

The reason Sean Murphy made it into the list was “Batman: White Knight”, which is an elseworld story loosely based in the Batman Animated Series.

NUMBER EIGHT FRANK MILLER (1957 - PRESENT)

Frank Miller (born January 27, 1957) is an American comic book writer, penciller and inker, novelist, screenwriter, film director, and producer best known for his comic book stories and graphic novels such as Ronin, Daredevil: Born Again, The Dark Knight Returns, Batman: Year One, Sin City, and 300.

He also directed the film version of The Spirit, shared directing duties with Robert Rodriguez on Sin City and Sin City: A Dame to Kill For, and produced the film 300. His film Sin City earned a Palme d'Or nomination, and he has received every major comic book industry award. In 2015, Miller was inducted into the Will Eisner Award Hall of Fame.

He created the comic book characters Elektra for Marvel Comics' Daredevil series, and a female version of the Robin character, Carrie Kelley, for DC Comics.

Miller is noted for combining film noir and manga influences in his comic art creations. "I realized when I started Sin City that I found American and English comics be too wordy, too constipated, and Japanese comics to be too empty. So I was attempting to do a hybrid".

Miller was raised in Montpelier, Vermont, the fifth of seven children of a nurse mother and a carpenter/electrician father. His family was Irish Catholic.

Miller was married to colorist Lynn Varley from 1986 to 2005; she colored many of his most acclaimed works (from Ronin in 1984 through 300 in 1998), and the backgrounds to the 2007 movie 300.

Miller has since been romantically linked to New York-based Shakespearean scholar Kimberly Halliburton Cox, who had a cameo in The Spirit (2008).

You can think many different things about Frank Miller, especially on his political views. But his work includes some pieces that really changed the industry. In this case, he made it into the list because of “Ronin” and “The Dark Knight Returns”, both have been influencing comics until our days (with “Ronin” being one of the many influences of the ���Teenage Mutant Ninja Turtles”).

NUMBER SEVEN MIKE W. BARR (1952 - PRESENT)

Mike W. Barr (born May 30, 1952) is an American writer of comic books, mystery novels, and science fiction novels.

Barr's debut as a comics professional came in DC Comics' Detective Comics #444 (Dec. 1974-Jan. 1975), for which he wrote an eight-page back-up mystery feature starring the Elongated Man. Another Elongated Man story followed in Detective Comics #453 (Nov. 1975). He wrote text articles and editorial replies in letter columns for the next few years. By mid-1980 he was writing regularly for both DC and Marvel, including stories for Mystery in Space, Green Lantern, The Brave and the Bold, Marvel Team-Up, and a Spider-Man/Scarlet Witch team-up in Marvel Fanfare #6.

Legion of Super-Heroes #277 (July 1981) saw him take on editorial duties at DC, a position he would hold until 1987. In December 1982, he and artist Brian Bolland began Camelot 3000, a 12 issue limited series that was one of DC Comics' first direct market projects. Barr and artist Trevor Von Eeden produced the first Green Arrow limited series in 1983. When the long running The Brave and the Bold series came to its conclusion with issue #200 (July 1983), it featured a preview of a new Batman series, Batman and the Outsiders by Barr and artist Jim Aparo, which would be described by DC Comics writer and executive Paul Levitz as being "a team series more fashionable to 1980s audiences." The Masters of Disaster were among the supervillains created by Barr and Aparo for the series. Barr wrote every issue of the original series, and its Baxter paper spinoff, The Outsiders that did not include Batman and introduced Looker. After the series' cancellation in February 1988, it was revived in November 1993 by Barr and artist Paul Pelletier.

He was one of the contributors to the DC Challenge limited series in 1986 and wrote the "Batman: Year Two" storyline in Detective Comics #575-578 (June-Sept. 1987) which followed up on Frank Miller's "Batman: Year One". Barr introduced the Reaper in Detective Comics #575 (June 1987) and returned to the character in the Batman: Full Circle one-shot in 1991. Another project from 1987 was the Batman: Son of the Demon graphic novel which was drawn by Jerry Bingham, proceeds from which reputedly "restored DC Comics to first place in sales after fifteen years." This title, and Barr's work on Batman with artist Alan Davis have been cited by Grant Morrison as key inspirations for his own run on the Batman title. Barr's sequel, Batman: Bride of The Demon, was published in 1991.

Mike W. Barr has been only of the earliest comic-book writers I knew about, and he made it into this list because of his work in “Camelot 3000″ and “Batman and the Outsiders”.

NUMBER SIX CHRIS CLAREMONT, WITH JOHN BYRNE (1950 - PRESENT)

Christopher S. Claremont (born November 25, 1950) is a British-born American comic book writer and novelist, known for his 1975–1991 stint on Uncanny X-Men, far longer than that of any other writer, during which he is credited with developing strong female characters as well as introducing complex literary themes into superhero narratives, turning the once underachieving comic into one of Marvel's most popular series.

During his tenure at Marvel, Claremont co-created numerous X-Men characters, such as Rogue, Psylocke, Kitty Pryde/Shadowcat, Phoenix, The Brood, Lockheed, Shi'ar, Shi'ar Imperial Guard, Mystique, Destiny, Selene, Reverend William Stryker, Lady Mastermind, Emma Frost, Tessa, Siryn, Jubilee, Rachel Summers, Madelyne Pryor, Moira MacTaggert, Lilandra, Shadow King, Cannonball, Warpath, Mirage, Wolfsbane, Karma, Cypher, Sabretooth, Empath, Sebastian Shaw, Donald Pierce, Avalanche, Pyro, Legion, Nimrod, Gateway, Strong Guy, Proteus, Mister Sinister, Marauders, Purifiers, Captain Britain, Sunspot, Forge and Gambit. Claremont scripted many classic stories, including "The Dark Phoenix Saga" and "Days of Future Past", on which he collaborated with John Byrne. He developed the character of Wolverine into a fan favorite. X-Men #1, the 1991 spinoff series premiere that Claremont co-wrote with Jim Lee, remains the best-selling comic book of all time, according to Guinness World Records. In 2015, Claremont and his X-Men collaborator John Byrne were entered into the Will Eisner Award Hall of Fame.

Claremont was born in London, England. His father was an internist and his mother was a pilot and caterer. Claremont is Jewish on his mother's side, and lived in a kibbutz in Israel during his youth. His family moved to the United States when he was three, and he was raised primarily on Long Island. Alienated by the sports-oriented suburbs, his grandmother purchased for him a subscription to Eagle when he was a child, and he grew up reading Dan Dare, finding them more exciting than the Batman and Superman comics of the 1950s and early 1960s. He read works by science fiction writers such as Robert Heinlein, as well as writers of other genres such as Rudyard Kipling and C. S. Forester.

In the mid-1970s, Claremont was married to Bonnie Wilford. Following the dissolution of that marriage, he married Beth Fleisher, with whom Claremont co-authored Dragon Moon. Fleisher is the cousin (through marriage) of editor Dan Raspler, who was the editor on JLA during the six-issue "Tenth Circle" story arc Claremont and John Byrne wrote in 2004. Claremont and Fleisher have twin sons.

So why not John Byrne? Well, the reason Claremont made it into this list was mostly the Dark Phoenix Saga, but also the Wolverine mini-series. It is hard to separate them from their work in X-Men, but in the end, it is his dialogue that we read. I still think it is worth mentioning Byrne in this spot, as we wouldn’t have one without the other. Perhaps Wolverine solo mini-series wouldn’t be possible without the work of Byrne with the character, but there is more influence from Miller in that one. I am pretty sure Byrne will be in the top 10 next year anyway ;)

NUMBER FIVE NEIL GAIMAN (1960 - PRESENT)

Neil Richard MacKinnon Gaiman (born Neil Richard Gaiman, 10 November 1960) is an English author of short fiction, novels, comic books, graphic novels, nonfiction, audio theatre, and films. His works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The Graveyard Book (2008). In 2013, The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards.

Gaiman's family is of Polish Jewish and other Eastern European Jewish origins. His great-grandfather emigrated from Antwerp, Belgium, to the UK before 1914 and his grandfather eventually settled in the south of England in the Hampshire city of Portsmouth and established a chain of grocery stores. Gaiman's grandfather changed his original family name of Chaiman to Gaiman. His father, David Bernard Gaiman, worked in the same chain of stores; his mother, Sheila Gaiman (née Goldman), was a pharmacist. He has two younger sisters, Claire and Lizzy.

After living for a period in the nearby town of Portchester, Hampshire, where Neil was born in 1960, the Gaimans moved in 1965 to the West Sussex town of East Grinstead, where his parents studied Dianetics at the Scientology centre in the town; one of Gaiman's sisters works for the Church of Scientology in Los Angeles. His other sister, Lizzy Calcioli, has said, "Most of our social activities were involved with Scientology or our Jewish family. It would get very confusing when people would ask my religion as a kid. I'd say, 'I'm a Jewish Scientologist.'" Gaiman says that he is not a Scientologist, and that like Judaism, Scientology is his family's religion. About his personal views, Gaiman has stated, "I think we can say that God exists in the DC Universe. I would not stand up and beat the drum for the existence of God in this universe. I don't know, I think there's probably a 50/50 chance. It doesn't really matter to me."

Gaiman was able to read at the age of four. He said, "I was a reader. I loved reading. Reading things gave me pleasure. I was very good at most subjects in school, not because I had any particular aptitude in them, but because normally on the first day of school they'd hand out schoolbooks, and I'd read them—which would mean that I'd know what was coming up, because I'd read it." When he was about ten years old, he read his way through the works of Dennis Wheatley, where especially The Ka of Gifford Hillary and The Haunting of Toby Jugg made an impact on him. One work that made a particular impression on him was J. R. R. Tolkien's The Lord of the Rings from his school library, although it only had the first two volumes of the novel. He consistently took them out and read them. He would later win the school English prize and the school reading prize, enabling him to finally acquire the third volume.

For his seventh birthday, Gaiman received C. S. Lewis's The Chronicles of Narnia series. He later recalled that "I admired his use of parenthetical statements to the reader, where he would just talk to you ... I'd think, 'Oh, my gosh, that is so cool! I want to do that! When I become an author, I want to be able to do things in parentheses.' I liked the power of putting things in brackets." Narnia also introduced him to literary awards, specifically the 1956 Carnegie Medal won by the concluding volume. When Gaiman won the 2010 Medal himself, the press reported him recalling, "it had to be the most important literary award there ever was" and observing, "if you can make yourself aged seven happy, you're really doing well – it's like writing a letter to yourself aged seven."

Gaiman attended Ardingly College in Ardingly, West Sussex Lewis Carroll's Alice's Adventures in Wonderland was another childhood favourite, and "a favourite forever. Alice was default reading to the point where I knew it by heart." He also enjoyed Batman comics as a child.

Gaiman was educated at several Church of England schools, including Fonthill School in East Grinstead, Ardingly College (1970–74), and Whitgift School in Croydon (1974–77). His father's position as a public relations official of the Church of Scientology was the cause of the seven-year-old Gaiman being forced to withdraw from Fonthill School and remain at the school that he had previously been attending. He lived in East Grinstead for many years, from 1965 to 1980 and again from 1984 to 1987. He met his first wife, Mary McGrath, while she was studying Scientology and living in a house in East Grinstead that was owned by his father. The couple were married in 1985 after having their first child, Michael.

As a child and a teenager, Gaiman read the works of C. S. Lewis, J. R. R. Tolkien, Lewis Carroll, Mary Shelley, Rudyard Kipling, Edgar Allan Poe, Michael Moorcock, Alan Moore, Steve Ditko, Will Eisner, Ursula K. Le Guin, Harlan Ellison, Lord Dunsany and G. K. Chesterton. A lifetime fan of the Monty Python comedy troupe, as a teenager he owned a copy of Monty Python's Big Red Book. When he was 19–20 years old, he contacted his favourite science fiction writer, R. A. Lafferty, whom he discovered when he was nine, and asked for advice on becoming an author along with a Lafferty pastiche he had written. The writer sent Gaiman an encouraging and informative letter back, along with literary advice.

In the early 1980s, Gaiman pursued journalism, conducting interviews and writing book reviews, as a means to learn about the world and to make connections that he hoped would later assist him in getting published. He wrote and reviewed extensively for the British Fantasy Society. His first professional short story publication was "Featherquest", a fantasy story, in Imagine Magazine in May 1984.

When waiting for a train at London's Victoria Station in 1984, Gaiman noticed a copy of Swamp Thing written by Alan Moore, and carefully read it. Moore's fresh and vigorous approach to comics had such an impact on Gaiman that he would later write "that was the final straw, what was left of my resistance crumbled. I proceeded to make regular and frequent visits to London's Forbidden Planet shop to buy comics".

In 1984, he wrote his first book, a biography of the band Duran Duran, as well as Ghastly Beyond Belief, a book of quotations, with Kim Newman. Even though Gaiman thought he had done a terrible job, the book's first edition sold out very quickly. When he went to relinquish his rights to the book, he discovered the publisher had gone bankrupt. After this, he was offered a job by Penthouse. He refused the offer.

He also wrote interviews and articles for many British magazines, including Knave. During this he sometimes wrote under pseudonyms, including Gerry Musgrave, Richard Grey, and "a couple of house names". Gaiman has said he ended his journalism career in 1987 because British newspapers regularly publish untruths as fact. In the late 1980s, he wrote Don't Panic: The Official Hitchhiker's Guide to the Galaxy Companion in what he calls a "classic English humour" style. Following this he wrote the opening of what would become his collaboration with fellow English author Terry Pratchett on the comic novel Good Omens, about the impending apocalypse.

After forming a friendship with comic-book writer Alan Moore, Gaiman started writing comic books, picking up Miracleman after Moore finished his run on the series. Gaiman and artist Mark Buckingham collaborated on several issues of the series before its publisher, Eclipse Comics, collapsed, leaving the series unfinished. His first published comic strips were four short Future Shocks for 2000 AD in 1986–87. He wrote three graphic novels with his favourite collaborator and long-time friend Dave McKean: Violent Cases, Signal to Noise, and The Tragical Comedy or Comical Tragedy of Mr. Punch. Impressed with his work, DC Comics hired him in February 1987, and he wrote the limited series Black Orchid. Karen Berger, who later became head of DC Comics's Vertigo, read Black Orchid and offered Gaiman a job: to re-write an old character, The Sandman, but to put his own spin on him.

The Sandman tells the tale of the ageless, anthropomorphic personification of Dream that is known by many names, including Morpheus. The series began in January 1989 and concluded in March 1996. In the eighth issue of The Sandman, Gaiman and artist Mike Dringenberg introduced Death, the older sister of Dream, who would become as popular as the series' title character. The limited series Death: The High Cost of Living launched DC's Vertigo line in 1993. The 75 issues of the regular series, along with an illustrated prose text and a special containing seven short stories, have been collected into 12 volumes that remain in print. The series became one of DC's top selling titles, eclipsing even Batman and Superman. Comics historian Les Daniels called Gaiman's work "astonishing" and noted that The Sandman was "a mixture of fantasy, horror, and ironic humor such as comic books had never seen before". DC Comics writer and executive Paul Levitz observed that "The Sandman became the first extraordinary success as a series of graphic novel collections, reaching out and converting new readers to the medium, particularly young women on college campuses, and making Gaiman himself into an iconic cultural figure."

Gaiman has lived near Menomonie, Wisconsin, since 1992. Gaiman moved there to be close to the family of his then-wife, Mary McGrath, with whom he has three children. As of 2013, Gaiman also resides in Cambridge, Massachusetts. In 2014, he took up a five-year appointment as professor in the arts at Bard College, in Annandale-on-Hudson, New York.

Gaiman is married to songwriter and performer Amanda Palmer, with whom he has an open marriage. The couple announced that they were dating in June 2009, and announced their engagement on Twitter on 1 January 2010. On 16 November 2010, Palmer hosted a non-legally binding flash mob wedding for Gaiman's birthday in New Orleans. They were legally married on 2 January 2011. The wedding took place in the parlour of writers Ayelet Waldman and Michael Chabon. On marrying Palmer, he took her middle name, MacKinnon, as one of his names. In September 2015 they had a son.

I am sure Gaiman will make it to next year’s list as well, but in this year in particular, the main reason he made it was “The Sandman”, which had so much quality, almost all the issues I reviewed scored a 10.

NUMBER FOUR MARK MILLAR (1969 - PRESENT)

Mark Millar MBE is a Scottish comic book writer, best known for his work on The Authority, The Ultimates, Marvel Knights Spider-Man, Ultimate Fantastic Four, Civil War, Kingsman: The Secret Service, Wanted, Chrononauts, Superior and Kick-Ass, the latter seven of which have been, or are planned to be, adapted into feature films.

Millar was born 24 December 1969 in Coatbridge, Scotland. His parents were also born in Coatbridge, and Millar spent the first half of his life in the town's Townhead area, attending St Ambrose High. He has four older brothers, and one older sister, who are 22, 20, 18, 16 and 14 years older than him, respectively. His brother Bobby, who today works at a special needs school, introduced him to comics at age 4 while attending university by taking him to shops and purchasing them for him. Still learning to read, Millar's first comic was the seminal The Amazing Spider-Man #121 (1973), which featured the death of Gwen Stacy. He purchased a Superman comic that day as well. Black and white reprinted comics purchased by his brothers for him would follow, cementing his interest in the medium so much that Millar drew a spider web across his face with indelible marker that his parents were unable to scrub off in time for his First Communion photo a week later. Millar has named Alan Moore and Frank Miller as the two biggest influences on his career, characterizing them as "my Mum and Dad." Other writers he names as influences include Grant Morrison, Peter Milligan, Warren Ellis and Garth Ennis. More recent writers that have impressed him include Jason Aaron and Scott Snyder.

Millar's mother died of a heart attack at age 64, when Millar was 14, and his father died four years later, aged 65. Although Millar enjoyed drawing comics, he was not permitted to go to art school because his family frowned upon such endeavours as a waste of time for the academic Millar, who studied subjects like chemistry, physics and advanced maths. He initially planned to be a doctor, and subsequently decided that becoming an economist would be a viable alternate plan, but later decided that he "couldn't quite hack it" in that occupation. He attended Glasgow University to study politics and economics, but dropped out after his father's death left him without the money to pay his living expenses.

When Millar was 18, he interviewed writer Grant Morrison, who was doing his first major American work on Animal Man, for a fanzine. When he told Morrison that he wanted to be both a writer and an artist, Morrison suggested that he focus on one of those career paths, as it was very hard to be successful at both, which Millar cites as the best advice he has received.

Millar's first job as a comic book writer came when he was still in high school, writing Trident's Saviour with Daniel Vallely providing art. Saviour combined elements of religion, satire and superhero action. During the 1990s, Millar worked on titles such as 2000 AD, Sonic the Comic and Crisis. In 1993, Millar, Grant Morrison and John Smith created a controversial eight-week run on 2000 AD called The Summer Offensive. It was during this run that Millar and Morrison wrote their first major story together, Big Dave.

Millar's British work brought him to the attention of DC Comics, and in 1994 he started working on his first American comic, Swamp Thing. The first four issues of Millar's run were co-written by Grant Morrison, allowing Millar to settle into the title. Although his work brought some critical acclaim to the ailing title, the book's sales were still low enough to warrant cancellation by the publisher. From there, Millar spent time working on various DC titles, often co-writing with or under the patronage of Morrison as in the cases of his work on JLA, The Flash and Aztek: The Ultimate Man, and working on unsuccessful pitches for the publisher.

In 2000, Millar replaced Warren Ellis on The Authority for DC's Wildstorm imprint. Millar announced his resignation from DC in 2001, though his miniseries Superman: Red Son was printed in 2003.

In 2001, Millar launched Ultimate X-Men for Marvel Comics' Ultimate Marvel imprint. The following year he collaborated with illustrator Bryan Hitch on The Ultimates, the Ultimate imprint's equivalent of The Avengers. Millar's work on The Ultimates was later adapted into two Marvel Animated Features and the subsequent 2012 Hollywood box office smash Marvel's The Avengers.

In 2006, Millar, joined by artist Steve McNiven, began writing the Marvel miniseries Civil War a seven-issue limited series revolving around the passing of Superhuman Registration Act as a result of the death and destruction unintentionally caused by superheroes and turned Captain America and Iron Man onto opposing sides, the book formed the basis for the film Captain America: Civil War. In 2009 Millar wrote the dystopian "Old Man Logan" storyline, which appeared in the Wolverine series, and was set in a possible future in which Wolverine, having been traumatized by his murder of the X-Men (an event prompted by Mysterio's illusions), became a recluse, after which the United States government collapsed, and the country fell under the control of various supervillain enclaves. Needing rent money for his family's farm, Wolverine comes out of retirement when called upon by Hawkeye.

Millar supports British withdrawal from the European Union.

While Millar is usually not my cup of tea, mostly because of his toxic depictions of masculinity in his stories (this may or may not be on purpose), he did write a lot of sophisticated comics in the reviews I did this year (”The Ultimates” and “Marvel Knights: Spider-man”).

NUMBER THREE GEOFF JOHNS (1973 - PRESENT)

Geoffrey Johns (born January 25, 1973) is an American comic book writer, screenwriter and film and television producer. He served as the President and Chief Creative Officer (CCO) of DC Entertainment from 2016 to 2018 after his initial appointment as CCO in 2010. Some of his most notable work has used the DC Comics characters Green Lantern, Aquaman, Flash and Superman.

In 2018, he stepped down from his executive role at DC Entertainment to open a production company, Mad Ghost Productions, to focus on writing and producing film, television and comic book titles based on DC properties. Some of his work in television includes the series Blade, Smallville, Arrow and The Flash. He was a co-producer on the film Green Lantern (2011) and a producer on Justice League (2017). He co-wrote the story for Aquaman (2018) and the screenplay for Wonder Woman 1984 (2020).

Geoff Johns was born in Detroit, Michigan, the son of Barbara and Fred Johns. He is of half Lebanese ancestry and grew up in the suburbs of Grosse Pointe and Clarkston. As a child, Johns and his brother first discovered comics through an old box of comics they found in their grandmother's attic, which included copies of The Flash, Superman, Green Lantern, and Batman from the 1960s and 1970s. Johns eventually began to patronize a comics shop in Traverse City, recalling that the first new comics he bought were Crisis on Infinite Earths #3 or 4 and The Flash #348 or 349, as the latter was his favorite character. As Johns continued collecting comics, he gravitated toward DC Comics and later Vertigo, and drew comics. After graduating from Clarkston High School in 1991, he studied media arts, screenwriting, film production and film theory at Michigan State University. He graduated from Michigan State in 1995, and then moved to Los Angeles, California.

In Los Angeles, Johns cold-called the office of director Richard Donner looking for an internship, and while Johns was being transferred to various people, Donner picked up the phone by accident, leading to a conversation and the internship. Johns started off copying scripts, and after about two months, was hired as a production assistant for Donner, whom Johns regards as his mentor.

While working on production of Donner's 1997 film Conspiracy Theory, Johns visited New York City, where he met DC Comics personnel such as Eddie Berganza, reigniting his childhood interest in comics.

Berganza invited Johns to tour the DC Comics offices, and offered Johns the opportunity to suggest ideas, which led to Johns pitching Stars and S.T.R.I.P.E., a series based on the second Star-Spangled Kid and her stepfather, to editor Chuck Kim a year later. Johns expected to write comics "on the side", until he met David Goyer and James Robinson, who were working on JSA. After looking at Stars and S.T.R.I.P.E., Robinson offered Johns co-writing duties on JSA in 2000, and Johns credits both him and Mike Carlin with shepherding him into the comics industry. That same year, Johns became the regular writer on The Flash ongoing series with issue 164. John's work on The Flash represents one example of his modeling of various elements in his stories after aspects of his birth town, explaining, "When I wrote The Flash, I turned Keystone City into Detroit, made it a car town. I make a lot of my characters from Detroit. I think self-made, blue-collar heroes represent Detroit. Wally West's Flash was like that. I took the inspiration of the city and the people there and used it in the books." John's Flash run concluded with #225.

His younger sister, Courtney, was a victim of the TWA Flight 800 crash. The DC Comics character Courtney Whitmore, whom Johns created, is based on her.

In a 2010 interview, Johns named Steve McNiven as an artist he would like to collaborate with, J. Michael Straczynski's run on Thor as his then-favorite ongoing comic book, and The Flash as his favorite of all time, stating that he owns every issue of it. He credits reading James Robinson's The Golden Age as the book responsible for his love of the characters featured in the book, and for his decision to accept writing duties on JSA. He is also a comic book retailer who co-owns Earth-2 Comics in Northridge, California, with Carr D'Angelo and Jud Meyers.

There are plenty of reasons for Geoff Johns to be in this list, this year. But the main ones are his Justice League and Shazam Origin. At the moment of this writing, Doomsday Clock is not included in these reviews, but his writing there is also very, very good.

NUMBER TWO MARV WOLFMAN, WITH GEORGE PEREZ (1946 - PRESENT)

Marvin Arthur Wolfman (born May 13, 1946) is an American comic book and novelization writer. He worked on Marvel Comics's The Tomb of Dracula, for which he and artist Gene Colan created the vampire-slayer Blade, and DC Comics's The New Teen Titans and the Crisis on Infinite Earths limited series with George Pérez.

Marv Wolfman was born in Brooklyn, New York City, the son of police officer Abe and housewife Fay. He has a sister, Harriet, 12 years older. When Wolfman was 13, his family moved to Flushing, Queens, in New York City, where he attended junior high school. He went on to New York's High School of Art and Design, in Manhattan, hoping to become a cartoonist. Wolfman is Jewish.

Marvin Wolfman was active in fandom before he began his professional comics career at DC Comics in 1968. Wolfman was one of the first to publish Stephen King, with "In A Half-World of Terror" in Wolfman's horror fanzine Stories of Suspense No. 2 (1965). This was a revised version of King's first published story, "I Was a Teenage Grave Robber", which had been serialized over four issues (three published and one unpublished) of the fanzine Comics Review that same year.

Wolfman's first published work for DC Comics appeared in Blackhawk No. 242 (Aug.–Sept. 1968). He and longtime friend Len Wein created the character Jonny Double in Showcase No. 78 (Nov. 1968) scripted by Wolfman. The two co-wrote "Eye of the Beholder" in Teen Titans No. 18 (Dec. 1968), which would be Wein's first professional comics credit. Neal Adams was called upon to rewrite and redraw a Teen Titans story which had been written by Wein and Wolfman. The story, titled "Titans Fit the Battle of Jericho!", would have introduced DC's first African American superhero, but was rejected by publisher Carmine Infantino. The revised story appeared in Teen Titans No. 20 (March–April 1969). Wolfman and Gil Kane created an origin for Wonder Girl in Teen Titans No. 22 (July–Aug. 1969) which introduced the character's new costume.

Wolfman is married to Noel Watkins. Wolfman was previously married to Michele Wolfman, for many years a colorist in the comics industry. They have a daughter, Jessica Morgan.

There are also many reasons for Wolfman to be in this list. Among them there is: “Man and Superman”, “New Teen Titans”, “Tales of the Teen Titans”, “The Judas Contract”, “Vigilante” and “Crisis on Infinite Earths”. Many of these, were collaborations with George Pérez and that is why he gets a mention in this space (don’t worry, he is in another TOP 10 this year). Not only he destroyed a multiverse and created one of the most stable runs of DC Continuity ever, he also “created” Nightwing and Vigilante and finally published “Man and Superman” this year.

NUMBER ONE ALAN MOORE (1953 - PRESENT)

Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed.

Moore started writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as 2000 AD and Warrior. He was subsequently picked up by the American DC Comics, and as "the first comics writer living in Britain to do prominent work in America", he worked on major characters such as Batman (Batman: The Killing Joke) and Superman (Whatever Happened to the Man of Tomorrow?), substantially developed the character Swamp Thing, and penned original titles such as Watchmen. During that decade, Moore helped to bring about greater social respectability for comics in the United States and United Kingdom. He prefers the term "comic" to "graphic novel". In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as the epic From Hell and the prose novel Voice of the Fire. He subsequently returned to the mainstream later in the 1990s, working for Image Comics, before developing America's Best Comics, an imprint through which he published works such as The League of Extraordinary Gentlemen and the occult-based Promethea. In 2016, he published Jerusalem: a 1266-page experimental novel set in his hometown of Northampton, UK.

Moore is an occultist, ceremonial magician, and anarchist, and has featured such themes in works including Promethea, From Hell, and V for Vendetta, as well as performing avant-garde spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.

Despite his own personal objections, his works have provided the basis for a number of Hollywood films, including From Hell (2001), The League of Extraordinary Gentlemen (2003), V for Vendetta (2005), and Watchmen (2009). Moore has also been referenced in popular culture, and has been recognized as an influence on a variety of literary and television figures including Neil Gaiman, Joss Whedon, and Damon Lindelof. He has lived a significant portion of his life in Northampton, England, and he has said in various interviews that his stories draw heavily from his experiences living there.

Abandoning his office job, he decided to instead take up both writing and illustrating his own comics. He had already produced a couple of strips for several alternative fanzines and magazines, such as Anon E. Mouse for the local paper Anon, and St. Pancras Panda, a parody of Paddington Bear, for the Oxford-based Back Street Bugle. His first paid work was for a few drawings that were printed in NME, and not long after he succeeded in getting a series about a private detective known as Roscoe Moscow published using the pseudonym of Curt Vile (a pun on the name of composer Kurt Weill) in the weekly music magazine Sounds, earning £35 a week. Alongside this, he and Phyllis, with their newborn daughter Leah, began claiming unemployment benefit to supplement this income. Not long after this, in 1979 he also began publishing a new comic strip known as Maxwell the Magic Cat in the Northants Post, under the pseudonym of Jill de Ray (a pun on the Medieval child murderer Gilles de Rais, something he found to be a "sardonic joke"). Earning a further £10 a week from this, he decided to sign off of social security, and would continue writing Maxwell the Magic Cat until 1986. Moore has stated that he would have been happy to continue Maxwell's adventures almost indefinitely, but ended the strip after the newspaper ran a negative editorial on the place of homosexuals in the community. Meanwhile, Moore decided to focus more fully on writing comics rather than both writing and drawing them, stating that "After I'd been doing [it] for a couple of years, I realised that I would never be able to draw well enough and/or quickly enough to actually make any kind of decent living as an artist."

To learn more about how to write a successful comic-book script, he asked advice from his friend, comic-book writer Steve Moore, whom he had known since he was fourteen. Interested in writing for 2000AD, one of Britain's most prominent comic magazines, Alan Moore then submitted a script for their long running and successful series Judge Dredd. While having no need for another writer on Judge Dredd, which was already being written by John Wagner, 2000AD's editor Alan Grant saw promise in Moore's work – later remarking that "this guy's a really fucking good writer" – and instead asked him to write some short stories for the publication's Future Shocks series. While the first few were rejected, Grant advised Moore on improvements, and eventually accepted the first of many. Meanwhile, Moore had also begun writing minor stories for Doctor Who Weekly, and later commented that "I really, really wanted a regular strip. I didn't want to do short stories ... But that wasn't what was being offered. I was being offered short four or five-page stories where everything had to be done in those five pages. And, looking back, it was the best possible education that I could have had in how to construct a story."

From 1980 through to 1984, Moore maintained his status as a freelance writer, and was offered a spate of work by a variety of comic book companies in Britain, namely Marvel UK, and the publishers of 2000AD and Warrior. He later remarked that "I remember that what was generally happening was that everybody wanted to give me work, for fear that I would just be given other work by their rivals. So everybody was offering me things." It was an era when comic books were increasing in popularity in Britain, and according to Lance Parkin, "the British comics scene was cohering as never before, and it was clear that the audience was sticking with the title as they grew up. Comics were no longer just for very small boys: teenagers – even A-level and university students – were reading them now."

During this three-year period, 2000AD would accept and publish over fifty of Moore's one-off stories for their Future Shocks and Time Twisters science fiction series. The editors at the magazine were impressed by Moore's work and decided to offer him a more permanent strip, starting with a story that they wanted to be vaguely based upon the hit film E.T. the Extra-Terrestrial. The result, Skizz, which was illustrated by Jim Baikie, told the story of the titular alien who crashes to Earth and is cared for by a teenager named Roxy, and Moore later noted that in his opinion, this work "owes far too much to Alan Bleasdale." Another series he produced for 2000AD was D.R. and Quinch, which was illustrated by Alan Davis. The story, which Moore described as "continuing the tradition of Dennis the Menace, but giving him a thermonuclear capacity", revolved around two delinquent aliens, and was a science-fiction take on National Lampoon's characters O.C. and Stiggs. The work widely considered to be the highlight of his 2000AD career, and that he himself described as "the one that worked best for me" was The Ballad of Halo Jones. Co-created with artist Ian Gibson, the series was set in the 50th century. The series was discontinued after three books due to a dispute between Moore and Fleetway, the magazine's publishers, over the intellectual property rights of the characters Moore and Gibson had co-created.

Another comic company to employ Moore was Marvel UK, who had formerly purchased a few of his one-off stories for Doctor Who Weekly and Star Wars Weekly. Aiming to get an older audience than 2000AD, their main rival, they employed Moore to write for the regular strip Captain Britain, "halfway through a storyline that he's neither inaugurated nor completely understood." He replaced the former writer Dave Thorpe, but maintained the original artist, Alan Davis, whom Moore described as "an artist whose love for the medium and whose sheer exultation upon finding himself gainfully employed within it shine from every line, every new costume design, each nuance of expression."

Guy Fawkes serves as physical and philosophical inspiration for the titular protagonist of V for Vendetta. The third comic company that Moore worked for in this period was Quality Communications, publishers of a new monthly magazine called Warrior. The magazine was founded by Dez Skinn, a former editor of both IPC (publishers of 2000 AD) and Marvel UK, and was designed to offer writers a greater degree of freedom over their artistic creations than was allowed by pre-existing companies. It was at Warrior that Moore "would start to reach his potential". Moore was initially given two ongoing strips in Warrior: Marvelman and V for Vendetta, both of which debuted in Warrior's first issue in March 1982. V for Vendetta was a dystopian thriller set in a future 1997 where a fascist government controlled Britain, opposed only by a lone anarchist dressed in a Guy Fawkes costume who turns to terrorism to topple the government. Illustrated by David Lloyd, Moore was influenced by his pessimistic feelings about the Thatcherite Conservative government, which he projected forward as a fascist state in which all ethnic and sexual minorities had been eliminated. It has been regarded as "among Moore's best work" and has maintained a cult following throughout subsequent decades.

Marvelman (later retitled Miracleman for legal reasons) was a series that originally had been published in Britain from 1954 through to 1963, based largely upon the American comic Captain Marvel. Upon resurrecting Marvelman, Moore "took a kitsch children's character and placed him within the real world of 1982". The work was drawn primarily by Garry Leach and Alan Davis. The third series that Moore produced for Warrior was The Bojeffries Saga, a comedy about a working-class English family of vampires and werewolves, drawn by Steve Parkhouse. Warrior closed before these stories were completed, but under new publishers both Miracleman and V for Vendetta were resumed by Moore, who finished both stories by 1989. Moore's biographer Lance Parkin remarked that "reading them through together throws up some interesting contrasts – in one the hero fights a fascist dictatorship based in London, in the other an Aryan superman imposes one."

Although Moore's work numbered amongst the most popular strips to appear in 2000 AD, Moore himself became increasingly concerned at the lack of creator's rights in British comics. In 1985, he talked to fanzine Arkensword, noting that he had stopped working for all British publishers bar IPC, "purely for the reason that IPC so far have avoided lying to me, cheating me or generally treating me like shit." He did join other creators in decrying the wholesale relinquishing of all rights, and in 1986 stopped writing for 2000 AD, leaving mooted future volumes of the Halo Jones story unstarted. Moore's outspoken opinions and principles, particularly on the subject of creator's rights and ownership, would see him burn bridges with a number of other publishers over the course of his career.

Meanwhile, during this same period, he – using the pseudonym of Translucia Baboon – became involved in the music scene, founding his own band, The Sinister Ducks, with David J (of goth band Bauhaus) and Alex Green, and in 1983 released a single, March of the Sinister Ducks, with sleeve art by illustrator Kevin O'Neill. In 1984, Moore and David J released a 12-inch single featuring a recording of "This Vicious Cabaret", a song featured in V for Vendetta, which was released on the Glass Records label. Moore would write the song "Leopardman at C&A" for David J, and it would be set to music by Mick Collins for the album We Have You Surrounded by Collins' group The Dirtbombs.

Moore's work in 2000 AD brought him to the attention of DC Comics editor Len Wein, who hired him in 1983 to write The Saga of the Swamp Thing, then a formulaic and poor-selling monster comic. Moore, with artists Stephen R. Bissette, Rick Veitch, and John Totleben, deconstructed and reimagined the character, writing a series of formally experimental stories that addressed environmental and social issues alongside the horror and fantasy, bolstered by research into the culture of Louisiana, where the series was set. For Swamp Thing he revived many of DC's neglected magical and supernatural characters, including the Spectre, the Demon, the Phantom Stranger, Deadman, and others, and introduced John Constantine, an English working-class magician based visually on the British musician Sting; Constantine later became the protagonist of the series Hellblazer, which became Vertigo's longest running series at 300 issues. Moore would continue writing Swamp Thing for almost four years, from issue No. 20 (January 1984) through to issue No. 64 (September 1987) with the exception of issues No. 59 and 62. Moore's run on Swamp Thing was successful both critically and commercially, and inspired DC to recruit British writers such as Grant Morrison, Jamie Delano, Peter Milligan, and Neil Gaiman to write comics in a similar vein, often involving radical revamps of obscure characters. These titles laid the foundation of what became the Vertigo line.

Moore began producing further stories for DC Comics, including a two-part story for Vigilante, which dealt with domestic abuse. He was eventually given the chance to write a story for one of DC's best-known superheroes, Superman, entitled "For the Man Who Has Everything", which was illustrated by Dave Gibbons and published in 1985. In this story, Wonder Woman, Batman, and Robin visit Superman on his birthday, only to find that he has been overcome by an alien organism and is hallucinating about his heart's desire. He followed this with another Superman story, "Whatever Happened to the Man of Tomorrow?", which was published in 1986. Illustrated by Curt Swan, it was designed as the last Superman story in the pre-Crisis on Infinite Earths DC Universe.

The threat of Nuclear war during the Cold War influenced the setting and tone of Watchmen. The limited series Watchmen, begun in 1986 and collected as a trade paperback in 1987, cemented Moore's reputation. Imagining what the world would be like if costumed heroes had really existed since the 1940s, Moore and artist Dave Gibbons created a Cold War mystery in which the shadow of nuclear war threatens the world. The heroes who are caught up in this escalating crisis either work for the US government or are outlawed, and are motivated to heroism by their various psychological hang-ups. Watchmen is non-linear and told from multiple points of view, and includes highly sophisticated self-references, ironies, and formal experiments such as the symmetrical design of issue 5, "Fearful Symmetry", where the last page is a near mirror-image of the first, the second-last of the second, and so on, and in this manner is an early example of Moore's interest in the human perception of time and its implications for free will. It is the only comic to win the Hugo Award, in a one-time category ("Best Other Form"). It is widely seen as Moore's best work, and has been regularly described as the greatest comic book ever written. Alongside roughly contemporary works such as Frank Miller's Batman: The Dark Knight Returns, Art Spiegelman's Maus, and Jaime and Gilbert Hernandez's Love and Rockets, Watchmen was part of a late 1980s trend in American comics towards more adult sensibilities. Comics historian Les Daniels noted that Watchmen "called into question the basic assumptions on which the super hero genre is formulated". DC Comics writer and executive Paul Levitz observed in 2010 that "As with The Dark Knight Returns, Watchmen set off a chain reaction of rethinking the nature of super heroes and heroism itself, and pushed the genre darker for more than a decade. The series won acclaim ... and would continue to be regarded as one of the most important literary works the field ever produced." Moore briefly became a media celebrity, and the resulting attention led to him withdrawing from fandom and no longer attending comics conventions (at one UKCAC in London he is said to have been followed into the toilet by eager autograph hunters).

Since his teenage years Moore has had long hair, and since early adulthood has also had a beard. He has taken to wearing a number of large rings on his hands, leading him to be described as a "cross between Hagrid and Danny from Withnail and I" who could be easily mistaken for "the village eccentric". Born and raised in Northampton, he continues to live in the town, and used its history as a basis for his novels Voice of the Fire and Jerusalem. His "unassuming terraced" Northampton home was described by an interviewer in 2001 as "something like an occult bookshop under permanent renovation, with records, videos, magical artifacts and comic-book figurines strewn among shelves of mystical tomes and piles of paper. The bathroom, with blue-and-gold décor and a generous sunken tub, is palatial; the rest of the house has possibly never seen a vacuum cleaner. This is clearly a man who spends little time on the material plane." He likes to live in his home town, feeling that it affords him a level of obscurity that he enjoys, remarking that "I never signed up to be a celebrity." He has spoken in praise of the town's former Radical MP, Charles Bradlaugh at the annual commemoration. He is also a vegetarian.

With his first wife Phyllis, whom he married in the early 1970s, he has two daughters, Leah and Amber. The couple also had a mutual lover, Deborah, although the relationship between the three ended in the early 1990s as Phyllis and Deborah left Moore, taking his daughters with them. On 12 May 2007, he married Melinda Gebbie, with whom he has worked on several comics, most notably Lost Girls.

It was pretty clear that Alan Moore was going to end up being in the Top 10 this year. Mostly because I read a lot of his material from DC. The reason he made it into the top 10 is “V for Vendetta” with David Lloyd, “Swamp Thing”, “Whatever Happened to the Man of Tomorrow?”, “Tom Strong”, Batman: The Killing Joke” and “Watchmen”.

Most of these writers have also done something good, not only for the comic-book industry, but also for the world. And this TOP 10 is a way of celebrating them, because their work really inspired most of the pop-culture we consume today.

[lucas-rygal-universe]

Jessica Jackrabbit

This is female version(adult) of Jazz Jackrabbit. She’s masculine female character just like Ghostbusters(2016),Lara Croft(Tom Raider series),Rey(Star Wars),Samus Aran(Metroid series),Shantae,Sash Lilac,Neera Li,Jill of the Jungle,Jessica Rabbit,Hello Nurse(Animaniacs),Amy the Squirrel(Eric W. Schwartz(Amiga Era),Lola Bunny(Warner Bros.’s Space Jam),Dot Warner(Animaniacs),Fifi La Fume(Warner Bros.’s/Amblin Entertainment’s)Tiny Toony Adventures,Babs Bunny(Tiny Toons Adventures),Marvel’s Black Widow,DC Catwoman,Xenna,princess Merida,princess Fiona(Shrek series),princess Jasmine,Marvel’s Jessica Jones,Marvel’s Black Cat,princess Leia Organa(Star Wars),captain Phasma(Star Wars),Padme Amidala,Elen Ripley(Alien classic series),female Prisoner 849(Unreal 1),Ramirez(Fortnite Battle Royale),Snow White(Disney’s adaption of Snow White and the Seven Dwarfs),Hermione Granger(Harry Potter series),younger Granny(world war 2 flashbacks in Looney Tunes Show),Cindirella from Disney,Anne Navarre(Deus Ex 1), Dr. Liara T'Soni(Mass Effect trilogy),Eleven(Stranger Things),Diana Scully(X-Files),Berri(Conker’s Bad Fur Day),T-X(Terminator 3), Michael Burnham(Star Trek Discovery),Mon Mothma(Star Wars),Lady Tethys(Dust An Elysian Tail),Rouge the Bat(Sonic the Hedgehog series),Meryl(Metal Gear Solid),Wonder Woman(Justice League),Krystal(Starfox modern series),Angela Cross(Ratchet and Clank 2),Callie Briggs(Swat Kats),April O’Neil(TMNT),Mona Lisa(TMNT),Barbara(Rayman Legends),Lily the Fairy(Rayman 2),Coco Bandicoot(Crash Bandicoot series),Topaz(Sonic X),Officer Jenny(Pokemon anime),Jessie(Team Rocket)(Pokemon anime),Misty(Pokemon anime from the 90′s),princess Peach Toadstool & princess Daisy,princess Zelda,Betilla the Fairy(Rayman 1 & Rayman Origins),Marvel’s She-Hulk,princess Sally Acorn(Sonic Satam),Zoe Cottontail(Jazz Jackrabbit),princess Tiara Cyberooski/Boobowski(Sonic Mars/Sonic X-treme),Blaze the Cat(princess)(Sonic Rush),Marine the Raccoon(Sonic Rush Adventure),Talwyn Apogee(Ratchet and Clank Future A Tools of Destruction),Nega Sonic Teeange Girl(Marvel’s Deadpool),DC Black Canary),Robin(Stranger Things),Cora Velarux(reboot of Ratchet and Clank 1),Lori Jackrabbit(Jazz Jackrabbit 2 The Secret Files),daughter of Commander Keen(Bethesda’s reboot of Commander Keen),Doom Annihilation main protagonist(second Doom live-action movie),Harrison Shelly(Slipgate Studios’s Bombshell),Minerva Mink(Animaniacs),Tily the Fairy(Rayman M),Lady Razorbeard(Rayman M), Madame Gasket(Robots),Gadget(Disney)the mouse,Bonnie the Mouse(Elysian Tail),Tara Kroft(Spyro classic series),Undyne(Undertale),Kumatora(MOTHER 3),Susie,prince Ralsei,Metatton(Undertale),(Deltarune Chapter 1),Zeena the Zeti(Sonic Lost Worlds),Iron Queen(Sonic Archie Comics),N.I.C.O.L.E(Sonic Satam),Tank Girl,Courtney Gears(Ratchet and Clank 3),Technomite Girl(Ratchet and Clank Size Matters),Penelope(Sly Cooper 3),Elora the Faun(Spyro classic series),Sheila the Kangaroo(Spyro 3),Bianca the Rabbit(Spyro 3),Carmelita Fox(Sly Cooper series),Supernova(Rick and Morty),Wilma,Betty(Flinstones),Furiosa(Mad Max Fury Road),Rachel(Blade Runner 1),Velma(Scooby-Doo),Splash Woman(Mega Man 9),Roll(Megaman series),Ursula(Little Mermaid),Tifa Lockheart(Final Fantasy VII),Wave the Swallow(Sonic Riders),Zayats(Nu Pogodi due to crossdressing just like Bugs Bunny and Daffy Duck),Johnny Test’s sisters,Marvel’s Captain Marvel,Marvel’s Invisible Woman,Elasti Girl(Incredibles),Edwina Roboshack(Ratchet and Clank 1),Helga(Ratchet and Clank 1),Aquagirl(Ratchet and Clank 3),Sasha Phyronix(Ratchet and Clank 3),Eve(V How Vendetta),Trinity(Matrix trilogy),Aida(Unreal 2)female V(Cyberpunk 2077),Ciri(Witcher 3),Daphne(Scooby Doo live-action movie),Jane(Jetstons),Jane Porter(Disney’s Tarzan cartoon adaption),captain Amelia(Treasure Planet),Yellow(Gunstar Super Heroes),Sailor Moon,Bayonetta,Ryuko Matoi(Kill La Kill),Queen Elsa(Frozen),Judy Hopps(Zootopia),Moana,Lilo(Lilo & Stich),Disney’s Minnie the Mouse,Evil Queen(Snow White),Fairy Godmother(Shrek 2),Fiona Fox(Archie Sonic Comic),Harley Quin(Batman DC comics/Batman the Animated series),Fidget(Dust An Elysian Tail),Poison Ivy (DC Universe-DCEU),Gamora & Nebula(MCU/Guardians of the Galaxy),Edna Mode(Incredibles),Caroline/glaDOS(Portal 1,2),Alyx Vance(Half-Life 2),Judith Mossman(Half-Life 2),Zaria(Overwatch),D.Va(Overwatch),Dustin’s girlfriend(Stranger Things). Honestly this fanart is just doodled sketch. It was inspired by deviantart user EdMopySun.

[fishtomale]

for the identity ask: 1. & 15.!

if someone wanted to really understand you, what would they read, watch, and listen to?

Read: “The Question” by Dennis O’Neil, “Swallow Me Whole” by Nate Powell, Free Soul by Yamaji Ebine, “The Illustrated Man” by Ray Bradbury, “I Have No Mouth” But I Must Scream by Harlan Ellison, “Who Will Comfort Toffle?” by Tove Jansson, 

Watch: The Last Unicorn, The Shining, Little Miss Sunshine, Stranger Than Fiction, King Kong, Paprika, Guardians of the Galaxy 2, Revolutionary Girl Utena: The Adolescence of Utena, Gentlemen Broncos

Listen: Demon Host by Timber Timbre, Super Sexy Woman by Sufjan Stevens, Yoshimi by Flaming Lips, Yours Truly 2095 by Electric Light Orchestra, Big Boys by Chuck Berry, Grendel’s Mother by The Mountain Goats, Shelter From the Storm by Bob Dylan, I Won’t Hurt You by West Coast Pop Art Experimental Band, I Felt Your Shape by The Microphones, Oh Maker by Janelle Monae, Rebel Girl by Bikini Kill

five most influential books over your lifetime.

“My Name is Asher Lev” by Chaim Potok“The Dream Keeper and Other Poems” by Langston Hughes“A Wind in the Door” by Madeline L’Engle“Frankenstein” by Mary Shelly“The Giving Tree” by Shel Silverstein

[outoftowninac]

THE CINDERELLA MAN

1916

The Cinderella Man is a play by Edward Childs Carpenter. It was originally produced and directed by Oliver Morosco. The play included a song by Carpenter and Victor Herbert. 

Phoebe Foster (above) was featured in costume on the cover of  the August 1916 issue of The Theatre magazine. 

In addition to Foster, the original cast included: Theodore Babcock, Frank Bacon, Burton Churchill, Shelly Hull, Lucille La Verne, Charles Lane, Reginald Mason, Percival T. Moore, Hazel Turney, and Hubert Wilke.

“The Cinderella Man” is the story of a lonely young girl, the motherless daughter of a wealthy father. She learns of a lonely impoverished young poet who lives in a lodging house adjoining her mansion. She enters his window on Christmas Eve and prepares a holiday surprise for him. The youth returns suddenly, and there develops a charming romance which batters down the dividing wall between wealth and genius. Through the aid of the girl his libretto wins a $10,000 prize.

First mention of the play dates back to August 1915, when it was announced as a vehicle for Peggy O’Neill, who had also starred in Morosco’s hit Peg O’ My Heart. The Cinderella Man was often billed as a follow up to Peg, sometimes inaccurately calling it a sequel. By the time the play went into rehearsal in December, the role had gone to Phoebe Foster. 

The play had its world premiere in Washington DC, then went to Baltimore and Scranton before the New Year. 

The play was seen at the Apollo Theatre in Atlantic City NJ on January 3, 1916. Instead of the usual week engagement, it played only three performances (a split week) before heading toward Broadway. After two more tryout stops (Allentown and Hartford), the play was ready for the Main Stem. If only they could decide where!

Very early reports said that the play would occupy the Astor Theatre (1537 Broadway at 45th Street), but on January 13th newspapers reported that Morosco had a signed contract for the Fulton Theatre ( 210 West 46th Street), where the musical Ruggles of Red Gap was finishing up its run. It had opened on Christmas Day 1915, and was supposed to have closed by the time Cinderella Man arrived, but tickets were sold for an additional week. 

Instead, the play opened on Broadway at the Hudson Theatre (141 West 44th Street). where the play Bunny had suddenly shuttered after just two weeks. The Cinderella Man started performances at the Hudson on January 17, 1916. It played 192 performances, a long run at the time. 

Although not a musical, the play included a song titled “Out of His Heart, He Builds a Home” by Victor Herbert with lyrics by the playwright. 

The same year the play premiered, the playwright’s wife, Helen (nee Knipe) Carpenter, wrote a novelization of the play, which was published by H.K. Fly Company. It included the song lyrics and photos from the play.  

In December 1917, a year after the stage production played Atlantic City, the film adaptation starring Mae Marsh opened on the Boardwalk at the Virginia Theatre. 

[georgemcginn]

DoD Announces DACOWITS Restoration and New Leadership Cadre

DoD Announces DACOWITS Restoration and New Leadership Cadre

View Online IMMEDIATE RELEASE DoD Announces DACOWITS Restoration and New Leadership Cadre March 22, 2022 Secretary of Defense Lloyd J. Austin III has appointed Ms. Shelly O’Neill Stoneman to serve as the new Chair of the Defense Advisory Committee on Women in the Services (DACOWITS) and lead its restoration. Stoneman is a seasoned organizational leader and government affairs professional with…

[wellesleyunderground]

(PART 1) Wellesley Writes It: Offering Art and Theater Amidst War and Censorship As An “Insider”/ “Outsider” in Kashmir: A Follow-Up Feature of Author and Activist Nandita Dinesh ‘06

Image Credit: Jennifer Arnwine provided with permission from Nandita Dinesh

Interviewed by Shelly Anand and Camylle Fleming, WU Editors

Nandita Dinesh double majored in economics and theatre studies at Wellesley and spent a semester during college at the Eugene O’Neill Theatre Centre’s National Theatre Institute. She also spent a semester abroad in Uganda with the School for International Training’s Development Studies programme. Nandita’s honors thesis and focus after Wellesley concentrated on using theatre in war-affected areas of the world. She has since been a Watson Fellow, earned an MA from New York University in performance studies and a Ph.D. in drama from the University of Cape Town, written a number of academic articles concerning drama and war, and published multiple books:

Theatre and War: Notes from the Field (2016 Edition; 2018 Republication)

The Memos from a Theatre Lab series:

Exploring What Immersive Theatre “Does”

Spaces, Relationships and Immersive Theatre

Immersive Theatre and Time

Scripting Detention: A Project in Theater and Autoethnography with Incarcerated Teens

Information for/from Outsiders: Chronicles from Kashmir

Immersive Theater & Activism: Scripts and Strategies for Directors and Playwrights (Forthcoming)

Wellesley Underground previously interviewed Nandita about her book Theatre and War: Notes from the Field. You can read that interview here. Currently, Nandita teaches Theatre and Literature & Performance, while also overseeing the Juvenile Justice Programming, at UWC-USA.

WU: Tell us about Chronicles of Kashmir, your latest project.

Chronicles from Kashmir has been in development since 2013, as a collaboration between myself and the Ensemble Kashmir Theatre Akademi in Srinagar. It uses Argentine playwright Griselda Gambaro’s (1992) Information for Foreigners as its point of departure, takes place in the promenade, and is site-adaptive -- we've staged it in a two-storied building in Kashmir, and in a sprawling theatre workspace outside Pune. Different scenes take place in different locales and audience members walk around under the supervision of  'Guides' who tell them the route to take.

Audiences 'live' in our theatrical Kashmir for twenty-four hours and in so doing, experience the Valley's many realities: they encounter larger questions around complicity; they are asked to engage with multi-media installations that speak to the exodus of Kashmiri Pandits; they are invited to witness narratives of former militants; they are given occasion to experience how celebrations are conducted under curfew; they are permitted to observe stories from soldiers in the Indian Army.

Pic Credit: Vineet Pandey

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Chronicles from Kashmir like any other performance has its limitations. It can never do justice to all the narratives that compose Kashmir... It's a step, though, a small step toward engaging audiences in stories and experiences that mainstream media might never share with them; a small step toward sparking more educated -- and less polarized -- opinions about what is happening in the region.

WU: Recently, you went through quite an ordeal with Facebook, whereby the social media platform censored your book. Can you talk to us about that experience?

It’s been one of the more recent attempts at censorship…

From the beginning of  Chronicles from Kashmir, there has been censorship at play in different ways. First, in Kashmir itself, we would sometimes get explosive feedback from Kashmiri audiences -- often because elements of the content, to them, was made problematic because of who I am (non-Kashmiri, Indian, woman, young, artist). Even now, I daresay that there are still many who think that I am an Indian “agent” who is trying to use this work for some sort of agenda, despite my Kashmiri colleagues’ efforts to dissuade them of this notion.

Then, in 2017, when we had the first 24-hour iteration of the work outside Pune, in western India, the cops showed up. We don’t know who called them and what they were hoping to find, but they were intimidating enough to lead us to cancel the third and final performance of the show (which was for an audience of students; we didn’t want to put them in any risk). And subsequent to this, it has been near impossible to find potential hosts for Chronicles from Kashmir in the Indian subcontinent. People are afraid to host us and in their fear, have led to a censoring the work from public spaces…

Pic Credit: Vineet Pandey

Most recently, in July 2018, alongside Facebook’s “ban” of the book on the publisher’s own marketplace on their page, we were placed under something akin to “house arrest” by the institution that was hosting our filming of Chronicles from Kashmir… At least the institution explained their reasons to us -- they had a journalist on their backs, apparently, and were afraid of bad press from hosting us (though neither the journalist nor our hosts had even read the script, so this bad press would simply have been because they were hosting a project about Kashmir, regardless of content). Facebook, on the other hand, reversed their “rejection” of the book after a few journalists went around, asking questions… Their response was something along the lines of: “Well, the book is up now, so what’s the problem?”... Essentially, we still don’t know why the ban took place to begin with. Whether it was an algorithm that flagged the cover -- at that point only the cover was available on Facebook -- or whether the community moderators who police pages’ adherence to Facebook’s commerce guidelines made a decision based on their own affiliations and agendas… Either way, it was/is incredibly unnerving.

WU: When and how did you first get interested in Kashmir?

When I first went to Kashmir, the “why” (apart from being my doctoral project) was to consider the possibilities of using theatre to access perspectives from across the “victim”/“perpetrator” spectrum in the region: to draw in narratives from civilians; from militants/former militants; from soldiers/former soldiers in the Indian army. What if I were to create immersive, theatrical experiences about Kashmiri civil society, which the army could experience? What if I could design a performance for active militants, about the experiences of armed forces’ soldiers? How could I work with people from each of these identity groupings, to create a polyvocal, theatrical representation of Kashmir?

Gradually though, as I began to learn more about the Kashmiri context, that initial articulation of my intention had to shift. I realized that the idea of bringing “opposing” voices to the table was not only dangerous; it was ethically fraught. Because of my being Indian. Because of my being a woman. Because of the form of the theatre. Because of the many complexities that Kashmir remains mired in.

Pic Credit: Vineet Pandey

So, in collaboration with a team of incredible colleagues from the Ensemble Kashmir Theatre Akademi the intention of Chronicles from Kashmir has become about using theatre to educate (self-identified) “outsiders” about different aspects to Kashmir’s conflicts. Outsiders like myself, of course; but also a whole range of outsiders to whom voices from Kashmir remain inaccessible.

WU: Last time that you talked with WU, you shared the journey in the intentions behind the theater you’re creating. It went from “big ideas” to an emphasis on “beauty” and aesthetics as well as the ethical inclusion of victim and perpetrator narratives. Can you give us an update on where you are calling attention to today?

I think I’m still dealing with those questions of beauty and ethics; but I find myself trying to find more of a middle ground vis-à-vis the “big ideas”. Especially with Chronicles from Kashmir, I find myself wanting the work “to do” more; to create the potential for more tangible shifts to occur in how Kashmir’s conflict are studied, discussed, and considered. Might that mean adapting our script into a study guide, of sorts, that can be used by schools across the Indian subcontinent? Might that mean workshopping ideas from the work with new collaborators across Jammu and Kashmir, and across Indian and Pakistani borders? That remains to be seen…

Pic Credit: Vineet Pandey

WU: You’ve talked about the dynamic of being an “insider”/ “outsider” in your conflict theatre work in Kashmir. How are you handling that balance?

It depends on when you ask me :) Sometimes, the balance is easy to attain; at others; it seems like the complexities will only ever continue to grow. At this point in time, having just returned from another year of developing Chronicles from Kashmir, I am questioning my own role in the future of this initiative. Having been the one to spearhead new directions for this project over the last six years – albeit in constant collaboration with my colleagues at EKTA -- now that the work has been performed live, filmed, and published, I find myself wondering if it’s time for me to take a back seat and to rely on my Kashmiri colleagues to take the lead on where we go from here. Have we come to a point, I wonder, where I (the insider/outsider) must step back (despite my own relative privilege and increased access to resources/opportunities) and wait for my colleagues (the insiders) to catalyze our way forward?

WU: What is something you wish the world knew about Kashmir?

More than something that I wish the world knew, I wish there was more palpable desire amongst the international community to support/advocate for the search for a resolution to Kashmir’s crises.

[graphicpolicy]

Preview: Full Bleed Comics & Culture Quarterly Vol. 4 The End

Full Bleed Comics & Culture Quarterly Vol. 4 The End preview. FULL BLEED is coming to a close with its final volume, THE END. #Comics #ComicBooks

Full Bleed Comics & Culture Quarterly Vol. 4 The End Shelly Bond, Conor McCreery, Josh O’Neill, George Gene Gustines, Ron Marz, Gavin Edwards, VARIOUS (A) Gideon Kendall, Jibola Fagbamiye, Craig Yoe, Various (CA) Tony MillionaireIn Shops: Apr 28, 2021SRP: $25.00 They say all good things must come to an end. Alas, this is also true with the World’s ONLY 200 page print-only hardcover magazine –…

[peachy-queen]

Below are the names of those who lost their lives during the Virginia Tech shooting on this day in 2007. Ross A. Alameddine Christopher James Bishop Brian R. Bluhm Ryan Christopher Clark Austin Michelle Cloyd Jocelyne Couture-Nowak Kevin P. Granata Matthew Gregory Gwaltney Caitlin Millar Hammaren Jeremy Michael Herbstritt Rachael Elizabeth Hill Emily Jane Hilscher Jarrett Lee Lane Matthew Joseph La Porte Henry J. Lee (Henh Ly) Liviu Librescu G.V. Loganathan Partahi Mamora Halomoan Lumbantoruan Lauren Ashley McCain Daniel Patrick O’Neil Juan Ramon Ortiz-Ortiz Minal Hiralal Panchal Daniel Alejandro Perez Cueva Erin Nicole Peterson Michael Steven Pohle, Jr. Julia Kathleen Pryde Mary Karen Read Reema Joseph Samaha Waleed Mohamed Shaalan Leslie Geraldine Sherman Maxine Shelly Turner Nicole Regina White #virginiatechmassacre #neverforget #inmemoriam https://www.instagram.com/p/B_CgqbrjTQGI__6urZaNEs15iBb0yvOrXTa3-I0/?igshid=34yu0sc1afse

[smashpages]

2019 Eisner Award nominees announced

The nominees for the 2019 Will Eisner Comic Industry Awards have been announced by Comic-Con International. Image Comics received the most nominations with 19, while DC Comics received 17 nominations (not including the “shared” categories, like colorists who work for multiple companies).

On the creator end, Tom King received the most nominations with six, followed by Alex de Campi and Jeff Lemire with four. Also, if you’re of the betting persuasion, here’s a tip: put your money on an Image series walking away with the Best New Series Eisner.

The announcement follows the list of nominees for the Will Eisner Hall of Fame, which was released in January. The awards will be announced in July at Comic-Con International in San Diego. Check out the complete list of nominees below.

Best Short Story

“Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)

“The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)

“Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)

“Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times

“Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)

“The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)

Best Single Issue/One-Shot

Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)

Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)

No Better Words, by Carolyn Nowak (Silver Sprocket)

Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)

The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)

Best Continuing Series

Batman, by Tom King et al. (DC)

Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)

Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)

Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)

The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)

Runaways, by Rainbow Rowell and Kris Anka (Marvel)

Best Limited Series

Batman: White Knight, by Sean Murphy (DC)

Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)

Best New Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)

Isola, by Brenden Fletcher and Karl Kerschl (Image)

Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)

Skyward, by Joe Henderson and Lee Garbett (Image)

Best Publication for Early Readers (up to age 8)

Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)

Petals, by Gustavo Borges (KaBOOM!)

Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)

This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)

Tiger Vs. Nightmare, by Emily Tetri (First Second)

Best Publication for Kids (ages 9–12)

Aquicorn Cove, by Katie O’Neill (Oni)

Be Prepared, by Vera Brosgol (First Second)

The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)

Crush, by Svetlana Chmakova (JY/Yen Press)

The Divided Earth, by Faith Erin Hicks (First Second)

Best Publication for Teens (ages 13–17)

All Summer Long, by Hope Larson (Farrar Straus Giroux)

Gumballs, by Erin Nations (Top Shelf/IDW)

Middlewest, by Skottie Young and Jorge Corona (Image)

Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)

The Prince and the Dressmaker, by Jen Wang (First Second)

Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)

Best Humor Publication

Get Naked, by Steven T. Seagle et al. (Image)

Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)

MAD magazine, edited by Bill Morrison (DC)

A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)

Woman World, by Aminder Dhaliwal (Drawn & Quarterly)

Best Anthology

Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)

Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)

Twisted Romance, edited by Alex de Campi (Image)

Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)

Best Reality-Based Work

All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)

All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)

Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)

Monk! by Youssef Daoudi (First Second)

One Dirty Tree, by Noah Van Sciver (Uncivilized Books)

Best Graphic Album—New

Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)

Come Again, by Nate Powell (Top Shelf/IDW)

Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)

Homunculus, by Joe Sparrow (ShortBox)

My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)

Sabrina, by Nick Drnaso (Drawn & Quarterly)

Best Graphic Album—Reprint

Berlin, by Jason Lutes (Drawn & Quarterly)

Girl Town, by Carolyn Nowak (Top Shelf/IDW)

Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)

The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)

Young Frances, by Hartley Lin (AdHouse Books)

Best Adaptation from Another Medium

Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)

“Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)

Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)

Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)

To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)

Best U.S. Edition of International Material

About Betty’s Boob, by Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)

Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)

Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)

Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)

A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)

Best U.S. Edition of International Material—Asia

Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)

Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)

Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)

My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)

Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)

Best Archival Collection/Project—Strips

Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)

Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)

The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books

Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books

Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)

Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)

Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)

Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)

Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)

Best Writer

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)

Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)

Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)

Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)

Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)

Best Writer/Artist

Sophie Campbell, Wet Moon (Oni)

Nick Drnaso, Sabrina (Drawn & Quarterly)

David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)

Nate Powell, Come Again (Top Shelf/IDW)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Jen Wang, The Prince and the Dressmaker (First Second)

Best Penciller/Inker or Penciller/Inker Team

Matías Bergara, Coda (BOOM!)

Mitch Gerads, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Sonny Liew, Eternity Girl (Vertigo/DC)

Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)

Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)

Best Painter/Multimedia Artist (interior art)

Lee Bermejo, Batman: Damned (DC)

Carita Lupatelli, Izuna Book 2 (Humanoids)

Dustin Nguyen, Descender (Image)

Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Best Cover Artist (for multiple covers)

Jen Bartel, Blackbird (Image); Submerged (Vault)

Nick Derington, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Joshua Middleton, Batgirl and Aquaman variants (DC)

Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)

Best Coloring

Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)

Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)

Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)

Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)

Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)

Best Lettering

David Aja, Seeds (Berger Books/Dark Horse)

Jim Campbell, Breathless, Calexit, Gravetrancers, Snap Flash Hustle, Survival Fetish, The Wilds (Black Mask); Abbott, Alice: Dream to Dream, Black Badge, Clueless, Coda, Fence, Firefly, Giant Days, Grass Kings, Lumberjanes: The Infernal Compass, Low Road West, Sparrowhawk (BOOM); Angelic (Image); Wasted Space (Vault)

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)

Todd Klein— Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse); Batman: White Night (DC); Eternity Girl, Books of Magic (Vertigo/DC); The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW)

Best Comics-Related Periodical/Journalism

Back Issue, edited by Michael Eury (TwoMorrows)

The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com

Comicosity, edited by Aaron Long and Matt Santori,  www.comicosity.com

LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)

PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)

Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)

The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)

Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)

Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)

Best Academic/Scholarly Work

Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)

Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)

The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)

Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)

Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)

Best Publication Design

A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)

The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)

The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)

Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Aztec Empire, by Paul Guinan, Anina Bennett, and David Hahn, www.bigredhair.com/books/Aztec-empire/

The Führer and the Tramp, by Sean McArdle, Jon Judy, and Dexter Wee, http://thefuhrerandthetramp.com/

The Journey, by Pablo Leon (Rewire), https://rewire.news/article/2018/01/08/rewire-exclusive-comic-journey/

The Stone King, by Kel McDonald and Tyler Crook (comiXology Originals)  https://cmxl.gy/Stone-King

Umami, by Ken Niimura (Panel Syndicate), http://panelsyndicate.com/comics/umami

Best Webcomic

The Contradictions, by Sophie Yanow, www.thecontradictions.com

Lavender Jack, by Dan Schkade (WEBTOON), https://www.webtoons.com/en/thriller/lavender-jack/list?title_no=1410&page=1

Let’s Play, by Mongie (WEBTOON), https://www.webtoons.com/en/romance/letsplay/list?title_no=1218&page=1

Lore Olympus, by Rachel Smythe, (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=1

Tiger, Tiger, by Petra Erika Nordlund, (Hiveworks) http://www.tigertigercomic.com/