#She definitely ended up being a luffy fan after seeing what he’s capable of!!

[rainboweemart]

Nami’s fan and her new pair the MugiMugi plushies! 🥰🍖🍊

( +marine brothers shenanigans )

[warlordgab]

LuNa analysis: Emotional and Intellectual chemistry

This is a special edition meant to help a friend explain this aspect of Luffy and Nami's relationship as potrayed in Oda's works (excludes the anime adaptation). It's no something truly new, it's more like a summary of multiple analyses made in this blog and other places.

The first time we mentioned this particular subject in this blog, the idea was to showcase the difference between "sexual tension" and the concept of chemistry.

Shallow fans sometimes used both terms interchangeably as if they were the same thing. Well, they're not.

Chemistry refers to the natural connection between two persons, a common feeling between two characters that leaves a impact strong enough to move their hearts and stimulate their minds. Needless to say, it's something complex, sometimes subtle, but very appealing.

It's not something tied to sexual attraction, and it's definitively not a mere infatuation. It's something much deeper than that...

However, some popular newcomers to the One Piece community mistake this concept with "dynamic." They may focus on character(s) they grow fond with, and then claim their dynamic is a sign of "chemistry" because of how much they like it.

The "character dynamics" would refer to the way characters work with or against each other within the story. While chemistry is about how the characters bond with each other throughout the story.

But then, how does LuNa showcase actual chemistry? By relying on more than one kind of chemistry.

We've seen it before, the development of a bond that grows naturally through mutual trust/faith, with the most importat trait being the capability of regulating the partner's emotions.

This kind of chemistry is marked by emotional support producing a remarkable attachment. In such a relationship, the distressed person feels comfortable enough to express their anxiety, grief, and helplessness to their partner because said partner is capable of providing with relief, comfort, and/or hope.

It's probably starting to sound familiar, right? LuNa fans would certainly think of Arlong Park and the pass of the hat, a gesture that provided Nami with the relief and hope she needed to stand up and keep going.

But, we have the moments from Skypiea too:

When she was overwhelmed by fear and doubts, Luffy does something similar, but this time is to remind Nami that she's the companion of the future Pirate King, and as such, she has nothing to fear. It was so effective that it led to a remarkable character moment from Nami, and her brief skirmish with Enel, in which she drew courage from her captain. That creates enough confidence for Nami to open her heart when there's something troubling her. Remember Water 7? After learning the truth about Robin's desertion, and shortly after missing the train Robin got in, Nami didn't seem distressed at all. In fact, she got up determined and unwilling to give up. But, how did she act when she got the chance to explain the truth to Luffy?

She and displayed the helplessness, frustration, and sadness she truly felt when she got to Luffy.

A smilar scene plays out when we get to Zou. Sanji was taken away, and while Nami seemed ok and even elated at the fact Luffy and the rest are back, is when she's in Luffy's arms that she once again expresses how helpless and anguished she feels...

This is how emotional chemistry looks like! It's not about meaningless flattery, flowery words, nor a mere infatuation. It's about growing attached to one another through a strong companionship, mutual trust/faith, offering support/comfort when needed.

Now, true chemistry occurs when characters affect each other in meaningful ways. And Nami also has an effect on Luffy. When Oda wrote the Strong World movie, we get to see how she affects her captain. When Nami got no other choice but leave a message in which she seemingly doubts Luffy's strength and capabilities, Luffy reacts this way...

This shows how much Luffy values the perception Nami has of him.

Another perceptive reader explained the difference between this situation and Ennies Lobby. During that massive rescue mission "Luffy is angry at Robin for not worrying about her own safety." In Strong World, the idea of Nami not believing in him is something Luffy takes personal. And as explained in multiple posts, we later learn Nami never stopped believing in Luffy, and the idea of Luffy hearing about it was pretty embarrassing to her.

Well, what about Intellectual Chemistry?

This is a tricky one, because most people think is having a similar level of intelligence. But, even in real life, it's pretty likely potential partners have different degrees of education, so they're not always going to perfectly click or match in this regard.

Then, how people can develop this kind of chemistry under such circumstances? One of concepts of intellectual chemistry is the capability of challenging each other's perspective and beliefs on subjects and matters relevant to both persons.

LuNa fits the second bit, for the greatest challenge each character's perspective has is the other's...

...Nami’s character from the very beginning had a very clear distate for pirates and had trouble trusting others. Her perspective served as not only a contrast to Luffy's idealism, but also as a challenge Luffy and his ideals had to actively overcome. This kind of chemistry covers other aspects that, even people who are not fond of LuNa, could see and mention. For example:

Unlike Zoro, Robin, and others crewmates who, more often than not, go along with Luffy's course of action without questioning their captain, Nami is usually the one who challenges Luffy's decisions. It makes sense given Nami's role, as she herself explained in Weatheria...

While Luffy is the one who chooses where to go, Nami is the only one can get him where he wants to go. She seeks to provide Luffy with the  guidance he needs to survive his journey. She’s the compass leading Luffy towards his adventures.

Now, Intellectual Chemistry not only consists of challenging each other’s perspectives, it’s also about openly discussing each other’s ideas with the right mindset, not because you’re trying to win an argument, but as a mean to learn more about your partner, and as a result, you get to better understand that significant person and both parts work together as a team.

In this regard, it's true Nami is one who questions Luffy the most, but  she doesn't actively try to change his mind, instead she attempts to get Luffy to rationalize his choices.  And once Luffy voices out his reasons and/or motivations for doing something, she offers her assitance and full support. We see one example in Skypiea:

At first, she questions why Luffy is making such a great effort to climb the beanstalk and fight Enel a second time, Nami even urges him to stop and flee with her. She keeps pushing until Luffy clearly states why he's not running away.

Nami could easily run away on her own, but as soon as she understands Luffy’s reasons, she stays, and they’re able to work together to ride the beanstalk so Luffy can finally defeat Enel.

This is not one-sided either. If we go to the Dressrosa arc, we got Nami communicating Luffy her plan of splitting into two teams to keep Ceasar and Momonosuke away from Doflamingo. 

And Luffy not only fully supports her idea, he even follows it up with a mission for the team that stayed at Dressrosa.

Another possible example could be one particular scene from the Zou arc. Luffy’s original intent was going to rescue Sanji on his own...

...until Nami reminds him how much he needs her and her navigation skills to keep going. Luffy accepts the reasons she gave him, and alters his original plan accordingly.

We can find other moments to showcase this aspect of their relationship, but to make things short, we can sum it up like this: when their different perspectives clash, they challenge each other’s ideas to the point of gaining a better understanding of each other, and end up acting according to that understanding, they display Intellectual chemistry.

Bonus: Physical Chemistry?

I wasn't going to include this one, but given a japanese fan brought it up ages ago, I decided to leave a couple of scenes that may fit the concept.

That japanese fan based his comment on Strong World, the movie written by Oda. To make it short, physical chemistry doesn't necessarily means "sex" either, it really comes down to how comfortable a person feels with their partner. However, the details and quirks in this particular kind of chemistry vary from people to people. Just like it can vary from writer to writer.

We often mentioned in this blog certain moment in Fishman Island, where Nami had no problem with Luffy wrapping himself around her...

...she indeed bickered with Luffy, but it was about Luffy's wanting to venture through a dangerous route rather than their physical closeness. A nice way to show how comfortable she feels around him. In contrast, she doesn't pull any punches, or thunders, when punishing people for pervying around her. Something that remains consitent even in the Wano arc (at least in the original source: the manga) Regardless of whether or not these count as “physical chemistry,” we can still appreciate how Oda crafted a solid emotional chemistry, and intellectual chemistry as well, in the way he wrote Luffy and Nami.

[kaizokuou-ni-naru]

The Voyage So Far: Alabasta (Part One)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

(this is a repost, i deleted the first version of it by accident cause im Idiot)

the entry into the grand line is such a great sequence. it feels like such an ending- a triumph after they’ve spent pretty much all of east blue struggling to make it here, and at the same time the beginning of a new adventure, the biggest yet, one that has yet to end a solid two decades later. they all look so happy to have made it here- it makes me smile.

whiskey peak is one of my very favorite short arcs, and i think of the whole first half of the baroque works saga its the one that hits and maintains a tone best (almost certainly because its so short, admittedly, but still). i love the repeated shots of the moon, the reveal that the cactuses are actually covered in graves, the way everything seems far too good to be true at the start and the sense of suspense that creates.

zoro’s extended fight scene in whiskey peak is so great- it’s so creative and so dynamic and the odds are stacked so high against him and yet he’s clearly having so much fun. i do miss this sort of scrappy, improvised fight, cause its largely absent from later one piece but its SO much fun to read- zoro cutting holes in rooftops for people to fall through or shoving ladders to the ground as bounty hunters try to climb them.

i’m a huge fan of fight scenes that use the environment to their fullest, and this is such a perfect example of it. it makes the fight feel a lot more real and exciting, in my opinion.

i’ve never liked zoro and luffy fighting at whiskey peak, its always struck me as frustrating and contrived and kind of out of character for both of them, but i will say that i do like how on the same page they are even when they’re trying to kill each other.

the entire first half of the baroque works saga basically serves to introduce and endear us to vivi so we’ll be invested in the alabasta conflict, and that starts here in whiskey peak, when we get our first glimpse of her actual personality rather than the act she was putting on as miss wednesday, when she bites her lip hard enough to bleed in order not to break down at igaram’s apparent death.

watching robin’s actions with the added context of later one piece is one of the great joys of rereading alabasta. she does a fantastic job of appearing to be crocodile’s most dedicated and capable and dangerous employee while quietly but consistently sabotaging his efforts; saving luffy, sparing pell, sparing igaram, not telling crocodile anything about the strawhats despite meeting them here at the very start of the saga.

little garden has some really cool and striking panels that really put the scale of things on the island, the dinosaurs and giants alike, into perspective, and i love it.

i’m a huge fan of the depth of in-universe lore one piece has. just having little details like this, quotes from books written in-universe, go so far towards making the world feel like a real and wondrous place with mysteries to be solved and details to be uncovered.

i still think sanji is firmly at his best when he’s being a sneaky bastard, and i will never cease to be delighted by how thoroughly he manages to fuck crocodile over with nothing but a phone and some quick thinking not once but twice.

i really like dorry and brogy! for minor characters who’ve only appeared in one relatively minor and inconsequential arc so far, they’re not only very fun and memorable but also leave a hell of an impact on the story, not only in usopp’s new dream of eventually visiting elbaf but also in how they and their crew just keep coming up, first in enies lobby and then even further down the line in dressrosa and whole cake island.

i’m really excited for when we eventually get to reach elbaf, because this plot thread has been so thoroughly and subtly built up over such a long time that i can’t wait to see how it ends.

this is one of my favorite little moments to really drive home how much the strawhats care about each other. they all fell asleep on the floor rather than leave nami alone.

the whole introductory scene to drum is a really good summary of who vivi is as a person and how she contrasts with luffy, and it’s something i’ve written extensively about in a past meta. here ill just settle for saying, vivi is chronically selfless, and always the sort of person to sacrifice herself for others, and these traits which save the strawhats here are the exact same ones that bring her and luffy to blows later on in alabasta.

a good thing to remember when writing characters is that traits aren’t really inherently good or bad, they’re just traits and can have positive or negative consequences depending on the situation, and i think oda is really good at this. vivi’s selflessness, usually a positive thing, becomes reckless self-sacrifice when she’s pushed to her breaking point.

‘kindness begets kindness’ is a pretty consistent theme throughout one piece, though luffy is most often on the other side of it. someone (rebecca, law, tama, etc.) does something for him without really expecting anything in return, and gets paid back a hundred times over. this is a case of the opposite- luffy helps someone offhandedly, and is later saved by their gratitude.

i think luffy wearing his fingers bloody as he climbs the drum rockies is the only time one piece has ever made me cringe back from the page. this sequence is absolutely brutal, and it’s so well-done.

the way luffy decides chopper should be his crewmate is precious, and also reminds me a little of his recruitment of sanji (ironically, given he’s talking to sanji about chopper here). in both cases he sees someone do something good without even really knowing the full extent of their abilities and makes a snap decision that they are awesome and are gonna be part of his crew, no matter what they have to say about it.

i really, really enjoy the way the drum island flashback is set up, with the cutaway right as luffy is about to punch wapol’s lights out. the cut back to that punch finally hitting when the flashback ends is by that point infinitely more satisfying, since you’ve just read chopper’s backstory and therefore have a deep and abiding desire to see wapol eat shit.

hiriluk’s final speech is definitely one of the best and most memorable quotes from one piece, and effectively the crux of one of its biggest themes. one piece is all about inherited will. all of our main cast and a solid percentage of the supporting cast bear the legacy of at least one forebear on their shoulders, from kuina to corazon to otohime. the entire setting of the story is defined by roger’s legacy.

all those people are dead, but they’re sure as hell not forgotten- how can they be, when their legacies are actively shaping the world as a direct result of their lives and influences?

i really, really like the use of flags in one piece. flags are how you declare loyalty or war in equal measure, and flying a pirate flag is a declaration that you’re choosing freedom, come what may, over the laws of the world government. it’s just a really excellent running motif, and a great symbol of what one piece’s definition of piracy means.

this scene is also one of the ones that gets even more extra weight behind it when you know luffy’s full backstory with sabo, which i love.

chopper’s recruitment scene sums up one of the reasons luffy is really great. he just doesn’t care about a lot of things other people would normally take notice of. occasionally that gets him in trouble, but other times it leads to him responding to a situation exactly right, like here. chopper is listing off all his insecurities and reasons he can’t go with the strawhats, and luffy just flat doesn’t care. he wants chopper on his crew and he knows chopper wants to be on his crew, so as far as he’s concerned, there’s no issue at all.

it really is wild that the will of D is named this far back in the story, and has consistently been referenced and built up ever since in very slight ways, through comments by characters like robin and corazon, and yet we still know basically nothing about it.

and a toast to a new crewmate!!

continued in the next post, which covers alabasta arc proper.

[yukipri]

Marco’s Bauble Part 7 - a One Piece Mermaid AU Text Story

I ended up spending most of this past weekend setting up the Mermaid AU on AO3, so I do hope y’all will check it out over there!

Please note that on AO3, this Marco’s Bauble story is going under the title On the Courtship of Monkey D. Luffy. I didn’t really know where this series was going when I began writing it, and “Marco’s Bauble” was most definitely a starting point, but it’s expanded well beyond that now, as you’ll probably see in this update ^ ^; I haven’t decided yet whether I’ll rename all the parts on Tumblr or not.

BUT in the meantime, I’ll continue posting updates in advance here on Tumblr (and on Patreon even further in advance ;D), so here’s an update for this week!

In which Sabo confronts Koala.

Continues off of, and should be read after:

👒🐟Marco’s Bauble Part 1

👒🐟Marco’s Bauble Part 2

👒🐟Marco’s Bauble Part 3

👒🐟Marco’s Bauble, Part 4

👒🐟Marco’s Bauble, Part 5

👒🐟Marco’s Bauble, Part 6

~~

Hmm, Koala thinks. So this probably counts as a "kabedon."

A kabedon, according to the young new recruits who'd explained it to her, is a situation in which one person, ideally tall and attractive, leans over a second, ideally smaller person, boxing them against a wall with their arms, essentially pinning them in place. Koala thinks it sounds like menacing posturing, but the recruits insisted that if done by the right person, it's a terribly titillating scenario, the kind you'd find in romance stories.   

It happens to be the situation that Koala finds herself in now, with her back against the side of Merry's cabin as Sabo looms over her, effectively blocking all exits with his arms braced against the wall on either side of her.

Sabo, Koala grudgingly thinks, probably not only qualifies, but is likely the recruits' very definition of tall and attractive.   

Right now, he's doing that thing where his eyes are half-mast, dark and unreadable as they peer down at Koala through the curtain of blond locks that have fallen across his face. It's a look that Koala knows has half of Baltigo swooning, and she's heard people call it Chief's Sexy Look.   

Koala feels very strongly that those are a poor choice of words, because from personal experience, she knows it's a look that's usually followed immediate, brutal interrogation that often ends in screams and excessive bloodshed. 

"Koala," he breathes, in that voice that has stolen the hearts of half the Revolutionary Army, and has convinced more than one unfortunate soul that perhaps, they might survive this encounter after all.   

But Koala knows better.   

Because his next words are, surprise surprise, "What are you hiding from me about my Luffy?"

He smiles then, and it looks misleadingly gentle, and Koala can see why strangers may mistake him for a benevolent princely gentleman.   

But Koala knows Sabo. And all she sees is the manic sadism behind the oh so very fake expression.   

She cringes, because no, there is absolutely nothing romantic or exciting about this situation at all. All she feels is Doom.   

"Hmm?" she says, keeping her hands behind her back so he can't see them twist. In these situations, Koala's more than well aware that the more she talks, the more she incriminates herself.   

Many who observe their partnership are under the impression that Sabo's just the overpowered guy who beats people up and destroys shit, while Koala provides intel. And while it's true that Koala has intel, Sabo's the one who often personally extracts it from their most stubborn sources.   

In other words, what Sabo wants, he usually gets. It's usually a comforting thought, but not today.   

"Hmm?" Sabo parrots back, eyes lazily tracing over her face, and Koala frantically tries to keep her expression neutral as he searches for an opening. 

It's like when they were children, Koala thinks, when they played interrogation games with each other as assignments for Inazuma's class. Except this time, it's not Koala's grade on the line. And while Koala knows that her partner would never actually hurt her, he's also very capable of making life pretty miserable for her if she doesn't spill.   

And right now, she has a secret she'd really, really like to keep away from Sabo.

The secret being, y'know, the fact that someone proposed to his dearest baby brother.   

And even though it's extremely unlikely that Luffy understands the significance behind the gesture, she considers the gift hers, which, for all points and purposes...means she accepted.   

Koala does not want Sabo to find out about this, from her, at least right now, before she has more information.   

But, Koala glumly remembers, she's never actually managed to win any interrogation games against him.   

"You know," he says, voice deceptively light, and Koala wants to groan because here we go. "Luffy and Ace mean the world to me. They're not just my past, they make me who I am. Even when I didn't remember, they were with me, and I was with them. They're everything to me."   

Koala won't break. She tries to look for an opening without shifting her eyes, but Sabo's not an amateur and there are no escape routes.   

"It would truly be terrible, if something happened to one of them, something that should be stopped, that I could have prevented if only I had known."   

He's poking her defenses. He wants her to say, you're blowing this out of proportion, it's not that big a deal, or maybe you're overthinking this. Possibly even lie, I'm not hiding anything, or even counter, what makes you think I'm hiding something?   

Koala knows better. Those are all traps, all openings that he'd pounce on, and she's seen him rip people apart for falling for them. Koala won't give him the chance.   

He leans in close, and whispers in her ear, voice low and dark in a way that would make his fans cry, and his enemies cry too but for an entirely different reason. "You wouldn't know something that'd prevent me from fulfilling my duties as Luffy's older brother, now would you, Koala?"  

Well, Koala thinks snidely, depends on what you consider your brotherly duties, and whether they include homicide and starting a war with an Emperor.   

She says, "Mmm."   

Sabo, or rather his mouth, smiles. His eyes are a void. Koala's not used to be on the receiving end of this particular stare, and she isn't enjoying a moment of it.   

"Alright. If that's how you want to be. Let's figure this out together, now shall we?"   

Sabo's voice is calm, exaggeratedly patient, like a therapist. He never talks to Koala like this, but Koala still recognizes this particular tone, and cringes as she realizes which interrogation pattern he's chosen. It's one she's ill equipped to counter at the moment, and he no doubt knows it.   

Koala braces herself. Blank face, she tells herself, even breathing. He's using his stupid over-powered Observation Haki to keep track of your pulse.

"Well," he begins, "I know it's already about Luffy, because you're more nervous about me talking about her than Ace." It's stated as fact, and Koala blinks rapidly to moisten her eyes because she knows the real deal's starting now, and she'll have to avoid blinking when it might give her away.   

"And it must be something you found out during your Fishman Karate sessions, because you don't have any other time together, at least when I'm not watching."   

Koala isn't remotely surprised that he's monitoring everyone; after all, she's been doing the same. She wants to sigh but keeps it in.   

"It's probably something physical, because Lu can't keep secrets if she thinks of them as secrets, so it might have been something you saw...a scar, or a mark on her body? No? Then an object she has on her...Ah, there we go."  

Fuck you, I didn't give you any tells, Koala thinks indignantly, but she knows that expressing any annoyance will only confirm his guesses, and continues to refuse to speak.   

"You've been going to the kitchen more often than usual, but not during meal times, or even prep times, but rather lulls...times that you have no business in the kitchen, and times where only cooks are present, cleaning up or otherwise doing tasks that don't require their full attention...the perfect time to chat."  

Maybe I wanted a snack, Koala thinks, but keeps her mouth shut, because Sabo already knows when and how she snacks. This interrogation really isn't fair.   

"And as for the cooks in question...well, if it were Sanji, I'd just ask him myself, but you knew I wouldn't do that, right, Koala? You know I could get it out of him, so if it was him, he wouldn't know anything of value. But I don't think he's involved at all."   

Sabo looks at Koala expectantly. Koala stares right back at him, though her eyes feel very, very dry.   

"So the question now is, why would my dearest partner want to protect Thatch, Fourth Division Commander of the Whitebeard Pirates and temporary first cook of the ASL Pirates?" Sabo talks as though he's asking himself, but he isn't, and Koala's not fooled. She keeps her face blank. "I doubt it's a personal thing, after all, his intentions towards Luffy couldn't be more obvious, he announces it at least once a day. And given my partner's obvious little lesbian crush, it doesn't seem in her best interests to help him, no?"   

This does get a reaction from Koala, and her breath leaves her in a whoosh. Fine, make it personal. If he's figured out this much, it's only a few more steps till the answer, and at this point what does it matter. Koala glares, relishing freeing her face from its mask, and for a moment Sabo's back to his usual self, giving her a cheeky wink as though to say told you so. But then Interrogator!Sabo is back, because he's not quite done yet.  

Whatever. She tried, alright. It's not like she owes the Phoenix anything. She leans back against the wall, bringing her arms in front of her chest, and scowls, hoping her expression projects exactly what she thinks of Interrogator!Sabo at the moment. Sabo likewise drops his arms, because he knows she's no longer going to escape.   

"You're not protecting Thatch himself, because if you were we could solve it here, and it never needs to get out of hand. So you're protecting someone connected to him. The fact that you're being so stubborn, tells me that it's not just a personal thing, but something that could cause an incident, that would likely affect the Army. Which means, obviously, a Whitebeard pirate.   

"But I don't think it's just any Whitebeard pirate. They're someone high profile enough that it would be a big deal if I were to confront them, possibly jeopardizing any potential future alliances the Army forms with them, or drawing the eyes of the World Government. Which, they're already watching us, which makes me think it's gotta be someone even bigger than Thatch..."   

Which, of course doesn't leave much.   

"It could very well be old man Whitebeard himself," Sabo says, but he's shaking his head. "But something tells me it's not. And I know that some very interesting little blue birds have been stopping by the Merry, likely with letters for Thatch, but possibly also with unsolicited deliveries for my baby brother..."  

Your baby brother, chill with your possessiveness, does rubbing it in feel that good? Koala sniffs.   

"And as for why it's a big deal...you wouldn't be so secretive over a crush. Everyone on the crew has a crush. That can be dealt with. This is a few steps beyond, something you think would make me mad, right, Koala?”

Sabo pauses a moment, but it's for dramatic effect, because Sabo knows that Koala knows that he already has an answer.   

"So tell me, Koala. What did Marco the Phoenix give Luffy to try to claim her as his bride?"   

And well, there you have it.

"Bravo," Koala says dryly. "I see you're qualified for your position, Chief. I'll be sure to inform the Boss."   

Sabo tips his hat, and even though she allows herself to relax, Koala keeps her eyes trained on her partner.   

He's taking this calmer than she expected, to be honest. Interrogator!Sabo still hasn't fully faded from his face, but he's no longer giving off sadistic vibes, and has that little frown that tells Koala he's still sorting through his thoughts. His ability to remain composed is likely affected by the fact that they're still in Paradise, and the Whitebeard Pirates and the New World are still quite a ways away.   

Which is good, because it means Sabo can't just impulsively cause a massive incident on the spot. But it's also bad, because it means he's got more time to plot, and Sabo can come up with some pretty devastating things if given the opportunity.   

"Sabo, I barely know anything myself, and neither does Thatch," Koala says, finally willing to speak. "I'm working on getting more information. Don't plan anything rash yet. It could all be a misunderstanding."   

Sabo slowly nods, still quiet. Koala sighs.   

This might be a good time to bring up a certain topic, she realizes. She'd been thinking about it for a while now, but had wanted to give him more time.   

She first thought about it when the night after he regained his memories, she sees Sabo slip away from the Merry to pursue the ship that's transporting the slavers who tried to sell Luffy at the auction house. The slavers have already been passed in the hands of Army agents, all of the enslaved have been freed and are on their way to safety, and Luffy's back with her crew. Their job should have been over.   

Sabo comes back before dawn, accompanied by Ace who had likely transported him with Striker. He seems calmer than the night before, but Koala doesn't miss that his gloves are still damp from recently being washed.   

There've been other incidents too, in the short period they've traveled together. Koala's seen Sabo dangerously close to snapping (and actually snapping) more during the past few weeks than their entire decade together. And on one hand, it's understandable, but on the other...   

"You know," Koala begins, as gently as possible. "she's no longer the child you left behind. She's an adult. Even if this ends up being nothing, she may still find someone, one day. What are you going to do then?"   

If Luffy's in physical danger, protecting her is one thing. But what if it's something that she chooses?   

The change is subtle, but Koala notices when the last of the Chief of Staff fades from Sabo, as his head tilts downward ever so slightly. And all of a sudden he reminds Koala all too much of the tiny, battered child who stared at himself in the mirror when he thought everyone was asleep, touching his scars and asking, Who are you?

"I can't lose her, I can't lose either of them," Sabo says quietly, and he overlaps completely with the lost child, and ah, Koala thinks, because she gets it.   

That child, that self who was missing for so long, is back now, inside Sabo where he always belonged, where he always existed but couldn't be recognized. That child now takes up so much space, too much space, and still hasn't been fully reconciled with the adult that Sabo's grown up to be. Simpler, childish emotions and desires that feel too vibrant and raw, clashing with the adult's more weathered world view, aggravated further by all the darkness that Sabo's seen in their line of work.   

Sabo's less concerned about Ace, Koala knows, because even though Sabo loves both his brothers, Ace is like his other half. They don't protect each other, but function seamlessly as a single unit, a unit with one priority that stands above all else.   

Luffy.   

Luffy, who as a child, Sabo was able to protect from anything and everything in their isolated microcosm. Luffy, who as an adult, Sabo knows all too well is more vulnerable than ever, as proven by the very situation in which they reunited.  

A gilded glass tank, hidden away behind dusty curtains, with a dark, motionless shape crumpled at the bottom. Chains, chains, and chains upon bruised skin, and bubbles rising from parted lips, getting smaller and smaller as she slowly fades...

That was bad enough, but Koala doubts Ace or any of the others know exactly what the fate of a captured mermaid is, at least in the way that Koala and Sabo do.   

Koala understands, she really does.   

But she also knows the importance of freedom, not just to Sabo, but likely to Luffy and Ace as well.   

"Would it be losing her?" she asks, and child!Sabo flinches.   

"We vowed to be free," Sabo says, and he still sounds lost, like he doesn't know what the word means anymore. "And we will be." His hat shadows his eyes, and Koala can't imagine how they look at that moment. "But I don't want her to go where I can't follow."   

"Then follow," Koala says, because what else is there to say? "Follow, if that's your freedom. But you can't stop hers."   

"I know."   

She couldn't have known how Sabo would take her words.

~~

Part 8, we see more of Thatch.

Thank you so much for reading, and I hope you enjoyed!

As always, any comments are immensely appreciated and help motivate me to create more for this AU! ;A;

❀ ❀ Send YukiPri an Ask! ❀ ❀

~This ask has been added to the Mermaid AU Text Headcanons Compilation post~

[danwhobrowses]

One Piece 1000 - 10 Confessions as a One Piece Fan

Although we did the Initial Thoughts a week ago (a long week ago, damn) which you can read here I wanted to do something for the official release of One Piece’s 1000th Chapter At first it started out to be ‘10 things I wanna ask Oda that I don’t think we’ll ever know’ but I couldn’t think of 10, then I was gonna do a General opinion post about it, but didn’t want it to come off too negative. So I am settling on a confessions post, which will have elements of these anyway.

So as we have a happy 1000, let’s talk about some stuff I usually don’t get to talk about in One Piece

Note: There will probably be spoilers so make sure you’re up to date

10. Late Beginnings I think the first confession I have to have is that despite being older than One Piece I am unfortunately not a ‘Day One’ fan. In fact I think I mainly got into One Piece around mid-Whole Cake Island arc, before I had of course known about One Piece, it was a ‘Big Three’ anime after all but the most I knew about it was that they had a guy named Luff-y and another called Zorro, and it was about ‘Pirates who can’t swim’. My curiosity only developed when in a youtube deep-dive of anime clips I kept being recommended One Piece clips, and decided to give a couple a go. Most of them were Paradise arc stuff from the anime, the dub voices were mostly atrocious so I stuck to sub. I was happily surprised about the amount of fun and emotional weight these clips gave me, which led me to check where One Piece was as of current and backtrack from there (Ironically I did the same with Beastars). I did eventually get caught up around the time of the Mafia Meeting and I’ve kept up with each chapter since.

9. I mostly still prefer the Pre-Timeskip looks When I first felt this I thought it to be pretty controversial, nowadays not so much. I understand that Oda wanted to change the look for many characters but some of them did feel like a downgrade. I think the ones who got it worst was Franky, I think it’s the bulbous shoulders, Franky was no stranger to body horror from Enies Lobby to Sabaody but I kinda preferred that he still had a lot of his humanity rather than looking like an action figure. Otherwise I think Robin, Nami and Chopper had it bad, maybe Brook too but his was more fashion than design; the women in general took heavy hits by Oda’s proportion design - I mean I get it boobs are nice but proportions are what make them better - but Robin also underwent a skin color change in the anime, who pre-timeskip shaded her skin darker than in the manga and corrected it to match the manga, I think most of us would’ve preferred Robin to have kept the darker skin tone and possibly even the fringe, Robin’s hairstyle (and her fashion in general) can be hit and miss. I go to and fro about Nami, other than the general waist and bust adjustments I think it fits her character to use her sexuality a bit, she was no stranger to that pre-Timeskip, sometimes though I can’t tell whether I preferred her with short or long hair (Short was definitely better on Nojiko), I do think though that Oda could have her show less skin, she is still very pretty in outfits such as Water 7, Thriller Bark and even her fake pirate disguise in the early chapters/episodes. Finally with Chopper I think it was a bad move to alter the hat, that was a memento from his father figure Hiriluk, it’d be like if Luffy altered his straw hat or Zoro replacing Wado Ichimonji, I do also feel that the design for Chopper’s points while easier to draw don’t look as good, I think a lot of it is the scruff, or lack thereof in favour of smoothness, Walk Point is fine but Heavy Point, Guard Point and Horn Point seem less threatening, Monster Point especially too, in Enies Lobby he looked like a cave painting of menace and destruction, now he’s smoother and his scruff lighter so it’s not as good. The rest of the designs I’m quite fine with though.

8. I wish some markings stuck as well Tattoos and Scars seem to be optional in the One Piece world sometimes, unless it’s branded in molten heat like the Dragon’s hoof, Sun Pirates logo or an attack from Sakazuki. While Nami’s redesigned tattoo has stuck around and Luffy and Zoro’s scars persist, they are mainly character reminders/mysteries for huge moments in the story, and I kinda wish that some of the Straw Hats had littler markings, not just scars either. For instance, the Alabasta X on the arm, I really wish that stayed on each of the Alabasta characters’ arms since it was a symbol of friendship with Vivi, I also wish that Luffy kept the 3D2Y mark on his arm. In terms of scars though it would’ve been nice to see the characters a bit more battle-worn; Zoro’s ankle scars from Mr. 3 have faded and frankly he should be covered in little and long scratches given his fights with Mr. 1 and 2 years of Mihawk Training, Nami’s shoulder scar is hidden completely by her tattoo and she has no scars on her hand (from fake stabbing Usopp) or foot (from blocking Miss Doublefinger), Usopp himself could’ve used some small scratches because lord knows how there’s even still bones in his nose plus he was in murder island for 2 years, Chopper could at least have a small bald patch from when his shoulder was impaled and burned by Shura’s fire lance too, other than that there’s just Jimbei’s potentially missing shoulder scar from Marineford, though Oda has kept it obscured a lot so maybe that is still there. I understand why Oda doesn’t or forgets to, but it would’ve been nice if we lived in a vacuum of no time limits and whatnot.

7. Dead End Adventure is my favourite One Piece film I don’t know what it is, but Dead End Adventure just gives me the most fun out of the One Piece films. It has a good side plot and the side character Shuraiya was a blast of a character. Granted, Gaspard wasn’t too good of a villain side for actually harming the straw hat and his defeat was a bit underwhelming but the race, the settings it was all fun. It is not to say I don’t enjoy any other One Piece movies, I delight in the horror fuel of Baron Omatsuri - and that killer final punch - and Z’s tragic tale of a fallen marine, Strong World has that epic entrance to the party and Stampede also had some great team up moments and fantastic writing for Usopp and Smoker but Dead End Adventure always feels like the movie I could watch in any mood.

6. Skypeia and Fishman Island are some of my favourite arcs While I can understand the criticism of the Long Ring Long Land arc (especially since the anime dragged out the Davy Back Fight) it surprised me that people found Skypeia and Fishman Island arcs to be boring or less entertaining than previous arcs. Everyone has their preferences of course but I felt that Skypeia and Fishman Island were very powerful arcs especially with the theme of racism. Both had glorious setting design different to the common customs of the world we had seen, Oda made both Skypeia and Fishman Island feel very much lived in with its own budding culture and prejudices, with a villain who was dead set on destroying everything just to have their way. With Enel and his priests we were able to push several characters to newer limits, with Robin showing her fighting capabilities, Zoro learning his projectile slashes, Chopper having to endure fighting 3 priests and even Usopp growing all the more braver in the face of seemingly indestructible opponents and later gaining access to the dials. With Fishman Island it was different because it was basically a ‘flex arc’: where the main villain is meant to be a stepping stone rather than a threat but even then the symbolism of the enemy is what’s significant with them, the inherited hatred of humans. But at the same time we do learn new strengths from the crew; Red Hawk, the use of armament Haki, Skywalk, Hell Memories, Franky Shogun, Usopp’s pop greens, Nami’s weather eggs, Brook’s Soul Solid and his new DF power (which is possibly an awakening), as well as the first true steps of Jimbei joining the crew. The biggest strength of both arcs is the flashback as well, like Wano would in present time both arcs demonstrated that Oda can carry a story without his main characters and still keep it as captivating as ever, be it the friendship of Noland and Calgara, the tragedies of Otohime and Fisher Tiger or the life of Kozuki Oden and the man who would be Pirate King. And the impact of Fishman Island and Skypeia’s flashbacks both come back around in Dressrosa with the dwarves and Koala, and Fishman Island really does kick off the whole Yonko saga with Luffy challenging Big Mom, these arcs were definitely significant as they were entertaining with silly faces, strong fights, challenging themes, lorebuilding, good side characters and unique twists. And the overall message of healing from the past is still significant to this day. Through Wyper’s sacrifice and the Bell ringing to Jimbei giving blood and the Ryugu royals wanting to attend the Reverie, it is all very powerful stuff and while the arcs are similar in nature its their similarities that make me love them. Also the cover stories with Enel and Gedatsu on their own mini adventures are fun

5. I really want to know where Ghin is Ghin/Gin was such an interesting character in Baratie. Given that this was right before Arlong Park too so we had not seen a character conflict with different loyalties in One Piece until then, his gratitude to Sanji against his loyalty to Krieg created a fantastically complex character, but then he left and we didn’t hear about him ever since. Did he survive Krieg’s poison gas? Is he still with Krieg? One reactor of the episode said “maybe he’ll become the next Don” which was a concept I kinda really liked. The guy was pretty strong given that he had bested Sanji at that time, and since he didn’t appear in a cover story my mind does wonder. It’s not just Ghin either, a lot of the early East Blue characters kinda fell off the map; where is Morgan? Last we saw he was sleeping as he sailed past Jango, where is Kuro? For someone wanting to resume piracy after some years off he has been very quiet, where is Krieg? Only Arlong and Morgan were arrested and the latter escaped so the rest of these characters are a mystery. Recently in Wano I am still wondering where Law’s crew that he brought to Onigashima went, as well as Caribou - where is that slippery bugger?

4. Basil Hawkins is probably one of my Top 5 Supernova There’s something about that dude I gravitate towards, which makes it quite frustrating when the anime decides to add extra malice and creepy faces to him. Hawkins in Wano is still a victim, if anything he is simply a prisoner with better working conditions, if he thought he could survive escaping Kaido he would but he doesn’t so he won’t, he’s also gonna feel sore about Drake betraying him and letting Law cut him up, so it annoys me that Hawkins is seen like a villain. Not only does he have an extremely interesting Devil Fruit and creativity with it but he’s also audaciously confident in his fortunetelling, even Luffy ran from Kizaru at Sabaody while Hawkins looked at his cards while Kizaru was about to boot him to holy hell and said ‘nah I’m not dying today’, you gotta respect that moxie. At the same time though as a pirate he has that shades of grey element, he’s okay with letting some of his crew be disposable and we don’t even know to what end, he doesn’t look like a guy too concerned about being Pirate King or having riches. I also get a good laugh in that his hobbies are interior design, it makes me really want to see what the inside of his ship looks like. I think as a top 5, I have Luffy, Zoro, Law, Hawkins and then Kid, Bege, Killer and Bonney are not far behind with Apoo dead last because fuck Apoo. Kid and Killer are cool but I do feel like they need a bit more character, Bege earned some points in being funny and his care for his family in WCI and then there’s Bonney - I really hope we dig into Bonney’s significance, she feels really important and that mystery keeps her fresh whenever we see her. Drake too has only really started to become interesting because of SWORD, we could still see more fleshing but for now he is like bottom 3. It’s a shame Urouge has to be so low, he’s not bad but he’s not spectacular either, gotta admire his hobby of lovemaking though, you do you Urouge.

3. I don’t think that either of the ‘Most Beautiful Women in the World’ are the Most Beautiful Women in One Piece The in-world consensus seems to be that the Most Beautiful Women in the World are Boa Hancock, Komurasaki and Shirahoshi, and granted they are very pretty, but the most? Not for me. I mean, y’all know that Nico Robin, Nami and Vinsmoke Reiju exist right? Makino as well is stunning, as are Tashigi, Bonney, Margaret, Ishilly, Nojiko, Vivi, Rebecca, Pudding, Perona, Cosette and I’m sure a few others, realistically I think they could all give them a run for their money. I get how for those three their beauty is a plot point (Boa it’s drilling home Luffy’s obliviousness to it, Komurasaki it’s the swerve of her not being awful and for Shirahoshi it’s due to Vander Decken IX pulling the creep factor on her) but it would’ve worked the same way without the ‘world’ hyperbole I think. As much as Oda is iffy with proportions and rarely writes women with as much attention as the boys he sure knows how to make them attractive.

2. Some of my favourite individual Straw Hat scenes aren’t in Canon If I were to have a top 5 moments of each character, it may surprise you that some of it comes from movies or filler episodes, particularly Sanji’s flexing on Jessica in the G8 Arc (in fact, Jonathon is one of my favourite marines, T-Bone is in there too, but I don’t have room to fit that). Some are of course obvious because of how iconic they are but it does go to show that sometimes filler isn’t all bad. Since you’re probably curious: As a Group Goodbye Merry [Enies Lobby] Entering Shiki’s Palace [Strong World] Walk to Arlong Park [Arlong Park] Entering the Grand Line [Reverse Mountain] vs a Stuck Oars [Thriller Bark] Jimbei Giving Luffy Blood [FMI] Vagabond Drill on Big Mom [WCI] Leaving the Big Mom Pirates [WCI] Returning in Wano [Wano] Trying to argue with Luffy [FMI] Brook vs Chess Soldiers & Big Mom [WCI] Flashback [Thriller Bark] Breaking Mother Carmel’s Picture [WCI] Baron Corpse vs Dog Minks [Zou] Hysterically laughing at seeing Duval [Sabaody] Franky vs Senor Pink [Dressrosa] Playing with the Kids [Punk Hazard] vs Fukurou [Enies Lobby] Freedom Roller [Wano] Trapping Caribou in the Barrel [FMI] Robin  I Want to Live [Enies Lobby] Clutching Spandam [Enies Lobby] Throwing Usopp under the bus [G8] vs Yama [Skypeia] Clutching Tequila Wolf guards [Amazon Lily] Chopper Monster Point [Enies Lobby] Flashback [Drum Island] Chopper Man (& Minoru Kazeno) vs Usobada [Chopper Man Special] Don’t blow the whistle: Immediately blows whistle [Skypeia] Dr Chopper the definitely Human Doctor not wearing fake glasses [G8] Vivi w/ Karoo (she counts okay!) Goodbye speech [Alabasta] Escaping Bon Clay [Alabasta] Karoo Digging Luffy Out [Little Garden] Luffy Fan Club Meeting [Reverie] Slapping Usopp awake [Drum Island] Nami vs Kalifa [Enies Lobby] Standing by the kids [Punk Hazard] Saying goodbye to Bell-mere [Arlong Park] Helping Luffy vs Cracker via Lola’s Vivre Card [WCI] Luffy WILL be Pirate King [Wano] Sanji ‘I needed a light’ [Skypeia] Flexing on Jessica [G8] Saving the Vinsmokes [WCI] O-Soba Mask [Wano] vs Doflamingo [Dressrosa]  Usopp Alabasta speech [Alabasta] Awakening Observation Haki [Dressrosa] Sogeking Theme Song [Enies Lobby] vs Perona [Thriller Bark] Saving Luffy from the fire [Stampede]  Zoro Nothing Happened [Thriller Bark] vs Ryuma [Thriller Bark] vs Mr. 1 [Alabasta] vs Gyukimaru & Kamazo [Wano] “He’s sweeping our floors that fiend!” Test of Luck [Loguetown] Luffy ‘On the Sea, you fight Pirates’ [Wano] Red Roc [Wano] vs Katakuri [WCI] Haki clash with Doflamingo [Dressrosa] Punching Saint Charloss [Sabaody] I will have to say that for some characters I could go to 20 so if one’s missing it may’ve just missed the mark, such as Usopp and Nami vs Enel or Luffy putting back a Zombie or Stealth Luffy, I mean it is 1000 chapters as well as movies and filler episodes/specials...

1. I’ve learned quite a lot due to One Piece Since my fascination started with a deep dive of checks, I did start to learn a hell of a lot more not just about the franchise itself (you know it’s almost catching up BATMAN on total sales, which has been around more than 3 times longer?) but I also learned a lot about stuff Oda has used as a reference key; folklore, actual pirates, actual practices, the amount of detail Oda puts in is astounding. Which does lean into another thing I’ve learned, One Piece has changed the way I approach some of my ideas for writings and whatnot, before I would be afraid of either spoonfeeding or being too vague, Oda’s mastery not only in storytelling but character development, character quality and pacing has both helped and intimidated me a lot of times, I mean consider this: it took hundreds of chapters to get a proper backstory on Luffy, the main character, how unprecedented is that? Often I could fall into the trap of making sure you knew everything about the main character from day one but now I wonder about what’s necessary for the now and what can I work on. Another thing that both inspires and intimidates me is his drawing, I suck at colours and still do, and a lot of Oda’s attention to detail is incredible considering he’s gotta whip that out on the weekly, but at the same time you see some of his rough sketches and they’re pretty similar to a rough sketch of my own, so in a way it’s a ‘there’s still hope for you’ moment seeing those. I can’t say I’ve learned Japanese from listening to One Piece, but I have picked up on some stuff, some hiragana there, some phonetics here, I also appreciated some of the stuff kaizokuou-ni-naru does (I won’t tag them in case that’s a bit rude to do it out of the blue but check out their tumblr) when it came to deciphering the Japanese of chapters and the little puns and hints Oda puts in his native tongue. And of course any One Piece fan has learned one thing above all else: Patience. Oda himself included, it took over 20 years to get to 1000 chapters and we still have plenty of questions to ask, plenty of islands to see and thus plenty of chapters to go. So Straw Hats off to you Oda, and a happy 1000th!

[danwhobrowses]

Why Tashigi Deserves More Respect

I really gotta remember these other things I plan on writing XD Often I get reminded though by people around me criticizing something I realise ‘that’s a little misunderstood’ and then get compelled to write about it. For today we’re looking at the female Marine of One Piece, Tashigi. Now before we start, I want to make a point that Tashigi is still an underused character brimming with potential that Oda seems to shy a lot from. Oda can still sincerely do a lot more with her and I for one have been disappointed by her lack of use in Stampede and lack of appearance in Wano. However, I get a lot of people who feel that Tashigi is ‘useless’, and I’m going to say that this isn’t really the case.

Argument 1: Her Battles

Of course, a lot of strength regarding a character comes with their ability to come out victorious. It can harm any character in a show to constantly be on the losing side of a fight and it does hurt Tashigi (and Smoker) a lot that they do end up that way. While I would love Tashigi to have her first clean win since those guys in Loguetown I’d like to remind you that Tashigi’s fights do have a bit of defense to them, let’s look at all of Tashigi’s named opponents

Zoro (Loguetown) - We always knew that Zoro was winning this, while she was bested by Zoro the purpose of the story wasn’t ever going to be Tashigi being stronger, instead this was Zoro having to confront her similarities with Kuina in personality rather than skill.

Nico Robin/Miss All Sunday (Alabasta) - While Tashigi was unable to even strike Robin back in Alabasta, Robin’s devil fruit allowed her to be perfect for such a situation. A trained and deadly assassin, Tashigi’s physical confrontation was never going to succeed, but what was key to this battle was Tashigi’s realization in regards to the failure of Justice. In the end she had to rely on Luffy to defeat the Pirates the WG had assigned to maintain the balance.

Luffy (Marineford/Punk Hazard) - Luffy and Tashigi briefly crossed paths in Marineford, Luffy swiftly dodged her but again, Tashigi was never going to defeat Luffy and was merely a doorway to put Smoker and Luffy into a fight. It’s also worth reminding that Tashigi must’ve been capable enough to hold her own against Whitebeard’s lesser forces, since she was uninjured from Marineford. They also crossed at Punk Hazard, but then they were both weakened by being in unfamiliar bodies, something which Luffy even acknowledges.

Trafalgar Law (Punk Hazard) - as pictured above, Tashigi’s defeat to Law was another gateway for Smoker to enter the fight, but this one had more purpose in showing Tashigi’s willpower, which we will get to. As you can tell, there’s a theme: Tashigi would never have beaten Law in terms of the narrative, why do we hold it against Tashigi that she lost to the guy who later did this?

Ceasar Clown (Punk Hazard) - while listed as a fight, she fell the same way as Robin and Franky due to his DF being unrevealed, again this being a gateway to sell that Ceasar had a danger to him, I wouldn’t actually count it as a fight.

Vergo (Punk Hazard) - the Donquixote spy is one of Doflamingo’s deadliest subordinates. The original Corazon, Tashigi’s conflict with Vergo brought Sanji into the fight and once again highlighted to Tashigi the corruption within the Marines themselves. Like Law (and the next), we can’t be too harsh on Tashigi losing to Vergo, the guy easily fended off Sanji to the point of almost breaking Sanji’s leg, he also was able to beat Smoker

Monet (Punk Hazard) - Monet is a mixed one, because Zoro quickly defeats her she was quickly overshadowed by the fact that she struggled to even get on the offensive, broadening the gap between them. But, I’d like to remind everyone that Monet was able to force Luffy into fleeing their battle and was handling Robin, Nami and Chopper at once. Tashigi hadn’t completely lost either, I would bet that she’d fight without an arm, maybe not successfully but she would, and she got the finishing blow on Monet - her second offensive attack against Monet put her away and while technically this doesn’t count as a W for Tashigi she did not technically lose in this fight either

As you can see, while it’s easy to say that ‘Tashigi never wins her fights, so she’s weak’ it really undermines the opposition she willingly puts herself against. Narratively there’d be no reason for Tashigi to win these fights, doing so would lead to confusion and disbelief (for instance, would you have seen Luffy beating Kaido solo back in Bakura Town? No, obviously). Tashigi is still strong, she’s able to survive the Grand Line, easily deflect cannon fire with her sword and use Haki, the latter cannot be said for Main Characters like Nami, Chopper, Franky, Carrot and somehow Robin (like girl you spent 2 years with the Revolutionaries, where’s your Haki?). While we would love a win to validate this, Oda always puts her against an opponent that would be difficult for her to win against, and we thus mistake her inability to win as weakness. So that leads to another argument. Argument 2: Tashigi always punches above her weight While this is very much true, One Piece has often told us that being the strongest doesn’t always mean that you will win. Consider 90% of Nami and Usopp’s wins, Luffy’s wins over Crocodile, Enel, Lucci, Magellan, Cracker and Katakuri, the weak may not be able to choose how they die but that doesn’t mean that the strong can either.  I’d also like to argue that Tashigi’s motive on fighting strong opponents is not because she feels that she is stronger, she fights them because they are the enemy that needs to be stopped, her motives are pure in her pursuit of justice just as the Straw Hats fight stronger opponents because it fulfills a just cause such as saving Alabasta, their crewmates, people who had their shadows stolen, Camie, Fishman Island, the Punk Hazard children, Dressrosa, Zou or Wano. Tashigi really gets criticized for it because it doesn’t yield the results it does for major characters, often needing help to get the victory. In that I wanna point out a harsh truth as well; Goku - the people many anime fans will compare power scales against - almost never beats the main villain on his own in DBZ or DBS. Freeza - required damage from Krillin, Gohan, Vegeta and Piccolo before the win, and he didn’t finish him off, Cell - tags out to Gohan, who also needs Vegeta’s help to win, Buu - needs Vegeta’s help via fusion and a full power recharge by the Dragon Balls, Beerus - he lost, Golden Freeza - he got jumped by Sorbet and needed Whis’ rewind, Hit - he gave up, Fused Zamasu - lost, and needed Zeno to wipe him out, Jiren - needed Freeza and 17′s help and Vegeta’s energy and finally Broly - needed fusion. So maybe, if even Son Goku cannot win on his own, we can cut Tashigi a little bit of slack given that she’s not even a main character.

Argument 3: ‘She does nothing’ I don’t really like this insinuation. Often Smoker and Tashigi are the ones that pick up the mess after all the enemies are defeated, but for some reason that equates to ‘doing nothing’. I think because people see Tashigi as interchangeable with any other character she is thus useless because she is not mandatory. However, Tashigi’s role is much more complex than that.

Even if she’s not strong enough to fight the biggest fishes in the pond, she still manages to grow and prove her worth. If Tashigi was replaced with any generic marine captain a lot of what happened would be different. It was Tashigi who identified Wado Ichimonji and Sandai Kitetsu for Zoro, Tashigi who (albeit reluctantly) directed Luffy to Crocodile, Tashigi who kept the Straw Hats safe from arrest in Alabasta, Tashigi who convinced Smoker that he needed to swallow his pride and side with Law and Luffy to stop Ceasar and it was Tashigi who convinced Nami to entrust the Punk Hazard children to them. Through her experiences she also cultivates her own unique sense of Justice. While she follows Smoker’s doctrine of ‘A Pirate will always be a Pirate’ and that the Shichibukai system and the World Government as a whole is flawed, she has also learned for herself that there are times that pride must be set aside, in a way Tashigi’s sense of Justice has become a combination of Smoker’s and Fujitora’s: in order to rebuild justice, the navy itself must become strong enough to not depend on pirates, but pride cannot supersede the greater good. In addition, implying she does nothing also implies that she doesn’t practice her own sense of justice either. She stepped in on Zoro twice to protect her men from harm, before even arriving at Punk Hazard we learned that she had a good relationship with the parents who had their children kidnapped as they asked specifically for her which in turn led her to personally strive to reunite the children with their parents and she even protected the truth of Vergo from G-5 so that they didn’t feel betrayed and demoralized. Of the things Tashigi does, nothing is not one of them, she displays compassion, fairness and determination in definitive moments. Argument 3: She’s too hung up on her Feminism

So, one of the major dynamics of Tashigi and Zoro is her misconception that Zoro wouldn’t cut her because she was a woman, a belief that women have to prove themselves more to be seen as strong against men being one of the beliefs she shares with Zoro’s childhood rival Kuina. While it can be a tad irksome that she’d hang onto this with Zoro, until Monet Zoro never actually demonstrated the contrary to her. This is mainly a complaint by hindsight, we only dislike the opinion because we’ve seen Zoro more than Tashigi has, and she’s not 100% wrong, Zoro himself has been a bit of a traditionalist, in Skypeia he angrily chastised Enel for attacking Robin since she was a woman, and he only does step in on Monet to save Tashigi - not even finishing her off despite being very capable of doing so. Outside of Zoro, Tashigi’s feelings that she gets treated differently due to her gender is proven and reflected in how G-5 treat her with little authority, only really listening to her because she’s pretty. You can’t be too hard on Tashigi given that she is constantly faced with this truth on a daily basis, and her desire to be seen for her strength and skills are still an amicable one, it’s worth noting that even Law recognized that her mentality and warrior’s spirit was far greater than he swordsmanship, but he only thought this internally. In Tashigi’s case it would help her confidence to be given validation, and not in the condescending way Zoro usually talks to people.  While it can be annoying that she immediately thinks that she’s being treated differently because she’s a woman, this also shows that she wants to be treated as an equal; if she is defeated in combat she wants to be cut to preserve her honour, it is the mentality all Great Samurai have, including Zoro. Oda does something with Tashigi he rarely does with any woman in One Piece in making her less sexualised and body-confident to reflect her goal of being recognized by her spirit and actions rather than her appearance, but he also makes that complex for the character which in a way this is most important for.

Argument 4: She’s not a good Rival for Zoro

I think one of the biggest misconceptions about Tashigi’s character is that she is meant to be Zoro’s rival, in a similar manner to how Smoker and Luffy are embroiled in a Garp/Roger-esque cat and mouse chase. Because of this, people expect Tashigi to advance at a similar scale to Zoro to keep him on his toes, to make sure that he doesn’t end up complacent in his strive to become the World’s Greatest Swordsman. Her former likeness to Kuina also adds to this misconception, since because Kuina was Zoro’s rival with the same goal and always stronger than Zoro himself, Tashigi must be similar.

But this is not why Tashigi and Zoro are always put together. Tashigi is not Zoro’s rival, no other character we’ve met has the same goal as Zoro, and this keeps his story free to develop with different challenges. Tashigi’s pursuit of strength is not for the same reasons as Zoro, she doesn’t want to be the World’s Greatest Swordsperson, she only wants to protect the sanctity of the Meito and keep them out of unworthy hands. Her pursuit of Zoro was both because he dishonoured her in their fight and so she could claim Wado Ichimonji. In the New World however we don’t see that as much from Tashigi, even when she sees Shusui she doesn’t make a point to declare taking it from him because he’s unworthy (like Kin’emon would later do), this is because she does acknowledge his strength and worthiness of using these Meito, her personal conflict now though is to be seen as worthy to him as a swordsperson rather than a pirate to a marine.  In reality, Tashigi is instead Zoro’s and Kuina’s foil. She is similar in looks and perspective to Kuina but different in everything else from clumsiness, skill and ambition, the fact that Zoro struggles to handle this leads to the two becoming entwined in their respective journeys. No person gets under Zoro’s skin like Tashigi does, even to a point where he was reluctant to even be in eyeshot of her - how many people have you seen Roronoa Zoro hide from? They are each other’s foil because they are both stubborn people out to prove something but put on two different sides that conflict. That is the true purpose of their dynamic, their confrontations expose one another and show places where they can still grow and I still feel that we haven’t scratched the surface of this relationship.

Argument 5: She’s not Important

A combination of the earlier arguments, Tashigi gets a lot of flack because people think she’s not important enough as a character to have the screentime she gets. While it’s not hard to see why people feel that, it usually comes with people giving up on the idea that there’s a greater plan for her. It may just be me, but I am reluctant to believe that Tashigi appears in several forms of merchandise including calendars, games (as NPCs, Bosses, Supports or playable characters) and even figurines and not have a purpose in the greater scope of the story, do we really expect that from Oda? I doubt that very much! Granted, Wano would’ve been a perfect placement for her to push herself given the views on women in the country and it being the homeland of famous Meito. And yes, she could’ve had a much greater role in Stampede given how well they managed Smoker in it. We are allowed to be disappointed by this, but the fact that Tashigi has remained as consistent in presence as she has been in the show does hint at a bigger role, even if it’s being that wave of revolutionizing the Marines with Coby and Fujitora, her own origins or finally proving herself to the audience and to Zoro, Tashigi is not done and thus she is still important. “Just because they say a bird cannot fly, doesn’t mean that it never will” - Oda SBS 17 on Tashigi and Kuina’s names being named after flightless birds So, Why does Tashigi deserve more Respect? Tashigi as a character is one of Oda’s more subtle progressions. In contrast to Zoro who we see grow, we don’t see how Tashigi gets from A to B, we can also contrast to Coby whose rise becomes as magnificent as his puberty that Tashigi’s growth is much less abrupt and more steady, we see her struggles more than we do Coby where his successes are only heard in passing. Tashigi can also act as the ‘normal person’ in the marines, we compare her to Zoro in strength because she uses a sword but we never give her the benefit of the doubt that Roronoa Zoro is a bloody superhuman, plus not everyone has the great luxury of being trained by Dracule Mihawk for 2 years...furthermore, her challenges against Devil Fruit users are always filled with good intentions and strong willpower, but still self-doubt and shame, if anything Tashigi is one of the most human characters of One Piece for this reason; she learns, she suffers, she grows and she does it all without the luxury of Shonen perks such as superhuman power or endurance. Also she is a good person, she has a strong sense of morality and will, an altruistic desire and even in the situation she gets put in she makes a step that leads to the plot going in a positive direction. And for a character that has been in as many arcs as she has, there is still so much potential left to be untapped that fans are still after 2 decades eager to see from her.

Tashigi is a strong, valiant and just person, who is still really powerful if people stop trying to compare her to the likes of Luffy, Law and Zoro. Even when she fails she picks herself up and can still come out with a small victory from protecting innocents, arresting criminals and escorting children to get help. She is a lot stronger than people give her credit for and it’s for that she deserves respect.