#Shanghai Symphony Orchestra

[chinamarketingblog]

Der erste Vollmond im Hasenjahr

Frohes Laternenfest! Heute wird in China der ersten Vollmond im Jahr des Hasen gefeiert. Zu diesem Anlass werden traditionell köstliche Klebreisbällchen verzehrt, deren Form – rund wie der Vollmond –Ganzheit und Einheit symbolisieren. Mit etwas Glück erblickt man heute Abend sogar den Mondhasen! Der Feiertag markiert das Ende der Feierlichkeiten zum chinesischen Neujahr, und WeChat-Momente sind…

[beyourselfchulanmaria]

🎨 劉文進 /Chinese, oil painting

🎨 澳門畫家 - 葉泉 b. 1943 廣州 Chinese 秋豔/Macau, ink painting 1980年移居澳門。 1981年至1984年留學法國，定居巴黎。 1985年返澳門定居，2000年返廣州定居。 師從沈仲強、黎葛民、關山月、黎雄才。

菊花台（二胡與大提琴）- 陸軼文、黃北星

菊花台 / Chrysanthemum Terrace 作曲：周杰倫 / Composer: Jay Chou 改編：陳燮陽 / Arranger: Chen Xieyang

演奏家 / Performers: 二胡演奏：陸軼文 / Erhu Musician: Lu Yiwen 大提琴演奏：黃北星 / Cellist: Huang Beixing 協奏曲：上海交響樂團 / Orchestral Accompaniment: Shanghai Symphony Orchestra 指揮：陳燮陽 / Conductor: Chen Xieyang

菊花台 Chrysanthemum Terrace 作詞：方文山 作曲：周杰倫 ( Jay Chou )

你的淚光　柔弱中帶傷　 慘白的月彎彎勾住過往 夜太漫長　凝結成了霜　 是誰在閣樓上冰冷的絕望 雨輕輕彈　朱紅色的窗　 我一生在紙上被風吹亂 ���在遠方　化成一縷香　 隨風飄散你的模樣

菊花殘滿地傷　你的笑容已泛黃　 花落人斷腸　我心事靜靜躺 北風亂夜未央　你的影子剪不斷　 徒留我孤單　在湖面成雙

花已向晚　飄落了燦爛　 凋謝的世道上命運不堪 愁莫渡江　秋心拆兩半　 怕你上不了岸一輩子搖晃 誰的江山　馬蹄聲狂亂　 我一身的戎裝呼嘯滄桑 天微微亮　你輕聲的嘆　 一夜惆悵如此委婉

菊花殘滿地傷　你的笑容已泛黃　 花落人斷腸　我心事靜靜躺 北風亂夜未央　你的影子剪不斷　 徒留我孤單　在湖面成雙

菊花殘滿地傷　你的笑容已泛黃　 花落人斷腸　我心事靜靜躺 北風亂夜未央　你的影子剪不斷　 徒留我孤單　在湖面成雙

Your tears glisten with pain in their fragility The pale crescent hooks the past The endless night has crystallised into frost Who is it in the loft, destitute with cold hopelessness?

The rain slowly patters on the vermillon window My life is a tattered page battered by the winds Far-off dreams fading into mist Your image has been dissipated by the wind

Wilted chrysanthemums are spread across the floor; even your smile has turned faintly yellow The falling flowers induce sadness, and my thoughts languish In the passing of the north wind and the dusk, your shadow lingers on And standing by the lake, I only have my own reflection for company

Responding to the dusk, the flowers shed their brilliant shine They wilter on life's path, meeting a tragic fate Don't cross the river in melancholy, if you ain't broke your melancholy. You may spend a lifetime drifting, never reaching the shore

Whose empire is it now? The sound of horse hoofs thunders in the distance. My resplendent armour decays with the hounds of time Your soft sigh heralds the first ray of dawn The conclusion to another restless night

Wilted chrysanthemums are spread across the floor; even your smile has turned faintly yellow The falling flowers induce sadness, and my thoughts languish In the passing of the north wind and the dusk, your shadow lingers on And standing by the lake, I only have my own reflection for company

[dustedmagazine]

Listed: M. Sage

Colorado musician, artist and educator Matthew Sage produces a unique form of ambient music, one that focuses on personal experience rather than obscure intellectual objectives or new age mysticism. Through both his own sounds and those he curates via his Cached Media imprint his goal is to unearth the beauty within the seemingly mundane. With Paradise Crick, his latest and most fully formed release, he casts his gaze on the great outdoors, envisaging a camping excursion. In his review, Bryon Hayes found that the record was “his most visceral work, as he ornaments his typically ambient palette with an assortment of palpable shapes, colors, and textures.” In addition to making music, Sage also enjoys seeking it out, often from non-traditional sources. For this edition of Listed, he runs down some of the more interesting records that he picked up on recent thrift store diving excursions.

10 recent thrift store finds in no particular order — I hit the flea markets and thrift stores once or twice a month and get weird CDs and cassettes. I like buying stuff that I would otherwise listen to on streaming… or never listen to from these local companies. We have CD players in our vehicles and I listen to CDs a lot driving. Cassettes mainly happen in my office when I am writing or drawing. So… a lot of what I look for is sort of “functional music” that I can do stuff to. I also snag up favorites from bands I love… I found 3 Wilco CDs at one shop last week!

Anyway, here are some recent favs.

Bonnie “Prince” Billy — Master and Everyone

Found in Longmont at the thrift store with the curated CD selection. Long time BPB fan, and I especially like how subdued this one is. Maybe not my all-time fav Oldham out there, but it’s great and the CD is in great shape.

The New American Orchestra — Blade Runner Soundtrack

Found at one of the flea markets in Fort Collins. Maybe the one with the lavender? This is an orchestral adaptation of the original Vangelis score, and it is about as smooth jazz as it gets. Incredible sweeping melodies. This version of “Blade Runner Blues” feels like something hiding on “In a Silent Way.” Ambient jazz for sure.

Chet Baker — Let’s Get Lost

Another one from the Longmont spot. Been obsessed with Chet Baker for a while now in that when I don’t know what I want to listen to, I just throw on any Chet’s greatest hits album and feel content. I love the arrangement on “My Ideal” with the toy piano and Chet’s voice and trumpet.

John Coltrane — The Gentle Side of John Coltrane

Also from the Longmont spot. I, of course, love wailing Coltrane. But I also think his sweet songs are some of his best. “After the Rain” is especially informing some of the arrangement choices I’ve been making on some new Fuubutsushi songs.

Shanghai Film Symphony Orchestra — An Dun (Calming the Emotions)

I buy a lot of random CDs like this, and I can’t remember where exactly this one came from. But yeah, foreign/new age/private press, etc. weird CDs… and most of the time they aren’t great… but this one is very good. When I find something like this that I like I google it later. When I did that with this CD, I found it on YouTube and this is my favorite comment about it: “Whenever I play this on a construction site, at first the guys complain. Then later they thank me for playing it. Saying they've never felt better.” My toddler seems to enjoy it in the car… I do too.

Claude Debussy — Images pour Orchestre. Preludes: La Fille aux Cheveaux de Lin

70 minutes of Debussy from Longmont ARC. Lots of solo piano from Peter Schmalfuss. I like that these recordings feel soft. Sometimes classical piano feels really hard, lots of attack, almost like microscopic. These recordings are more spacious. Chris from Fuubutsushi swears by Ravel, but I am team-Debussy.

Georgia Kelly — Seapeace: Music for Harp

Can’t remember where but found this in Colorado in a stash of pretty heady new age tapes. Later found out it’s a cult classic. It is a self-released one — the album was later reissued on other formats by new age labels — so I love knowing Ms. Kelly herself released this copy into the world and it has since ended up in my possession. The whole thing is on YouTube!

English Meadow: Environments — Environments 1, 4, 12: Slow Ocean, English Meadow, Intonation

I have all the Environments titles on LP and have since started collecting cassettes when I see them in the wild. These 3 are specifically my favorite Environments, so finding them all in one go felt like a thrifting triumph. I feel like English Meadow specifically sounds nice on cassette.

[importantwomensbirthdays]

Eteri Andjaparidze

Classical pianist Eteri Andjaparidze was born in 1956 in Tbilisi, Georgia. By the time she was nine years old, Andjaparidze had made her solo recital debut and performed as a soloist with the Georgian State Symphony Orchestra. She has performed throughout the world and played with major orchestras such as the Montreal Symphony, the London Symphony, and the Shanghai Philharmonic. Andjaparidze was the first Soviet pianist to win the Grand Prix at the Montreal International Piano Competition. She has been named a People's Artist of Georgia. Andjaparidze currently teaches at NYU Steinhardt and Mannes School of Music.

[lesser-known-composers]

Karl Davidov (Carl Davidoff, Davydov) - Concerto for Violoncello & Orchestra No. 4 In E Minor, Op. 31,

Wen-Sinn Yang (cello), Shanghai Symphony Orchestra, Terje Mikkelsen (conductor)

1. Allegro – 00:00 2. Lento – 10:31 3. Finale: Vivace – 18:10

[landrysg]

New on YouTube:

Zhu Jian'er (1922 - 2017), Triptych for string orchestra

Performed by the Shanghai Symphony Orchestra, Chen Xieyang, conductor

[otakusparkle]

Reunited with that old friend at the manor of the new chapter...! ?

International pianist Lang Lang and the Shanghai Opera Symphony Orchestra are coming!

In addition, an original soundtrack that includes a symphony of ashes of memory will also be released!

Look forward to the public performance♪

[koholint]

today's playlist:

Opitope - An White Drop Of Morning Dew

Youngsbower - Moonlight Ice Pink

Mkwaju Ensemble - Hot Air

Cybe - The Running Water

Oneohtrix Point Never - Ouroboros

David Sylvian - Answered Prayers

Dirty Beaches - Alone at the Danube River

Harold Budd - L'Enfant Perdu

David Benoit - As If I Could Reach Rainbows

Mitsuto Suzuki - Ephemera

Steve Hauschildt - Vicinities

Shanghai Symphony Orchestra - The Realm Within

thanks for listening!

[kokiafans]

KOKIA in flashback - 2017

In the year of 2017, KOKIA begins a new project: Ton ton ton, a project that initially starts with 1 CD (Doubutsu no ongakukai, 'animal concert'), but with a twist: the CD comes in a tin with 6 different designs, all done by KOKIA herself. All songs are about animals, and for every song, KOKIA makes a separate leaflet with the lyrics and the animal design. The project is aimed explicitly at kids as well as adults, with merchandise and more CDs planned for later.

KOKIA returns to China not once, but twice this year, in January and in December, opening en ending the year with her visits. The year also ends with a Christmas concert as per usual, but this time, it's an orchestra concert.

She also starts counting down to her 20th anniversary next year, launching a special website like she did for her 15th anniversary. This is also when she starts her own Facebook page. The countdown has begun!

◆ Lives and events  ◆

January 6 Hollywood Festival Orchestra (Yokohama Minato Mirai Hall) (Promotion: Hollywood festival orchestra 2017)

January 14 UTA-Live 2017 Shanghai concert vol.1 (Shanghai Majestic Theatre) (Promotion: Shanghai 2017)

January 28 Hollywood Festival Orchestra (Tokyo Bunkamura Orchard Hall)

February 25-February 26 KOKIA Live in Naeba Prince white notes Vol.5 (Naeba Prince Hotel Chatelaine) (Promotion: white notes 2017)

April 4 KOKIA 2017 Concert with Orchestra Sinfonica della RAI Roma Mangiare Cantare Amore (Promotion: mangiare cantare amore 2017)

May 13 KOKIA 2017 Hoshi no ongakkai to mori no ongakkai ('star symphony & forest symphony') (Karuizawa Ohga Hall) (Promotion: Karuizawa 2017)

May 13 KOKIA Salon in Karuizawa (Karuizawa Ohga Hall) ※ Event exclusively for members of the KOKIA fanclub, club ancoro

July 16 Combined memorial services on the 10th anniversary of the Niigata-Chûetsu offshore earthquake (Kashiwasaki cultural hall, Art Foret) ※ Dedicated a song at the ceremony. Sang Watashi ni dekiru koto with the children of the Kashiwasaki primary school who were born in the year of the earthquake. (Relevant post)

July 22 KOKIA 2017 Birthday Live in Nagoya ~since 1976~ (NAGOYA Blue Note) ※ 2 performances in 1 day (Promotion: birthday live 2017)

August 11 KOKIA Concert 2017 The Soloist (Tokyo Bunkamura Orchard Hall) (Promotion: soloist 2017)

October 8 Animal Kingdom ~animal album release celebration live~ (Tokyo, Haremame (haretara sora ni mame maite) ※ 2 performances in 1 day (Promotion: Animal Kingdom)

December 2 KOKIA 2017 Concert 琴有独钟 vol.2 (Fall in Love with Music) (Guangzhou grand theatre)

December 3 KOKIA 2017 Concert 琴有独钟 vol.2 (Fall in Love with Music) (Shanghai Shangcheng Theater) (Promotion: China 2017)

December 10 KOKIA 2017 The Christmas Season with The Orchestra (Tokyo Bunka Kaikan grand hall) (Promotion: Christmas 2017)

◆ Releases ◆

January Release of the concert DVD KOKIA 2016 Concert LAYERS~lights and shadows~ (anco&co.) (Promotion: Layers concert)

October 8 Release of album Doubutsu no ongakukai ('animal concert') (anco&co.) ※ first album in the ton ton ton project (tontonton)

◆ Other releases ◆

August 2 Release of the Ayahi Takagaki single Futurism (MusicRay'n) ※ Composed the B-side song Sekai to watashi wa tsunagatte iru no dakara ('because the world and I are connected') (Relevant post)

October 11 Release of the single Nostalgia (TEAM Entertainment) ※Opening theme for Yuukyuu no Tier Blade -Fragments of Memory- (’Tier blade of eternity’), the PlayStation Vita game released in the adult dating simulation game brand Otomate. Also performed the end theme, Kimi ga iru kara tsuyoku nareru yo ('Because you're here, I can become strong') (Tier blade)

December 20 Release of the animated TV series Mahou Tsukai no Yome original soundtrack ('The Ancient Magus' Bride') (FlyingDog) ※ Wrote, composed and performed the insert song Seirei no mai ~Dance of the Spirit (the ancient magus bride)

◆ Videos with links to watch ◆

PlayStation Vita game Yuukyuu no Tier Blade -Fragments of Memory- (’Tier blade of eternity’), opening theme Nostalgia: PS Vita Yuukyuu no Tier Blade -Fragments of Memory- opening movie

[maximuswolf]

Always welcome November by listening to Max Richter's masterpiece

Always welcome November by listening to Max Richter's masterpiece Whenever November begins, I always listen to Max Richter's November as a way to welcome the month. I first heard it while watching The Leftovers—an experience that, to some extent, changed my life.More often than not, I choose the version performed by Mari Samuelsen with the Shanghai Symphony Orchestra, conducted by Jonathan Stockhammer. I find it extraordinary.Care to join me?https://preview.redd.it/fz9h7ykp1ayd1.jpg?width=1280&format=pjpg&auto=webp&s=ed88ebe5c838b45106ce4fbf091007716b8a6a47https://www.youtube.com/watch?v=0jinOTQ9BaU Submitted November 01, 2024 at 05:38AM by Sad-Avocado-2342 https://ift.tt/58VHmA7 via /r/Music

[mfm-mielec]

"Wielcy kompozytorzy, mistrzowskie interpretacje" Łukasz Długosz - flet Carlos Peña Montoya (Kostaryka) - harfa

15 września 2024, godz. 19.00 Park Oborskich, ul. Legionów 73 bezpłatne bilety wstępu

Carlos Roberto Peña Montoya - jeden z najwybitniejszych harfistów młodego pokolenia. Naukę gry na harfie rozpoczął w wieku 11 lat pod kierunkiem prof. Ruth Garita, pierwszej harfistki Narodowej Orkiestry Symfonicznej w Kostaryce, a następnie prof. Eileen Mason, pierwszej harfistki Orkiestry Symfonicznej Baltimore. W 2011 roku z wyróżnieniem ukończył studia na Uniwersytecie Mozarteum w Salzburgu w klasie prof. Helgi Storck. Od 2007 roku przebywa w Europie, realizując się jako solista, kameralista i pedagog. Występował z recitalami m.in. w Carnegie Hall w Nowym Yorku, Goldener Sala i Gläseneer Saal w wiedeńskim Musikverein oraz w Gasteig w Monachium. Współpracował z orkiestrami i zespołami symfonicznymi w Niemczech i Austrii, z którymi odbył liczne tournée. W 2012 roku wygrał 6. edycję konkursu orkiestrowego Summa Cum Laude w Wiedniu, będąc członkiem Tajlandzkiej Orkiestry Symfonicznej, z którą pozostaje w stałym kontakcie artystycznym. Od 2012 roku jest I harfistą Orkiestry Symfonicznej Polskiej Filharmonii Bałtyckiej im. F. Chopina w Gdańsku. Aktywnie uczestniczy w życiu kulturalnym Trójmiasta jako solista, kameralista, jak również pedagog. Współpracuje z czołowymi orkiestrami polskimi pod batutą znamienitych dyrygentów, a także bierze udział w licznych nagraniach fonograficznych, radiowych i telewizyjnych.

ŁUKASZ DŁUGOSZ uznany przez międzynarodowych krytyków za jednego z najwybitniejszych flecistów. Jest również najliczniej uhonorowanym w historii polskim flecistą. Luxemburskie PIZZICATO za płytę „Flute Stories" okrzyknęło Długosza jednym z najwybitniejszych flecistów na świecie. Artysta nagrał 76 albumów płytowych, które zostały wysoko ocenione przez krytykę europejską i za które otrzymał wiele prestiżowych międzynarodowych nagród fonograficznych, w tym wielokrotnie nagrodę International Classical Music Award (ICMA), Pizzicato Supersonic Award, Gasteig Musik Preis oraz Fryderyki. Zwycięzca kilkunastu konkursów międzynarodowych, w tym tak prestiżowych jak w Paryżu, Monachium, Odense. Współpracuje z wieloma renomowanymi orkiestrami. Jako solista występował m.in.: w Carnegie Hall, Musikverein Goldener Saal oraz Konzerthaus w Wiedniu, Konzerthaus w Berlinie, Gasteig Carl Orff Saal oraz Herkulessaal w Monachium, Poly Theatre w Pekinie, Xinghai Concert Hall w Guangzhou, Shanghai Concert Hall, Opera House w Katarze, sala koncertowa im.Piotra Czajkowskiego w Moskwie. Grał pod batutą takich gwiazd jak Zubin Mehta, James Levine, Mariss Jansons, Walerij Giergijew, Jesús López Cobos, Jerzy Maksymiuk, Jan Krenz, Jerzy Semkow, Jacek Kaspszyk, Gabriel Chmura, Agnieszka Duczmal. Był wielokrotnie zapraszany do wykonania koncertu fletowego Krzysztofa Pendereckiego pod batutą kompozytora. W 2010 roku Łukasz Długosz miał swój debiut fonograficzny z London Symphony Orchestra. Artysta dokonał wielu nagrań radiowych i telewizyjnych w kraju i za granicą. Jego koncerty były wielokrotnie transmitowane przez najważniejsze rozgłośnie radiowe takie jak: BBC Radio 3, NDR, SWR, BR4, Deutschland Radio Kultur, Polskie Radio 2, Radio France, RMF Classic. Do tej pory powstało ponad 250 utworów jemu dedykowanych, które po prawykonaniu nadal są promowane i uwieczniane fonograficznie. Zarząd Główny Stowarzyszenia Polskich Artystów Muzyków przyznał artyście statuetkę Orfeusz 2016. Prezydium Zarządu Głównego Związku Kompozytorów Polskich przyznało artyście Nagrodę Honorową Związku Kompozytorów Polskich. Za wybitną działalność kulturalną i promocję kultury polskiej Łukasz Długosz otrzymał Nagrodę Ministra Kultury i Dziedzictwa Narodowego oraz medal Zasłużony Kulturze Gloria Artis oraz został odznaczony przez Prezydenta RP zaszczytnym Orderem Odrodzenia Polski i otrzymał tytuł profesora sztuki. Prowadzi klasę fletu w Akademii Muzycznej w Gdańsku.

[paul-archibald]

We’re diving into the exotic world of percussion instruments this week exploring a range of orchestral and traditional instruments.

Tan Dun: The Banquet performed by Lang Lang (piano), Shanghai Symphony Orchestra, Shanghai Percussion Ensemble, Shanghai Opera House Chorus, Gao Jian (conductor)

Traditional: Camel’s Rhythm performed by Upper Egypt Percussion Ensemble

Philip Glass: Aguas da Amazonia: No 1 Madeira River performed by Third Coast Percussion

Leonard Bernstein: Mambo from West Side Story, Simon Bolivar Youth Orchestra of Venezuela, Gustavo Dudamel

[sunflowerhowlbluebae]

Tan Dun, 馬友友 Yo-Yo Ma, Chen Xie Yang, Shanghai Symphony Orchestra, Shanghai Natioal Orchestra - The Eternal Vow

[importantwomensbirthdays]

Kate Liu

Classical pianist Kate Liu was born in Singapore in 1994. At the 17th International Chopin Competition, Liu won the Bronze Medal and the Best Mazurka Prize. She has performed at venues throughout the world including Shanghai Concert Hall, the Kennedy Center, and the Seoul Arts Center. Liu made her orchestral debut at the age of 16 with the Cleveland Orchestra, and has since performed with orchestras such as the Polish Radio Orchestra and the Montreal Symphony Orchestra.

[lesser-known-composers]

Karl Davïdov (1838-1889) - Cello Concerto No. 3 in D Major, Op. 18: II. Andante ·

Wen-Sinn Yang, cello

Orchestra: Shanghai Symphony Orchestra, Conductor: Terje Mikkelsen

[musicainextenso]

I was told that this week’s chaotic theme is dedicated to me, and if you think I won’t run with that, you don’t know me very well! 

So, I made a post last fall about the TV show, Julie and the Phantoms, one of my few sources of serotonin during the pandemic. Another is Genshin Impact, an open-world action/adventure RPG that was released later the same month, though I wouldn’t get into it until later. I’m not a gamer AT ALL, but when my spouse began playing it on his console, I slowly began watching him, finally starting my own mobile account over the holidays. I’m now an avid player with a whole slew of characters I’ve raised to level 80 (I run with a Keqing main—all hail the Electro Queen!), and there seems to be no end in sight.

How does this relate to Musica in Extenso? Well, as it happens, one of the things that initially drew me in is the game’s GLORIOUS soundtrack, written by Chinese composer Yu-Peng Chen, and so far recorded by the London Symphony Orchestra (for music in Mondstadt, the game’s European-themed region) and the Shanghai Symphony Orchestra (with added traditional instruments) for music in Liyue, the game’s Chinese-themed region. The music is lush and stunningly gorgeous throughout, and I was pretty thrilled when my spouse sent me a link to this video of one of the recording sessions in Shanghai, featuring two pieces, “Rapid as Wildfire,” the main battle music for Liyue, and “Qingce Village,” a sweet melody that plays when you enter the music’s namesake village during the daytime. Yes, there are different versions of themes or sometimes different music entirely for a region, depending on the time of day!

These pieces, beautiful as they are, are not even close to my favorites in the soundtrack—which continues to grow as the game’s world does. I know I’ll be waiting for the next new theme! Will you? - Melinda Beasi