#Shaan Syed

[aaagencyyy]

Shaan Syed

[minimavisibilia]

Shaan Syed Double Split Minaret 1 2020 Oil on linen 230 x 174 cm. (90.5 x 68.5 in.)

[mcgiggers]

New York - May 2024

Just back from action-packed Frieze art week festivities in the Big Apple which featured stops at Future Fair, Nada New York and Frieze New York. The art fair spree dovetailed nicely with the launch of the major post-war, contemporary, and modern auction previews scheduled for later this month at Sotheby’s, Christie’s and Phillips. The fairs and auction previews together served up fantastic art viewing opportunities for art fans and aficionados alike. And, as if that wasn’t enough given the mere 24 hours of viewing time on hand, serendipity delivered the icing on the cake with the timely opening of Tammi Campbell’s marvelous gallery exhibit of recent paintings and sculptures.

The Fairs

Frieze New York was the marquee fair, and it celebrated its 12th year as part of the cultural landscape in the city and its fourth outing at The Shed since relocating from Randall Island. The evolution of the fair since then has been considerable. From a corporate perspective, it is now part of famed Ari Emanuel’s sports and entertainment conglomerate, and, on the art front, the offering got slicker and more rarefied, featuring top-tier highly curated contemporary galleries and works. This year’s boutique-sized edition of 65 or so exhibitors included global mega galleries and international and local blue chippers. Standout works included: Nate Lowman’s “Golf Course Marilyn”, 2024, oil and alkyd on linen (50 x 30 in.); Uri Aran’s “Everything (Timeline)”, 2023, gesso, acrylic, oil, oil pastel, graphite, wood stain, clear polyurethane, charcoal, color pencil, china marker, and mixed media on canvas (87.25 x 42 x 1.5 in.); and, Richard Aldrich’s “Untitled”, 2022, oil and wax on panel (20.5 x 13.13 in.).

NADA New York has long been synonymous with contemporary and emerging art, and the fair continued to build on its reputation as being the go-to event for up-and-coming galleries. For this year’s edition, over 92 galleries, art spaces and non-profit organizations convened in the heart of Chelsea to showcase their stars, including, remarkably, 34 first time presenters. The show highlights included: a pair of works by Shaan Syed “Gorilla, Geurilla” and “To, Too, Two”, 2023, oil and paper collage on linen (35.3 x 31.5 in., each); Emma Schwartz’s “Thought You Should Know (again)”, 2024, oil, charcoal and chalk pastel on canvas (68 x 48 in.); and, Jule Korneffel’s “Alex’s Garden”, 2023, acrylic on canvas (82 x 80 in.).

Future Fair, on a relative basis, was the newest kid on the block, yet the four-year old upstart exuded a palpable vibe and excitement. With a focus on emerging galleries, the contemporary art fair featured over 100 artists from 26 countries, collaborating with over 60 local and international art dealers. Collectively creating a very accessible environment, the artists, works, and gallerists fostered a strong sense of engagement with fairgoers. Highlights included: Gwen Hardie’s assembled triptych “05.29.23”, pure venetian red and naples yellow on indian red, “09.15.23”, darkest cadmium red on indian red and “06.19.23”, lavender on warm umber (24 x 24 in., each); Beck Lowry’s “Red Threat (after Aseem)”, 2023, painted weaving on handmade wooden armature (plywood, crochet thread, oil paint) (12.5 x .75 x 1 in.); and Carolyn Case’s “Night Kitchen”, 2024, chalk pastel on pastel card with artist frame, ceramic porcelain and glaze (17 x 20 in.).

The Auction Previews

The previews for the prominent spring edition of the post-war, contemporary, and modern art auctions at Sotheby’s, Christie’s and Phillips opened to the public and welcomed everyone from the most serious global big hitters gearing up to shell out whatever it takes to walk home with a masterwork to casual and ardent fans savoring the opportunity to look at phenomenal works before they again disappear into private collections. As always, the previews were masterfully staged in wonderful spaces. Supersized showstoppers included: Andy Warhol’s “Flowers”, 1964, acrylic, fluorescent paint and silkscreen ink on linen (82 x 82 in.); Frank Stella’s “Lettre sur les sourds et muets II”, 1974, synthetic polymer paint on canvas (140.88 x 140.88 in.); Felix Gonzalez-Torres’ “(Untitled) America #3”, 1992, 42 light bulbs, porcelain light sockets and electrical cord (length 504 in.); and, Rashid Johnson’s “Anxious Red Painting September 24th”, 2020, oil on linen (72.25 x 96.25 in.). Beyond the headliners, marvelous less conspicuous works were sprinkled throughout. Memorable ones included: Brice Marden’s “Small Parchment Study #1”, 1999, oil on natural vellum stretched over plywood; Henry Taylor’s “Cruel Kids”, 2005, acrylic on canvas (28.5 x 28 in.); and Agnes Martin’s “Earth II”, 1959, oil on canvas (71.33 x 48 in.).

Tammi Campbell Exhibit

In between fairs and auction previews, Tammi Campbell’s As Long As It Lasts exhibit kicked off and featured a walk through with the artist who provided fascinating insights into her practice and the specifics about works on view. With the continuous evolution of her creative re-engineering processes and next gen wrappings, Campbell continued to push appropriation to new heights, all while making the work uniquely her own. Highlights included: the Cy Twombly inspired “Untitled (1970)”, 2024, chalk on blackboard with walnut frame (48.75 x 59.25 x 1.4 in.); and a replica of a famous Andy Warhol work with a twist “Double Elvis (Ferus Type) with Bubble Wrap and Packing Tape”, 2024, acrylic on canvas (81.25 x 58.25 x 1.25 in.).

As spirited art week festivities unfolded across the city, local sportsfans were also whipped up into a frenzy as both their hometown Rangers and Knicks advanced to the second round of their respective playoff series. On the hoops front, with the Knicks now set to tip off against the Pacers, Dino fans can also partake in some playoff excitement (by extension) as former Raptor stars Pascal Siakam and OG Anunoby, sporting Pacers and Knicks uniforms, respectively, are pitted against each other. The exuberance of “Crazy Eyes” versus the zen of “OG-Won Kenobe” - one of the two will get to the conference finals which should provide some solace and maybe even bring a smile to Dino nation.

For more information on any of the artists or works mentioned, the upcoming auctions, and the fate of former Dino stars, “Just Google It”.

There you have it sportsfans,

MC Giggers

(https://mcgiggers.tumblr.com) Reporter’s Certification

I, MC Giggers, hereby certify that the views expressed in this report accurately reflect my personal views and that no part of my compensation was or will be, directly or indirectly, related to the specific views expressed herein.

I also certify that I may or may not own, directly or indirectly, works of artists mentioned in this report and that I may or may not have a strong bias for such artists and, more generally, for “Pictures of Nothing”.

[aamiribd]

#Quran #DailyHadithSMS #Hadith #Islam سورة التوبة ٧٠ اَلَمۡ یَاۡتِہِمۡ نَبَاُ الَّذِیۡنَ مِنۡ قَبۡلِہِمۡ قَوۡمِ نُوۡحٍ وَّ عَادٍ وَّ ثَمُوۡدَ ۬ ۙ وَ قَوۡمِ اِبۡرٰہِیۡمَ وَ اَصۡحٰبِ مَدۡیَنَ وَ الۡمُؤۡتَفِکٰتِ ؕ اَتَتۡہُمۡ رُسُلُہُمۡ بِالۡبَیِّنٰتِ ۚ فَمَا کَانَ اللّٰہُ لِیَظۡلِمَہُمۡ وَ لٰکِنۡ کَانُوۡۤا اَنۡفُسَہُمۡ یَظۡلِمُوۡنَ. Has there not reached them the news of those before them - the people of Noah and [the tribes of] 'Aad and Thamud and the people of Abraham and the companions of Madyan and the towns overturned? Their messengers came to them with clear proofs. And Allah would never have wronged them, but they were wronging themselves. [9. Surah At-Tawbah: 70] سورة التوبة 70 کیا ان لوگوں کے پاس ان سے پہلے لوگوں کو خبر نہیں پہنچی، نوح کی قوم کی اور عاد اور ثمود کی، اور ابراہیم کی قوم کی اور اصحاب مدین کی اور ( ان کی ) جن کی بستیوں کو الٹ دیا گیا تھا، ان کے پاس ان کے رسول معجزات لے کر آئے تھے، سو ان پر ظلم کرنا اللہ کے شایان شان نہیں تھا لیکن وہ خود اپنی جانوں پر ظلم کرتے تھے Surah At-Tawbah: 70 Kia en logon k pass en sy pehly logon ki khabar nahi pohanchi, Nooh ki qoum ki aur Aad aur Samood ki, aur Ibrahim ki qoum ki aur Ashab-e-Madyan ki aur (un ki) jin ki bastion ko ult dia gya tha, un k pass un k Rasool moajzaat ly ker aye thy, so un per zulm kerna ALLAH k shayan-e-shaan nahi tha lekin wo khud apni jano per zulm kerty thy. https://www.instagram.com/p/CpY7TiEolPt/?igshid=NGJjMDIxMWI=

[abstrakton]

Shaan Syed

[ruiard]

Shaan Syed - Qibla 1

Oil on sewn canvas, 274.3 × 215 cm, 2018

[contemporaryartdaily]

Shaan Syed at Parisian Laundry

[eiginleiki]

Shaan Syed

[terminusantequem]

Shaan Syed (Canadian, b. 1975), The Future Stage 5. Oil on canvas, 182 x 153 cm

[aaagencyyy]

Shaan Syed

[topcat77]

Shaan Syed

Minaret, 2017

oil on canvas

[lesmachins]

Shaan Syed

[geoabstra]

shaan syed

[polkadotmotmot]

Shaan Syed - Qibla 1, 2018

[abstrakton]

Shaan Syed

[williswillkillus]

Paintings by Shaan Syed.

https://canadianart.ca/interviews/a-stubborn-way-of-encouraging-real-looking/