#Seo kyeong Jeong

[shesnake]

that vote was the last bit of autonomy shiv had, she will never hold that much power in her hands ever again and so she Decided to Leave by staying. chained

[brokehorrorfan]

Decision to Leave will be released on Blu-ray and DVD on January 10 via Mubi. The 2022 South Korean romantic mystery thriller is currently available on Digital and streaming on Mubi.

Park Chan-wook (Oldboy, Stoker) directs from a script he co-wrote with frequent collaborator Jeong Seo-kyeong (The Handmaiden, Lady Vengeance). Tang Wei and Park Hae-il star.

Special features are listed below, where you can also watch the trailer.

Special features:

Introduction by Tang Wei and Park Hae-il

Interview with director/co-writer Park Chan-wook

NYFF Talks: Park Chan-wook

Moments of Decision to Leave - Making-of featurette

Behind the Scenes in Cannes featurette

VFX reel

From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon (Park Hae-il) arrives on the scene, he begins to suspect the dead man’s wife Seo-rae (Tang Wei) may know more than she initially lets on. But as he digs deeper into the investigation, Hae-joon finds himself trapped in a web of deception and desire, proving that the darkest mysteries lurk inside the human heart.

Pre-order Decision to Leave.

[octavianacidicbreastmilk]

a thing im trying to be more mindful of when talking about movies is trying to remember that it's a collaborative project, more so than other mediums, and that something is lost if anything good/bad is attributed exclusively to the director.

like it makes sense to some extent to give credit to the person who oversees the whole deal, but a lot of individual creativity and talent really gets lost in the shuffle. and it is more useful when discussing how somebody's filmography has evolved to sort of keep track of how the crew ~shifts and what that means for a movie's many moving parts

[stuff-diary]

Decision To Leave

Movies watched in 2023

Decision To Leave (2022, South Korea)

Director: Park Chan Wook

Writers: Chung Seo Kyung & Park Chan Wook

Mini-review:

Park Chan Wook is probably my favorite director, so you can imagine how excited I was about Decision To Leave, with it being his first movie in 6 years. And, of course, he doesn't disappoint. Sure, it's definitely not at the level of his best movies, but it's still a great film in pretty much every way. It may take its time when setting up the story and the characters, but it's never boring because the acting, the directing and the writing are masterful. Tang Wei and Park Hae Il give spectacular performances, and it's obvious that Park Chan Wook had a lot of fun making this movie. I admit the storyline was much more simple and straightforward than I expected, but maybe that's what allowed the director to experiment and play around with the cinematography, the editing and the structure of the scenes. All this results in a visually fascinating movie.

I seriously hope it doesn't take 6 more years for Park Chan Wook to release another movie.

[bookwormlily]

"This is too dark." "But still, you're pretty."

Decision To Leave, Park Chan-wook and Jeong Seo-kyeong

[thebutcher-5]

I'm a Cyborg, but that's OK

Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo deciso di parlare nuovamente di horror, spostandoci in Spagna e discutendo di un’opera affascinante ossia Marrowbone. La storia parla di questa famiglia che si trasferisce dall’Inghilterra agli Stati Uniti e vanno ad abitare in una casa isolata. Qui si nascondono da qualcuno o qualcosa e riescono a passare dei momenti felici,…

[screenzealots]

"Decision to Leave"

DECISION TO LEAVE's complex storytelling and stunning visuals elevate this haunting noir tale of obsession, desire, and murder.

This film was screened at the Toronto International Film Festival Director and co-writer Park Chan-wook‘s “Decision to Leave” is a slow-burn story of obsession, desire, and murder. This richly layered noir film offers a stylish homage to Hitchcock thrillers with its impressive visuals and intricate storytelling. Detective Hae-joon (Park Hae-il) is assigned to a potential murder case after a man…

[filmnoirsbian]

how is the handmaiden made by queer people? don’t get me wrong, it’s one of my favorite films of all time, but i didn’t think either park chan-wook or jeong seo-kyeong were remotely queer

It's based on a lesbian book written by a lesbian

[nine-frames]

"Then, die. And be born again. Over and over if you need to."

친절한 금자씨 (Chinjeolhan Geumja-ssi / Sympathy for Lady Vengeance), 2005. Fade to Black and White Version.

Dir. Park Chan-wook | Writ. Jeong Seo-kyeong & Park Chan-wook | DOP Chung Chung-hoon

[filmcompanion]

Park Chan Wook + Jeong Seo-kyeong when making The Handmaiden (2016): juxtaposes objectification with genuine representation of sex, in a way Sarah Waters said is true to her novel Fingersmith that the film took inspiration from. Male entitlement is rejected as violent and unwanted a contrast to love between women being embraced as a means for liberation. Films sex between two women as actual sex - the full-bodied, passionate union between two people, without objectifying the women by keeping a distant, neutral frame that has the body parts men want to leer at out of focus. Shows women having active desire for each other, with love and sex being two sides of the same coin for those characters, as a contrast to men's cold view of women as objects. Uses abundant POV shots and spends a multitude of scenes building up the sexual tension and emotional intimacy before going explicit. Fills the scenes with narrative motifs and symbolism, emphasizing Hideko and Sookhee as equals despite their class disparity, as well as creating the imagery that two women can fulfill each other without a man. Focuses on the women's faces, includes dialogue and lots of humor. The scenes sex are literally so emotionally charged and revolutionary for the characters they are ready to change their entire life course after - it's the only time they can be completely honest with each other, and that emotional journey is conveyed. Writes Sookhee reclaiming the Count's fake fuckboy line of "spellbindingly beautiful" with literally the most genuine emotion after seeing Hideko's *****. Films cunnilingus as equivalent, or even superior, to penetration as a sex act. Asked an actual lesbian what sex would make sense to include in the movie, and from her request includes scissoring while making the point is it's an advanced sex move. Addresses the complexity that while men can objectify sex between women, the concept can at the same time be appealing to women and it's possible to reclaim it for yourself. Visually spells out that men thinking something is for them doesn't mean it is (their entitlement leads to the men literally dying). Explicitly dismantles pretty much all lesbian tragedy tropes with intent, such as suicide/death/torture/mental institution, lesbian relationships as inconsequential or ending in betrayal, lesbians having sex with or being objectified by men. Literally makes the whole movie about lesbians reclaiming narrative tropes used against them, and has them Win Everything with the most happy ending ever.

People with gender and film studies degrees who make a living out of writing intelligently about these topics: two women naked so for men :) only men like lesbian sex, please cut to black next time bc my brain cannot comprehend anything important happened, as I associate women having sex with p*rn and nothing else :) it's "performing" for men when it looks pretty! (in a movie something is Real and not performing when it looks Ugly). we as a society can only move on from the dichotomy of lesbian dehumanization as either desexualized or hypersexualized by diving all wlw media into the pure a-touch-of-your-hand-made-me-cry-alone-in-my-room-for-10-years with endlessly obsession about chaste Gazing from a distance versus the icky icky sex stuff that only men want to see!

[shesnake]

Park Chan-wook on The Handmaiden co-writer Chung Seo-kyung's "queer friend"

[rosyfingered-moon]

2023 drama roundup

Unchained Love: I still hum the unhinged flute intro on a regular basis, easily my fave intro of 2023! I didn't actually finish the show due to dwindling interest, but for the first 14 episodes or so I took a keen pleasure in it (and it made me go on a eunuch webnovel spree, expertly curated by @mercipourleslivres). I love it when heroines are allowed to be truly funny, rather than just quirky or ditzy. Also appreciate the goofy Lamp Prince turning into a brutal incel tyrant the moment he got power.

Six Flying Dragons: I don't think I can write anything succinct enough for the roundup format so I direct you to my "my sfd tag" if you want to access my enthused livetweeting. Show of all times, lives were changed.

Tree with Deep Roots: I literally can't think of a better topic for a tv show than Sejong the Great constructing hangul together with his band of nerds, one of whom he has a weirdly intense, vaguely erotic relationship with. Han Suk-kyu carried this entire show on his trembling shoulders. What an actor! What range!!! It was such a treat to watch him smugly debate his ministers, roleplay a farmer, and hiss half-mad soliloquies to himself in the dark. It took nuance and depth to portray the kind of inner conflicts and generational trauma that Sejong battles in the background of this drama. To be honest I didn't always enjoy the Milbon subplot which I felt got repetitive, and often found myself wanting to fast-forward the wuxia scenes. In a better world the show would have centered the whip-smart palace maids and their alphabet workshops. But I will definitely rewatch this soon. And maybe also write a fix-it where Sejong and Soo-yi fuck idk.

Quartet: Cute little murder mystery about a found family of freaks, liked it a lot.

My Country: The New Age: As entertaining as ever. Very fun to rewatch this back to back with Tree with Deep Roots, since Jang Hyuk plays diametrically opposite characters with the same vigor and commitment.

Gone with the Rain: Sometimes you watch something which you understand is technically a masterpiece but it doesn't do anything for you, and sometimes you watch a piece of campy silly fun and it makes you tingle with joy. This was the latter category for me. I liked the first and middle parts enough to make up for the lukewarm fizzle of an ending.

The Autumn Ballad: Has some fucked up elements that are difficult to stomach, but the parts that are good are really good.

Not Others: Bingeable! But imo they could have cut out the stalker/murder cases and just focused on the excellent family drama.

The Matchmakers: This surprisingly swooped in towards the end of the year as my favorite comedy of 2023, all thanks to a rec by @haraxvati. I adore Cho Yi-hyun in this role!!! She is so hot as a shrewd matchmaker with a fake mole and a twinkle in her eye. Love the virgin prince with his yearning-induced panic attacks (Rowoon didn't work for me in The King's Affection in a quite similar role, but he's so much weirder and lamer here, which is something I like in a man). I am obsessed with the side plot of the crossdressing romance novelist and the solemn police officer who is trying to capture her and ends up giving her free home renovations and smouldering looks instead. Also, Park Ji-Young and Lee Hae-Young are two of my favorite villain actors on their own, and here they are married!! Still have a few episodes to go, but I intend to binge them as soon as I post this.

Dramas I dropped or paused:

Our Blossoming Youth: I shipped the heroine and her cute maidservant a little too much to bear the dull prince they stuck her with. But I might rewatch it some day bc I want to write a Sherlock Holmes fic for the girls.

Little Women: A real disappointment, because I love Louisa May Alcott and I love Jeong Seo-kyeong. Once again, letting the women kiss might have solved much of it.

Island: Casting Kim Nam-gil as an expressionless cool-guy action hero offends me personally. (Yes Song of the Bandits I'm giving you the stinky eye also.) But Lee Da-hee and Cha Eun-woo were delightful!

See you in my 19th life: I couldn't, even for my most darling Shin Hye-sun, go beyond episode 1. There's something about a kid dating another kid even though she's a literal adult inside her brain that I can't really vibe with.

My Dearest: I do intend to finish this, but I lost the thread after the first half. It got a little too dark for me I think.

[kiss4chuu]

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⋅˚₊‧ ୨ fandoms ୧ ‧₊˚

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— twice

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↳ olivia hye

— new jeans

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↳ winter

↳ giselle

↳ ning ning

— bts

↳ namjoon

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↳ hoseok

↳ jin

↳ jungkook

↳ jimin

↳ taehyung

— enhypen

↳ ni-ki

↳ jungwon

↳ sunoo

↳ sunghoon

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↳ jay

↳ jake

— stray kids

↳ bang chan

↳ hyunjin

↳ felix

↳ lee know

↳ i.n

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↳ changbin

↳ seungmin

— txt

↳ soobin

↳ kai

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↳ beomgyu

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— crash landing on you

↳ ri jeong-hyeok

↳ yoon se-ri

↳ gu seung-joon

↳ seo dan

↳ park kwang-beom

↳ kim jumeok

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↳ lee su-hyeok

↳ choi nam-ra

↳ lee cheong-san

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↳ abdul ali

↳ circle, triangle, and square guards

© kiss4chuu | no reposts

[bimboficationblues]

this is kind of a mea culpa for not looking into the name of the writer earlier, but it is literally so clarifying to learn that Park Chan-wook has worked with the same writer (Jeong Seo-kyeong) almost exclusively from Lady Vengeance onward

[leeyanyanyaaan]

a/n: my underdeveloped kpop ocs :") if anyone would like to adopt them for creative purposes (fanfic, smau etc.) please do hit me up and/or just credit me, i'd be happy for them to be of use as characters for other people ^^

HIGH SCHOOL DAYZ Members

“Every day of our life is worth remembering. TOMORROWZ another reason to look forward.”

A 5th Generation Girl Group.

Group Abbreviation: DAYZ (DayZ/Daisy)

Fandom name: Rozes (Short for TOMORROWZ)

Jeonghwa

Park Jeonghwa

KR: Park Jeong-Hwa (박정화 / 朴 正花)

EN: Julia Park

General

18 (2022)

August 14, 2004 - Leo

ESFP-A

161cm / 5'3"

Leader, Lead Dancer

aka. Jeongie, Jeong-ah, Julie, Jules (originally known as J-LEE)

Color: Indigo

Animal: Tiger

CV: minergizer

The group's charismatic and hard-working leader! New Zealand born and younger sister of YouTube artist Eunyeong Park!

4th Youngest Maknae Line

Yoora

Nam Yoora

KR: Nam Yoo-Ra (남유라 / 南 維羅)

EN: Alina Nam

General

20 (2022)

MM DD, 2002 - Star Sign

MBTI

168cm / 5'6"

Lead Vocalist

aka. Yoo-ah, Mom of the group

Color: Pink

Animal: 

1st Oldest Noona Line

Jisoo

Baek Jisoo

KR: Baek Ji-Soo (백지수 / 白 志秀)

EN: Jessica Baek

General

19 (2022)

MM DD, 2003 - Star Sign

MBTI

165cm / 5'5"

Main Vocalist

aka. Jiji, Soo-ah, Soonie, Jess, Jessie

Color: Orange

Animal: 

2nd Oldest Noona Line

Nakyeong

Lee Nakyeong

KR: Lee Na-Kyung (이나경 / 李 娜敬)

EN: Nicole Lee

General

19 (2022)

MM DD, 2003 - Star Sign

MBTI

162cm / 5'4"

Lead Rapper

aka. Nana, Kyeong-ah, Nicky, Nics, (originally known as LEENA)

Color: Blue

Animal: 

3rd Oldest Noona Line

Note: is the cousin of Lee Ye Eun (paternal side)

Haewon

Choi Haewon

KR: Choi Hae-Won (최해원 / 崔 海媛)

EN: Hailey Choi

General

19 (2022)

December DD, 2003 - Star Sign

MBTI

163cm / 5'4"

Main Dancer

aka. Wonnie, Wonnie-ah, Won, Won-ah, Chocho

Color: Red

Animal: 

4th Oldest Noona Line

Minseo

Kim Minseo

KR: Kim Min-Seo (김민서 / 金 敏序)

EN: Michelle Kim

General

18 (2022)

MM DD, 2004 - Star Sign

MBTI

166cm / 5'5"

Lead Vocalist

aka. Minnie, Minmin, Min-ah

Color: Violet

Animal: 

3rd Youngest Maknae Line

Ren

Lee Ye Eun

KR: Lee Ye-Eun (이예은 / 李 藝恩)

CN: Lǐ Lián (李莲)

EN: Leanne Lee

General

18 (2022)

October 30, 2004 - Scorpio

ISTP-T

155cm / 5'1"

Main Rapper

aka. Yennie, Yen-ah, Yan, Leelee, Ryeon, Ronnie, Renren, Lotus (originally known as LIAN)

Ren is Japanese for Lotus (莲), which is her name in Chinese.

Color: Green/Turquoise 

Animal: 

2nd Youngest Maknae Line

Note: is the cousin of Lee Nakyeong (paternal side) and is of Filipino and Chinese descent from her mother.

MILLY

Zhang Meili

CN: Zhang Měilì (張 美丽)

KR: Jang Mi-Yeon (장 미연 / 張 美姸)

EN: Milly Zhang

General

16 (2022)

MM DD, 2006 - Star Sign

MBTI

158cm / 5'2"

Lead Dancer, Maknae

aka. Milly, Mimi, , Mi, Yeon-ah, Mei, Mei Mei

Color: Yellow

Animal:

1st Youngest Maknae Line

Bonus: Height Chart

[chinchillasorchildren]

2022 Golden Chinchillas

Original Screenplay

Winner: Benediction (Terence Davies)

The Nominees

The Banshees of Inisherin (Martin McDonagh)

Decision to Leave (Jeong Seo-kyeong and Park Chan-wook)

The Eternal Daughter (Joanna Hogg)

NOPE (Jordan Peele)

Resurrection (Andrew Semans)

TÁR (Todd Field) [Runner Up]