#Sellars
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roughridingrednecks · 8 months ago
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Sellars
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detournementsmineurs · 5 months ago
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"La Comtesse aux Pieds Nus" de Joseph L. Mankiewicz (1954) avec Ava Gardner, Humphrey Bogart, Edmond O'Brien, Warren Stevens, Elizabeth Sellars, Marius Goring, Rossano Brazzi et Valentina Cortese, juillet 2024.
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shananys · 2 years ago
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weirdlookindog · 5 months ago
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The Mummy's Shroud (1967)
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readyforevolution · 7 months ago
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zippocreed501 · 6 months ago
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Anne-Marie Mallik as Alice
in Jonathan Miller's fine adaptation of Alice in Wonderland (1966)
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fy-murderstoppers · 1 year ago
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Murder Stoppers (1991) dir. Gregg Sellars
Happy Murder Stoppers Monday everyone
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fromthedust · 7 months ago
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Jim Dine (American, b.1935)
untitled print from the series of Ten Winter Tools (water pump pliers) - lithograph on paper - 70.8 × 55.4 cm - 1973
Dine believes that tools provide a 'link with our past, the human past, the hand'
I worked for a tool collector (Alan Sellars) for many years, displaying his collection on perhaps 150 4'x 4' pegboard panels of antique tools, arranged by different trades and types of tool, most of which are now part of the Bennett History Museum in the Funk Heritage Center (www.reinhardt.edu/arts-culture/funk-heritage-center/). Alan always said that he collected because for him holding the tools a craftsman used hundreds of years ago was a direct connection to that human tool user . . . it was history made real as opposed to words written in books. For me — a sculptor — the experience of trying-out some of those tools was an invaluable lesson in my vocation. I also felt connected to those innumerable craftsmen in the past, holding and working with their tools giving me a sense of place as a tool user. Many of my stone and wood carving tools are antique (Alan sold the display excess to me at cost), but they carve as well if not better than the ones still being made. I only know a few of the previous user's names, but I can feel the touch of their hands when I use their tools.
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roughridingrednecks · 8 months ago
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Sellars in Ohio
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gebo4482 · 11 months ago
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The Last of Us (HBO) by Craig Sellars
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letterboxd-loggd · 14 days ago
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Forbidden Cargo (1954) Harold French
November 10th 2024
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mariocki · 16 days ago
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Shadows of Fear: Repent at Leisure (1.5, Thames, 1971)
"Poor Robert. Do you remember what the doctor said? He'd never seen such an advanced cirrhosis in someone so young. He had a liver like a Strasbourg goose."
"Occupational hazard."
"How'd you think that made me feel? It isn't very flattering for a wife to play second fiddle to a wine list."
"I'm sure it was no reflection on you."
"All the same. I hardly changed the pattern of his life, did I?"
"No... but you're asking Harry to make fantastic adjustments. From galley to, uh, captain's table."
"You're a terrible snob, Peter."
"Oh, I am. So are you, my pet. That's what frightens me."
#shadows of fear#repent at leisure#single play#horror tv#classic tv#1971#kim mills#roger marshall#elizabeth sellars#george sewell#alethea charlton#peter cellier#series producer Mills takes directing duties and would helm the lion's share of the series from this point on; shades of trouble behind the#scenes? or another budget constraint? pure guesswork of course; as i said in an earlier set of tags‚ there's precious little info out there#about the production of this series. writer Marshall would have known Mills well from their time together on Public Eye (an ongoing#collaboration in fact). Marshall had written the first episode of this series (or pilot as it probably was) and that's the episode this#most closely resembles; it's less consciously 'horror' telly than the previous few and much more in the way of social suspense#it also seems a little stretched thin‚ again like the pilot: the plot is an old ham‚ a wealthy widow marries a steward from a cruise ship#and the scene is set for class based conflict and the whiff of a plan to do away with the lady and inherit a fortune... so far so blah#BUT i will say this one actually has a fairly excellent twist; a twist on a twist perhaps‚ or an Untwist. you see (SPOILER) George Sewell's#working class husband is actually... exactly who he says he is. and the murder plot in Liz Sellars' mind is‚ indeed‚ just in her mind.#unpacking this hoary old plot in a realist manner (but still with the called for suspense) is a smart move‚ but particularly impressive is#the explanation Marshall gives for Sewell's mysterious behaviour: his sister is in an interracial marriage and he suspects that the upper#class Sellars is probably a racist who'd react badly. i haven't time to fully unspool that (why marry her‚ is the obvious question) but i#do think it's a scripting masterstroke: it instantly reconfigures our sympathies towards the characters‚ makes Liz not just foolish (for#suspecting a murder plot) but an unsympathetic antagonist. in a few lines in one scene we suddenly see both her and Sewell in completely#different lights‚ and our allegiances are instantly changed. from that point on the horror is not what might happen to her because of his#'evil'‚ but what might happen to him because of her ignorance and neuroses. it's clever! and makes for a play that's much more satisfying#in its second half
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weirdlookindog · 4 months ago
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Elizabeth Sellars and Eddie Powell in The Mummy's Shroud (1967)
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blackswaneuroparedux · 2 years ago
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To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
- Susan Sontag, On Photography    
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genevieveetguy · 1 month ago
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La Cocina, Alonso Ruizpalacios (2024)
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ghw-archive · 1 month ago
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A rare Irvine Sellars of Carnaby Street man's voided velvet jacket, 1967, labelled, single breasted, of furnishing fabric with gilt military inspired buttons, cuffs and hem edged in gold fringed braid
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