#Selda Bagcan

[mert123sthings]

Selda Bagcan - Gesi Bağları

[huseynmammad]

Mən getməyi bacarmıram, Qəlbim sanki yol tanımır.

Ön uçurum, arxa qaya, Sağ tanımır, sol tanımır.

Quş deyiləm göyə uçam, Su deyiləm yerə köçəm.

Ayrılığın gözü çıxsın! Məndən başqa qul tanımır?!

[nevzatboyraz44]

[omegaremix]

Omega Radio for September 8, 2021; #283.

Crusaders feat. Randy Crawford: “Street Life”

Heavy Joker: “Ace Of Spades”

Nino Ferrer: “I’m Looking For You”

Lafayette Afro Rock Band: “Soul Makossa”

O'Jays: “Darlin’ Darlin’ Baby”

Selda Bagcan: “Yaz Gazeteci Yaz”

Harry Nilsson & Shelley Duvall: “He Needs Me”

Bernard Purdie: “Caravan”

Grover Washington, Jr.: “Knucklehead”

Helio Matheus: “Mais Kriola”

Judy Bailey Quartet: ”Colours Of My Dream”

Earl Klugh & Hubert Laws: “Dream Something”

Eduardo Araujo: “Capoeira”

Joe Thomas: “Mr. Mumbles”

Robert Hall Productions: “Say It Man”

Lonnie Liston Smith: “Love Beams”

Black Savage: “Kothbiro”

Tarika Blue: “My Love Is So Free”

Alessandro Alessandroni: “Southern Melody”

Piero Umiliani:” Chaser”

Isaac Hayes: “Buns O’ Plenty

Chubukos, The: “House Of Rising Funk”

Mahavishnu Orchestra: “Resolution”

David Axelrod: “Holy Thursday”

Steve Gray: “The Double Take”

Orchestra Cometa: “Obstinacy”

Ceyleib People, The: “Changes”

Alan Hawkshaw: “Bluebird”

Rubba: “Push Button”

Sylvano Santorio: “Waves”

Ahmad Jamal: “Don’t Ask My Neighbors”

Bobby Byrd: “Hot Pants (I’m Comin’)”

Studio Group, The: “Underline No. 4″

Fats Gaines Band, The: “Close The Door”

Lee Vanderbilt: “Lonely I”

Mickey & The Soul Generation: “Get Down Brother”

Andy Clark: “Tristar”

Raul Gomez: “6 Son”

Reg Tilsley: “Blue Eyes”

Rufus Thomas: “Do The Funky Penguin”

Tony Esposito: “Leroe Di Plastica”

Jack Purnell: “Iron Cathedral”

Trevor Bastow: “Soft Shades”

Roy Ayers: “The Black Five”

Wee: “Teach Me How”

Bonus Omega; crate-digging and vinyl treasures.

[sapkalikedii]

Selda bagcan ölürse uzulurum harbi

[ayhatemaylayf]

davulcu abi.. davulcu abi son gunun hatrina selda bagcan ayrilik calar misin abi

[sercecik]

Bu şarkıyı çok seviyorum.

Hüznün neşeli hali gibi..

*

Eski Versiyon için Tık 👇

Yeni Versiyon için Tık 👇

*

Düştü uzun yollara

Aştı uzun yolları

Dağlardan tepelerden denizlerden

Geçerek geldi bugüne

Isyanın kanatlarını

Kuşandı ve uçtu suç

Bir korku bir telaş

Bir panik sardı insanlığı

Ve ittiler suçu acıların rıhtımına

Acıların rıhtımında

Biz şiir yazıyorduk

Girdi suç sımsıcacık mısralarımıza

Onu oradan ne biz çıkardık

Ne de bir başkası aldı

Ve o günden beri suç

Üstümüzde kaldı

*

[fairrytale]

Karanlık bir gece yol görünmüyor,yürüyorum dikenlerin üstünde

[aboutasong]

Selda Bağcan - O Günler

[technoninjalove-blog]

(Ipek Ipekcioglu)

[dustedmagazine]

Listed: Sally Anne Morgan (of House and Land)

Photo by Judy Henson

No one does just one thing nowadays, and neither does Sally Anne Morgan. The Asheville NC resident is both a musician and a graphic artist. She sings and plays fiddle, banjo, and guitar in a myriad of settings. On her own, she calls square dances. Her duos Sally & Scott (with fiddler Scott Prouty) and House and Land (with singer/guitarist Sarah Louise dig deep into the roots of old time music. For the last five years she has been a member of the loose confederation known as the Black Twig Pickers, which also includes Isak Howell, Mike Gangloff  and Nathan Bowles. Thrill Jockey Records has just released House And Land’s debut LP on Thrill Jockey.

Shirley and Doll — Anthems in Eden

This suite instantly transports me to a medieval fairytale woodland. We both love Shirley Collins, her new record, her memoir, everything. Midcentury British folk rock has been a recent obsession of mine, but surprisingly few bands that I know of brought in the period instruments that are featured in this recording by early music historian David Munrow. I think this suite is a masterpiece and absolutely love it.  

Pharoah Sanders — Thembi

From peaceful transcendence on the astral plane to dissonant chaos and a six-minute bass solo, this album has everything you could wish for. Even jazz violin. I love the transportive flow of this album. I’m only starting to wade into the deep territories of spiritual and free jazz, but I am hooked.  

Midori Takada — Through the Looking Glass  

Sarah and I are both really into this record. I first heard this on YouTube and didn't know much about it, and then it was recently re-issued on vinyl where the liner notes filled me in. Midori went alone into the studio with a limited knowledge of recording but came out with a multi-layering recording technique that was as much a product of her creativity as her limitations.  I love the world music influences, and her take on minimalism as described in the liner notes is right on. I like how each piece in this album is so different, too. 

Mr. Fox — Salisbury Plain 

Haunting and droning and homespun. I love the simple fiddle, the drums, the sparseness of it all. I would like to be in a folk rock band like this some day. 

Selda Bagcan — Selda

Ripping Turkish psychedelica with probably the most emotional and compelling voice I've heard. Selda is a political activist and has gone to prison several times for her political views. A true badass! 

Van Morrison — Common One

This album from 1980 is frequently overlooked, and apparently was blasted by the critics. But this is probably my favorite Van album after Astral Weeks and Veedon Fleece. It ventures into the realms of free jazz, and I love the sax playing of Pee Wee Ellis. Some of the lyrics are maybe a bit on the nose, but I love them still. When I’m feeling down, I literally will put on the song Spirit, it’s so uplifting!  

Pete Steele — Coal Creek March 

Pete Steele plays the banjo beautifully, which is a rare compliment. I aspire to play two finger like him (but much slower). He was recorded in the1930s by Alan Lomax and again for the Smithsonian Folkways in the1950s. His wife, Lillie Steele, sings on some songs too with some striking harmonies. Pete Steele wrote the “Coal Creek March” about a mining disaster. 

Michaelangelo — One Voice Many 

I work at a record store and get to check out random records with cool covers when it's slow and found this infectious psychedelic gem. I think the universe is telling me to get an auto harp. 

Solange — Seat at the Table  

This album is beautiful and righteous. Sarah and I listened to this about 50times in a row on our last tour. The Song Exploder podcast on Cranes in the Sky is compelling too — the process behind contemporary music like R&B can feel unknowable, but hearing Solange describe how she wrote the song and created those layers of vocal harmonies opened this album up for me. I also love how much space there is in this — I can hear all the elements going on. 

 Jim and Jesse

I have a  love/hate relationship with bluegrass. But I do like a good brother harmony (even if it’s something along the lines of the Louvin Brother’s “The Word Broad Minded is Spelled S-I-N”!)  The harmonies on this song are wild. I also love a song with staggered singing like this, which I find very satisfying to listen to and to sing myself.  I sing this song with my partner Andrew, who is responsible for getting me into Jim and Jesse, Skaggs and Rice, J.D. Crowe and Larry Sparks, among others. 

Maddy Prior and June Tabor

 This is such a masterful example of harmony singing to me — switching who is singing melodies, sliding into unisons, switching high and low. Spare and powerful and effortless. I love the first Silly Sisters album and it's great to know Maddy and June are still killing it. Plus bonus points for a song that mentions eating nettles.

Weems String Band — Greenback Dollar

I first heard this on a compilation called Wink the Other Eye: Old Time Fiddle Band Music From Kentucky. Recently a copy of the prewar 78 came into the record shop I work at! The full band take on this song is so strange and woozily beautiful; and a small window into the world of sounds that were never recorded. I don’t think I’ll ever get into collecting 78s but I sure do appreciate some of the amazing people and labels issuing compilations of songs that would otherwise only ever be heard by a very few.