#Scott Lang aesthetic

[antvnger]

• ˖˙★ go on pinterest & type ' your name + core ' & post the first nine results ! (Or make your own since that didn’t really work for me)

Thanks for the tag @brooklynbred

No pressure tags: @indoraptorgirlwind @inz-lokisdottir @waspofhope @neonsoundbite @redxinmyledger @deafarcher @guardian-rocket @thegrandharveyspecter @born-to-be-mischievous @benevolentgodloki and anyone else who wants to play

[peachy-ash]

𝐢𝐜𝐨𝐧𝐬 𝐚𝐧𝐭-𝐦𝐚𝐧 & 𝐭𝐡𝐞 𝐰𝐚𝐬𝐩: 𝐪𝐮𝐚𝐧𝐭𝐮𝐦𝐚𝐧𝐢𝐚 - scott lang

[live-for-marvel-fics]

Ant-Man/ Scott Lang Aesthetic

[queen-daya]

Carwheeler + Antman and the Wasp aesthetic

[shelbgrey]

Wallpapers:

I own the designs of these wallpapers. If you want to request a certain character please let me know.

[strawberrysnscreams]

I was originally gonna make the colour scheme all red but its boring and I couldn't think of anything to add so instead I added a few flowers and almost pressed save before I forgot to add ants for Christ sake 💀

[heylolita00]

[collectwthme]

[fictionaltrvlr]

Hi, I’m Scott ☺️🫰

this is supposed to look like a scrapbook page but I don’t know how well that turned out haha || cutout credits

[silkpigeon]

I want to love you

I don’t know if I can

[wannabe-british-fangirl]

~ books read in 2024 ~

#2: Look Out for the Little Guy! by Scott Lang

Hi there. Howdy. Heya! Man, I hate introductions.

Rating: 4/5

Three Sentence Review: A bit cheesy and on-the-nose at times, this was nevertheless a funny and inspiring read. It didn't add much to Scott's story, which was what I originally hoped for. But I thought it was clever in terms of how it constructed life lessons around Ant-Man's adventures in the MCU.

[antvnger]

Your Aesthetic Word

Apricate

Apricate means to bask in the sun, to sunbathe. If you got this result, I think you're made of pure sunlight. The warmth you radiate makes people around you feel safe, and I think it's such a wonderful thing. You're like a bouquet of fresh sunflowers or a box of chocolates on someone's birthday. You remind me so much of chamomile, of pretty rainbows that appear in the sky after a thunderstorm. Make sure you love yourself as much as you love others, yeah?

Thanks for the tag @silently-judgingyou

No pressure tags: @strxngetimes @stxrked (if you’d like) @indoraptorgirlwind @neonsoundbite @spideymn @guardian-rocket @benevolentgodloki @loki-notazombie and anyone who wants to play

[peachy-ash]

𝐢𝐜𝐨𝐧𝐬 𝐚𝐧𝐭-𝐦𝐚𝐧 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐰𝐚𝐬𝐩: 𝐪𝐮𝐚𝐧𝐭𝐮𝐦𝐚𝐧𝐢𝐚 - scott lang

[aroaceleovaldez]

Jason webweave - (sources under read more)

yippee i have attempted a webweave. this was very fun. i used to make character aesthetics and moodboards and tbh i might get back into it with this.

SOURCES -

Part 1: [The Last Olympian quote] - [Jason Background] - [Up The Wolves - The Mountain Goats] - [Terry Pratchett] - [Youth - Daughter] - [The Lost Hero chapter formatting] - [Andrei Tarkovsky, Journal 1970-1986] - [The Lost Hero cover - John Rocco] - [Coins of Lupa] - ["Singing someone's praises whilst destroying them" quote] - [Yosemite Background - James Lange] - [Jason overlay] - [Always Gold - Radical Face] - [Hollow quote] - [Sweet Hibiscus Tea - Penelope Scott]

Part 2: [SPQR banner] - [Jason nails a bough to the prow of the argo - William Russell Flint] - [The Lost Hero quotes] - [Knight And Dog quote] - [Jason overlay] - [Wolf overlay] - [IMHSBALIDWD - Waterparks] - [Herd dog quote] - [SCA Roman fighting] - [Coins of Lupa] - [Mimi's Delivery Service - Good Kid] - [Take Me To War - The Crane Wives]

Part 3: [The Lost Hero quotes] - [Lab Animal quotes] - [Cuckoo 1] - [Wolf in shipping container] - [Storm background] - [Jason (mythos)] - [Cuckoo quotes] - [Coins of Lupa] - [Wolves biting] - [Cuckoo 2] - [Wolf background] - [Jason overlay] - [Where You Are - Disney's Moana]

Part 4: [Jason background] - [Wolf Children (2012)] - [Lupa] - [Going Postal At The Party - James Marriott] - [You Are Here - James Marriott] - [Your Sister Was Right - Wilbur Soot] - ["What's your wingspan?"] - [Canary in a Coal Mine - The Crane Wives] - ["Everything I love belongs in my mouth, everything I hate belongs in between my teeth"] - [Car Lights - James Marriott] - [Forget-me-nots] - [Coins of Lupa] - [Two gray wolves] - ["I can't remember / I can't forget"] - ["I am very young and learning how to live"]

[germanpostwarmodern]

When its first issue was published in 1971 the journal archithese started with a surprisingly renowned roster of contributors and quickly gained attention from well beyond Switzerland. Founding editor Stanislaus von Moos conceived the journal as a departure from the utopian, speculative perspective of 1960s, and especially post 1968, avant-garde magazines and as a turning towards discourse, politics, history and current topics to be addressed in architecture: Thus, archithese was postmodern is in the best sense and allowed contributors to embrace the polyvalent nature of architecture.

Although published bilingually in German/French only the journal was received internationally but some readers surely would have wished for an English translation as well. This circumstance is finally accounted for in a very recent publication by Triest Verlag entitled „archithese reader. Critical Positions in Search of Postmodernity, 1971–1976“: edited by Gabrielle Schaad and Torsten Lange the volume collects groundbreaking texts published in archithese between 1971 and 1976. Organized along the thematic blocks „Historicity and Meaning“, „Realism and Autonomy“, „Urbanism and Consumption“, „Use and Agency“ as well as „Territory and Shelter“ gathers texts by, among others, Charles Jencks, Aldo Rossi, Manfredo Tafuri, Denise Scott Brown and Superstudio. Each block is prefaced by an essay that contextualizes the subsequent texts and provides a broader perspective on the topics discussed. As the thematic headlines indicate the texts address a multitude of topics that underscore the polyphony of post-1968 architectural discourse but also demonstrate that some topics are still relevant today: Jürgen Paul e.g. used the reconstruction of the Kornhaus in Freiburg/Germany as background for a general discussion of reconstructive practices and offers worthwhile links for today’s reconstruction efforts.

By virtue of the diversity of voices assembled in the „archithese reader“ it demonstrates that postmodernity was more than an aesthetic phenomenon but indeed a broad discourse that covered an incredibly broad range of topics. A must read!

[fearsmagazine]

GHOSTBUSTERS: FROZEN EMPIRE - Review

DISTRIBUTOR: Columbia Pictures

SYNOPSIS: In the shadow of the iconic New York City firehouse, the Spengler family reunites with the original Ghostbusters. In a new location in Queens they delve into a top-secret research lab, where advanced ghost-busting technology awaits. However, an ancient artifact's discovery unleashes a horde of ghosts, plunging the city into a deathly chill. The only hope for salvation lies in the combined forces of the old and new Ghostbusters as they battle to protect their home and save the world from a looming second Ice Age.

REVIEW: Set after the events of "Ghostbusters: Afterlife" in 2021, "GHOSTBUSTERS: FROZEN EMPIRE" is a compelling addition to the franchise. It deftly blends elements from the original characters, the animated series, and the computer games, resulting in a movie that caters to both longtime fans and newcomers alike.

In the sequel to the Ghostbusters franchise, Gil Kenan and Jason Reitman's screenplay skillfully interweaves original and new characters, allowing each one to shine. The ghostly threat in this film is a formidable and epic menace, similar to a Bond villain. A variety of new and classic ghosts provide diverse challenges. Key locations include the firehouse, Ray Stantz's Occult bookshop, and the New York Public Library on Fifth Avenue.

At the heart of the story is Phoebe Spengler's struggle to balance being a teenager, a Ghostbuster, and her family relationships. This dynamic adds depth and substance to the narrative as the new characters become integrated into the Ghostbusters universe. The film offers a highly satisfying tale and includes numerous Easter eggs that fans will appreciate.

The production values of the movie are superb, featuring a mix of practical and visual effects that bring depth to the Ghostbusters universe. Winston Zeddemore's company offers a blend of old and new equipment, along with Phoebe's unique technological creations. The props are meticulously designed and crafted to enhance visual aesthetics. The ghosts are a well-executed combination of computer-generated imagery and enhanced puppets. The cinematography, framing, and editing contribute to the film's atmosphere and energy. Composer Dario Marianelli delivers a score that pays homage to Elmer Bernstein's original composition while introducing new elements. The music complements the action, creates ambiance, and adds depth to the characters. And of course, no Ghostbusters movie would be complete without the classic theme song by Ray Parker Jr.

The original cast members have aged gracefully, and the screenplay caters to their strengths. Bill Murray remains eternally youthful, embodying an older version of Peter Venkman with the familiar snarky attitude. Dan Aykroyd exudes the wisdom of an old sage, Ernie Hudson grounds the group, and Annie Potts delights as a witty yet mellowed Janine Melnitz. Their combined presence transcends fan expectations.

Contrastingly, the Spangler family—composed of Paul Rudd, Carrie Coon, Finn Wolfhard, and Mckenna Grace—portrays a natural family dynamic. Paul Rudd tones down his performance from his Marvel character Scott Lang, resulting in a more genuine and organic comedic portrayal. However, the spotlight shines brightest on Mckenna Grace as Phoebe Spengler. She portrays a complex teenager grappling with various issues. Her character is fresh, intelligent, and sympathetic, clearly reflecting her lineage as Egon Spengler's granddaughter.

The latest installment in the Ghostbusters franchise, "Frozen Empire," surpasses the accomplishments of "After Life." It reunites the original cast and introduces new characters, resulting in an exciting adventure that also delves into the backgrounds of the characters, bringing them up to date. The movie sets the groundwork for the establishment of the "Ghostbusters Corps" through the character of Winston Zeddmore, broadening the universe and creating opportunities for future narratives. Given the popularity of episodic storytelling, it's plausible that a Ghostbusters spin-off series could emerge on streaming platforms if the fans turn out for this film. If not, there is likely at least one or two more films in the works.

Regardless, it’s an exciting and gratifying ride that I plan to take a few more times while in the theater.The anticipation and excitement that accompanies the thrill ride is palpable from the moment I step into the theater. The atmosphere is electric and charged with a sense of adventure that captivates me. As I settle into my seat, my heart races with anticipation, knowing that I am in for a wild and unforgettable experience.

GHOSTBUSTERS: FROZEN EMPIRE’s twists, turns, action and suspense left me exhilarated. The special effects create a vivid and awe-inspiring spectacle. The sights, sounds, and sensations all come together in perfect harmony, leaving me mesmerized and fully engaged. As the credits came to an end with a final musical touch of the Bernstein score I was left with a mix of emotions – a combination of exhilaration, satisfaction, and a lingering sense of wonder with a touch of sadness. As I left the theater, I carried with me the residual effects of the cinematic experience – a renewed sense of energy and a profound gratitude for the opportunity to have embarked on an extraordinary adventure with Ghostbusters young and old.

CAST: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Celeste O’Connor, Logan Kim, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. CREW: Director/Screenplay - Gil Kenan; Screenplay - Jason Reitman; Based on the 1984 film “Ghostbusters” an Ivan Reitman film written by Dan Aykroyd and Harold Ramis; Producers - Ivan Reitman, Jason Reitman & Jason Blumenfeld; Cinematographer - Eric Steelberg; Score - Dario Marianelli; Editors - Nathan Orloff & Shane Reid; Production Design - Eve Stewart; Costume Designers - Alexis Forte & Ruth Myers; Special Makeup & Live Action Creature Effects Designer - Arjen Tuiten; Special Effects Supervisor - John Van Der Pool; Visual Effects Supervisor - Geoffrey Baumann; Visual Effects - Clear Angle Studios, Sony Pictures Imageworks, Industrial Light & Magic, Barnstorm VFX & Territory Studio

OFFICIAL: www.ghostbusters.com FACEBOOK: www.facebook.com/Ghostbusters/ TWITTER: twitter.com/ghostbusters/ TRAILER: https://youtu.be/X7Di42uUaF0?si=sHPmJzSYD7TwLKbn RELEASE DATE: In theaters March 22nd, 2024.

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri