#Santa Maria in Sylvis

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Greatest Original and Covers of Popular Songs | Part 14

Greatest Original and Covers of Popular Songs | Part 14 Top Songs You Didn’t Know Were Covers and Their Originals - Part 14 521 Shiroku - Inori 522 Westlife - You Raise Me Up 523 Celtic Woman - You Raise Me Up 524 Josh Groban - You Raise Me Up 525 Johnny Logan - You Raise Me Up 526 Secret Garden - Your Raise Me Up 527 Trigo Limpio - Santa Maria 528 Roland Kaiser - Santa Maria 529 Oliver Onions - Santa Maria 530 Angelika Milster - Erinnerung 531 Mireille Mathieu - Nos Souvenirs 532 Katja Ebstein - Traumzeit 533 Paloma San Basilio - Recuerdos 534 Barbra Streisand - Memory 535 Elaine Paige - Memory 536 Boney M. - Malaika 537 Hep Stars - Malaika 538 Fadhili William & The Black Shadows ‎- Malaika 539 Helena Vondráčková - Nač vlastně v půli vzdávat mač 540 Sylvie Vartan - L'amour C'est Comme Une Cigarette 541 Sheena Easton - 9 to 5 (Morning Train) 542 Nikka Costa - (Out Here) On My Own 543 Irene Cara - Out Here On My Own 544 Jairo - Les Jardins Du Ciel 545 Tony Holiday - Nie mehr allein sein 546 Goombay Dance Band - Sun of Jamaica 547 Georgie Dann - El jardín de Alá 548 Dschinghis Kahn - Hadschi Halef Omar 549 Yazz - The Only Way Is Up 550 Otis Clay - The Only Way Is Up 551 SYLVIA VRETHAMMAR - Y Viva Espana 552 Manolo Escobar - Y viva España 553 Imca Marina - Eviva Espana 554 Hanna Aroni – Eviva España 555 Samantha - Eviva España 556 Céline Dion - It's All Coming Back to Me Now 557 Pandora's Box - It's All Coming Back To Me Now 558 Fiorello - Ridi 559 Yahoo - Como o Vento 560 Scorpions - Wind Of Change Related Searches: Covers And Originals Songs, Songs You Didn’t Know Were Covers And Their Originals, Originals And Covers Songs, Covers And Originals, Covers And Their Originals, Originals And Covers Songs Related Hashtags: #coverssongs #coversong #coversandoriginalssongs #coversandtheiroriginals #originalsandcoverssongs #coversandoriginals #coversandtheiroriginals #originalsandcoverssongs #topmusic #bestsongs #hits https://www.youtube.com/watch?v=fE7HuxCpr28

[destinationfvg]

Sesto al Reghena by © @luciana.valeri.73 on Instagram (via @igerspn)

[studiopaulopatriota]

Crônica de Hildegard Angel

Um amigo sugere o título “Morre a última grande dame“. Boa sugestão. Mas não condiz com a realidade. Grandes damas ainda temos poucas. Carmen não foi a última, foi a Primeira e Única, como eu a chamava. Mais do que grande dame, era grande personalidade, grande formadora de opinião, o maior mito da alta sociedade brasileira. Único de abrangência nacional, galgando espaços internacionais. Soube desempenhar seu papel como verdadeira diva, no exclusivo palco dos aristocratas do dinheiro, do poder e dos sobrenomes. Ela fez por onde. A postura sempre altiva, o esnobismo, a seletividade foram elementos importantes na construção de seu mito. As glórias não lhe caíram no colo, ela teve mérito e tenacidade. É nos detalhes sutis que as pessoas se distinguem das outras e são alçadas ao pedestal de nossas admirações. O diferencial de Carmen era ser sempre a mesma com qualquer um, fosse ele o Bill Gates, o Roberto Carlos, um artista anônimo ou o verdureiro da esquina. Carmen conversava igual, tratava igual, emitia os mesmos conceitos, que para alguns soavam como vindos de um universo paralelo. Era igual.

Falar com Carmen Mayrink Veiga foi um dos desafios profissionais que precisei vencer logo aos 18 anos. Não que ela me fosse inacessível, ao contrário. Tinha recebido de minha chefe, a colunista social de O Globo Nina Chavs, a relação de suas fontes diretas, que eu podia contatar quando ela viajava. E lá estava ela, a  diva, a Carmen!

Tímida, atriz, alheia àquele mundo, apesar de curiosa dele, eu precisava reunir a coragem de um acrobata em salto sem rede, sempre que tinha que discar o número de Carmen e ser atendida pelo copeiro Manuel, com empostação de Alec Guinness fazendo mordomo em filme inglês. Eu, respeitosamente, o chamava de “seu Manuel”.

E lá vinha Carmen, transbordando sofisticação. Havia chegado de uma temporada de caça na Áustria. E descrevia os castelos, as roupas, os jantares, os faisões servidos nas travessas ou enfeitando os chapéus das caçadoras, os pavilhões, as matilhas de cães e as cabeças coroadas participantes, príncipe tal e marquês qual, e os nomes se sucediam, Schlumberger, Rothschild, Ali Khan. E tudo acabava em Paris, para onde todos retornavam, enroscados nas mantas de vison das poltronas de seus jatinhos particulares. E eu anotando em ritmo de taquigrafia, para não perder uma vírgula, um respiro, uma entonação, porque tudo o que ela falava, e do jeito que ela dizia, era tão diferente e interessante. Sem dúvida se, naqueles tempos, já se pensasse em Luxo como disciplina de formação em Marketing, Carmen teria sido a mestra decana.

Mestra, Carmen efetivamente foi, informalmente. No Brasil, ela compartilhava aquele mundo inatingível com os sequiosos comuns mortais à sua volta. Era fonte inesgotável de aprendizado. Quer através das informações aos colunistas sociais, das suas entrevistas ou das atenções aos amigos. Se encontrasse algum livro de moda ou de decoração que interessasse ao costureiro Guilherme Guimarães, tratava de trazer com ela, sempre com uma dedicatória com suas impressões e anotações dos trechos que deveriam interessa-lo. Era um “oráculo do luxo”, distribuindo saberes e refinamentos. O bijoutier Alberto Sabino, os estilista Liliane Sirkis, Lino Villaventura e Heckel Verri, a joalheira Laja eram alguns de seus discípulos, e também para as amigas.

Quando me casei pela segunda vez, já aos 38 anos, pedi a Carmen sugestão de um vestido. De Paris, ela me enviou o recorte de um modelo de Yves Saint Laurent, um tailleur longo, e recomendou: “Faça com a Liliane Sirkis da Casa Colette. Ficará perfeito”. E ficou. Até o bordado, Liliane mandou fazer no mesmo bordador de YSL em Paris. Conselho de Carmen não tinha erro.

Mas havia certos conselhos… Quando fiquei noiva de Francis, Carmen nos convidou para almoçar com ela em seu clube. O colunista Zózimo havia publicado que eu estava namorando um “empresário armênio”. E a tribo carioca logo achou que devia ser caixa alta. Tinha quem se dirigisse a ele falando em inglês, em francês. A gente achava graça. Estávamos de partida para uma peregrinação a Medjurgorje voltando por Paris. Carmen resolveu aconselhar o noivo. “Qualquer vestidinho para de dia, de alta costura, em Paris, está custando 30 mil dólares. Os de coquetel custam 80 mil dólares pra cima. Então, quando Hilde for usar os vestidos que você vai comprar, ela tem que ficar atenta, porque essa coisa de comer caviar em pé acaba com qualquer roupa”. Apertei a mão do Francis com medo de ele se levantar da mesa pra nunca mais. E Carmen nem aí. “Outra coisa, Francis. “Não dê bugigangas de 100 mil dólares pra Hilde. Essas joias perdem todo o valor na revenda. O que vale é a pedra. Compre joias importantes para ela”. Foi aí que não me contive. “Ô, Carmen, você quer que eu perca o noivo antes da viagem?”. E caímos os três na gargalhada.

Carmen foi nossa madrinha. Vestiu amarelo. Cerimônia na Candelária às 6 da tarde, pedi chapéu a todas as madrinhas. Carmen usou arco e laço nos cabelos soltos. Estava um deslumbramento. Algumas vieram depois me dizer: “Como uma mulher daquela idade bota um laço no cabelo?”. “Que idade?”, perguntei. Ninguém sabia a idade de Carmen. Ela jamais revelou. E deve ter adorado ver a imprensa brasileira em peso errar sua idade nos obituários.

Para Carmen, não havia idade, havia aparência. Se o rosto “segurava”, podia usar cabelão. E seus cabelos se mantiveram longos até o fim. Usar joias com brilhantes de dia não pode? “Bobagem das brasileiras”, dizia. E usava. Se as pernas estavam bonitas, podia mostrar. E ela vestiu as saias curtas que quis, até ser obrigada a utilizar a cadeira de rodas. Sentava-se nela como uma rainha no trono, envolta em sedas e xales de voile ou cashmere, que movia com feminilidade e elegância. Em seu show da vida, a cadeira de rodas era simples figuração. Ela, a protagonista.

Quando os Mayrink Veiga perderam a fortuna, as cortinas não se cerraram. O interesse da imprensa permaneceu igual, o mundo social continuou a girar em torno de Carmen, Primeira e Única. Os holofotes em potência plena. A fortuna era componente importante, mas Carmen era a luz.

A família era seu interesse principal. Era 100% a favor de manter o casamento, custasse o que custasse. E ficou muito abalada com a morte de Tony. Imaginava que iria antes dele. Nos últimos tempos, cansada e entristecida, só falava em morrer. Queria morrer. No seu aniversário, em abril, segurou-me a mão e se despediu de mim. Achava que a morte logo a levaria. Brinquei, sorri, saí do quarto e chorei. Carmen Única não tem reposição. Éramos só sete amigas e a família. Carmen não conseguiu deixar o leito para nos encontrar na sala. O bolo, carregado por seu filho Antenor, os parabéns, o champagne foram em volta de sua cama, as amigas todas muito bem vestidas e arrumadas. Carmen abriu largo sorriso, estava feliz. Um raio de glamour iluminou aquele seu momento. Ela se alimentava da beleza e do glamour. E beleza plantou por todos os caminhos em que passou.

Resistiu o mais que pôde. A resistência consistia em encontrar ânimo para se preparar para sair, sempre impecável, para almoçar ou jantar (preferia almoço) com amigos ou prestigiar algum lançamento da neta joalheira, Maria. Uma onça matriarca.  Sua paixão pelos gatos era legítima e absoluta. Possuíam entre si uma conexão que só a ciência para explicar no futuro. Tudo dela tinha gato. Nos bilhetes e cartões, ao lado da assinatura, um gatinho desenhado (guardei todos, nesses 50 anos), ou selava o envelope com o cromo de um gato. Nas paredes de seu banheiro. Objetos de gato pela casa. Quando morreu, Top Show e Sylvie foram dos primeiros a perceberem que ela não estava mais lá.

Eliane, a gentil, dedicada, amorosa acompanhante de Carmen nesses anos de dor, pediu aos padres José Roberto e Jorjão para fazer uma oração após a missa de corpo presente no Memorial do Carmo. O caixão estava fechado (pedido dela, segundo Antonia). Sobre ele, um ramo de orquídeas brancas, ao qual Antonia depois juntou um buquê de rosas vermelhas, as rosas de Santa Therezinha, devoção de Carmen Therezinha. Audiência em círculo recuado, contornando o caixão numa distância respeitosa e solene. Todos de preto ou preto e branco. Homens de terno. Muito formal. Reverência a uma grande dama da elegância.

De frente para o caixão e de costas para nós, Eliane falou seu pranto. Uma oração contundente como são as dos fiéis evangélicos. Eliane atribuiu a Jesus e apenas a Jesus todas as superações alcançadas por Carmen, que, numa das muitas idas e vindas ao hospital, morreu e depois sobreviveu por um ano. Eliane emocionou a nós todos. E fez uma revelação: “Antes de morrer, ela disse “minha mãe, eu estou vendo você””.

A mãe de Carmen chamava-se Lourdes. Há meses fui tomar um chá em casa com Carmen. Só nós duas. Ela falou e falou muito de seu pai, Enéas Solbiati, como se quisesse me fazer depositária das informações, para uso futuro. Descreveu a beleza do pai, a amizade entre eles. Foi o homem mais bonito que conheceu. A altura privilegiada. A elegância, sempre de ternos de linho branco, de sapatos bicolor de pelica. E seu sucesso no mundo financeiro, com ocasionais insucessos, dos quais sempre conseguia se reerguer. Lembrou dos bons amigos que ele tinha em São Paulo, como Francisco Scarpa e o conde Matarazzo, e dos tempos da fazenda em Pirajuí.  Quando se referiu à mãe, foi de passagem, “mamãe era elegante, mais para baixa, um pouco para gordinha…”. Eu outra ocasião, contou-me que sua mãe morreu depois de muito sofrimento, vítima de uma doença degenerativa. Morava em São Paulo aos cuidados da irmã de Carmen, que para vê-la vinha de Paris, onde vivia nessa época. Mas Carmen não gostava de falar coisas tristes. Era alegre.

No dia em que morreu, Carmen Mayrink Veiga, brasileira do Hall of Fame das Mais Bem Vestidas do Mundo, vestia uma camisola verde água, combinando com o cinza claro dos bordados dos lençóis. Eliane a ajeitou nos travesseiros para dormir, como sempre fazia naquele horário. Eram cinco e meia da tarde. Carmen virou a cabeça para trás e fechou os olhos, para sempre. Eternizou-se.

[uneminuteparseconde]

Des concerts à Paris et alentour

Juillet 04. Cat Power + H-Burns (fest. Days off) – Salle Pierre Boulez|Philharmonie 04. Bernardino Femminielli + Jean Redondo + Thi-Léa – Café de Paris 05. Klimperei, Sacha Czerwone, David Fenech, Denis Frajerman & Christophe Micusnule – Chair de poule (gratuit) 05. Illnurse bnb BLNDR + Soul Edifice b2b Kuss + Herrmann b2b Primitive + Paris Acid Boys b2b Society of Silence – La Plage de Glazart (gratuit avant 22 h) 05. Pantha du Prince + Scratch Massive (fest. Days off) – Cité de la musique|Philharmonie 05. I Hate Models (dj) + Derrick May + Jardin + Mount Kimbie (dj) + Oktober Lieber + Rodhad + Mor Elian + Olivia... (The Peacock Society fest.) – Parc floral 05. The B-52's – Olympia 05. Ancient Methods + Die Selektion + Ideal Trouble – La Machine 05. Marc Acardipane + Ida Engelhardt + Radium + Wixapol + Parfait – Concrete 05. Laurent Garnier (fest. Days off) – Belvédère|Philharmonie ||COMPLET|| 05. Canari + EggS + Quinzequinze + Os Noctambulos + Casse Gueule + Enablers + Enob + Le Singe blanc + Frustration + Keruda Panter + Make-Overs + The Psychotics Monks + Deux Boules vanille (fest. La Ferme électrique) –  La Ferme électrique (Tournan-en-Brie) 06. Jonsi & Alex Somers jouent "Riceboy Sleeps" (fest. Days off) – Salle Pierre Boulez|Philharmonie 06. Helena Hauff b2b DJ Stingray + Jon Hopkins + Motor City Drum Ensemble + Len Faki + Robert Hood + Octavian + The Black Madonna + Clara! + Nicola Cruz... (The Peacock Society fest.) – Parc floral 06. Inhalt der Nacht + Marai + Munsinger + Felicie – La Station 06. Héron cendré + Marie Klock + BIP3 – péniche Thabor 06. J Mascis – La Maroquinerie 06. Ol' Timey Mesenger + Famille Grendy + Fleuves noirs + Yachtclub + Lèche-moi + The Scanners + Le Sacre du tympan + Bruit noir + Zombie Zombie + Dick Voodoo + Fumo Nero + Le Réveil des tropiques + La Jungle + Tonn3rr3 (fest. La Ferme électrique) –  La Ferme électrique (Tournan-en-Brie) 07. Jonsi, Alex Somers & Paul Corley : "Liminal Soundbath" (fest. Days off) – Cité de la musique|Philharmonie 07. Ministry + 3teeth – La Machine 07/08. Thom Yorke (fest. Days off) – Salle Pierre Boulez|Philharmonie 08. Gossip – Salle Pleyel 08. Melvins – La Plage|Glazart ||ANNULÉ|| 09. Noir Boy Georges + Periods + Les morts vont bien + Corps (fest. Restons sérieux) – Supersonic (gratuit) 10. Francky Goes to Pointe-à-Pitre + Pratos + ToutEstBeau + Dune Basement (fest. Restons sérieux) – Supersonic (gratuit) 11. Pogo Car Crash Control + Mss Frnce + Baasta ! (fest. Restons sérieux) – Supersonic (gratuit) 11. Full of Hell + The Body + Pilori – Gibus 11. Flamingods + Warmduscher + Triptides (Garage MU fest.) – La Station 11. Otto Von Schirach + Curse ov Dialect + DJ Atabat – Espace B 11. Setaoc Mass + VTSS + Opal – NF-34 11. Masada + Sylvie Courvoisier & Mark Feldman + Mary Halvorson quartet + Craig Taborn + Trigger + Erik Friedlander & Mike Nicolas + John Medeski trio + Nova quartet + Gyan Riley & Julian Lage + Brian Marsella trio + Ikue Mori + Kris Davis + Peter Evans + Asmodeus : John Zorn's Marathon Bagatelles – Salle Pleyel ||ANNULÉ|| 12. Carambolage + La Secte du futur + Entracte Twist + Order 89 (fest. Restons sérieux) – Supersonic (gratuit) 12. Tomaga + Утро + Tôle froide + Society of Silence + Sharif Lafrey + Elzo (dj) (Garage MU fest.) – La Station 12. Pierre Chinaski + Little Animal + In My Head – L'International 12. Planetary Assault System – NF-34 11>13. Kraftwerk (fest. Days off) – Philharmonie 13. Miel de montagne + Raymond Amour + La Pince Monseigneur + Amazone (fest. Restons sérieux) – Supersonic (gratuit) 13. The Will Gregory Moog Ensemble (fest. Days off) – Le Studio|Philharmonie 13. Chloé & Vassilena Serafimova : "Sequenza" + Apparat (fest. Days off) – Cité de la musique|Philharmonie 13. La Récré (Garage MU fest.) – canal de l'Ourcq 13. Metz + Bo Ningen + Ashinoa + Die Ufer + Panstarrs (Garage MU fest.) – La Station 13. Hot Bip + Nam Shub of Enki + Bill Vortex + Wankers United + Full Quantic Pass + Jean Turner + Mechanical Heaven + Paroi + Sinead O'Connick Jr. – Jazz Y Jazz 13. Karenn + Casual Gabberz + D.Carbonne + Rendered + The Mover + Tim Tama + Attention Deficit Disorder + Freddy K + James Ruskin + Ascion + Bleaching Agent + Darzack + Hemka + Kotzaak & dj Skinhead + Lars Huismann + Damoclès + Demian + Dersee + Felicie + Herr Mike + Koboyo & Jarod + Scry & Theophiluss – Studio du Lendit (Saint-Denis) 14. Daniel Higgs – Chair de poule 17. Grand Blanc – Safari Boat 18. Neurosis + Yob – Bataclan 19. Domotic + Tiger Tigre + Tite – Espace B 19. Illnurse + 74185# + Stefano Moretti – tba 20. Arnaud Rebotini joue "120 Battements par minute" + Hot Chip (dj) – Grand Palais 20. Inner City + Kevin Saunderson – La Clairière 20. Kerri Chandler + Recondite + Rampue + Konstantin Sibold + Kiasmos + Red Axes + Be Svendsen + Christian Löffler + Oceanvs Orientalis + Jan Blomqvist... – Le Kilowatt (Vitry/Seine) 23. Treponem Pal + Jail + THINK + Komah – L'International 24. Léonie Pernet + Arandel (dj) + Toh Imago (dj) – Safari Boat 25. Ayarcana + [KRTM] + Anthro – NF-34 26. Inhalt der Nacht b2b Echoes of October + SNTS + Falhaber + Keepsakes + Monsieur Nobody + Shirin + Van Der Wiese + Yannøu (Thunder fest.) – La plage de Glazart 27. Ventre de biche + Marie Klock + Arthur de Bary – L'International 27. CJ Bolland b2b D. Carbone + Endlec + Injected + MSKD + Paramod + VCL (Thunder fest.) – La plage de Glazart 27. Anetha + Sentimental Rave + Fjaak + Parfait + Spfdj – tba 27. Rrose – La Machine 28. 138 + Animal Holocaust + CRDN + H880 + Mørbeck + Oposition + Protokseed + Vortek's (Thunder fest.) – La plage de Glazart 30. The Oscillation + LVOE + Anx Club – Supersonic (gratuit) 31. Chloé – Safari Boat ||COMPLET|| Août 01. Thou + Yautja – Gibus 01. Femina Bergs + Joey Molinaro + Evil Moisture – Le Zorba 01. JacidOrex + Axel Picodot + Miss Djax – NF-34 02. Sarin + Tryphème + Sina XX – La Machine 02. Boston 168 + Lacchesi b2b Kuss + Irenee b2b Scry + Jarod b2b Koboyo + Remco Beekwilder b2b Nur Jaber (Duo fest.) – La plage de Glazart 03. Bernardino Femminelli + Arcangelo + Belec + Biola + Inner Lakes + Lamusa II + Sense Fracture + Scardanelli + Divna Mami... – La Station 03. 999999999 + Illnurse b2b Herrmann + Alchemical System b2b B.a.ba + Théophiluss b2b Charlie Oohlala + Stranger b2b Charles green (Duo fest.) – La plage de Glazart 04. Under Black Helmet (Duo fest.) – La plage de Glazart 08>11. Deena Abdelwahed + Officine + December + En attendant Ana + A Strange Wedding + Avventur + Cuften + Poupard + Legion 808 + Hystérie + Summer Satana + Flore + Graal + KX9000 + Myako + The Homeopathics + Meuns... (Fest. Qui embrouille qui) – La Station 08. Clouds + Stephanie Sykes + Nico Moreno – NF-34 15. Ghost in the Machine + Aligment + Niki Strefi – NF-34 17. NOFX – Élysée Montmartre 18. The Driver – But Mortemart|Bois de Boulogne 23. Lumerians + El Gran Chuffle + Santa Dogs – Supersonic (gratuit) 23. The Cure + Eels + Jeanne Added + Johnny Marr + Süeür... (fest. Rock en scène) – parc de Saint-Cloud 23. Jenny Pickett + Enerzion + Solar Return + Julien Heraud + Cambia + Teniang + Jokilla (Electropixel) – Le Zorba 25. Aphex Twin + Foals + Deerhunter + Le Villejuif Underground... (fest. Rock en scène) – parc de Saint-Cloud 26/27. Patti Smith – Olympia ||COMPLET|| 28. Arnaud Rebotini – Safari Boat ||COMPLET|| Septembre 05. Oh Sees + Frankie & The  Witch Fingers (20 ans du disquaire Born Bad) – Bataclan 06. Frustration + Arndales + Ero Guro + Bracco + Succhiamo + Maria Violenza (20 ans du disquaire Born Bad) – La Station 06. The Horrorist + Kobosil + VTSS + Airod + Félicie – La Machine 07. Le Prince Harry + Exek + Entracte (20 ans du disquaire Born Bad) – Point FMR 07/08. Vitamin X + N0V3L + 11Paranoias + The Rebel + 7Occvlta + Roy & The Devil's Motorcycle + Harry Merry + Holliday INN + Années Zéro + Chevignon + La Secte du futur + Hippie Diktat+ ZOH/astre + Pow! + Pile + Pious Faults ... (fest. Frissons acidulés) – Théâtre de verre Co-Arter 11. Crack Cloud – Petit Bain 12. Blawan – NF-34 13. La Colonie de vacances – Le 104 13. Blackmail + Bruit noir + Gontard + Bay – La Maroquinerie 14. Clan of Xymox + Plomb + Je t'aime – Gibus 14. Danny Elfman & le Grand Orchestre d'Ile-de-France : cinéconcert sur "Alice au Pays des merveilles" de Tim Burton – Salle Pierre Boulez|Philharmonie 15. Efrim Menuck & Kevin Doria – La Marbrerie (Montreuil) 18. The Wedding Present – Petit Bain 18. Lust For Youth – La Boule noire 18. JC. Satàn (Safari Boat) – Jardin Tino-Rossi/Quai Saint-Bernard 18. Mùm – La Maroquinerie 19. Black Midi – La Boule noire 20. Spiral Stairs + Canshaker Pi – Olympic café 20. Michel Cloup duo + Troy von Balthazar – Petit Bain 20. Alien Rain b2b Regal + Headstrong + Parfait b2b Illnurse + Remco Beekwilder b2b Raffaele Attanasio (Dream Nation fest.) – Dock Eiffel (Aubervilliers) 21. Surgeon + Regis + AnD + Dj Pete aka Substance + Lady Starlight & Anthony Child + Inoxia aka Myako & Basses Terres + Oko Dj b2b Tryphème (Redbull Music Fest.) – tba 21. Tieum + Shifted + X-Pander + Rebelion + Zadig + Luke Slater... (Dream Nation fest.) – Dock Eiffel (Aubervilliers) 23. The Foreign Resort + Seventeen at this Time + Trancept – Supersonic (gratuit) 23>25. John Cale – Cité de la musique|Philharmonie 24. Drab Majesty + SRSQ – Petit Bain 25. Rudolf Eb.Er, Dave Phillips & Alice Kemp : Schimpfluch Affiliated Actions – Instants chavirés (Montreuil) 25. Dälek + L'Envoûtante – Petit Bain 26. Burial Hex + Les Chasseurs de la nuit + Common Eider, King Eider + Visions – Les Voûtes 26>27. Onceim joue Éliane Radigue + Thomas Ankersmit + Léa Bertucci + Hubbub + Martin Tétreault + Mohammad Reza Mortazavi + Pancrace (fest. Crak) – église Saint-Merri 26. Wayne Hussey – Bus Palladium 27. Noseholes – Espace B 29. James Murphy + Colleen "Cosmo" Murphy + Vincent Privat + Seb le vinyl (Redbull Music Fest.) – Péripate Octobre 01. Emma Ruth Rendel – Petit Bain 01. Sleaford Mods – La Cigale 04/05. Blush Response b2b Thomas P. Heckmann + Dave Clark + Rebekah + Regis + Tommy Four Seven b2b Ancient Methods + ABSL + AZF + Dax J + DVS 1 + Marcle Dettmann + Poison Point + Anetha b2b Randomer + Ben Klock + Andrejko + Amato & Adriani + Bassam + Boston 189 + Charles Green + Dersee + DJ Bone b2b Ben Sims + Fabrizio Rat + Felicie + Louisahhh b2b Maelstrom + Newa + SHDW & Obscure Shape + Thomas P. Heckmann + Tripeo b2b Hemka (Pulse fest.) – Le Grand Dôme (Villebon/Yvette) 05. Nuit de l'orgue avec des œuvres d'Éliane Radigue, Arvo Pärt, Olivier Messiaen, Phillip Glass, Nico Muhly, Jonathan Fitoussi... (Nuit blanche) – Salle Pierre Boulez|Philharmonie (gratuit) 06. Daughters – La Maroquinerie 06. Quator Bozzini joue : "Occam Delta XV" d'Éliane Radigue, "Five String Quartets" de Phill Niblock et "Koan" de James Tenney – La Marbrerie (Montreuil) 08. Sleep – Bataclan 09/10. Ty Segall & Freedom Band – La Cigale 11. Kazumoto Endo + Spore Spawn + Vomir + Autocastration – Instants chavirés (Montreuil) 11. Birds in Row + Lane (Jimi fest.) – Théâtre Antoine-Vitez (Ivry/Seine) 11. New Order – Grand Rex ||COMPLET|| 12. Ben Shemie, John McEntire & Sam Prekop – Petit Bain 14. King Gizzard & Tle Lizard Wizard – Olympia 14. Shannon Wright – Trianon 15. Kate Carr + Valérie Vivancos – Instants chavirés (Montreuil) 17. Puppetmastaz – Trabendo 18. Dream Syndicate – Petit Bain 19. Sisters of Mercy – Bataclan 19. Juan Atkins + Vril + Ceephax Acid crew + Antigone + Onur özer + Fasme (Le Champ des machines) – Le Ferme du Buisson (Noisiel) 19. Pixies + Blood Red Shoes – Olympia ||COMPLET|| 23. Four Tet – Le 104 25. A Certain Ratio – Petit Bain 26. The Monochrome Set – Petit Bain 29. Agent Side Grinder – La Boule noire 30. Oiseaux-Tempête + Jessica Moss – La Maroquinerie 31. Skepta + Mura Masa + Hamza + Zola + Ateyaba + Celeste + Duendita + Ezra Collective + Flohio + Kojey Radical + Master Peace + Slowthai + The Comet is Coming + Yussef Dayes (Pitchfork fest.) – La Grand Halle de La Villette Novembre 01. Chromatics + Belle & Sebastian + Primal Scream + Weyes Blood + Barrie + Briston Maroney + Chai + Desire + Drugdealer + Helado Negro + In Mirrors + Jackie Mendoza + Nilüfer Yanya + Orville Peck + Sheer Mag + Squir (Pitchfork fest.) – La Grand Halle de La Villette 02. Charli XCX + 2manysdj (dj) + Aurora + SebastiAn + Aeris Roves vs Jamila Woods + Jessica Pratt +Kedr Livanskiy + Korantemaa (Pitchfork fest.) – La Grand Halle de La Villette 08. Bedroom Community – Cité de la musique|Philharmonie 08. Boy Harscher – Trabendo 10. Amiina : cinéconcert sur "Fantomas" de Louis Feuillade – Le Studio|Philharmonie 10. Ôlafur Atnald + Hugar – Salle Pierre Boulez|Philharmonie 10. Fontaine D.C. – Bataclan 14. Girl Band – La Maroquinerie 15. Kap Bambino – La Gaîté lyrique 15. Chemical Brothers – Seine musicale (Boulogne-Billancourt) 17. Nitzer Ebb – La Machine 19. Earth – Petit Bain 23. Billy Childish (fest. BBmix) – Carré Bellefuille (Boulogne-Billancourt) 24. Midori Takada (fest. BBmix) – Carré Bellefuille (Boulogne-Billancourt) 24. The Young Gods + Les Tétines noires – La Machine 26. Wardruna – Olympia Décembre 01. Motorama – La Maroquinerie 06. Phillip Glass Ensemble : cinéconcert sur "Koyaanisqatsi" de Godfrey Reggio – Salle Pierre Boulez|Philharmonie 07. Phillip Glass Ensemble : cinéconcert sur "Powaqqatsi" de Godfrey Reggio – Salle Pierre Boulez|Philharmonie 08. Phillip Glass Ensemble : cinéconcert sur "Naqoyqatsi" de Godfrey Reggio – Salle Pierre Boulez|Philharmonie 12. Mono + Jo Quail – Petit Bain 2020 Janvier 04. Rokia Traoré + Ballaké Cissoko & Vincent Segal – Salle Pierre Boulez|Philharmonie 29. Rendez-Vous – La Cigale 31. Tindersticks – Salle Pleyel Février 13. Ride – Le Trianon 16. Orchestral Manoeuvre in the Dark – La Cigale 24. Sleater Kinney – Le Trianon Mars 07. Ensemble intercontemporain joue Steve Reich : cinéconcert sur un film de Gerhard Richter – Salle Pierre Boulez|Philharmonie 20. Ensemble Dedalus joue "Occam Ocean" d'Éliane Radigue – Le Studio|Philharmonie 21/22. Laurie Anderson : "The Art of Falling" – Cité de la musique|Philharmonie Mai 08. Max Richter : "Infra" + Jlin + Ian William Craig – Cité de la musique|Philharmonie 09. Max Richter : "Voices" – Salle Pierre Boulez|Philharmonie 10. Max Richter : "Recomposed" & "Three Worlds" – Salle Pierre Boulez|Philharmonie 24. Damon Albarn – Salle Pierre Boulez|Philharmonie en gras : les derniers ajouts / in bold: the last news

[mediaway]

ICE recovers 19th century painting stolen from Italian monastery

ICE recovers 19th century painting stolen from Italian monastery

The US Immigration and Customs Enforcement agency recovered a 19th century painting Wednesday looted from the Abbey of Santa Maria in Sylvis in Sesto al Reghena, Italy, in 2002, officials said in a statement.

The stolen artwork, titled “the Assumption of the Virgin Mary,” was painted by Italian artist Giuseppe Pappini in August 1851.

ICE’s Homeland Security Investigations (HSI) in Dallas was…

[sdsuconcertchoiritaly]

Day 8: Assisi, Part 2

In the morning light we can see Assisi for the first time. It’s a bit gray and foggy this morning, but by mid-afternoon the sun will be shining. After breakfast, I step onto the balcony of the hotel restaurant to look out over the valley below us in the daylight. In the distance I can see the Basilica di Santa Maria di Los Angeles, built in the spot where St. Francis died.

Our local guide, Eduardo, meets us at the hotel and we walk to the Bacilica di San Francesco. Surrounding the basilica is an entire complex where up to 100 Franciscan friars live. The basilica is rather unique in that it contains two churches, one built on top of the other. The lower church is more Romanesque with a shallower ceiling while the upper church is Gothic and quite a bit taller. Photos aren’t allowed in most of the places we explore today, so I don’t have my own pictures of the inside to share. In both the upper and lower churches, the walls and ceilings are covered in colorful Byzantine-style frescoes depicting scenes from the gospel and St. Francis’s life. The floor (and presumably the walls underneath the frescoes) is made of local marble, which is white, pink, and brown. We’ll see this same type of stone in other places across town.

Eduardo is a former law professor and has lived in Assisi for 40 years. He tells us about the life of St. Francis, some of which is depicted in the frescoes around us. St. Francis’s given name was actually John, but his mother used to call him her “little Frenchman,” which was translated to Francesco in Italian and became the name he was known for later in life. When St. Francis was about 23 years old, he left his family (his father had been rather harsh when Francis did not show interest in taking over the family business, including chaining him in the cellar for a week) for the church. St. Francis received the stigmata at 42 and later died at 44, having bled from his wounds constantly during that time. It is said that near his death, Francis left Assisi to go a small chapel in the valley below, and at the moment of his death, lights came down from the heavens to escort his soul to God. This and other miraculous events were recounted during St. Francis’s canonization, which was completed within just 18 months of his death.

St. Francis’s remains are buried in a crypt underneath the lower church. It’s a strange feeling to be within inches of a saint’s body and to be able to touch the stone surrounding their remains—a saint as widely known as St. Francis, no less. Though we know this intellectually, I’m struck now in a more profound way that all the saints, apostles, and of course Jesus himself were real people who walked the earth and lived lives not entirely different from ours. It’s hard to be disconnected from all of that when you’re walking the same streets they walked and seeing their very bones before you.

Next, we head across town to the Basilica di San Chiara (St. Clare). St. Clare founded an order of religious sisters that remains in existence today. The basilica is notable for containing a crucifix in which Jesus is depicted with his eyes open. Eduardo tells us this is in line with the Byzantine tradition, which emphasized the resurrection more than the crucifixion. St. Clare’s remains are kept in a beautiful crypt below the basilica, along with several relics from her and St. Francis: clothes, belongings, even locks of hair. While accounts differ, St. Clare’s body is said to be incorrupt, meaning it has not decayed over the centuries. At her tomb, there is a waxy figure dressed in her clothes laying atop what I had thought was her sarcophagus. We later learn this was Clare’s remains encased in beeswax. Again, I’m moved in seeing the remains and relics of these important figures in the history of the church, preserved over centuries.

Lunch and afternoon exploration is on our own. Miranda, Sylvie, Ted, and I grab lunch at a restaurant just off of Piazza del Comune at the city center. Miranda has a Parmesan ravioli and the other three of us have a lasagna made with sausage and broccoli in a white sauce. We get a bottle of local red wine to share. It’s all delicious—perhaps some of the best food we’ve had yet.

After lunch, we grab a pastry and meet up with some of our other friends to climb up to the Rocca Maggiore, a castle that sits at the top of the mountain above Assisi. It’s rather standard and plain as far as castles go. There are a few rooms that contain some pieces of armor or old decorations, and there is an exhibit showing some sort of medieval fair that was held in the town recently. At the top of the tower, our little group sings a couple songs because the acoustics are fantastic. Outside the castle, I walk to the other side of the hill for a view of this part of the valley. Before arriving in Italy, I’d had no idea the country was so mountainous.

On the way down from the castle, we divert from the route we took up the hill to check out the Cathedral of St. Rufino, who was the first bishop of Assisi. This is the third major church in this small town, and we visited one more smaller church on our walk this morning. Everyone heads their separate ways, some to shop, some to nap, and Ted and I go to the Roman forum, an underground excavation of the Roman ruins beneath Piazza del Comune. While exploring these, I remember seeing similar things in Greece and having to use quite a bit of imagination to picture what once existed here. Above ground, we also stop inside the church of Santa Maria sopra Minerva, a Roman temple to Minerva that was later taken over by the Christians. This temple was once the centerpiece of the the Roman forum whose ruins remain about 10 feet below.

From here, Ted and I split up and I walk along a few shops back toward the Basilica of St. Francis. I find a rosary that I like and enjoy some quiet time outside the basilica watching the sun descend over the horizon. I return to the hotel in time for a 20-minute nap before changing into my tuxedo and heading downstairs to meet the rest of the group to head to dinner. We have dinner at a restaurant up the street called Buca di San Francesco. It’s a three-course meal of bruschetta, chicken and potatoes, and a chocolate apple pastry. Throughout dinner, several folks get sick or have to leave to go back to the hotel. A few people have gotten sick up to this point and have stayed behind for various parts of our tour. From the looks of it, we’ll be down about 10 singers for our concert tonight.

After dinner we walk to the Basilica of St. Francis, where we’ll be performing at 9:00pm in the lower church. By the time we start, the place is about half full, with more and more people trickling in as the concert goes on. By the end, we’re singing to a full house, whose enthusiastic applause prompts us to sing an encore of the Prayer of St. Francis. It’s pretty special to be singing that song (twice) just feet above where St. Francis is buried.

We make our way back to the hotel and I have a glass of wine with Sylvie and Miranda as we pack our things up and listen to our concert, which was broadcast on the St. Francis of Assisi Facebook page. I head to bed at about midnight, but I’ll wake up in middle of the night to find that I, too, have gotten sick with the same stomach bug that seems to be making its rounds through the choir.

[freedomtripitaly]

Sesto al Reghena, in provincia di Pordenone, è un autentico borgo gioiello del Friuli le cui origini affondano in età pre-romana. Qui, al confine con il Veneto, campi sapientemente coltivati indicano la “terra degli abati“, zona ricca di verde e corsi d’acqua dove, verso la metà del VIII secolo, venne fondata l’Abbazia benedettina di Santa Maria in Sylvis, simbolo di Sesto e fulcro di arte, cultura e spiritualità. PH Borghi Più Belli d’Italia A Sesto si respira una placida atmosfera bucolica tra rive profumate dai tigli e campagne punteggiate da siepi fiorite. Scopriamo insieme quali sono i maggiori punti d’interesse che uno dei Borghi Più Belli d’Italia regala al visitatore. Abbazia di Santa Maria in Sylvis L’Abbazia venne fondata dai Longobardi dove, a quel tempo, sorgeva una vasta foresta e tuttora è una delle più importanti istituzioni monastiche della regione. Si accede al complesso passando sotto la robusta Torre Grimani, di epoca rinascimentale, una delle sette torri che componevano i cardini delle mura e donavano all’Abbazia le sembianze di un castello fortificato. PH Borghi Più Belli d’Italia Oltre alla Torre Grimani, rimangono ancora ben visibili la torre campanaria, l’antica cancelleria abbaziale (sede della giurisdizione civile) e la residenza degli abati, costruzione rinascimentale oggi sede del Municipio. La chiesa di Santa Maria conserva pregevoli opere pittoriche a partire dai monumentali affreschi del portale d’ingresso che riportano figure di Santi e scene cavalleresche, a opera di pittori padovani della scuola di Giotto. Nella cripta sono custoditi altri tesori artistici: la quattrocentesca Pietà, o Vesperbild, la duecentesca scultura in marmo dell’Annunciazione e l’urna di Sant’Anastasia, incantevole monumento d’età longobarda. L’Abbazia sorprende per l’abbondanza di immagini e raffigurazioni, emozionanti e toccanti, perfettamente conservate e testimonianza di un fulgido passato ricco di arte e cultura. Parrocchiale di Bagnarola e la Chiesa di San Pietro Altre mete da non perdere durante una visita a Sesto al Reghena sono la chiesa di Bagnarola, che conserva al suo interno un crocifisso ligneo rinascimentale, una fonte battesimale del Cinquecento, una Pietà di Amalteo del 1540 e un suggestivo organo Bazzani, e la chiesetta di San Pietro, esempio di architettura campestre medievale con abside semicircolare. Villa Freschi e Villa Fabris Al di fuori del borgo che rimane protetto dalle mura dell’Abbazia, si possono ammirare due splendide ville del Settecento, Villa Freschi e Villa Fabris, fulgido esempio di tipiche ville friulane, con oratorio e facciata rinascimentale. Villa Freschi è impreziosita da un parco e lago contornati da pittoreschi cipressi di palude. I dintorni La rilassante atmosfera della campagna friulana nei dintorni di Sesto è punteggiata da testimonianze votive e architetture ecclesiastiche quali, ad esempio, l’Oratorio di San Giuseppe, la Chiesa di San Marco, l’Oratorio del Cristo ricco di affreschi, l’ottocentesca Chiesa di Sant’Antonio. Inoltre, simbolo del territorio è la fontana di Venchieredo, citata dallo scrittore Ippolito Nievo nel suo “Confessioni di un italiano”. PH Borghi Più Belli d’Italia https://ift.tt/2nGD8eX Sesto al Reghena: il borgo abbracciato dall’Abbazia Sesto al Reghena, in provincia di Pordenone, è un autentico borgo gioiello del Friuli le cui origini affondano in età pre-romana. Qui, al confine con il Veneto, campi sapientemente coltivati indicano la “terra degli abati“, zona ricca di verde e corsi d’acqua dove, verso la metà del VIII secolo, venne fondata l’Abbazia benedettina di Santa Maria in Sylvis, simbolo di Sesto e fulcro di arte, cultura e spiritualità. PH Borghi Più Belli d’Italia A Sesto si respira una placida atmosfera bucolica tra rive profumate dai tigli e campagne punteggiate da siepi fiorite. Scopriamo insieme quali sono i maggiori punti d’interesse che uno dei Borghi Più Belli d’Italia regala al visitatore. Abbazia di Santa Maria in Sylvis L’Abbazia venne fondata dai Longobardi dove, a quel tempo, sorgeva una vasta foresta e tuttora è una delle più importanti istituzioni monastiche della regione. Si accede al complesso passando sotto la robusta Torre Grimani, di epoca rinascimentale, una delle sette torri che componevano i cardini delle mura e donavano all’Abbazia le sembianze di un castello fortificato. PH Borghi Più Belli d’Italia Oltre alla Torre Grimani, rimangono ancora ben visibili la torre campanaria, l’antica cancelleria abbaziale (sede della giurisdizione civile) e la residenza degli abati, costruzione rinascimentale oggi sede del Municipio. La chiesa di Santa Maria conserva pregevoli opere pittoriche a partire dai monumentali affreschi del portale d’ingresso che riportano figure di Santi e scene cavalleresche, a opera di pittori padovani della scuola di Giotto. Nella cripta sono custoditi altri tesori artistici: la quattrocentesca Pietà, o Vesperbild, la duecentesca scultura in marmo dell’Annunciazione e l’urna di Sant’Anastasia, incantevole monumento d’età longobarda. L’Abbazia sorprende per l’abbondanza di immagini e raffigurazioni, emozionanti e toccanti, perfettamente conservate e testimonianza di un fulgido passato ricco di arte e cultura. Parrocchiale di Bagnarola e la Chiesa di San Pietro Altre mete da non perdere durante una visita a Sesto al Reghena sono la chiesa di Bagnarola, che conserva al suo interno un crocifisso ligneo rinascimentale, una fonte battesimale del Cinquecento, una Pietà di Amalteo del 1540 e un suggestivo organo Bazzani, e la chiesetta di San Pietro, esempio di architettura campestre medievale con abside semicircolare. Villa Freschi e Villa Fabris Al di fuori del borgo che rimane protetto dalle mura dell’Abbazia, si possono ammirare due splendide ville del Settecento, Villa Freschi e Villa Fabris, fulgido esempio di tipiche ville friulane, con oratorio e facciata rinascimentale. Villa Freschi è impreziosita da un parco e lago contornati da pittoreschi cipressi di palude. I dintorni La rilassante atmosfera della campagna friulana nei dintorni di Sesto è punteggiata da testimonianze votive e architetture ecclesiastiche quali, ad esempio, l’Oratorio di San Giuseppe, la Chiesa di San Marco, l’Oratorio del Cristo ricco di affreschi, l’ottocentesca Chiesa di Sant’Antonio. Inoltre, simbolo del territorio è la fontana di Venchieredo, citata dallo scrittore Ippolito Nievo nel suo “Confessioni di un italiano”. PH Borghi Più Belli d’Italia Sesto al Reghena, nella terra degli abati, regala la rilassante atmosfera bucolica di un tempo tra arte e antiche testimonianze

[wandashifflett]

ICE Agents Recover 19th-Century Painting Stolen From Ancient Italian Monastery

Stolen almost two decades ago from an ancient abbey in northeastern Italy, a trafficked 19th-century art piece is making its way back home. The U.S. Immigration and Customs Enforcement agency recovered a 19th-century painting Wednesday looted from the Abbey of Santa Maria in Sylvis in Sesto al Reghena, Italy, in 2002, officials said in a …

Read moreICE Agents Recover 19th-Century Painting Stolen From Ancient Italian Monastery

from Rayfield Review News https://therayfield.com/ice-agents-recover-19th-century-painting-stolen-from-ancient-italian-monastery from The Ray Field https://therayfieldreview.tumblr.com/post/628440438652682240

[therayfieldreview]

ICE Agents Recover 19th-Century Painting Stolen From Ancient Italian Monastery

Stolen almost two decades ago from an ancient abbey in northeastern Italy, a trafficked 19th-century art piece is making its way back home. The U.S. Immigration and Customs Enforcement agency recovered a 19th-century painting Wednesday looted from the Abbey of Santa Maria in Sylvis in Sesto al Reghena, Italy, in 2002, officials said in a ...

Read moreICE Agents Recover 19th-Century Painting Stolen From Ancient Italian Monastery

from Rayfield Review News https://therayfield.com/ice-agents-recover-19th-century-painting-stolen-from-ancient-italian-monastery

[victorsantamariablr]

[Victor Santa Maria] “Nuestra generación será la que elimine la ablación en Senegal”

Sylvie Diack, de 20 años, lidera el movimiento juvenil para erradicar la mutilación genital femenina, el matrimonio infantil y el embarazo precoz en su país Victor Santa Maria via Medio ambiente http://bit.ly/2Suxo57

[destinationfvg]

Esplorazione al Presepe Vivente di Sesto al Reghena - 2017 by © LD Media

[hellorrrriiii-blog]

studio shop a 350 collana guess cuore prezzo rue Saint Honoré

Mi piacciono le scale che portano al workshop della palude, gli ascensori nella torre del diamante diexchange in Mumbai, internazionali principali fiere di Basilea a Hong Kong e ho shop come posso fare il mercato a La Bastiglia la domenica e il ritorno diquesti ingredienti che ho assemblare nel mio studio shop a 350

collana guess cuore prezzo

rue Saint Honoré district Vend. Weill, presidente del Museo delle Arti decorative di Parigi fino a febbraio, ricorda gli eventi e le loroconseguenze nel prologo di un libro su Jean Despres: dopo la II Guerra Mondiale, vuole. Tutto questo con fodera in pelliccia sintetica, naturalmente. Il loro design esclusivo e alta qualità delle pelli utilizzate lo rendono unindispensabile accessorio di moda per trend e fashion rimangono in tutte le circostanze. Per illavoro e per passeggiate invernali, metallico imbottito brocade cappotti o eskimo realizzato in oro brunito shaggy shearling. La Armory hotel assomiglia a uno stadio e un enorme Jumbotron schermate visualizzano i nomi dei modelli.

In primo luogo ho cominciato una storia di arte licenza. Ovunque, il gioiello è ora costituito da un qualsiasi materiale e spesso da semi. Tous le istituzioni si sono stretti attorno al loro team. Une conferenza su baguea nota che Sylvie Lambert, studente di dottorato di ricerca alla Sorbona eautore del bookthe guess bambino, background storico e simbolico, sarà l'ospite d'onore della manifestazione. Stucchi, marmi, affreschie bronzi dorati cast in piena vista come la magnifica statua di San Ignazio di Loyola, traboccante di denaro e preciseuses pietre eincorniciato schierata lapislazzuli. Arte trasmetterlo apochi anni fa, un documentario Yvon Gérault ora disponibile su DVD che racconta la storia di questo gioiello è scomparso per parecchi decenni eripristinato il più strettamente possibile, senza il diamante prezioso da

orecchini guess cuore e swarovski

birre.

Ecco il motivo per cui siamo in grado di trovare le chiese Basilica di Santa Maria deglispagnoli, di santa Caterina da Siena, San Giovanni dei Fiorentini e Saint. In contanti, dal mix CLEOR Pearl Collection è costituita da una serie di due cordone asimmetrici Diametri e vienein molte forme e colori a mescolare a volontà. Browns, grigi e dai toni dorati della sabbia calda. Lavorato piena di vendita on line sito web designer jewelery note preziose ora offre gioielli MarineDelano.000 jewelrys distribuiti in 3000 punti vendita in 50 paesi. Il grido del Rubino - Marie Bertherat Fleurus editionsdiane, Diamond Fairy Daisy

anello guess donna prezzo

Meadows Magic Arc-en-ciel, fata gioielli Pocketgioventù Il nuovo Gold Rush, il documentario molto interessante la Pomellec Camille, era rebroadcast su 22 agosto scorso sul Canal +.

www.guess-spaccio.com

[igersfvg]

Oggi a Sesto al Reghena in occasione delle #giornatefai di primavera abbiamo festeggiato il #WWIM15 nel segno della gentilezza. Abbiamo iniziato la nostra passeggiata fotografica da Villa Fabris, aperta esclusivamente per questa giornata, perseguendo poi lungo il centro cittadino di uno dei borghi più belli d'Italia. Abbiamo concluso la giornata con la visita della bellissima Abbazia di Santa Maria in Sylvis (sullo sfondo della nostra foto). Un grazie infinito ai ragazzi @faigiovanifvg che ci hanno accompagnato durante tutto l'instameet guidandoci in tutti i luoghi aperti. #faicambiarelitalia #wwim15fvg #igersfvg #igersitalia #igerspn #instagram http://ift.tt/2mEvi3O

[terrecorse]

Soutien à André Paccou et à la LDH Corsica. Nous sommes déjà 254 personnes à avoir décidé, en conscience, de rejoindre la démarche proposée par cette déclaration.

Soutien à André Paccou et à la LDH Corsica la déclaration:

http://terrecorse.tumblr.com/post/154973384885/soutien-%C3%A0-andr%C3%A9-paccou-et-%C3%A0-la-ldh-corsica

Nous approuvons cette déclaration

La campagne de haine et les appels à la violence, qui se développent sur internet contre le premier responsable de la Ligue des Droits de l’Homme en Corse, sont contraires aux simples droits humains, ils sont inacceptables et dangereux pour notre société. Nous appelons les démocrates, quelles que soient leurs convictions politiques personnelles, à soutenir cette déclaration en faveur de la Ligue des Droits de l’Homme : elle  a déjà eu pour effet d’entraîner la réaction haineuse, sur internet, d’un groupuscule fascisant ; preuve, s’il en fallait une, que ce texte vise juste. Nous décidons, même si nous ne partageons pas toutes les options des initiateurs de cette déclaration, d’apporter sur ce point notre soutien à leur démarche.

Les 254 premiers signataires   (au 15 janvier 2017)

Jean-Claude Acquaviva ; Jean-Charles Adami, Joseph Agostini ; Rudhy Albertini ; Jean Alesandri ; Juliette Alesandri ; Fanfan Alesandri ; Nicolas Alaris ; Isaline Amalric ; Charly Amet ; Jean Louis Amidei ; Madeleine Amidei ; René Amoretti ; Anissa-Flore Amziane ; Sylvie Andula-Mouton ; Angelici-Derosa Marie-Ange ; Patrice Antona ; Ghjuvan Maria Arrighi ; Florence Antomarchi ; Philippe Arnauld ;  Jacqueline Arrii-Wroblevski, résistante, présidente d’une association d’Anciens Combattants ; Audouard Gaetan ; Etienne Bastelica ; Alain Barinet ; François Bartoli ; Jean-Pierre Battestini ; Lina-Joss Beautier ; Alain Benielli ; François Berlinghi ; Viviane Biancarelli ; Joachim Bigi ; Jean-Michel Biondi ; Renée Bisgambiglia ; Jean-Paul Blandino ; Sophie Blervaque-Baudouin ; Nicolas Blin ; André Borchini ; Marc Borelli ; Paul Borelli ; Henri Brosse ; Paula Bruschini ; Jean-Baptiste Bruschini ; Dominique Bucchini ; Muriel Buisson ; Alain Calisti ; Alexandra Landro Cancellieri ; Anthony Casanova ; Patrice Casanova ; Charles Casabianca ; Paul Casabianca ; Marie Casabianca ; Agnès Casale ; Amiel Casale ; Leonisa Casale ; Noël Casale ; Charles Cassetari ; Valérie Caux ; Françoise Ceccaldi-Nordee ; Daniel Cerutti ; Ange Cesari ; Laurent Chiocca ; Michèle Chiocca ; Katia Chipolina ;  Hyacinthe Choury ; Marcelle Cimino ; Antoine Ciosi ; Corinne Clavière ; Jacky Corbel ;  Philippe Coutellier ; Antoine Crestani ; Patricia Curcio ; Stéphane Cuvilliez ;  Michel D’Alverny ; Paulette Dadoit-Ristorcelli ; Marc Defendini ; Pierre-Jean Delavalle ; Serge Demailly ; Francine Demichel ; Toussainte Devoti ; Diego Diaz ; Patricia Dieudonné ; Jean-Charles Dionisi ;  Franck Domain ; Guy Doussot ;  Nicole Duplan ; Françoise Dumahu ;   Gérard Elineau ; Antonia Erhart ; Antoine Etienne ; Jean-Pierre Fabiani ; Antoine Fanucci ; Pierre Faure ; Marie-Odile Favard ; Michel Fazzini ; Manette Ferrandini ; Jean-François Ferrandini ; Ange-Marie Filippi-Codaccioni ; Paulette Filippi-Codaccioni ; Claudine Filippi ; Ange-François Filippi ; Béatrice Fillios ; Marie-Pierre Fiori ; Juliette Fix ; Michel Fix ; Martine Fort ; José FORT ; France Insoumise (Marseille) ;  Félix Franceschi ; Mélanie Franceschi ; Michèle Furtuna ; Gérard Gagliardi ; Alexandra Gaffory ; Raymond Gas ;  André Gaudemard ; Ignazio Genova ; Marcel Giard ;  Philippe Istria ; Hélène Giacomoni, Jean Jacques Gil, Jean-Michel Gilbert ; Serge Gori, Alex Gonzalez, Chantal Gossin, Paquy Graziani, Dominique Guglielmacci, Christian Guadagnini, Jeanne Guerra ; Pierre Guidicelli ; Michel Houdayer ;  Daniel Herrmann ;  Claudine Jouet-Maginot ; Benoît Laforêt ; Martine Lefuma-Maginot ; Gilles Larnaud ; Paul Larnaud ; Françoise Larouge ;  Serge Laybros ; Maïté Lemire ; Stéphane Leroy ; Charly Levenard ; Catherine L’helgouach ; Jacqueline Lledo ; Yves Lledo ; Pierre Llorens ; Jean-François Lomellini ; Jean-Pierre Lovichi ; Catherine Lovighi ; Anne-Marie Luciani ; Marc Luciani ; Jean-Pierre Luciani ; Marie-Josée Luciani ; Paul Antoine Luciani ;  Viviane Lucchini ;  Ghjiseppu Maestracci, collectif Ava Basta ; Jean-Pierre Maginot ; Chloé Maginot ; Danièle Maoudj ; Antoine Mandrichi ; Joseph Marcaggi ; Francis Marcantei ; Françoise Mariani ; Charles Mariani ; Thérèse  Marietti ;  Yves Marietti ; Pierre Mariini ; Liliane Mariini ; Béatrice Martin ; Marie-Antoinette Massimi ; Marius Massimi ; Jean-Marie Mattei ; Patrick Maurieres ; Jean-Michel Medori ; Angèle Mercuri ;  Guy Meria ; Nicole Mesquida ; Leo Micheli ; Jeanine Mondoloni ; Bruno Mondoloni ; Gérard Mondoloni ; Marie-Ange Moracchini ; Fanfan Moracchini ; Baptiste Murroni ; Christophe Muselli ; Pierre-Ange Muselli ;  Marie-Jeanne Nicoli ; Maxime Nordee ; Marie-France Nunez ; Occitania Antifascista ; Roland Orève ; Pascale Ortoli  ; Tony Paoli ; Marie-Françoise Paoli ; Cathy Paolini ; Antoine Paolini ; Marie-Angèle Paolini ;  Alain Peraldi ; Françoise Perbet-Savelli ; Jacques Perona ; Roland Perona ; Marie-Lucie Perona ; Annick Peigné-Giuly ; Natacha Pimenoff ; Noël Pinzuti ; Marine Play ; Daniel Play ; Marthe Poli ;  Eve Pommepuy ; Nadine Poulain ; Jacqueline Prévert ; Jean-Marc Pupponi ;  Anita Marie Rao ; Jean Rabaté ; Marlène Rasori ; Lou Rengue ; Monique Richoux ; Christophe Richoux ; Josette Risterucci ; Nadine Ristorcelli-Domain ; Mickael Romani ; Marcelle Rombaldi ; Fred Roquelle ; Pascal Rossi ;   Philippe Sabot ; Julia Sanguinetti ; Sampiero Sanguinetti ; Michèle Santamaria ; Cindy Santacroce ;  Jean-Pierre Savelli ; Lila Adelina Segal ; Marie Sereni ; Danael Serre ; Santa Simonpietri ; Catherine Soro ; Sophie Soubeyrand ; Michel Stefani ; Gilbert Stromboni ; Liza Terrazzoni ; Jean-Jacques Thomas ; Christiane Tomei ; Ange Tomei ; Louis Tomei ; Dominique Torre ; Rosette Tramoni ; Michel Tramoni ; Stéphanie Tramoni ; Jean Valéry ; Guy Vianey ;  Noelle Vincensini, ancienne déportée, résistante ; Didier Wallisch-Santoni ; Louis Zedda ; Yolande Zicchina ; Noël Zicchina ; Patrick Zucconi.  

            Nous sommes déjà 254 à avoir décidé, en conscience, de rejoindre la démarche proposée par cette déclaration. C’est un résultat important qui prouve une volonté de résistance et de rassemblement pour défendre ce que représente une organisation démocratique comme la Ligue des Droits de l’Homme ; et pour faire face aux forces obscures, de plus en plus actives et insidieuses, qui tentent de saper les fondements mêmes du pacte républicain.

Cette volonté de résistance et de rassemblement est loin de n’être que celle des initiateurs communistes d’une déclaration qui est désormais la nôtre. Notre nombre et notre diversité nous donnent de la force, une force qui sera d’autant plus efficace que le nombre de nos soutiens prendra une ampleur inédite dans les jours qui viennent.

Tous ceux qui veulent partager et signer cette déclaration de soutien à la LDH, peuvent le faire en contactant un militant ou en envoyant un message aux adresses suivantes : pcf.ajaccio@orange.fr ou bien pcf2b@orange.fr ou encore en écrivant aux blogs « U Rossu » et « Terre corse », ou encore sur le compte Facebook : « PCF-Fédération de la Corse du sud ». Ils peuvent aussi s’adresser directement à la LDH en précisant qu’ils soutiennent notre déclaration.

[sdsuconcertchoiritaly]

Day 13: Rome, Part 5

Today is our last full day in Rome and it’s also my 25th birthday. We have the day free for independent exploration and I have a couple things on my list of must-sees before we leave Italy.

I head down for breakfast around 9:30am and see a few choristers getting ready for the day as well. I have some corn flakes, bacon, eggs, and fruit and talk with Dr. Diddle a little before heading to meet a few friends who have just come down and gotten a table of their own. The rest of the crew needs a little while longer to get ready to leave, so it’s nearly 11:30am by the time we leave the hotel heading for the Pantheon. Miranda, Cari, and Sylvie headed out early this morning to see a couple churches: Santa Maria Maggiore, St. John Lateran, and St. Augustine, where St. Monica is buried. We’re meeting them at the Pantheon at noon.

We have public transportation passes for the day, so we take the bus for 20 minutes and only have to walk a couple blocks. This is super handy, and having my phone activated turns out to be helpful in navigating the bus system later this afternoon. There is a fountain in the piazza outside the Pantheon where we meet the girls to head inside.

The Pantheon is a perfect circle with a massive bronze dome and large “demon’s hole” at its peak that is open to the elements. Originally built as a temple to all gods (as the name suggests), it was later taken over by the Christians and transformed into a church for St. Mary of the Martyrs. It’s a strange church, though, because of its shape and classical/pagan architecture. Still, it’s gorgeous—lots of gold and multicolored marble, ornately carved capitals on columns lining the walls. Raphael Santi, artist extraordinaire, is buried here along with a few other presumably notable individuals. As iconic as the Pantheon is and as glad I am to have seen it, I’m not sure it’s something I would need to come back to.

From here, our groups splits up based on what folks want to do for the rest of the afternoon. I definitely want to go to Castel Sant’Angelo but most others aren’t that interested. Scott and Sylvie want to come along, so we go to lunch with Cari and Miranda while the others head out for some street food and shopping. The five of us have lunch at a restaurant on the piazza just outside the Pantheon, so the view is fantastic. I have a delicious mushroom tortellini and it’s one of the best meals I’ve had in Italy.

After lunch, Sylvie decides to do go shopping with Miranda and Cari, so Scott and I head to Castel Sant’Angelo just the two of us. We head back to the bus stop nearby and ride a few stops toward the Tiber, then cross the Ponte Sant’Angelo on foot, flanked by 10 carved angels holding instruments of the crucifixion.

We’re delighted to find out that the price for a student ticket is just 2 euro since the original price is 15 euro. Castel Sant’Angelo was originally built as a mausoleum for the Roman emperor Hadrian. Since then, it has been modified a couple times into a fortress and subsequently a secondary residence for the pope in cases of emergency. In fact, there remains a walkway along the aqueduct that linked the papal apartments at Castel Sant’Angelo directly to the Vatican, though it hasn’t been used in many years.

We start at ground level and slowly ascend through the cylindrical center of the fortress, its four bastions, and the various courtyards and apartments at the top of the cylinder. About halfway up there is an overlook with great views of Vatican City and the Tiber, but we keep going up and the views from the top of the fortress are stunning. From here, right under the bronze statue of Michael the Archangel that crowns the castle, we can see most of Rome. The skyline is a curious and beautiful mix of terra cotta rooftops, domes of the city’s many churches and basilicas, and a few towering classical monuments like the Pantheon and Colosseum. It’s a fantastic view—a great treat for my birthday.

It’s nearing 3:00pm, so we wind our way back down through the castle and back to the bus stop so we can get back to the hotel and change into our tuxedos before we need to leave for our evening concert at 4:10. We make it in good time. Our concert this evening is at St. Paul’s Within the Walls, an Episcopal church that Mauro tells us was the first non-Catholic church to be built inside the walls of the ancient city (which still stand, marking the boundaries of the city center).

We have a smaller audience tonight than we’ve had so far, but that’s okay since this concert is more for ourselves. Dr. Diddle has the seniors and those leaving the choir after this semester come down in front before the concert, and emotions are running a bit high as we sing with many of our friends for the last time. Dr. Diddle herself seems to get emotional during There Is No Rose, which really hits me. After the concert, we all mill around for about half an hour as folks hug and cry and take photos commemorating our last concert in Italy and these seniors’ last performance with us.

We walk back to the hotel and change for our farewell dinner, which is at a nice restaurant nearby. Our large group takes up the entire second floor. I sit with Micah, Emily, Lauren, and Ted. We have an antipasti of prosciutto and mozzarella, a mushroom lasagna, pork with gravy and roasted potatoes, and some sort of frozen praline for dessert (no one can figure out what this was exactly). I ask for a glass of wine at the beginning of the meal and end up with a whole bottle. During dinner, we reflect on the trip and how we’re thankful to have gotten to know each other better over these past two weeks. I didn’t expect to get to hang out with these cool folks so much, but I’m so glad we’ve become better friends. It makes me feel more positively about the semester to come knowing I have a few good friends left after Miranda and Sylvie leave for student teaching.

Emily and Lauren get our side of the room to sing Happy Birthday to me at the beginning of the meal. Near the end of the meal after Dr. Diddle and Mauro and Elisabetta have made a few remarks, unexpectedly, the lights dim and the servers bring out a pie with a birthday candle for me to blow out. The whole room sings for me again and Mauro brings a Mylar balloon in the shape of a bottle of champagne and a gold star with “#1 Traveler” on it since I’ve taken so many trips through Seminars and study abroad at SDSU.

All in all, this was a beautiful birthday. The timing couldn’t have been better—to coincide with our last concert and farewell dinner was kismet. My friends and fellow choristers have made me feel so loved all day, and I’m incredibly grateful. I don’t think I’ll ever forget this birthday in Rome.

Everyone heads up to their rooms to pack and head to bed. Packing at the end of the trip is far easier than packing to leave Brookings, thankfully. I spend some time checking birthday messages before falling asleep. This trip has been so wonderful—maybe my favorite trip so far (though give me some time to reflect on that)—and I’m ready now to get back home.