#castel sant’angelo

[another-trad-girl-blr]

Feeling blessed to see this everyday 🌷

[random-brushstrokes]

Joseph Wright (of Derby) - The Annual Girandola at the Castel Sant’Angelo, Rome (1775-76)

[youryurigoddess]

The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

[teecupangel]

Desmond being bored and deciding to make a retelling of his ancestors for shaun or historians of the assassin's. Except he 'accidentally' makes it public and it goes viral, given that sometimes its Desmond and other times its his ancestors from the bleeding effect

The Assassins desperately needed a win.

After the Great Purge, the Assassins were left imprison in a sinking ship.

William Miles and Gavin Banks tried their best to protect and hide what was left but it was a losing battle.

It made people desperate.

Desperate enough to place their fate in Desmond Miles.

Desmond Miles, the runaway son of William Miles.

Desmond Miles, the descendant to Altaïr Ibn-La'Ahad and Ezio Auditore.

The golden boy of the Assassins.

He didn’t really care much about him.

Rebecca Crane was his tech support so he never even met the great Desmond Miles.

He was stuck here, in the basement of a loud club in Berlin, doing his job as one of the contact persons of Erudito.

Most of the time, he just helped Erudito fuck Abstergo’s shit up.

Or try to anyway.

Abstergo does have one of the most impressive security system money can buy.

They were slowly chipping on it though.

Most of Erudito were still trying to throw rocks at the digital bullet proof system Abstergo has while he and the best of Erudito hack into another company who uses the same system to find its weaknesses that they can use against Abstergo.

They were so close to a break through.

And he may have drunk 6 or 7 energy drinks for the last 62 hours so he actually thought he was hallucinating for a moment when he clicked the link one of the Erudito hackers he was working with had spent with the message “dude, isn’t he one of yours? O.o”.

It was a youtube video.

Of Desmond Miles…

In that motherfucking (should certainly be) secret hideout in Italy.

With that motherfucking statue of Altaïr Ibn-La'Ahad behind him, completely clear on view.

“So you wanted to know what Ezio was doing while he was looking for Cesare Borgia, right, Shaun? You went out and I know I’ll be back in the Animus by the time you get here so I’m recording this so you can watch it while I’m stuck in the Animus.”

“So… Cesare left Roma after he failed to kill Ezio and got sent to Castel Sant’Angelo.”

He blinked.

Was…

Was Desmond Miles giving a history lesson???

Oh, fuck, he was.

And he just namedropped Machiavelli and Leonardo as Ezio’s companions who were also looking for where Cesare was transferred after he escaped and got captured again in Firenze.

And…

He had started to speak in Italian.

Not only that…

His entire demeanor, even the way he sat had changed.

He had only heard about it.

The Bleeding Effect.

Desmond Miles was bleeding as Ezio Auditore in a fucking video in the internet.

His second phone began to rang and he prayed to every holy and demonic being that it wasn’t William Miles.

No matter what William Miles say, he cannot just scrub that video from the internet.

It was obvious (6 millions views! What the fuck!!!) that someone out there had already downloaded this video and taking it down would just spark more controversy.

He looked at the number and knew exactly who was calling him.

He accepted the call and said immediately, “What the fuck, Crane. Why did Miles upload a video to fucking Youtube?!”

Rebecca groaned and he could hear Lucy Stillman and Shaun Hastings shouting in the background, most probably ripping Desmond Miles a new one.

“The phone he used to record it automatically uploads to Youtube.”

He blinked.

“That is bullshit.”

“It’s true! It’s one of Lucy’s burner phones and she didn’t even change the settings at all! It defaulted to that kind of setting!”

“No phone has an automatic upload to Youtube and you know it.”

“I know but this one does! It’s so weird! It’s like… something weird is going on here!”

“I’d believe it more if you said Miles wanted to publish it as unlisted but fucked up.”

Rebecca groaned once more.

A phone that automatically uploads to Youtube.

That was such bullshit.

.

.

(Rebecca is telling the truth. The phone is a weird one and Lucy can’t even remember where she got it. Almost like… it was always there. Dun dun dun)

[antoniettabrandeisova]

Rome, a view of the river Tiber looking south with the Castel Sant'Angelo and Saint Peter's Basilica beyond, c. 1834. Rudolf Wiegman (German, 1804–1865) Oil on Canvas, 68.3 x 99 cm

[furlantravelfashionblogger]

Roma 🇮🇹❤

Basilica di San Pietro

Foto scattata da Castel Sant’Angelo

[l-i-b-e-r-o71]

Castel Sant’Angelo, Roma

[edwinspaynes]

Even with his mouth coated in cheese, Thomas was perfect. “Alright," Alastair said, "Do continue. What is your proposed plan for tomorrow?” “We go to the Vatican Museum tonight. See the artwork, enjoy the Sistine Chapel’s undoubtedly over-rated scrawl. And then tomorrow, we go to the city centre, over by the Castel Sant’Angelo.” “Doesn’t the Vatican close... well, earlier than the current time?” Alastair rolled his eyes. “What is the point of being a Shadowhunter if we do not take advantage of our glamours and our ability to scale even the most ridiculous of brick piles?” - Or, the 5 times Thomas and Alastair misbehaved in Rome (and the 1 time they misbehaved immediately upon their return.)

@alastair-appreciation-month @alastember2024

tsc taglist (lmk if you want to be added/removed): @staywildefairchild @sourlemons262 @belle-keys @drunkonimagination @alastaircarstairsismybff @vwritesaus @claritywithclary @purplebass @what-ho-christopher-put-in @life-through-the-eyes-of @alastaircarstairsdefenselawyer @bluewrite @lulusofis @oursoulstheyplay @tessherongraystairs @athearaej @faithfromanewperspective @vwritesaus @imabitchforjemcarstairs @emmalovesfitzloved @daisymydaisycarstairs @fangirlghost-19 @angeldaisies @celias @hanelizabeth @fangirlghost-19 @tiredandoptimistic

[blueiscoool]

A Trove of 750 Looted Artifacts Returned to Italy

Some 750 looted archaeological treasures have been seized from the notorious British antiquities trader Robin Symes and returned to Italy after a decades-long fight for their return, the Carabinieri art police said on Wednesday.

The artifacts, which according to the Italian cultural ministry are worth more than €12 million ($12.9 million), will go on display in Rome’s Castel Sant’Angelo museum as part of a collection of stolen art that has found its way home.

The objects “offer a cross-section of the many productions of ancient Italy and the islands,” including “numerous and diversified archaeological contexts (funerary, cultural, residential and public) … concentrated in particular in Etruria and Magna Graecia,” according to a statement from the Ministry of Culture.

Among the recovered items from the Roman and Imperial eras is a bronze tripod table from an aristocratic Etruscan family, two parade headgear for horses, two funerary paintings, male busts in marble, various portions of statues and bronzes, and a wall painting with the depiction of a small temple, likely from a Vesuvian residence, according to the ministry statement.

There are also precious gems set in gold, silver, bronze, as well as bone and amber.

Other pieces include weapons, sarcophagi, funerary urns, ritual objects, furnishings in bronze and marble, mosaic and painted decorations.

The artifacts originate from “clandestine excavations on Italian territory” and were illegally obtained by Symes Ltd, the company owned by Symes, a major trafficker of cultural goods, according to the ministry statement.

“The company, which had always opposed the repeated recovery attempts by the Italian Judicial Authority, (and) subject to bankruptcy proceedings in the United Kingdom, was also sued in Italy, through the Attorney General of the State, for the return of the goods or civil compensation for damages,” Italian Attorney General Lorenzo d’Ascia said during the press conference.

There are also precious gems set in gold, silver, bronze, as well as bone and amber.

Other pieces include weapons, sarcophagi, funerary urns, ritual objects, furnishings in bronze and marble, mosaic and painted decorations.

The artifacts originate from “clandestine excavations on Italian territory” and were illegally obtained by Symes Ltd, the company owned by Symes, a major trafficker of cultural goods, according to the ministry statement.

“The company, which had always opposed the repeated recovery attempts by the Italian Judicial Authority, (and) subject to bankruptcy proceedings in the United Kingdom, was also sued in Italy, through the Attorney General of the State, for the return of the goods or civil compensation for damages,” Italian Attorney General Lorenzo d’Ascia said during the press conference.

A further 71 objects, currently in the United States, will be recovered in the next few days, Brigadier General Vincenzo Molinese, commander of the Carabinieri Art Squad, said.

The return of these 750 objects marks another success in Italy’s attempt to recover its stolen treasures. Minister of Culture Gennaro Sangiuliano said at the press conference: “The recovery of illicitly stolen cultural heritage is one of the priorities of my program; protecting it also means preventing our heritage from being plundered by unscrupulous traffickers.”

By Barbie Latza Nadeau.

[anglo-norman]

Shrines to St. Michael.

"Mountains figure prominently at the mighty ganglia of the story of Christianity... As Jesus prays atop the holy mountain, the other world intersects with ours as the divine comes down to the human, as the eternal touches the temporal and mortal. And that other world is the ultimate reality, not this one. No wonder that St Michael, ‘Quis ut Deus,’ has his shrines on lofty peaks; no wonder the Celts worshipped on hills and mountains...

The spirit of the Archangel Michael permeates discussion of the world of the Celts—shrines such as Skellig Michael on precipitous mountain-tops in the cold and wet Celtic desert; early connections with the ancient Eastern world; guardianship of Tuscany, Provence, Normandy, and Cornwall; safe-keeping of wanderers and hermits; motifs of spear, sword, and stone; waging of the war in Heaven and the downfall of Lucifer; the communion of the Grail."

St. Michael: Early Anglo-Saxon Tradition, Raymond JS Grant

(1) Mont St. Michel, Normandy, France; (2) St. Michael’s Mount, Cornwall, England; (3) Castel Sant’Angelo, Rome, Italy; (4) Saint-Michel d’Aiguilhe, Le Puy-en-Velay, France; (5) Abbey of San Galgano, Siena; (6) Skellig Michael, County Kerry, Ireland; (7) Sacra di San Michele, Mount Pirchiriano, Turin, Italy; (8) St. Michael’s Tower, Glastonbury Tor, England

[wandering-jana]

Castel Sant’Angelo, Rome. A former mausoleum turned fortress of the Popes.

Feb 16, 2024

[beatricecenci]

Christoffer Wilhelm Eckersberg (Danish, 1783-1853)

Castel Sant’Angelo

[crispyjenkins]

the savage price of piety (wipwed 1)

desmond rivals obi-wan for blorbo status, so you can perhaps imagine how insane i feel about him. here's my silly little (very large) au where he's sort of an auditore except not really except he absolutely is except the borgia had him for a while except he's killed SO MANY people. y'all get no more context than that. (mostly gen but with a surprise rarepair, time travel/reincarnation, found/created family, william miles’ a+ parenting, accidental subterfuge, desmond goes by miles mostly, inspired by study of flight by @esamastation but with a twist!, only somewhat historically accurate swears and none of them come from des. he WILL use his future knowledge to mutter things that would absolutely get him burned at the stake)

  Was it the failure or the death that chased Cesare away and stopped him from doing more than removing the bodies? Was leaving it empty a reminder from Rodrigo of Cesare’s embarrassment?

  There are still bloodstains in the corridors, visible to the naked eye. Some valuables have been taken, but not all; he supposes looters still fear the rumours of haunting that Desmond put out while newly with the Borgia. Or maybe it was the fake satanic ritual he’d set up in the front hall, complete with animal sacrifices?

  He’s quite proud of that, actually, especially when he finds it barely disturbed just before the main staircase. He’d had to sneak away from his handlers to do it, very soon after he’d been dragged to Castel Sant’Angelo, and Cesare had threatened to take his hand off for it, but clearly Desmond’s work had been convincing enough to keep people from ransacking his... childhood home.

  To keep people from finding anything about the Assassins, or Desmond, that he hadn’t managed to destroy.

  Maybe he’s even morally obligated to burn the place down, if leaving it standing is such a potential risk, but two things stop him: 1) most of renaissance Rome is made of wood, and one of the few historical events unrelated to his ancestors that Desmond remembers is the Great Fire of London, and he can’t exactly guarantee that setting fire to the castello won’t set fire to the whole rione as well. And 2) despite hating every single person that resided there with him, this had still been Desmond’s home, in ways even the Farm hadn’t been. The latent grief of Ezio losing the Palazzo Auditore won’t let him be the hand that destroys the Castello Tarazed.

  Christ, he’d even left his room intact.

-

[pikasus-artenews]

Papi e Santi marchigiani a Castel Sant’Angelo

Un viaggio straordinario attraverso la storia, l’arte e la spiritualità che unisce il territorio marchigiano alla Città Eterna

[wisconsinwarlock]

Rome

We’re here - and with surprisingly little fuss. Only a slight delay in the flight (they confused an oil stain for a lightning strike 🤣), no long line at customs, no lost luggage, no trouble getting train tickets to get us into the city center. No trouble walking from luggage storage to the hotel, no trouble checking in. Only trouble was that the power was out at the hotel when we got back from dinner - which is a challenge with electronic key cards. Fortunately only sitting out in the hall a few minutes and the power got the AC running again shortly thereafter.

Took the sightseeing bus tour and got… lousy pictures. We’ll fix that over the next couple of days. But - I can now say I’ve seen the Colosseum, Circus Maximus, Castel Sant’Angelo, the Vatican, and the alleged site of Julius Caesar’s stabbing, which I’m sure is of great interest to all Tumblr-dom. 🤣

Also - it is stupid hot here. Got to 100, more expected all week. At least there’s gelato to be had on every corner.

[eopederson]

Castel Sant’angelo, Roma, 2019.