#Sandeep Bhagwati

[artspaume]

Performance-installation du compositeur Sandeep Bhagwati au MBAM coprésentée avec la SMCQ (CA)

Photo : SMCQ-MBAM_Performance-installation Samedi 20 avril et dimanche 21 avril 2024 / 10 h à 17 h Gratuit à l’achat d’un billet d’entrée au MBAM Pavillon Jean-Noël Desmarais, S2 La Société de musique contemporaine du Québec (SMCQ) s’associe au Musée des beaux-arts de Montréal (MBAM) pour présenter une performance-installation du compositeur de renommée internationale Sandeep Bhagwati. Sur…

[winurban]

Sandeep Bhagwati, compositeur contemporain honoré par la SMCQ from Winston McQuade on Vimeo.

LE CULTUREL 2.0 avec Winston McQuade : Sandeep Bhagwati, compositeur émérite, nous invite au concert d’ouverture « Amitiés & étrangetés » ce dimanche 24 septembre, 15 heures, à la Salle Pierre-Mercure. Cette série « Hommage » de la Société de Musique Contemporaine du Québec alignera une vingtaine d’événements dont 10 concerts pour sa 58ième saison…

[pixelsniper]

Transcultural Media Aesthetics (Lüneburg, 22-24 Jun 23)Lüneburg, Jun 22–24, 2023Deadline: May 5, 2023

[English version below] DGAE–Plattform#2: Transkulturelle Medienästhetik // Transcultural Media Aesthetics Organisation:Emmanuel Alloa (Fribourg), Elke Bippus (ZHdK), Christoph Brunner (Erasmus Universiteit Rotterdam/Leuphana), Steffi Hobuß (Leuphana) Bestätigte Vortragende: Mieke Bal (Amsterdam/Paris), Sandeep Bhagwati (Zürich/Montréal), Susan Buck-Morss (New York), Iris Därmann (Berlin),…

[dearliheng-blog]

Meeting with Sandeep Bhagwati, the composer and the founder of MartaLab.（在 Berlin, Germany） https://www.instagram.com/p/B2zltN8n2rG/?igshid=o3ecta1ce9jj

[kunstfaktum]

“Festival” Shapes of Haiku | 28.06.2019 | 20 Uhr | Lettrétage | Vernissage-Konzert von Martin Losert

Wie Martin Losert selbst über seine musikalische Performance mit seinen vier verschiedenen Saxophonen sagt, ertönte die Komposition von Sandeep Bhagwati Miyagi Haiku kontrapunktisch zu den Gemälden von Héctor Navarrete. Die Begegnung von unterschiedlichen künstlerischen Auseinandersetzungen war insbesondere während der Ausstellung gegeben. Die Musik als Zeitkunst und das Bild als Raumkunst wurden dabei harmonisch verbunden. Photo: Hiroshi Toyoda

[ramoanaj]

2019

Score for my mother: Gestures for wordless letters

Live Performance, 15 min

University of Waterloo Art Gallery (UWAG)

Performed by Veda Hingert-McDonald and Morgan Lovell with Hafiza Elkhatib and Jana Omar Elkhatib

Photo documentation by Daniel Yang

Special thanks to Lois Andison, Sandeep Bhagwati, Ivan Jurakic, Kathryn Ladano, Jordyn Stewart, and Jane Tingley

Stutters and silences disrupt the letter readings of the artist and her mother in Arabic and English. Embodying this sound, musicians Veda Hingert-McDonald and Morgan Lovell perform a comprovisational (“composed improvisation”) text score for violin and cello. The score finds its basis in gestures and states of love and fear, separation and longing.

The live performance was presented on the opening night of Caesura, the culminating show of the undergraduate Fine Arts Studio program at the University of Waterloo, at the University of Waterloo Art Gallery (UWAG). Following the opening, a rendition of the score remained in the gallery as a sound installation for the duration of the exhibition.

[todaybharatnews]

via Today Bharat Finance Minister Nirmala Sitharaman has said that the Indian public sector banks had the "worst phase" under the combination of former Prime Minister Manmohan Singh and RBI Governor Raghuram Rajan. Delivering a lecture at the prestigious Columbia University's School of International and Public Affairs here on Tuesday, Sitharaman said that giving all the public sector banks a "lifeline" is today her primary duty."I'm taking a minute to respondhellip; I do respect Raghuram Rajan as a great scholar who chose to be in the central bank in India at a time when the Indian economy was all buoyant," Sitharaman said during the lecture organised by the Deepak and Neera Raj Centre on Indian Economic Policies of the Columbia University. Asked about Rajan's comments during a recent lecture at Brown University in which he had apparently mentioned that in its first term, the Narendra Modi government had not done better on the economy because the government was extremely centralised and the leadership does not appear to have a consistent articulated vision on how to achieve economic growth, the minister said instead there were major issues with bank loans during Rajan's tenure as the central bank head."It was in Rajan's time as Governor of the Reserve Bank "that loans were given just based on phone calls from crony leaders and public sector banks in India till today are depending on the government's equity infusion to get out of that mire," she said. "Dr Singh was the Prime Minister and I'm sure Dr Rajan will agree that Dr Singh would have had a 'consistent articulated vision' for India," she said amid laughter from the audience."With due respect, I'm not making fun of anybody but I certainly want to put this forward for a comment which has come like this. I have no reason to doubt that Rajan feels for every word of what he is saying. And I'm here today, giving him his due respect, but also placing the fact before you that Indian public sector banks did not have a worst phase than when the combination of Singh and Rajan, as Prime Minister and the Governor of Reserve Bank, had. At that time, none of us knew about it," she said. Sitharaman said while she is grateful that Rajan did an asset quality review, but people should know what makes the banks ailing today. "I am grateful that Rajan did an asset quality review but I'm sorry, can all of us put together also think of asking what ails our banks today. Where has it been inherited from," she said. The event was also attended by former NITI Aayog Vice Chairman Arvind Panagariya, professor and eminent economist Jagdish Bhagwati and India's Consul General in New York, Sandeep Chakravorty. Sitharaman said: "While economists can take a view of what prevails today or prevailed years ago, but I will also want answers for the time when Rajan was in the Governor's post speaking about the Indian banks, for which today to give a lifeline is the primary duty of the Finance Minister of India. And the lifeline-kind of an emergency has not come overnight". Responding to the question, Sitharaman further pointed out that if there is a feeling that there's been a centralised leadership now, "I'd like to say that very democratised leadership led to a whole lot of corruption. Very democratised leadership. The Prime Minister, after all is the first among equals in any cabinet". "You need to have a country as diverse as India with an effective leadership. A rather too democratic leadership, which probably will have the approval of quite a lot of liberals, I'm afraid, left behind such a nasty stink of corruption, which we are cleaning up even today," she said.

[compostmoderncomposer]

Oh so much

November 16th 2018

I have much to report!! First of all  I had my First rehearsal with Ola. Many wonderful discoveries! Like my favorite so far “The Chicken Isaac” scene, as well as a dripping double shadow and more!

This Sunday we have planned a documentation session with my friend artist and photographer Bronwen Moen. As I am in the middle of making an application for Art Matters  and will need some documentation of my work in progress.

In the beginning of November I had a very clarifying hour long chat with Sandeep Bhagwati a composition professor at Concordia University. He helped trim down the process by suggesting to just work with a choreographer instead of also including a theater person. For it could make things overly complicated. Which I am glad  to have a more aerodynamic process now. We also discussed many possibilities of how to work with the body and light. The other big impact was the idea to include text from medical articles on the body and clarinet playing into my research.This text could be source material to be apart of visual presentation giving the audience an accessible way to frame the work. Unplanned addition to the project! I have also been doing research on the side in building my own programmable Digital Single Processing (DPS) Pedal for Audio. If I am successful I will have more customization and control of electron modification of my audio. If not i can still use the pedal I have already. As a composer I like the idea of knowing what process my electronic and digital devices are having on my sound, so I can choose how to incorporate them in my pieces.

I have ordered a bunch of electronic parts as well as an  Axoloti Core. I have already downloaded the Axoloti software  in which I can make digital Audio Patches and upload them onto the board. Thus i will have much detailed control on digital process affecting my clarinet. One thing I’m looking forward to is to be able to have the compressor apart of my patch to make it easier for someone to do sound for my performance cause as it is, my signal dynamic range is to large.